The Spring Auction 4142 - 17th March 2021

THE AUCTION

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ORDER OF SALE

VIEWING

1-23 24-49 50-94 95-146 147-221 222-244 245-257 258-388 389-415 416-451

Following current government guidelines, we will not be able to open to the public for viewing for this auction.

Silver & Bijouterie Jewellery Watches, Coins & Medals Paintings & Prints Ceramics & Glass Militaria Antiquities & Tribal Art Asian Art Collectables & Works of Art Furniture & Clocks

Viewing will be online only and our specialists will be working hard to make sure all condition reports are carried out as thoroughly as possible.

Condition reports and extra images can be requested via our website up until 4.30pm the day prior to the sale

Wednesday 17th March 2021

Auction starts at 10am

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420.

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How to bid:

If ID has not been provided previously when registering to bid, or the form of identification has expired since, we will require ID in order to register all bidders.

By Telephone*

By Commission Bid* Online *Telephone & Commission bids must be placed by 4.30pm the day prior to the sale

Halls Holdings House Bowmen Way, Battlefield, Shrewsbury, SY4 3DR

Auction no.4142 Front cover illustration - Lot 9, 106, 165 & 445 Back cover illustration - Lot 6

Halls Holdings Limited Company Registration No. 06597073 VAT Registration No. 549 7365 94

T: 01743 450 700 E: fineart@hallsgb.com W: www.hallsgb.com/fine-art

Gerry Berwyn-Jones

Maryanne Lineker-Mobberley

Head of Fine Art

Silver & Jewellery

Caroline Dennard

Alexander Clement

Ceramics & Militaria

Asian Art & Senior General Valuer

BA (Hons) MRICS ASFAV

gerry@hallsgb.com

BA (Hons) FGA DGA ASFAV

maryanne@hallsgb.com

BA (Hons)

BA (Hons)

carolined@hallsgb.com

alexander@hallsgb.com

Abigail Molenaar

Chris Moore

Derek Ainsworth

Modern & Contemporary Art

Books & Maps

Coins & Medals

MA BA (Hons)

abigailm@hallsgb.com

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fineart@hallsgb.com

fineart@hallsgb.com

MEET THE TEAM

Gemma Price

Chloe Barlow

Administration & Design

Administration

Neil Haywood

Carl Humes

Porter

Porter

Helen Butler

Diane Powell

Fine Art Accounts

Fine Art Accounts

BA (Hons)

fineart@hallsgb.com

fineart@hallsgb.com

fineartpayments@hallsgb.com

BA (Hons)

fineart@hallsgb.com

fineart@hallsgb.com

fineartpayments@hallsgb.com

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FREE VALUATIONS Contact us to get a valuation or to organise a free, socially-distanced home visit

A Boucheron diamond and enamel flower brooch Estimate: £3,000 - £5,000 (+bp) To be entered into The Summer Auction 16th June 2021

SILVER & BIJOUTERIE

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Roberts & Belk, Sheffield 1968, of circular form with pie crust rim, engraved to the centre 'Henry and Diana', weight approx 17.4oz £150 - £200

J.B.Chatterley & Sons Ltd, Birmingham 1971, of lobed rectangular form with gadrooned rim and twin handles, 57.5cm long, weight approx 51.8oz £600 - £800

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A SILVER SALVER

A VICTORIAN SILVER MUSTARD POT

J.A J.A, London 1849, of drum form with beaded rim and pierced thumbpiece, with blue glass liner, total weighable silver approx 3.9oz Provenance: Part of a Herefordshire Country House Estate £70 - £100

A SILVER TEA TRAY

A COLLECTION OF SILVER SPOONS AND SAUCE LADLES

various dates and makers, to include; two tablespoons and three dessert spoons by John James Whiting, London 1846, two tablespoons and two dessert spoons by George Adams for Chawner & Co, London 1859, a pair of sauce ladles, London 1846 etc, total weight approx 51oz (28) Provenance: Part of a Herefordshire Country House Estate £400 - £600

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Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

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A PAIR OF SILVER FOX HANDLED BOOT PULLS

William Hutton & Sons Ltd, Sheffield 1924, the realistically cast models of running foxes mounted to metal pulls, 20.5cm long, together with a single Asprey & Co silver fox mask menu holder, London 1969 (at fault) (3) £180 - £220

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A LARGE SILVER MODEL OF HENRY VIII'S FLAGSHIP THE MARY ROSE

Ammonite Ltd, Birmingham 1982, modelled in full sail and mounted to wood plinth set with engraved plaque 'The Mary Rose 1510-1545 007-250', limited edition of 250 to commemorate the raising from the Solent on October 11th 1982, model measures approx 41.5cm wide, 32cm high, presented within glass case and with 'The Heritage Collection' certificate, together with a volume of 'The Mary Rose The Excavation and Raising of Henry VIII's Flagship' by Margaret Rule £1,500 - £2,000

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with chased figural panel decoration, 7.5cm high, together with an Indian white metal card case with floral decoration, 10cm high, total weight approx 10.8oz (2)

makers mark rubbed, London 1762, of pedestal baluster form with later engraved presentation inscription 'Presented by the members of the Episcopal Congregation...1855', 27cm high, weight approx 27.6oz

AN INDIAN WHITE METAL BOWL

Provenance: Part of a Herefordshire Country House Estate £70 - £100

A GEORGE III SILVER COFFEE POT

Provenance: Part of a Herefordshire Country House Estate £600 - £800

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A SILVER WAITER

Elkington & Co, Sheffield 1967, with pie crust rim and raised on three hoof feet, 21.5cm diameter, weight approx 12.5oz £100 - £200

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A 19TH CENTURY INDIAN WHITE METAL TWIN HANDLED URN

with figural decoration and raised on knopped stem with circular foot, 19cm high, weight approx 11oz (at fault) Provenance: Part of a Herefordshire Country House Estate £80 - £100

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A THREE PIECE SILVER TEA SERVICE

Atkin Brothers, Sheffield 1929, each piece of circular form with crimped rim, comprising; a teapot, 15.5cm high, a sugar bowl, 7cm high and a cream jug, 7.5cm high, the teapot with engraved presentation inscription 'The Scottish Life Assurance Co Ltd Colin and Constance Penn 3rd July 1930', each piece raised on out-swept feet, total weight approx 32oz (3)

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Please note this lot is subject to VAT on the hammer £250 - £350

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Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

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AN ASPREY & CO FIVE PIECE SILVER TEA AND COFFEE SERVICE

Sheffiled 1973, of octagonal faceted form, comprising; a teapot, 15.5cm high, a coffee pot, 21.5cm high, a cream jug, 10cm high, a two handled sugar bowl, 9.5cm high and a tea strainer with stand, (tea strainer and stand hallmarked London 1974), total weight approx 60oz (5) £700 - £900

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Robert Peaston, London 1764, of baluster form with pierced finial, 12.5cm high, together with a further George III silver caster, John Delmester, London 1760, 15.5cm high, total weight approx 7.1oz (2)

Charles Stuart Harris, London 1899, of circular form with ebonised handle and finial, 24cm high, weight approx 32.1oz (lacking burner and stand) £300 - £500

AN EARLY GEORGE III SILVER CASTER

A VICTORIAN SILVER SPIRIT KETTLE

Provenance: Part of a Herefordshire Country House Estate £250 - £300

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AN EARLY GEORGE III SILVER CREAM JUG

I W, London 1761, with later embossed floral decoration, raised on three paw feet, 11.5cm high, weight approx 3.3oz

Provenance: Part of a Herefordshire Country House Estate £80 - £100

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William Fountain, London 1845, together with a single Scottish silver Fiddle pattern table fork, Edinburgh, five silver Fiddle pattern dessert forks, London and a collection of Kings & Queens pattern silver forks, various makers and dates total weight approx 47.8oz (23)

Joseph Angell I, London 1825/26, each piece of shaped circular form with cast floral rims, comprising; a teapot, 14.5cm high, a two handled sugar bowl, 11cm high and a cream jug, 11cm high, each raised on four shell and acanthus leaf bracket feet, total weight approx 47.6oz (3)

Provenance: Part of a Herefordshire Country House Estate £400 - £600

Provenance: Part of a Herefordshire Country House Estate £500 - £600

A SET OF SIX SILVER FIDDLE PATTERN TABLE FORKS

A GEORGE IV THREE PIECE SILVER TEA SERVICE

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makers mark rubbed, London 1805, 16cm high, together with a further George III silver sugar caster, London 1792, 16cm high, total weight approx 6oz (2) (at fault) £100-150 £100 - £150

Mappin & Webb, Sheffield 1997, with two Celtic design handles and border, raised on collet foot, the body engraved 'Scottish Life the Pension Company', 7.5cm high, 30cm wide (including handles), weight approx 26oz

A GEORGE III SILVER SUGAR CASTER

A SILVER PRESENTATION QUAICH

Please note this lot is subject to VAT on the hammer £200 - £300

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A GERMAN WHITE METAL MODEL OF A HARE

naturalistically formed, stamped 'Germany Sterling 925', 7.5cm long, weight approx 2.5oz £100 - £150

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Gordon, Edinburgh 1751, 20.5cm long, weight approx 2oz

makers mark rubbed, Dublin 1830, with bright cut engraved decoration and raised on four paw feet, 11.5cm high, together with a George III silver cream jug, London 1804, total weight approx 10.7oz (2) £120 - £180

A MID 18TH CENTURY SCOTTISH SILVER SPOON, makers mark WD, Assay Master Hugh

Provenance: Part of a Herefordshire Country House Estate £60 - £80

A WILLIAM IV SILVER SUGAR BOWL

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A GEORGE III STYLE FOUR PIECE SILVER COFFEE SERVICE AND TRAY

Barker Ellis Silver Co, Birmingham 1971, 1978 and 1979, comprising; a coffee pot, 23.3cm high, a hot water jug, 24cm high, a two handled sugar bowl, 8.5cm high and a cream jug, 8.5cm high, the circular tray measures 30.5cm diameter, total weight approx 79.7oz (5) £600 - £800

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JEWELLERY

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with rose gold plating, within case and with cartridges £100 - £150

designed as a central row of six old cut diamonds, flanked to each side by a row of six tapering square cut sapphires and five graduated old cut diamonds, all set in white metal, stamped 1638, 92mm wide, weight approx 8.3g £700 - £900

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A WALDMANN STERLING SILVER CASED FOUNTAIN PEN

A TWO STRAND GRADUATED CULTURED PEARL NECKLACE WITH DIAMOND SET CLASP

pearls measure from approx 10mm - 6mm, the diamond set clasp designed as a central brilliant cut diamond flanked to each side by three baguette cut diamonds all within two rows of brilliant cut diamonds, set in white metal, not stamped, 46cm long £500 - £700

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AN ART DECO DIAMOND AND SAPPHIRE BAR BROOCH

A 22CT GOLD WEDDING BAND

with bright cut engraved decoration, ring size K, weight approx 9.6g £200 - £300

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

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A SMOKEY QUARTZ INTAGLIO SEAL FOB

with crest and motto 'Free for a blast' within yellow metal mount, together with a carnelian intaglio seal fob 'I Aspire', a rock crystal intaglio fob and a faceted amethyst fob (4) £300 - £500

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designed as a single cushion cut aquamarine measuring approx 16mm x 12mm, claw set in yellow metal within a cannetille border, not stamped, weight approx 6g £300 - £500

comprising seventeen oval amber beads measuring from approx 32mm - 16mm, 41.5cm long, weight approx 75.5g £400 - £600

AN EARLY VICTORIAN AQUAMARINE BROOCH

A GRADUATED OVAL AMBER BEAD NECKLACE

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A 9CT ROSE GOLD CURB LINK BRACELET

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with attached fobs, comprising two polished bloodstone examples, three intaglio carnelian examples, an intaglio bloodstone fob, two banded black and white agate examples (one engraved) and an amethyst example, lenght of bracelet 19cm £500 - £700

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A SOVEREIGN SET PENDANT ON PLATED CHAIN

the sovereign dated 1913, within 9ct gold mount suspended from gold plated chain £250 - £350

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A TWO STONE DIAMOND CROSSOVER RING

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the transition cut diamonds collet set in white metal to yellow metal shank, stamped '18ct & Pt', ring size R, weight approx 2.6g £200 - £300

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A LATE 19TH CENTURY SPLIT PEARL AND DIAMOND RING

designed as five graduated half pearls claw set in yellow metal and interspersed with rose cut diamond points, ring size Q, weight approx 4.5g £400 - £600

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

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A SINGLE STRAND UNIFORM CULTURED PEARL ROPE NECKLACE

comprising eighty-four cultured pearls each measuring approx 7mm, with sapphire and old cut diamond cluster clasp, 82cm long £400 - £600

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A VICTORIAN SOVEREIGN SET RING

dated 1894, within 9ct gold mount, shank hallmarked London 1988, ring size X, weight approx 14.1g £300 - £500

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A PAIR OF 18CT GOLD SAPPHIRE AND DIAMOND EARRINGS

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each designed as a central round mixed cut sapphire claw set in white gold within a border of ten brilliant cut diamonds, with post fittings, total weight approx 3.7g £300 - £500

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A YELLOW METAL INTEGRAL BRICK LINK BRACELET

with textured bark finish, the slide clasp with two safety catches stamped '48', 177mm long, weight approx 42.1g £500 - £700

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A 19TH CENTURY GRADUATED SEED PEARL NECKLACE

designed as two entwined strands with yellow metal split seed pearl set clasp, length approx 57.5cm (at fault) £200 - £300

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A 9CT TRI-COLOURED GOLD PLAITED NECKLACE

designed as three yellow, white and rose gold textured link plaited chains with box link clasp and safety catch, 43cm long, import mark for London 1973, weight approx 35.4g £300 - £500

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A PAIR OF 18CT GOLD CUFFLINKS

each with engraved monogram, hallmarked London 1927, weight approx 21.3g Provenance: Part of a Herefordshire Country House Estate £300 - £400

A DIAMOND AND ENAMEL REGIMENTAL BROOCH

The Duke of Wellington Regiment The West Ridings, the diamond set lion with ruby eye holding enamelled flag, all upon coronet and motto ribbons, not stamped, weight approx 8g Provenance: Part of a Herefordshire Country House Estate £200 - £300

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Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

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A TWO STRAND UNIFORM CULTURED PEARL NECKLACE

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with garnet and seed pearl cluster clasp, stamped '9ct', pearls measure approx 8mm, 44.5cm lon £300 - £500

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A CHALCEDONY PENDANT

designed as an oval chalcedony plaque mounted with yellow metal portrait of a lady with diamonds set in her hair, all within scallop and bead border, not stamped, pendant measures approx 51mm x 39mm (excluding lug), suspended from yellow metal chain stamped '9ct' £400 - £500

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A 19TH CENTURY MOONSTONE AND ROSE CUT DIAMOND HEART AND BOW RING

designed as a central cabochon moonstone set within rose cut diamond heart shaped border, surmounted with diamond set bow, the pierced split shoulders mounted to pierced shank, ring size O, weight approx 4.2g (lacking one diamond) £500 - £700

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A PAIR OF VICTORIAN DROP EAR PENDANTS

each designed as a tapering drop with coronet and rope twist decoration, with hook fittings, 32mm high (excluding hooks), weight approx 5.4g £200-400 £200 - £400

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A PAIR 9CT GOLD AND ENAMEL CUFFLINKS

each designed as a rose gold oval monogrammed link and a yellow gold oval link with applied enamel insignia for The Duke of Wellingtons Regiment (West Riding), weight approx 11g Provenance: Part of a Herefordshire Country House Estate £100 - £150

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A PAIR OF YELLOW METAL CUFFLINKS

each with engraved monogram, the reverse stamped '18ct', weight approx 15.5g Provenace: Part of a Herefordshire Country House Estate £200 - £300

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A 9CT YELLOW GOLD WHEAT LINK NECKLACE

with large bolt ring clasp, 46cm long, weight approx 36.1g £300 - £500

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

WATCHES, COINS & MEDALS

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Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

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EBEL, A LADY'S 18CT WHITE GOLD AND DIAMOND SET BRACELET WATCH

signed Ebel, Midnight model limited edition No. 17/50, circa 2005, quartz movement, the circular pave set diamond dial within pave and channel set diamond bezel, the white gold and diamond set bracelet with concealed double deployment clasp, engraved to the reverse 'EBEL E3157H26-600 82310168 18k-750 Swiss No. 17/50' Notes: The luxury watch company EBEL was founded in Switzerland in 1911 by Eugine Blum and Elise Blum, nee Levy. By using their initials 'E' B' 'E' 'L' this iconic brand was formed. In 1932 the son of the founder, Charles Blum, took over the company and expanded it into the international market. He was in turn followed by his son, Pierre-Alain. Ebel is now owned by the Movado group £3,000 - £5,000

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A GENTLEMAN'S 18CT GOLD AUTOMATIC IOS BRACELET WATCH

the circular champagne dial with batons and date aperture, the integral tapered brick link bracelet stamped '750', weight approx 72g

Provenance: Part of a Herefordshire Country House Estate £600 - £600

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the white enamel dial with Roman numerals and subsidiary seconds hand, engraved 'B.R. (W) 03764' to back of case, with attached silver watch albert, with T-bar, swivel and two coins, together with a Medana plated fob watch with attached silver watch albert (2) £80 - £100

the circular white dial with batons, three subsidiary dials and date aperture, the gold plated case with transparent reverse revealing automatic movement, calibre 400 with 31 jewels, reference number 20 0023 435, with brown leather strap, accompanied by Zenith case and paperwork £700 - £900

A RAILWAY LIMIT SILVER PLATED POCKET WATCH

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A LADY'S OMEGA CONSTELLATION STAINLESS STEEL AND GILT WRISTWATCH

the cream dial with batons, the bezel with enamel Roman numerals, quartz movement, stamped '56474819' £200 - £400

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A ZENITH AUTOMATIC CHRONOGRAPH GOLD PLATED WRISTWATCH

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A GENTLEMAN'S 9CT GOLD WALTHAM HALF HUNTER POCKET WATCH

the white enamel dial with black Roman numerals and subsidiary seconds dial, the stainless steel keyless movement signed 'A.W.W. Co Waltham Mass 15 jewels U.S.A. No. 25105004', the 9ct gold case with black enamel Roman numerals, hallmarked Birmingham 1927, engraved presentation inscription to inside back, weight approx 97g, with attached leather watch albert Provenance: Part of a Herefordshire Country House Estate £250 - £350

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A LADIES 9CT GOLD ROLEX PRECISION BRACELET WATCH

manual wind, the circular dial with gold batons, the integral 9ct gold tapered bracelet with safety catch, weight approx 15g £300 - £500

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A GENTLEMAN'S 14CT GOLD ROLEX OYSTER PERPETUAL DATEJUST WRISTWATCH

automatic movement, the silvered dial with gold batons, sweep seconds hand and date aperture, engraved '1601-550985' to side of case, with attached leather strap and within Rolex case and box £3,500 - £4,500

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Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

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A SILVER AND MAUVE GUILLOCHE ENAMEL LADIES CIRCULAR FOB WATCH

the circular white dial with black Arabic numerals, manual wind, suspended from a plain yellow metal bar, stamped '9ct' £60 - £80

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A SILVER AND MAUVE GUILLOCHE ENAMEL LADIES CIRCULAR FOB WATCH

A lady's 9ct gold Rotary bracelet wristwatch, the square champagne coloured dial with batons, manual wind, 21 jewels, with attached textured tapering bracelet, weight approx 31.1g £300 - £500

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A GENTLEMAN'S MID 19TH CENTURY 18CT GOLD OPEN FACE POCKET WATCH

the white enamel dial with black Roman numerals and subsidiary seconds dial, hallmarked London 1870, the gilt keyless movement signed 'W.M. Edwards 44 New Street Birmingham 56294', weight approx 105g, with attached gilt metal albert and within carved wood case Part of a Herefordshire Country House Estate £500 - £800

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VICTORIA 1887 JUBILEE SPECIMEN SET

within fitted case, eleven coins; £5 to threepence £2,000 - £2,500

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A VICTORIA OLD HEAD SOVEREIGN

dated 1896 £300 - £350

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A VICTORIA OLD HEAD HALF SOVEREIGN

dated 1897 £150 - £200

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AN EDWARD VII SOVEREIGN

dated 1908 £300 - £350

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Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

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A COLLECTION OF COMMEMORATIVE COINAGE

to include; a cased set 'Smallest Gold Coins of the World' comprising twelve 24ct proof coins within capsules and fitted case, with certificate of authenticity, a 'Golden Wedding Anniversary' proof silver coin collection of nine coins within capsules and fitted case, with certificate of authenticity, together with silver, cupro-nickel, copper and bronze coinage (a lot) £800 - £1,000

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AN EDWARD VII SOVEREIGN

dated 1905 £300 - £350

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A LARGE COLLECTION OF BRITISH COMMEMORTIVE COINAGE

to include; twenty-five Royal mint year sets; 1967, 1970, 1971, 1972 x2, 1973 x2, 1974 x2, 1975 x2, 1976 x2, 1977 x2, 1978 x2, 1979 x2, 1980 x2, 1981, 1982, 1983 and 1984, together with British silver and cupro-nickel coinage (a lot) £200 - £300

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A VICTORIA YOUNG HEAD SOVEREIGN

St George and Dragon reverse, dated 1880 £300 - £350

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A VICTORIA OLD HEAD HALF SOVEREIGN

dated 1897 £150 - £200

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A COLLECTION OF BRITISH AND WORLD COINAGE, TOKENS AND MEDALLIONS

comprising; an Edward III half groat, a George III silver penny, dated 1784, South Wales and Bristol 12 pence silver token dated 1811, a 1739 Amiral Vernon Porto Bello medal, an 1851 Exhibition medal and silver and cupro-nickel coinage £120 - £180

diademed and draped bust right, reverse; cross potent on globe, weight approx 2g £100 - £200

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AN EDWARD VII HALF SOVEREIGN

dated 1902 £150 - £200

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A COLLECTION OF FIFTEEN VICTORIA HALF CROWNS

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BYZANTINE GOLD SEMISSIS OF CONSTANTINE

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comprising; three young head examples, dated 1885, 1886 and 1887, six jubilee head examples, dated 1887-1892 and six old head examples, dated 1893 x 2, 1894-1897 (15) £300 - £400

