Selected Works of Haolong Lyu, mfa 2017—2020 Academy of Art University
Selected Works of Haolong Lyu, mfa 2017—2020 Academy of Art University
Contents The Law of Nature, a film festival Blockbuster, rebranding Wacom, annual report NEXT, an architectural conference P5—37
P38—57
P58—75
P76—95
Malabar Type, specimen Truthful Food Paint a Room Pro From Ordinary, to Extraordinary MFA Thesis, Ceed P96—107
P108—131 P132—147
P148—165
P166—191
07 05
SELECTED WORKS 2017—2020
H A O L O N G LY U
T H E L AW O F N AT U R E
PROJECT 1 OF 9
The Law of Nature, a film festival / Course name: Integrated Communication / Instructor: Hunter Wimmer / Categories: Visual System / Semester: Fall 2019
04 / 05
/
/Description This project is to choose a film director and design a film festival by conceptualizing a visual system and coordinating a complex set of materials. Akira Kurosawa was a Japanese film director and screenwriter, who directed 30 films in a career spanning 57 years. He is regarded as one of the most important and influential filmmakers in the history of cinema. His films influnced many famous directors, for example, George Lucas and Quentin Tarrantino.
—Akira Kurosawa
01 / 02 / 03 / 04 / 05 / 06 / 07 / 08 / 09
“People today have forgotten they’re really just a part of nature. Yet, they destroy the nature on which our lives depend. They/Approach always think I selected five of Akira Kurosawa’s famous films and summed they can make something better.” up a thread: the characters was facing the challenge which was
not simply to win, but to make the right ethical choice. They sacrificed a lot to approach their goals. But the world and nature keeps going no matter how individuals put their effort to change. I designed several deliverables to show my audience Kurosawa’s compassion to the world.
To engage the audiences into the endless cycles that resist change in the films of Akira Kurosawa.
Description / This project is to choose a film director and design a film festival by conceptualizing a visual system and coordinating a complex set of materials. Akira Kurosawa was a Japanese film director and screenwriter, who directed 30 films in a career spanning 57 years. He is regarded as one of the most important and influential filmmakers in the history of cinema. His films influnced many famous directors, for example, George Lucas and Quentin Tarrantino. Approach / I selected five of Akira Kurosawa’s famous films and summed up a thread: the characters was facing the challenge which was not simply to win, but to make the right ethical choice. They sacrificed a lot to approach their/Typefaces goals. But the world / nature keeps going no matter how individuals put theirTitillium effort to Web change. I designed several deliverables to show my audience Kurosawa’s ITC GalliardcomPro passion to the world. Rockwell /Deliverables Poster Catalog Tickets Soundtrack Mobile App Website Schedule Ticket Business System /Tools InDesign Illustrator Photoshop Adobe XD 05
07
SELECTED WORKS 2017—2020
H A O L O N G LY U T H E L AW O F N AT U R E
PROJECT 1 OF 9
06 / 07
SELECTED WORKS 2017—2020
H A O L O N G LY U T H E L AW O F N AT U R E
PROJECT 1 OF 9
The Endless Cycles that Resist Change in the Films of Akira Kurosawa
05 / 06
SELECTED WORKS 2017—2020
H A O L O N G LY U T H E L AW O F N AT U R E
PROJECT 1 OF 9
11 / 12
SELECTED WORKS 2017—2020
H A O L O N G LY U T H E L AW O F N AT U R E
PROJECT 1 OF 9
13 / 14
SELECTED WORKS 2017—2020
H A O L O N G LY U T H E L AW O F N AT U R E
PROJECT 1 OF 9
05 / 06
SELECTED WORKS 2017—2020
H A O L O N G LY U T H E L AW O F N AT U R E
PROJECT 1 OF 9
17 / 15
SELECTED WORKS 2017—2020
