Art Hamptons Preview at Habatat Galleries

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E st a bl i sh e d i n 1 9 7 1 , H a b a t a t G a l l e r i e s D e tro it is the ol d est a n d l a r g e s t g a l l e r y d e v o t e d t o S t udio Glas s in t h e worl d . L o c a t e d i n a s u b u r b o f De t r o it’s thriv ing art sc en e , H a ba t at G a l l e r i e s 1 4 , 0 0 0 s q u a r e fo o t galle ry ho s ts ove r 4 0 0 work s o f s t u d i o g l a s s a r t . T h e galle ry fo c us e s on 1 0 0 a rt i st s fr o m 2 8 d i ffe r e n t co u n t r i e s. The s p ac e h ost s t h e o l d e s t r u n n i n g g l a s s e ve n t e n t itle d: The A n n ua l I n t ern a t i o n a l G l a s s I n v i t a t i o n a l Awards E xh i bi t i on . T h i s ye a r m a r k s t h e 4 4 t h ye a r o f the mo s t c e l ebra t e d exh i b i t i o n fo r s t u d i o g l a s s i n the Unite d S t a t es. T h e VI P p r e v i e w o f e x h i b i t i o n w ill b e he ld at t h e ga l l e ry M AY 5 t h , 6 t h a n d 7 t h 2 0 1 6 .

H a ba t a t Ga l l e r i e s h a s b e e n r e s p o n s i b l e f o r c urating ove r 1 2 5 mu se u m e x h i b i t i o n s w o r l d w i d e inc luding the ve ry fi rst mu l t i -c u l t u r a l e x h i b i t i o n i n C hina s inc e 1949, h ost e d a t t h e N e w Mi l l e n n i u m Mu s e u m in Be ijing and t h e S h a n gh a i M u s e u m o f F i n e a r t i n S h a nghai. Othe r noted museum exhibitions include the Studio Glass Art a t t h e H si n sh u C u l t u r a l C e n t e r i n Ta i wa n , Ame ric ans i n Gl a ss; Fra n k fu r t Mu s e u m i n F r a n k fu rt Ge rmany, C ri st a l oma n c i a a t t h e Ta m a y o Mu s e u m i n Me xic o C i t y a n d t h e M o n t e r e y Mu s e u m i n Mo n t e re y Me xic o , M ul t i pl e muse u m e x h i b i t i o n s o n t h e Mu s e um De l Vitro in Monterey Mexico. In just the last two decades H a ba t a t Ga l l e r i e s h a s c u r a t e d t h e Hist o r y of Glas s E x hi b i ti on f e a t u r e d i n t h e Un i t e d S t a t e at the N ap le s Art Museum, Naples Florida, Boca Raton Museum, Boca Raton Florida, The Chihuly Legend and Legacy at the Fort Wayne Museum in Fort Wayne, Indiana, The Czech Glass Exhibition at the Boca Raton Museum, Boca Raton Florida, Glass: Ancient Craft to Contemporary A r t , Mo rris M useum i n N e w Je r s e y a n d t h e S c o tts d a le Mus e um in S c o ttsd a l e, A ri z o n a , a l o n g w i t h m a n y o t he rs .

Habatat Galleries has published and co-published more publications than any other gallery involved w i t h C on t emp o r a r y G l a s s . R e c e n t l y t h e fo unde r o f the ga l l ery a u t h or e d S t u d io Gla s s in A m er ic a: A 50 Ye ar Journey published by Schiffer Publishing. This 256 page hard covered book offers and insight into a remarkable 50 year old journey exploring the leap of st u d i o gl a ss fr o m cr a ft i n t o a r t .

- Corey Hampson

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David D a t u n a i s a G e o r g i a n -b o r n Am e r i c a n artis t (b . 1974, T bilisi ) n ow l i v i ng i n Ne w Yo r k . Ove r t h e p a s t s e ve ral ye ars Dat u n a ’ s n o t ed se r i e s , Vi e w p o i n t o f Mi l l i o n s , e s tab lis he d his sign a t ure t e c h n i q u e o f l a y i n g a ca s ca d i n g ve il o f varying opt ic a l l e n se s o ve r a n i n t r i ca t e , m u l t i -d i m e n s io nal narrative .