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

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A COLLECTION OF FIFTEEN VICTORIA YOUNG HEAD HALF CROWNS

dated 1842, 1844, 1849, 1874-1882, 1883 x 2 and 1884 (15) £300 - £400

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TWO EDWARD VII SOVEREIGNS

dated 1902 and 1909, together with a George V sovereign, dated 1912 (3) £600 - £800

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UNITED KINGDOM COMMEMORATIVE COLLECTIONS

to include; Elizabeth II twenty-four coins 'Golden Jubilee' collection in fitted case, two Millenium silver collections in fitted cases with certificates and assorted silver and cupro-nickel coinage (a lot) £600 - £800

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dated 1895 £150 - £200

dated 1817

A VICTORIA OLD HEAD HALF SOVEREIGN

A GEORGE III HALF SOVEREIGN

Provenance: Part of a Herefordshire Country House Estate £150 - £200

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A LARGE COLLECTION OF BRITISH AND FOREIGN SILVER, CUPRO-NICKEL, COPPER AND BRONZE COINAGE

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A VICTORIA OLD HEAD HALF SOVEREIGN

dated 1901 £150 - £200

together with a collection of fourteen Greek and Roman silver and bronze coins (a lot) £80 - £120

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GIBRALTAR QUARTER CROWN

dated 2017, the Queen's 65th year, 1952-2017, within capsule and fitted case £200 - £300

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Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

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together with a French Society medal for aid to military wounded, a WWI medal awarded to '1864 WKR C.E. Daisley Q.M.A.A.C.', a WWI Victory medal awarded to 'D.Y. Rolls V.A.D.' and a WWI Victory medal awarded to '14764 PTE R.Edwards R.W.Fus' £80 - £120

(approx 160) £100 - £150

A COMMEMORATIVE CRIMEAN WAR MEDAL

A COLLECTION OF BASE METAL AND ENAMELLED NURSING MEDALS

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BOER WAR Q.S.A. MEDAL WITH FOUR CLASPS

A COLLECTION OF MEDALLIONS

'Cape Colony', 'Orange Free State', 'Transvaal' and 'South Africa 1901', awarded to '241 PTE G.B. Heslop C.M.S.C' £80 - £120

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comprising; Brompton Hospital Foundation in 1844 and 150th Anniversary medal in case, the Retreat New York medal, Burnley Hospital founded 1844, Liverpool Southern Hospital Fete 1872, Relief of Mafeking 1900, Marie DePage and Edith Cavell 1915, Alexander Fleming 1945 and a red enamel bronze cross and ribbon £80 - £120

A COLLECTION OF NURSING BADGES

together with a collection of miscellaneous assorted badges (a lot) £100 - £150

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BADGE OF THE FLORENCE NIGHTINGALE SCHOOL OF NURSIN

silver and blue enamel cross £100 - £150

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87 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

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A GROUP OF FIVE BOER WAR/WORLD WAR I MEDALS

comprising; Q.S.A. with two clasps 'Cape Colony' and 'Orange Free State', K.S.A. with two clasps 'South Africa 1901' and 'South Africa 1902' awarded to '1292 A.F.G . Bosanquet C.P. Disti', together with 1914-15 star, war medal and Victory medal, awarded to 'S.S.M. A.F.G. Bosanquet' later 'LT A.F.G. Bosanquet', all mounted to bar £200 - £300

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A COLLECTION OF ELEVEN NURSES BUCKLES

comprising four silver hallmarked examples and seven EPNS examples, together with a silver and leather manicure case, dated London 1894 by Sampson Mordan £100 - £150

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A WORLD WAR I COLLECTION OF MEDALS AND BADGES

awarded to nurse 'E.L. Wilders' of the red cross, together with badges, photograph and army service belt, together with a collection of nineteen silver and metal badges for nursing £100 - £150

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A COLLECTION OF SIXTY-THREE SILVER AND ENAMELLED NURSING MEDALS

together with two French medals signed 'Lalique' (65) £400 - £600

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BADGE OF THE FLORENCE NIGHTINGALE SCHOOL OF NURSING

silver and blue enamel cross, within original fitted case £100 - £150

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Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

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ORDER OF THE LEAGUE OF MERCY

silver gilt and red enamel cross with long service clasp, within fitted case £80 - £120

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A LARGE COLLECTION OF SILVER, CUPRONICKEL, WHITE METAL AND BRONZE NURSING MEDALS

to include; four voluntary medical service medals (three with ribbons and clasps), the British Red Cross Society cross and medal set in case, London County Council home nursing red and white enamel cross, the British Red Cross Society cross with four clasps (1948/1950/1951/1953), two Red Cross Somerset epaulettes, an R.A.M.C. brooch etc (a lot) £300 - £200

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FOR SALE

Offers in Excess of £790,000 High Gables, Oaklands Road, Chirk Bank, Oswestry, Shropshire, LL14 5DW 3 Receptions, 6 Bedrooms, 3 Bathrooms Equestrian Property with Stables and Paddocks Grade II Listed Residence Indoor Heated Swimming Pool Superb Garden Room Offering approx 6 acres of grounds, this period residence is located on the English Welsh Border and adjoins the Llangollen Canal. Complemented by an indoor swimming pool and recently installed Garden Room.

Believed to date from around 1620 with later additions in the late 1800’s and is set close to the World Heritage Site Boundary.

For more details, please contact our Oswestry Office: T: 01691 670 320 E: oswestry@hallsgb.com

THINKING OF SELLING OR LETTING YOUR PROPERTY? We have offices in Shrewsbury, Ellesmere, Oswestry, Welshpool, Bishops Castle, Kidderminster and Whitchurch with teams of friendly and knowledgeable staff who are on hand to discuss your property requirements.

Contact your local office today, or visit hallsgb.com to view all our current properties.

PAINTINGS & PRINTS

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95

ATTRIBUTED TO JOHN BOWEN (DIED 1773), NORTH EAST PROSPECT OF SHREWSBURY

oil on canvas, 68.5 x 182cm, frame 76 x 191cm

Note: John Bowen was the son of an artist and well regarded for his architectural accuracy, exemplified by this painting and a number of his other works in Shrewsbury Museum's collection. It is worth noting that Saint Julian's (with a tower), Saint Mary's and Saint Alkmund's Church (from left to right in the centre) are all shown as one would expect of an 18th century depiction, but more interestingly, Old Saint Chads Church is shown to the left of this group, before its tower collapsed on 8th July 1788. Given the new English Bridge, that was built from 1769-1774, is not evident and nor are the changes to the Abbey (on the far left), which lost its southern aspect following Thomas Telford's London Road construction, this depiction must pre-date 1769, but as yet, a more precise date has yet to be ascertained for this aspect.

We are grateful to Shrewsbury Museum for their assistance and help in cataloguing this lot.

Label verso- loaned by Rev. J.T. R----, Baschurch Vicarage. Rev J.T. Ryder was a vicar of Baschurch from 1883-1912 £7,000 - £10,000

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ENGLISH SCHOOL, 18TH CENTURY, SOUTHERN PROSPECT OF SHREWSBURY

oil on canvas, 49 x 74cm

Note: This Southern prospect of Shrewsbury is a Capriccio and a good contrast to the larger counterpart, for the unknown artist has moved the old English Bridge and Gatehouse around the river, Saint Julian's Church is incorrectly positioned and the time that this work depicts, where the defensive walls are intact, there should also have been many wall towers present. Given the walls were gradually demolished throughout the 18th century and all the architectural inconsistencies, it is difficult to date this depiction trees, which curiously and uncharacteristically John Bowen used to omit.

There is a near-identical engraving by Johannes Kip (Dutch 1652/3-1722) circa 1715 We are grateful to Shrewsbury Museum for their assistance and help in cataloguing this lot. £3,000 - £5,000

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WILLIAM ANDERSON (BRITISH, 1757-1837), DUTCH RIVER LANDSCAPE

with a windmill on the opposite shore, a sailing vessel in the middle ground and a beached, manned rowing boat in the foreground, signed and dated '1797' lower left side, oil on panel, 32.5cm x 39.5cm £600 - £900

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STEFANO DELLA BELLA (ITALIAN, 17TH CENTURY OR LATER), GOATHERD etching, 8.4cm x 10.5cm (Pl)

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Provenance: Part of a Herefordshire Country House Estate £150 - £250

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PIETER BODDINGH VAN LAER (DUTCH 1599C.1642) SPINNENDE VROUW

Zwijnen en Ezels, etching, 1636, measurements 11.5 x 16.5 cm, frame 30 x 36 cm Note: Misidentified as Ostade on the mount £100 - £200

100

ATTRIBUTED TO EDWIN ALFRED PETTIT (BRITISH 1840-1912), LAKE RYDAL, CUMBRIA oil on canvas, measurements 31 x 43 cm, frame 50 x 62 cm £200 - £300

101

HENRY FREDERICK LUCAS LUCAS (BRITISH, 1848-1943) 'CARLIST AND CARLO' two working pointers in a landscape, signed and dated lower right, '1889' and titled verso, oil on canvas, 38 x 56cm £500 - £800

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102

MANNER OF DAVID COX (1783-1859), HARLECH CASTLE

oil on board, signature bottom right, measurements 22.8 x 30.4 cm Label verso: old lot description 'Landscape. Bright in colour, breezy in atmosphere effect, full of those subtle touches which made the painter famous' £200 - £400

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ENGLISH SCHOOL (19TH CENTURY), IN ROCOCCO STYLE, A FÊTE GALLANTE SCENE

oil on canvas, gilt frame. Measurements 81 x 110 cm, frame 94 x 125 cm £1,000 - £2,000

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HENRY THOMAS SCHAFER RBA (BRITISH-FRENCH 1854-1915) DORDRECHT, NETHERLANDS

oil on canvas, initialled and dated 1881 bottom right, measurements 23.5 x 19 cm, frame 31 x 28 cm, together with a an oil painting of Ratisbon, Bavaria by the same hand (2) Label verso: Mitchell Galleries Ltd, London and Benton Fine Art, Gloucester Provenance: Private local collection, purchased at Benton Fine Art 2002 £200 - £300

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DAVID BATES (BRITISH 1840-1921), ON THE LLUGY

oil on canvas, initialled bottom left, titled reverse, measurements 31 x 46 cm, frame 42 x 58 cm

Provenance: private local collection, purchased at Manser Callaghans Fine Paintings 2001 £800 - £1,200

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CONTINENTAL SCHOOL (19TH CENTURY), A GATHERING BEFORE A COUNTRY HOUSE WITH COUNTRYSIDE BEYOND

oil on canvas, 49.5 x 69cm £600 - £800

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BRITISH SCHOOL (19TH CENTURY), A PARTY BENEATH A TREE

with Europeans and Middle-Eastern, possibly Turkish, gentlemen, tethered horses in the middle distance and a city in the distance with minarets and a mosque, swing tag verso inscribed '2465, Joseph Rubens Powell, Constantinople, exhibited 1835-71, 33 paintings', oil on canvas, 27.5cm x 38cm £300 - £500

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108

THOMAS WHITTLE (BRITISH, FL' 1865-1892), A FAMILY PICNICING ON THE EDGE OF WOODLAND

overlooking a lake, titled on stretcher verso 'Coniston Lake, Cumberland', old 'Rowlands' restoration label verso, signed lower left, oil on canvas, 40.5cm x 61cm £400 - £600

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CONTINENTAL SCHOOL (19TH-EARLY 20TH CENTURY) YOUNG WOMAN CARRYING A BASKET ON HER HEAD

oil on panel, measurements 37 x 48 cm, frame 56 x 60cm £200 - £300

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ROBERT G D ALEXANDER (BRITISH, 18751945), CHESTNUT IN A STABLE

signed lower right-hand side, saleroom stencil verso, oil on canvas, 56.5 x 70cm £300 - £400

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ENGLISH SCHOOL (MID-19TH CENTURY), COURSING SCENE, WITH TWO GREYHOUNDS GIVING CHASE TO A HARE

indistinctly signed and dated on the lower right, oil on canvas, 45.5cm x 60cm £700 - £900

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† ATTRIBUTED TO CHARLES VICTOIRE MOENCH (FRENCH 1787-1867) VERTUMNUS & POMONA, oil on panel, framed. Measurements 83 x 67 cm, frame 102 x 85 cm.

Label verso: for Arnold Wiggins and sons picture framers and a wax seal verso bottom Provenance: previously sold at Christies Old Master Pictures in London, July 2000, lot 179 The tale of Vertumnus and Pomona is taken from Ovid's Metamorphoses. Vertumnus is a god of the seasons, gardens and fruit trees who was enamoured with Pomona, a beautiful wood nymph who dedicated herself to cultivating her orchard and rejecting all potential suitors. He disguised himself as an old woman in order to gain entry to Pomona's orchard and sought to convince her to choose the youthful and handsome deity Vertumnus.

He then transforms and reveals himself in his true form to woo her.

Please note there is an additional 20% chargeable on the hammer price for this lot £12,000 - £15,000

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113

ATTRIBUTED TO ELLIS CORNELIA KNIGHT (BRITISH, 1757-1837), MOUNTAIN COTTAGE IN NAPLES

113

inscribed verso in Italian 'Mola di Grano nel fondo del Vallone di Grotta fessata', watercolour, 35cm x 52cm; with a companion depicting two workers walking up an hillside path, 32cm x 45.5cm (2) Provenance: Part of a Herefordshire Country House Estate £600 - £1,000

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§ GEORGE VERNON STOKES (BRITISH 18731954), HUNTSMAN AND HOUNDS CROSSING A STREAM

watercolour, monogrammed G.V.S. bottom right dated 8-10-24, measurements 25.5 x 35.7 cm £100 - £200

115

WILLIAM DAVISON (BRITISH, CIRCA 18051870), BEACHED FISHING VESSELS watercolour, signed lower right, 21cm x 31.5cm

Provenance: Part of a Herefordshire Country House Estate £150 - £200

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§ GEORGE VERNON STOKES (BRITISH 18731954) HOUNDS IN THE SNOW

watercolour and pastel, initialled bottom right, dated 27-3-24 bottom left, measurements 25.5 x 26 cm £180 - £220

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WILLIAM CLARKSON STANFIELD (1793-1867), FISHING BOATS

watercolour, signed bottom right, measurements 18 x 22.5 cm, frame 30 x 35 cm £80 - £120

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COPLESTONE WARRE BAMPFYLDE (BRITISH, 1719-1837), FERRY IN A CLASSICAL LANDSCAPE initialled lower right, Fine Art Society label verso, titled verso, watercolour, 29cm x 41cm

Provenance: Part of a Herefordshire Country House Estate £300 - £500

119

THOMAS STOTHARD (BRITISH, 1755-1834), TAKING THE PIG TO MARKET

titled verso, Christopher Wood gallery label verso, pencil and wash, 9cm x 8.5cm

Provenance: Part of a Herefordshire Country House Estate. Christopher Wood Gallery £100 - £150

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120

HERBERT SAMUEL 'BERTY' THOMAS (BRITISH, 1883-1966), CITY GENTLEMAN

initialled and dated '03', pencil drawing, 18.5cm x 9.5cm; with another, S* Skillen (British, early 19th century), traveller at rest, inscribed verso, ink and wash, tondo, 8cm diameter and another of a horse and cart, watercolour, 8.5cm x 12cm (3) Provenance: Part of a Herefordshire Country House Estate £100 - £150

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GEORGE ROBERT LEWIS (BRITISH, 1782-1871), PROCESSION OF ST GILPIN

label verso stating that signed verso, sepia wash, 15.5cm x 11cm

Provenance: Part of a Herefordshire Country House Estate £80 - £120

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A* MOOTSUDDIE, 19TH CENTURY COMPANY SCHOOL, GENTLEMAN IN A YELLOW TURBAN

signed lower right, labels verso, watercolour and pencil, 19.5cm x 14,5cm; with a companion (2) Provenance: Part of a Herefordshire Country House Estate £250 - £350

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BRITISH SCHOOL, EARLY 20TH CENTURY, 'CATS AND DOGS MEAT'

titled, Abbott and Holder Gallery label verso, ink and watercolour, 10cm x 12cm Provenance: Part of a Herefordshire Country House Estate. Abbott and holder Gallery. By repute from the Duke of St Alban's album £60 - £100

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watercolour, signed bottom left, date 1911, framed.

Measurements 77 x 54 cm, frame 98 x 77 cm. Sold together with catalogue from O'Neil Fine Art Ltd Vitality Watercolours from 1800 6th-29th October 2011

signed lower left, watercolour, 41.5cm x 31cm £800 - £1,000

EDWARD ROBERT HUGHES RWS (BRITISH 1851-1914) THE JOURNEY'S END

GEORGE GOODWIN KILBURNE (BRITISH, 1839-1924), A GENTLEMAN FASTENING A SHOE FOR A LADY STANDING IN A LANDSCAPE WITH A RED UMBRELLA

Notes: Exhibited Crystal Palace, London Festival of Empire Exhibition 1911 celebrating the coronation of King George V. Label and original sale note from O'Neil Fine Art verso Provenance: Alan B. Gateley and by descent, purchased from O'Neill Fine Art Ltd, private collector £6,000 - £8,000

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ATTRIBUTED TO HENRY WARREN (BRITISH, 1794-1879), GIRL IN A BONNET WITH A PANNIER Abbott and Holder gallery label verso, watercolour, 25cm x 19.5cm

Provenance: Part of a Herefordshire Country House Estate £200 - £300

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PORTRAIT OF MRS WILLIAMS, WIFE OF GEORGE WILLIAMS OF PENCOED CASTLE

Monmouthshire, oil on panel, measurements 102 x 75 cm, frame 117 x 91 cm Note: Mrs Margaret Williams, nee Rosser (1826-1902) was married to George Williams in June 1844 and they inherited the Pencoed Castle estate and farm upon George's father's death in 1851. The couple produced 10 children with 6 surviving infancy and were key figureheads and active members in the community.

Margaret herself was frequently mentioned in local news for her prominent role in local events; awarding prizes, judging competitions and for her reputation as a hostess. Following George's death in 1888 she continued to live at Pencoed until 1895 when she retired and the farm estate was sold at public auction.

Margaret spent her retirement living with her eldest daughter Amelia Hodges until her death in 1902 aged 76. Margaret and George are buried at Bethany Chapel Church in Llanvaches.

In the 1890s a branch of the Williams family, under Thomas Williams, relocated to Shropshire from Llanmartin Halls Fine Art are grateful to Michael Edwards of Athena Ancestry and Janet Myers of Llanmartin for their assistance with cataloguing this painting Provenance: Consigned from a private house in South Shropshire £150 - £250

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128

PORTRAIT OF MARGARET WILLIAMS, DAUGHTER OF THOMAS WILLIAMS OF PENCOED CASTLE

oil on panel, initialled B.T.B. bottom right, measurements 70 x 51 cm, frame 85 x 66 cm, together with a paired portrait of the same sitter by the same hand, measurements 75 x 55 cm, frame 90 x 72 cm (2) Note: Margaret Williams was the daughter of Thomas Williams, born in 1880 while the family were still living in the Llanmartin area and held the estate of Pencoed Castle farm. Thomas and his family relocated to Shropshire in the 1880s, eventually settling near Bridgnorth in Shropshire. Margaret married Frederick Brookes in 1912 and they had a farm in the nearby area which they ran with their children.

Halls Fine Art are grateful to Michael Edwards and Athena Ancestry for his assistance in cataloguing this lot Provenance: Consigned from a private house in South Shropshire £100 - £200

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PORTRAIT OF AMELIA WILLIAMS, MRS HODGES OF UNDY, OF PENCOED CASTLE

Monmouthshire, oil on panel, initialled B.B. centre right, measurements 75 x 60 cm, frame 90 x 75 cm. Together with a portrait of an infant member of the Williams family by the same hand, measurements 75 x 52 cm, frame 90 x 68 cm (2) Note: Amelia Williams was the eldest child of Margaret and George Williams of Pencoed Castle. She first married local farmer Thomas Hillier in 1872 with whom she had no issue. Following her husband's death in 1883 she remarried William Hodges in 1888 aged 43 and lived at Holly Cottage, Vinegar Hill in Undy. Her mother Margaret came to live with her upon her retirement in 1895, by which date Amelia was a widow again. Her mother died in 1902 and left the remainder of her estate worth £483 3s 3d to Amelia, In the 1880s a branch of the Williams family, under Thomas Williams, relocated to Shropshire from Llanmartin.

Halls Fine Art are grateful to Michael Edwards of Athena Ancestry and Janet Myers of Llanmartin for their assistance with cataloguing this lot.

Provenance: Consigned from a private house in South Shropshire £100 - £200

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ENGLISH SCHOOL, 19TH CENTURY, HALF PORTRAIT OF A CHILD WITH A POND YACHT

labels verso '...By F.Gandy 1833', oil on canvas, 76.5cm x 63.5cm Provenance: Part of a Herefordshire Country House Estate £400 - £600

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watercolour, oval, 30cm x 24.5cm

initialled and dated 1891 centre right, measurements 11.5 x 9.5 cm, frame 26 x 23 cm £150 - £250

CIRCLE OF CASPAR NETSCHER, PORTRAIT OF A GIRL WITH A KING CHARLES SPANIEL

Provenance: Part of a Herefordshire Country House Estate £600 - £1,000

JOHN EDWARD POYNTER (1836-1919) PENCIL SKETCH OF A YOUNG WOMAN

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133

ATTRIBUTED TO HENRY SPURRIER PARKMAN (BRITISH, 1814-1864), THREE CHILDREN

one seated with a drum and another standing with a flag, a landscape beyond, Appleby Bros Ltd gallery label verso '10 Ryder Street, St James's London SW1' inscribed 'Ref' No:- 429...1965. Henry Spurrier Parkman. Portraits of William Francis, Charles Henry and Edward Reade Firmstone. Picture cleaned and restored in 1965 - signature lost during restoration and dated 1858', oil on canvas, 127cm x 102cm Provenance: Part of a Herefordshire Country House Estate £1,500 - £2,500

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134

VASILI IVANOVICH SHUKHAEV (VASSILY SHUKAEV, CHOUKHAIEFF) (RUSSIAN 1887-1973), PORTRAIT STUDY OF A MAN WEARING A CAP

oil on board, signed bottom right, dated '57, measurements 47 x 32 cm, frame 65 x 51 cm.

