Harun Q
Architectural Architectural Design Design Studio Studio 33 (Socio-economic (Socio-economic contexts) contexts)
C o n t e n t s.
3-5 Intorduction / Abstract / Expectations 6-9 Research: Waste in Archeteture 10-25 Material Driven Design Experiment 26-56 Product Development 57-109 Initial Ideation Process + SIte Analysis
Harun A. Qassim Yr2 - Semester 2
2nd Year Architecture Student, Based in Melbourne. Aspiring to be an Architect and help shape city and suburbian landscapes through technology and innovation.
The premise of this Studio (Socio-Economic Context) revolves around the reversing the design
Introduction.
stream to work from materials and environmental effects backwards towards the initial design scheme. Elvina Karana (Associate Professor, IDE) perfectly encapsulates the process through her analysis, stating:
Designers qualify the material not only for what it is, but also for what it does, what it expresses to us, what it elicits from us, and what it makes us do. The philosophical understanding of the design process is integral in understanding the empirical data and semantics related to the core focus of this unit. The prevalence of construction waste (1/3 of all waste globally) with an emphasis on plastic waste has given rise to designers opting to replace traditional fossil-fuel plastics with Bio-Plastics. The field of bioplastics is diverse with a multitude of plant and animal based products which can be sustainable, readily available and biodegradable, drastically reducing the harmful effects plastics are currently inflicting on our ecosystems. My research and experimentation into bioplastics are done through material experimentation and an in-depth analysis into the chemical composition, economic viability and human experience. This paper aims to identify and analyse the material to be used in bioplastic experimentation with a host of different sustainable and ecofriendly materials to replace construction elements. The bioplastic’s development revolves around the notion of mechanically sound and stable design, meaning a series of tests will be exerted onto the material to identify it’s strengths and
weaknesses. The paper will also document the procedure taken to achieve the resulting bioplastic.
The ingredients that will be sourced in for this experiment will be analysed for their sustainabili-
ty, availability, carbon footprint, overall cost and a host of other variables and constraints within the overall scope of creating an eco-friendly bioplastic material.
Aims & Expectations.
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The aim of this experimental process with the use of Research, Material Driven Design Processes & Independent innovation is to find bio-plastic or a bio-plastic subcomponent in order to replace plastics used on construction sites. The expected results is a complete decrease in environmental impact in all factors (production, transport, assembly, product life & after life, decommission and recycling/decomposing)
Waste in Architecture
1.3 Billion tons of solid waste are generated by growing cities every year, with the number expected to grow by 2.2 million tons in the year 2025. Researchers have long been documenting the upward trend of both the consumption, production and pollution of construction materials with an emphasis on Plastics. Macro and Micro-plastics are some of the most prevalent and damaging pollutants within our ecosystem The need for a replacement to plastics is imperative to the preservation of our environment. Currently efforts are being made by countless bio-firms and institutions to further the development of plastic alternatives, chiefly bio-plastics. With the ability to greatly reduce the carbon footprint, pollutant factor and a bevy of other environmental scales which will ultimately reduce our impact on the ecosystem.
Waste in Architecture
The topic of Architecture-produce waste has steadily grown in prominence as new figures and statistics are found and discussed. However, Building from Waste: Recovered Materials in Architecture by Dirk E. Hebel, Marta H. Wisniewska and Felix Heisel intends to understand the source of waste and stem the source before it affects the ecosystem in a negative manner. Within the current climate, the writers discuss the inevitability of waste being produced, stating:
‘Our economic system is based on the principle of the exhaustion of natural resources for the purpose of production, entailing the fabrication of waste, This system functions at the expense of our social integrity and environmental sustainabilty’ 1.3 Billion tons of solid waste are generated by growing cities every year, with the number expected to grow by 2.2 million tons in the year 2025.
Waste in Architecture
‘In total 1 Kilogram of C02 is emmited for the production of five avaerage sized plastic bags. Figures indicate that quadriple the amount is used for construction plastics of the same size once transport, logistics and other variables are added’
The Linear Metabolism Theory is an understanding of the finite amount of resources on earth and their eventiual diapperance along with the unusable waste they produce
This number can be greatly reduced by implementing changes to our systems of operations in all facets that contain plastics and plastic use within the construction industry. Changes made to the number of plastics components made not be necessary if a complete reversal to bio-plastics is made. Bio-plastics that are both bio-degradable and sources from organic materials can greatly reduce the amount of fossil fuels that are used to both manufacture and produce plastics whilst simultaneously reducing the amount of harmful plastics are present in either landfills or oceans
The Circular Metabolism Theory however indicates how the insertion of organic materials into our systems allows for a feedback cycle which can reduce pollution, waste, environmental impact and costs when applied correctly
Precedent Study: COS + Mamou-Mani present “Conifera” 3D-printed installation Fashion brand COS and London-based French architect Arthur Mamou-Mani collaborated on a projected named ‘Conifera’, a site-specific work made from 3D-printed bioplastics bricks installed at Palazzo Isimbardi during the 2019 Milan Design Week. The name Conifera originates from the conifer tree (Douglas fir) pulp used for the material mix, together with polylactic acid (PLA), a renewable polymer made from starch, vinegar, and glycerine; The bio plastic design instillation shows promise for the potential bio-plastics have within the construction industry
“Each bio-brick is made from fully compostable resources printed in the form of interlocking structural lattices, optimizing material use and allowing light to permeate the structure as visitors travel through the installation.” In regards to what I have personally taken from this study, I have noted the Instillation’s preset aims to reduce construction plastics waste from it’s genesis allowing it to keep it’s objective of a bio-plastic, injection mold, 3D Printed design with the scope of sustainabilty whilst still being engaging and powerful enough to garner attention. Thus, I will also attempt to keep myself grounded and within scope; consitantly refering back to the aim of the experimentation to base my results and any further exploration moving forward
Interior views of the Conifera instillation
The structual arch of the Conifera instillation
All photos © Federica Lusiardi / Inexhibit
Material Driven Design Investigation into Bioplastics replacements within the Construction Industry:
Materials
Figure 1.1: Three lignin monomers: Lignin monomers are varied in nature
“Lignin represents the second most common biopolymer found in nature, next to cellulose, making up about 20 percent of all organic matter.[7] It serves as the stiffening substance in the outer layer of every plant cell and accounts for about 1/3 of a tree’s material. It is extracted through a boiling process from wood shavings and fibres and enhanced with methanol and hydrochloric acid to form a resin-like substance. Polymer blends from Lignin exhibit good mechanical properties and a high degree of rigidity”. After initial research into bioplastics based on plant-matter, Lignin-based bioplastics appears to be a material that can perform and operate in the construction field to a high degree. Tim Bugg, Professor of Biological Chemistry at The University of Warwick, Coventry UK; shared his recent findings within his research into lignin-based bioplastics as reported by Robyn Williams of the ABC. His report stated the difficulties in reducing the rigid structure “It’s evolved to be very tough, to hold plants up. But we’re now trying to break it down, which makes it very challenging”. Williams adds; “And there’s lots of it around [Wood Material], because whether we’re in big cities or even in the country there’s lots of waste that comes from old wood, from papers and god knows what else. So you’re trying to make use of this vast supply, are you? Bugg confirms the statement and then answers questions regarding where the lignin will be sourced from, stating: ‘’So there’s agricultural waste, in the UK wheat is our major crop, so there’s plenty of wheat straw around that could be used for biotransformation. Other countries have got other feed-stocks: rice, et cetera, sugar cane. But it’s also a by-product of certain industries. The pulp and paper industry, for example, in Scandinavia, produces a lot of lignin as a by-product which currently they burn for energy. It’s a bit like brown coal. But if we could convert it into high value chemicals that would be sustainable and be a very good thing to do.’’
In comparison to synthetic fibres, lignocellulosic fibres are biodegradable, renewable and widely available; moreover, they have low density, competitive specific mechanical properties and a relatively low cost Lignocellulosic fibres such as sugar cane bagasse, wheat straw, rice straw, forest wood, flax, hemp, kenaf etc. have been widely used as reinforcements in bioplastics. Several reviews of lignocellulosic fibres and biopolymers in bioplastics have already been conducted.
Figure 1.2: The visual breakdown of treated vs non-treated lignocellulosic fibers
It has been estimated that around 70 million tons of lignin in the paper-making industry are available per year. However, only 2% of it is processed and utilized as lignin, the rest is added into fuels The Lignin based product we will be experimenting on will not be a bio-engineered, production level bioplastic component; but rather an existing product. By using Hemp we are classifying a large sector of lignins which currently have a dependable market for products and accessories. With ample amounts of research already made into the application of hemp and in this case the conversion into a bioplastic; our findings will have a large amount of data to be cross-referenced with.
Materials Hemp Rope: Primary Lignin-Based Ingredient
Hemp has been used for millennia due to its strong and reliable composition, chiefly due to its high Lignin composition. Many iterations of Hemp-based plastics have been attempted by multiple industries with varying results. Henry Ford’s ‘Hemp-Car,’ designed in 1941, was made from a plastic composite which consisted of 70% hemp fibre mixed with straw and sisal. Ford demonstrated the strength of the hemp composite by beating the car with a club and leaving no dents in the bodywork. He was also quoted to have said:
“Why use up the forests which were centuries in the making and the mines which required ages to lay down, if we can get the equivalent of forest and mineral products in the annual growth of the hemp fields?” (Henry Ford 1941) Once the fibres have been removed from the hemp stems, what remains is 77% cellulose: the building blocks of trees and plants and a source of plastic that is biodegradable. Hemp grows prolifically, making it an extremely efficient crop. They are lightweight, biodegradable and can replace many petrochemical plastics (oil-based plastics).
