Architecture Portfolio [2019-2022]

ARCHITECTURE PORTFOLIO H ARRSH SHEL ADIYA

HARRSH SHELADIYA INFORMATION

EDUCATION

DOB

: 22nd April ,2002

ADDRESS

: Surat, ,Gujarat

EMAIL

: harshsheladiya2204@gmail.com

STUDENT OF ARCHITECTURE 2019 Onwards The Maharaja Sayajirao University, vadodara

PHONE

: +91 9925896795

INSTAGRAM

: Instagram.com/Harrsh_sheladiya

H.S.C (2019) | 99.98% (Percentile rank) Tapovan group of school, Surat S.S.C (2017) | 99.95% (Percentile rank) Paramsukh gurukul , Surat

LANGUAGES Gujarati (mother tongue) Hindi

WORK EXPERIENCE

English

Architectural Intern Studio Palisa , Surat ( March 2021 - January 2022 )

SOFTWARES

INTEREST

Autodesk autocad

Sketching

ACHIEVEMENTS

Sketch-up

Photography

Graphic Head For Collage Annual Event - Reflection

Adobe Photoshop

Reading

2022

Adobe Illustrator

Video Games

Adobe Indesign

Cinema

Vray Enscape Lumion Rhino

WORKSHOPS Enameling workshop

2019-20

Wood Carving Workshop 2019-20 GIS workshop

2020 02

PROJECTS

1

2

3

THE OASIS Cultural Center of Merrakech, Morocco Design Competition

THE MONOLITH Museum And Art Gallery, Surat 4th Sem Studio project

BHADRAN SCHOOL Bhadran, Anand 3rd Sem Studio Project

4

5

ANTILIA Internship Project 8BHK Bungalow Design Nandurbar, Maharashtra

FA R M H O U S E Internship Project Kumbhari, Olpad

6

MISCELLANEOUS 03

01 THE OASIS The Design Challenge Is To Create A Cultural Center In The Remote Regions Of Marrakech City In Morocco, That Brings Access To More Livelihood Opportunities And Tourism To Its Remote Areas.

THE OASIS DESIGN COMPETITION C U LT U R A L C E N T E R PROJECT TYPE DATE LOCATION

COMPETITION SEPTEMBER, 2021 MERRAKECH, MOROCCO

MOSQUE

EXHIBITION MUSIC C O N S E R VAT O RY

L I B R A RY CAFETERIA

THE SITE

ESTABLISH MAJOR AXIS

The given site of this competition is situated in the Agafay desert of Marrakech in Morocco, and more precisely 40 kilometers from the city, at Lalla Takerkoust which provides a perfect setting to get in touch with nature.

Considering the direction of the oasis Iland, one natural axis is established ,orienting the builtup towards the water element.

Another Secondary axis is established considering the MECCA direction orienting the mosque towards it.

06

PROGRAMME DISTRIBUTION

ELEVATING THE CIRCULATION

The precint requires two main and three sub programme types.Programmes are organized according to their individual axis. Each programme is presented by individual volume.

A strong initial design decision is made to elevate all the circulation pathways to protect the cluster from a tide and sand dunes and also for not disturbing the existing quad bike tracks.

07

01 02

04

08

03

07 05 06

01 - Entry 02 - Mosque 03 - Waiting And Info center 04 - Exhibition area 05 - Admin 06 - Library 07 - Music Conservatory 08 - Training Rooms 09 - Cafeteria 10 - Boat Deck 08

09

10

09

10

11

MO

EXHIBITION

12

OSQUE SECTION SAND STORM PROTECTORS

N BLOCK SECTION

BRIDGE PYLONS

13

EAST SIDE VIEW

FOUR EPIGRAPHS 14

WATCH TOWER

THE MOSQUE 15

02 THE MONOLITH The Design programme was to create a museum and art gallery in the heart area of surat considering the contextual and future developing aspects and keeping in mind the modern contextual area around the site.

It is like a sketch by a sculptor for his sculpture, not merely an illustration of an innate part of the work of creation, which ends with the constructed object.

- Peter Zumthor 17

THE SITE The site located at the corner of a road junction has a shape of a trapezoid and is 9000sq.mt in area.

As shown in the diagram, There is less builtup density and more open spaces around. The location of a site is in a heart of a city area of surat and has the airport and vnsgu as nearby areas. But as the site is at the corner of a road junction and is surrounded by main and secondary roads, that zone becomes busy and noisy all the day.