H A O L O N G LY U T H E L AW O F N AT U R E
PROJECT 1 OF 9
18 / 19
SELECTED WORKS 2017—2020
H A O L O N G LY U T H E L AW O F N AT U R E
PROJECT 1 OF 9
20 / 21
SELECTED WORKS 2017—2020
H A O L O N G LY U T H E L AW O F N AT U R E
PROJECT 1 OF 9
22 / 23
SELECTED WORKS 2017—2020
H A O L O N G LY U T H E L AW O F N AT U R E
PROJECT 1 OF 9
24 / 25
SELECTED WORKS 2017—2020
H A O L O N G LY U T H E L AW O F N AT U R E
PROJECT 1 OF 9
26 / 27
SELECTED WORKS 2017—2020
H A O L O N G LY U T H E L AW O F N AT U R E
PROJECT 1 OF 9
28 / 29
SELECTED WORKS 2017—2020
H A O L O N G LY U T H E L AW O F N AT U R E
PROJECT 1 OF 9
30 / 31
SELECTED WORKS 2017—2020
H A O L O N G LY U T H E L AW O F N AT U R E
PROJECT 1 OF 9
32 / 33
SELECTED WORKS 2017—2020
H A O L O N G LY U
BLOCKBUSTER REBRANDING
PROJECT 2 OF 9
Blockbuster, Rebranding / Course name: Nature of Identity / Instructor: Hunter Wimmer / Categories: Branding/ Semester: Spring 2020
34 / 35
/Description This project is to choose a “dead� company and rebrand it. Blockbuster Inc. was the largest video rental chain in the world providing in-home rental, retail movie, and game entertainment. Before, the main business of Blockbuster was DVD rental, which allows people watching films or TV series at home. They mainly focused on the in-home entertainment which can strengthen the family relationship. /Approach I designed a new visual system for Blockbuster. Different from their blue and yellow color comp, I use orange as one fo the main color to show the passion of bring entertainment to people. I kept their soul on providing convenient access to media entertainment. With the help of new technology, Blockbutster will provide the customers a new entertainment experience. Customers can relax themselves in anywhere and through any format.
Provide people convenient access to the entertainment experience anywhere and anytime.
/Typefaces Upgrade /Deliverables Brand Guidelines Website /Tools InDesign Illustrator Photoshop Wix
SELECTED WORKS 2017—2020
H A O L O N G LY U BLOCKBUSTER REBRANDING
PROJECT 2 OF 9
34 / 35
SELECTED WORKS 2017—2020
H A O L O N G LY U BLOCKBUSTER REBRANDING
PROJECT 2 OF 9
05 / 06
SELECTED WORKS 2017—2020
H A O L O N G LY U BLOCKBUSTER REBRANDING
PROJECT 2 OF 9
05 / 06
SELECTED WORKS 2017—2020
H A O L O N G LY U BLOCKBUSTER REBRANDING
PROJECT 2 OF 9
05 / 06
SELECTED WORKS 2017—2020
H A O L O N G LY U BLOCKBUSTER REBRANDING
PROJECT 2 OF 9
05 / 06
SELECTED WORKS 2017—2020
H A O L O N G LY U BLOCKBUSTER REBRANDING
PROJECT 2 OF 9
05 / 06
SELECTED WORKS 2017—2020
H A O L O N G LY U BLOCKBUSTER REBRANDING
PROJECT 2 OF 9
05 / 06
SELECTED WORKS 2017—2020
H A O L O N G LY U BLOCKBUSTER REBRANDING
PROJECT 2 OF 9
05 / 06
SELECTED WORKS 2017—2020
H A O L O N G LY U BLOCKBUSTER REBRANDING
PROJECT 2 OF 9
05 / 06
SELECTED WORKS 2017—2020
H A O L O N G LY U
WACOM ANNUAL REPORT
PROJECT 3 OF 9
Wacom, annual report / Semester: Fall 2018 / Category: Type and Infographic / Instructor: John Nettleton / Course: Type System
05 / 06
/
/Objective This project is to choose a company I considered designing for, then redesign their annual report or CSR report. I did some researches about the famous graphic tablet company—Wacom. After reading their poor designed existing reports, I redesigned the 2013 Wacom annual report to the shareholders and kept the company’s mission and Culture. /Approach I selected 2013 Wacom Annual Report to redesign because it has the most detailed statistics compared with other years. Completely different with the existing report I used a neat and simple visual language to show that Wacom is not only a drawing tablet “factory”, but a technology company.