#1: Method
Bio-Plastic Fabrication Process
1. The Hemp Rope (1 meter length is cut at 25 cm and manually frayed into indivdual threads by hand. 2. The solution (150 ml / Gelatine Powder: 4 Grams / 2 table spoons of Vegtable Oil) is set on high heat and stired until the solution begins to bubble. 3. The Hemp, now in individual strands is gently lowered into the solution, the heat is gradually reduced and then after 30 seconds the hemp is removed from the solution. 4. the now wet hemp fibers are lowered into a sheet of aluminum foil and pressure is placed ontop of the material. 5. The hemp is set to rest for 12 hours and then removed from it’s aluminum foil cover.
Figure 1.1 Ingredients assembled for first iteration
#1: Results After the cooling process is completed the foil wrapping is removed from the bioplastic. The material is then removed of any excess foil that it still attached to the plastic. Note: a small amount of foil is still embed into the plastic. Observations: The plastic is translucent and allows a large amount of light to pass through. The hemp fibers still have their original texture although it has been coated thinly in the plastic membrane. The feel of the material is thin, crusty and flakey; though it is extrodinarily light and durable. Steps to remove/rectify: - Aluminium Foil: A non-stick option (Baking paper) would be far more preferred to ensure that no pieces get embedded into the plastic - Cooling process: rather than leaving the plastic outdoors, a freezers could be more preferable to ensure the bonding process happens quicker - Colligate: the colligate could be increased to increase the flexibility of the matter and reduce it’s thin brittle complexion - Solution: The solutions will be increased by 4 fold to increase the variations in the hemp fibres planned for the next iteration After inspecting the initial plastic under a light board, an observation can be made on the different concentrations of hemp fibers being clumped together in certain areas. This is primarily due to the irregular placement during the curing stage of the experiment. A possible ammendment that could be made for any future itterations is to create a weave or a bundle of fibers and then submerge them into the solution.
Figure 1.3 Close-up shot of the membrane, the hemp strands have been thinly coated in the plastic solution
Smell: Strong notes of vegtable oil and Gelatine Touch: Britle and flakey, large amounts of fat residue Sight: slightly see-through with some aesthetic potential
Smell: Needs Improvement
Sight: Desired Level
Feel: the fibers do protude in some areas leaving a varied texture Ridgity: The paper thin composition Feel: Unrefined offers little ridgity, however it does not bend easily.
Ridgity: Stiff & Britle
#2: Method
Bio-Plastic Fabrication Process: 4 Sample Process
1. The Hemp Rope (1 meter length is cut at 25 cm and manually frayed into indivdual threads by hand. These threads are then sprayed in different thickness depending on their sample
2. The solution (400 ml / Gelatine Powder: 16 Grams / 8 table spoons of Vegtable Oil + Green Food Colouring) is set on high heat and stired until the solution begins to bubble. [Ammendments made to increase solution based on previous results and for an increase in batch size
3. The solutionis poured into the aluminum tray with the frayed hemp fibers. it is then cooled in a freezer for 5 hours before being removed. 4. the aluminium tray is removed the now solid concoction is set to dry in a cool space outdoors. Ingredients assembled
The solid solution measures at approximatly 40cm x 24cm x 3cm
The solution is placed in an aluminum tray
Top view of the solid plastic core
Clear plastic wrap is placed over the mixture
Few fibers are visible from the surface of the solid bio plastic
F b
#2: Results After the cooling process is completed the foil wrapping is removed from the bioplastic. The material is then set to defrost any excess ice that has formed during the cooling stage. Observations: The plastic is far less translucent than the previous itteration however the consistancy is far more to my liking. The green dye allows for greater depth to the material, whilst the increase in gelatine and vegtable oil gives far greater felxibilty to the bio-plastic. Steps to remove/rectify: - Aluminium Foil Tray: The tray was an excellent addition however it required to be lined with baking paper to avoid any perfereation to the bioplastic - Cooling process: The freezer worked tremedously in quickly solidifying the bio-plastic, yet the ice that formed quickly caused spillage onto most working areas,, reducing the efficency of post results storage - Colligate: the colligate could be increased to increase the flexibility of the matter and reduce it’s thin brittle complexion - Solution: The 4x solution was very potent in creating a larger and thicker plastic, whilst reducing the hemps role in the dolution signitifcantly. After inspecting the initial plastic under a light board, an observation can be made on the different concentrations of hemp fibers being clumped together in certain areas. This is primarily due to the irregular placement during the curing stage of the experiment. A possible ammendment that could be made for any future itterations is to create a weave or a bundle of fibers and then submerge them into the solution.
Figure 2.2 Close-up shot of the membrane, the hemp strands have been thinly coated in the plastic solution
Figure 2.1 Close-up shot of the membrane, the hemp strands have been thinly coated in the plastic solution
Smell: Lesser notes of vegtable oil and Gelatine Touch: Soft and wet in some aspects Sight: HeavilyTgreen with little light permiation, the hemp fibers are almost no-existant.
Smell: Improved
Sight: Reduced
Feel: Extremely soft and jello-like, however the impact of the hemp fibers is almost none-existant Ridgity: The thicker and now softer composition allows the matterial to bend. Simmilar materials include: Jelly, sillicone-products, rubber.
Feel: Greatly Improved
Ridgity: Reduced
#3: Method
Bio-Plastic Fabrication Process: 4 Sample Process Figure 3.1 Pendant made from hemp rope
1. The Hemp Rope (1 meter length is cut at 25 cm and manually frayed into indivdual threads by hand. The threads are alligned on two seprate forms. One is a sheet of seperated individual fibers, whilst another is a weave of fibers made into a pendant. 2. The solution (200 ml / Gelatine Powder: 2 Grams / 3 table spoons of Vegtable Oil + Yellow Food Colouring) is set on high heat and stired until the solution begins to bubble. [Ammendments made to decrease solution based on previous results. 3. The Pendant is dipped into the solution (Due to the lack of instant Collagulation, the sollution is then powered into the alluminum tray linned with baking paper.) 4. The aluminium tray is placed in a cool, dry place for the cooling process to complete.
F c
Figure 3.2 A close up of the memebrane shows the fibers more closely integrated with the plastic
#3: Results After the cooling process is completed the backing paper is removed from the bioplastic. The material is then given time to set and solidify Observations: The plastic is far more translucent than the previous itteration and greater in consistancy. The yellow dye was far more measured and thus provided a light shade rather than reuceing overall visibilty allows for greater depth to the material, whilst the increase in gelatine and vegtable oil gives far greater felxibilty to the bio-plastic. Steps to remove/rectify: -This iteration did not necessarily develop in my favour, however if the light flexible plastic can be hardened in some way and incorporated better with the hemp fibers then this solution could be reused to greater effect. After inspecting the initial plastic under a light board, an observation can be made on the different concentrations of hemp fibers being clumped together in certain areas. This is primarily due to the irregular placement during the curing stage of the experiment. A possible ammendment that could be made for any future itterations is to create a weave or a bundle of fibers and then submerge them into the solution.
Figure 3.4 A close up of the memebrane shows the fibers more closely integrated with the plastic
Figure 3.3 Top View of the membrane, the hemp strandsare entirely embedded into the solution rather than being thinly coated
Smell: almost no notes of Vegetable oil or Gelatin Touch: Soft and flexible, yet still rigid when bent in certain ways Sight: The plastic formed an almost resin like mold over the hemp fibers keeping them firmly in their current shape.
Smell: Improved
Sight: Improved
Feel: Soft to the touch yet rigid Rigidity: The rigidity of the new iteration is far more practical than the 2 previous experiments. It has the right amount of play and flexibilty but would require more stiffening if used in any construction application.
Feel: Greatly Improved
Ridgity: Greatly improved
#3: Results Extended
Following close to 3 days of drying a forming the 3rd iteration is beginning to harden Figure 3.1 The plastic membrane is still see through and allows light to fillter through
and follow the curvature of
Figure 3.3 Due to the release of liquid as the drying process continues the material begins to stiffen and harden becoming less maliable.
it’s hemp lining. For example in figure 2 the vertical fibres have raised the profile of the plastic and allowed it follow through its direction and curvature
Figure 3.2 The stiffening process has allowed the plastic to form along the hemp fiber’s natural shape
Figure 3.4 The plastic has dried at the exact elevation of the hemp fibre and continues along it’s length around the entire membrane
Reflection Thus far the 3 experiments previously explored all lacked critical ele-
However after looking into Robert Murry-Smith’s
ments that I wished to achieve within the bio-plastic experimentation
engineering studio I have found a way to create
period. Whilst all 3 had hemp fibres as an ingredient, they all lacked
hemp plastics out of a milk-tea-hemp fibre base.
any structural rigidity or enhanced movement as a direct result of
Yet the process is both time consuming and re-
the hemp fibres addition. However my latest experiment had shown
quires tools that are not yet readily available.\
some promise in creating a sustainable and durable material, if I am able to work on the substance and create is a stronger membrane,
Which leads to the third option of attempting to
I might be able to better integrate the hemp fibres into the bio-plas-
continue with the gelatine-solution and hemp
tic.
fibres but combine it with construction materials and processes. Thus after this reflection I have
With research into Carbon Fibre meshing techniques for Sailing and
attempted to create a few experiments which test
other lightweight, durable technologies, I hope to be able to properly
the bioplastic’s performance and hopefully pro-
replicate their mechanisms, processes and possibly results. By look-
duce some useable results.
ing into NorthSail and ‘Composites, Surfaces and Software: High Performance Architecture by Greg Lynn & Mark Foster; along with ‘The Material Geometry of Fibre-Reinforced Polymer Matrix Composites and Architectural Tectonics’ Johan Bettum. With research into high performance fibres I hope to be able to replicate some of the industrial standards but with a renewable, bio-degradable and plentiful material
#4.1: Ideation Method The aim and premise of this experiment differs from those previous, during this iteration my aim was to compare two different methods of combining the plastic with the hemp fibres for practical construction use. I sought to use Balsa wood as a timber alternative and as a way of securely holding the Hemp in place, a major issue in previous experiments. Thus by wrapping the Hemp fibers around the Balsa struts (40cm x 2cm x 2cm) and comparing two methods of conjoining the plastics with the Hemp (Dipping vs Submerging) I hope to find some conclusive results to further the ideation of this lignin-based Plastic.