Exhibition label verso: Soviet Union Artists of the USSR Exhibition, Artist: Shukhaev Notes: This item is subject to VAT on the hammer price £7,000 - £10,000

135

ENGLISH SCHOOL, LATE 18TH/EARLY 19TH CENTURY, A MINIATURE PORTRAIT OF A GENTLEMAN WITH POWDERED WIG AND WEARING A BLUE JACKET

watercolour on ivory, 5.2cm x 4cm; with two further 19th century miniature portraits (3) Provenance: Part of a Herefordshire Country House Estate £200 - £300

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137

wearing a white stock and brown coat, the memorial back with a quartered arrangement of hair and initialled 'HR' with seed pearls, watercolour on ivory, 6.7cm x 5.5cm

wearing a white stock and slate grey coat, with a memorial locket of hair and seed pearl initials 'DW' verso, 6cm x 4.7cm

ENGLISH SCHOOL, EARLY 19TH CENTURY, A MINIATURE HALF-PORTRAIT OF A GENTLEMAN LOOKING TO DEXTER

Provenance: Part of a Herefordshire Country House Estate £300 - £400

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IN THE MANNER OF ANDREW PLIMER (ENGLISH SCHOOL, EARLY 19TH CENTURY), HALF PORTRAIT OF A GENTLEMAN LOOKING TO DEXTER

Provenance: Part of a Herefordshire Country House Estate £300 - £500

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oil on canvas, signed bottom left, measurements 62 x 62 cm, frame 70 x 70 cm £300 - £500

with a companion, both signed and titled and dated '1883', oil on canvas, 25.5cm x 20cm, a pair (2)

§ VERNON DE BEAUVOIR WARD (BRITISH 1905-1985), STILL LIFE

ALBERT DURER LUCAS (BRITISH, 1828-1918), HEDGE SPARROW'S NEST IN A CRAB APPLE TREE

Provenance: Part of a Herefordshire Country House Estate £1,000 - £2,000

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oil on panel, signed bottom left, framed.

Measurements 112 x 84 cm, frame 148 x 120 cm.

oil on panel, signed centre bottom, heavy gilt frame. measurements 61 x 92 cm, frame 88 x 119 cm.

§ DENBY SWEETING (BRITISH 19362020) STILL LIFE OF SUNFLOWERS AND LADYBIRDS

§ DENBY SWEETING (BRITISH 1936 - 2020), OXFORD SANDY AND BLACK PIG IN FARMYARD

Label verso: The Reading Room Studio, Knighton

Label verso for the artist's studio

Provenance: Consigned from the artist's estate £400 - £600

Provenance: Consigned from the artist's estate £300 - £500

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oil on panel, signed bottom left, framed.

Measurements 99 x 86.5 cm, frame 127 x 114 cm

oil on panel, heavy gilt frame. Measurements 87 x 102 cm, frame 114 x 126 cm.

§ DENBY SWEETING (BRITISH 1936 - 2020), STILL LIFE ORIENTALE POPPIES

Label verso: inscribed by the artist, Orientale poppies, flamenco, raspberry queen with morning glory bale, a pair of pied flycatchers and great tit butterflies, small tortoise shell red and red admiral. signed Denby Sweeting.

§ DENBY SWEETING (BRITISH 1936 - 2020), LLYN CWMORTHIN LANDSCAPE

Label verso:The Reading Room Studio, Kerry Provenance: Consigned from the artist's estate £300 - £500

Provenance: Consigned from the artist's estate £400 - £600

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oil on panel, signed bottom left, framed.

Measurements 61 x 91 cm, frame 85 x 115 cm

hole punched paper motif, dated Christmas 1905, measurements 16 x 15 cm, frame 30 x 25 cm, together with a pencil sketch of a coastal fort, dated 1903, measurements 16 x 15 cm.

§ DENBY SWEETING (BRITISH 1936 - 2020), DUCKS AND POPPIES

Label verso: The Reading Room Studio, Kerry Provenance: Consigned from the artist's estate £300 - £500

WILFRED OWEN (BRITISH 1893-1918), CHRISTMAS CARD DESIGN

Notes: Both works are dated 1903 when Owen was 10 years old £80 - £120

145

FRENCH SCHOOL, LATE 17TH/EARLY 18TH CENTURY, STUDY OF A FIGURE WITH A RAKE

signed in ink 'C. d'E', pencil drawing, 23cm x 19cm

Provenance: Part of a Herefordshire Country House Estate £200 - £300

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TIMED AUCTION -

MODERN & CONTEMPORARY ART 23rd April - 9th May 2021 Entries close 12th April

BLEK LE RAT (FRENCH CONTEMPORARY)

David with Kalashnikoff, screenprint Estimate: £400 - £600 (+bp) 88

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CERAMICS & GLASS

147

A CAUGHLEY MONTEITH OR VERRIÈRE

circa 1785 a wine-glass cooler or rinsing bowl, with notched and crenellated upper rim, painted S, incised H, 29.5cm wide (chip to one section of rim) Provenance: Previously ex. Rev. Hayes Collection, purchased at Sotheby's Olympia in 2005.

Notes: Godden suggests that the incised H stands for Francois Hardenbourg from Strasbourg, who worked at the Sèvres manufactory and at the Caughley factory from 1780-88. The original vendor noted that the monteith, originally one of two sold, came from a house in Falloden Northumberland and possibly belonged to the house's previous owner, Foreign Secretary Sir Edward Grey.

This monteith is one of only four known. One is held in the V&A Museum, another in the Shrewsbury Museum and a third in a private collection in Germany. £1,500 - £2,000

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148

A CAUGHLEY JARDINIERE

circa 1790 of cylindrical form with shell-handles, painted in blue with the 'Chantilly Sprigs' pattern, painted S, 12cm high, 13.5cm diameter Provenance: Ex. Rev. Hayes Collection £300 - £400

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A CAUGHLEY JARDINIERE

circa 1790 of cylindrical form with shell-handles, painted in blue with the 'Chantilly Sprigs' pattern, painted S, 12.5cm high, 13.5cm diameter Provenance: Ex. Rev. Hayes Collection £300 - £400

150

A CAUGHLEY ROBIN'S BEAK JUG

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circa 1785 of barrel form, transfer-printed in underglaze blue with the Three Flowers and Butterfly pattern below a double blue line border, C with serif, 7.5cm high Provenance: Ex. Godden Reference Collection £300 - £400

151

A CAUGHLEY SPITTOON

circa 1778-85 transfer-printed in underglaze blue with the Columbine and Ripe Pomegranate pattern, unmarked, 11.2cm high (faint star-crack to base)

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Provenance: Ex. Rev. Blakeway-Phillips Collection £200 - £300

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A CAUGHLEY DESSERT TUREEN, COVER AND LADLE

circa 1790-92 decorated in the 'Dresden Flowers' pattern, painted S mark, tureen 15cm wide (cover handle restored) £180 - £220

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A CAUGHLEY BELL-SHAPED MUG

circa 1778-83 transfer-printed in underglaze blue with the 'Bouquets' pattern featuring roses, pinks, primulas, foxgloves, fuchsias and peonies, indiscernible mark, 12.5cm high Provenance: Ex. Rev. Blakeway-Phillips Collection £150 - £250

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154

A CAUGHLEY MASK-HEAD CABBAGE LEAF JUG

circa 1782-93 transfer-printed in underglaze blue with the Conversation pattern and an interior associated border, printed S, 14.5cm high (faint star-crack to base)

Provenance: Ex. Rev. Blakeway-Phillips Collection.

The Conversation pattern is one of the rarer landscape patterns, occurring occasionally on larger mask head jugs but only very rarely on smaller ones £150 - £200

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

155

A CAUGHLEY SPITTOON

circa 1780-90 of globular form with a wide rim, transfer-printed in underglaze blue with the Pleasure Boat pattern, unmarked, 10.7cm high (restoration to rim) £150 - £200

156

A CAUGHLEY POLYCHROME TEA CANISTER AND COVER

circa 1792-94 of shanked form, the cover originally with a button knop finial, decorated in overglaze enamel and gilt landscapes contained within a circular wreath of gilded leaves, a border design of overglaze leaves linked by stylised flowerheads to the neck, unmarked, 13.5cm high (cover finial restored) £120 - £180

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A CAUGHLEY COFFEE POT WITH ASSOCIATED COVER

circa 1775-80 painted in underglaze blue in the 'Rock Strata Island' pattern, painted S mark, 22cm high Provenance: Ex. Wright Collection £100 - £150

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160

circa 1785 transfer-printed in underglaze blue, comprising a 'Pleasure Boat' slop bowl, Sx mark, 12.5cm diameter; a half-fluted ogee cup with a 'Fitzhugh' border, 6.5cm high; 'Fenced Garden' and 'Birds in 'Branches' tea bowls and a 'Pagoda' fluted coffee cup and saucer, S mark (6) £100 - £150

circa 1780-5, of plain, cylindrical form, transferprinted in underglaze blue with the 'Pleasure Boat' or 'Fisherman' pattern, Sx mark, 10.5cm high (star crack); together with a Caughley sauceboat, of low, reeded form, transfer-printed in underglaze blue with the 'Full Nankin' pattern, S mark, 9cm long (2) (restored)

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circa 1790 of spiral fluted form, painted in polychrome with scattered flowers, the service comprising four tea bowls, three coffee cups, five saucers, a bowl and two bread and butter plates, unmarked, saucers 14cm diameter (15) (minor damage)

circa 1785 transfer-printed in underglaze blue with the 'Birds in Branches' and 'Mother and Child/Bell Toy' patterns, unmarked, saucers 12.2cm diameter (4) £100 - £150

Provenance: Ex CB Collection £100 - £150

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A GROUP OF CAUGHLEY PORCELAIN

A CAUGHLEY 'FRENCH SPRIGS' PART TEA AND COFFEE SERVICE

A CAUGHLEY MUG

Provenance: Pleasure Boat mug is ex. Wright Collection £100 - £150

TWO CAUGHLEY TEA BOWLS AND SAUCERS

A SMALL GROUP OF CAUGHLEY PORCELAIN

circa 1780-85 comprising a junket dish or salad bowl in the 'Pine Cone' pattern, C with serif mark, 25.5cm diameter (restored); a sparrow beak milk jug in the 'Pagoda' pattern, 11cm high (restored) and a dessert dish painted in the 'Bright Sprigs' pattern, unmarked (hairline, foot rim chip) £100 - £150

158 94

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160

161

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A CAUGHLEY PICKLE LEAF DISH

164

circa 1778-82 transfer-printed in underglaze blue with the Pickle Leaf Vine pattern, printed S 9.5cm wide Provenance: Ex. Godden Collection £100 - £150

A GROUP OF CAUGHLEY AND WORCESTER BLUE AND GILT WARES

circa 1785-90 comprising a Worcester Queen's pattern slop bowl, Caughley coffee cup and similar tea canister (lacking cover); two 'Dresden Flowers' coffee cups, further fluted slop bowl with chain-link inner border and a shell-shaped dessert decorated with a turquoise border and gilded dots, 20cm wide (cracked) (7) £80 - £120

164 96

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165

166

165

A CAUGHLEY MASK-HEAD CABBAGE LEAF JUG

circa 1785-90 transfer-printed in underglaze blue with the Pleasure Boat or Fisherman and Cormorant pattern, printed S mark, 22cm high (nibbles to the spout) Provenance: Ex. Grice Collection £80 - £120

166

A CAUGHLEY MASK-HEAD CABBAGE LEAF JUG

circa 1785-90 transfer-printed in underglaze blue with the Three Flowers pattern, printed Sx mark, 22cm high £80 - £120

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168

circa 1790-95 decorated in the 'Dresden Flowers' pattern, comprising lobed plate, unmarked, 20.5cm diameter; shell-shaped dish, painted S mark, 20cm wide and a canted oval dish, 23.5cm wide (3) £80 - £120

circa 1780 of scallop shell shape, transfer-printed in underglaze blue with the 'Pleasure Boat' or Fisherman pattern within a cell and spearhead border, unmarked, 10.1cm wide £80 - £120

A GROUP OF CAUGHLEY DESSERT WARES

A CAUGHLEY PICKLE DISH

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circa 1792-94 of tapered bucket form, the central design motif consisting of two hand-painted doves and the inscription 'l'Amitie' (friendship), internal border with a chain-linked floral band, painted S in blue, 6.5cm high (restored)

circa 1788-93 of twin-handled form, decorated in the 'Dresden Flowers' pattern, unmarked, 9.5cm high

A CAUGHLEY POLYCHROME CREAM JUG

Provenance: Ex. Rev. Blakeway-Phillips Collection.

Previously exhibited at Ironbridge Caughley Bicentenary Exhibition 1999, no. 671 £70 - £90

A CAUGHLEY CHOCOLATE CUP

Provenance: Ex. Edmundson Collection £60 - £80

170 98

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171

A CAUGHLEY DESSERT DISH

circa 1790 of melon form, with lobed and cusped rim, transfer printed in underglaze blue with the Willow Nankin pattern, unmarked, 27cm wide £60 - £80

172

A CAUGHLEY CHELSEA EWER CREAM BOAT

171

circa 1780-85 transfer-printed in underglaze blue in the Pleasure Boat or Fisherman pattern, interior with associated cell and spearhead border, 6.5cm high (star crack to base) £60 - £80

173

A CAUGHLEY DESSERT DISH

circa 1790 of melon form with lobed and cusped rim, transferprinted in underglaze blue with the Pleasure Boat pattern, impressed 'Salopian' and S mark, 23.2cm wide (restored rim chip) £60 - £80

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174

A CAUGHLEY CHELSEA EWER

circa 1785-90 of spiral-fluted form with acanthus moulding, transferprinted in underglaze blue with the 'Mother and Child' pattern, unmarked, 6.5cm high (restored)

173

Provenance: Ex. Wright Collection £60 - £80

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176

circa 1777-90 transfer-printed in underglaze blue with the 'Fence' and 'Pleasure Boat' patterns, unmarked, tea bowls 8cm diameter, saucers 12.5cm diameter (4) £60 - £80

late 18th century comprising a transfer-printed underglaze blue 'Birds in Branches' saucer, 'L'Amour' saucer, a 'Tea Party' tea bowl with a secondary print of a shepherd and an underglaze blue 'Fence' half-size tea bowl, 7cm diameter (4) £80 - £120

TWO CAUGHLEY TEA BOWLS AND SAUCERS

A GROUP OF WORCESTER PORCELAIN

176 100

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177

A WORCESTER PORCELAIN BOWL

circa 1770 transfer-printed in underglaze blue with the Three Flowers and Butterfly pattern, underglaze blue hatched crescent, 22cm diameter (restored) £100 - £150

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178

179

circa 1770-80 transfer-printed in underglaze blue with the 'Gillyflower' pattern hatched crescent mark, 18.2cm high (restored) £70 - £90

circa 1760-70 transfer-printed in underglaze blue in the 'Natural Sprays' pattern, open crescent, 17.9cm high (restored) £50 - £70

A WORCESTER CABBAGE LEAF MASK-HEAD JUG

A WORCESTER CABBAGE LEAF MASK-HEAD JUG

180

A WORCESTER CABBAGE LEAF MOULDED MASK-HEAD JUG

circa 1775 transfer-printed in underglaze blue in the 'Parrot Pecking Fruit Pattern' below a cell diaper upper border, hatched crescent mark, 19.2cm high (restored spout) £70 - £90

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A WORCESTER DESSERT PLATE

circa 1790 of lobed silver shape, finely painted in blue and gilt with Prince of Wales feathers to the centre within a swagged and floral scrollwork border, open crescent mark, 22.4cm diameter £200 - £250

182

A WORCESTER LEAF DISH

circa 1770 of fish-tail form, transfer-printed in underglaze blue with the Pine Cone Group, C mark, 27cm wide (restored) £60 - £80

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183

A WORCESTER WET MUSTARD POT AND ASSOCIATED MATCHING COVER

circa 1775 transfer-printed in underglaze blue with the 'Three Flowers and Butterfly' pattern, hatched crescent mark, 10cm high £80 - £120

182 102

183 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

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186

circa 1775 transfer-printed in underglaze blue with the 'Mother and Child' pattern, unmarked, 9.6cm high £70 - £90

late 18th century painted in the 'Dragons in Compartments' or 'Bengal Tiger' pattern, comprising coffee cup, teacup and saucer, saucer inscribed 'No75' in puce, 13.6cm diameter (3)

A WORCESTER SPARROW BEAK CREAM JUG

185

A WORCESTER SAUCE BOAT

circa 1760-65 of press-moulded form with foliage cartouches, painted in blue with the 'Fisherman and Billboard' pattern, workman's mark, 10.5cm high, 20cm long (restored) £50 - £70

A CHAMBERLAIN'S WORCESTER TRIO

Provenance: Ex Roderick Jellicoe and John Chidlow Collection. Previously sold at these rooms in April 2015 £100 - £150

187

A LOWESTOFT 'DOLL'S HOUSE' TEA BOWL AND SAUCER

circa 1785 decorated in underglaze blue with over-glaze red and gilding, tea bowl 7.7cm diameter, saucer 12cm diameter; together with a further blue and white Lowestoft tea bowl, circa 1785, painted in underglaze blue with a Chinese river scene and two houses, 7.6cm diameter (3) £100 - £150

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190

circa 1767-72 decorated in underglaze and over-painted in iron red and gilding, unmarked, 7cm high £80 - £120

circa 1766-70 painted in underglaze blue, comprising a 'Long Bridge' tea bowl, 7.7cm diameter and saucer, 12cm diameter together with a 'Bird on a Branch' tea bowl, 8.1cm diameter (3) £80 - £120

A JAMES PENNINGTON LIVERPOOL 'CANNONBALL' COFFEE CUP

A GROUP OF PHILIP CHRISTIAN LIVERPOOL PORCELAIN

189

A PHILIP CHRISTIAN TEA BOWL AND SAUCER

circa 1776-70 painted in underglaze blue with the Cannonball pattern, tea bowl 8cm diameter, saucer 12.5cm diameter (small rim chip, hairline); together with a John Pennington creamer, circa 1785, with reliefmoulded acanthus leaves to the lower section and a painted blue upper border, 10.2cm high (3) £140 - £180

190 104

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191

191

193

late 18th/early 19th century comprising a Royal Lily dessert tureen and cover with shell-handles, a John Rose cream jug, 'Green Dragon' coffee cup and saucer, cobalt and gilt teacup and saucer, spiral-fluted tea bowl, reeded tea bowl and a coffee cup (qty) £120 - £180

circa 1796-1813 painted in red with trailing lilies and gilt border, pattern 312 painted in gilt to the base of the teapot, teapot 15cm high, fishtail stand 19cm wide (3) (cover restored)

A GROUP OF WORCESTER AND COALPORT

192

A DERBY MASK-HEAD JUG

circa 1770 of ovoid wide-bellied form on pedestal foot, painted in polychrome with naturalistic sprays of roses, forget-me-nots, pansies and primrose flowers below a brown-lined rim, unmarked, 19cm high (restoration to spout) £100 - £150

192

A PINXTON TEAPOT, COVER AND STAND

See C.Barry Sheppard 'Pinxton Porcelain 1795-1813 and the porcelain of MANSFIELD and BRAMPTON-INTORKSEY', page 115, plate 142 and N. D. Gent - 'The Patterns and Shapes of the Pinxton China Factory 1796-1813', page 69 for a similar teapot and cover £300 - £400

193 105

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195

circa 1786-1813 of oval fishtail form, painted with trailing red lilies and gilt border, pattern no. 312, unmarked, 18.5cm wide £60 - £80

the porcelain circa 1760, later redecorated by John Randall, circa 1840 of gently lobed form, painted in coloured enamels with a circular panel of a bird of prey attacking ducks, turquoise swag and floral border, faux painted interlaced L mark, 24.6cm diameter (small rim chip, some gilding wear)

A PINXTON TEAPOT STAND

A SÈVRES PLATE

Provenance: Ex. Rev. Blakeway-Phillips Collection £80 - £120

195

106

196

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196

197

circa 1840-50 decorated in the Sèvres-style with turquoise blue border inset with three panels of flowers and a map to the centre, unmarked, 22cm diameter

circa 1805-10 of lobed, circular form, centrally decorated by W. Fletcher Junior with a reclining lady on a chaise longue below a green canopy, gilded ribbon and swag border, artist signed ‘W. Fletcher’ in red, otherwise unmarked, 24cm diameter (some rubbing to gilding)

AN UNUSUAL COALPORT PORCELAIN PLATE WITH A MAP OF ‘HUNTINGDONSH’ (HUNTINGDONSHIRE)

Provenance: Ex. Rev. Blakeway-Phillips Collection.

The map appears to be taken from William Lewis' New Travellers Guide, Pocket Edition of the English Counties, 1819 £100 - £150

A COALPORT PORCELAIN PLATE

Provenance: Ex. Rev. Blakeway-Phillips Collection.

Previously purchased from Bill Dickenson.

Notes: For similar examples by the same artist, see C.680-1935 at the V&A Museum and 1584-D4 at the NGV Museum in Australia £150 - £200

197

107

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199

A GOOD JOHN ROSE, COALPORT PORCELAIN JUG

A COALPORT PICKLE DISH

circa 1796-1800 transfer-printed in underglaze blue with a typical Chinese landscape and a rare vase of flowers, overglaze enamelled in red with crest of a cockerel, unmarked, 15cm high Provenance: Ex. Rev. Blakeway-Phillips Collection.