“ We are proud of the role we have played in applying digital technologies to creativity.” /Typefaces Titillium Web /Deliverables Book /Tools InDesign Illustrator Photoshop
SELECTED WORKS 2017—2020
H A O L O N G LY U WACOM ANNUAL REPORT
PROJECT 3 OF 9
05 / 06
SELECTED WORKS 2017—2020
H A O L O N G LY U WACOM ANNUAL REPORT
PROJECT 3 OF 9
05 / 06
05 / 06
SELECTED WORKS 2017—2020
H A O L O N G LY U WACOM ANNUAL REPORT
PROJECT 3 OF 9
05 / 06
SELECTED WORKS 2017—2020
H A O L O N G LY U WACOM ANNUAL REPORT
PROJECT 3 OF 9
05 / 06
SELECTED WORKS 2017—2020
H A O L O N G LY U WACOM ANNUAL REPORT
PROJECT 3 OF 9
05 / 06
SELECTED WORKS 2017—2020
H A O L O N G LY U WACOM ANNUAL REPORT
PROJECT 3 OF 9
05 / 06
SELECTED WORKS 2017—2020
H A O L O N G LY U
NEXT ARCHITECTURE CONFERENCE
PROJECT 4 OF 9
NEXT, an architectural conference / Course name: Type Systems / Instructor: John Nettleton / Categories: Visual Systems, Type Design / Semester: Fall 2018
05 / 06
w
/Objective Hosted in San Francisco, a city recognized as a leading hub for innovative design leaders and thinkers, AIASF NEXT is a great opportunity to hone your cutting-edge ideas, projects, and practices that will impact the next generation of the architecture and design profession as well as the future of the built environment. /Approach I designed a new visual system for Blockbuster. Different from their blue and yellow color comp, I use orange as one fo the main color to show the passion of bring entertainment to people. I kept their soul on providing convenient access to media entertainment. With the help of new technology, Blockbutster will provide the customers a new entertainment experience. Customers can relax themselves in anywhere and through any format.
To set a new standard for sustainable urban development and to rethink how we plan and live in our communities.
/Typefaces Proxima Nova /Deliverables App Website Brochure Poster Signage Name Badge /Tools InDesign Illustrator Photoshop
SELECTED WORKS 2017—2020
H A O L O N G LY U NEXT ARCHITECTURE CONFERENCE
PROJECT 4 OF 9
05 / 06
SELECTED WORKS 2017—2020
H A O L O N G LY U NEXT ARCHITECTURE CONFERENCE
PROJECT 4 OF 9
05 / 06
SELECTED WORKS 2017—2020
H A O L O N G LY U NEXT ARCHITECTURE CONFERENCE
PROJECT 4 OF 9
05 / 06
SELECTED WORKS 2017—2020
H A O L O N G LY U NEXT ARCHITECTURE CONFERENCE
PROJECT 4 OF 9
05 / 06
SELECTED WORKS 2017—2020
H A O L O N G LY U T H E L AW O F N AT U R E
PROJECT 1 OF 9
05 / 06
SELECTED WORKS 2017—2020
H A O L O N G LY U T H E L AW O F N AT U R E
PROJECT 1 OF 9
05 / 06
NEXT 2018
Implementing the New Urban Agenda
NEXT NEXT
2018 SPEAKERS
DAY 1
LOCATION / DATE
2018
DAY 2
Day 1: Pre-Conference Symposium
2018 SCHEDULE
Panel Discussion: Public Advocacy
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The 3rd Annual AIASF Conference
KEYNOTE SPEAKERS 2018 SESSIONS Panel Discussion: Political Action
2018 SPEAKERS Susie Coliver
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Panel Discussion: Professional Synthesis