Figure 4.1: hemp strands are frayed
Figure 4.2: hemp strands are wrapped
Figure 4.3: The hemp-balsa is dipped into the solution
Figure 4.4: Both the samples are dryed outside in the same conditions
After the drying process was completed, the two samples were examined for any differences in apperance, performance and other factors that determine the real-life application of the Hemp-Fibre Based Plastics. Strength: The Coated Plastic Hemp Column was far weaker than the Embedded Column Ridgidity: The Embedded Column is able to handle more stress and weight from a multitude of angles Aesthetic: The Embedded Column has a see through membrane which allows people to look through the plastic and into the element it is supporting.
Figure 4.5: Embeded Balsa Column is extracted from the hardend solution
Figure 4.6: The Embeded Balsa Column (Left) has a var more stiffer constitution compared to the column that was lightly coated in the solution
#4.2: Ideation Method For the Second Practical Experimentation process, I will be attempting to experiment with joint fixtures and the strength differentials between bio-plastic coated hemp fibre joints and non-bioplastic coated hemp fiber joints in order to discern their real-life practicality.
Figure 4.5: Two Balsa Wood Pieces fastened together through Hemp Rope
Weeks 3-4 Gelatine - Glycerol - Hemp Fibres
Jacqui Harun David
Group 1 Research Task
About Grou p On e We a r e a s p i r i n g a r c h i t e c t s , s t u d y i n g a r c h i t e c t u r e r e m o t e l y ( d u e t o the Covid-19 pandemic and consequencial lockdown in Victoria) t h r o u g h S w i n b u r n e U n i v e r s i t y o f Te c h n o l o g y.
Jacqueline Keogh
Harun Qassim
David Petrevski
PROJECT BRIEF P a r t ic i p a n t s Jacqueline Keogh 102516693 Harun Qassim 102354534
Sc o p e o f w o r k s Research precedents where products or buildings are
1.
David Petrevski 5826918
joined without the use of modern fixings such as screws or bolts. Investigate joining techniques and the advantages and disadvantages of the material and the project overall.
I n t ro d u c t io n
2.
Analyse the recipe and results of Harun’s bioplastic experimentation. Discuss the advantages and disadvantages
David, Harun and Jacqui spent the last two weeks creating
of the recipe and how it could be developed or altered to
bioplastics using different types of recipes with varying
achieve the project objective.
polymers, plasticisers and additives. We then formed a group (group one) and discussed our findings.
3.
Using findings from the precedent studies and analysis of Harun’s recipe to develop bio-plastic recipe/s to cook including
We found Harun’s project and outcome to be the most
a method for creating the joins or developing joining techniques.
interesting, specifically the use of Hemp with bio-plastics.
Include an analysis of the ingredients and their properties.
We also discussed using Spirulina as a possible polymer alternative to Gelatine.
4.
Outline a list of recipes with their method/ joining technique and record expected results.
O b j e c t ive
5.
the outcome, including setting time, strength/flex of join,
To develop a structural joining system that can be used to
colour, feel/texture, smell, etc.
join building or furniture materials together without using modern metal fixings such as screws and bolts.
Create each recipe and method/joining technique. Record
6.
Discuss results and outline the advantages and disadvantage of each recipe and their method/ joining technique. Suggest possible product applications & uses for joining system.
7.
Develop a name for the joining system and an overall brand, including a logo, slogan and possible strategy for production, distribution, and marketing.
8.
Present final joining system in the form of a marketing poster and product guide/ booklet. Include drawings, instructions, packaging, and how it can be used in an architectural setting.
Figure 1: Harun’s bio-plastic results from initial experiments
Analysis of Previous Recipies Recipe #1: The first iteration of the Hemp-Fiber bio plastic failed to illustrate any definitive features of either the Gelatin Bio-plastic or the Hemp Fibres. The flat composition coupled with the weak and ineffective plastic meld is primarily due both the solution (potency and amount) in addition to the cooling system (compressed) Figure 2: Sample A Through a Lamp
Figure 3: Sample A Hemp Fibre’s spread like spiderwebs
Two images which illustrate the bioplastic’s irregular and malformed structure. The hemp fibres proturde from the paper thin membrane and provide an uneven shape and composition.
Overall, the bioplastic failed to properly integrate the hemp fibres properly into the solution which resulted in a low-strength, low-durabilty product. However, after the recipe was completed, the observations made allowed for future experiments to be far more successful due to the data collected.
Analysis of Previous Recipies Recipe #2: The second iteration of the Hemp-Fiber bio plastic also failed to illustrate any definitive features of either the Gelatin Bio-plastic or the Hemp Fibres. The now thicker composition is easily compriable and fragile, whilst flexible and more maliable than the previous iteration, this sample also lacks any hemp fibre integration. Whilst the sample was able to show that the plastic is able to be layered and build height. Figure 4: Sample B Close Up
Figure 5: Sample B Being lifted
Overall, the bioplastic again failed to properly integrate the hemp fibres properly into the solution which resulted in a low-strength, low-durabilty product. However, after the recipe was completed, the observations made allowed for future experiments to be far more successful due to the data collected.
Analysis of Previous Recipies Recipe #3: The third iteration of the Hemp-Fiber bio plastic worked extreamly well, The solution had the optimal consistancy, flexibilty and ridgitiy. The hemp fibres worked to add form and shape to the bio-plastic solution. Figure 6: Sample C Close Up
Figure 7: Sample C Observed under a light board
Overall, the bioplastic again failed to properly integrate the hemp fibres properly into the solution which resulted in a low-strength, low-durabilty product. However, after the recipe was completed, the observations made allowed for future experiments to be far more successful due to the data collected.
RECIPE
A: Figure 8: Hemp Strands measured and organised prior to insertion
Hemp-Fibre infused Solution
The hemp-fibre infused solution uses small 5mm hemp fibres infused with the Gleatine solution during the cooking phase. The smaller size more direct infusion measures allows for a similar solution to that of a fiber-glass panel. Steps:
Figure 8.1: Hemp Strands are visible
Figure 8.2: Hemp Strands are visible
Figure 8.3: Hemp Strands are visible
Figure 8.4: Hemp Strands are visible
1. Firstly, the strands of Hemp are measured and cut from the yarn. A Gelatine-Vegatible Oil solution is mixed (2 table spoons of Gelatin, 2 table spoons of vegetable oil, 60mL of water) and heated. 2. The Hemp strands are then mixed into the solution prior to reaching its boiling point 3. The solution is thoroughly stirred to ensure the strands have separated 4. The bio-plastics solution is then poured into a container (Muffin Pan) to begin cooling
RECIPE
A:
Hemp-Fibre infused Solution The Process and overall result of this experiment was sub par and failed to provide a definative conclusion that would support the aim of the experiment: - Stength and Durabilty: Very simillar to Experiment 3: (Harun) in terms of consistency and form. Whils the hemp fibres didnt play a major role in the first few days, once the form begins to lose it’s moisture, the hemp fibres will be more apparent in the overall structure - Practicality: The practical uses of the material are limited in it’s current state. Soft plastics such as silicone pads, standing mats and other textured soft plastics could be replaced with this current Bio-plastic. However if the bio-plastic was to go through a hot-press or some other plate-making machinery then products tuch as tiles, shades, blinds and other see-through materials could be produced
Results
RECIPE
B:
Bio-Plactic Coated Hemp Rope For this recipe hemp fibres are organised in thicker cable-like strands (approximately 3mm in diameter) for the purpose of being coated in the Bio-plastic solution. The application of which will be as a fastener for beams and other structural components. Steps: 1. Firstly, the strands of Hemp ‘cables’ are organised into lengths that vary between 10-20cm and layed out 2. The Hemp strands aregently lowered into the solution (2 table spoons of Gelatin, 2 table spoons of vegetable oil, 60mL of water) for ‘x’ amount of seconds ensuring the entire length has gotten into contact with the boiling solution 3. After being inserted into the boiling solution untill completely submergerd and then used to fasten the 3 pieces of Balsa wood together. It is then set to cool and harden on baking paper in a cool and dry area. 4. Once the cooling process is complete the cables are tested for performance
Figure 9: Recipe B Experimentation Process
RECIPE
B:
Bio-Plactic Coated Hemp Rope The Process and overall result of this experiment was quite successful: - The binding technique was quick and simple, - The strength and rigidity of the bind was above avaegare - The setting time was within a reasonable time frame - Stress tests indicate that the strength of the binding is on par with other fasteners. - The hemp fibre has been enhanced with a waterproof and stiffening agent, allowing it to perform more effectively. Overall the binding process was successful and allowed for a greater understanding of the possibiltes that Bio-Plastic Coated Hemp fibres have in serving as a fastener or binding element Similar materials that could be replaced by the bio-plastic hemp cable include: Steel Wire systems, Galvanized steel wire and cables. Wicker Furniture could also be replaced if the solution is utilized differently.
