Architectural Design Studio 3 (Socio-Economic Contexts) | Harun Qassim

Harun Q

Architectural Architectural Design Design Studio Studio 33 (Socio-economic (Socio-economic contexts) contexts)

C o n t e n t s.

3-5 Intorduction / Abstract / Expectations 6-9 Research: Waste in Archeteture 10-25 Material Driven Design Experiment 26-56 Product Development 57-109 Initial Ideation Process + SIte Analysis

Harun A. Qassim Yr2 - Semester 2

2nd Year Architecture Student, Based in Melbourne.

Aspiring to be an Architect and help shape city and suburbian landscapes through technology and innovation.

The premise of this Studio (Socio-Economic Context) revolves around the reversing the design

Introduction.

stream to work from materials and environmental effects backwards towards the initial design scheme. Elvina Karana (Associate Professor, IDE) perfectly encapsulates the process through her analysis, stating:

Designers qualify the material not only for what it is, but also for what it does, what it expresses to us, what it elicits from us, and what it makes us do.

The philosophical understanding of the design process is integral in understanding the empirical data and semantics related to the core focus of this unit. The prevalence of construction waste (1/3 of all waste globally) with an emphasis on plastic waste has given rise to designers opting to replace traditional fossil-fuel plastics with Bio-Plastics. The field of bioplastics is diverse with a multitude of plant and animal based products which can be sustainable, readily available and biodegradable, drastically reducing the harmful effects plastics are currently inflicting on our ecosystems.

My research and experimentation into bioplastics are done through material experimentation and an in-depth analysis into the chemical composition, economic viability and human experience.

This paper aims to identify and analyse the material to be used in bioplastic experimentation with a host of different sustainable and ecofriendly materials to replace construction elements.

The bioplastic’s development revolves around the notion of mechanically sound and stable design, meaning a series of tests will be exerted onto the material to identify it’s strengths and

weaknesses. The paper will also document the procedure taken to achieve the resulting bioplastic.

The ingredients that will be sourced in for this experiment will be analysed for their sustainabili-

ty, availability, carbon footprint, overall cost and a host of other variables and constraints within the overall scope of creating an eco-friendly bioplastic material.

Aims & Expectations.

s

-

-

n

The aim of this experimental process with the use of Research, Material Driven Design Processes & Independent innovation is to find bio-plastic or a bio-plastic subcomponent in order to replace plastics used on construction sites. The expected results is a complete decrease in environmental impact in all factors (production, transport, assembly, product life & after life, decommission and recycling/decomposing)

Waste in Architecture

1.3 Billion tons of solid waste are generated by growing cities every year, with the number expected to grow by 2.2 million tons in the year 2025.

Researchers have long been documenting the upward trend of both the consumption, production and pollution of construction materials with an emphasis on Plastics. Macro and Micro-plastics are some of the most prevalent and damaging pollutants within our ecosystem The need for a replacement to plastics is imperative to the preservation of our environment. Currently efforts are being made by countless bio-firms and institutions to further the development of plastic alternatives, chiefly bio-plastics. With the ability to greatly reduce the carbon footprint, pollutant factor and a bevy of other environmental scales which will ultimately reduce our impact on the ecosystem.

Waste in Architecture

The topic of Architecture-produce waste has steadily grown in prominence as new figures and statistics are found and discussed. However, Building from Waste: Recovered Materials in Architecture by Dirk E. Hebel, Marta H. Wisniewska and Felix Heisel intends to understand the source of waste and stem the source before it affects the ecosystem in a negative manner. Within the current climate, the writers discuss the inevitability of waste being produced, stating:

‘Our economic system is based on the principle of the exhaustion of natural resources for the purpose of production, entailing the fabrication of waste, This system functions at the expense of our social integrity and environmental sustainabilty’ 1.3 Billion tons of solid waste are generated by growing cities every year, with the number expected to grow by 2.2 million tons in the year 2025.

Waste in Architecture

‘In total 1 Kilogram of C02 is emmited for the production of five avaerage sized plastic bags. Figures indicate that quadriple the amount is used for construction plastics of the same size once transport, logistics and other variables are added’

The Linear Metabolism Theory is an understanding of the finite amount of resources on earth and their eventiual diapperance along with the unusable waste they produce

This number can be greatly reduced by implementing changes to our systems of operations in all facets that contain plastics and plastic use within the construction industry. Changes made to the number of plastics components made not be necessary if a complete reversal to bio-plastics is made. Bio-plastics that are both bio-degradable and sources from organic materials can greatly reduce the amount of fossil fuels that are used to both manufacture and produce plastics whilst simultaneously reducing the amount of harmful plastics are present in either landfills or oceans

The Circular Metabolism Theory however indicates how the insertion of organic materials into our systems allows for a feedback cycle which can reduce pollution, waste, environmental impact and costs when applied correctly

Precedent Study: COS + Mamou-Mani present “Conifera” 3D-printed installation Fashion brand COS and London-based French architect Arthur Mamou-Mani collaborated on a projected named ‘Conifera’, a site-specific work made from 3D-printed bioplastics bricks installed at Palazzo Isimbardi during the 2019 Milan Design Week.

The name Conifera originates from the conifer tree (Douglas fir) pulp used for the material mix, together with polylactic acid (PLA), a renewable polymer made from starch, vinegar, and glycerine; The bio plastic design instillation shows promise for the potential bio-plastics have within the construction industry

“Each bio-brick is made from fully compostable resources printed in the form of interlocking structural lattices, optimizing material use and allowing light to permeate the structure as visitors travel through the installation.”

In regards to what I have personally taken from this study, I have noted the Instillation’s preset aims to reduce construction plastics waste from it’s genesis allowing it to keep it’s objective of a bio-plastic, injection mold, 3D Printed design with the scope of sustainabilty whilst still being engaging and powerful enough to garner attention.

Thus, I will also attempt to keep myself grounded and within scope; consitantly refering back to the aim of the experimentation to base my results and any further exploration moving forward

Interior views of the Conifera instillation

The structual arch of the Conifera instillation

All photos © Federica Lusiardi / Inexhibit

Material Driven Design Investigation into Bioplastics replacements within the Construction Industry:

Materials

Figure 1.1: Three lignin monomers: Lignin monomers are varied in nature

“Lignin represents the second most common biopolymer found in nature, next to cellulose, making up about 20 percent of all organic matter.[7] It serves as the stiffening substance in the outer layer of every plant cell and accounts for about 1/3 of a tree’s material. It is extracted through a boiling process from wood shavings and fibres and enhanced with methanol and hydrochloric acid to form a resin-like substance.

Polymer blends from Lignin exhibit good mechanical properties and a high degree of rigidity”.

After initial research into bioplastics based on plant-matter, Lignin-based bioplastics appears to be a material that can perform and operate in the construction field to a high degree.

Tim Bugg, Professor of Biological Chemistry at The University of Warwick, Coventry UK; shared his recent findings within his research into lignin-based bioplastics as reported by Robyn Williams of the ABC. His report stated the difficulties in reducing the rigid structure “It’s evolved to be very tough, to hold plants up. But we’re now trying to break it down, which makes it very challenging”. Williams adds; “And there’s lots of it around [Wood Material], because whether we’re in big cities or even in the country there’s lots of waste that comes from old wood, from papers and god knows what else. So you’re trying to make use of this vast supply, are you? Bugg confirms the statement and then answers questions regarding where the lignin will be sourced from, stating: ‘’So there’s agricultural waste, in the UK wheat is our major crop, so there’s plenty of wheat straw around that could be used for biotransformation. Other countries have got other feed-stocks: rice, et cetera, sugar cane. But it’s also a by-product of certain industries. The pulp and paper industry, for example, in Scandinavia, produces a lot of lignin as a by-product which currently they burn for energy. It’s a bit like brown coal. But if we could convert it into high value chemicals that would be sustainable and be a very good thing to do.’’

In comparison to synthetic fibres, lignocellulosic fibres are biodegradable, renewable and widely available; moreover, they have low density, competitive specific mechanical properties and a relatively low cost Lignocellulosic fibres such as sugar cane bagasse, wheat straw, rice straw, forest wood, flax, hemp, kenaf etc. have been widely used as reinforcements in bioplastics. Several reviews of lignocellulosic fibres and biopolymers in bioplastics have already been conducted.

Figure 1.2: The visual breakdown of treated vs non-treated lignocellulosic fibers

It has been estimated that around 70 million tons of lignin in the paper-making industry are available per year. However, only 2% of it is processed and utilized as lignin, the rest is added into fuels The Lignin based product we will be experimenting on will not be a bio-engineered, production level bioplastic component; but rather an existing product. By using Hemp we are classifying a large sector of lignins which currently have a dependable market for products and accessories. With ample amounts of research already made into the application of hemp and in this case the conversion into a bioplastic; our findings will have a large amount of data to be cross-referenced with.

Materials Hemp Rope: Primary Lignin-Based Ingredient

Hemp has been used for millennia due to its strong and reliable composition, chiefly due to its high Lignin composition. Many iterations of Hemp-based plastics have been attempted by multiple industries with varying results. Henry Ford’s ‘Hemp-Car,’ designed in 1941, was made from a plastic composite which consisted of 70% hemp fibre mixed with straw and sisal. Ford demonstrated the strength of the hemp composite by beating the car with a club and leaving no dents in the bodywork. He was also quoted to have said:

“Why use up the forests which were centuries in the making and the mines which required ages to lay down, if we can get the equivalent of forest and mineral products in the annual growth of the hemp fields?” (Henry Ford 1941) Once the fibres have been removed from the hemp stems, what remains is 77% cellulose: the building blocks of trees and plants and a source of plastic that is biodegradable. Hemp grows prolifically, making it an extremely efficient crop. They are lightweight, biodegradable and can replace many petrochemical plastics (oil-based plastics).