In Dec embe r 2 0 1 3 D a v i d Da t u n a b e c a m e t h e fi rs t artis t in the worl d t o u t i l i z e we a r a b l e t e c h n o l o g y i n a co nte mp o rary work of art on a monumental scale with Portrait of America fro m his View po i n t of B i l l io n s s e r i e s . P o r t r a i t o f Am eric a de b ute d during Art Basel Miami Beach 2013 at The New World Symph o n y, t h en h e a d e d t o L i n c o l n C e n t e r i n N e w Yo rk C ity.

In F ebrua ry 2 0 1 4 t h e S m i t h s o n i a n 's Na t i o n a l P o rtrait Galle ry feat ured P ort ra i t o f Am e r i c a d u r i n g Presidents' Day weekend, expanding the definition of a 21st Century portrait. David Datuna’s mixed media sculptures have received critical acclaim on three continents for over a decade, merging elements of conceptual and pop art, c rea t i n g a t h o u g h t fu l a n d v i s i o n a r y b o dy o f w o rk.

Smit h son i a n M a ga z i n e n o t e d a n i m p o r t a n t m o me nt in art hist o ry: "As a w ork o f a rt , P o r t r a i t o f Am e r i ca m a r k s a dynamic cont e mpo ra ry mo m e n t i n t h e i n t e r s e ct i o n o f c ulture and t ech n ol ogy. D a t una , a n é m i g r é fr o m S o v i e t G e o rgia, us e d Googl e Gl a ss a s a 2 1 s t -c e n t u r y t o o l t o i l l u s t rate the natio n’s continuing sense of “E Pluribus Unum.” The flag’s symbolism conveys t h e i d e a t h a t , d e s p i t e t o d a y ’s cu l t u ral fragme ntatio n and d i versi t y, we a r e s o m e h o w s t i l l b o u n d to ge the r, o ne from ma n y. "

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A l be rt Pa l e y , a n a c t i ve a r t i s t fo r o ve r 40 ye ars at his studio in Rochester, New York, is the first metal sculptor t o re c e i ve t h e c o ve t e d I n s t i t u t e H o no rs awarde d b y the A me ri c a n I n s t i t u t e o f Ar c h i t e ct s , the AIA’s highe s t a wa rd to a n o n -a r c h i t e ct . “ T h e a l lure o f Pale y’s art c ome s t hr o u g h i t s i n t r i n s i c s e n s e of inte gratio n o f art a n d a rc h i t e ct u r e , ” a s o n e n o t e d a r c hite c t s tate d. Pale y, D i st i n gu i s h e d P r o fe s s o r , h o l d s a n Endo we d C hair at the C o l l ege o f I m a g i n g Ar t s a n d S c i e nc e s at Ro c he s te r I n st i t ut e o f Te ch n o l o g y .

C o mmi s s i o n e d b y b o t h p u b l i c i n s t itutio ns and p rivate c orpo rat i o n s , Pa l e y h a s c o m p l e t e d mo re than 50 si t e- spe c i fi c w o r k s . S o m e n o t a b l e e xamp le s are the Portal Gates for the Renwick Gallery of the Smithsonian I n st i t ut io n i n Wa s h i n g t o n D C , S y ne rgy, a c e re mo nial a rc h wa y i n P h i l a d e l p h i a , t h e P o r t a l Gate s fo r the N e w Yo r k S t a t e S e n a t e C h a m b e r s i n A l b a n y , S e n t i n e l , a mon u me n t a l p l a z a s cu l p t u r e fo r Ro c he s te r Ins titute o f Tec h n ol o g y , a s we l l a s a 6 5 -fo o t s c ulp ture fo r the e ntry c ou rt o f B a u s c h a n d L o m b ’s h e a d quarte rs in Ro c he s te r, N Y. R e ce n t l y c o m p l e t e d w o r k s i n c lude thre e s c ulp ture s f or t h e Na t i o n a l H a r b o r d e ve l o p me nt ne ar Was hingto n D C , a 1 3 0 ’ l o n g a r c h wa y n a m e d Animals Always fo r t h e S t . L o u i s Z o o , a g a t e fo r t h e C le ve land Bo tanic al Gardens in Cleveland, OH, a sculptural relief for We l l i n g t o n P l a c e , T o r o n t o , C a n a d a , T h r e s h o l d , a sculpture for the Corporate Headquarters of Klein S t e el , R o c h e s t e r , NY, a n d T r a n s fo r matio n, a c e re mo nial e n t ra n c e wa y fo r I o wa S t a t e Un i ve r s ity in Ame s , Io wa.