Results
RECIPE
C:
Hemp-Fibre Panel The hemp-fibre panel uses a balsa wood frame to keep tension over the hemp fibres and allow them to retain energy as they get cased in the bio-plastic solution. Practical applications couldn include replacements to wicker furtniture and possbile improvements to current canvas designs Steps: 1. Firstly, the strands of Hemp are measured, cut and stretched over the pre-constructed Balsa frame 9cm x 9 cm x 1cm. from the yarn. 2. A Gelatine-Vegatible Oil solution is mixed (2 table spoons of Gelatin, 2 table spoons of vegetable oil, 150 mL of water), heated to boiling and then poured till the solution fills the frame to it’s height. 3. The Hemp strands are then set to cool and harden in a cool space.
Figure 10: Hemp Fibres are stretched over the balsa wood frame
Figure 11: Revised Hemp Balsa Frame
RECIPE
C:
Results
Hemp-Fibre Panel (Cooking phase) Once the Solution was set the material was evaluated for it’s properties. - Strength & Rdigity: Overall the composition of the frame and hemp weave allowed for a small degree of play and movemenet within the centre of the panel due to the lack of tension within the hemp fibres as they ran through the centre of the panel. - Feel & Aesthetic: Currently the bioplastic has not yet set and still has a fair amount of moisture within the memebrane which means after a few days the form will harden and be less wet to the touch. The visual play on light the panel has is also quite impressive, it fillters all incoming light with a green tint. - Practicality: The Bio-plastic Panel can be used in a multitude of different applications and settings. Both as a permanent fixture and as a more temporary products.:Facades, Fixtures, blinds, Tiles and other larger objects and architecture fixtures
Jacqui:
RECIPE D
PROCESS Cooking Bio-plastic
G E L AT I N E
G LY C E R O L
TA P WAT E R
HEMP
Method
Recipe Gelatine
12g
Glycerol
4g
Tap Water
60ml
Food dye Hemp
Hemp preparation
1. Finely cut hemp into 3-5mm peices and place into ice cube tray 2. In a jug, add 1 drop of food dye to water 3. Combine glycerine, gelatine and water over medium heat. 4. After 2 minutes: a) Dip hemp string into mixture and lay out baking to paper b) Dip hemp string into mixture and wrap around bolsa wood c) Pour mixture into ice cube trays d) Submerge hemp string into one mixture in ice cube tray e) Pour mixture into frame 5. Leave mixture to set before removing from moulds.
HEMP EXPERIEMENTS
Jacqui:
RECIPE D
Results
a) dipped
b) dipped & wrapped
d) submerged
e) frame
+ 3hrs
+ 24hrs
The dipped hemp and dipped & wrapped hemp, both dried very quickly and felt hard to touch. Even though they were hard, they still quite flexible and is able to bent and curled without creasing or splitting the coating. They were also quite strong and cannot be stretched.
+ 48hrs
This mixture dried quicker in comparison with sample (d). It is also flexible and tough. c) 3 - 5mm pieces
The area immediately around the submerged hemp has dried, making the sample fragle where the hemp was not submerged. The frame floated away whilst pouring, hence the rippled mixture. The sections where the 3-5mm pieces are denser, the drier and less fragile it is. A thin mixture with these small pieces would work well.
+ 3hrs
+ 24hrs
+ 48hrs
SUMMARY
Dipped
OF
Dipped & Wrapped
RESULTS
Dipped & Wrapped
Encased
Wet
Dry Wet
Dry
Wet
Dry Wet
Dry
Flexi
Rigid Flexi
Rigid
Flexi
Rigid Flexi
Rigid
Fragile
Strong Fragile
Strong
Fragile
Strong Fragile
Strong
Dipped & Wrapped The resultes of these experiements complimented each other greatly as our research reached a parralel over how to best create a strong, durable cable/wire like material. Whilst Jacqui’s experiments leaned towards a flexible and malliable cable-esque tension and manuvareabilty. Harun’s was more focused on a set, ridgid wiring system that could hold beams, pipes and other structures in place. Parrallels are also present in our recipies, materials and other factors that went into creating the wire-like bio-plastic, making full use of the hemp as a structural component. We believe that these itearations of our experiments were the most successful and most promosisng to pursue further. With applications into steel-wirring replacements, sustainable furniture solutions and other uses; we feel that the potential of our material is boundless and exciting.
P T
S K E
Hemp Fibres are thicker and of a higher consistnacy in the stiff or upright portions of the joint
T C H E S
In the bent portions of the joint the hemp fibres are less woven and take up far less surface area, allowing the plastic to flex more freely and bend with ease
RESEARCH
David:
D EV E L O P I N G A B R A N D - Innovation - Ethical operations - Reconnecting with natural materials - ‘Environmental first’ attitude - Community relationships - Driving change
“Striving for a more sustainable and more informed industry that cares for the welfare of our environment through innovation, research and committment.”
Mission statement
Identity & Values
What do we offer?
Why are we different?
“securing your materials and our future.”
HempBond offer products suitable for joinery needs, adhesion and DIY projects alike. We aim to offer consumers an ethical choice at an affordable price.
- Relationships with local communities - Natural materials approach - Team of industry experts - Application of material driven design - Market and product research
David:
TARGET AUDIENCE AND MARKET
AVAILABLE AT: Bunnings
Officeworks
Craft shops
MARKETED AT: Tradespeople DIYers
COMPETITION PRODUCTS:
Audience
Designers
Duct tape
Environmentalists
Nuts and bolts
Silicone sealant
STRATEGY FOR PROMOTION: Data analysis
Competition comparisons
Environmental standpoint
E X P LO R I N G P R E C E D E N TS Hemp as a building material Hempcrete Hempcrete is a bio-composite material made up of hemp hurds (the stalk of the plant chopped into fine pieces like tanbark) lime and water that in commonly made into building blocks by many different companies around the world. Hempcrete can also be sprayed and cast place much like regular concrete.
Benefits of building with hempcrete include: • • • • •
Carbon neutral (happy conscious) Low maintenance Structural strength Highly carbon absorbent Great moisture handler (able to release moisture due to it being porous) • Flame and mould resistant • Great for all climates • Soundproofing qualities
• • • •
Lightweight Recyclability Some negatives include: Worse mechanical performance to steel or concrete (overall strength) • Long curing time • Relatively expensive • Less common in the industry meaning less expertise with
E X P LO R I N G P R E C E D E N TS Hemp as a building material Regional House A project undertaken by BC Architects & Studies (Belgian group) aimed at improving the function of a local park by building a new reception and education centre there. “An insulation façade and roof of hempcrete is left apparent as finishing and makes this building CO2-negative. Only two construction techniques make the superstructure of this building honest, minimalistic and educational.”
Regional House Edeghem
E X P LO R I N G P R E C E D E N TS Potential Material Systems
P e o p l e’ s P a v i l i o n
Figures 15-19: Joining Bottles
by Overtreders W and bureau SLA The People’s Pavilion was built using ‘borrowed’ materials for the Dutch Design Week in 2017. The timber components in the pavilion structure were ‘borrowed’ and needed to be returned for a future building project after the exhibition. Becuase of this, they needed to bind the components together without drilling or cutting the material. By strapping the timber components together, they were able to make a structurally sound joining technique.
J o i n i n g B ot t les by Micaella Pedros Micaella has been experimenting joining materials together using plastic bottles found in landfill, or collected from the streets. The joining technique involves cutting the bottle down to an acceptable size, and slipping the bottle over the area needing to be joined. The plastic is then heated so that it shrinks and affectively moulded around the join. This technique highlights the join and is a simple yet effective way of
Figures 12-14: People’s Pavilion
making a sturdy structure.
P R O D U C T I D E AT I O N Developing Material Systems
Strapping
Wrapping
Our experiments using hemp showed that the thinner bio-plastic with hemp fibres was stronger than the bioplastic with less hemp fibres.
As an alternative to a fixed shaped strapping, some joins require a more flexible option.
The string that was dipped in bio-plastic was also very strong whilst still remaining flexible. This means we could develop a bio-degradeable equivalent to strapping, that could be used in the building industry to bind timber components together.
Using a soft bio-plastic with fine hemp pieces spread throughout the mixture, we could design a solution that can be wrapped around a join, not too dissimilar to the ‘Joining Bottles’ precedent, and heated or air dried to seal the join. Once set, we would expect to the the structural rigidity that we saw in our hemp x bio-plastic samples.
C O N C E P T S K E T C H E S
Using the product as a replacement for screws in a chair. Attaching the legs and the to seat in an innovative way.
C O
The hemp fibres are coated in the bio-plastic solution and then wrapped around the two joining pieces
N C E P T
S K E
Hemp Fibres are thicker and of a higher consistnacy in the stiff or upright portions of the joint
T C H E S
In the bent portions of the joint the hemp fibres are less woven and take up far less surface area, allowing the plastic to flex more freely and bend with ease
Hemp Fibre coated in Bio-Plastic Chic Lighting System
C O N T E X T
Hemp Fibre Bio-Plastic Bond Product can also act as a sealant for vents and other piping systems
- H E M P
Hemp Fibre Bio-Plastic Coated binding solutions are used to create seating solutions
P L A S T I C S
HempBond’s Industrial Strength Strapping HempBond’s Adhesive Wrapping Tape
HempBond: Industrial Strength Strapping & Adhesive Wrapping Tape Matching Sustainabilty with Practicality. Makes the right descion that much easier
David:
P R O D U C T I D E AT I O N After reassessing the results, there was a strong direction to a product capable of being both wrapped and adhesive. The testing showed good potential for strength and flexibility with further enhancements. Understanding this, we deciding to take inspiration from some existing products and develop two sustainable competitors capable of much more.
Features & Beneifts HempBond
HempBond
STRAPPI NG
WRA P P I N G Suitable for: Any application where flat materials needs to be binded together, such as structural beams. Longitudinal Hemp Fibres set in a thin layer of bioplastic
Weaving through materials to bind them with other materials, such as leather or timber.
3 - 5 mm hemp fibres in varying directions, set in a thin layer of bioplastic.