Notes: This 'Vase of Flowers' print was also used by the Calcut factory and the cross-over between the designs demonstrates an interesting link between the two factories £100 - £150

circa 1800 of vine leaf shape, transfer-printed in underglaze blue with an apple and supplementary flowers, unmarked, 12.5cm wide £70 - £100

200

A JOHN ROSE COALPORT TRANSITIONAL JUG

circa 1796-1800 transfer-printed in deep, inky underglaze blue with the Lattice Fence and Pagoda pattern, bearing wreathed monogram initials 'FE', unmarked, 22cm high £300 - £500

198

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200 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

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202

circa 1900 of waisted, cylindrical form with a crimped upper rim, tubelined with forget-me-nots and poppies against a cream ground, printed factory mark in brown and facsimile signature in green, painted 'M3607' in red, 8cm high £80 - £120

early 19th century painted in brown tones and gilt, including the 'Strawberry' pattern with fruiting tendrils, comprising sucrier and cover, teacup, coffee cup, two saucers, together with four further similar teacups, four saucers, slop basin and a pair of circular plates painted with leaves and one further teacup and saucer, incised B marks (17) £120 - £180

A WILLIAM MOORCROFT MACINTYRE FLORIAN JARDINIERE

AN ASSEMBLED COLLECTION OF BARR, FLIGHT AND BARR WORCESTER

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203

205

circa 1880 buff-coloured ground with incised decoration, painted in blue, brown and white shades, decorated with a band of leaves broken by a horizontal band of applied dots, with white rosettes to the upper rim and blue four-petalled flowerheads to the lower body, impressed factory mark, incised H/2527, 11cm high (2) £150 - £200

circa 1810, painted with named specimens titled in iron red to the base and interior cover, 15.5cm high; a matching Swansea botanical plate decorated with 'Sweetpea', 21.7cm diameter

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206

circa 1870-80 painted with topographical scenes including 'East Cliff Hastings', 'Cambuskenneth Abbey', 'Elterwater' and 'Grasmere' within claret and pale blue borders, individually titled in red to verso, pattern no. D8846, 24cm diameter (18) £200 - £300

circa 1875 of elephant twin-handled form, decorated in mottled green and brown glazes, relief moulded factory mark, 38cm high £150 - £200

A RARE PAIR OF JAMES STIFF & SONS LAMBETH STONEWARE VASES

A SET OF EIGHTEEN COPELAND PORCELAIN DESSERT PLATES

A SWANSEA BOTANICAL DESSERT TUREEN AND COVER

Provenance: Part of a Herefordshire Country House Estate £120 - £180

AN UNUSUAL ROYAL WORCESTER AESTHETIC MOVEMENT VASE

207

JOHN SKEAPING FOR WEDGWOOD

circa 1950s two cream-glazed models of deer, standing and lying, on plinth bases, printed factory marks in black, 13cm and 21cm high (2) £100 - £150

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112

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18th century painted in yellow, green, orange and blue with two large central flowers and a repeating floral band to the rim 28.5cm diameter (cracked, minor chips) £150 - £200

18th century painted in blue with blossoming foliage beside a fence, 31cm diameter (chips to rim) £100 - £150

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212

early 20th century painted with a quarter-length portrait of a lady in a turban adorned with roses, contained within a reliefmoulded and pierced brass frame, incised numerals '20' to reverse otherwise unmarked, overall diameter 33cm £70 - £100

circa 1884 transfer-printed in the form of an origami newspaper with red and black text, 'EG Déposé' mark with Lorraine cross, 8.1cm high £200 - £300

A POLYCHROME DELFT DISH

A GERMAN PORCELAIN PORTRAIT PLATE

210

A DUTCH DELFT POLYCHROME DISH OR SHALLOW BOWL

18th century of circular form, painted in purple, yellow and blue glazes, 30.2cm diameter £100 - £150

212

A DUTCH DELFT BLUE AND WHITE CHARGER

EMILE GALLÉ (1846-1904), A FAIENCE COCOTTE OR CARDHOLDER

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215

late 19th century decorated in a green bronze effect patination raised on a moulded titled plinth, 37cm high £100 - £150

circa 1780 bucket-shaped bowl above a stem with a double series opaque twist around a corkscrew, spreading circular base, 14.3cm high

214

Provenance: Part of a Herefordshire Country House Estate £70 - £90

AN AUSTRIAN ART NOUVEAU TERRACOTTA BUST OF MARGUERITE

A PAIR OF GEORGE III IRISH OVAL CUT GLASS BUTTER DISHES

covers and stands circa 1810 of oval form, with faceted and hobnail sides, star cutbase to the trays, tray 21cm wide, butter dish 14.5cm high (2) Provenance: Part of a Herefordshire Country House Estate £100 - £150

AN ENGLISH OPAQUE TWIST COTTON TWIST CORDIAL GLASS

216

A LATE 18TH-CENTURY CORDIAL GLASS

the rounded bowl above a faceted stem and spreading conical foot, 12.9cm high Provenance: Part of a Herefordshire Country House Estate £70 - £90

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214

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217

AN ENGLISH WINE GLASS

circa 1750-60 the trumpet bowl on a plain stem enclosing a teardrop, folded circular foot, 13.1cm high Provenance: Part of a Herefordshire Country House Estate £70 - £90

218

A SET OF EIGHT EARLY 19TH-CENTURY GLASS DECANTERS AND ONE FURTHER SIMILAR DECANTER

the set of faceted form with globular stoppers, four with silver decanter labels, together with a further 19th-century glass decanter with flattened stopper, tallest 26cm high (9)

217

Provenance: Part of a Herefordshire Country House Estate £150 - £250

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219

A SUITE OF ENGLISH ENGRAVED GLASSWARE

early 20th century decorated with hunting scenes and a verse 'Dye Ken John Peel'; taken from a famous Cumberland hunting song by John Woodcock Graves written circa 1824 celebrating his friend John Peel (1776-1854), an English huntsman from the Lake District; the suite comprising a large baluster goblet, 29.5cm high; together with six glasses, 19.7cm high; six glasses, 17.5cm high; six glasses, 16cm high and six further small glasses, 14.5cm high (25) £300 - £500

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AN ART NOUVEAU LOETZ GLASS VASE

221

circa 1900 of waisted form, the iridescent glass decorated with trailing leaves and thickly enamelled white flowers, 25cm high £250 - £300

220 118

AN ORREFORS GLASS VASE DESIGNED BY VICKE LINDSTRAND

(Swedish, 1904-1983) circa 1930s of tapered faceted form, on raised mushroom foot, engraved with a nude dancer on a cloud, signed 'Orrefors Lindstrand 1441. 86. 059' 25cm high £100 - £150

221 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

MILITARIA

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224

English, South African and Canadian £300 - £400

the underside of breech stamped 'M1', barrel stamped '380 12 - 124', with various other stampings and Birmingham proof marks, stock marked 'B.A & A.C Co Birmingham' within roundel and VII. 1', with flip-up rear ladder sight, 95cm long (lacking ramrod).

A COLLECTION OF FORTY-FIVE MILITARY CAP BADGES

223

A REMINGTON ARMS CO. MODEL 95 OVERUNDER. 41 RIMFIRE DERRINGER PISTOL

circa 1911-30 fourth model, with 3" barrel, raised sighting rib engraved 'Remington Arms - U.M.C Co. Ilion NY', both barrels stamped with crown over CP and V London proof marks, with an integral fore-sight, shallow rear-sight notch to standing breech, blued hammer and locking catch, open iron frame, spur trigger and chequered hard rubber birdshead grips, no visible serial number, overall length 12.5cm

A BIRMINGHAM ARMS COMPANY ENFIELD MARTINI-HENRY .303 CARBINE RIFLE

A RELEVANT FIREARMS/SHOTGUN CERTIFICATE MUST BE PROVIDED IN ORDER TO PURCHASE THIS LOT. NOTES: Please note that additional VAT is payable on the hammer price for this lot £120 - £180

Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament.

NOTES: Please note that additional VAT is payable on the hammer price for this lot £400 - £600

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225

226

19th century with 25inch octagonal barrel, full wooden stock, slightly recurving trigger guard, brass butt plate, with metal ramrod, overall length 102cm

early 19th century with a 7cm turn-off barrel, steel action engraved with scrollwork, walnut grips, proof marked crown over crossed swords, 21cm overall length

Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament.

Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament.

NOTES: Please note that additional VAT is payable on the hammer price for this lot £200 - £300

NOTES: Please note that additional VAT is payable on the hammer price for this lot £100 - £150

AN AMERICAN 'KENTUCKY' PERCUSSION RIFLE

AN ENGLISH FLINTLOCK BOXLOCK POCKET PISTOL

225

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AN ITALIAN SILVER CIGARETTE CASE

stamped 800, formally engraved with floral and scrolling decoration, interior with engraved signature 'Mussolini' and the inscription 'Luglio 1944 - XXII', 8.5cm wide, 12.3cm high, contained with a purple pouch with a white leather trim.

Provenance: By family repute, this cigarette case was a personal gift from Benito Mussolini to Admiral Dönitz. It was acquired by Major William George Cole who served with British Military Intelligence from 1940-46, including attendance at the Nuremberg Trials.

Mussolini is known to have given out several such silver cigarette cases to potential allies or friends. For example, Ruth Hannah's Leaflets of Our Resistance: VOL 1 (Exclamation Publishers, 2009) includes an interview with prominent Federico Stallforth, a prominent New York businessman, who dealt with both the German Foreign Office and German opposition simultaneously in the attempt of postponing entry of the United States into the war. In this interview, Stallforth mentions receiving a very similar cigarette as a gift from Mussolini as thanks for his work.

Alongside Mussolini's engraved signature, the cigarette case in this lot is inscribed with the date 22nd July 1944 (Juglio 1944 – XXII). Further research shows this date does indeed coincide with the recorded meeting between Mussolini and Dönitz at the Wolfschanze, shortly after the failed assassination attempt on Hitler.

After Hitler's suicide, Dönitz was arrested alongside his provisional government and staff at Flensburg on 23rd June 1945 where they were taken into custody by the men of the 4th (Territorial) Battalion King’s Shropshire Light Infantry. At some point before transfer from Flensburg, Dönitz’s bags were searched and several items were known to have been stolen. Notable items taken from those bags at the time a ceremonial baton, which was later donated by Brigadier Jack Church to the Shrewsbury Regimental Museum.

This item is offered via direct descent from Major Cole. £700 - £900

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MUSSOLINI, DÖNITZ AND HITLER MEETING ON 22ND JULY 1944

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228

A COLLECTION OF WW2 GERMAN THIRD REICH MEDALS, BADGES AND AWARDS

comprising a Nazi Women's Leader pin badge; War Merit Cross with Swords with suspension loop; cap eagle; May Day tinnie; 1939 NSDAP Lingen District Council Day badge; RAD Labour Appreciation badge; Day of German Seafaring badge; Winter Relief badge, 1936/37 Gau Essen Miner badge; an Iron Cross 2nd class, WW1 Honour Cross, 'Tag der SA-Gruppe Nordsee in Bremen 1936' SA badge etc, majority mounted to black velvet board, together with a quantity of paper and decimal currency Provenance: The Third Reich items were acquired by a soldier with the KSLI during service in Holland from late 1944-45. £140 - £180

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229

AUTOGRAPH ALBUM

Including the Duke of Wellington, A.L.S, one page, London, 19th March 1834, to Thomas Pass asking him to act upon his note of the previous day as soon as possible, lightly laid down and still in an album containing approximately 113 other autographs and signed letters, also each lightly laid down to papers, including the Bishop of Gloucester and Bristol 1891; Samuel Wilks; Viscount Knutsford; Lord Selbourne; Robert Cecil; Carl Reineke (clipped); Frederick Treves (2) and many other 19th century religious figures £100 - £150

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232

Autograph letter signed to Monsieur Aldini (Secretary of State of Italy). Napoleon encloses a document concerning the State of Venice, and asks for a translation so that he can better understand it. He also asks how much taxes have increased. He ends “Je prie Dieu qu’il vous ait en sa sainte garde” (I pray to God he will keep you in his Holy care). 1 side, Paris, 2nd March 1806. Signed “Nap”. £500 - £700

circa 1860 with a six-inch octagonal barrel, chequered grip, marked 'Patent no. 7635', indistinct retailers details to top-strap of the barrel, overall length 29cm

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233

NAPOLEON I (NAPOLEON BONAPARTE) 1769-1821, EMPEROR OF FRANCE.

CUTTS, JOHN, BARON (1660/61-1707) COMMANDER UNDER MARLBOROUGH 1702-04, ARMY OFFICER AND POLITICIAN

Autograph letter signed, 20th February 1702 - March 3rd 1703. Written to a Mr Watkins, the letter reads: 'Sr, I have received yours of the first of March and hope those Gentlemen who design to speak to me show mercy; will consider whether 'tis mercy to the Troops not to stop crying such Disorders.

I see my Lord Chief Justice is of opinion that women can't be tried: I wish you had acquainted me before you had wrote, Because I would have wrote to him at the same time. But pray take no notice of his Opinion to anyone 'till I see you. I have opened no letter but such as I imagine you would have me open. There were two enclosed, One for Monsieur Slengerloud, and one for the Pensionary of Amersdam both of which have been taken care of. I suppose you have heard, the Queen has done me the Honour to make me Lieutenant General of her Armys. I mention it, because I believe you enough of my friend not to be envy at it. I am sincerely Sir Your faithful humble servant, Cutts.'

Commander in Chief in the Low Countries for Marlborough's Campaign. Hero of Boyne, Namur, Venloo etc. Cutts notably commanded 11,000 men at Blenhem and forced the surrender of the village £100 - £150

A PHILIP WEBLEY 'WEDGE-FRAME' 5-SHOT DOUBLE-ACTION PERCUSSION REVOLVER

Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament £300 - £400

A PERCUSSION BOX-LOCK POCKET PISTOL

19th century with bottom-strung bayonet, chequered grip, overall length 20cm Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament £200 - £300

234

A GEORGE III FLINTLOCK PISTOL BY TWIGG, LONDON

circa 1780 with a 4.5cm turn-off brass barrel, engraved lock-plate and trigger guard, slab walnut grip, proof marks to the barrel, overall length 17cm Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament £120 - £180

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19th century with 6cm rifled Damascus barrels, concealed triggers, foliate engraved frames and walnut butts, the underside of barrels stamped "G", overall length 17cm, together with one brown leather holster (3)

circa 1830 with turn-off barrel, boxlock, action inscribed within ovals to each side, flat-sided walnut butt, 17cm long, together with an Italian brass powder flask decorated with a dog and game birds, 18cm long (2)

A PAIR OF PERCUSSION POCKET PISTOLS

Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament. £300 - £400

A PERCUSSION PISTOL BY NOCK, LONDON

Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament £80 - £120

236

A LATE 19TH CENTURY 7MM SIX-SHOT DOUBLE-ACTION REVOLVER

overall length 17cm, together with a rimfire singleshot pistol, 12cm long and a further single-shot pistol, 13cm long (3) Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament £100 - £150

235

237 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

238

238

A BELGIAN PERCUSSION POCKET PISTOL

mid-19th century with a turn-off, 6cm barrel numbered 562 and stamped with E/LG (Liege) proof marks, concealed trigger, engraved foliate frame and a walnut bag butt with hinged cap, 17cm overall length Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament £80 - £120

239

A MONTGOMERYSHIRE YEOMANRY CAVALRY HELMET

the white metal skull with white metal laurel and oak leaf trim, the helmet plate with starburst badge applied with a Garter 'Montgomeryshire Yeomanry Cavalry', a Griffin within, no liner and chinstrap (spike present, but detached) £150 - £200

239 129

240

A VICTORIAN HAMPSHIRE 3RD VOLUNTEER BATTALION HOME SERVICE HELMET

other ranks blue cloth helmet with a white metal spike to crown and white metal helmet plate to front consisting of eight pointed star with Crown to top, laurel wreath and circlet inscribed '3rd Hampshire Volr. Batt', with tiger within the circlet, with chinstrap and lining £150 - £200

240 130

241

A GROUP OF FOUR POWDER FLASKS

19th century including a leather G & J.W Hawksley example decorated two figures hunting on horseback; two Hawksley brass and copper flasks with relief foliate designs and a copper Stand Of Flags and cannon flask, unmarked (4) £80 - £120

241 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

242

243

mid-19th century with a 5.5cm turn-off barrel (seized), indistinctly marked 'B. Wood***, London', hammer engraved with fish scales, plain slab walnut grip, overall length 16cm

1867-68 campaign, awarded to '614 Gunner J. Brabazon 5 Battery 25 BDE- R.A.', together with silver chain £200 - £300

AN ENGLISH PERCUSSION POCKET PISTOL

AN ABYSSINIAN WAR MEDAL

Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament £80 - £120

242 131

244

TWO PHOTOGRAPH ALBUMS

Ottoman, Greek and African interest, compiled by Engineer Lieutenant Herbert W Harris the first album large format, circa 1891 containing photographs taken in and around Greece and Turkey, including views of Boudrum [sic]; Salonica; Thasos; Marmarice; Athens; Mycenae; Nauplia; Ephesus; Smyrna and Malta, a fold-out panoramic view of shipping in Bodrum harbour, 122.5cm wide; portrait photographs individually titled 'A Jew'; 'Dervishes'; 'A Greek Lady'; 'A Romanian'; 'A Turkish Lady'; 'A Maltese Lady' and 'A Bashi Bazouk'; further images include 'The Heads of Brigands', a gruesome shot showing decapitated heads on spikes; the Lost Chapel of Bones at Valletta; the crew of H.M.S Inflexible and a photograph of this ironclad battleship (then in service with the Mediterranean fleet).

The second, smaller album dated 1904-06, taken onboard H.M.S Terpsichore during its service stationed at the Cape of Good Hope and re-commission at Simon's Town in 1904. Including views of Simon's Town, Zanzibar and St. Helena, containing 12cm x 8.5cm photographs of the surrounding area and its inhabitants, including ladies drinking at a well; the 'Sultan of Zanzibar and officers'; 'Billy the Goat' (dressed in naval uniform); a 300lb sting ray pictured alongside navy and boat crew; a presentation before the Duke of Connaught, Lieutenant George N. Ballard (fellow crewmember) in hospital etc and one further loose photograph of H.M.S Terpsichore (approximately 93 photographs contained within the two albums, most with individual inscriptions although some faded, smaller album only partly filled with photographs previously removed) Provenance: From a Herefordshire country house estate.

Footnote: The online catalogue shows photographs of the 1891 Navy List for HMS Inflexible and the 1904 Navy List entry for HMS Terpsichore, which are for information only not included within this lot. Cross-referencing the lists of crew members between the two ships, the only name which appears twice is Eng. Lieutenant Herbert W. Harris. After this research was completed, the vendor confirmed that Harris was indeed a relation. He was also later stationed at Wei-Hei-Wei Dockyards in 1911 and collected a number of Chinese antiques during that time, which also are available to purchase in this sale. £100 - £150

244 132

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ANTIQUITIES & TRIBAL ART

245

247

circa 1st century B.C. Of ovoid form with everted rim, a strap handle to the neck and twin loop handles to the shoulder, decorated with ochre bands.

40cm high (cracked and chipped) £100 - £150

possibly 1st-2nd century A.D. Of ovoid form with twin loop handles and everted rim, decorated with bands of combed straight and wavy lines.

34cm high

A ROMAN WHITE PAINTED HYDRIA (EWER)

Provenance: Part of a Herefordshire Country House Estate £200 - £400

246

A ROMAN TERRACOTTA EWER

A TWIN HANDLED TURKISH/ANATOLIAN (ASIA MINOR) POTTERY JAR

circa 1st century B.C. Of globular form with drawn neck and strap handle, decorated with geometric bands.

30cm high (body crack and hole) £100 - £150

248

A COLLECTION OF VARIOUS NEOLITHIC AND LATER STONE IMPLEMENTS, ARROW AND AXEHEADS

collected from New Zealand, North America and other areas, with some annotations, including possibly a Maori Toki Pounamu, contained within a box £100 - £150

249

A LATE 19TH CENTURY SOUTH AFRICAN SPEAR

the base of the shaft of the spear-head decorated with 'rope' wirework, 131cm long Provenance: Part of a Herefordshire Country House Estate By repute found on one of the battlefields in South Africa, before the Boer war, by one of the forebears of the vendor. Thence by descent £100 - £150

250

A ZUNI PUEBLO (NEW MEXICO) EARTHENWARE POLYCHROME DECORATED OLLA

18cm high.

Provenance: Part of a Herefordshire Country House Estate £100 - £200

250 134

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251

251

A NATIVE AMERICAN HOPI BOWL

decorated in black on an orange body and a San Ildefonso blackware bowl, decorated with a band of serrated and stylized curving and diamond motifs, 13.5cm diameter (2) Provenance: Part of a Herefordshire Country House Estate £100 - £200

252

252

253

early 20th century of twin-handled flat-backed form, with stylised geometric decoration, 20cm high (chip to rim)

With a 32cm blade and the wooden shaft covered with metal, 198cm long

A NATIVE AMERICAN HOPI POLYCHROME CANTEEN

Provenance: Part of a Herefordshire Country House Estate £100 - £200

A LARGE, LATE 19TH CENTURY SOUTH AFRICAN SPEAR

Provenance: Part of a Herefordshire Country House Estate By repute found on one of the battlefields in South Africa, before the Boer war, by the forebear of the vendor. Thence by descent £80 - £120

135

254

256

decorated with alternating rosettes and heartline deer motifs and a band of geometric complements to the neck, signed 'ZUNI N.M' to the base 19.5cm high

A large African carved wood two-headed effigy, Cameroon, 20th century Each head with four column hair extensions, set on a circular base above a domed rope-twist basket stand.

72cm high £80 - £120

A ZUNI PUEBLO (NEW MEXICO) POLYCHROME JAR

Provenance: Part of a Herefordshire Country House Estate £300 - £500

A LARGE AFRICAN CARVED WOOD TWOHEADED EFFIGY, CAMEROON

255

257

124cm, 146cm and 165cm long and another, 20th century, arrow-headed weapon (4)

the double horse-shoe shaped top and inverted bell shaped base carved with bands of triangles, 18cm high

THREE LATE 19TH CENTURY SOUTH AFRICAN SPEARS

Provenance: Part of a Herefordshire Country House Estate By repute, except the last arrow-head example, found on one of the battlefields in South Africa, before the Boer war, by one of the forebears of the vendor.

Thence by descent £100 - £150

254 136

AN AFRICAN, PROBABLY ETHIOPIAN, CARVED HEADREST

Provenance: Part of a Herefordshire Country House Estate £80 - £100

257 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

ASIAN ART

258 138

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258

260

Qianlong seal mark and probably period Of baluster form with everted rim, finely painted with a scene of scholars in a landscape amid trees and rocks, studying a scroll inscribed with a taijitu.

35cm high £1,000 - £1,500

Yongzheng six-character mark but probably 19th century Of plain rounded form, painted in colours with a scene of a luohan riding a deer and holding a ruyi sceptre, accompanied by a boy and girl carrying lingzhi fungus, in a rocky landscape beside a maple tree.

39.5cm dia. (rim restored) £300 - £400

259

261

A CHINESE BLUE AND WHITE VASE

A CHINESE BLUE AND WHITE DISH

18th century Of plain round form and decorated with a vase with flowering peonies beside a peach blossom branch and a chrysanthemum, arranged above a ruyi sceptre, the rim with a border of diaper and lotus panels.