18

CONNECTED OPEN SPACES AND BUILTUP FOOTPRINTS As The site is surrounded by Roads in Two sides, The East zone of a site near the secondary road which is more noisy, is accommodated as a parking and the North zone of a site near the main road which is more open, is best suitable for Open Space or Landscaping.

19

PROGRAMME DISTRIBUTION The Precint requires two main programme and one sub programme types. Programmes are organized horizontically to retain all required adjacencies. Each programme is represented by an individual volume. So The west courtyard will be almost shaded because of the Around builtups and other open spaces will be illuminated throughout the whole day.

20

EXTRUDING UP THE MONOLITHS As the idea is to exhibit the museum as a modern sculpture for the city, The solid and bold monoliths are introduced which are extruding up to the high level and also gives the whole form a bold modern look and creates Dark , Tall and slender volumetric Tower kind of spaces for the exhibitions.

21

CHAMPHERING AND CARVING EXTRA MASSES The museum programme accommodates the activities like excitement, fun, movement, flow, aggression and conflict And to create a Dynamic but balanced composition in 2D and 3D both, A strong initial design decision is made to champher Two of the Monoliths to a Rhombus shape that creates the dynamic axis. Then following the axis with a secondary dynaimc move that creates the inside atrium and other exhibition spaces.

22

THE PLAZA The west courtyard which seems like it is growing or pushing itself towards the north open space, Acts as a Plaza because of the activities and nature of the surrounded functions. The Auditorium, Cafetaria, Outdoor exhibitions and the sculpture pathway gives the whole plaza a rich bold and aesthetical look.

The two monolith duo in the plaza crates a seperate axis for it and the axis continuous as a central pathway where there are raised platform both of the sides for the sculptures creating a sculpture pathway.

23

25

26

THE SURAT CITY MUSEUM GROUND FLOOR PLAN 1.

2.

3.

4.

5.

6.

7.

8.

9.

10.

11.

12.

13.

14.

15.

16.

17.

18.

19.

20.

21.

22.

23.

24.

25.

26.

27.

28.

29.

30.

31.

32.

33.

34.

35.

36.

37.

38.

39.

40.

41.

Site entry Security cabin Road junction Car parking Bike parking Bicycle parking Entry porch 7(a) Security check in Ticket counter Information center Foyer Waiting area The atrium Workshop Storage Photography studio Duplication room Public toilet Art gallery - 1 Art gallery - 2 Way to plaza The plaza Seating area The Monolith Sculpture pathway platform for sculpture Cafetaria Kitchen serving counter Art and craft shopping Foyer Box office Waiting area Storage Pathway seating area Auditorium Exit Stage Side stage changing room Makeup room

0

5

10

27

SCULPTURE PATHWAY

PROPORTIONS

28

THE SURAT CITY MUSEUM FIRST FLOOR PLAN 1.

Artworks for sale

2.

Temporary art gallery

3.

Private exhibitions

4.

Bridge

5.

Circulation area

6.

Seating area

7.

Waiting area

8.

Reception area

9.

Public toilet

10.

Admin offices

11.

Staff / Conference room

12.

Staff toilet

13.

CCTV room

14.