10mm
35mm Suitable for: Long itudina l flex
Long hemp fibres running in the same direction enables the bioplastic to remain rigid in one direction, and flexible in the other direction, whilst still keeping its’ strength.
Binding curved or irregularly shaped materials. Such as; rocks, branches, or carved elements.
L at i t udi nal Ri gi di t y
Flex Diagram The 2mm thickness reduces the amount of bioplastic that is unsupported by hemp fibres, enhancing its strength.
Complex joins or joins that are to be highlighted as a feature. Such as; chair legs or decorative pendants.
L o ng i t u d i nal f lex
L at i t u d i nal F lex
Flex Diagram
The 2mm thickness reduces the amount of bioplastic that is unsupported by hemp fibres, enhancing its strength.
STRA PPIN G instructions TOOL S
STE P BY STE P
Before you start Make sure your tools are clean and the materials you are binding are dust-free
Step 2 Loop the strapping around the materials until the straping is overlapping, cut off any excess.
Step 4 Using the cool setting on your hair dryer, blow the overlapped strapping until it is dry to touch.
Step 3 Hold strapping firmly in place. Using the heat setting on your hair dryer, heat the overlapped strapping until strapping is soft and bonding to each other.
Step 5 Repeat process and regular intervals and leave to set in a clean dry space - at room temperature.
Step 1 Place materials next to (or on top of) each other.
Provided: 20m roll of strapping
Tools needed: Hair dryer (with hot and cold settings) Scissors/ Stanley Knife
W RA PPING instructions TOOL S
STE P BY STE P
Before you start Make sure your tools are clean and the materials you are binding are dust-free
Step 2 Loop the wrapping over the materials until the wrapping is overlapping, cut off any excess.
Step 4 Using the cool setting on your hair dryer, blow the overlapped strapping until it is dry to touch.
Step 3 Hold wrapping firmly in place. Using the heat setting on your hair dryer, heat the overlapped wrapping until wrapping is soft and bonding to itself.
Step 5 Leave to set in a clean dry space at room temperature.
Step 1 Place materials next to (or on top of) each other.
Provided: 10m roll of wrapping
Tools needed: Hair dryer (with hot and cold settings) Scissors/ Stanley Knife
Product Life-Cycle: Bioplastic Recycling: The purpose behind Bio-plastics over Petro-Chemical plastics stems from how it closes the loop by creating the materials and technology needed to transform linear supply chains into circular supply chains. The use of technology that sorts and upcycles discarded bioplastics into new products that lessen our reliance on traditional plastics is growing more prevalent, meaning our materials are less likely to be prioritiesed for decomposing and instead are recycled using existing methods (i.e smelting for residues, pulversising hemp to remove additional products). Our upcycled materials are compatible with standard plastic manufacturing equipment, allowing for rapid market adoption.
Lifecycle of Products: https://www.bioplasticrecycling.com/
Lifecycle of Products: https://www.bioplasticrecycling.com/
Chapter 1: Site Analysis and Initial Ideation Process
Group 1 Site Analysis
Harun Jacqui David 221-245 Salmon Street, Port Melbourne
I
The
N
Summer
I
and Winter
T
differences
I
in terms of
A
daylight
L
hours dont Winter
vastly differ
R
or cause
E
any not-
S
icible issues
E
when con-
A
sidering
R
lighting ar-
C
range-
H
Summer
ments
I N I T I A L
Summer
R
Whilst in close proximity to a large amount of industrial spaces, the general air quality of the area is generally healthy prone to other air-borne pollutants
E S E A R C H
Winter
I N I T I A L R E
1 x 1 km2 Section, Currently in use by
S
Holden on the left section and Kraft
E
Foods on the right. Considering how
A
GM plans on being a major contribu-
R
tor and Holden’s restructuring deal,
C
it is possible to see major changes to
H
the existing site
S I T E
M A P
N
FISHERMANS BEND ABOUT
LAND
Fisherman’s Bend, located in Port Melbourne, Victoria, is the future home to 80,000 people and 80,000 jobs by 2050.
The Yalukit Wallam people of the Boon Warrung clan are the traditional owners of Fishermans Bend, a wetland area rich with game, fish and tubers.
Over the next 30 years, the Fisherman’s Bend Framework aims to build a global benchmark for smart, sustainable development and integrated communities where people can live, work, learn and invest.
The land was regenerated through fire-stick farming and it was also a burial site for the Yalukit Wallam people, who believe spirits return to its country after death.
INNITIATIVES Extensive cycling & pedestrian paths Additional train, tram and bus links to CBD Increasing open spaces for sport facilities Diverse, affordable and social housing Additional commercial spaces and creation of high value jobs & businesses. Provisions to balance growth & liveability
PRECINCTS Employment
Lorimer
Wirraway
Sanridge
Montague
EMPLOYMENT LORIMER WIRRAWAY SANRIDGE MONTAGUE
Images: Artist Impressions of Fishermans Bend, https://www.fishermansbend.vic.gov.au/ precincts/employment-precinct/general-motors-holden-catalyst
SITE MAP Fishermans Bend has important cultural and industrial history that deserves to be remembered. Choosing a site that is sensitive to this provides an immortalisation of what once was.
The current GMH social center is sited in what is soon to be an employment precinct means that new employees and patrons in the area will have a physical reminder of what preceded it.
P R O P OS E D S I T E W I T H I N F I S H E R M A N S B E N D ADDRESS 2 2 1 -241 Sa l m o n St r e e t P o rt M e l b o u r n e
BUILDING FOOTPRINT 24 0 0 m 2 (a p p r ox)
BUILT 1 94 5
STYLE
As we are forming a new space it is crucial that it does not feel devoid of meaning. Holden has a strong place in Australian history and the site has been home to many important events.
Hoping to transfer some of the good fortune and success Holden had over years, this site was chosen as a token of this.
A rt D e c o
SIGNIFICANCE
EXISTI NG BU I LDI NG ON SITE
FRONT FACADE
H i s to r ic a l Slide created by David Petrevski
S I T E
P E R S P E C T I V E S ite D i m e n sio n s Area: 74890 sq. m (7.5 ha) Perimeter: 1376 m Address: 221-245 SALMON STREET PORT MELBOURNE 3207
SURROUNDING BUILDINGS PROFILE Currently the existing infrusture for the site is catered towards industrial transist and movement, The entry roads are two or oneway lanes that have little to no pedestrian access and mobility.
5 150 m
Image: Site Perspective: Rhino 3-D Model. Modeled by Harun
m 5 3
Author: Harun Qassim
S I T E
P E R S P E C T I V E Site Profile The building’s Social & Cultural connotations are a design element that could be translated through to any future designs. The front Facade and other art deco elements are possible features that could be kept. The 3-D modeling process allows for greater experimentation and analysis of the existing site.
FACADE SIGNIFICANCE
The front facade serves as both a housing for the large glass windows at the front that allows Northren sunlight into the main hall, One of the earliest examples of Art Deco within the commercial environment, the facade is protected for it’s significance and thus needs to be integrated into our design.
Image: Site Perspective: Rhino 3-D Model. Modeled by Harun
Author: Harun Qassim
DIMENSIONS EXIS TING ENVELOPE DIMENSIONS
Site square meters: 870 m2 of floor space Overall height: 14 m (including spire) Height (Excluding facade) 7 meters
Image: Building Length & Width Overall Modeled by Harun
Image: Building Height Overall Modeled by Harun
Image: Building Bult Height Modeled by Harun Slide by Harun Q
S I T E
P E R S P E C T I V E Site Surro und i ng s The building is flanked by two 5-story factory blocks with another series of industrial buildings on it’s northern flank. The rear of the site lies the car-store ofr the remining Holden Service Centre and beyond that lies more Industrial Sites and Instilations
SITE AMBIENCE
Light Control will be imperative as the reflection from the Yarra will provide a surge of afternoon and morning light for the site if sufficent height is achieved.
Image: Site Perspective: Rhino 3-D Model. Modeled by Harun
Author: Harun Qassim
Existing Site: Building Height Map Overlay
Height (m) 0-5 5 - 15 15 - 30 30 - 60 Image: Site Isometric NW: Rhino 3-D Model. Modeled by Harun
Author: Harun Qassim
Proposed Site
Existing Site: Zones of Use & Function Map Overlay
The Current site has multiple zones of uses and functions with multiple council overlays that bisect the visible zones. In visualizing these zones we can begin to understand the existing surrounding services and cater any future development with these constraints in mind
Industrial Services & Industrial Commercial & Industrial Retail & Commercial Image: Site Isometric NW: Rhino 3-D Model. Modeled by Harun
Author: Harun Qassim
Proposed Site Location
Existing Site: Pedestrian Movement Map Overlay
Proposed Site Existing Roads No Pedestrian Access Difficult Pedestrian Access
Image: Site Isometric NW: Rhino 3-D Model. Modeled by Harun
Author: Harun Qassim
Full Pedestrian Access Cycling Routes Impassable Terrain
Existing Site: Proposed Changes Map Overlay
Futur e Turn er Str eet
on
et re t S
m
l Sa
Proposed UoM Campus Site
Proposed Future Development
Image: Site Isometric NW: Rhino 3-D Model. Modeled by Harun
Proposed Infrastructure Changes: Future Turner Street
INDUSTRIAL LEGACY: The University hopes to preserve the building’s heritage (earmarked for renovation) Proposed Project Site
Author: Harun Qassim
Pro
Pro pos
pose d
Tram / Lig ht
ed U oM C amp us
Pro pos
Rail
ed U oM C amp us
Site Conditions Wind Corridoors The site has multiple entry points due to the lack of connections to any existing or proposed buildings. This also means environmental factors such as wind & sunlight will be more prevelant and effective.