41cm dia. £300 - £500

A LARGE CHINESE FAMILLE ROSE DISH

A CHINESE BLUE AND WHITE JAR AND COVER

Kangxi six-character mark and possibly period Of wide baluster form, the domed cover with cone finial, decorated with a processional scene of scholars, noblemen, workers, performers and boys, beneath a ruyi border at the shoulder and a lappet border at the base.

37cm high £1,500 - £2,000

261 139

262

263

Kangxi six-character mark and possibly period Of wide baluster form, the domed cover with cone finial, decorated with precious objects and Buddhistic symbols beneath a ruyi border at the shoulder and a lappet border at the base.

36.5cm high (repair to rim) £700 - £1,000

Kangxi Of pear shape with garlic-head neck and slightly flared rim, decorated with flowering vases and precious objects within borders of triangular flower panels and ruyi bands, lozenge mark to base.

32.5cm high (rim restored)

A CHINESE BLUE AND WHITE JAR AND COVER

262 140

A CHINESE BLUE AND WHITE GARLICHEAD BOTTLE VASE

Provenance: Purchased from Wain Antiques, Gloucester, 1986 £800 - £1,200

263 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

264

264

A BLUE GROUND RESERVE-DECORATED 'ABUNDANCE' BOWL

Qianlong four-character mark but 19th century Of plain rounded form, the outside decorated with precious objects beneath a ruyi border in white relief, reserved against a blue ground, the inside decorated with a roundel of a fish amid waves.

29cm wide £150 - £200

265

A CHINESE FAMILLE NOIR JAR AND COVER

Kangxi Of baluster form, the domed cover with cone finial, decorated with a scene of scholars crowding a pavilion and discussing a series of auspicious objects arranged on tables, a diaper border to the shoulder and base.

38cm high (repair and restoration) £200 - £300

266

A PAIR OF LEAD-GLAZED FUNERARY FIGURES

Ming Dynasty Modelled as attendants standing and wearing long robes, one carrying a casket, set on hexagonal pedestal bases.

48cm high (one head adrift) (2) £600 - £800

265 141

267

269

Ming Dynasty Modelled standing and wearing long robes, set on a plain square base and finished in a green lead partial glaze.

19cm £200 - £300

Qing Dynasty Modelled in typical pose with front paw raised on an embroidered ball, set on a pedestal base.

18cm high

268

270

A CHINESE LEAD-GLAZED FUNERARY FIGURE

A CHINESE CIZHOU STYLE PILLOW MODELLED AS A CAT

Provenance: Part of a Herefordshire Country House Estate. See footnote for lot 271 £200 - £300

142

Provenance: Part of a Herefordshire Country House Estate. See footnote for lot 271 £40 - £60

A CHINESE SANCAI STYLE JARDINIERE

Qing Dynasty The cream glazed pottery stylistically modelled as a recumbent cat, decorated with dark brown patches and details, the back with blue enamelled flowers.

26cm long, 14cm high

268

A CHINESE SANCAI STYLE FIGURE OF A LION DOG

Qing Dynasty Of hexagonal trumpet form, moulded in relief with panels of figures, birds and flowers, under translucent coloured glazes.

41cm wide, 26cm high Provenance: Part of a Herefordshire Country House Estate. See footnote for lot 271 £40 - £60

270 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

271

A CHINESE FAMILLE ROSE PLATE

Guanxu six-character mark and of the period Of plain circular shape, decorated with three auspicious flower sprays around a copper red dragon roundel.

24cm dia.

Provenance: Part of a Herefordshire Country House Estate. Believed acquired by Chief Engineer Herbert Harris, stationed at Wei-Hai-Wei dockyards in 1911, thence by descent to the vendor. Harris had seen previous service with HMS Inflexible with the Mediterranean Fleet, 1891, and HMS Terpsichore at the Cape of Good Hope, 1904 £100 - £150

272

A CHINESE YELLOW-GROUND FAMILLE VERTE VASE

Qing Dynasty, 19th century Of ovoid form with 'French hat' cover, decorated with a bird perched on a rock amid flowering peonies, chrysanthemums and peach blossom, the cover edge with three precious objects.

27cm high Provenance: Part of a Herefordshire Country House Estate. See footnote for lot 271 £150 - £200

273

TWO CHINESE BLUE AND WHITE PLATTERS

18th century The first of canted rectangular form and with deep lobed verge, decorated with pavilions beside a river, a complex border to the rim, 41cm wide, the second of cusped oval form and decorated with peonies and other auspicious flowers, 42cm wide (both at fault). (2) Provenance: Part of a Herefordshire Country House Estate. See footnote for lot 271 £100 - £150

274

A CHINESE, FAMILLE ROSE JARDINIERE

271

272

Qing Dynasty, 19th century Of rounded form and decorated with birds perched in the branches of flowering peach trees with rocks and peonies below, to shaped panels surrounded by further auspicious flowers and foliage, the rim with a yellow-ground ruyi border with further flowers and scrolling foliage.

30cm high, 37cm wide £300 - £400

274 143

275

AN UNUSUAL CHINESE BLUE AND WHITE LOZENGE FORM VASE

Qing Dynasty 18th/19th century, of diamond lozenge section with pronounced ridges to the rim and base, raised on four bracket feet, the sides painted with peonies, lotus, chrysanthemum and peach blossom with birds and rocks.

38.5cm high Provenance: Private English collector. Acquired in Hong Kong prior to 1990 £800 - £1,200

275 144

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276

277

Qing Dynasty, probably 19th century Of ovoid form with everted rim and twin chilong handles, the neck with a border of stiff banana leaves above fruiting branches of peach and pomegranate, the body with a formal lotus flower and scrolling foliage pattern between ruyi and lappet borders.

62cm high £800 - £1,200

Guangxu six-character mark and probably period Of globular form with narrow everted rim, incised with confronting dragons chasing flaming pearls amid clouds picked out in green against a yellow ground.

17cm high £150 - £250

A VERY LARGE CHINESE BLUE AND WHITE VASE

A CHINESE YELLOW AND GREEN GOURD VASE

276 145

278

A CHINESE DOUCAI TAOIST BAGUA PLATE

Daoguang seal mark and probably period Of plain circular shape, the rim decorated with a band of green waves, the middle with the eight trigrams surrounding a central taijitu.

20.5cm dia. £200 - £300

279

A CHINESE BLUE AND WHITE TEAPOT

Qing Dynasty Of compressed ovoid form, gently reeded and with lobes for a raffia handle, decorated with phoenix birds and peonies.

9.5cm high, 19cm across £150 - £250

278

280

A CHINESE BLUE AND WHITE DISH

Guangxu six-character mark and of the period Of rounded form and decorated to the inside with a lotus flowerhead with scrolling foliage, to the outside with seven further lotus flowers with foliage between.

19.5cm dia.

Footnote: A very similar dish of the same period was sold in these rooms, 13 January 2021, lot 278 £500 - £800

280 146

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281

A CHINESE BLUE AND WHITE GOURD VASE

Qianlong seal mark but later Of swollen globular form and decorated with auspicious objects and flowers amid clouds, the narrow rim with a ruyi border, with carved hardwood stand.

31cm high (34cm on stand) £250 - £350

282

A CHINESE DEHUA TYPE INCISED VASE AND WOOD COVER

Qing Dynasty Of ovoid form and covered with a white glaze, incised with two dragons chasing flaming pearls amid clouds, the replacement hardwood cover carved with cloud forms.

16.5cm high £200 - £300

281

283

A CHINESE BLUE AND WHITE BRUSH WASHER

Qing Dynasty Of shallow conical form with pronounced foot ring, painted with a scene of Wang Xizhi and a boy contemplating a goose on a village path.

14cm dia £100 - £200

283 147

284 284

285

Kangxi six-character mark and probably period Of inverted bell form, painted with a scene of two ducks on the water beside a flowering lotus, four lines of verse on the nature of lotus roots verso.

5cm high

Yongzhong six-character mark and possibly period Of plain round form, delicately painted with a figure standing in a landscape beside a tree and a rock.

14.7cm dia. £600 - £800

A CHINESE BLUE AND WHITE WINE CUP

Footnote: A similar mark and period wine cup was sold in these rooms, 16 September 2020, lot 459. For a comparative example see also Christie's London Fine Chinese Ceramics and Works of Art, 15 May 2018, lot 198 £200 - £300

285 148

A CHINESE FAMILLE VERTE DISH

286 286

A CHINESE FAMILLE VERTE SLEEVE VASE

probably Kangxi Of slightly wasited cylindrical form, painted with a scene of birds and butterflies amid peony flowers and foliage issuing from rocks.

20cm high £300 - £500

287 288

A CHINESE LONGQUAN CELADON LOTUS BOWL

Ming Dynasty Of lobed rounded form raised on a short foot ring, covered in a pale green glaze suffused with a fine crackle.

16cm dia. £100 - £200

287

289

Xuantong six-character mark and of the period Of cylindrical form and decorated with nine ironred bats in flight amid blue clouds, with associated hardwood stand.

12cm high £100 - £150

Yuan Dynasty Of conical form with recessed foot ring and slightly everted rim, covered in an olive green glaze suffused with a faint crackle, with associated carved hardwood stand.

12.5cm £150 - £180

A CHINESE BLUE AND WHITE AND IRON RED SLEEVE VASE

288

A LONGQUAN CELADON BRUSH WASHER

289 149

290

A CHINESE LONGQUAN CELADON CONICAL BOWL

possibly Song Dynasty Of conical form with short foot ring, covered in an olive green glaze.

13cm dia. £150 - £180

291

A CHINESE LONGQUAN CELADON BOWL

Ming Dynasty Of ogee profile with a short and narrow foot ring, the inside carved with a lotus flower and foliage, the outside with a band of vertical lines.

18cm dia. £300 - £400

292

TWO CHINESE BOWLS

291 293

Qingbai, Song Dynasty The first of conical form with narrow foot ring and slightly lobed rim, incised to the inside with stylised flowers and foliage and covered in a pale sea-green glaze stopping short of the rim and suffused with a faint crackle, 19.5cm, the second of similar shape and decorated inside with incised and combed flowers and foliage, covered in a pale sea-green glaze, 18.5cm dia.

(2) £300 - £400

FOUR CHINESE BLANC-DE-CHINE PORCELAIN LIBATION CUPS

Qing Dynasty, 18th/19th century Of typical form, two moulded with deer and mythical beasts amid leafy branches, the remaining two moulded with flowering prunus branches.

7.5cm to 14cm wide (4) £300 - £500

292 150

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294

296

Chenghua six-character mark but probably Kangxi Of plain round form and decorated with a scene of a messenger delivering a letter to a maiden at the entrance to her home, the rim with a diaper border inset with panels of peaches.

20.5cm dia. £800 - £1,200

Qing Dynasty, possibly Qianlong Of cylindrical form with three spur feet, covered in a greyish glaze suffused with a fine two-tone wire crackle, the rim dressed in dark brown in imitation of the Song Dynasty.

7cm high, 10cm dia.

A CHINESE BLUE AND WHITE DISH

295

A CHINESE GE TYPE WATER POT

Footnote: For similar examples of middle Qing Dynasty Ge type brush washers and water pots see He Li, Chinese Ceramics, p.273, f.518-520 from the collection of the San Francisco Asian Art Museum £200 - £300

A CHINESE CIZHOU JAR

Song Dynasty Of cylindrical form with slightly recessed rim and foot ring, decorated with simple brushed stylised flowers in dark ochre against a white slip ground.

15cm high (probably lacking cover) Footnote: For similar examples see He Li Chinese Ceramics, p.168. f.317 and 318, from the collection of the San Francisco Asian Art Museum £200 - £300

295

297

A CHINESE SOFT-PASTE BLUE AND WHITE WATER POT

18th century Of globe form and decorated with a sage in a pavilion, approached by an attendant carrying a lotus flower.

4.5cm high (cracked) £80 - £120

296 151

298

299

Republic period Of ovoid form with flared rim, painted with a scene of a laughing Buddha accompanied by five children beneath a flowering tree, the reverse with eight lines of verse.

26cm high £150 - £200

18th century Of plain round form, decorated with a scene of four scholars gathered around a rock table within a fenced garden.

27cm dia. (hairline to rim) £100 - £150

A CHINESE FAMILLE ROSE 'FORTUNE' VASE

A CHINESE BLUE AND WHITE DISH

300

A CHINESE BLUE AND WHITE BOWL

Qing Dynasty, 19th century Of rounded form with short foot ring, the outside decorated with auspicious flowers: peony, azalea, lotus, chrysanthemum, rose, joined by a trailing leafy vine, the inside with four dragons chasing flaming pearls above a central lotus roundel.

14.5cm dia. £150 - £250

298 152

300 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

301

303

Qing Dynasty Probably 19th century, of bucket form with plain disc cover, decorated with green, yellow and aubergine splashed translucent glazes over a white slip.

9cm high, 12.5cm dia. £100 - £150

Qing Dynasty Modelled as a lion dog with embroidered ball between its front paws, resting on an ovoid square section teapot, his tail forming the handle, raised on a moulded domed base.

19.5cm high £200 - £300

302

304

Qingbai, Song Dynasty Of slender ovoid form, each applied in relief with a band of figures in attendance beneath sinuous chilong, one with a domed cover surmounted by a bird.

75cm and 63cm high (2) £150 - £250

Guangxu six-character mark and of the period Of plain rounded form with short foot ring, covered in a cobalt blue, thinning at the rim.

14.5cm dia. £300 - £400

A CHINESE 'EGG AND SPINACH' POT AND COVER

TWO CHINESE FUNERARY VASES

303

A CHINESE TUQUOISE GLAZED CADOGAN TEAPOT

A CHINESE MONOCHROME BLUE GLAZED BOWL

304 153

305

A CHINESE YELLOW ENAMELLED AND INCISED DISH

Guangxu six-character mark and of the period Of rounded form with shallow foot ring, incised to the inside with a dragon chasing a flaming pearl amid clouds, to the outside with two further dragons chasing flaming pearls amid clouds.

27cm dia.

Provenance: A British private collection, the property of a gentleman. £1,500 - £2,000

305 154

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155

306

309

TWO CHINESE JIAN WARE BOWLS

Song Dynasty Both of conical form, the pale grey pottery covered in a dark brown glaze stopping short of the foot ring.

9.5cm and 10cm dia. (2) £150 - £250

307

A SMALL CHINESE JIAN WARE 'HARE'S FUR' BOWL

Song Dynasty Of conical form with narrow foot ring, covered in a lustrous black glaze suffused with ochre streaks, stopping short of the foot.

9.7cm dia. £400 - £600

308

A CHINESE BROWN GLAZED RELIEF MOULDED VASE

Song Dynasty Of lobed ovoid form and applied in relief with a sinuous dragon between three lines of protruding bosses, covered in a dark brown glaze with russet mottling, stopping short of the foot.

23.5cm high £600 - £800

310

A CHINESE FAMILLE ROSE LOTUS TEABOWL AND SAUCER

18th century Moulded and painted in colours with lotus petals, saucer 11.5cm dia., together with a famille rose saucer, also 18th century, decorated with two geese beside a flowering peony plant in a landscape, 11.5cm dia. (2) £100 - £150

A CHINESE JIZHOU TYPE BOWL

possibly Song Dynasty Of rounded form and decorated with a lustrous oxblood glaze, graduating to green at the rim and stopping short of the foot ring.

10.5cm dia. £100 - £150

307 156

309 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

311

312

possibly Yuan/Ming Dynasty Of shallow rounded form and raised on a shallow foot ring, covered in a rich dark blue-green glaze with faint purple mottling, stopping short of the foot, 17.5cm dia. (kiln warped), together with an 18th century blue and white ginger jar, decorated with shou symbols and stylised flowers, 14cm high. (2) £400 - £600

Qing Dynasty, 19th century Modelled standing in long flowing robes atop a lotus base, she wears a bead necklace and her face with serene expression, decorated with a dense profusion of flowers and foliage.

50.5cm high £200 - £300

A CHINESE JUN TYPE BRUSH WASHER

A LARGE CHINESE BLUE AND WHITE FIGURE GUANYIN

313

TWO CHINESE BLUE AND WHITE AND COPPER RED PORCELAIN SNUFF BOTTLES

Qianlong marks but possibly later The first of cylindrical form and decorated with a village landscape, 9cm, the second ovoid and decorated with Fu, Lu and Shou, 7cm. (2) £150 - £250

314

A CHINESE SILVER-INLAID BRONZE HARNESS RING

Zhou Dynasty/Warring States Of flattened disc form and inlaid with a geometric pattern of straps and spirals, the surface with a green patina and remnants of red pigment.

11cm dia.

Footnote: A bronze chariot mount excavated in 1954 at Yongji, Shanxi province, and dating to the 4th or 3rd century B.C. is inlaid with very similar decorations to the present lot. See The Genius of China, ex.cat., 1973, fig.127. £150 - £200

312

314 157

315

A CHINESE BRONZE TANG STYLE 'LION AND GRAPE' MIRROR

first half 20th century Of circular form, cast in the manner of Tang Dynasty with birds and fruiting vines to the outer ring, four lions at play within the inner ring around a suspension loop in the form of a lion.

20cm dia.

Provenance: Part of a Herefordshire Country House Estate. See footnote for lot 271 £80 - £120

315 316

317

Qing Dynasty The figure modelled playing a pipe, the buffalo standing four square with head slightly raised, 14cm long, together with a Chinese bronze opium pipe, the bowl modelled as a pixiu, it's extended tail forming the tapering stem, 24cm long. (2)

Qing Dynasty, 18th/19th century Of bottle form with knopped necks, the bodies worked with opposing views of peonies and chrysanthemums issuing from rocks in shades of blue against a white fret ground, the necks with formal lotus flowers and foliage, the bases with lappet borders.

30cm high (2)

Provenance: Part of a Herefordshire Country House Estate. See footnote for lot 271 £80 - £120

Provenance: Part of a Herefordshire Country House Estate. See footnote for lot 271 £800 - £1,200

A SINO-TIBETAN BRONZE FIGURE OF A BODHISATTVA ON BUFFALO

A PAIR OF CHINESE CLOISONNE VASES

317 158

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318

319

Qianlong four-character mark, Qing Dynasty Of rounded form with raised gilt rim, finely worked to the inside with a wrythen dragon chasing a flaming pearl above waves, the outside with confronting dragons, a further dragon to the underside, all against a white ground worked with dense cloud forms, with carved hardwood stand.

31cm wide, 8cm high (15cm high on stand)

20th century Finely modelled with filigree detail, many bearing Shou symbols.

2-3cm each. £100 - £150

A CHINESE CLOISONNE CENSER

A COLLECTION OF CHINESE SILVER AND GILT 'LANTERN' HAIR ORNAMENTS

Provenance: Part of a Herefordshire Country House Estate. See footnote for lot 271 £300 - £500

Lots 315-318 Believed acquired by Chief Engineer Herbert Harris, stationed at Wei-Hai-Wei dockyards in 1911, thence by descent to the vendor. Harris had seen previous service with HMS Inflexible with the Mediterranean Fleet, 1891, and HMS Terpsichore at the Cape of Good Hope, 1904.

318 159

320

A CHINESE CARVED WOOD FIGURE GROUP OF GUANYIN AND ATTENDANT

Qing Dynasty Modelled as Guanyin standing on a rocky outcrop, an attendant below carries a basket of peaches.

35cm high (some losses) £100 - £150

321

A PAIR OF CHINESE HARDWOOD INLAID FIGURE GROUPS OF BOYS ON BUFFALOS

Qing Dynasty Each modelled as a buffalo ridden by two frolicking boys, inlaid with white metal details and set on 'rocky' bases.

18cm long, 23cm high (2) Provenance: Part of a Herefordshire Country House Estate. See footnote for lot 271 £100 - £200

320

321 160

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322

323

Qing Dynasty Modelled standing on a rock and accompanied by a deer and a crane, he holds a peach and a knotty staff.

45cm high £100 - £150

Qing Dynasty Three of circular form with carved openwork bases, 12-19cm, a small plain round example, 7cm, and a rectangular example raised on scroll supports, 15cm wide. (5)

A CHINESE CARVED ROOTWOOD FIGURE SHOULAO

A COLLECTION OF CHINESE HARDWOOD VASE STANDS

Provenance: Part of a Herefordshire Country House Estate. See footnote for lot 271 £80 - £100

324

A CHINESE EXPORT LACQUER WORKBOX

Qing Dynasty, 19th century Of canted rectangular form and raised on four claw feet, the outside decorated with figures beside dwellings in a riverside village, the inside with fitted lift-out tray containing worked ivory accouterments, above a drawer with fitted interior.

36cm wide, 26cm deep, 16cm high (damages) Provenance: Part of a Herefordshire Country House Estate. See footnote for lot 271 £100 - £150

325

A CHINESE JADE FINGER CITRON

Qing Dynasty The pale green stone naturalistically modelled, 5cm long, together with a pale green jade figure of a recumbent water buffalo, 5cm long. (2) £150 - £180

326

A CHINESE CHALCEDONY SNUFF BOTTLE

Qing Dynasty Of ovoid form with Taotie masks at the shoulders, well hollowed and of banded orange and grey hue, the white metal stopper inset with jadeite, 7cm, together with a glass snuff bottle, of turquoise malachite colour and of ovoid form, 7cm. (2) £80 - £120

322 161

327

330

Qing/Republic The pale green stone of ovoid form and well hollowed, the stopper with rose quartz top.

7cm high £80 - £120

Qing Dynasty Of ovoid form, the internally decorated opalescent glass cased in dark ruby and etched back with three sinuous chilong, the stopper with jadeite and coral top.

6cm £80 - £120

328

331

20th century The first a milky glass cased in yellow and dark green, carved back with confronting dragons chasing a flaming pearl, 7.5cm, the second internally mottled clear glass cased in green with yellow, pink and red, carved back with lotus flowers, foliage and pods, 8cm.

(2) £80 - £120

Qing Dynasty Of ovoid form with protrusions to the shoulder, the stone of pale ochre hue with darker bands, the top of matching darker stone.

5cm £40 - £60

329

332

Qing Dynasty Of shouldered ovoid form with recessed foot, the well-hollowed stone of grey hue with ochre and brown inclusions, associated white metal stopper.