#1: Method

Bio-Plastic Fabrication Process

1. The Hemp Rope (1 meter length is cut at 25 cm and manually frayed into indivdual threads by hand.

2. The solution (150 ml / Gelatine Powder: 4 Grams / 2 table spoons of Vegtable Oil) is set on high heat and stired until the solution begins to bubble.

3. The Hemp, now in individual strands is gently lowered into the solution, the heat is gradually reduced and then after 30 seconds the hemp is removed from the solution.

4. the now wet hemp fibers are lowered into a sheet of aluminum foil and pressure is placed ontop of the material.

5. The hemp is set to rest for 12 hours and then removed from it’s aluminum foil cover.

Figure 1.1 Ingredients assembled for first iteration

#1: Results After the cooling process is completed the foil wrapping is removed from the bioplastic. The material is then removed of any excess foil that it still attached to the plastic. Note: a small amount of foil is still embed into the plastic.

Observations: The plastic is translucent and allows a large amount of light to pass through. The hemp fibers still have their original texture although it has been coated thinly in the plastic membrane.

The feel of the material is thin, crusty and flakey; though it is extrodinarily light and durable.

Steps to remove/rectify:

- Aluminium Foil: A non-stick option (Baking paper) would be far more preferred to ensure that no pieces get embedded into the plastic

- Cooling process: rather than leaving the plastic outdoors, a freezers could be more preferable to ensure the bonding process happens quicker

- Colligate: the colligate could be increased to increase the flexibility of the matter and reduce it’s thin brittle complexion

- Solution: The solutions will be increased by 4 fold to increase the variations in the hemp fibres planned for the next iteration After inspecting the initial plastic under a light board, an observation can be made on the different concentrations of hemp fibers being clumped together in certain areas. This is primarily due to the irregular placement during the curing stage of the experiment.

A possible ammendment that could be made for any future itterations is to create a weave or a bundle of fibers and then submerge them into the solution.

Figure 1.3 Close-up shot of the membrane, the hemp strands have been thinly coated in the plastic solution

Smell: Strong notes of vegtable oil and Gelatine Touch: Britle and flakey, large amounts of fat residue Sight: slightly see-through with some aesthetic potential

Smell: Needs Improvement

Sight: Desired Level

Feel: the fibers do protude in some areas leaving a varied texture Ridgity: The paper thin composition Feel: Unrefined offers little ridgity, however it does not bend easily.

Ridgity: Stiff & Britle

#2: Method

Bio-Plastic Fabrication Process: 4 Sample Process

1. The Hemp Rope (1 meter length is cut at 25 cm and manually frayed into indivdual threads by hand. These threads are then sprayed in different thickness depending on their sample

2. The solution (400 ml / Gelatine Powder: 16 Grams / 8 table spoons of Vegtable Oil + Green Food Colouring) is set on high heat and stired until the solution begins to bubble.

[Ammendments made to increase solution based on previous results and for an increase in batch size

3. The solutionis poured into the aluminum tray with the frayed hemp fibers. it is then cooled in a freezer for 5 hours before being removed.

4. the aluminium tray is removed the now solid concoction is set to dry in a cool space outdoors.

Ingredients assembled

The solid solution measures at approximatly 40cm x 24cm x 3cm

The solution is placed in an aluminum tray

Top view of the solid plastic core

Clear plastic wrap is placed over the mixture

Few fibers are visible from the surface of the solid bio plastic

F b

#2: Results After the cooling process is completed the foil wrapping is removed from the bioplastic. The material is then set to defrost any excess ice that has formed during the cooling stage.

Observations: The plastic is far less translucent than the previous itteration however the consistancy is far more to my liking. The green dye allows for greater depth to the material, whilst the increase in gelatine and vegtable oil gives far greater felxibilty to the bio-plastic.

Steps to remove/rectify:

- Aluminium Foil Tray: The tray was an excellent addition however it required to be lined with baking paper to avoid any perfereation to the bioplastic

- Cooling process: The freezer worked tremedously in quickly solidifying the bio-plastic, yet the ice that formed quickly caused spillage onto most working areas,, reducing the efficency of post results storage

- Colligate: the colligate could be increased to increase the flexibility of the matter and reduce it’s thin brittle complexion

- Solution: The 4x solution was very potent in creating a larger and thicker plastic, whilst reducing the hemps role in the dolution signitifcantly.

After inspecting the initial plastic under a light board, an observation can be made on the different concentrations of hemp fibers being clumped together in certain areas. This is primarily due to the irregular placement during the curing stage of the experiment.

A possible ammendment that could be made for any future itterations is to create a weave or a bundle of fibers and then submerge them into the solution.

Figure 2.2 Close-up shot of the membrane, the hemp strands have been thinly coated in the plastic solution

Figure 2.1 Close-up shot of the membrane, the hemp strands have been thinly coated in the plastic solution

Smell: Lesser notes of vegtable oil and Gelatine Touch: Soft and wet in some aspects Sight: HeavilyTgreen with little light permiation, the hemp fibers are almost no-existant.

Smell: Improved

Sight: Reduced

Feel: Extremely soft and jello-like, however the impact of the hemp fibers is almost none-existant Ridgity: The thicker and now softer composition allows the matterial to bend. Simmilar materials include: Jelly, sillicone-products, rubber.

Feel: Greatly Improved

Ridgity: Reduced

#3: Method

Bio-Plastic Fabrication Process: 4 Sample Process Figure 3.1 Pendant made from hemp rope

1. The Hemp Rope (1 meter length is cut at 25 cm and manually frayed into indivdual threads by hand. The threads are alligned on two seprate forms. One is a sheet of seperated individual fibers, whilst another is a weave of fibers made into a pendant.

2. The solution (200 ml / Gelatine Powder: 2 Grams / 3 table spoons of Vegtable Oil + Yellow Food Colouring) is set on high heat and stired until the solution begins to bubble. [Ammendments made to decrease solution based on previous results.

3. The Pendant is dipped into the solution (Due to the lack of instant Collagulation, the sollution is then powered into the alluminum tray linned with baking paper.)

4. The aluminium tray is placed in a cool, dry place for the cooling process to complete.

F c

Figure 3.2 A close up of the memebrane shows the fibers more closely integrated with the plastic

#3: Results After the cooling process is completed the backing paper is removed from the bioplastic. The material is then given time to set and solidify Observations: The plastic is far more translucent than the previous itteration and greater in consistancy. The yellow dye was far more measured and thus provided a light shade rather than reuceing overall visibilty allows for greater depth to the material, whilst the increase in gelatine and vegtable oil gives far greater felxibilty to the bio-plastic.

Steps to remove/rectify:

-This iteration did not necessarily develop in my favour, however if the light flexible plastic can be hardened in some way and incorporated better with the hemp fibers then this solution could be reused to greater effect.

After inspecting the initial plastic under a light board, an observation can be made on the different concentrations of hemp fibers being clumped together in certain areas. This is primarily due to the irregular placement during the curing stage of the experiment.

A possible ammendment that could be made for any future itterations is to create a weave or a bundle of fibers and then submerge them into the solution.

Figure 3.4 A close up of the memebrane shows the fibers more closely integrated with the plastic

Figure 3.3 Top View of the membrane, the hemp strandsare entirely embedded into the solution rather than being thinly coated

Smell: almost no notes of Vegetable oil or Gelatin Touch: Soft and flexible, yet still rigid when bent in certain ways Sight: The plastic formed an almost resin like mold over the hemp fibers keeping them firmly in their current shape.

Smell: Improved

Sight: Improved

Feel: Soft to the touch yet rigid Rigidity: The rigidity of the new iteration is far more practical than the 2 previous experiments. It has the right amount of play and flexibilty but would require more stiffening if used in any construction application.

Feel: Greatly Improved

Ridgity: Greatly improved

#3: Results Extended

Following close to 3 days of drying a forming the 3rd iteration is beginning to harden Figure 3.1 The plastic membrane is still see through and allows light to fillter through

and follow the curvature of

Figure 3.3 Due to the release of liquid as the drying process continues the material begins to stiffen and harden becoming less maliable.

it’s hemp lining. For example in figure 2 the vertical fibres have raised the profile of the plastic and allowed it follow through its direction and curvature

Figure 3.2 The stiffening process has allowed the plastic to form along the hemp fiber’s natural shape

Figure 3.4 The plastic has dried at the exact elevation of the hemp fibre and continues along it’s length around the entire membrane

Reflection Thus far the 3 experiments previously explored all lacked critical ele-

However after looking into Robert Murry-Smith’s

ments that I wished to achieve within the bio-plastic experimentation

engineering studio I have found a way to create

period. Whilst all 3 had hemp fibres as an ingredient, they all lacked

hemp plastics out of a milk-tea-hemp fibre base.

any structural rigidity or enhanced movement as a direct result of

Yet the process is both time consuming and re-

the hemp fibres addition. However my latest experiment had shown

quires tools that are not yet readily available.\

some promise in creating a sustainable and durable material, if I am able to work on the substance and create is a stronger membrane,

Which leads to the third option of attempting to

I might be able to better integrate the hemp fibres into the bio-plas-

continue with the gelatine-solution and hemp

tic.

fibres but combine it with construction materials and processes. Thus after this reflection I have

With research into Carbon Fibre meshing techniques for Sailing and

attempted to create a few experiments which test

other lightweight, durable technologies, I hope to be able to properly

the bioplastic’s performance and hopefully pro-

replicate their mechanisms, processes and possibly results. By look-

duce some useable results.

ing into NorthSail and ‘Composites, Surfaces and Software: High Performance Architecture by Greg Lynn & Mark Foster; along with ‘The Material Geometry of Fibre-Reinforced Polymer Matrix Composites and Architectural Tectonics’ Johan Bettum. With research into high performance fibres I hope to be able to replicate some of the industrial standards but with a renewable, bio-degradable and plentiful material

#4.1: Ideation Method The aim and premise of this experiment differs from those previous, during this iteration my aim was to compare two different methods of combining the plastic with the hemp fibres for practical construction use. I sought to use Balsa wood as a timber alternative and as a way of securely holding the Hemp in place, a major issue in previous experiments.