Outdoor exhibition

0

5

10

29

30

EAST SIDE PLAZA ELEVATION

NORTH SIDE ELEVATION

31

1

2

4 5

3 2560

5070

4200

860

2610

2220

100

4990

730

D6

3180

4240

LVL + 2200MM

LVL + 2000MM

LVL + 1800MM

LVL + 1400MM

LVL + 1200MM

LVL + 1000MM

LVL + 980MM

LVL + 960MM

LVL + 940MM

1

+

880 WOMEN'S WASH ROOM 8640 X 4700

2

1 2 3 4 5

980

D3

4420

740

D5

1330

LVL + 1600MM

1200

2230

SEATING AREA

LVL + 920MM

LVL + 1800MM

CHANGING ROOM 4930 X 3000

2230

2060

D6

LVL + 900MM

4930

2160

D7

1510

3

1850 MAKEUP ROOM 8000 X 3000

D2

STAGE 11600 X 7770

D4

D4

D4

D4

D4

D4

D4

D4

D4

D4

D4

D4

700

MEN'S WASH ROOM 7560 X 4700

D4

D4 5 4 3

1 2 3 4 5

2500

CHANGING ROOM 4930 X 3000

3000

1850

2230

LVL + 900MM

1850

2560

2

4200

3

860

4 5

2610

W3

4000

1660 1820

6

7

1850 1500

2230

430

2230

5070

1

D3

980

4870

8

2460

2240

2460

430

2230

430

300

430

2310

4420

D5

D7

D3

K

1330

950

2350

LVL + 1800MM

2440 3190

1500

W4

2 1

500

4930

2330

1200

2000

D4

1200

EQ

W5

1300

D4

I

J

D4

4960

W6

LVL + 900MM

700

D4

8640

EQ

1200

5

1850

1630

4000

1630

W5

D4

1300

2260

4

2260

H

1950

4870

12

LVL + 1800MM

G

2230

950

2340 2340

W4

2230

D3

3000

D

F

11

10

9

1660 1820

800 2230

2500

1960

2300

C

E

8

1770

A B

7

6

1960

9

2220

10

4990

11

100

12

32

B B

Y

900

130 1790

25

FIXED SHUTTER

ELEVATION SCALE-1:20

635

30

770

2600

920

B

16 17

18

W

FIXED SHUTTER WOODEN JAMB 60 x 70 TEAK WOOD 15 x 178

F

1850 x 2300

100 130 85 85 60

V

45 15 45 15

45 15

45 25 15 10 10 130 15 10

30 15

178 200 250

5

5

20 20

42 15

20 10 10

5

40 20 20 40 20 20

10

30 15

178 200 250

42 20 72 10

42 15

10

5

5

20 20

45 15

45 15

130 25 10 15 10 10 130 25 5 10 10 10

21

21

15 5

45 15

25 10 10 130

145 25 10 10

10

1410 130 10

20 20 15

15 10

500

50

10

10

5

15 10 145

CC

SCALE-1:5 SECT SCA

FIXED SH 8M WOODEN

178 200 250 45

FIXED SHUTTER TEAK WOOD FRAME 85 x 45 STILE 150 x 40

NOS.-2

5

10

DETAIL Q

STILE 100 x 40 TEAK WOOD FRAME 85 x 45 TEAK WOOD 15 x 178

S 15

FIXED SHUTTER 2 x 2 GROVE BEADING 15 x 10 8 MM THICK CLEAR GLASS

50 120 140 150 120 50 85 85 130 100 100 100 60

W

F

B

G

1850

FIXED SHUTTER WOODEN JAMB

BOTTOM RAIL 40 x 145

15

SASH 50 x 40

STILE 100 x 40

C

SA 50 x 8 MM THICK C BEAD 15 x DETAIL Q SASH 2x2G 40 x 50 5

5

FIXED SHUTTER 2 x 2 GROVE BEADING 15 x 10 8 MM THICK CLEAR GLASS

G

SECTION AA

DOOR-D5

5

25 10 10 130

10

5

1025 15 10

20 20

15

10

30 15

178 200 250

STILE 100 x 40 TEAK WOOD FRAME 85 x 45 TEAK WOOD 15 x 178

50 120 140 150 120 50 85 85 130 100 100 100 60

V

20 20

DETAIL Q

B

SCALE-1:20

100 130 85 85 60

2 x 2 GROVE BEADING 10 x 15 SASH 8 MM THICK FIXED SHUTTER TEAK WOOD FRAME 40 x 50 GLASS CLEAR 85 x 45 STILE RAIL BOTTOM RAIL 100BOTTOM x 40 40 x 145 40 x 115 TEAK WOOD 1515 x 178 BEADING SECTION BB 15 x 15 5 SECTION BB 458 MM THICK CLEAR GLASS