8.5cm high £100 - £150

Qing Dynasty Including an opalescent and ruby cameo glass example etched with precious objects, 8.5cm, an opalescent and blue cameo glass example etched with deer and crane amid prunus branches, 6cm, an amber glass bottle of ovoid form, 5.5cm and a copper red porcelain bottle of ovoid form, 6.5cm. (4) £250 - £350

A CHINESE JADE SNUFF BOTTLE

TWO CHINESE CAMEO GLASS SNUFF BOTTLES

A CHINESE CHALCEDONY SNUFF BOTTLE

329 162

A CHINESE CAMEO GLASS SNUFF BOTTLE

A SMALL CHINESE CHALCEDONY SNUFF BOTTLE

FOUR CHINESE SNUFF BOTTLES

330 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

333

335

Qing Dynasty Including an internally painted glass bottle with polished coral stopper, 7.5cm, a blue and white porcelain bottle modelled as four fish, 7.5cm, a shagreen bottle of lobed spade form with agate stopper, 7cm, and a Tibetan white metal mounted and jewelled horn bottle, 8cm. (4) £100 - £150

probably Qianlong Of moon form and decorated with a deer resting beneath a pine tree to one side, a bird perched in a pine tree to the other, with tiger's eye stopper.

9cm high £100 - £150

334

336

18th/19th century, the pale green stone with light ochre inclusions, 5.5cm, together with a small jadeite carving of a recumbent water buffalo, 6cm long, and a small black-glazed monochrome miniature gourd vase, 11.5cm high. £40 - £60

Qing Dynasty The first Guangxu, of cylindrical form and decorated with iron-red figures of deities and signed Zhong Xu Youshan, 7.5cm, the second Xuantong, of flattened ovoid form and painted with a scene of Liu Haichan collecting ten gold coins on a chord, accompanied by a three-legged toad, the reverse with five lines of verse describing the scene, rose quartz stopper, 6.5cm, the third also late Qing Dynasty, of cylindrical form and decorated with a riverside village scene, 8.5cm high, Yang He Tang mark to the underside. (3) £250 - £350

FOUR CHINESE SNUFF BOTTLES

A CHINESE JADE SNUFF BOTTLE IN THE FORM OF A PEACH

A CHINESE BLUE AND WHITE SNUFF BOTTLE

THREE CHINESE PORCELAIN SNUFF BOTTLES

336 163

A SINGLE-OWNER COLLECTION OF SATSUMA POTTERY - THE PROPERTY OF A GENTLEMAN 337

A PAIR OF JAPANESE SATSUMA ARROW VASES

Meiji period Of bottle form with twin 'bamboo' handles and everted rims, decorated with scattered fans separately painted with various patterns.

21.5cm high (2) £120 - £180

338

A PAIR OF JAPANESE SATSUMA PLATES

Kinkozan marks, Meiji period Each decorated with elegant figures and attendants, the rims with narrow floral borders, 18.5cm dia. (some staining to both), together with two small Satsuma dishes, Meiji period, the first Hiramatsu Ganzan and decorated with figures watching heron amid reeds and flowers, 12cm dia., the second Toyama and decorated with figures at leisure in a pavilion within a complex panel series, 12.5cm dia. (4) £100 - £150

337 164

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

339

A PAIR OF JAPANESE SATSUMA VASES

Meiji period Of ovoid form with everted rims, decorated with portraits of noblemen gathered in landscapes, between mixed complex borders, unsigned.

15cm high (2) £120 - £180

340

341

A GROUP OF FIVE SMALL JAPANESE SATSUMA VASES

Meiji period One of hexagonal form and decorated with figures in domestic settings within dark blue and gilt borders, 9cm high, three various ovoid vases with similar decoration, 6cm high, and a cylindrical koro decorated with scenes of village life, 7.5cm high (lacking cover).

(5) £80 - £120

A JAPANESE SATSUMA VASE AND COVER

Ryozan mark, Meiji/Taisho period Of cylindrical form with twin lobed handles, decorated with a scene of bijin at leisure in an interior beneath a dense flower border, 9cm high, together with a small Satsuma vase, Yasuda, unidentified artist, of cuboid form with slightly domed cover, decorated with bijin alternating with landscape scenes, 9cm high (cover restored). (2) £100 - £150

339 165

342

342

343

Meiji period Decorated with a cockerel and a heron amid flowering plants in landscapes, within dark blue and gilt borders.

7cm high (rim restored) £80 - £120

Meiji period The first by Meisan and decorated with noble figures at various pursuits within shaped panels, the others by Ryuzan, similarly decorated with bijin.

Saucers 14cm dia. £150 - £250

A SMALL JAPANESE SATSUMA GLOBE VASE

BY KINKOZAN

THREE JAPANESE SATSUMA TEACUPS AND SAUCERS

343 166

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344

344

A PAIR OF JAPANESE SATSUMA VASES BY KOZAN

Meiji period Of hexagonal ovoid form with everted rims, decorated with figures at various pursuits in landscapes within dark blue and gilt borders, a pennant inscribed with the Shimazu mon and 'Kozan Zo'.

29cm high (2) £300 - £500

345

A PAIR OF JAPANESE SATSUMA CANDLE HOLDERS

345

Obiyama, Meiji/Taisho period With bulbous garlic head tops above tapering bases, sparsely decorated with flowers and foliage.

18cm high (2) £100 - £150

167

346

A JAPANESE SATSUMA GOURD VASE

Meiji period Of slender gourd form and decorated with figures in a rocky landscape beneath a complex border.

23.5cm high (very small rim chip) £80 - £120

347

A JAPANESE SATSUMA TRUMPET VASE

Meiji/Taisho period The flared trumpet bowl raised on a shaped footed base, decorated in relief enamels with profuse flowers inside the rim and prunus blossom to the outside, 10.5cm high, 15cm dia., together with a Satsuma teapot and cover by Meisan of similar period, of compressed ovoid form and decorated with raised enamel flowers and foliage, 5cm high, 11cm wide. (2) £150 - £200

348

A JAPANESE SATSUMA 'THOUSAND FLOWER' DEMITASSE CUP AND SAUCER

346

Ryuzan, Meiji period Of slightly tapering form and decorated in raised enamels with dense flowers and foliage, cup 5.5cm high, together with another demitasse and saucer by Meizan decorated with orchids and foliage, cup 5cm high (saucer repaired). (2) £80 - £120

347 168

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349

TWO JAPANESE SATSUMA STYLE FIGURES OF MAIDEN

Taisho period The first modelled as a seated bijin playing a kotsuzumi, 15cm high, the second as a rustic maid and her son in traditional dress, 17cm high. (2) £80 - £120

350

350

A SATSUMA KORO AND COVER

Meiji/Taisho period Of compressed ovoid form raised on three peg feet, the domed cover with three pierced flowers, decorated with peonies and foliage, supplied with original wood box.

6.5cm high, 12cm wide £80 - £120

351

A JAPANESE SATSUMA PHOTOGRAPH FRAME

Kinkozan, Meiji/Taisho period Of gourd outline and painted with the 'three abundances' of peaches, pomegranate and finger citron with other fruits and flowers.

15.5cm £80 - £120

351

352

A JAPANESE SATSUMA VASE

Meiji/Taisho period Of shouldered ovoid form with everted rim, painted in raised enamels with dwellings in a mountainous landscape, the shoulder with a flower and ruyi border.

18.5cm high £100 - £150

352 169

353

355

Taisho period The first marked Shozan, a lobed bowl decorated with mountain landscapes, 13cm dia., the second an ovoid vase and cover decorated with birds and flowering plants, 13cm high, and the third a circular box and cover decorated with bijin and children beside a river, 9.5cm. (3) £100 - £150

Meiji period The first of ovoid form, the domed cover surmounted by a seated boy, decorated with scenes of noble figures in palace interiors, 18cm high (cover repaired), the second of ovoid form with slightly domed cover, decorated with monkeys in robes frolicking in a landscape beside a river, 11.5cm high (cover repaired).

(2) £150 - £180

354

356

Eizan, Meiji/Taisho period Of compressed ovoid form raised on three scroll feet and decorated in raised enamels, with mixed flowers and foliage beneath a lappet border, the cover a later pewter replacement, 11cm high, together with a Satsuma vase of lobed ovoid form and similarly decorated, 17cm high (reduced). (2) £100 - £150

Taisho period Of barrel form with angular handles, decorated in raised enamels with figures in patterned robes at leisure in a landscape.

Teapot 13cm high, milk jug 9.5cm high (2) £80 - £120

A GROUP OF THREE JAPANESE SATSUMA WARES

A JAPANESE SATSUMA KORO AND REPLACEMENT COVER

TWO JAPANESE SATSUMA VASES AND COVERS

A JAPANESE SATSUMA TEAPOT WITH MILK JUG AND COVERS

356 170

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357

A JAPANESE SATSUMA FIGURE OF A RABBIT

Meiji period Naturalistically modelled seated with front paws raised, decorated with black patches.

12cm high £100 - £150

358

A JAPANESE SATSUMA BOWL

Meiji/Taisho period Of cylindrical form and raised on a narrow foot ring, decorated in raised enamels with peonies and foliage to shaped dark blue reserves above a basal border of stylised butterflies.

9cm high £80 - £120

359

A JAPANESE SATSUMA KORO AND COVER

Edo/Meiji period Of compressed ovoid form with twin scroll handles, raised on oni mask feet, the pierced domed cover surmounted by a komainu, the koro decorated with peonies and foliage beneath a geometric border.

17cm high (handle tips restored) £80 - £120

360

357 360

A JAPANESE SATSUMA 'THOUSAND FLOWER' BOX AND COVER BY NIKKO

Meiji period Of compressed globular form, the near flat cover with button finial, decorated with a profusion of densely clustered flowers including chrysanthemums and peonies, 6.5cm high, 12cm wide, together with a similarly decorated dish signed Seiyama, 16cm dia. (2) £120 - £180

361

A JAPANESE SATSUMA CRICKET CAGE AND WHITE METAL COVER

Meiji period Of ovoid basket form with integral moulded strap handle, the openwork sides decorated with flowers and foliage, indistinctly marked.

15cm high. £150 - £250

361 172

362

A JAPANESE SATSUMA VASE

Meiji period Of bottle form with twin bracket handles and flared rim, decorated with scenes of figures gathered beside a river, the neck with a complex panel border series.

15cm high £120 - £150

362 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

363

364

Meiji period Of square section with recessed everted rim and foot, each side decorated with a different scene of figures and landscapes, signature rubbed.

17.5cm high £80 - £120

Meiji period Of cylindrical form with everted rim and foot, decorated with crane birds and waterfowl amid flowering plants and blossoms.

15cm high £80 - £120

A JAPANESE SATSUMA VASE

363

A JAPANESE SATSUMA VASE

364 173

365

367

A JAPANESE SATSUMA VASE

Meiji period Of ovoid shape and decorated with flowers and foliage between cell borders, later white metal collar and cover.

11.5cm high £80 - £120

A PAIR OF SMALL JAPANESE SATSUMA BOTTLE VASES

Meiji period With twin dragon handles, decorated with sages, samurai and other figures in landscapes beneath complex borders, 12cm high, together with a small Satsuma koro and cover by Yasuda, of waisted form with twin zoomorphic handles and fruit finial, decorated with similar scenes, 10.5cm wide.(3) £200 - £250

366

368

Meiji period Of ovoid form with everted rims, each painted with a procession of figures in traditional robes, some carrying banners and other objects.

15cm high (2) £120 - £180

Meiji to Taisho period Including an ovoid vase, possibly Hozan, decorated with panels of figures in a landscape and a crane amid waterside reeds and flowers, between complex flower borders, 12.5cm high (rim restored), a small koro decorated with figures in domestic settings, 6.5cm high, a small bowl, Ryozan, decorated with figures in a garden, 9.5cm dia., and a lobed square vase and cover, Toyama, similarly decorated, 10cm wide (cover restored). (4) £80 - £120

A PAIR OF JAPANESE SATSUMA 'PROCESSIONAL' VASES

365 174

AN ASSEMBLED GROUP OF JAPANESE SATSUMA WARE

366 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

371 369

371

Meiji/Taisho period Of cylindrical form with three block feet, both decorated with scenes of dwellings beside rivers with Mount Fuji beyond, 13cm and 9.5cm dia., together with a similar coffee cup and saucer. (3) £80 - £120

Kinkozan, Taisho period The first decorated with scenes of water birds amid grasses, flowers and foliage, the second with cockerels in similar settings, all between dark blue and gilt borders, impressed marks 'Kinkozan Zo'.

Saucers 14cm dia., cups 4cm high £70 - £100

370

372

TWO JAPANESE SATSUMA BOXES AND COVERS

AN ASSEMBLED GROUP OF SATSUMA WARE

Meiji to Taisho period Including a small bottle vase decorated with peonies and chrysanthemums, 15.5cm high, a 'thousand flower' ovoid vase signed Yozan, 15cm high, and a quatrelobed box and cover decorated with a maple tree and flowers, 11cm wide. (3) £150 - £180

A PAIR OF JAPANESE SATSUMA TEACUPS AND SAUCERS

TWO SIMILAR JAPANESE SATSUMA DEMITASSE AND SAUCERS

Meiji period The cups of trumpet form with plain loop handle, the first decorated with noble figures in garden settings to shaped reserves, the second with deities consulting with a dragon.

Saucers 11.5cm dia., cups 5cm high (2) £80 - £120

372 175

OTHER PROPERTIES

373

A JAPANESE SATSUMA TEAPOT AND COVER

Obiyama mark, Meiji period Of compressed ovoid form with three peg feet and raffia handle, finely decorated with chrysanthemums and other flowers.

16cm wide £100 - £150

374

A PAIR OF JAPANESE SATSUMA BLACKGROUND VASES

Uchida marks, Meiji/Taisho period Of ovoid form with everted rims, painted in gilt with scenes of Mount Fuji against a black ground.

12.5cm high (2) £80 - £120

375

LAWRENCE, LOUIS, 'SATSUMA: THE ROMANCE OF JAPAN'

376

A JAPANESE SATSUMA KORO AND COVER

Meiji period Of globular form and raised on three short feet, the domed pierced cover surmounted by a seated shishi, the body decorated with the seven lucky gods gathered in a landscape with auspicious objects.

21cm high (cover repaired) Provenance: Part of a Herefordshire Country House Estate. See footnote for lot 271 £80 - £120

377

A JAPANESE SATSUMA VASE, KINKOZAN

Meiji period Of ovoid form with everted rim, decorated with figures beside a river and on a veranda between complex panel borders.

15.5cm high £250 - £350

Meiji Satsuma Publications, 2011 Hard covers with dust jacket. £40 - £60

373 176

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379 378

379

Edo/Meiji period Of lobed ovoid form and decorated with typical stylised flowers and foliage to shaped panels, 24.5cm dia., together with an Imari bowl of lobed circular form, 15cm dia., and a Kutani koro and cover, of compressed ovoid form with twin dragon handles and shishi finial, decorated with roks and flowering plants, 11.5cm high. (4)

19th century The first of slightly rounded conical shape with narrow foot ring, covered in a mottled deep brown glaze with copper splashes, stopping short of the foot, 14.5cm dia., the second of similar shape, the rim with a metal mount, covered in a deep brown glaze with copper brushed stripes inside and out, stopping short of the foot, 14cm dia. (2) £300 - £500

A PAIR OF JAPANESE IMARI DISHES

Provenance: Part of a Herefordshire Country House Estate. See footnote for lot 271 £80 - £120

TWO JAPANESE TENMOKU GLAZED BOWLS

380

A JAPANESE CLOISONNE BOX AND COVER

Meiji period Of rectangular outline, and raised on four bracket feet, the top worked with wisteria and orchids within a mixed floral border, the sides with complex panel flower and lappet borders, the underside with a central chrysanthemum flower between four rocks, the inside gilt and incised with a chicken and three chicks.

10cm wide, 5cm high

380

Provenance: Part of a Herefordshire Country House Estate. See footnote for lot 271 £200 - £300

177

381

A SET OF FIVE JAPANESE BRONZE HANGING TEMPLE BELLS

Taisho period Of domed shape and graduated size, the top four worked with dragons, the fifth with landscape panels, all against a red painted ground.

Largest 15.5cm, smallest 8cm.

Provenance: Part of a Herefordshire Country House Estate. See footnote for lot 271 £40 - £60

382

A JAPANESE BRONZE VASE

Meiji period Of lobed bottle form, the neck applied in high relief with an eagle perched in a gnarled prunus branch issuing a flower and buds, signature to the underside possibly Narutani.

33cm high £400 - £600

382 178

383 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

383

A JAPANESE LACQUERED SAGE-JUBAKO (PICNIC SET)

Edo/Meiji period The rectangular frame with lobed corners containing a four-tier box and tray to one side, two graduated boxes with cover recessed to hold two pewter saki bottles to the other, all worked with scenes of genteel domestic life.

30cm high, 31cm wide Provenance: Part of a Herefordshire Country House Estate. See footnote for lot 271 £300 - £400

385

A JAPANESE IVORY NETSUKI OF JUROJIN

Meiji period Modelled seated beside a gigantic peach, 4.5cm long, together with a netsuke of an octopus clutching a vase, 4.5cm long. (2) Footnote: Bearing labels for Sotheby's Arcade Auction, undated, lot 239 £150 - £250

386

A NEAR EASTERN COPPER EWER

384

A FRAMED SET OF JAPANESE MINIATURE IVORY MASKS OF ONI

Meiji period Each of the twelve masks carved as a different demon with various expressions, set in a giltwood octagonal frame.

Masks 2cm, frame 24cm wide £150 - £180

19th century Of helmet shape with brass scroll handle, worked with bands of stylised flowers and foliage with Arabic script, 33cm high, together with a Chinese cloisonne censer, of rounded form and worked with stylised flowers and foliage against a black ground, 21cm wide. (2) Provenance: Part of a Herefordshire Country House Estate. See footnote for lot 271 £80 - £100

386 179

387

COMPANY SCHOOL, 19TH CENTURY, TWO WATERCOLOUR STUDIES OF VILLAGE LIFE

Basket weaving and irrigation, framed and mounted together, each 21.5cm x 17cm, together with a watercolour/gouache flower study, 21cm x 14cm. (2) Provenance: Part of a Herefordshire Country House Estate. See footnote for lot 271 £200 - £300

387 180

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388

A BURMESE CARVED HARDWOOD TABLE

19th century The circular top carved with dense scrolling foliage and beasts above a wavy openwork frieze worked with conforming foliage, the multi-knopped stem with further carving raised on three carved lion and scroll supports.

70cm high, 68cm wide £200 - £300

388

FOR SALE

Offers in the Region of £650,000 Royal Oak Farm, Bletchley, Nr Market Drayton, TF9 3RZ 5 Receptions, 7 Bedrooms, 4 Bathrooms Detached Tudor Farmhouse Barn conversion Range of Outbuildings Versatile Accommodation Country home Royal Oak Farm is a stunning example of a Tudor property heaped in history, charm & character. The Grade II Listed property has 5 bedrooms, 4 receptions rooms, study, kitchen, breakfast & utility room. There is a separate 2 bedroom, 2 bathroom barn conversion annexe with open plan lounge, kitchen & dining room.

The annexe also has a fantastic landscaped garden. To the rear of the main property is an enclosed courtyard with a range of outbuildings.

For more details, please contact our Whitchurch Office: T: 01948 663 230 E: whitchurch@hallsgb.com

THINKING OF SELLING OR LETTING YOUR PROPERTY? We have offices in Shrewsbury, Ellesmere, Oswestry, Welshpool, Bishops Castle, Kidderminster and Whitchurch with teams of friendly and knowledgeable staff who are on hand to discuss your property requirements.

Contact your local office today, or visit hallsgb.com to view all our current properties.

COLLECTABLES & WORKS OF ART

389

393

20th century Of rectangular outline and cast with a scene of two men frolicking with a maiden, 18cm x 15cm, together with a plaster erotic roundel wall plaque, cast with a couple intertwined, 16cm diameter. (2)

carved with broad flutes, 'S' scrolls and stylised foliage, 23.5cm wide x 15cm deep

A REPRODUCTION CAST BRASS EROTIC PLAQUE

Footnote: Bearing collection labels inscribed 'Proprieta Giancarlo Folco' and numbered 00289 and 00291 £100 - £150

A 19TH CENTURY CEYLONESE, EBONY BOOK-FORM TABLE BOX

Provenance: Part of a Herefordshire Country House Estate £150 - £250

390

394

An arts and crafts copper and silver-plated tea caddy of cylindrical form with silver-plated beaded border and inset to the lid, marked, 8.5cm diameter £100 - £150

London With an oval brass plaque and escutcheon, the interior fitted with two sets of scales and bottles and two removable trays, lacking elements, inside lid brass plaque engraved with maker 'John Bell & Co, London', 24cm wide x 15cm deep x 13cm high

DUCHESS OF SUTHERLAND'S CRIPPLES GUILD

391

A VICTORIAN OAK APOTHECARY BOX BY JOHN BELL

Provenance: Part of a Herefordshire Country House Estate £60 - £80

A PLASTER DEATH MASK

possibly depicting Napoleon Bonaparte 22cm £100 - £150

395

A PAIR OF LATE 19TH CENTURY, REGENCY STYLE, BRONZE URNS

392

A 19TH CENTURY MAHOGANY STATIONARY BOX

Of slope-front form with single drawer below twin doors, opening to a fitted interior with paper slots above a pen tray.

27cm high, 30cm wide £80 - £120

184

converted to lamps, of etruscan form cast in relief with paterae, the handle bases in the form of swans' heads, the ovoid bodies relief cast with ladies with cymbals and and flowers, raised on square slate plinths with bronze paw feet, slate bases damaged, vase 31cm high, with shades 65cm high (4) £200 - £300

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

390

393

395 185

396

A LARGE 18TH CENTURY IRON 'ARMADA' CHEST

probably German The sprung lock mechanism opening by single key from lid, the cartouche lock plate with scroll decoration, with wrought iron swing handles to sides.

89cm wide, 52cm high, 53cm deep £600 - £800

397

A FRENCH BRONZE VASE

circa 1900 Of amphora shape with twin high bracket handles, moulded in relief with classical maidens in flowing robes amid trailing vines, above a spiral-fluted foot set on a pink veined marble socle.

45cm high £400 - £600

398

AFTER ERNEST RANCOULET (1842-1918), 'AMAZONE', A LARGE AND IMPRESSIVE BRONZE FIGURE OF A LADY

The young woman modelled standing and wearing a wide-brimmed hat with feather plume and a lacetrimmed bodice above a long skirt, her hands raised to hold a riding crop (now missing), set on a circular base signed Rancoulet.