Thus by wrapping the Hemp fibers around the Balsa struts (40cm x 2cm x 2cm) and comparing two methods of conjoining the plastics with the Hemp (Dipping vs Submerging) I hope to find some conclusive results to further the ideation of this lignin-based Plastic.

Figure 4.1: hemp strands are frayed

Figure 4.2: hemp strands are wrapped

Figure 4.3: The hemp-balsa is dipped into the solution

Figure 4.4: Both the samples are dryed outside in the same conditions

After the drying process was completed, the two samples were examined for any differences in apperance, performance and other factors that determine the real-life application of the Hemp-Fibre Based Plastics.

Strength: The Coated Plastic Hemp Column was far weaker than the Embedded Column Ridgidity: The Embedded Column is able to handle more stress and weight from a multitude of angles Aesthetic: The Embedded Column has a see through membrane which allows people to look through the plastic and into the element it is supporting.

Figure 4.5: Embeded Balsa Column is extracted from the hardend solution

Figure 4.6: The Embeded Balsa Column (Left) has a var more stiffer constitution compared to the column that was lightly coated in the solution

#4.2: Ideation Method For the Second Practical Experimentation process, I will be attempting to experiment with joint fixtures and the strength differentials between bio-plastic coated hemp fibre joints and non-bioplastic coated hemp fiber joints in order to discern their real-life practicality.

Figure 4.5: Two Balsa Wood Pieces fastened together through Hemp Rope

Weeks 3-4 Gelatine - Glycerol - Hemp Fibres

Jacqui Harun David

Group 1 Research Task

About Grou p On e We a r e a s p i r i n g a r c h i t e c t s , s t u d y i n g a r c h i t e c t u r e r e m o t e l y ( d u e t o the Covid-19 pandemic and consequencial lockdown in Victoria) t h r o u g h S w i n b u r n e U n i v e r s i t y o f Te c h n o l o g y.

Jacqueline Keogh

Harun Qassim

David Petrevski

PROJECT BRIEF P a r t ic i p a n t s Jacqueline Keogh 102516693 Harun Qassim 102354534

Sc o p e o f w o r k s Research precedents where products or buildings are

1.

David Petrevski 5826918

joined without the use of modern fixings such as screws or bolts.

Investigate joining techniques and the advantages and disadvantages of the material and the project overall.

I n t ro d u c t io n

2.

Analyse the recipe and results of Harun’s bioplastic experimentation.

Discuss the advantages and disadvantages

David, Harun and Jacqui spent the last two weeks creating

of the recipe and how it could be developed or altered to

bioplastics using different types of recipes with varying

achieve the project objective.

polymers, plasticisers and additives. We then formed a group (group one) and discussed our findings.

3.

Using findings from the precedent studies and analysis of Harun’s recipe to develop bio-plastic recipe/s to cook including

We found Harun’s project and outcome to be the most

a method for creating the joins or developing joining techniques.

interesting, specifically the use of Hemp with bio-plastics.

Include an analysis of the ingredients and their properties.

We also discussed using Spirulina as a possible polymer alternative to Gelatine.

4.

Outline a list of recipes with their method/ joining technique and record expected results.

O b j e c t ive

5.

the outcome, including setting time, strength/flex of join,

To develop a structural joining system that can be used to

colour, feel/texture, smell, etc.

join building or furniture materials together without using modern metal fixings such as screws and bolts.

Create each recipe and method/joining technique. Record

6.

Discuss results and outline the advantages and disadvantage of each recipe and their method/ joining technique.

Suggest possible product applications & uses for joining system.

7.

Develop a name for the joining system and an overall brand, including a logo, slogan and possible strategy for production, distribution, and marketing.

8.

Present final joining system in the form of a marketing poster and product guide/ booklet. Include drawings, instructions, packaging, and how it can be used in an architectural setting.

Figure 1: Harun’s bio-plastic results from initial experiments

Analysis of Previous Recipies Recipe #1: The first iteration of the Hemp-Fiber bio plastic failed to illustrate any definitive features of either the Gelatin Bio-plastic or the Hemp Fibres. The flat composition coupled with the weak and ineffective plastic meld is primarily due both the solution (potency and amount) in addition to the cooling system (compressed) Figure 2: Sample A Through a Lamp

Figure 3: Sample A Hemp Fibre’s spread like spiderwebs

Two images which illustrate the bioplastic’s irregular and malformed structure.

The hemp fibres proturde from the paper thin membrane and provide an uneven shape and composition.

Overall, the bioplastic failed to properly integrate the hemp fibres properly into the solution which resulted in a low-strength, low-durabilty product.

However, after the recipe was completed, the observations made allowed for future experiments to be far more successful due to the data collected.

Analysis of Previous Recipies Recipe #2: The second iteration of the Hemp-Fiber bio plastic also failed to illustrate any definitive features of either the Gelatin Bio-plastic or the Hemp Fibres. The now thicker composition is easily compriable and fragile, whilst flexible and more maliable than the previous iteration, this sample also lacks any hemp fibre integration. Whilst the sample was able to show that the plastic is able to be layered and build height.

Figure 4: Sample B Close Up

Figure 5: Sample B Being lifted

Overall, the bioplastic again failed to properly integrate the hemp fibres properly into the solution which resulted in a low-strength, low-durabilty product.

However, after the recipe was completed, the observations made allowed for future experiments to be far more successful due to the data collected.

Analysis of Previous Recipies Recipe #3: The third iteration of the Hemp-Fiber bio plastic worked extreamly well, The solution had the optimal consistancy, flexibilty and ridgitiy. The hemp fibres worked to add form and shape to the bio-plastic solution.

Figure 6: Sample C Close Up

Figure 7: Sample C Observed under a light board

Overall, the bioplastic again failed to properly integrate the hemp fibres properly into the solution which resulted in a low-strength, low-durabilty product.

However, after the recipe was completed, the observations made allowed for future experiments to be far more successful due to the data collected.

RECIPE

A: Figure 8: Hemp Strands measured and organised prior to insertion

Hemp-Fibre infused Solution

The hemp-fibre infused solution uses small 5mm hemp fibres infused with the Gleatine solution during the cooking phase. The smaller size more direct infusion measures allows for a similar solution to that of a fiber-glass panel.

Steps:

Figure 8.1: Hemp Strands are visible

Figure 8.2: Hemp Strands are visible

Figure 8.3: Hemp Strands are visible

Figure 8.4: Hemp Strands are visible

1. Firstly, the strands of Hemp are measured and cut from the yarn. A Gelatine-Vegatible Oil solution is mixed (2 table spoons of Gelatin, 2 table spoons of vegetable oil, 60mL of water) and heated.

2. The Hemp strands are then mixed into the solution prior to reaching its boiling point 3. The solution is thoroughly stirred to ensure the strands have separated 4. The bio-plastics solution is then poured into a container (Muffin Pan) to begin cooling

RECIPE

A:

Hemp-Fibre infused Solution The Process and overall result of this experiment was sub par and failed to provide a definative conclusion that would support the aim of the experiment: - Stength and Durabilty: Very simillar to Experiment 3: (Harun) in terms of consistency and form. Whils the hemp fibres didnt play a major role in the first few days, once the form begins to lose it’s moisture, the hemp fibres will be more apparent in the overall structure - Practicality: The practical uses of the material are limited in it’s current state. Soft plastics such as silicone pads, standing mats and other textured soft plastics could be replaced with this current Bio-plastic. However if the bio-plastic was to go through a hot-press or some other plate-making machinery then products tuch as tiles, shades, blinds and other see-through materials could be produced

Results

RECIPE

B:

Bio-Plactic Coated Hemp Rope For this recipe hemp fibres are organised in thicker cable-like strands (approximately 3mm in diameter) for the purpose of being coated in the Bio-plastic solution. The application of which will be as a fastener for beams and other structural components.

Steps: 1. Firstly, the strands of Hemp ‘cables’ are organised into lengths that vary between 10-20cm and layed out 2. The Hemp strands aregently lowered into the solution (2 table spoons of Gelatin, 2 table spoons of vegetable oil, 60mL of water) for ‘x’ amount of seconds ensuring the entire length has gotten into contact with the boiling solution 3. After being inserted into the boiling solution untill completely submergerd and then used to fasten the 3 pieces of Balsa wood together. It is then set to cool and harden on baking paper in a cool and dry area.

4. Once the cooling process is complete the cables are tested for performance

Figure 9: Recipe B Experimentation Process

RECIPE

B:

Bio-Plactic Coated Hemp Rope The Process and overall result of this experiment was quite successful: - The binding technique was quick and simple, - The strength and rigidity of the bind was above avaegare - The setting time was within a reasonable time frame - Stress tests indicate that the strength of the binding is on par with other fasteners.

- The hemp fibre has been enhanced with a waterproof and stiffening agent, allowing it to perform more effectively.

Overall the binding process was successful and allowed for a greater understanding of the possibiltes that Bio-Plastic Coated Hemp fibres have in serving as a fastener or binding element Similar materials that could be replaced by the bio-plastic hemp cable include: Steel Wire systems, Galvanized steel wire and cables. Wicker Furniture could also be replaced if the solution is utilized differently.