Entry Paths into the site Sun-Path Visualisation
PUBL IC TRA NS PO RT OVER HAUL
The proposed changes to the site will make it drastically more accessable to greater Melbourne with the addition of tram, train and bus linkages
Image: Sourced From Grimshaw Architects Master Plan
Image: Sourced From Grimshaw Architects Master Plan
S I T E
B u ild i n g Pro file The building was designed with exhibiton and hosting in mind which trnaslates in it’s overall shape and structural choices. It’s large length as compared to it’s width is to encorage movement through the building, a feautre we hope to translate in our design itteration
BUILDING SIGNIFICANCE The Brick-faced outerwalls are complimented by the plastic and corrugated steel roofing system, creating multiple openings for light to permiate vertically through the space.
E L E V A T I O N
Propsed Site: Client Profile
Client Profile
Site:
d Changes Map
Our Client, The University
UoM hopes to keep the
of Melbourne (UoM) has
engineering history of the
purchased a strip of the
area alive by moving it’s
former GMH Fisherman’s
Enginnering & Architec-
Bend Site, an industrial
ture departments to their
area steeped with history
State-of-the-Art work-
and soon to be developed
shops and design centres.
as part of the City of Melbourne’s development plan. The new campus is set to be the nucleus of the Employment Precinct Image: Fisherman Bend Masteerplan GRIMSHAW pg 8.
Futur e Turn er Str eet
et re
on
St
lm Sa
Image: Existing Site Isometric + Proposed Changes Overlay - Designed by Harun.
‘The Fishermans Bend Campus will be purpose built to be the ideal campus for making, doing and testing.’ Author: Harun Qassim
Proposed UoM Campus Site
‘The site purchased by the University of
Client Expectations
Melbourne occupies the heart of what is known as the Employment Precinct, the
Our Proposed Site sits within the Heritage
interact much like an organism. Thus an emphasis
site earmarked by the University of Melbourne
has to be placed in how and in what manner the
(UoM) for it’s ‘Legacy’ needs. Which entails re-
proposed changes will affect the already propossed
taining some of Fishermans Bend’s history. The
campus.
chosen site thus needs to fit the ‘8 Innovation Precinct Principles’ which are detailed in the
Our design ethos and principle run parrallell with
image below. The 8 principles dictate how the
both the University and other parties develpoing
new campus will interlock, share and
in Fishermans Bend. With great effort placed in movement, visibilty, legacy and the remaining principles, we hope our project can achieve the client’s expectations
area which will be the economic engine of this new part of Melbourne. Planning authorities have proposed a precinct high street serving the Employment Precinct (Turner Street) including trams and bike paths, as well as a long term plan for a underground rail stop. This increased infrastructure will help the Employment Precinct grow from is current 13,000 jobs to over 40,000 jobs in 2050 The industrial legacy of this area makes it a strategically ideal location for the University of Melbourne to participate in making this place Australia’s leading design, engineering and advanced manufacturing precinct.’ ( Fishermans Bend Campus Masterplan, GRIMSHAW)
Image: Fisherman Bend Masteerplan GRIMSHAW pg 17.
Author: Harun Qassim
E x is t i n g P la ns a nd I m p le m e n ta tio ns
Image: Fisherman Bend Masterplan (Site Perspective) GRIMSHAW pg 37. The client’s site plan illustrates their intentions
Overall the site’s proposed changes will be
for the site and also the confines in which our
met with equal amounts of connectivity and a
proposed changes to the Heritage Social Centre
response to the environment that matches the
will be surrounded by. This includes access
UoM’s ethos towards creating a design-centric
point changes to the site, changes in sun-light
space for learning and ingenuity
hours and with the surrounding infrastructure changes, an amendment to the ease of access analysis done prior. The Client’s intention to keep the former Social Centre intact with only minor additions (view, South Side) to facilitate more towards their 8 principles.
Image: Fisherman Bend Masterplan (Site Plan) GRIMSHAW pg 37.
Author: Harun Qassim
C lie n t ’s D esig n C riteria
Sustainability
Public Realm To create places that promote collaboration,
To create a sustainable, resilient and
interaction and idea exchange and prioritise
technologically enabled Campus that supports,
the health and well-being of campus users and
enriches and benefits the community
the community
UoM requires: Implement the University of Melbourne’s Fisher-
Create a continuous network of open spaces
Innovation
mans Bend Campus Climate Adaptation,
throughout the site that connect to the
Heritage
surrounding public realm and invites the public into the site
Resilience Plan and Sustainability Framework and progress toward net zero carbon Development to be designed to a benchmark
‘To showcase and celebrate innovation and to
To create a distinct Campus rooted in the
standard of minimum 5-star Green Star
work collaboratively with key Agencies and
ecological, indigenous and industrial legacy of
Design & As-Built rating or equivalent, with a
other landowners in Fishermans Bend to real-
the site and celebrate history, while allowing
target of 6-Star rating
ise the innovative precinct objectives’
Off-Site Amenity
The UoM’s emphasis on Innovation in all aspects including, building design, function and form is one of the key criterias that the Proposed Site’s Design must follow in order to
for change, adaptation and regeneration
Create a tailored approach to embedding the Be a good neighbour by minimising the environmental impact of noise, pollutant and light on the precinct
indigenous past, present and future of the site into the campus. Celebrating the rich history
that attracts a diverse group of users and supports chance encounters and cross-industry collaboration
Encourage a heterogeneous mix of uses, programs, experiences and built form to encourage a variety of users
campus and temporary or interim uses
The University also encourages temporary/ The proposed Project needs to Implement
interim uses of the land that will complement
mitigation measures in the detailed design of the
existing development
development to minimise the
Provide an appealing and exciting environment
To support the staged development of the
of the site and it’s connoations
maintain UoM’s Innovation doctrine.
Campus Amen-
Staging
Built Form
impact of noise, pollutants and light on surround-
and support the needs of the users of the site and the local community
ing development and the broader precinct To create a future-ready campus with a foundation of resiliency and adaptability and support diverse range of flexible spaces that can adapt over time
The project’s ammendment factors need to accommodate large specialist equipment, flexible making-and-doing laboratories and showcase spaces
Author: Harun Qassim
D E S IG N BRI EF An outline of our brief for the proposed innovation centre in the new Fishermans Bend Employment precinct.
Jacqui
DESIGN BRIEF SCOPE CLIENT University of Melbourne
Design an innovation centre at Fishermans Bend, for the use of surrounding communities to inform themselves of the impact of plastic waste and recycling.
LOCATION GMH Social Centre
VISION
INSPIRE
EDUCATE
FACILITATE
A buzzing and welcoming space to inspire, educate and facilitate innovation.
Gallery walks Resource centre Tech station
Open ampitheatre Function centre Recycling hub
Maker space Kitchen & Coffee cart Offices Meeting zones
USERS
P R I M A RY S T U D E N TS
S E C O N DA RY S T U D E N TS
UNIVERSITY STUDENTS
LO C A L R E S I D E N TS
LO C A L B US I N E SS E S
P R O F E SS I O N A L S
Slide created by Jacqui Keogh
Jacqui
A B O U T T H E US E R PROFESSIONALS • • • • • • • •
Resident start-ups Investors and entrepeneurs Stakeholders Tours of innovation precints Access to DIY make space & networking events Access to conferences, demonstrations & seminars Access to pledge/ investments programs Access to resources, technology & recycling hub
LOCAL RESIDENTS
LOCAL BUSINESSES
UNIVERSITY S TUDENTS
•
• •
•
• • • •
Family learning & interactive events Skill development Short courses (night classes, weekend events) Recycling hub Access to pledge/ investment programs
• • •
Local businesses Local residents with trade qualifications/ skills Skill sharing & development Short courses (night classes, weekend events) Access to resources, technology & recycling hub
PRIMARY + SECONDARY S TUDENTS • • • • • •
Small class excusions (max 20 students) Extra-curiculum/ holiday activity days 1 - 2 visits per month Local schools only (within 10km radius) Learning: Environment & Sustainability Learning: Innovation & Technology
• • •
University of Melbourne students Other University students (upon request) Access to resources & technology Access to DIY maker space & networking events
Jacqui
US E R E X P E C TAT I O N S PROGRAM
AT M OS P H E R E I n te ractive Spaces
B usy / H a p p e n i ng
So c ia lisi ng Sp a ces
Access to ide a s/ solut ions
Access to infor ma tio n
FINDINGS
N ew s kil l d eve lo p m e nt
Qu iet / P ea ceful
S ha re d
Op en & Sp a c ious
D ive rs e
N etworki n g
These spider charts show how our target users would expect to use the proposed innovation centre at Fishermans Bend.
OT H E R Bu s (private )
Tra m ( Pub lic )
Car (P ool/ P rivate )
LEGEND Acces s to fo o d & d ri nk
Tra i n ( Pub lic )
Walk
It also needs to be accessible by public transport and needs to provide users with access to information, equipment, and private spaces.
I nt i m a te / C osy
AC C E SS
R ide
What is clear, is that the innovation centre needs to be a diverse space for people to work or learn alone, or in small groups.
P rox i m it y to ot her p la ces of i nterest
Acces s to p riva te s p a ce
A f te r ho urs acces s
Access to tec hnology
Acces s to to o l s & e q u i p m e n t
0
not important at all
1
not very important
U n iversit y
2
slightly important
Loca l Resid ent s
3
Important
Loca l Busi nesses
4
Mostly important
P rofessiona ls
5
Very important
P ri ma ry S t ud ent s Second a ry
David
A B O U T T H E S PAC E S CONCEPT
INSPIRE
EDUCATE
Consider the space to be an epicenter for discussion, collaboration and inspiration for understanding sustainability in our world. The growing concern and complexity in this domain demands a space where ideas and information can be shared. Facilitating a connectedness among peers and professionals drives innovation and fosters a culture in readiness for the future.