P i ec es b y Al b e r t Pa l e y c a n b e fo u nd in the p e rmane nt collections of many major museums including the M et rop o l i t a n Mu s e u m o f Ar t i n Ne w Yo rk, the Mus e um o f Fi n e A r t s i n B o s t o n , t h e Mu s e u m o f Fine Arts in H o u st o n , a n d t h e Vi ct o r i a a n d Al be rt Mus e um in L o n d on .

B roa d l y p u b l i s h e d a n d a n i n t e r n a tio nal le c ture r, Pale y rec ei ved b o t h h i s B FA a n d MFA fr om the Tyle r Sc ho o l o f A rt i n P h i l a d e l p h i a . H e r e c e i ve d ho no rary do c to rate s from the University of Rochester in 1989, the State U n i v e r s i t y o f N e w Yo r k a t B r o c k p o r t i n 1 9 9 6 , S t .

L a wre n c e Un i ve r s i t y , i n C a n t o n , N e w Yo rk in 1997, and t h e U n i ve r s i t y o f G o t h e n b u r g , i n Swe de n in 2012.

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Alber t Paley Envious Compos ur e , 2013 219 x 90 x 84�

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Tim Tat e I Wa s Wai ti ng For Yo u At The To p O f T he Stai r s , 2 0 1 5 7 x 9 x 3” M ixed M e d i a

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Tim Tate is Co-Founder of the Washington Glass School and Studio. Tim’s work is in the permanent collections of a number of museums, including the Smithsonian's American Art Museum and the Mint Museum. He was the subject of several articles in American Style, American Craft, and Sculpture magazines, as well as the Washington Post and Times newspaper reviews. He was also the 2010 recipient of the $35,000 Virginia Groot Foundation award for sculpture.

He taught in Istanbul in August 2007 and at Penland School on several occasions. In 2009 he received an award from the Museum of American Glass in New Jersey as one of the “Rising Stars of the 21st Century”.

He received his Fulbright Award from Sunderland, University in England in 2012. He is also the founder of “Glass Secessionism”. Tim shows his work at numerous International Art Fairs, such as ArtBasel Switzerland, Art Miami, SOFA and Frieze, London.

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Cassa n d ri a B l a c km o r e i s a c c l a i m e d fo r h e r u n c o nve ntio nal approa c h t o re ve rs e p a i n t i n g . S h e i s w i d e l y re c o gnize d as a pion ee ri n g a rt i st w h o s e w o r k g o e s b e y o n d the traditio nal b ound a ri es of gl a s s a n d i n t o t h e co n t e m p o r ary re alm.

She studied at Lewis & Clark College, completed independent st udi e s i n Yorksh i r e , E n g l a n d , a n d r e ce i ve d a Bac he lo r o f Fine Arts degree from PaciďŹ c Northwest College of Art where h e r t h e s i s w a s o n e x p l o r i n g E a s t e r n a n d We s t e r n perspe c t i ves on a r t .

Her work is collected internationally and exhibited in galleries and museums a c ro s s t h e c o u n t r y . S h e i s a r e cip ie nt o f the prest i gi o u s H a ube r g F e l l o w s h i p fo r p a i n t i n g o n glas s . In 2006, she was honored as the Renwick Smithsonian artist of t he m o n t h .