102cm high £1,500 - £2,000

398 186

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399

A PAIR OF FRENCH PARCEL GILT BRONZE EGYPTIAN REVIVAL CANDLESTICKS

20th century The stems cast with hieroglyphs above three seated figures and set on triform bases, the plain cup nozzles with circular drip pans.

19cm high (2) £200 - £300

399 187

400

401 188

400

JOSEF LORENZL, (AUSTRIAN, 1892-1950), A SEMI-CLAD DANCER

signed in the cast, cold painted bronze, on an oval onyx base, 30cm high

Provenance: A private collection from a deceased estate. Purchased from Hickmet Fine Arts on 020719. £1,000 - £1,500

401

JOSEF LORENZL, (AUSTRIAN, 1892-1950), A DANCING FIGURE WEARING A GREY DRESS

With her hands raised high in the air and her left leg raised, engraved signature on the base, cold painted bronze, on an onyx base, 46cm high Provenance: A private collection from a deceased estate. £1,500 - £2,500

402

JOSEF LORENZL (AUSTRIAN, 1892-1950), ‘RED SHOES’, A DANCER IN A SILVER DRESS

With a ruff, arms outstretched and left leg raised, signed in the casting and with a Vienna foundry mark 'Argentor', cold painted bronze, on a tall onyx cylindrical pedestal, 48cm high

Provenance: A private collection from a deceased estate. Purchased at Hickmet Fine Art on 011217 for £3,550 and insured by Hickmet for £4,500. £1,500 - £2,000

402 189

403 190

404 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

403

L* ALLIOT, AN ART DECO STYLE FEMALE NUDE HOOP DANCER

Crouched over the hoop, signed in the casting, stamped on the base of the figure 'unis? France', on a marble base, 38cm high Provenance: A private collection from a deceased estate. £800 - £1,200

404

L* ALLIOT, AN ART DECO STYLE STANDING FEMALE NUDE HOOP DANCER

Crouched over the hoop, signed in the casting, gilded, on a marble base, 39cm high Provenance: A private collection from a deceased estate. £800 - £1,200

405

A LARGE GALVANISED STEEL GARDEN STATUE OF AN OSPREY

contemporary Modelled from sheet metal as a large bird of prey, wings upstretched, as it catches a fish, set in a painted metal cuboid stand on an associated stone plinth base.

133cm total height Provenance: The contents of Castell Gyrn, Ruthin, North Wales. £300 - £500

406

MIKE 'CHAI' SCOTT (BRITISH, B.1943), THREE CARVED WOOD BOWL FORMS.

25cm, 15cm and 14cm dia. (3) £100 - £150

191

407

410

MIKE 'CHAI' SCOTT (BRITISH, B.1943), A LARGE CARVED BURR ELM BOWL

form vessel of compressed ovoid form, the rim and interior dark stained.

33cm dia., 19cm high £300 - £500

408

ANTHONY SOUTHWELL (BRITISH, 19362008), 'TORSO STUDY', NUDE STUDY OF A RECLINING FEMALE

initialled 'AS' on the edge of the base, The Mall Galleries label on the chamfered, rectangular mahogany plinth, titled on label, RBA exhibition in 1986, terracotta, 72cm long, plinth 74cm x 36cm (2) £150 - £250

409

A THREE-PIECE LEATHER LUGGAGE SET FOR ASTON MARTIN V8 VANTAGE VOLANTE BY TANNER KROLLE LTD

in dark-blue leather, each bearing Aston Martin emblem to front of lid, with burgundy cloth lining, combination locks, comprising two suitcases, 77cm and 59cm wide respectively, and a vanity case, 32cm wide. (3) £1,000 - £1,500

411

A FOUR-PIECE SET OF FITTED LAMBOURGHINI DIABLO LUGGAGE

In tan leather embossed with the Lamboughini and Diablo logos, brass furniture and branded cloth linings, comprising a suitcase, 56cm wide, suit carrier, 55cm wide, lady's handbag, 28cm wide and vanity case, 36cm wide. (4) £1,500 - £2,000

SEAN CRAMPTON (BRITISH, 1918-1999)

'The Falconer', bronze (fabricated) standing stylised male figure with bird, verdigris patina, set on a stone plinth base with applied title tablet.

196cm high Provenance: The contents of Castell Gyrn, Ruthin, North Wales £3,000 - £4,000

412

A FRENCH PEWTER TAPPIT HEN OR 'PICHET A EPAULEMENT'

dated 1736 Probably Louis-Francois Cantelle, with scroll thumbpiece over a flat top stamped with initials LV, the jug of typical mallet form, touch marks to the underside incorporating LFC monogram.

22cm high £200 - £300

408 192

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

410

411 193

413

415

late 19th century Of waisted shape with twin ring handles, the lift-off top with split opening, embossed with stylised flowers.

52cm high, 68cm wide £300 - £500

Paris The carved scroll top on a foliate carved moulded column support and base housing seven pedals, the soundboard decorated with delicate flower sprays, internally signed Francois Folck(?).

63" (160cm) high £1,500 - £2,500

A VERY LARGE ARTS AND CRAFTS COPPER WINE COOLER

A GOOD 18TH CENTURY FRENCH HARP BY SAUNTER

414

A PAIR OF WROUGHT IRON FIRE DOGS

17th century Of scroll form with brass finials, together with a reproduction wrought iron fire basket made en suite.

45cm high, 87cm wide assembled £150 - £250

415 194

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FURNITURE & CLOCKS

416

A GEORGE III 8-DAY, OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK

The broken swan-neck pediment with foliate decorated 'frieze' above a 13" painted arched dial, the arch painted with a bucolic scene, with trellis spandrels, subsidiary seconds dial, date aperture and signed 'Samuel Harley Salop', the trunk with fluted 1/4 columns, the base with a razor-blade panel, with key, winder, two weights and a pendulum, (8) £400 - £600

417

AN EARLY 20TH CENTURY FRENCH, OVAL BRASS CARRIAGE CLOCK

with a 2.75" enammelled dial, signed 'Henri Marc A Paris' and with an alarm subsidiary dial below, the 8 day movement with lever escapement and compensated balance wheel, striking with hammers on a gong, handle down 14.5cm high, with key (2) £400 - £500

416 196

417 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

418

419

19th/20th century Attributed to Gustav Becker, the typical rectangular case with architectural cresting surmounted by a horse, the door fully glazed and flanked by canted corners having acanthus spandrels, an ogee base below, the enamel dial having black Roman numerals, the weight-driven movement striking on a gong.

128cm high, 39cm wide £200 - £300

The 3” circular dial painted with three birds to the centre and signed Le Roy et Fils, 211 Regent Street London, with Roman numerals in gilt and bleu celeste borders, eight-day movement striking on a bell, the movement inscribed Le Roy et Fils a Paris and numbered 780, the case surmounted by a campana urn with detachable cover and pineapple finial and goat's head handles and raised on a stepped shaped plinth and foliate wrapped toupie feet. 30cm high, 19cm wide, 10cm deep, on separate giltwood plinth (2) £500 - £600

A LARGE WALNUT AND MAHOGANY VIENNA TYPE WALL CLOCK

418

A FRENCH ORMOLU AND PORCELAIN PANEL MOUNTED MANTEL CLOCK

419 197

420

A LARGE AND IMPRESSIVE GILT BRASS BRACKET CLOCK IN THE CHINESE TASTE

BY HERBERT MASON

circa 1887 The openwork cast case of rectangular outline with pagoda cornice, surmounted by a fret cresting through which a sinuous dragon thrusts its head, the off-white enamel dial with black Roman numerals within a fret and flower panel, the sides with conforming panels, the corners with mixed columns terminating in elephant head feet, raised on a cast platform base.

52cm high, base 33cm wide Footnote: Originally conceived as a garniture with conforming twin vases to flank the clock, this design was registered 82300 by Herbert Mason & Co. in 1887. £500 - £600

419 198

421

A LATE 19TH CENTURY FRENCH, TOLE CIRCULAR WALL CLOCK

With a large handle above a laurel decorated body with a 3" enamelled dial with a gilt metal ground and floral moulded border, with Roman numerals and minute markers, the 8-day twin drum movement, striking on a bell, handle down 32cm high £100 - £150

422

DANIEL VAUGUION OF LONDON, A MID LATE 18TH CENTURY MAHOGANY CASED BELL TOP BRACKET CLOCK

the arched brass dial signed on the silvered plaque in the arch, with subsidiary strike/silent dial, silvered chapter ring, date aperture, gilt brass spandrels, the 8-day double fusee movement with anchor escapement, with a well engraved backplate, the case with glazed side panels and back, some damage, 50cm high (including handle). £600 - £800

419 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

423

A LATE GEORGE III AND LATER, HARLEQUIN SET OF SIX PROVINCIAL, MAHOGANY, CHIPPENDALE STYLE DINING CHAIRS

comprising a set of three with quartrefoil pierced splats, undulating cresting rails and overstuffed seats covered in later gros point, raised on chamfered square legs, united by 4 rail stretchers, with another three later examples, some damage (6) £150 - £250

425

A 19TH CENTURY DUTCH MARQUETRY PIER MIRROR

Inlaid all over with foliage and flowers, the rectangular frame slightly concave-shaped on each side and enclosing a bevelled plate, 42cm wide x 88cm high Provenance: Part of a Herefordshire Country House Estate £100 - £200

424

426

in profile of wedge shape, with turned supports and shallow 3/4 galleries, the base with two beaded edged, sunken panelled drawers, flanked by matching sides, raised on short turned legs terminating in brass caps and castors, 92cm wide x 29cm deep x 101cm high £150 - £250

The curved top rails above C scrolls, centred by a vacant shield above rectangular moulded seats raised on turned supports.

Seat height 42cm (2) £200 - £300

A GEORGE IV MAHOGANY, GRADUATED, 4-TIER OPEN BOOKCASE

424

A PAIR OF REGENCY MAHOGANY HALL CHAIRS

426 199

427

428

the rectangular top with a floral motif carved edge, above two frieze drawers, over a scroll carved apron, raised on chamfered, blind fretwork legs, minor damage and restoration, 80cm wide x 39cm deep x 71.5cm high £400 - £600

inlaid with ebony and boxwood chequer banding and stringing, and the frieze and legs inlaid with marquetry festoons, conch shells and garrya pendants respectively, raised on tapering square legs terminating in large spade feet, 184cm wide x 78cm deep x 80cm high

AN EARLY GEORGE III, CHIPPENDALE STYLE, MAHOGANY FOLD-OVER TEA TABLE

A GEORGE III MAHOGANY AND SATINWOOD CROSSBANDED, SERPENTINE SHAPED SERVING TABLE

Provenance: Part of a Herefordshire Country House Estate £800 - £1,200

427

428 200

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

429

430

Dated 1897, the circular top carved with an anchor and inscribed 'Oak From Battleship Foudroyant, 17981897', above a baluster stem and three scroll feet.

42cm wide, 58cm high £200 - £300

Each two-seater with scroll back and arms, raised on carved mahogany cabriole supports.

129cm wide, 72cm deep, seat height 46cm (2) £800 - £1,200

A 19TH CENTURY OAK TRIPOD TABLE OF NELSONIAN INTEREST

A PAIR OF 18TH CENTURY STYLE CAMEL BACK SOFAS

430 201

431

A QUEEN ANNE/GEORGE I FIGURED WALNUT BUREAU BOOKCASE

with 1/4 veneers, feather-banding and broad cross-banding, the upper double arched section with two doors, enclosing two adjustable shelves over 4 short drawers, the base with two retractable candle slides above a fall, enclosing a stepped interior and well, the two long drawers over a moulded edge, raised on later bun feet, restorations and later elements, 101cm wide x 55cm deep x approximately 192cm high £1,200 - £1,500

431 202

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

203

432 204

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

432

434

with tapering cylindrical legs and covered in a wine red fabric; with a Louis XV style gilded settee, covered in a matching fabric with cabriole legs (3) £600-900 £600 - £900

The rectangular marble top, 81.5cm wide x 42cm deep x 87cm high £400 - £600

433

435

the broken swan-neck pediment terminating in paterae, over a single feather-banded and 1/4 veneered door, enclosing three shaped shelves, some damage and restoration, 62cm wide x 112cm high £300 - £500

the rectangular moulded top above a brushing slide, over 4 long, graduated, cock-beaded drawers, with brass swan-neck handles, raised on bracket feet, top with 4 patches, some minor damage, 78cm x 45.5cm deep x 82cm high £300 - £500

A PAIR OF 19TH CENTURY, LOUIS XVI STYLE, GILDED ARMCHAIRS

A GEORGE II WALNUT VENEERED HANGING CORNER CUPBOARD

434

A 19TH CENTURY, REGENCY STYLE, MAHOGANY CONSOLE TABLE

A SMALL, WELL PROPORTIONED, GEORGE III MAHOGANY CHEST OF DRAWERS

435 205

436

A 17TH CENTURY OAK GATELEG TABLE

437

The 5-plank oval top raised on turned and block legs united by 'knob-turned' stretchers, extended 158cm x 136cm x 75cm high £300 - £500

NO LOT

436 206

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

438 438

A GOOD REGENCY SOLID MAHOGANY DROP-LEAF DINING TABLE

formerly the central section to a large dining table, with a reeded rectangular top and 6 reeded legs headed by concave caps and ebony stringing, underside of each flap with inset metal plates to fix gatelegs in position, extended 138cm wide x 173.5cm long x 74cm high £400 - £600

439

A 17TH CENTURY AND LATER OAK DRESSER BASE

of diminutive proportions The plank top above two panel-fronted drawers, raised on baluster shaped front supports.

122cm wide, 66cm high, 42cm deep £150 - £250

440

A GEORGE III MAHOGANY CHEST OF TWO SHORT AND TWO LONG GADUATED, COCK-BEADED DRAWERS

with a brushing slide and later brass Rococo style handles, raised on concave shaped bracket feet, 93cm wide x 50cm deep x 80.5cm high £150 - £250

440 207

441 208

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

444

441

443

with blind fretwork canted corners, rococo style gilded handles and ogee feet, 119cm wide x 55cm deep x 134cm high £1,500 - £2,000

with outswept arms terminating in scrolls, with an arched back and a serpentine shaped seat rail, raised on shaped square legs

442

444

The sloping fall with black leather skiver enclosing two drawers at the back of the well, before a dome-topped pen box, above four drawers opposite four faux drawers, raised on dome feet with casters.

56cm wide, 85cm high, 55cm deep £200 - £300

with brass swan-neck handles, the rectangular moulded top, cross-banded and inlaid with boxwood stringing, raised on splayed bracket feet, small amount of damage, 90cm wide x 50cm x 83cm high £150 - £250

A GOOD MID-18TH CENTURY FIGURED MAHOGANY VENEERED CHEST ON CHEST

A 19TH CENTURY INLAID WALNUT DAVENPORT

AN 18TH CENTURY MAHOGANY OPEN ARMCHAIR

Provenance: Part of a Herefordshire Country House Estate £100 - £200

A LATE GEORGE III MAHOGANY CHEST OF 4 LONG, GRADUATED AND COCK-BEADED DRAWERS

209

445

A WILLIAM IV MAHOGANY SERVING TABLE

The top with moulded lappet dentil edge above a plain frieze, raised on tapering front supports with lotus carving, the back supports of panelled rectangular type.

170cm wide, 86cm high, 60cm deep (some losses) £400 - £600

445

447 446

447

the plank top above a single frieze drawer over a pierced and scrolling apron, on turned and block legs united by conforming stretchers, some damage and restorations, extended 117cm long x 142cm wide x 70cm £150 - £250

comprising two elbow chairs and 6 standard chairs, all with rope-form top rails and over-stuffed seats and turned legs (8)

A CIRCA 1700 OVAL, OAK GATELEG TABLE

210

A SET OF 8 REGENCY MAHOGANY DINING CHAIRS

Provenance: Part of a Herefordshire Country House Estate £400 - £600

Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT

448

A GEORGE II RECTANGULAR MAHOGANY TEA TABLE

the fold-over top, above a frieze drawer, over a pair of inward folding, 'C' scroll carved cabriole legs, terminating in club feet, 71cm wide x 35cm deep x 71cm high

Provenance: Part of a Herefordshire Country House Estate £500 - £700

449

A REGENCY MAHOGANY AND ROSEWOOD, BRASS INLAID, TEA TABLE

the rectangular top crossbanded with rosewood and with double brass stringing, raised on spiral reeded legs, 91cm wide x 45cm deep x 75cm high Provenance: Part of a Herefordshire Country House Estate £300 - £500

448

449 211

450 450

451

inlaid with ebony stringing and with an unusual top with a double fold-over action, above two end frieze drawers and dummy drawer side flaps, raised on tapering square legs terminating in bass caps and castors, 66cm wide x 40cm deep x 72.5cm high

Inlaid all over with foliage, flowers and exotic birds, on a waisted hexagonal support with an hexagonal base, raised on small squashed bun feet, 79cm wide x 39.5cm deep x 74cm high

A GEORGE III MAHOGANY OCCASIONAL TABLE

Provenance: Part of a Herefordshire Country House Estate £100 - £200

A 19TH CENTURY DUTCH MARQUETRY DEMI-LUNE TEA TABLE

Provenance: Part of a Herefordshire Country House Estate £150 - £250

451

END OF SALE

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213

213

INDEX OF ARTISTS A

William Anderson (British 1757-1837) was a Scottish artist who painted in oil, watercolour and was a competent draughtsman. He painted predominantly river landscapes and seascapes as well as interior architectural scenes. He has works in a number of public collections including the British Museum and Victoria and Albert Museum.

B

Coplestone Warre Bamfylde (British 1720-1791) was predominantly a painter of landscapes, he exhibited at the Royal Academy during the 1770s and 1780s. He worked in oils, watercolour and was also a talented engraver. His work is held in a number of public collections including the National Portrait Gallery and the Laing Art Gallery.

David Bates (British 1840-1921) was a British painter based around Worcester, he travelled widely throughout the country including painting trips to Wales, Scotland and Northern England. Painting in oils and watercolours he is best known for his landscapes and exhibited at the Royal Academy and with the New Watercolour Society.

Stefano della Bella (Italian 17th Century) was an Italian draughtsman and printmaker from Florence, particularly celebrated for his etchings of military and court scenes as well as topographical perspectives. He enjoyed the patronage of the Medici family, living in their palace in Rome at the beginning of his career before he left Italy to travel through Northern Europe. He settled in Paris and created a prolific amount of prints including the siege of Arras by the Royal Army and topographical prints of 17th century Paris. He returned to Florence in later life, receiving a pension from the Grand Duke and schooling Cossimo III in drawing. His output was tremendous and he created thousands of drawings and prints, but only one painting of his survives.

John Bowen (British 18th Century) was an 18th Century painter from Shrewsbury. He was the son of an artist and well regarded for his architectural accuracy in depicting buildings and townscapes of the area. He has a number of paintings in the collection of the Shrewsbury Museum.

C

David Cox the Elder (British 1783-1859) was a landscape painter from Birmingham. He predominantly painted in watercolour as well as oil.

He undertook painting excursions to the Low Countries, France and North Wales. Cox developed an unusual technique for using wrapping paper to paint on which stood out against the works of his contemporaries of the day. He first exhibited at the Royal Academy in 1805. Later in his career he began to use oil but to lesser success than his watercolour pieces.

D

William Davison (British 1805-1870) was a 19th Century artist active around London. He was known to paint portraits and landscape compositions and exhibited at both the British Institution and Royal Academy.

H

Edward Robert Hughes RWS (British 1851-1914) was a London based historical genre painter. He studied with artist Holmen Hunt and his uncle Arthur Hughes, exhibiting at the Royal Academy 1870-1898. His work was predominantly Romantic style genre subjects often inspired by contemporary novels.

K

George Goodwin Kilburne the Elder (British 1839-1924) studied engraving under the Dalziel Brothers of London but also became a talented and recognised painter and watercolourist. He is known for his genre and interior scenes as well as his illustrations for contemporary magazines. He exhibited widely including the Royal Academy, Royal Society of British Artists and was also a member of the Royal Institute of painters in Watercolours. Works by Kilburne can be found in public collections such as the Liverpool Walker Art Gallery and Sheffield Art Gallery.

L

Pieter Boddingh van Laer (Netherlandish 1840-1912) was a Netherlandish artist from Haarlem. Following training in Holland possibly under Esaias van der Velde he relocated to Rome and joined the Birds of a Feather artist’s community. He enjoyed great success in both Italy and his homeland due to his unique art style. Laer had a disproportionate body type which earned him the nickname ‘il Bamboccio’ and he reflected his unusual looks within his depictions of the figures he painted, with very twisted forms and bent poses. His followers were known as the ‘Bamboccianti’.

George Robert Lewis (British 1782-1871) Lewis was brother to Frederick Christian Lewis the Elder who was also an artist. George Lewis studied under Henry Fuseli at the Royal Academy and had a successful career as a painter and engraver. He spent some time painting in France and Germany in the early 19th Century and exhibited regularly at the Royal Academy from the 1820s onwards. He was well known for his portraits and also produced genre scenes and landscapes.

Albert Dürer Lucas (British 1828-1918/19) The son of Richard Cockle Lucas he was a painter of genre scenes and still life compositions predominantly. He exhibited regularly around the London area from 1859-1878.

Henry Frederick Lucas Lucas (1848-1943) was originally from Lincolnshire but relocated to Rugby where he lived for the rest of his life. Lucas specialised in horse related art, including equestrian portraits, races, hunting and sporting events such as polo matches

214

M

Charles Victoire Frédéric Moench (French 1784-1867) The son of artist Simon Frédéric Moench. He studied under Girodet and began exhibiting at the Paris salon from 1810. He is best known for his historical paintings, landscapes and portraits. Moench was commissioned to create artwork for the Fontainebleau palace and conducted painting restoration at Versailles.

O

Wilfred Owen (British 1898-1918) was a British poet and soldier from Oswestry, Shropshire. He is famous for his haunting war poetry which focused upon the horrors of the trenches and conditions during World War One which were in stark contrast to the contemporary public perception of the war effort. Owen was killed in action during the crossing of the Sambre-Oise Canal, just one week before the signing of the Armistace.

P

Henry Spurrier Parkman (British 1814-1864) a British 19th Century painter best known for his portraits. He was predominantly active in the Bristol and Kilburn areas. He has works in public collections including the Bristol City Museum and Art Gallery.