Results

RECIPE

C:

Hemp-Fibre Panel The hemp-fibre panel uses a balsa wood frame to keep tension over the hemp fibres and allow them to retain energy as they get cased in the bio-plastic solution. Practical applications couldn include replacements to wicker furtniture and possbile improvements to current canvas designs Steps: 1. Firstly, the strands of Hemp are measured, cut and stretched over the pre-constructed Balsa frame 9cm x 9 cm x 1cm. from the yarn.

2. A Gelatine-Vegatible Oil solution is mixed (2 table spoons of Gelatin, 2 table spoons of vegetable oil, 150 mL of water), heated to boiling and then poured till the solution fills the frame to it’s height.

3. The Hemp strands are then set to cool and harden in a cool space.

Figure 10: Hemp Fibres are stretched over the balsa wood frame

Figure 11: Revised Hemp Balsa Frame

RECIPE

C:

Results

Hemp-Fibre Panel (Cooking phase) Once the Solution was set the material was evaluated for it’s properties.

- Strength & Rdigity: Overall the composition of the frame and hemp weave allowed for a small degree of play and movemenet within the centre of the panel due to the lack of tension within the hemp fibres as they ran through the centre of the panel.

- Feel & Aesthetic: Currently the bioplastic has not yet set and still has a fair amount of moisture within the memebrane which means after a few days the form will harden and be less wet to the touch.

The visual play on light the panel has is also quite impressive, it fillters all incoming light with a green tint.

- Practicality: The Bio-plastic Panel can be used in a multitude of different applications and settings. Both as a permanent fixture and as a more temporary products.:Facades, Fixtures, blinds, Tiles and other larger objects and architecture fixtures

Jacqui:

RECIPE D

PROCESS Cooking Bio-plastic

G E L AT I N E

G LY C E R O L

TA P WAT E R

HEMP

Method

Recipe Gelatine

12g

Glycerol

4g

Tap Water

60ml

Food dye Hemp

Hemp preparation

1. Finely cut hemp into 3-5mm peices and place into ice cube tray 2. In a jug, add 1 drop of food dye to water 3. Combine glycerine, gelatine and water over medium heat.

4. After 2 minutes: a) Dip hemp string into mixture and lay out baking to paper b) Dip hemp string into mixture and wrap around bolsa wood c) Pour mixture into ice cube trays d) Submerge hemp string into one mixture in ice cube tray e) Pour mixture into frame 5. Leave mixture to set before removing from moulds.

HEMP EXPERIEMENTS

Jacqui:

RECIPE D

Results

a) dipped

b) dipped & wrapped

d) submerged

e) frame

+ 3hrs

+ 24hrs

The dipped hemp and dipped & wrapped hemp, both dried very quickly and felt hard to touch.

Even though they were hard, they still quite flexible and is able to bent and curled without creasing or splitting the coating.

They were also quite strong and cannot be stretched.

+ 48hrs

This mixture dried quicker in comparison with sample (d). It is also flexible and tough. c) 3 - 5mm pieces

The area immediately around the submerged hemp has dried, making the sample fragle where the hemp was not submerged.

The frame floated away whilst pouring, hence the rippled mixture. The sections where the 3-5mm pieces are denser, the drier and less fragile it is. A thin mixture with these small pieces would work well.

+ 3hrs

+ 24hrs

+ 48hrs

SUMMARY

Dipped

OF

Dipped & Wrapped

RESULTS

Dipped & Wrapped

Encased

Wet

Dry Wet

Dry

Wet

Dry Wet

Dry

Flexi

Rigid Flexi

Rigid

Flexi

Rigid Flexi

Rigid

Fragile

Strong Fragile

Strong

Fragile

Strong Fragile

Strong

Dipped & Wrapped The resultes of these experiements complimented each other greatly as our research reached a parralel over how to best create a strong, durable cable/wire like material. Whilst Jacqui’s experiments leaned towards a flexible and malliable cable-esque tension and manuvareabilty. Harun’s was more focused on a set, ridgid wiring system that could hold beams, pipes and other structures in place. Parrallels are also present in our recipies, materials and other factors that went into creating the wire-like bio-plastic, making full use of the hemp as a structural component.

We believe that these itearations of our experiments were the most successful and most promosisng to pursue further. With applications into steel-wirring replacements, sustainable furniture solutions and other uses; we feel that the potential of our material is boundless and exciting.

P T

S K E

Hemp Fibres are thicker and of a higher consistnacy in the stiff or upright portions of the joint

T C H E S

In the bent portions of the joint the hemp fibres are less woven and take up far less surface area, allowing the plastic to flex more freely and bend with ease

RESEARCH

David:

D EV E L O P I N G A B R A N D - Innovation - Ethical operations - Reconnecting with natural materials - ‘Environmental first’ attitude - Community relationships - Driving change

“Striving for a more sustainable and more informed industry that cares for the welfare of our environment through innovation, research and committment.”

Mission statement

Identity & Values

What do we offer?

Why are we different?

“securing your materials and our future.”

HempBond offer products suitable for joinery needs, adhesion and DIY projects alike. We aim to offer consumers an ethical choice at an affordable price.

- Relationships with local communities - Natural materials approach - Team of industry experts - Application of material driven design - Market and product research

David:

TARGET AUDIENCE AND MARKET

AVAILABLE AT: Bunnings

Officeworks

Craft shops

MARKETED AT: Tradespeople DIYers

COMPETITION PRODUCTS:

Audience

Designers

Duct tape

Environmentalists

Nuts and bolts

Silicone sealant

STRATEGY FOR PROMOTION: Data analysis

Competition comparisons

Environmental standpoint

E X P LO R I N G P R E C E D E N TS Hemp as a building material Hempcrete Hempcrete is a bio-composite material made up of hemp hurds (the stalk of the plant chopped into fine pieces like tanbark) lime and water that in commonly made into building blocks by many different companies around the world. Hempcrete can also be sprayed and cast place much like regular concrete.

Benefits of building with hempcrete include: • • • • •

Carbon neutral (happy conscious) Low maintenance Structural strength Highly carbon absorbent Great moisture handler (able to release moisture due to it being porous) • Flame and mould resistant • Great for all climates • Soundproofing qualities

• • • •

Lightweight Recyclability Some negatives include: Worse mechanical performance to steel or concrete (overall strength) • Long curing time • Relatively expensive • Less common in the industry meaning less expertise with

E X P LO R I N G P R E C E D E N TS Hemp as a building material Regional House A project undertaken by BC Architects & Studies (Belgian group) aimed at improving the function of a local park by building a new reception and education centre there.

“An insulation façade and roof of hempcrete is left apparent as finishing and makes this building CO2-negative. Only two construction techniques make the superstructure of this building honest, minimalistic and educational.”

Regional House Edeghem

E X P LO R I N G P R E C E D E N TS Potential Material Systems

P e o p l e’ s P a v i l i o n

Figures 15-19: Joining Bottles

by Overtreders W and bureau SLA The People’s Pavilion was built using ‘borrowed’ materials for the Dutch Design Week in 2017.

The timber components in the pavilion structure were ‘borrowed’ and needed to be returned for a future building project after the exhibition. Becuase of this, they needed to bind the components together without drilling or cutting the material.

By strapping the timber components together, they were able to make a structurally sound joining technique.

J o i n i n g B ot t les

by Micaella Pedros Micaella has been experimenting joining materials together using plastic bottles found in landfill, or collected from the streets.

The joining technique involves cutting the bottle down to an acceptable size, and slipping the bottle over the area needing to be joined. The plastic is then heated so that it shrinks and affectively moulded around the join.

This technique highlights the join and is a simple yet effective way of

Figures 12-14: People’s Pavilion

making a sturdy structure.

P R O D U C T I D E AT I O N Developing Material Systems

Strapping

Wrapping

Our experiments using hemp showed that the thinner bio-plastic with hemp fibres was stronger than the bioplastic with less hemp fibres.

As an alternative to a fixed shaped strapping, some joins require a more flexible option.

The string that was dipped in bio-plastic was also very strong whilst still remaining flexible.

This means we could develop a bio-degradeable equivalent to strapping, that could be used in the building industry to bind timber components together.

Using a soft bio-plastic with fine hemp pieces spread throughout the mixture, we could design a solution that can be wrapped around a join, not too dissimilar to the ‘Joining Bottles’ precedent, and heated or air dried to seal the join.

Once set, we would expect to the the structural rigidity that we saw in our hemp x bio-plastic samples.

C O N C E P T S K E T C H E S

Using the product as a replacement for screws in a chair.

Attaching the legs and the to seat in an innovative way.

C O

The hemp fibres are coated in the bio-plastic solution and then wrapped around the two joining pieces

N C E P T

S K E

Hemp Fibres are thicker and of a higher consistnacy in the stiff or upright portions of the joint

T C H E S

In the bent portions of the joint the hemp fibres are less woven and take up far less surface area, allowing the plastic to flex more freely and bend with ease

Hemp Fibre coated in Bio-Plastic Chic Lighting System

C O N T E X T

Hemp Fibre Bio-Plastic Bond Product can also act as a sealant for vents and other piping systems

- H E M P

Hemp Fibre Bio-Plastic Coated binding solutions are used to create seating solutions

P L A S T I C S

HempBond’s Industrial Strength Strapping HempBond’s Adhesive Wrapping Tape

HempBond: Industrial Strength Strapping & Adhesive Wrapping Tape Matching Sustainabilty with Practicality. Makes the right descion that much easier

David:

P R O D U C T I D E AT I O N After reassessing the results, there was a strong direction to a product capable of being both wrapped and adhesive. The testing showed good potential for strength and flexibility with further enhancements.

Understanding this, we deciding to take inspiration from some existing products and develop two sustainable competitors capable of much more.

Features & Beneifts HempBond

HempBond

STRAPPI NG

WRA P P I N G Suitable for: Any application where flat materials needs to be binded together, such as structural beams.

Longitudinal Hemp Fibres set in a thin layer of bioplastic

Weaving through materials to bind them with other materials, such as leather or timber.