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Sin c e 1 9 6 9 , Ka t h l e e n Mu l ca h y h a s b e e n c r eating w o rks of a rt f ro m gl a ss a n d m i x e d m e d i a . Wi t h a Mas te rs o f F ine A rt s i n gl a s s s cu l p t u r e a n d t h r e e -d i me ns io nal des i gn f rom A l f r e d Un i ve r s i t y , s h e d i r e c t e d glas s s tudio pro gra ms a t B owl i n g G r e e n S t a t e Un i ve r s i ty in Ohio and Car n egi e M e l l on Un i ve r s i t y i n P i tts b u r g h the n we nt o n t o de ve l op t h e P i tts b u r g h G l a s s C e n t e r , o n e o f the to p pub l i c a c c ess gl a s s s t u d i o s i n t h e n a t i o n . During this t ime, h e r o w n w o r k — i n s t a l l a t i o n p i e ce s , c as t glas s , b lo wn gl a ss obj e c t s — e v o l ve d i n t o u n i q u e and p o ignant st a t e me n t s. Ka t h l e e n r e c e i ve d F e l l o w s h i p Awards fro m t he P i ttsburgh C u l t u r a l T r u s t , T h e Pe n n s yl vania C o unc il on t h e A rt s, T h e C r e a t i ve G l a s s C e n t e r o f Ame ric a, The Lusk Memorial Award through the Fulbright Foundation, The M i d At l a n t i c Ar t s F o u n d a t i o n a n d t h e N atio nal End o w me n t f o r t h e Ar t s .

In 1 9 9 2 , sh e wa s s e l e c t e d a s Ar t i s t o f t h e Ye ar b y the Pitt sburgh C en t e r fo r t h e Ar t s . H e r w o r k s a re in many pub l i c a n d p ri va t e co l l e ct i o n s i n c l u d i n g t he Ame ric an Cra f t M u se u m, Th e C o r n i n g Mu s e u m o f G las s , The Car n egi e M useu m o f Ar t , T h e R e n w i ck G a lle rie s o f the Sm i t h son i a n I n st i t u t i o n a n d T h e We s t m o r e land Mus e um of A rt . I n 1 9 9 7 , s h e wa s s e l e c t e d a s F e l l o w o f and Artis t in R esi d en c e a t th e C i t é I n t e r n a t i o n a l e d e s Arts in Paris , F ra n c e. S h e l i ve s a n d w o r k s i n Oa k d a l e , Pe nns ylvania with h er h u sba n d a n d p a r t n e r R o n D e s m e tt.

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As o n e o f t h e f o u n d e r s o f t h e i n t e r n a t i o n a l Studio Glas s Move me n t , A n n W o l ff wa s a t t h e ce n t e r o f atte ntio n as ea rl y a s en d o f t h e 1 9 6 0 s . I n h e r 5 0 -ye a r c are e r, the sculptor has repeatedly created works that make people t hi n k. E sp ec i a l l y b e ca u s e g l a s s o n t h e o n e hand is t r a n sp a re n t , ye t i s a s o l i d m a t e r i a l . T h e t rans luc e nc y in t e n si fi e s t h e s e n s u a l p e r c e p t i o n . T h e r e is no o the r m a t e ri a l t h a t w i l l a l l o w y o u t o l o o k a t i t and at the sa me t i me t h rou g h i t .

The a rt i st h a s de a l t w i t h g l a s s a l l h e r l i fe . With glas s , sh e h a s a l l o we d t h e w o r l d a g l a n c e a t h e r e s the tic sentimentality, and she has created homogenous objects.

Eve r rec u rri n g t h e m e s p r e d o m i n a n t i n h e r w o rks are wo ma n h o od a n d h a b i t a t i o n . H e r o b j e ct s a re mo s tly m o n oc h rome , o ft e n k e p t i n wa r m e a r t h y to ne s . The y radiate calmness and strength. Ann Wolff wanted more t ha n sh a p ed su r fa c e s ; s h e p r o ce s s e d t h e m ate rial in se ve ra l d i ff eren t a g g r e g a t e p h a s e s , s h a p e d it, c as te d it , pa i n t e d i t . S o m e t i m e s a b s t r a c t o b j e ct s e me rge d, so me t i me s fi gu r e s t h a t t e l l s t o r i e s . W h a t m ake s me st ron g? W h e n d o e s s o m e t h i n g b e co m e a r t? All the s e qu est i on s ke ep An n W o l ff m o v i n g . T o h e r, mo ve me nt an d d a n c e a re im p o r t a n t . I n d a n c e -t h e a t e r, s he was al l o wed t o exp e r i e n ce r e h e a r s a l s w i t h P i n a Baus c h, m a d e v i e w s f ro m i t a n d t h e n fo r m e d g l a s s o b j e c ts .