T H E L AW O F N AT U R E
PROJECT 1 OF 9
DAY 1
H A O L O N G LY U
LOCATION / DATE
SELECTED WORKS 2017—2020
2018 SPEAKERS
SCHEDULE
DAY 2
Day 1: Pre-Conference Symposium
DAY 1
DAY 2
Day 1: Pre-Conference Symposium 11:00 AM
Susie Coliver
Registration Opens / Lunch / Networking
Locus Architecture
Noon
Principal, Herman Coliver
Susie Coliver, Principal, Herman Coliver Locus Architecture, is with a 14-person architectural practice in San Francisco, which, for over 30 years has focused almost exclusively on the design of supportive housing. Her practice is unusual in as much as all of its clients are non-profits. HCLA has collaborated with private non-profit housing developers on the design of dignified, sustainable housing for those with incomes of up to 60% AMI. Currently, the studio is working on the new construction of 96 apts for low income seniors in the Mission, a project which involved a lot of community outreach, 156 apartments for low-income and formerly homeless families on the former Candlestick Park site, 250 modular apartments for adults suffering
Welcome / Symposium Keynote 12:30—1:15 PM Panel Discussion: Public Advocacy 1:15—1:30 PM ABOUT
MAP
PARKING
California College of the Arts (CCA) Nave is our generous host of Thursday's Pre-Conference Symposium and the Conference Kick-Off Reception on Thursday evening. Founded in 1907 by Frederick Meyer, a German cabinetmaker, whose vision was shaped by the Arts and Crafts movement, California College of the Arts (CCA) is noted for the interdisciplinarity and breadth of its programs. California College of the Arts educates students to shape culture and society through the practice and and Santa Cruz. When not working on housing, the design of sacred spaces has occupied her energies.
Networking Break 1:30—2:30 PM Panel Discussion: Political Action 2:30—3:00 PM Networking Break 3:00—4:15 PM Panel Discussion: Professional Synthesis 4:15—4:45 PM Closing Remarks
05 / 06
SELECTED WORKS 2017—2020
H A O L O N G LY U T H E L AW O F N AT U R E
PROJECT 1 OF 9
05 / 06
SELECTED WORKS 2017—2020
H A O L O N G LY U
MALABAR TYPE SPECIMEN
PROJECT 5 OF 9
Malabar Type Specimen / Semester: Fall 2017 / Category: Tpye Design / Instructor: David Hake / Course: Type Composition
05 / 06
/
/Objective Malabar® is a typeface for extensive text. This oldstyle serif family currently includes six fonts for the Latin script. In this project, I need to design a type specimen for Malabar to showcase its design and use. /Approach In my research, I found that Malabar is a typeface with wedgeserif. It is designed to avoid the fine serifs breaking apart altogether. Malabar’s serifs were developed to avoid this problem. I use many big types in that specimen to show the design feature. The type specimen shows that Malabar’s sharp, direct serifs are a clear feature of its DNA.
Sturdy serifs help strengthen the line of text in small point sizes, as well as define the overall feeling of the face.