3 - 5 mm hemp fibres in varying directions, set in a thin layer of bioplastic.

10mm

35mm Suitable for: Long itudina l flex

Long hemp fibres running in the same direction enables the bioplastic to remain rigid in one direction, and flexible in the other direction, whilst still keeping its’ strength.

Binding curved or irregularly shaped materials. Such as; rocks, branches, or carved elements.

L at i t udi nal Ri gi di t y

Flex Diagram The 2mm thickness reduces the amount of bioplastic that is unsupported by hemp fibres, enhancing its strength.

Complex joins or joins that are to be highlighted as a feature. Such as; chair legs or decorative pendants.

L o ng i t u d i nal f lex

L at i t u d i nal F lex

Flex Diagram

The 2mm thickness reduces the amount of bioplastic that is unsupported by hemp fibres, enhancing its strength.

STRA PPIN G instructions TOOL S

STE P BY STE P

Before you start Make sure your tools are clean and the materials you are binding are dust-free

Step 2 Loop the strapping around the materials until the straping is overlapping, cut off any excess.

Step 4 Using the cool setting on your hair dryer, blow the overlapped strapping until it is dry to touch.

Step 3 Hold strapping firmly in place. Using the heat setting on your hair dryer, heat the overlapped strapping until strapping is soft and bonding to each other.

Step 5 Repeat process and regular intervals and leave to set in a clean dry space - at room temperature.

Step 1 Place materials next to (or on top of) each other.

Provided: 20m roll of strapping

Tools needed: Hair dryer (with hot and cold settings) Scissors/ Stanley Knife

W RA PPING instructions TOOL S

STE P BY STE P

Before you start Make sure your tools are clean and the materials you are binding are dust-free

Step 2 Loop the wrapping over the materials until the wrapping is overlapping, cut off any excess.

Step 4 Using the cool setting on your hair dryer, blow the overlapped strapping until it is dry to touch.

Step 3 Hold wrapping firmly in place. Using the heat setting on your hair dryer, heat the overlapped wrapping until wrapping is soft and bonding to itself.

Step 5 Leave to set in a clean dry space at room temperature.

Step 1 Place materials next to (or on top of) each other.

Provided: 10m roll of wrapping

Tools needed: Hair dryer (with hot and cold settings) Scissors/ Stanley Knife

Product Life-Cycle: Bioplastic Recycling: The purpose behind Bio-plastics over Petro-Chemical plastics stems from how it closes the loop by creating the materials and technology needed to transform linear supply chains into circular supply chains.

The use of technology that sorts and upcycles discarded bioplastics into new products that lessen our reliance on traditional plastics is growing more prevalent, meaning our materials are less likely to be prioritiesed for decomposing and instead are recycled using existing methods (i.e smelting for residues, pulversising hemp to remove additional products).

Our upcycled materials are compatible with standard plastic manufacturing equipment, allowing for rapid market adoption.

Lifecycle of Products: https://www.bioplasticrecycling.com/

Lifecycle of Products: https://www.bioplasticrecycling.com/

Chapter 1: Site Analysis and Initial Ideation Process

Group 1 Site Analysis

Harun Jacqui David 221-245 Salmon Street, Port Melbourne

I

The

N

Summer

I

and Winter

T

differences

I

in terms of

A

daylight

L

hours dont Winter

vastly differ

R

or cause

E

any not-

S

icible issues

E

when con-

A

sidering

R

lighting ar-

C

range-

H

Summer

ments

I N I T I A L

Summer

R

Whilst in close proximity to a large amount of industrial spaces, the general air quality of the area is generally healthy prone to other air-borne pollutants

E S E A R C H

Winter

I N I T I A L R E

1 x 1 km2 Section, Currently in use by

S

Holden on the left section and Kraft

E

Foods on the right. Considering how

A

GM plans on being a major contribu-

R

tor and Holden’s restructuring deal,

C

it is possible to see major changes to

H

the existing site

S I T E

M A P

N

FISHERMANS BEND ABOUT

LAND

Fisherman’s Bend, located in Port Melbourne, Victoria, is the future home to 80,000 people and 80,000 jobs by 2050.

The Yalukit Wallam people of the Boon Warrung clan are the traditional owners of Fishermans Bend, a wetland area rich with game, fish and tubers.

Over the next 30 years, the Fisherman’s Bend Framework aims to build a global benchmark for smart, sustainable development and integrated communities where people can live, work, learn and invest.

The land was regenerated through fire-stick farming and it was also a burial site for the Yalukit Wallam people, who believe spirits return to its country after death.

INNITIATIVES Extensive cycling & pedestrian paths Additional train, tram and bus links to CBD Increasing open spaces for sport facilities Diverse, affordable and social housing Additional commercial spaces and creation of high value jobs & businesses.

Provisions to balance growth & liveability

PRECINCTS Employment

Lorimer

Wirraway

Sanridge

Montague

EMPLOYMENT LORIMER WIRRAWAY SANRIDGE MONTAGUE

Images: Artist Impressions of Fishermans Bend, https://www.fishermansbend.vic.gov.au/ precincts/employment-precinct/general-motors-holden-catalyst

SITE MAP Fishermans Bend has important cultural and industrial history that deserves to be remembered.

Choosing a site that is sensitive to this provides an immortalisation of what once was.

The current GMH social center is sited in what is soon to be an employment precinct means that new employees and patrons in the area will have a physical reminder of what preceded it.

P R O P OS E D S I T E W I T H I N F I S H E R M A N S B E N D ADDRESS 2 2 1 -241 Sa l m o n St r e e t P o rt M e l b o u r n e

BUILDING FOOTPRINT 24 0 0 m 2 (a p p r ox)

BUILT 1 94 5

STYLE

As we are forming a new space it is crucial that it does not feel devoid of meaning. Holden has a strong place in Australian history and the site has been home to many important events.

Hoping to transfer some of the good fortune and success Holden had over years, this site was chosen as a token of this.

A rt D e c o

SIGNIFICANCE

EXISTI NG BU I LDI NG ON SITE

FRONT FACADE

H i s to r ic a l Slide created by David Petrevski

S I T E

P E R S P E C T I V E S ite D i m e n sio n s Area: 74890 sq. m (7.5 ha) Perimeter: 1376 m Address: 221-245 SALMON STREET PORT MELBOURNE 3207

SURROUNDING BUILDINGS PROFILE Currently the existing infrusture for the site is catered towards industrial transist and movement, The entry roads are two or oneway lanes that have little to no pedestrian access and mobility.

5 150 m

Image: Site Perspective: Rhino 3-D Model. Modeled by Harun

m 5 3

Author: Harun Qassim

S I T E

P E R S P E C T I V E Site Profile The building’s Social & Cultural connotations are a design element that could be translated through to any future designs. The front Facade and other art deco elements are possible features that could be kept. The 3-D modeling process allows for greater experimentation and analysis of the existing site.

FACADE SIGNIFICANCE

The front facade serves as both a housing for the large glass windows at the front that allows Northren sunlight into the main hall, One of the earliest examples of Art Deco within the commercial environment, the facade is protected for it’s significance and thus needs to be integrated into our design.

Image: Site Perspective: Rhino 3-D Model. Modeled by Harun

Author: Harun Qassim

DIMENSIONS EXIS TING ENVELOPE DIMENSIONS

Site square meters: 870 m2 of floor space Overall height: 14 m (including spire) Height (Excluding facade) 7 meters

Image: Building Length & Width Overall Modeled by Harun

Image: Building Height Overall Modeled by Harun

Image: Building Bult Height Modeled by Harun Slide by Harun Q

S I T E

P E R S P E C T I V E Site Surro und i ng s The building is flanked by two 5-story factory blocks with another series of industrial buildings on it’s northern flank. The rear of the site lies the car-store ofr the remining Holden Service Centre and beyond that lies more Industrial Sites and Instilations

SITE AMBIENCE

Light Control will be imperative as the reflection from the Yarra will provide a surge of afternoon and morning light for the site if sufficent height is achieved.

Image: Site Perspective: Rhino 3-D Model. Modeled by Harun

Author: Harun Qassim

Existing Site: Building Height Map Overlay

Height (m) 0-5 5 - 15 15 - 30 30 - 60 Image: Site Isometric NW: Rhino 3-D Model. Modeled by Harun

Author: Harun Qassim

Proposed Site

Existing Site: Zones of Use & Function Map Overlay

The Current site has multiple zones of uses and functions with multiple council overlays that bisect the visible zones. In visualizing these zones we can begin to understand the existing surrounding services and cater any future development with these constraints in mind

Industrial Services & Industrial Commercial & Industrial Retail & Commercial Image: Site Isometric NW: Rhino 3-D Model. Modeled by Harun

Author: Harun Qassim

Proposed Site Location

Existing Site: Pedestrian Movement Map Overlay

Proposed Site Existing Roads No Pedestrian Access Difficult Pedestrian Access

Image: Site Isometric NW: Rhino 3-D Model. Modeled by Harun

Author: Harun Qassim

Full Pedestrian Access Cycling Routes Impassable Terrain

Existing Site: Proposed Changes Map Overlay

Futur e Turn er Str eet

on

et re t S

m

l Sa

Proposed UoM Campus Site

Proposed Future Development

Image: Site Isometric NW: Rhino 3-D Model. Modeled by Harun

Proposed Infrastructure Changes: Future Turner Street

INDUSTRIAL LEGACY: The University hopes to preserve the building’s heritage (earmarked for renovation) Proposed Project Site

Author: Harun Qassim

Pro

Pro pos

pose d

Tram / Lig ht

ed U oM C amp us

Pro pos

Rail

ed U oM C amp us

Site Conditions Wind Corridoors The site has multiple entry points due to the lack of connections to any existing or proposed buildings. This also means environmental factors such as wind & sunlight will be more prevelant and effective.