10

DETA

10

C SECTION AA

4600

SECTION

25

CLEARSTORY WINDOW 2230 x 1000

13 14

10

42 15

BOTTOM RAIL 40 x 115

ELEVATION

635

30

5

145

A

FIXED FIXED SHUTTER SHUTTER

C

00950 1980

5

15 10 45 15

25 10 10

A

A

SECTION BB

10

10

B

FIXED SHUTTER

DETAIL P

FIXED SHUTTER

100

30 15

NOS.-2

1025 15 10

U

10

45

42 15

A

5

308 M 15

178 200

42 15

U

TOP RAIL 40 x 145

SC 8

250

1025 15 10

TEAK WOOD FRAME 85 x 45 TEAK WOOD 15 x 178

8 MM THICK CLEAR GLASS

45

1200 x 2100

DOOR HANDLE

ELEVATION CLEARSTORY WINDOW 2230 x 1000

STILE 250 x 40

DOOR-D6

DOOR HANDLE BEADING 15 x 15 8 SCALE-1:20 MM THICK CLEAR GLASS

2230

K

TEAK WOOD FRAME 60 x 120 20 20 8 15 MM THICK 8 MM THICK CLEAR GLASS 10 CLEAR GLASS 12 MM M.S. ROD

TOP RAIL 40 x A145

25

SECTION AA

TEAK WOOD FRAME 85 x 45

STILE 2310 100 x 40

635

30

TOP RAIL 40 x 145

2 x ST 2 150 BEA 15

10

2460

770

30

TOP RAIL 40 x 145

TEAK WOOD 30 x 220

DETAI

20 20

10

2460

TEAK WOOD FRAME SECTION BB 85 x 45

TEAK WOOD FRAME 85 x 45 TEAK WOOD 15 x 178

J

635

300

SECTION AA

TEAK WOOD 15 x 178

2460

25

2 x 2 GROVE BEADING 10 x 15 8 MM THICK TEAK WOOD FRAME CLEAR GLASS 85 x 45

U

1960

A

B

1850

ELEVATION

30 150 15 10

10

STILE 150 x 40

5

30 15

R

250

C

TOP RAIL 40 x 145

178 200 250

50200

TEAK WOOD FRAME DETAIL85Rx 45 TEAK WOOD 15 x 178

100

SASH 50 x 40

505

2350

Q

100

B

SECTION BB

B

2300

B

A

2330

ELEVATION LVL + 4100MM

I

10

DETAI WOODEN

DETAIL P DETAIL P

10

45

A

18 19

10

FIXED SH

250

15

200

30 15 15

178 200

42 15

5

178 30 SCALE-1:20

42 15

SASH 40 xC50 2230 BOTTOM RAIL 1850 B 40 x 145

SECTION AA

15

SCALE-1:5

42 15

3001050

16

SASH 50 x 40

10

5

A

15

50 BEADING 15 x 15 20 15 BEADING 8 MM THICK CLEAR15GLASS 15 x 15 8 MM THICK CLEAR GLASS

50 50 20

60

10

5

13 14

17

DOOR-D5 1850 x DOOR HANDLE

50

1040 10

FIXED SHUTTER FIXED SHUTTER 2 xWOODEN 2 GROVEJAMB BEADING 15 x 10 8 MM THICK CLEAR GLASS

STILE FIXED SHUTTER 100 x 40 2 x 2 GROVE TEAK WOODBEADING FRAME TEAK WOOD FRAME 85 45 85 x 45WOODx FRAME 15 x 10 TEAK TEAK WOOD TEAK WOOD 8 MM 85 x 45THICK CLEAR GLASS 15 x 178 15 x 178 TEAK WOOD 20 20 15TOP x 178 RAIL 15 40 x 145 10 20 20 TOP RAIL 15 40 x 145 10

FIXED SHUTTER TEAK WOOD FRAME STILE85 x 45 TEAK WOOD FRAME 250 x 40 85 x 45 TEAK WOOD SASH STILE 85 x 45 STILE 30 x 220 50 x 40 250 x 40 STILE 8 MM THICK CLEAR GLASS 150 x 40NOS.-2 1200 x 2100 150 x 40 BEADING TEAK WOOD FRAME 2300 NOS.-2 DOOR-D6 1200 x 2100 DOOR-D5 1850 x NOS.-2 2300 NOS.-2 15 x 15 60 x 120 8 MM THICK A CLEAR GLASS SCALE-1:20 250 12 MM M.S. ROD

30 15 30 10 15

DETAIL Q

SASH 50 x 40

U TEAK WOOD FRAME

5

1000

10

178 250 200 178 200

5

12

10

5

1300

RISER 168MM TREAD 300MM

11

H

5

DETAIL Q

250

R F W G SECTION AA SASH TEAK WOOD FRAME SECTION SECTION AA50 x 40 85 x 45 FIXEDAA SHUTTERTEAK WOOD FRAME

1050

10

STILE 100 x 40

15

250 42 15 4210 15

20 20

1

50200

45

10

50 R 50 120 140 250 150 120 50 85 85 130 100 200 100 100 60

GP V

G

1630

2

Q

100 505 Q 100 50 120 140 150 120 50 85 85100 130 100 130 85 505 85 100 100 60 60

F W SASH TEAK WOOD FRAME 50 x 40 B SASH 85 x 45 50 x 40 FIXED SHUTTER SECTION TEAK WOOD TOP RAILWOODEN JAMB x 178 AA15WOOD 40 x 145 TEAK 60 x 70 SASH TEAK15 xSTILE 178 WOOD 40 x 50 100 x 40 15 x 178 STILE 8 MM THICK CLEAR GLASS STILE 100 x 40 100 x 40 DOOR-D6