/Typefaces Malabar /Deliverables Book /Tools InDesign Illustrator
SELECTED WORKS 2017—2020
H A O L O N G LY U MALABAR TYPE SPECIMEN
PROJECT 5 OF 9
05 / 06
t d f e e h t t p ea i W e r . s c t , u n r o f o h f e r d h s e i d h t n e e c y t l a i f n ar e p o y i m t t i i e d h d t g a e n i e k r k a a e e m w r
SELECTED WORKS 2017—2020
H A O L O N G LY U
MALABAR TYPE SPECIMEN
PROJECT 5 OF 9
t o t b a t h n u i t B e . m e h a l t h b y t a h s d r a o t e t r x c e l fa d t e , a o s r o n e o ag t t e t f l t o e e l g h he t n e t e h n e ti x 05 / 06
SELECTED WORKS 2017—2020
H A O L O N G LY U MALABAR TYPE SPECIMEN
PROJECT 5 OF 9
05 / 06
SELECTED WORKS 2017—2020
H A O L O N G LY U MALABAR TYPE SPECIMEN
PROJECT 5 OF 9
05 / 06
SELECTED WORKS 2017—2020
H A O L O N G LY U MALABAR TYPE SPECIMEN
PROJECT 5 OF 9
05 / 06
SELECTED WORKS 2017—2020
H A O L O N G LY U
TRUTHFUL FOOD
PROJECT 8 OF 9
Truthful Food / Semester: Fall 2018 / Category: Visual System, Branding / Instructor: Sandra Isla / Course: Visual Thinking
05 / 06
/Objective There is considerable scientific debate over whether organic foods provide a nutritional boost when compared with eating conventionally grown foods. But people buy organic food even the food is more expensive because they think the food is healthy and environmental friendly. /Approach I want to promote knowledge about advantages and disadvantages of organic food to correct misconception. I designed three deliverables to help people to manage their food budget in the way of purchasing both organic and conventionally grown food. In that way, people can still have the recommended daily intakes for vitamins & nutrients.
Know about the truth of organic food and purchase high quality food on a good budget.
/Typefaces Titillium Web /Deliverables App Website Exhibition /Tools InDesign Illustrator Photoshop SketchUp Lumion
SELECTED WORKS 2017—2020
H A O L O N G LY U TRUTHFUL FOOD
PROJECT 8 OF 9
05 / 06
Haolong Lyu // GR 620
Final Poster & logo
SELECTED WORKS 2017—2020
H A O L O N G LY U TRUTHFUL FOOD
PROJECT 8 OF 9
05 / 06
SELECTED WORKS 2017—2020
H A O L O N G LY U TRUTHFUL FOOD
PROJECT 8 OF 9
05 / 06
Haolong Lyu // GR 620 Visual Thinking // Deliverable 3
Haolong Lyu // GR 620 Visual Thinking // D
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Haolong Lyu // GR 620 Visual Thinking // Deliverable 3
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05 / 06
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6.8 mcg
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0.0 mcg
Beta Cryptoxanthin
Lycopene Recommended Lutein+Zeaxanthin
28.8Sold mcg
0.0 mcg
Lycopene
Lowest price Vitamin C
6.1 mcg 0.0 mcg 0.0 mcg
by Lutein+Zeaxanthin NIMAN Ranch 42.4 mg Vitamin C
29.8 mcg 41.1 mg
Vitamin D
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0.1 mg
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2.3 mcg
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0.3 mg
Thiamin
0.3 mg
Riboflavin Recommended Niacin
0.1 mg
Riboflavin
0.1 mg
Highest rated
Vitamin B6
1.0 mg
4.1 mcg
Folate
4.1 mcg
Food Folate
4.1 mcg
Food Folate
4.1 mcg
0.0 mcg
Folic Acid
4.1 mcg
Dietary Folate Equivalents
Vitamin B
Fresh Garlic #1192
Pantothenic Acid Choline
$ 5.69 / lb
120.0mcg 0.8mg 31.6mg
Vitamin B Pantothenic Acid Choline
1
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Trichoderma virens strain G-41. Apply RootShield Plus WP as a preventative biofungicide to improve soil health. Use at the time of planting or early in the growing season for best results. The unique fungal blend in RootShield Plus WP provides 3 months of preventive control for Phytophthora, Rhizoctonia, Pythium, Fusarium, Thielaviopsis, and ......