Entry Paths into the site Sun-Path Visualisation

PUBL IC TRA NS PO RT OVER HAUL

The proposed changes to the site will make it drastically more accessable to greater Melbourne with the addition of tram, train and bus linkages

Image: Sourced From Grimshaw Architects Master Plan

Image: Sourced From Grimshaw Architects Master Plan

S I T E

B u ild i n g Pro file The building was designed with exhibiton and hosting in mind which trnaslates in it’s overall shape and structural choices. It’s large length as compared to it’s width is to encorage movement through the building, a feautre we hope to translate in our design itteration

BUILDING SIGNIFICANCE The Brick-faced outerwalls are complimented by the plastic and corrugated steel roofing system, creating multiple openings for light to permiate vertically through the space.

E L E V A T I O N

Propsed Site: Client Profile

Client Profile

Site:

d Changes Map

Our Client, The University

UoM hopes to keep the

of Melbourne (UoM) has

engineering history of the

purchased a strip of the

area alive by moving it’s

former GMH Fisherman’s

Enginnering & Architec-

Bend Site, an industrial

ture departments to their

area steeped with history

State-of-the-Art work-

and soon to be developed

shops and design centres.

as part of the City of Melbourne’s development plan. The new campus is set to be the nucleus of the Employment Precinct Image: Fisherman Bend Masteerplan GRIMSHAW pg 8.

Futur e Turn er Str eet

et re

on

St

lm Sa

Image: Existing Site Isometric + Proposed Changes Overlay - Designed by Harun.

‘The Fishermans Bend Campus will be purpose built to be the ideal campus for making, doing and testing.’

Author: Harun Qassim

Proposed UoM Campus Site

‘The site purchased by the University of

Client Expectations

Melbourne occupies the heart of what is known as the Employment Precinct, the

Our Proposed Site sits within the Heritage

interact much like an organism. Thus an emphasis

site earmarked by the University of Melbourne

has to be placed in how and in what manner the

(UoM) for it’s ‘Legacy’ needs. Which entails re-

proposed changes will affect the already propossed

taining some of Fishermans Bend’s history. The

campus.

chosen site thus needs to fit the ‘8 Innovation Precinct Principles’ which are detailed in the

Our design ethos and principle run parrallell with

image below. The 8 principles dictate how the

both the University and other parties develpoing

new campus will interlock, share and

in Fishermans Bend. With great effort placed in movement, visibilty, legacy and the remaining principles, we hope our project can achieve the client’s expectations

area which will be the economic engine of this new part of Melbourne. Planning authorities have proposed a precinct high street serving the Employment Precinct (Turner Street) including trams and bike paths, as well as a long term plan for a underground rail stop. This increased infrastructure will help the Employment Precinct grow from is current 13,000 jobs to over 40,000 jobs in 2050 The industrial legacy of this area makes it a strategically ideal location for the University of Melbourne to participate in making this place Australia’s leading design, engineering and advanced manufacturing precinct.’ ( Fishermans Bend Campus Masterplan, GRIMSHAW)

Image: Fisherman Bend Masteerplan GRIMSHAW pg 17.

Author: Harun Qassim

E x is t i n g P la ns a nd I m p le m e n ta tio ns

Image: Fisherman Bend Masterplan (Site Perspective) GRIMSHAW pg 37.

The client’s site plan illustrates their intentions

Overall the site’s proposed changes will be

for the site and also the confines in which our

met with equal amounts of connectivity and a

proposed changes to the Heritage Social Centre

response to the environment that matches the

will be surrounded by. This includes access

UoM’s ethos towards creating a design-centric

point changes to the site, changes in sun-light

space for learning and ingenuity

hours and with the surrounding infrastructure changes, an amendment to the ease of access analysis done prior. The Client’s intention to keep the former Social Centre intact with only minor additions (view, South Side) to facilitate more towards their 8 principles.

Image: Fisherman Bend Masterplan (Site Plan) GRIMSHAW pg 37.

Author: Harun Qassim

C lie n t ’s D esig n C riteria

Sustainability

Public Realm To create places that promote collaboration,

To create a sustainable, resilient and

interaction and idea exchange and prioritise

technologically enabled Campus that supports,

the health and well-being of campus users and

enriches and benefits the community

the community

UoM requires: Implement the University of Melbourne’s Fisher-

Create a continuous network of open spaces

Innovation

mans Bend Campus Climate Adaptation,

throughout the site that connect to the

Heritage

surrounding public realm and invites the public into the site

Resilience Plan and Sustainability Framework and progress toward net zero carbon Development to be designed to a benchmark

‘To showcase and celebrate innovation and to

To create a distinct Campus rooted in the

standard of minimum 5-star Green Star

work collaboratively with key Agencies and

ecological, indigenous and industrial legacy of

Design & As-Built rating or equivalent, with a

other landowners in Fishermans Bend to real-

the site and celebrate history, while allowing

target of 6-Star rating

ise the innovative precinct objectives’

Off-Site Amenity

The UoM’s emphasis on Innovation in all aspects including, building design, function and form is one of the key criterias that the Proposed Site’s Design must follow in order to

for change, adaptation and regeneration

Create a tailored approach to embedding the Be a good neighbour by minimising the environmental impact of noise, pollutant and light on the precinct

indigenous past, present and future of the site into the campus. Celebrating the rich history

that attracts a diverse group of users and supports chance encounters and cross-industry collaboration

Encourage a heterogeneous mix of uses, programs, experiences and built form to encourage a variety of users

campus and temporary or interim uses

The University also encourages temporary/ The proposed Project needs to Implement

interim uses of the land that will complement

mitigation measures in the detailed design of the

existing development

development to minimise the

Provide an appealing and exciting environment

To support the staged development of the

of the site and it’s connoations

maintain UoM’s Innovation doctrine.

Campus Amen-

Staging

Built Form

impact of noise, pollutants and light on surround-

and support the needs of the users of the site and the local community

ing development and the broader precinct To create a future-ready campus with a foundation of resiliency and adaptability and support diverse range of flexible spaces that can adapt over time

The project’s ammendment factors need to accommodate large specialist equipment, flexible making-and-doing laboratories and showcase spaces

Author: Harun Qassim

D E S IG N BRI EF An outline of our brief for the proposed innovation centre in the new Fishermans Bend Employment precinct.

Jacqui

DESIGN BRIEF SCOPE CLIENT University of Melbourne

Design an innovation centre at Fishermans Bend, for the use of surrounding communities to inform themselves of the impact of plastic waste and recycling.

LOCATION GMH Social Centre

VISION

INSPIRE

EDUCATE

FACILITATE

A buzzing and welcoming space to inspire, educate and facilitate innovation.

Gallery walks Resource centre Tech station

Open ampitheatre Function centre Recycling hub

Maker space Kitchen & Coffee cart Offices Meeting zones

USERS

P R I M A RY S T U D E N TS

S E C O N DA RY S T U D E N TS

UNIVERSITY STUDENTS

LO C A L R E S I D E N TS

LO C A L B US I N E SS E S

P R O F E SS I O N A L S

Slide created by Jacqui Keogh

Jacqui

A B O U T T H E US E R PROFESSIONALS • • • • • • • •

Resident start-ups Investors and entrepeneurs Stakeholders Tours of innovation precints Access to DIY make space & networking events Access to conferences, demonstrations & seminars Access to pledge/ investments programs Access to resources, technology & recycling hub

LOCAL RESIDENTS

LOCAL BUSINESSES

UNIVERSITY S TUDENTS

•

• •

•

• • • •

Family learning & interactive events Skill development Short courses (night classes, weekend events) Recycling hub Access to pledge/ investment programs

• • •

Local businesses Local residents with trade qualifications/ skills Skill sharing & development Short courses (night classes, weekend events) Access to resources, technology & recycling hub

PRIMARY + SECONDARY S TUDENTS • • • • • •

Small class excusions (max 20 students) Extra-curiculum/ holiday activity days 1 - 2 visits per month Local schools only (within 10km radius) Learning: Environment & Sustainability Learning: Innovation & Technology

• • •

University of Melbourne students Other University students (upon request) Access to resources & technology Access to DIY maker space & networking events

Jacqui

US E R E X P E C TAT I O N S PROGRAM

AT M OS P H E R E I n te ractive Spaces

B usy / H a p p e n i ng

So c ia lisi ng Sp a ces

Access to ide a s/ solut ions

Access to infor ma tio n

FINDINGS

N ew s kil l d eve lo p m e nt

Qu iet / P ea ceful

S ha re d

Op en & Sp a c ious

D ive rs e

N etworki n g

These spider charts show how our target users would expect to use the proposed innovation centre at Fishermans Bend.

OT H E R Bu s (private )

Tra m ( Pub lic )

Car (P ool/ P rivate )

LEGEND Acces s to fo o d & d ri nk

Tra i n ( Pub lic )

Walk

It also needs to be accessible by public transport and needs to provide users with access to information, equipment, and private spaces.

I nt i m a te / C osy

AC C E SS

R ide

What is clear, is that the innovation centre needs to be a diverse space for people to work or learn alone, or in small groups.

P rox i m it y to ot her p la ces of i nterest

Acces s to p riva te s p a ce

A f te r ho urs acces s

Access to tec hnology

Acces s to to o l s & e q u i p m e n t

0

not important at all

1

not very important

U n iversit y

2

slightly important

Loca l Resid ent s

3

Important

Loca l Busi nesses

4

Mostly important

P rofessiona ls

5

Very important

P ri ma ry S t ud ent s Second a ry

David

A B O U T T H E S PAC E S CONCEPT

INSPIRE

EDUCATE

Consider the space to be an epicenter for discussion, collaboration and inspiration for understanding sustainability in our world. The growing concern and complexity in this domain demands a space where ideas and information can be shared.