DIVISION OF ZONES
FACILITATE
In order to achieve the goals of the space we have deliberated on a division of zones that make up the entirety of the concept. Inspire. Educate. Facilitate. These are the three zones that contribute to the makeup of the building and will each feature respective purpose driven spaces.
Image: steelcase.com/spaces-inspiration/resilient-workplace/innovation-center/
David
S PAC E E X P E C TAT I O N S
GALLERY WALKS
INSPIRE
The goal The starting point for any form of change is inspiration. The inspire zone is dedicated to engaging the user with material from the existing body of work surrounding sustainability in the built environment. Understanding why there is a movement and why it is important sets the tone for the rest of the experience.
AMPHITHEATER
TECH S TATION
Peppered throughout the building
A space for public speakers to come
In line with what it means to be an
will be photos, info-graphics, stories
give lectures and seminars. With the
innovation center, the tech station is a showcase of the latest tech for
and figures that play a role in
growing popularity in TED talks, we
painting the mental picture of the
understand that spoken word to a
innovation and design.
issue of sustainability in the built
live audience still holds weight in the
A space where problem solving and fun overlap - designed for interactivity
environment.
world of technology.
The goal here is to be a constant
The intention is clear with this
and encourages cooperation. A mix
reminder of why the space exists,
space as users are taken outside of
of open spaces and semi-private hubs
encourage discussion and to get users
the stimulating building and their
allow for a range of experiences.
to question the current climate of
attention is brought to the speaker.
sustainability.
The goal here is to have potentially
Image: steelcase.com/spaces-inspiration/resilient-workplace/innovation-center/
Image: shutterstock.com
Image: news.samsung.com
David
S PAC E E X P E C TAT I O N S
E D U C AT E
The goal
LIBRARY
MAKER SPACE
RECYCLING HUB A special feature in this building and
Any good space with innovation and
A feature in many modern day schools and
learning in mind needs a library. The
universities are maker spaces. A fun but
specific to the purpose.
library is a place for private study and
educational break from the sometimes
The recycling hub is designed to give
deep discovery.
serious nature of the rest of the building.
an insight into how the recycling
Offering users a wealth of space and
The maker space is a place where users can
process works and how it affects the user on a personal level. Showcasing
a plethora of resources to choose
come and experiment with some high and
from. The library is where those who
low tech tools in order to complete a small
technology and techniques both
have more questions come to explore.
scale project or just have a play.
visually and at an interactive level.
Private study nooks and open tables
Guided buy professionals, this space
The space is designed with circulation
are featured throughout this space
consists of computers, 3D printers,
in mind to replicate the recycling
much like a university library.
robotics, electric tools and more.
process.
A core function of the building is its ability to educate the users. Providing spaces that enable learning and understanding is paramount to the success of the project. Education within the building happens ideally all throughout the building. However, this zone is specifically designed with an education first attitude. Taking cues from universities and libraries alike, these spaces are key to the performance of the building.
Image: https://bcilibraries.com/projects/
Image: https://medium.com/iam-commu-
Image: https://pixibition.weebly.com/
nity/top-5-makerspaces-around-the-world
sims-recycling-education-center.html
David
S PAC E E X P E C TAT I O N S FUNCTION SPACE
F AC I L I TAT E
Hosting groups and presentations is where this space comes to life. A not too formal space that is multi-functional thanks to its partition walls and flexible layout. The function space is a step away from the intensity of the rest of the center featuring couches a space for food and refreshments.
KITCHEN/ CAFE
OFFICES
A place that will bring people together
Extending our services to professionals and those who need it, the center will host several fully fledged offices. The offices are key to bringing in businesses from the industry and establishing links with the center. Taking cues from modern day offices with a combination of open plan and private spaces with a kitchenette and lounge area.
from different paths. Understanding the importance of a comfortable place to share food and drink, the kitchen and cafe spaces will be luxurious but humble. Offering a cafe experience combined with the ethics of a sustainability building. This blend of necessity and relaxation instills a unique culture sure to catch on.
The goal Playing host to the numerous different people and groups that will use this building requires there to be several spaces dedicated to the provision of personal space and amenities. These spaces are designed to make the users feel like they’re more at home than a museum. Taking cues from modern cafes and offices, these spaces are designed for both comfort and productivity.
Image: https://www.broadsheet.com.au/bris-
Image: https://travelaway.me/melbourne-ca-
bane/newstead/cafes/industry-beans
fes/
Image: https://homewowdecor.com
D E S IG N GOA L S An outline of our goals and design principles that we think the proposed innovation centre should allign to.
Jacqui
DESIGN PRINCIPLES VISION A buzzing and welcoming space to inspire, educate & facilitate innovation.
V I S I BIL IT Y
ACC E SS I B L E
Maintain an open plan layout for at least 60% of the building, with visual connection between spaces.
Ensure the building can be easily accessed from local walking tracks, bike paths and public transport.
LEGACY
LIVING
Retain as much of the building and existing heritage features as
IN CLUSIVE
Create a strong connection to the land and the outdoors with the use of natural light and greenery.
Provide a sense of equality to all users and visitors.
F L E XIBLE
SMART
Enable spaces to be expanded or contracted for different capicities.
Set an example with innovative technology and a responsive building design.
DE S I G N IDE ATI O N An collection of our works exploring the combination of spaces with the narrative of our target and expected users.
Jacqui
US E R P E R SO N A S R E S I D E N T P R O F E SS I O N -
UNIVERSITY S TUDENT
LO C A L T R A D I E
“GIM”
“SIOBHAN”
“MANDY”
Age: Occupation: Lives:
38 Environmental adviser Green apartment building
Age: Occupation: Lives:
in the Melb CBD
Transport: Hobbies:
Cyclist Regular gym sessions
21 Student + Cafe worker Yarraville (less than 5km from Fishermans bend)
Transport: Hobbies:
Age: Occupation:
Mazda 3 Brunching with friends
49 Retired Mechanical Engineer, now works at a textile shop.
Lives: Transport: Hobbies:
Port Melbourne Tram Patchwork
Jacqui
L AYO U T O P T I O N 1 CONCEPT
North
Resource centre and Tech station centred between Maker space and office space for easy access. The Ampitheatre and function space positioned on the south side to be close to proposed university campus and plenty of foot traffic. The cafe/ kitchen position allows it to service function centre, office area and passers by. Few enclosed spaces (recycling hub, kitchen & offices) provide connection
Above: Elevation/ Perspective of Tech station and Upper Terrace (Jacqui Keogh, 2020)
through the building.
North
Above: Elevation/ Perspective of Office area and Cafe/Kiosk (Jacqui Keogh, 2020)
Above: Plan view of layout design (Jacqui Keogh, 2020)
Above: Site Plan (2019
Jacqui
L AYO U T O P T I O N 1 GIM
1
7 2 5
3
6
4
8
1
Morning gym at using apartment facilities
5
Plans day at desk in upper office area
2
Cycles to work, uses provided bike rack
6
Greets first client and uses meeting zone 2
3
Enters through back entrance
7
Checks out resource centre before lunch
4
Puts packed lunch in fridge
8
Attends networking event + heads home
L AYO U T O P T I O N 1
Jacqui
6 7 SIOBHAN
1
2
4
3
8
5
1
Sleeps until 10am after binge watching TV
5
Heads to a nearby class
2
Drives to/from uni and pays for parking
6
Visits resource centre for info
3
Has brunch with a friend at building cafe
7
Uses upper terrace to do homework
4
Works on group assignment
8
Checks reception for upcoming events
Jacqui
L AYO U T O P T I O N 1 5 2 3
4
6
MANDY
1 7
8
1
Trams to work (textile shop) in morn
5
Collabs with start up business owner
2
Drops home/work plastic at recycling hub
6
Visits reception to register for seminar
3
Uses resource centre to research material
7
Grabs a coffee on her way out.
4
Analyses material sample at Tech Station
8
Attends seminar on weekend with family
David
L AYO U T O P T I O N 2 A long and narrow space provides for a linear flow of users. Here, the spaces can be seen clearly and give a general understanding of their relationship with the rest of the building.
The ‘spine’ of the building is made up of 3 pillars designed to be structural and a reminder of the division of zones. The back of the building is where the spaces utilise two levels and adds depth to the space.
David
L AYO U T O P T I O N 2
MEET GIM
HOT SPOTS
Gim is a business-first kind of guy. He loves technology and leading the way in his industry. As local professional, he frequents the innovation center and spends most of his time in the office spaces where he leads consultations and meetings.
Gim mostly uses the center for business related work, so his hot spots are the offices, function spaces and of course the cafe!
Image: Gim is in a meeting, David Petrevski
David
L AYO U T O P T I O N 2
MEET SIOBHAN
HOT SPOTS
Siobhan is excited about life. She is a young lady destined for greatness. As an enthusiastic student, she loves the new Innovation center and spends a lot of time in the resource center. She loves the vibe and the way she feels inspired just by being there.
Siobhan is a student so she has a thirst for knowlege and a strong curiosity. Her hot spots are the resource center, the tech zone and the amphitheater.
Image: Siobhan after a study sesh, David Petrevski
David
L AYO U T O P T I O N 2
MEET MANDY
HOT SPOTS
Mandy is one talented lady. With a wealth of experience under her belt (and plenty of time on her hands now that she is retired), Mandy takes her talents to the innovation center where she volunteers in the maker space and helps the next generation of lateral thinkers.
Mandy is an asset to the center and is loves collaborating with the team. She spends most of her time in the maker space, recycling hub and the function space.