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PROJECT 8 OF 9
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SELECTED WORKS 2017—2020
Haolong Lyu // GR 620 Visual Thinking // Deliverable 3
Active Ingredients:
0.0 mcg 4.1 mcg
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Trichoderma harzianum Rifai strain T-22
1.15%
Trichoderma virens strain G-41
0.61%
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05 / 06
SELECTED WORKS 2017—2020
H A O L O N G LY U TRUTHFUL FOOD
PROJECT 8 OF 9
05 / 06
SELECTED WORKS 2017—2020
H A O L O N G LY U TRUTHFUL FOOD
PROJECT 8 OF 9
05 / 06
SELECTED WORKS 2017—2020
H A O L O N G LY U TRUTHFUL FOOD
PROJECT 8 OF 9
05 / 06
SELECTED WORKS 2017—2020
H A O L O N G LY U TRUTHFUL FOOD
PROJECT 8 OF 9
05 / 06
ition
Conclusion Organic Framing
Conventional Framing Conclusion
ters
Front Desk Touch Screens
Floor Plan
H A O L O N G LY U
SELECTED WORKS 2017—2020 Haolong Lyu // GR 620 Visual Thinking // Deliverable 1
PROJECT 8 OF 9
TRUTHFUL FOOD
Exhibition Indoors Scenes 05 / 06
SELECTED WORKS 2017—2020
H A O L O N G LY U TRUTHFUL FOOD
PROJECT 8 OF 9
05 / 06
SELECTED WORKS 2017—2020
H A O L O N G LY U
PAINT A ROOM PRO
PROJECT 6 OF 9
Paint a Room Pro, street sign redesign / Course name: Visual Literacy / Instructor: Hunter Wimmer / Categories: Visual System, Branding / Semester: Fall 2017
05 / 06
/Description When I walked down the street, I found a poor designed street sign. It was from a house painting company. I wish to help the company owner with what I learned from school. /Approach For the beginning I called the sign owner and asked information about his company. Then I design a logotype for him and developed a new visual system. From the inspiration of painting a wall, I put a black layer with some blank rectangle above the colorful photo. The brush gives new color to the wall, and the company gives new version to your house.
To give a new look of the simple sign on a pole. It is glad to help people solve real questions in school.
/Typefaces Sabon Avenir /Deliverables Brochure Website Posters /Tools InDesign Illustrator Photoshop
SELECTED WORKS 2017—2020
H A O L O N G LY U PAINT A ROOM PRO
PROJECT 6 OF 9
05 / 06
SELECTED WORKS 2017—2020
H A O L O N G LY U PAINT A ROOM PRO
PROJECT 6 OF 9
05 / 06
SELECTED WORKS 2017—2020
H A O L O N G LY U PAINT A ROOM PRO
PROJECT 6 OF 9
05 / 06
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Prices Start as low as $59 At Paint A Room PRO, we provide expert residential painting and commercial painting services for clients throughout the Bay Area, including San Francisco, Oakland, Piedmont, Berkeley, Kensington and Orinda. With almost 3 decades in the painting business, we’ve earned a stellar reputation for our fast, efficient service, meticulous craftsmanship, outstanding results and enduring quality.
Paint a Room PRO
Prices Start as low as $59 At Paint A Room PRO, we provide expert residential painting and commercial painting services for clients throughout the Bay Area, including San Francisco, Oakland, Piedmont, Berkeley, Kensington and Orinda. With almost 3 decades in the painting business, we’ve earned a stellar reputation for our fast, efficient service, meticulous craftsmanship, outstanding results and enduring quality.
FOR PAINTING SOLUTIONS Please call:
415-709-1193 Or visit
PAINTAROOMPRO.COM For your free quote
SELECTED WORKS 2017—2020
H A O L O N G LY U
PAINT A ROOM PRO
PROJECT 6 OF 9
WE TRANSFORM YOUR SPACE Paint a Room PRO
ENJOY THE LONGLASTING RESULTS Prices Start as low as $59 At Paint A Room PRO, we provide expert residential painting and commercial painting services for clients throughout the Bay Area, including San Francisco, Oakland, Piedmont, Berkeley, Kensington and Orinda. With almost 3 decades in the painting business, we’ve earned a stellar reputation for our fast, efficient service, meticulous craftsmanship, outstanding results and enduring quality.