Facilitating a connectedness among peers and professionals drives innovation and fosters a culture in readiness for the future.

DIVISION OF ZONES

FACILITATE

In order to achieve the goals of the space we have deliberated on a division of zones that make up the entirety of the concept.

Inspire. Educate. Facilitate.

These are the three zones that contribute to the makeup of the building and will each feature respective purpose driven spaces.

Image: steelcase.com/spaces-inspiration/resilient-workplace/innovation-center/

David

S PAC E E X P E C TAT I O N S

GALLERY WALKS

INSPIRE

The goal The starting point for any form of change is inspiration. The inspire zone is dedicated to engaging the user with material from the existing body of work surrounding sustainability in the built environment.

Understanding why there is a movement and why it is important sets the tone for the rest of the experience.

AMPHITHEATER

TECH S TATION

Peppered throughout the building

A space for public speakers to come

In line with what it means to be an

will be photos, info-graphics, stories

give lectures and seminars. With the

innovation center, the tech station is a showcase of the latest tech for

and figures that play a role in

growing popularity in TED talks, we

painting the mental picture of the

understand that spoken word to a

innovation and design.

issue of sustainability in the built

live audience still holds weight in the

A space where problem solving and fun overlap - designed for interactivity

environment.

world of technology.

The goal here is to be a constant

The intention is clear with this

and encourages cooperation. A mix

reminder of why the space exists,

space as users are taken outside of

of open spaces and semi-private hubs

encourage discussion and to get users

the stimulating building and their

allow for a range of experiences.

to question the current climate of

attention is brought to the speaker.

sustainability.

The goal here is to have potentially

Image: steelcase.com/spaces-inspiration/resilient-workplace/innovation-center/

Image: shutterstock.com

Image: news.samsung.com

David

S PAC E E X P E C TAT I O N S

E D U C AT E

The goal

LIBRARY

MAKER SPACE

RECYCLING HUB A special feature in this building and

Any good space with innovation and

A feature in many modern day schools and

learning in mind needs a library. The

universities are maker spaces. A fun but

specific to the purpose.

library is a place for private study and

educational break from the sometimes

The recycling hub is designed to give

deep discovery.

serious nature of the rest of the building.

an insight into how the recycling

Offering users a wealth of space and

The maker space is a place where users can

process works and how it affects the user on a personal level. Showcasing

a plethora of resources to choose

come and experiment with some high and

from. The library is where those who

low tech tools in order to complete a small

technology and techniques both

have more questions come to explore.

scale project or just have a play.

visually and at an interactive level.

Private study nooks and open tables

Guided buy professionals, this space

The space is designed with circulation

are featured throughout this space

consists of computers, 3D printers,

in mind to replicate the recycling

much like a university library.

robotics, electric tools and more.

process.

A core function of the building is its ability to educate the users. Providing spaces that enable learning and understanding is paramount to the success of the project.

Education within the building happens ideally all throughout the building. However, this zone is specifically designed with an education first attitude.

Taking cues from universities and libraries alike, these spaces are key to the performance of the building.

Image: https://bcilibraries.com/projects/

Image: https://medium.com/iam-commu-

Image: https://pixibition.weebly.com/

nity/top-5-makerspaces-around-the-world

sims-recycling-education-center.html

David

S PAC E E X P E C TAT I O N S FUNCTION SPACE

F AC I L I TAT E

Hosting groups and presentations is where this space comes to life. A not too formal space that is multi-functional thanks to its partition walls and flexible layout.

The function space is a step away from the intensity of the rest of the center featuring couches a space for food and refreshments.

KITCHEN/ CAFE

OFFICES

A place that will bring people together

Extending our services to professionals and those who need it, the center will host several fully fledged offices. The offices are key to bringing in businesses from the industry and establishing links with the center.

Taking cues from modern day offices with a combination of open plan and private spaces with a kitchenette and lounge area.

from different paths. Understanding the importance of a comfortable place to share food and drink, the kitchen and cafe spaces will be luxurious but humble.

Offering a cafe experience combined with the ethics of a sustainability building. This blend of necessity and relaxation instills a unique culture sure to catch on.

The goal Playing host to the numerous different people and groups that will use this building requires there to be several spaces dedicated to the provision of personal space and amenities.

These spaces are designed to make the users feel like they’re more at home than a museum.

Taking cues from modern cafes and offices, these spaces are designed for both comfort and productivity.

Image: https://www.broadsheet.com.au/bris-

Image: https://travelaway.me/melbourne-ca-

bane/newstead/cafes/industry-beans

fes/

Image: https://homewowdecor.com

D E S IG N GOA L S An outline of our goals and design principles that we think the proposed innovation centre should allign to.

Jacqui

DESIGN PRINCIPLES VISION A buzzing and welcoming space to inspire, educate & facilitate innovation.

V I S I BIL IT Y

ACC E SS I B L E

Maintain an open plan layout for at least 60% of the building, with visual connection between spaces.

Ensure the building can be easily accessed from local walking tracks, bike paths and public transport.

LEGACY

LIVING

Retain as much of the building and existing heritage features as

IN CLUSIVE

Create a strong connection to the land and the outdoors with the use of natural light and greenery.

Provide a sense of equality to all users and visitors.

F L E XIBLE

SMART

Enable spaces to be expanded or contracted for different capicities.

Set an example with innovative technology and a responsive building design.

DE S I G N IDE ATI O N An collection of our works exploring the combination of spaces with the narrative of our target and expected users.

Jacqui

US E R P E R SO N A S R E S I D E N T P R O F E SS I O N -

UNIVERSITY S TUDENT

LO C A L T R A D I E

“GIM”

“SIOBHAN”

“MANDY”

Age: Occupation: Lives:

38 Environmental adviser Green apartment building

Age: Occupation: Lives:

in the Melb CBD

Transport: Hobbies:

Cyclist Regular gym sessions

21 Student + Cafe worker Yarraville (less than 5km from Fishermans bend)

Transport: Hobbies:

Age: Occupation:

Mazda 3 Brunching with friends

49 Retired Mechanical Engineer, now works at a textile shop.

Lives: Transport: Hobbies:

Port Melbourne Tram Patchwork

Jacqui

L AYO U T O P T I O N 1 CONCEPT

North

Resource centre and Tech station centred between Maker space and office space for easy access.

The Ampitheatre and function space positioned on the south side to be close to proposed university campus and plenty of foot traffic.

The cafe/ kitchen position allows it to service function centre, office area and passers by.

Few enclosed spaces (recycling hub, kitchen & offices) provide connection

Above: Elevation/ Perspective of Tech station and Upper Terrace (Jacqui Keogh, 2020)

through the building.

North

Above: Elevation/ Perspective of Office area and Cafe/Kiosk (Jacqui Keogh, 2020)

Above: Plan view of layout design (Jacqui Keogh, 2020)

Above: Site Plan (2019

Jacqui

L AYO U T O P T I O N 1 GIM

1

7 2 5

3

6

4

8

1

Morning gym at using apartment facilities

5

Plans day at desk in upper office area

2

Cycles to work, uses provided bike rack

6

Greets first client and uses meeting zone 2

3

Enters through back entrance

7

Checks out resource centre before lunch

4

Puts packed lunch in fridge

8

Attends networking event + heads home

L AYO U T O P T I O N 1

Jacqui

6 7 SIOBHAN

1

2

4

3

8

5

1

Sleeps until 10am after binge watching TV

5

Heads to a nearby class

2

Drives to/from uni and pays for parking

6

Visits resource centre for info

3

Has brunch with a friend at building cafe

7

Uses upper terrace to do homework

4

Works on group assignment

8

Checks reception for upcoming events

Jacqui

L AYO U T O P T I O N 1 5 2 3

4

6

MANDY

1 7

8

1

Trams to work (textile shop) in morn

5

Collabs with start up business owner

2

Drops home/work plastic at recycling hub

6

Visits reception to register for seminar

3

Uses resource centre to research material

7

Grabs a coffee on her way out.

4

Analyses material sample at Tech Station

8

Attends seminar on weekend with family

David

L AYO U T O P T I O N 2 A long and narrow space provides for a linear flow of users.

Here, the spaces can be seen clearly and give a general understanding of their relationship with the rest of the building.

The ‘spine’ of the building is made up of 3 pillars designed to be structural and a reminder of the division of zones.

The back of the building is where the spaces utilise two levels and adds depth to the space.

David

L AYO U T O P T I O N 2

MEET GIM

HOT SPOTS

Gim is a business-first kind of guy. He loves technology and leading the way in his industry.

As local professional, he frequents the innovation center and spends most of his time in the office spaces where he leads consultations and meetings.

Gim mostly uses the center for business related work, so his hot spots are the offices, function spaces and of course the cafe!

Image: Gim is in a meeting, David Petrevski

David

L AYO U T O P T I O N 2

MEET SIOBHAN

HOT SPOTS

Siobhan is excited about life. She is a young lady destined for greatness. As an enthusiastic student, she loves the new Innovation center and spends a lot of time in the resource center. She loves the vibe and the way she feels inspired just by being there.

Siobhan is a student so she has a thirst for knowlege and a strong curiosity. Her hot spots are the resource center, the tech zone and the amphitheater.

Image: Siobhan after a study sesh, David Petrevski

David

L AYO U T O P T I O N 2

MEET MANDY

HOT SPOTS

Mandy is one talented lady. With a wealth of experience under her belt (and plenty of time on her hands now that she is retired), Mandy takes her talents to the innovation center where she volunteers in the maker space and helps the next generation of lateral thinkers.

Mandy is an asset to the center and is loves collaborating with the team. She spends most of her time in the maker space, recycling hub and the function space.