Image: Mandy in her element, David Petrevski
D E S I G N
D R A F T Draft A: The Interior Forms are used to house separate spaces that serve each of the proposed zones in a different manner. These forms allow for the movement of the space to be formed and morphed into a plethora of different experiences
P r o j e c t L a y o u t:
Function Space: 10-15 occupants Meeting rooms / Office Spaces with Partiton Walls
P l a n
Tech Station: Tactile displays and visual samples 2nd Floor Maker Space: Glass walls to maximise visibility and external interaction
V i e w
1stboth Floor Image: 1st Project Layout (Plan view levels) Produced by Harun
Kitchen / Cafe Space Library: Circular Layout Services Centre Author: Harun Qassim
Gallery Space
Recycling Hub
I deation Layout After our different sectors were established, we began allocating the site’s existing floor space to these proposed functions. With the overarching ethos of free and facilitated movement in mind, I began to perceive how a visitor would travel between the spaces. This then allowed for me to place certain features in the central spaces to provide as much functional space whilst not empeeding upon said movement.
I deation M odeling In this experiment the experimental plans are modeled with the existing facade as a basis. The plans are used to visualise how the spaces are organised. The 2 floors are then overlayed to further increase the amount of variabilty within the space
Image: Proposed Site Layout Perspective: Rhino 3-D Model. Modeled by Harun
Author: Harun Qassim
L AYO U T
Image: Layout A: Height Limitations. Modeled by Harun
LAYOUT B: 3 SPLIT LEVELS The ideation process which
Changes were made to
led to the 3 split floors with
the existing envelope,
a central stair case was an
however the main facade
improvement upon the lack
and brick exterior were
of width the site provides
kept to retain the build-
versus the available verti-
ing’s Heritage status
cal height potential. Along with looking into other Mixuse buildings which follow the same process
Image: East Section, Drafted by Harun
Slide by Harun Qassim
USERS PROFILE
P E R SO N A S DAILY USE OF SITE
Gim’s Cycling addidction means he cycles into work from the CBD, following the existing bike trail bridge over the Yarra and onto the proposed Cycling paths. He then starts his day by getting a Soy Mocha at the Cafe and heads upstairs to meet his team for an early morning meeting on level 3
Siobhan is late to class because she insited on having brunch over in Collingwood. She takes the city bypass and makes it to the Innovation precinct with ease. She then enters the building to attend a workshop class being held in the Maker Space.
Mandy, tired after the long trek late last night from her weekend block in Eltham has just finished her shift at a a textile shop. She returns to her home in Port Melbourne to catch some rest before she has to teach her night class on Mechanical Engineering at the Site
Gim
Siobhan
Mandy Image: South East Isometric view (Walls removed) Drafted By Harun Slide by Harun Qassim
P E R SO N A S AMENITIES & USAGE
The site has a large amount of diverse and mixed use spaced meaning a fair amount of different individuals and groups of diverse backgrounds and intentions will be simultaniously using the space. By gathering data on 3 hypothetical users I have deduced their main zones of use and thus created dimensions which offers the maximum amount of efficent spacing as possible
Gim
Siobhan
Level of Interaction with site ammenaties:
Mandy
(y= No. ammenaties used)
6 5 4 3 2 1
7
8
9
10
11
12
1
2
3
4
5
6
7
8
9
10
11
Time of Day
Image: Staircase in use. Modeled by Harun
Image: Ammenaties use graph, Slide by Harun Qassim
C O
The hemp fibres are coated in the bio-plastic solution and then wrapped around the two joining pieces
N C
AT M OS P H E R E
E P T
S
MAKER SPACE: DESIGN & USES
Hemp Fibres are thicker and of a higher consistnacy in the stiff or upright portions of the joint
K E
By taking inspiration from the University Of Tasmania, School Of Fine Furniture Building designed by Sixdegrees architects
T C H E
In the bent portions of the joint the hemp fibres are less woven and take up far less surface area, allowing the plastic to flex more freely and bend with ease
Image: Postal Connection Piece, https://www. sixdegrees.com.au/5e_utas-ff
Image: Hemp Bio-Plastic Furniture. Designed by Hemp-Bond
S
The building design is simple and clear,
MAKER SPACE: MATERIALS & EQUIPMENT
with a modest and clean composition of durable materials.
The replacement of steel and steel equivilent fastners, joinery and otherbinding components is the Hemp Based Bio-Plastic solutions discussed previously.
Used By: - Entrepreneurs & Design Startups
The space also serves to educate users about the bio-plastic used in the construction and hopefuily drive
- Teaching Space
innovative design.
- Community Group Sessions (Men’s Shed Equivalent) Image: Interior Shot, https://www.sixdegrees. Image: Internal shot of Maker Space, Modeled by Harun
com.au/5e_utas-ff Slide by Harun Qassim
Reflection D E S I G N M A K I N G P R O C E SS
USER EXPERIENCE
After developing my own ideation design
(PERSONAS):
and reviewing the rest of the group and
The user experience experiments
class’ overall design scheme i began to
allowed myself to gather an
lean closer to wanting to further develop
approximation for how long and how
my own layout for our space. This is in
often a space is used by a prospective
due part to my pre-determinted material
user. This allowed me to gauge how
decisions which neither of my group mates large spaces should be in relation to have developed and a greater usage of
others and in addition their contents
the building’s vertical potential allowing
and layout.
for more refined and thought-out design iteration.
Moving forward i hope to see more experimental designs which incorporate all facets of our education on bio-plastics, sustainability and design.
Chapter 2: Documentation & Visualisation
ARC20002-Architectural Design Studio 3 (Socio-economic contexts) Presentation 2
ARC20002-Architectural Design Studio 3 (Socio-economic contexts) Presentation 2
David
Jacqui
ARC20002-Architectural Design Studio 3 (Socio-economic contexts) Presentation 2
ARC20002-Architectural Design Studio 3 (Socio-economic contexts) Presentation 2
Harun
Tutor: Sascha
Proposed University of Melbourne Future Campus Development
Prevailing Northern Winds
Pedestrian Pathways and Major Routes
Lawns and Green Spaces
GROUND FLOOR
Service access
Cafe entry
AMPITHEATRE
Jacqui
LI F T
RECEPTION
LI F T
TECH STATION CAFE
FOYE R
Main entry
LIBRARY UP
D N. DN.
WORKSHOP/ MAKER SPACE
0 1
ME T RE S 2
4
KITC HEN
GALLERY HU B H YD ROL I C LI F T
Workshop access
FUNCTION CENTRE
STO RE
Recycling Hub afterhours
Gallery entrance
Event entry
BASEMENT
Jacqui
STORE
LI F T
OFFI CE
FOYE R
P LA N T ROOM
OF F I C E
UP
RECYCLING FACILITY H YD ROL I C LI F T
0 1
ME T RE S 2
4
FIRST FLOOR
Jacqui
LI F T CO L L A B .
LIBRARY
FOYE R
VIEWING B RE A K UP
OPEN PLAN OFFICE
P RI NT/ CO PY
K I TC HEN CO LLAB .
0 1
ME T RE S 2
4
SECOND FLOOR
Jacqui
LI F T
LI F T
CO L L A B .
K I TC HE N
B RE A K
FOYE R D N.
OFFICES RO O F TO P T ERRAC E
0 1
ME T RE S 2
4
ROOF PLAN Jacqui
RO O F TO P T E RRAC E
0 1
ME T RE S 2
4
David
David
David
David
SECTIONAL PERSPECTIVE OF VOID David
David
The top section of the Co-Lab Building is cladded with a version of tradiitonal Colourbond matte cladding that has been made from discarded bioplastic residue that from the Power Band manufatory stage. The coarse and less flexible bioplastic is then poured into a mould to creat the exterior cladding that is both durable and waterproof.
2
1. Lighting
Electronics
Climate Systems
2. 3. 4. Bi op
las tic
En
er gy So lut
ion s
Bioplastic Energy Banner Production
The Bioplastic photosensitive band contains micro photo-receptive filaments that convert sunlight into both electricity and light, allowing for a single band on approximately 3 meters length being able to power and light an entire room with additional auxiliary lighting
Room Available Current time: 3:35 Next Appointment: 4:00
Meeting Rooms: Systainabilty Sytems
The Band collects energy during the day and provides clean energy for the meeting room. This system is far more anemable for areas that whilst receiving suitable amounts of sunlight, are not sutable to house traditional solar panels
Scheduling System: The building uses a similar scheduling system to most corporate spaces with a slight difference. The system features a connective system that controls the partition wall to allow for the verasility of the room to be fully
Meeting Room In Use Next available time slot: 10:00AM (20mins)
Meeting Room nearing use Next meeting: 5mins
Room Available Current time: 3:35 Next Appointment: 4:00
CO / LAB
1. Robot Bar: Systainabilty Systems designed to “eliminate the variabilities that bog down today’s coffee/drinking experience.” The robot bar allows patrons the abilty to mingle and marvel around the piece of enigeneering as it mixes their drink of choice. It also allows for usegae beyond normal hours when most functions occur. Customers can order the drinks directly at the kiosk or in advance through the Plant 215 iOS or Android App. When a drink is ready, customers then enter a four-digit order code at one of the kiosk’s tablets to be served by the robotic bartender arm.
2.
Order Recieved
3.
Preparing Drink
4.
Enjoy!
Innovation & Sustainabilty: The outdoor Terrace provides a simple avenue for patrons to experience the outdoors without exiting the building or even their own floor. It can accomodate after hours events and be used as a cultivation space die to the abundance of fresh air and sunlight. The possibilities are endless and allows the terrace to serve a mult-faceted role in the building’s makeup.
B I O - FAC A D E E X T E R N A L
David
B I O - FAC A D E I N T E R N A L
David
B I O - S TA I R Jacqui
B I O - S TA I R Jacqui