Edwin Alfred Pettit (British 1840-1912) a Birmingham born landscape painter who travelled widely around the United Kingdom, Switzerland and Italy. He exhibited at the Royal Academy and has works in a number of public collections including the Birmingham Museum and Art Gallery.

Andrew Plimer (British 1763-1837) was a Shropshire born artist and one of the most celebrated miniaturists of his time. He studied under Richard Cosway and debuted at the Royal Academy in 1785. His miniatures are highly collectible, especially those depicting female sitters Sir Edward John Poynter RA (British 1836-1919) was the son of Ambrose Poynter, a watercolourist and architect. He studied at the Ecole des Beaux-Arts and began exhibiting at the Royal Academy from the early 1860s, becoming a member in 1876 and its President in 1896. He predominantly painted historical subjects and earned recognition for paintings of female nudes. He was a member of the Royal Institute of Painters in Watercolours, honorary member of the Royal Society of British Artists and the Royal Society of Miniature Painters. female sitters

S

Henry Thomas Schafer (Schaffer) (British 1854-1915) was an artist active 1873-1915 known for his genre scenes, continental landscapes and interior scenes and painted in oils, watercolours and was a skilled draughtsman. He was a member of the Royal Society for British Artists and exhibited at both the Royal Academy and Royal Scottish Academy during his career.

Vasili Ivanovich Shukhaev (Russian 1887-1973) was a Russian artist who studied at the Academy of Art in St. Petersberg. He was a member of the Mir Iskusstva (World of Art) group, spending his early painting career travelling through Italy before settling in Paris in 1919. He exhibited widely in Paris salons and illustrated a number of works including Pushkin’s Boris Godunov and Queen of Spades as well as Alfred de Musset’s Les Deux Maitresses. He returned to the USSR in 1945 and continued to exhibit in his home country.

William Clarkson Stanfield (1793-1867) began his working life as a sailor, practicing art as a hobby before an accident ended his maritime career and pushed him into working as an artist full time. He travelled wifely including, France, the Netherlands and Italy and there created a large amount of Italian landscapes. He is particularly celebrated for his depiction of skies. Stanfield became a member of the Royal Academy in 1835 as well as the Society of British Artists.

Thomas Stothard (British 1755-1834) was a London based artist and great friend of William Blake, with whom he shared an outlook on social issues. He painted in oils and watercolour and was a skilled engraver. He exhibited classical subjects at the Royal Academy, being elected as member in 1794, and was known for mythological and genre scenes as well as portraits. From early in his career he produced illustrations for magazines which he continued to do for the rest of his life.

George Vernon Stokes (British 1873-1954) was a landscape and animal painter from Carlisle, working in oil, watercolour and pastel.

Denby Sweeting (British 1936-2020) was a British realist painter who is best known for his depictions of British domestic animals and floral studies, painting from his studio in North Wales. Sweeting spent much of his early life in London, and was apprenticed as a cabinet maker.

He made a career for himself in painting and picture restoration and was a member of the International Institute for Conservation of Historic Works of Art. Sweeting was a founder member of the Federation of British Artists and regularly exhibited at the RBSA during the 1980s.

T

Herbert Samuel Thomas (British 1883-1966) was a Welsh artist who is best known as a 20th Century political cartoonist, creating images for publications such as Punch Magazine. He designed British propaganda for the war efforts during both the First and Second World Wars. was a Welsh artist who is best known as a 20th Century political cartoonist, creating images for publications such as Punch Magazine. He designed British propaganda for the war efforts during both the First and Second World Wars.

W

Vernon de Beauvoir Ward (British 1905-1985) was a British landscape and still life painter. He was the son of artist Albert Ward and studied his craft at the Slade School of Fine Art in London. He exhibited with the Royal Society and Royal Institute of Oil Painters and was an associate of the Royal Society of British Artists Henry Warren (British 1794-1879) was a British artist who was best known for watercolours. He studied at the Royal Academy and exhibited his first composition in 1823, from then on opting to switch from oil to his preferred medium of watercolour. He was a member of the New Society and became its President in 1839. A number of his works are housed in public collections including the National Portrait Gallery and the Victoria and Albert Museum.

Thomas Whittle the Younger (British 19th Century, Active 1865-1885) was the son of Thomas Whittle the elder and was active in the London area between 1865-1885. He was primarily a painter of still-life compositions and landscapes.

215

EXPLANATION OF CATALOGUING TERMS FOR PAINTINGS, MINIATURES, SCULPTURES AND PRINTS Any statement as to authorship, attribution, origin, date and age, provenance andcondition is a statement of opinion and is not to be taken as a statement of fact.

Halls Fine Art reserve the right, in forming their opinion, to consult andrely upon any expert or authority considered by them to be reliable.

1. John Constable In our opinion a work by the artist. When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

2. Attributed to John Constable In our opinion probably a work by the artist, but less certainty as to authorship is expressed than in the preceding category.

3. Studio of John Constable In our opinion a work by an unknown hand in the studio of the artist which may or may not have been executed under the artist’s direction.

4. Circle of John Constable In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil.

5. Style of… follower of John Constable In our opinion a work by a painter working in the artist’sstyle, contemporary, but not necessarily his pupil.

6. Manner of John Constable In our opinion a work in the style of the artist and of a later date.

7. After John Constable In our opinion a copy of a known work of the artist.

8. The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

9. The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

10. Dimensions are given height before width.

11. Pictures are framed unless otherwise stated.

ARTISTS RESALE RIGHTS In accordance with Artists Resale Rights Regulations 2006, all lots marked † which sell for €1000 or more are subject to a resale royalty charge (“Royalty”). This Royalty is payable by the Bidder. The Royalty will be charged at a rate of 4% of the total hammer price (exclusive of Bidder’s premium) for lots selling for amounts up to €50000. For lots selling in excess of €50,001, the Royalty shall be calculated at a reduced rate (details available on request). The Royalty is not subject to VAT and is payable in sterling calculated on the day of sale at the prevailing rate of exchange. Payment shall be passed directly to the Design and Artists Copyright Society (DACS), 33 Great Sutton Street, London EC1V 0DX. For further information please contact the Auctioneers or DACS on 0845 4103410 or visit their website at www.dacs.org.uk.

216

CONDITIONS OF SALE Definitions.

In these Conditions Halls Holdings Limited act only as 1. auctioneers and agents for the seller and the representative of Halls Holdings Limited conducting the auction is called the “Auctioneer”.

General.

Whilst Halls Holdings Limited make every effort to ensure 2. the accuracy of their catalogues and the description of any lot:Each (a) lot as set out in the catalogue or as divided or combined with any other lot or lots sold by the seller with all faults, imperfections and errors of description.

Halls (b) Holdings Limited do not accept responsibility for the authenticity, attribution, genuineness, origin, authorship, date, age, period, condition or quality of any lot unless they have been instructed in writing by the seller to so certify, and in such case the auctioneers do so as agents of the seller and are not themselves responsible for such claims.

All(c) statements whether printed in the catalogue or made orally as to any of the matters set out in (b) above are statements of opinion only and are not to be taken as being or implying any warranties or representations of fact by Halls Holdings Limited unless they have been instructed in writing by the seller to so certify.

Any (d) claim under any Statute must be received in writing by the Auctioneers within ten days of the day of the sale.

The 3. Auction.

The (a) Auctioneer has absolute discretion to divide any lot, to combine any two or more lots or withdraw any lot or lots from the sale, to refuse bids, regulate bidding or cancel the sale without in any case giving any reason or without previous notice. He may bid on behalf of the seller for all goods which are being offered subject to reserve or at the auctioneer’s discretion.

The (b) highest bidder shall be the buyer except in the case of a dispute. The Auctioneer may at his sole discretion determine the advance of bidding or refuse a bid. If during the auction the Auctioneer considers that a dispute has arisen, he has absolute discretion to settle it or to re-offer the lot.

Each (c) lot is put up for sale subject to any reserve price placed by the seller.

All (d)conditions, notices, descriptions, statements and other matters in the catalogue and elsewhere concerning any lot are subject to any statements modifying or affecting the same made by the Auctioneer from the rostrum prior to any bid being accepted for the lot.

Rescission.

Notwithstanding any other terms of these Conditions, 4. if within fourteen days after the sale Halls Holdings Limited have received from the buyer of any lot notice in writing that in his view the lot is a deliberate forgery and within twenty-one days after such notification the buyer returns the same to Halls Holdings Limited in the same condition as at the time of sale and by producing evidence, the burden of proof to be upon the buyer, satisfies Halls Holdings Limited that considered in the light of the entry in the catalogue the lot is a deliberate forgery then the sale of the lot will be rescinded and the purchase price of the same refunded. The seller and the buyer agree to be bound by Halls Holdings Limited’s decision Default.

Halls Holdings Limited disclaim responsibility for default 5. by either the buyer or the seller because they act as agents for the seller only and therefore do not pay out to the seller until payment is received from the buyer. Instructions given by telephone are accepted at the sender’s risk and must be confirmed in writing forthwith.

In6.the event of a sale by private treaty both the seller and the buyer agree to be bound by the general and any Special Conditions of Sale.

Third 7. Party Liability. Every person on Halls Holdings Limited’s premises at any time shall be deemed to be there at his own risk.

He shall have no claim against Halls Holdings Limited in respect of any accident which may occur or injury, damage or loss howsoever caused, save in so far as the injury, damage or loss shall be caused by the direct negligence of Halls Holdings Limited’s employees

CONDITIONS OF SALE APPLICABLE TO BUYERS 8. Inspection. Opportunity is given for inspection and each buyer by making a bid for a lot acknowledges that he has satisfied himself fully before bidding by inspection or otherwise to all the Sale Conditions, the physical condition of and description of the lot including but not restricted to whether the lot is damaged or has been repaired or restored.

9. Property and Risk. The legal title in a lot shall not pass to the buyer until the lot(s) has been paid for in full and the Auctioneers shall be entitled to a lien on any lot sold until the purchase price (as defined in 10 below) is paid in full but each lot is at the sole risk of the buyer from the fall of the hammer. Each buyer shall forthwith give his full names and permanent address and if called upon to do so by the Auctioneer shall forthwith pay Halls Holdings Limited such proportion of the purchase price as the Auctioneer may require. If the buyer fails to do so, the lot may at the auctioneer’s sole direction be put up again and re-sold.

10.Every bidder shall be deemed to act as principal unless there is in force a written acknowledgement by Halls Holdings Limited that he acts as agent on behalf of a named principal.

11. Removal of goods. (a)No purchase shall be claimed or removed until the sale has been concluded. All lots shall be paid for and removed at the buyer’s risk and expense by the end of the second working day after the sale, failing which the Auctioneer shall not be responsible if the same are lost, stolen, damaged or destroyed, and all lots not so removed shall remain at the risk of the buyer and subject to a warehousing charge. If they are not paid for and removed within seven days of the sale the Auctioneer may re-sell them by auction or privately without notice to the buyer. Any liability which there may be on the part of the Auctioneer in respect of any loss shall be restricted to a maximum of the price paid by the buyer of the lot. (b) In the event of any failure of the buyer to comply with any of the above conditions the damages recoverable by the seller or the Auctioneers from the defaulter shall include any loss arising on any re-sale of the lots, together with the charges and expenses in respect of both sales, and together with interest at 2% above Handelsbanken Base Rate upon the price of any lot which has not been paid for within forty-eight hours of the sale, and any money deposited in part payment shall be held by the Auctioneers on account of any liability of the defaulter to them or to the seller.

We accept cash up to €10,000, debit cards, bank transfers and personal cheques. We apologise we do not accept credit cards.

Cheques drawn by third parties, whether in the auctioneer’s favour or requiring endorsement, cannot be accepted.

12. Purchase Price. The buyer shall pay the hammer price together with a premium at the stated rates on the hammer price of 20%. under the Auctioneers’ Margin Scheme operated by HM Customs & Excise, the premium does attract VAT as an addition to the stated premium rate.

13. Commission to Bid. Halls Holdings Limited will execute bids on behalf of intending buyers unable to attend the sale at no charge. Halls Holdings Limited undertake to purchase lots as cheaply as allowed by other bids and reserves. Bids must be submitted in writing and whilst every care is taken in carrying out instructions Halls Holdings Limited cannot be held responsible for errors or omissions made in carrying out such bids.

14. Lots on which Value Added Tax is payable on or included in the hammer price are indicated in the catalogue or description sheet with a sign. VAT is payable on or included in the hammer price of such lots at the rates prevailing on the day of the auction.

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CONDITIONS OF SALE APPLICABLE TO SELLERS 15. The seller authorises Halls Holdings Limited to deduct commission at the published rate and to retain the buyer’s premium of 20% plus VAT. The seller agrees to pay all special advertising charges and illustration charges (see 24) insomuch that they are reasonable. Scale of Commission - Halls Business tariff card available at all Halls offices and salerooms on request.

16. Value Added Tax. A seller who sends for sale by auction any chattel(s) which is an asset of his business must disclose to the Auctioneer whether or not he is a registered person for Value Added Tax purposes and, if so, his registered number and whether or not he intends to operate the Dealer Margin Scheme covering works of art, etc. This information must be supplied to the Auctioneer on or prior to delivery of the goods.

17. Instructions. All goods delivered to the Auctioneers’ premises will be deemed to be delivered for Sale by Auction and will be catalogued and sold accordingly unless special instructions are recorded on the receipt.

18. Reserves. Halls Holdings Limited will be pleased to advise on suitable protective reserves but if no reserves have been received prior to the day of the Sale, the lot will be sold without reserve or at the discretion of the Auctioneer. Reserves must be confirmed in writing or notified on the receipt at the time of delivery.

19. Indemnity. Vendors shall indemnify Halls Holding Ltd against any claims in connection with goods sold by Halls on the vendor’s behalf.

20. Collections. The Auctioneers do not themselves undertake the collection of goods but acting expressly as Agents, they will if required, instruct or recommend a carrier on the vendor’s behalf for which there will be a charge.

21. Withdrawals. Where a seller cancels instructions for sale, or where a lot is withdrawn for any reason other than misattribution or authenticity, Halls Holdings Limited reserves the right to charge a fee equal to 10% plus VAT of the reserve price of the lot, or where no reserve has been fixed, Halls’ lower estimate of the item(s) withdrawn, together with any expenses incurred in relation to the item(s) withdrawn.

22. Insurance. Halls Fine Art are not regulated by the FSA for the provision of insurance to its clients. However, Halls Holdings Limited, for its own protection insures property consigned to it at bottom pre sale estimate, unless the item has been sold, in which instance property is insured at the hammer price for loss, occasioned as a result of theft, fire or negligence whilst in their custody or control.

23. Warranty of Title. The seller warrants to Halls Holdings Limited and to the buyer that he is the true owner of the property or is properly authorised to sell the property by the true owner and is able to transfer good and marketable title to the property free from any third party claims.

24. Photography. Vendors give Halls Holdings Limited the right to photograph and illustrate and promote any lot placed with them for sale and to use such photographs and illustrations at any time at their discretion, whether or not in connection with the auction.

25. Electrical and Mechanical goods. The seller and consignor of

electrical or mechanical goods warrants and undertakes to Halls Holdings Limited that on the date received by Halls that the same are safe if reasonably used for the purpose for which they were designed and free from any defect not obvious on external inspection which could prove dangerous to human life or health, and will indemnify Halls its servants and agents against any loss or damage suffered by any breach of the above warranty.

26. Agency. The Auctioneers act throughout as Agents only and are not responsible for any default by the buyer. Halls Holdings Limited disclaim liability for paying the vendor until they have received settlement from the purchaser.

27. Warehousing. The Auctioneers exempt themselves from any liability to goods delivered to their salerooms without sufficient sale instructions,and reserve the right to make a warehousing charge in this respect. A similar warehousing charge will be applicable for goods left on their premises after they have requested the vendor to remove them.

28. Unsold goods. unsold goods must be collected if they are not to be re-offered within 14 days following receipt of any after sale advice slip. Halls Holdings Limited reserve the right to sell by auction on behalf of the vendor without reserve any items after this period.

29. Important Notice. Any monies held on your behalf will be held in a Clients Bank Account at the Handelsbanken, Shrewsbury and will be protected by the FSA. Furthermore for your protection, Halls adhere to the Clients Monies rules of the RICS. Any incidental interest earned on such monies will be retained by Halls as part of their terms of engagements, and by instructing Halls to act on your behalf, you are agreeing to and endorsing that course of action.

RICS operates a Clients’ Money Protection Scheme (CMPS). This scheme, of last resort, covers direct loss of clients’ money as a result of misappropriation (or equivalent) by a RICS Regulated Firm, up to a £50000 limit. The CMPS nor Halls will provide protection for the failure of a bank. But protection for bank failure is provided

by The Financial Services Compensation Scheme up to a £50000 limit. A copy of Halls complaints procedure is on display at all Halls offices, and a copy will be made available to you on request.

30. Online Bidding. Halls Holdings Limited offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.the-saleroom. com and providing your card details and unless alternative arrangements are agreed with Halls Holdings Limited you: 1. Authorise Halls Holdings Limited, if they so wish, to charge the card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. Confirm that you are authorised to provide these card details to Halls Holdings Limited through www.thesaleroom.com. We do not accept credit cards.

Please note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 5% commission charge + VAT at the rate imposed on the hammer price

Halls Holdings Limited Company Registration No. 06597073 VAT Registration No. 549 7365 94

MONEY LAUNDERING Lots in this sale may be purchased with notes, coins or travellers cheques in sterling provided that the total payable by you does not exceed the equivalent in sterling of €10000. If the amount payable by you exceeds the equivalent of €10000, the balance must be paid otherwise than in notes, coins or travellers cheques. These conditions are in accordance with The Money Laundering Regulations 2003.

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CARRIAGE & PACKING Whilst Halls Fine Art are not packers or shippers we are happy to liaise with your chosen carrier for removal of lots after sale. Please note, no lots shall be released to carrier until payment has been received.

If you have not arranged shipping with a chosen carrier, Halls Fine Art can also provide a list of shippers in our area.

For further information, please email peter@hallsgb.com or call 01743 450700

IMPORTANT NOTICE TO JEWELLERY BUYERS Prospective buyers please note that lots marked with ◉ may be subject to VAT on the hammer price.

Prospective buyers should note that although every effort is made to note repairs, restoration and damage in the catalogue descriptions, a lack of any such note should not be taken to imply that the lot is in perfect condition.

Prospective watch buyers should note that the working order of watches is not guaranteed.

All weights stated in the catalogue are approximate only, these figures are for reference only and prospective buyers should satisfy themselves as to the accuracy.

Prospective buyers please note that we do not guarantee amber as being naturally formed and all or parts may be reconstituted. The colour of the amber may vary from the catalogue or online illustration.

Prospective buyers are reminded that coloured gemstones have historically been treated to enhance their appearance. A variety of methods have been, and are currently used to improve both transparency and colour of various gemstones.

All yellow and white metals have not been tested.

The International Jewellery Trade generally accept these methods. It is not possible for Halls to obtain gemmological reports on all stones offered for sale and therefore all Halls Holding’s estimates assume that gemstones have been enhanced.

IMPORTANT NOTICE TO BOOK BUYERS Prospective buyers should be aware that general wear to include; creasing, light foxing, small tears, bumped corners, worn boards or weak spine/joints, will not be specified in the catalogue descriptions. Any substantial losses/wear to include detached boards, detached spines or extensive graffiti will be described as ‘at fault’.

Prospective buyers must satisfy themselves with a condition report prior to bidding, Halls Holdings can take no responsibility for condition of purchased lots if condition reports were not requested.

IMPORTANT NOTICE Although every effort is made to note damage and restoration, the absence of such information does not imply that the lot is free from defects.

Detailed condition reports and email images can be obtained on request until 4.00pm the day prior to the sale.

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BEFORE THE AUCTION What is buyer’s premium?

All UK auctioneers charge a premium in addition to the hammer price.

Halls’ Buyer’s Premium is 20% plus VAT for the first £500,000 and 12% above £500,000 per lot Can I ask questions about lots before the auction?

You can ask for further details about any lots in our sales up until 4.00pm the day prior to the sale and this is especially important if you cannot attend the view. We don’t detail condition in our catalogue descriptions and so recommend asking for a condition report and additional images. Our reports provide a general guide to the condition of a lot but are not a forensic examination and so a physical inspection by you or an appointed agent is ideal. You can ‘phone the saleroom and talk to a specialist or you can email adminfineart@hallsgb.com. Alternatively you can click the ‘ask a question’ button on our website in the lot details screen. Condition reports are always given in writing Buying ivory Items made of or containing elements of elephant ivory are subject to trading bans in the USA and China among other jurisdictions, and are subject to CITES regulations in the UK. If you are bidding outside the UK, please ensure you are aware of your country’s regulations BEFORE bidding. We cannot rescind a sale if you are unable to ship ivory to your country

ATFER THE AUCTION When should I pay for my purchase?

We usually like to receive payment and collection arrangements within seven days of the auction What payment methods can I use?

You can pay with cash (up to £8,000), debit cards, direct bank transfer or a personal cheque. We regret that we do not accept payment by credit card. Cheques should be made payable to Halls Holdings Ltd Do I need to collect immediately?

We prefer buyers to arrange collection within ten days of the auction. Storage space is very limited at our saleroom and we regret we cannot store purchased lots for long periods Do you ship bought lots?

Halls do not provide a shipping or postage service but we can assist in finding a suitable carrier for your bought lots. Please email fineart@hallsgb.com for further details

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2021

FINE ART AUCTION CALENDAR JAN 13th - Antiques & Interiors

JULY 7th - Antiques & Interiors

FEB

AUG 4th - Antiques & Interiors

3rd - Antiques, Interiors & Books

MAR 3rd - Antiques & Interiors

SEPT 1st - Antiques & Interiors

APR 14th - Antiques & Interiors

OCT 6th - Antiques, Interiors & Books

MAY 5th - Antiques & Interiors

NOV 3rd - Antiques & Interiors

17th - The Spring Auction 23rd-9th May - Timed Auction Modern and Contemporary Art

JUNE 2nd - Antiques, Interiors & Books 16th - The Summer Auction

15th - The Autumn Auction 22nd-7th Nov - Timed Auction Modern and Contemporary Art 5th-20th - Timed Auction Asian Art

DEC 8th - The Christmas Auction

All auctions start at 10am We offer free valuations every Monday, 10am - 1pm, by appointment only.

For details on the closing dates and viewing dates for all of our auctions, go to www.hallsgb.com/fine-art

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