An n W ol ff wa s b o r n i n L ü b e c k , G e r m a n y in 1937, st ud i e d a t t h e Ho ch s ch u l e fü r G e s t a l t u n g (Unive rs ity for d e si gn a n d a r t ) i n Ul m , G e r m a n y , t h e n s he w o rke d as a d esi gn er i n S we d e n . B e t we e n 1 9 9 3 a n d 1998, Ann Wolff worked as a professor at the Hochschule für Bildende Künste (University of arts) in Hamburg.

To d a y, sh e w or k s a s a fr e e l a n c e a r t i s t i n Swe de n and Be rl i n . T h e S we d i s h R o ya l fa m i l y h a s a cq uire d s e ve ral of h e r works.

She h a s bee n a wa r d e d n u m e r o u s i n t e r n a t io nal awards , amon g t h em t h e r e n o w n e d C o b u r g e r G l a s p re is (1977), t he B a ye ri sc h e n S t a a t s p r e i s (1 9 8 8 ), t h e Ju r yp re is o f the Toledo Museum of Art (2005), and the Award of Excellence of t h e S mi t h son i a n R e n w i c k C o l l e c t i o n , Was hingto n, US A ( 2 0 0 8 ) . H e r w o r k s h a ve b e e n r e p e a t edly e xhib ite d in severa l so l o e x h i b i t i o n s w o r l d w i d e .

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Ann Wolff NOTES, 2010 35.5 x 45.5 x 6” C as t glas s , c o nc re te

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Ann Wol ff Large B l ue s ( 2 / 6 ) , 2 0 1 1 41 x 38. 7 5 x 6 . 7 5 ” Cast gla ss

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Ann Wolff He ad and He ad (1/ 6), 2012 18.5 x 27.5 x 15” Glas s , c o nc re te

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M a rt a K l on ow sk a wa s b o r n i n Wa r s a w i n 1 964. She currently lives and works in Düsseldorf. Already during her st ud i e s a t t he Ac a d e m y o f F i n e Ar t s i n Wro c law , Pola n d , a n d l a t e r a t t h a t o f D ü s s e l d o r f, g l as s had bec ome h er p re fe r r e d a r t i s t i c m e d i u m . T o day s he is known for her numerous canine sculptures that depict t he f ou r- l egge d c o m p a n i o n s o f i m p o r t a n t h is to ric al figu re s, c a p t u ri n g t h e i r n a t u r a l p o s e s i n co lo re d glas s .

For the subjects of her works, the artist finds inspiration in th e pa i n t i n gs o f t h e g r e a t m a s t e r s , i n w h ic h p e ts – mostly dogs – are side by side with the subjects, acting almost l i ke p re sti g i o u s o b j e ct s t h a t a r e e x hib ite d as sy n on yms f o r we a l t h a n d p o we r . T o co n s t ruc t the s e works, sh e st a rt s w i t h a m e t a l s k e l e t o n t h a t is the n car ef u l l y c o ve re d w i t h s h a r p s h a r d s o f g l a s s , as in T he M orn i n g Wa l k (2 0 0 6 ).

She h a s re c e i ve d s u c h i m p o r t a n t a wa r d s a s the 1999 “Ar t i st i n R e si d e n c e ” a t t h e C i t é I n t e r n a t i onal de s Arts in Pa ri s a n d t h e 2 0 0 2 “Ar t i s t i n R e s i d e n c e ” at the Ake rb y Sku l p t u rpa rk i n S we d e n . S h e wa s a l s o a fi nalis t in the 200 6 B o mba y S a p p h i r e P r i z e i n L o n d o n . Am o ng he r mo st rec en t e xh ib i t i o n s a r e : An d Do m e s t i c Animals at the Finnish Glass Museum in Riihimäki (2009) and t.b.a.

(2011), and Geschöpfe (2011) at the Lorch + Seidel Galerie in Berlin. Since 2011, one of her works has been on d i spl a y a t t h e C o r n i n g Mu s e u m o f G l a s s.