FOR PAINTING SOLUTIONS Please call:
415-709-1193 Or visit
PAINTAROOMPRO.COM For your free quote
05 / 06
SELECTED WORKS 2017—2020
H A O L O N G LY U PAINT A ROOM PRO
PROJECT 6 OF 9
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SELECTED WORKS 2017—2020
H A O L O N G LY U PAINT A ROOM PRO
PROJECT 6 OF 9
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SELECTED WORKS 2017—2020
H A O L O N G LY U PAINT A ROOM PRO
PROJECT 6 OF 9
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SELECTED WORKS 2017—2020
H A O L O N G LY U
FROM ORDINARY TO EXTRAORDINARY
PROJECT 7 OF 9
From Ordinary to Extraordinary / Course name: Typography 4: Refinement of Form / Instructor: Ariel Grey / Categories: Type Design / Semester: Fall 2019
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/Objective Since the very first artists painted cave walls with mineral pigments and clay, humans have been making art with the humblest of materials. This is an exhibition to show audience how the artists using the most ordinary and mundane matter to create artworks that often not only provide ravishing visual experiences, but also contain far-reaching ideas. /Approach To show the power of how the ordinary things in our life can be transferred to extraordinary artwork, I choose to show the pencil sculpture as the example. The book tells a story from how pencils are made to the pencil sculptures. A beautiful sculpture can be carved from the tip of a Pencil. I choose the “pencil� yellow as my mean color. To show the surprising artwork, I keep my design minimal and clean.
From car tires and duct tape to pencils and couscous, ordinary objects are both clay and canvas in the hands of the artists.
/Typefaces Titillium Web /Deliverables Book App Brochure Advertisement /Tools InDesign Illustrator Photoshop
SELECTED WORKS 2017—2020
H A O L O N G LY U FROM ORDINARY TO EXTRAORDINARY
PROJECT 7 OF 9
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SELECTED WORKS 2017—2020
H A O L O N G LY U VIRTURAL MARKS
PROJECT 7 OF 9
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SELECTED WORKS 2017—2020
H A O L O N G LY U VIRTURAL MARKS
PROJECT 7 OF 9
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SELECTED WORKS 2017—2020
H A O L O N G LY U VIRTURAL MARKS
PROJECT 7 OF 9
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SELECTED WORKS 2017—2020
H A O L O N G LY U VIRTURAL MARKS
PROJECT 7 OF 9
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H A O L O N G LY U
VIRTURAL MARKS
PROJECT 7 OF 9
2, 2020
SELECTED WORKS 2017—2020
th mineral pigments and clay, of materials. The practitioners rts of those first artists, using tworks that often not only profar-reaching ideas.
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PROJECT 7 OF 9
H A O L O N G LY U T H E L AW O F N AT U R E
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VIRTURAL MARKS
SELECTED WORKS 2017—2020
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Change Date Change Change Date Select Date Change ChangeSelect Date Date Select ChangeSelect Select Date
Artist Salavat Fidai
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Artist Artist Salavat Salavat Fidai Fidai
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SELECTED WORKS 2017—2020
H A O L O N G LY U VIRTURAL MARKS
PROJECT 7 OF 9
HUBUYAO ISE
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H A O L O N G LY U
M FA T H ES I S: C E E D
PROJECT 9 OF 9
MFA Thesis, Ceed/ Semester: Spring 2019—Fall 2020 / Category: Branding, Publication, Packaging / Instructor: Phil Hamlett, Christine George, Violeta Kaminska
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/Objective Urban agriculture is the practice of cultivating food in cities. This type of farming can help us solve future food shortages and reduce the dependency on industrial food system. And though most urban farms are not making money, they are improving communities. To promote /Approach Teach them to the basic knowledge first, I designed an exhibition to show people knowledge in easily-understood diagrams and photos. Then I design a package series to provide them manageable farming activities where ever they live.