1000

3

V

1200

2260

4

B

100 130 85 85 60

1000

5

2100

6

B

5

45

STILE 100 x 40 SECTION BB TEAK WOODSECTION FRAME BB 85 x 45 TEAK WOOD 15 x 178

ELEVATION ELEVATION

FIXED SHUTTER WOODEN JAMB 60 x 70 TEAK WOOD 15 x 178

UP 7

A

185 145 50

EQ

450

LVL + 2410MM

8

130

A

2300

D2

WAITING AREA W2 B

9

2 90 10

A

4000

RECEPTION

TEAK WOOD FRAME 85 x 45 STILE 100 x 40 TEAK WOOD 15 x 178 WOODEN PANEL 20 x 100 15

40 20 20

F

SASH 40 x 50 A SASH BOTTOM RAIL 40 x 50 40 x 145 BOTTOM RAIL 40 x 145

DETAI

20 15 15

1025 15 10

15

SCALE-1:20

2560

STORE ROOM 3700 X 3670

DOOR HANDLE

DOOR HANDLE

145

NOS.-4

EQ

DOOR-D3

8 MM THICK CLEAR GLASS WINDOW 2230 x 1000 CLEARSTORY WINDOW 2230 x 1000

W

5 SASH 15 SAS 20 15 50 x 40 15 50 x 8 MM THICK CLEAR GLASSX DETAIL 8 MMDETAIL THICK5C BEADING BEAD SASH 1 15 x 15 5 x 15 50 x 40 2 x 2 GROVE SASH 8 MM THICK CLEAR GLASS 2 x 210GR 50 x 40 BEADING 8 MM THICK15 CLEAR x 15 GLASS BEADING 15 x 15

100

STILE 250 x 40

STILE 100 x 40

UP LVL + 2410MM

E

TEAK WOOD FRAME CLEARSTORY 85 x 45

15 x 178

1

DETAIL Y

5

2

25 10 10

3

1025 15 10

130

4

15 5

5

5

10

1290

6

50

7

145 185

8

1510

9

TE

TEA

DETAIL U

45

5

10

SCALE-1:20

10

P

20 20

1000 TEAK WOOD

30 15

20 20

5

2 x 2 GROVE BEADING 10 x 15 8 MM THICK CLEAR GLASS

P

2 TEAK WOOD FRAME 2 x 2 GROVE 85 x 45 5 WOODEN PANEL TEAK WOOD FRAME 20 x 100 85 x 45RAIL TOP 40 x 145 TOPSASH RAIL 40 40 x 145 x 50 SASH SCALE-1:20 8 MM THICK GLASS 40 x CLEAR 50

25

1025 15 10

5

45 15

1630

1300

RISER 168MM TREAD 300MM

30

1200

SECTION AA

TOP RAIL 40 x 145

100 10

185 145 50 185 145 50

2260

900 x 2100

13 12

30

10

DETAIL Y DETAIL Y

20 20

5

1290

SECTION AA

14

11

D

SECTION AA

250

178 200

42 15

10

TEAK WOOD FRAME 85 x 45 TEAK WOOD 15 x 178

2 x 2 GROVE BEADING 10 x 15 8 MM THICK CLEAR GLASS

50

455

635

TOP RAIL 40 x 145

145 185 50 145 185

X

100

770

10

TEAK WOOD FRAME 85 x 45 TEAK WOOD 15 x 178

SECTION BB

1200

25

30 15

SCALE-1:20 SCALE-1:20

BB

TOP RAIL 40 x 130

B

SECTION BB B

1050

16 15

178 200

10

17

B

635 635

30 25

250

1050

770

30

B

ELEVATION BOTTOM RAIL 40 x 130

2100

635

25

TEAK WOOD FRAME ELEVATION 85 x 45 SECTION TEAK WOOD 15 x 178

2100

18

900 x 2100

1050

B

19

C

250

30 15

15

A

ELEVATION

TEAK WOOD FRAME 85TEAK x 45 WOOD TEAK WOOD FRAME 30 x 220 STILE85 x 45 250 xTEAK 40 WOOD FRAME42 STILE 15 60 x 120 250 x 40 8 MM THICK 10 NOS.-4 CLEAR GLASS 12 MM M.S. ROD NOS.-4