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Bre n t K ee Yo u n g , g l a s s a r t i s t a n d C l e ve l a nd Ins titute o f Art p ro f e ssor e m e r i t u s , h a s b e e n r e co g n i z ed b y s c o re s o f mu se u ms, ga l l er i e s , c o l l e g e s a n d u n i ve r s i t ie s in the Un i t e d S t a t es a n d As i a , w h i ch h a ve d i s p l a ye d and acq ui red h i s w or k a n d i n v i t e d h i m t o s p e ak, de mo nst ra t e a n d t e a c h .

In 2 0 0 6 , t h e S mit h s o n i a n Am e r i c a n Ar t Mu s e um’s Re nwic k Ga l l ery a c q u i r e d i t s s e co n d p i e c e b y P ro fe s s o r Youn g f or i t s p e r m a n e n t c o l l e ct i o n . “Am p ho ra....Save ” is from P ro f e ssor Yo u n g ’s Ma t r i x S e r i e s , a co ns truc tio n o f int ri c a t e a n d t ec h n i ca l l y c o m p l e x w o r k s h e c re ate d b y flam e worki n g bo r o s i l i c a t e g l a s s r o d s i n t o laye rs o f glas s webs.

Als o i n 2 0 1 1 , P ro fe s s o r Yo u n g wa s s e l e ct e d to re c e ive a mo st prest i gi ou s C r e a t i ve W o r k fo r ce F e l l o w s hip , ge ne rous l y suppo rt e d b y t h e c i t i z e n s o f C u ya h o ga C o unty, O h i o w h ere h e l i ve s a n d w o r k s . I n 2 0 1 2 h i s w o rk was publ i sh ed i n 5 0 Ye a r s o f S t u d i o G l a s s , a s e le c tio n o f 50 t op gl a ss a rt i st s w o r k i n g w o r l d -w i d e .

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Dutch artist Peter Bremers was born in 1957 in Ma a st ri c h t , w h e r e h e s t u d i e d s c u l p t u r e a t the Unive rs ity of Fi n e A rt s f rom 1 9 7 6 t o 1 9 8 0 a n d t h r e e -dime ns io nal de si gn a t t h e J an va n E y c k Aca d e m i e fr o m 1986 to 1988.

Pet e r B remers se r i e s o f s c u l p t u r e s k n o w n as I c e be r gs a nd Paraphe rna lia b e c a m e a n i n t e r n a t i o n ally ac c laime d suc c ess. I n t h e b o o k b y t h e s a m e n a m e , B ritis h art glas s ex pe rt D a n K l ein ca l l e d t h e s c u l p t o r Pe t e r Bre me rs , somewhat to his surprise, a landscape artist. His fas c i n a t i o n w i t h i ce a n d t h e wa y i t i s t r a n sfe rring light m a d e h i m u n d e r t a k e m o r e t r a ve l s t o t h e P o lar Re gio ns , resulting in a vast body of ever expanding work showing na t u re ` s en d l e ss s o u r c e o f i n s p i r a t i o n fo r the artis t.

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Ho wa rd B en T ré i s i n t e r n a t i o n a l l y r e c o g n ize d fo r his un i que sc u l p t u r e s a n d l a r g e -s ca l e w o r k s of art fo r p ub lic an d p ri va t e sp a ce s . B e n T r é i s a p i o n e e r i n the us e o f ca st gl a ss a s a s c u l p t u r a l m e d i u m a n d h i s w o rk is inc l ud e d i n mo r e t h a n 1 0 1 m u s e u m a n d p ub lic col l ec t i on s wor l d w i d e .

T h e se i n c l ud e t h e Me t r o p o l i t a n Mu s e u m o f Art; the M u se u m o f Fi n e Ar t s , B o s t o n ; t h e P h i l a d e lp hia Mus e um of A rt ; t h e A l br i g h t -K n o x Ar t G a l l e r y , B u ffalo , N Y ; the Hirsh h orn M u se u m a n d S cu l p t u r e G a r d e n; the Re nw ic k Ga l l e ry o f t h e S m i t h s o n i a n I n s t i t u t i o n ; t h e Lo s Ange le s County Museum of Art; the Museum of Fine Art, Houston; t h e N a t i o n a l M u s e u m o f Mo d e r n Ar t , K y o to ; and the M u se u m o f M od e r n a n d C o n t e m p o r a r y Art, N ic e .

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