The biggest reason to support urban agriculture is the number of people it touches, rather than the number of people it feeds.
/Typefaces IvyPresto Text Upgrade /Deliverables Package Website App Magazine /Tools InDesign Illustrator Photoshop Wix Adobe XD After Effects
SELECTED WORKS 2017—2020
H A O L O N G LY U M FA T H I S I S: C E E D
PROJECT 9 OF 9
05 / 06
/BACKGROUND Urban agriculture is the practice of cultivating food in cities. This type of farming can help us solve future food shortages and reduce the dependency on industrial food system. And though most urban farms are not making money, they are improving communities. In 2009, Mayor Gavin Newsom announced an executive directive of urban agriculture to promote Healthy and Sustainable Food in San Francisco. (In 2013) Four years later, in accordance with California Government policy (Code 51040), the City and County of San Francisco has established a local Urban Agricultural Incentive Program, the Urban Agriculture Incentives Zone Act. But in recent years, Urban Agriculture has been developing slowly in San Francisco. In SPUR’s 2012 report, there were 139 public gardens & farms available. Now there are only 42 left. Even though the biggest one (Alemany Farm) is 3.5 Acres, most of the others are smaller than 0.5 acre, which is only available to the local neighborhood. The only commercial farm (little city farm) in SF was closed in 2016.
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To promote urban agriculture in San Francisco, I choose to guide urban individuals step by step. If growing food in cities become part of people’s daily life, urban agriculture will get more social approval.
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H A O L O N G LY U M FA T H ES I S: C E E D
PROJECT 9 OF 9
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H A O L O N G LY U M FA T H ES I S: C E E D
PROJECT 9 OF 9
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H A O L O N G LY U M FA T H ES I S: C E E D
PROJECT 9 OF 9
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H A O L O N G LY U M FA T H ES I S: C E E D
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H A O L O N G LY U M FA T H ES I S: C E E D
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Acknowledgements
/Instructors Throughout studying in the Academy of Art University I have received a great deal of support and assistance. I would like to thank my instructor, Mary Scott, who guided me to grow this portfolio. Your insightful feedback pushed me to sharpen my thinking and brought my work to a higher level. I would also like to acknowledge my instructors during the three years. They are Phil Hamlett, Brian Minards, John Nettleton, David Hake, Hunter Wimmer, Christine George, Violeta Kaminska, Sandra Isla, Carolina de Bartolo, Nita Ybarra, Scott Rankin, and EAP support instructor Monica Berini. /Family In addition, I would like to thank my parents for their wise counsel and sympathetic ear. You are always there for me. /Friends I would also like to thank my roommates Jerry Chang, and Thomas Chang. I can’t finish the thesis without their help. Finally, I could not have completed this dis- sertation without the support of my friends, Joey Tribbiani and Rachel Green, who provided stimulating discussions as well as happy distractions to rest my mind outside of my research.
SELECTED WORKS 2017—2020
H A O L O N G LY U M FA T H ES I S: C E E D
PROJECT 9 OF 9
05 / 06
Colophon
/Copyright© 2020 By Haolong Lyu All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law. For permission requests, write to the publisher, addressed “Attention: Permissions Coordinator,” at the address below.
/Contact Haolong (Steven) Lyu +1 415 825 2659 haolonglyudesign.com /School Academy of Art University School of Graphic Design 79 New Montgomery St San Francisco, CA, USA /Major Mary Scott /Typeface Titillium Web IvyPresto Text /Printing & Binding Blurb, Inc. /Text Stock Mohawk Superfine 100lb Uncoated
SELECTED WORKS 2017—2020
H A O L O N G LY U M FA T H ES I S: C E E D
PROJECT 9 OF 9
05 / 06
S T E V E N LY U D E S I G N . C O M