Image: Mandy in her element, David Petrevski

D E S I G N

D R A F T Draft A: The Interior Forms are used to house separate spaces that serve each of the proposed zones in a different manner. These forms allow for the movement of the space to be formed and morphed into a plethora of different experiences

P r o j e c t L a y o u t:

Function Space: 10-15 occupants Meeting rooms / Office Spaces with Partiton Walls

P l a n

Tech Station: Tactile displays and visual samples 2nd Floor Maker Space: Glass walls to maximise visibility and external interaction

V i e w

1stboth Floor Image: 1st Project Layout (Plan view levels) Produced by Harun

Kitchen / Cafe Space Library: Circular Layout Services Centre Author: Harun Qassim

Gallery Space

Recycling Hub

I deation Layout After our different sectors were established, we began allocating the site’s existing floor space to these proposed functions. With the overarching ethos of free and facilitated movement in mind, I began to perceive how a visitor would travel between the spaces. This then allowed for me to place certain features in the central spaces to provide as much functional space whilst not empeeding upon said movement.

I deation M odeling In this experiment the experimental plans are modeled with the existing facade as a basis. The plans are used to visualise how the spaces are organised. The 2 floors are then overlayed to further increase the amount of variabilty within the space

Image: Proposed Site Layout Perspective: Rhino 3-D Model. Modeled by Harun

Author: Harun Qassim

L AYO U T

Image: Layout A: Height Limitations. Modeled by Harun

LAYOUT B: 3 SPLIT LEVELS The ideation process which

Changes were made to

led to the 3 split floors with

the existing envelope,

a central stair case was an

however the main facade

improvement upon the lack

and brick exterior were

of width the site provides

kept to retain the build-

versus the available verti-

ing’s Heritage status

cal height potential. Along with looking into other Mixuse buildings which follow the same process

Image: East Section, Drafted by Harun

Slide by Harun Qassim

USERS PROFILE

P E R SO N A S DAILY USE OF SITE

Gim’s Cycling addidction means he cycles into work from the CBD, following the existing bike trail bridge over the Yarra and onto the proposed Cycling paths. He then starts his day by getting a Soy Mocha at the Cafe and heads upstairs to meet his team for an early morning meeting on level 3

Siobhan is late to class because she insited on having brunch over in Collingwood. She takes the city bypass and makes it to the Innovation precinct with ease. She then enters the building to attend a workshop class being held in the Maker Space.

Mandy, tired after the long trek late last night from her weekend block in Eltham has just finished her shift at a a textile shop. She returns to her home in Port Melbourne to catch some rest before she has to teach her night class on Mechanical Engineering at the Site

Gim

Siobhan

Mandy Image: South East Isometric view (Walls removed) Drafted By Harun Slide by Harun Qassim

P E R SO N A S AMENITIES & USAGE

The site has a large amount of diverse and mixed use spaced meaning a fair amount of different individuals and groups of diverse backgrounds and intentions will be simultaniously using the space.

By gathering data on 3 hypothetical users I have deduced their main zones of use and thus created dimensions which offers the maximum amount of efficent spacing as possible

Gim

Siobhan

Level of Interaction with site ammenaties:

Mandy

(y= No. ammenaties used)

6 5 4 3 2 1

7

8

9

10

11

12

1

2

3

4

5

6

7

8

9

10

11

Time of Day

Image: Staircase in use. Modeled by Harun

Image: Ammenaties use graph, Slide by Harun Qassim

C O

The hemp fibres are coated in the bio-plastic solution and then wrapped around the two joining pieces

N C

AT M OS P H E R E

E P T

S

MAKER SPACE: DESIGN & USES

Hemp Fibres are thicker and of a higher consistnacy in the stiff or upright portions of the joint

K E

By taking inspiration from the University Of Tasmania, School Of Fine Furniture Building designed

by Sixdegrees architects

T C H E

In the bent portions of the joint the hemp fibres are less woven and take up far less surface area, allowing the plastic to flex more freely and bend with ease

Image: Postal Connection Piece, https://www. sixdegrees.com.au/5e_utas-ff

Image: Hemp Bio-Plastic Furniture. Designed by Hemp-Bond

S

The building design is simple and clear,

MAKER SPACE: MATERIALS & EQUIPMENT

with a modest and clean composition of durable materials.

The replacement of steel and steel equivilent fastners, joinery and otherbinding components is the Hemp Based Bio-Plastic solutions discussed previously.

Used By: - Entrepreneurs & Design Startups

The space also serves to educate users about the bio-plastic used in the construction and hopefuily drive

- Teaching Space

innovative design.

- Community Group Sessions (Men’s Shed Equivalent) Image: Interior Shot, https://www.sixdegrees.

Image: Internal shot of Maker Space, Modeled by Harun

com.au/5e_utas-ff Slide by Harun Qassim

Reflection D E S I G N M A K I N G P R O C E SS

USER EXPERIENCE

After developing my own ideation design

(PERSONAS):

and reviewing the rest of the group and

The user experience experiments

class’ overall design scheme i began to

allowed myself to gather an

lean closer to wanting to further develop

approximation for how long and how

my own layout for our space. This is in

often a space is used by a prospective

due part to my pre-determinted material

user. This allowed me to gauge how

decisions which neither of my group mates large spaces should be in relation to have developed and a greater usage of

others and in addition their contents

the building’s vertical potential allowing

and layout.

for more refined and thought-out design iteration.

Moving forward i hope to see more experimental designs which incorporate all facets of our education on bio-plastics, sustainability and design.

Chapter 2: Documentation & Visualisation

ARC20002-Architectural Design Studio 3 (Socio-economic contexts) Presentation 2

ARC20002-Architectural Design Studio 3 (Socio-economic contexts) Presentation 2

David

Jacqui

ARC20002-Architectural Design Studio 3 (Socio-economic contexts) Presentation 2

ARC20002-Architectural Design Studio 3 (Socio-economic contexts) Presentation 2

Harun

Tutor: Sascha

Proposed University of Melbourne Future Campus Development

Prevailing Northern Winds

Pedestrian Pathways and Major Routes

Lawns and Green Spaces

GROUND FLOOR

Service access

Cafe entry

AMPITHEATRE

Jacqui

LI F T

RECEPTION

LI F T

TECH STATION CAFE

FOYE R

Main entry

LIBRARY UP

D N. DN.

WORKSHOP/ MAKER SPACE

0 1

ME T RE S 2

4

KITC HEN

GALLERY HU B H YD ROL I C LI F T

Workshop access

FUNCTION CENTRE

STO RE

Recycling Hub afterhours

Gallery entrance

Event entry

BASEMENT

Jacqui

STORE

LI F T

OFFI CE

FOYE R

P LA N T ROOM

OF F I C E

UP

RECYCLING FACILITY H YD ROL I C LI F T

0 1

ME T RE S 2

4

FIRST FLOOR

Jacqui

LI F T CO L L A B .

LIBRARY

FOYE R

VIEWING B RE A K UP

OPEN PLAN OFFICE

P RI NT/ CO PY

K I TC HEN CO LLAB .

0 1

ME T RE S 2

4

SECOND FLOOR

Jacqui

LI F T

LI F T

CO L L A B .

K I TC HE N

B RE A K

FOYE R D N.

OFFICES RO O F TO P T ERRAC E

0 1

ME T RE S 2

4

ROOF PLAN Jacqui

RO O F TO P T E RRAC E

0 1

ME T RE S 2

4

David

David

David

David

SECTIONAL PERSPECTIVE OF VOID David

David

The top section of the Co-Lab Building is cladded with a version of tradiitonal Colourbond matte cladding that has been made from discarded bioplastic residue that from the Power Band manufatory stage. The coarse and less flexible bioplastic is then poured into a mould to creat the exterior cladding that is both durable and waterproof.

2

1.

Lighting

Electronics

Climate Systems

2.

3.

4.

Bi op

las tic

En

er gy So lut

ion s

Bioplastic Energy Banner Production

The Bioplastic photosensitive band contains micro photo-receptive filaments that convert sunlight into both electricity and light, allowing for a single band on approximately 3 meters length being able to power and light an entire room with additional auxiliary lighting

Room Available Current time: 3:35 Next Appointment: 4:00

Meeting Rooms: Systainabilty Sytems

The Band collects energy during the day and provides clean energy for the meeting room. This system is far more anemable for areas that whilst receiving suitable amounts of sunlight, are not sutable to house traditional solar panels

Scheduling System: The building uses a similar scheduling system to most corporate spaces with a slight difference. The system features a connective system that controls the partition wall to allow for the verasility of the room to be fully

Meeting Room In Use Next available time slot: 10:00AM (20mins)

Meeting Room nearing use Next meeting: 5mins

Room Available Current time: 3:35 Next Appointment: 4:00

CO / LAB

1.

Robot Bar: Systainabilty Systems designed to “eliminate the variabilities that bog down today’s coffee/drinking experience.” The robot bar allows patrons the abilty to mingle and marvel around the piece of enigeneering as it mixes their drink of choice. It also allows for usegae beyond normal hours when most functions occur.

Customers can order the drinks directly at the kiosk or in advance through the Plant 215 iOS or Android App. When a drink is ready, customers then enter a four-digit order code at one of the kiosk’s tablets to be served by the robotic bartender arm.

2.

Order Recieved

3.

Preparing Drink

4.

Enjoy!

Innovation & Sustainabilty: The outdoor Terrace provides a simple avenue for patrons to experience the outdoors without exiting the building or even their own floor. It can accomodate after hours events and be used as a cultivation space die to the abundance of fresh air and sunlight. The possibilities are endless and allows the terrace to serve a mult-faceted role in the building’s makeup.

B I O - FAC A D E E X T E R N A L

David

B I O - FAC A D E I N T E R N A L

David

B I O - S TA I R Jacqui

B I O - S TA I R Jacqui