2230

2340

A

LVL 4100MM

DOOR-D3

DOOR HANDLE

1050

300

2230

A

1790

2340

A

2100

LVL + 900MM

B

130

A

250

TEAK WOOD TEAK SECTION WOOD AA 15 x 178 30 x 220 TEAK WOOD 15 xSTILE 178 TEAK WOOD FRAME 100 x 40 STILE 60 x 120 100 x 40 8 MM THICK CLEAR900 GLASS DOOR-D3 x 2100 A 12 MM M.S. ROD

TOP RAIL 40 x 130

WOODEN PANEL 20 x 100

1000

D1

300

790 W1

455

178 2 5 200 5

SECTION AA

130

1960

1000 1000

1850

250

30 15

Y

TEAK WOOD FRAME 85 x 45

2230

100

455

X

178 200 250

B

A

900

X

100

1290

B

42 15

B

B

10 10 2

250

2 x 2 GROVE WOODEN PANEL 42 15 2 x 220 GROVE x 100 WOODEN PANEL 10 20 x 100

10

B

10

SECTION BB SECTION BB 130

ELEVATION ELEVATION

5

A

25 10 10 10 25 10

TEAK WOOD FRAME 85 x 45 TEAK WOOD FRAME TEAK WOOD 85 x 45 15 x 178 TEAK WOOD 15TOP x 178 RAIL 40 x 130 TOP RAIL 40 x 130

130

BOTTOM RAIL 40 x 130 BOTTOM RAIL 40 x 130

130

A

10

15

A

1050

A

2 90 10 2 90 15 10

4600

1960

920

10

30 15 30 10 15

1790

DOOR HANDLE DOOR HANDLE

130

2600

250 178 250 200 178 200

42 15 4210 15

1050

00950 1980

18

2100

16 17

15

2100

13 14

Y

130

TEAK WOOD FRAME 85 x 45 TEAK WOOD FRAME 85 x 45RAIL TOP 40 x 130 TOP RAIL 40 x 130PANEL WOODEN 20 x 100 WOODEN PANEL 20 x 100

900

33

6 5 8 7

9

10

4

3

3

1

2

GROUND FLOOR PLAN 1 - Site entry 2 - Parking 3 - Admin 4 - Classrooms 5 - Conference room

6 - Toilet 7 - Indoor tennis court 8 - Kitchen 9 - Dining hall 10 - Court yard

WEST SIDE ELEVATION 34

03 BHADRAN SCHOOL PROJECT TYPE : 3rd Sem Studio Project Guided by : Ar. Khanjan Joshi LOCATION : Bhadran, Anand SITE AREA : 5500 SQ.MT BRIEF : In this project, we had to design a higher secondary school on a given site, set in rural background surrounded by tobacoo fields.

The main aim was make a model school for rural background for aspiring students before they choose different streams.

35

GROUND FLOOR

FIRST FLOOR

SECOND

36

1/8" Graph Paper

D FLOOR

04 ANTILIA

PROJECT TYPE : INTERNSHIP PROJECT FIRM : STUDIO PALISA PRINCIPAL ARCHITECT : SANJAY SHELADIYA LOCATION : NANDURBAR, MAHARASHTRA CLIENT NAME : MR.DEEPAK KATARIA SITE AREA : 7400 SQ.FT.

The client’s requirement contains admin offices on the ground floor and personal living space at the upper floors for their joint family.

First floor is a semi-public space containing direct staircase from the outside and bar,gym, game room and theatre areas and remaining two floors contains living area for family through a private staircase.

THIRD FLOOR

37

GROUND FLOOR

38

1/8" Graph Paper

05 FA R M H O U S E

PROJECT TYPE : INTERNSHIP PROJECT FIRM : STUDIO PALISA PRINCIPAL ARCHITECT : SANJAY SHELADIYA LOCATION : KUMBHARI VILLAGE, OLPAD CLIENT NAME : MR. RAMESH DOSHI SITE AREA : 8000 SQ.FT. The client wanted a permanent home for their grandparents and a weekend home for their

FIRST FLOOR

childen in his village.

Living room and the bedrooms are oriented towards the open green space. several deck areas provides direct access to the pool area from the living room and bedroom.

39

40

6

MISCELLANEOUS

41

42

43

THANK YOU harshsheladiya2204@gmail.com +91 9925896795