QianGUO_Portfolio

QIAN GUO

PORTFOLIO

1

2

CONTENT Lee's Planet Game Design

Redhat House Storyboard

Rabbit in Ruins Storyboard

Fairytales Architectural Design

( 0, 0, 0 ) Completed project

Other Works

01

LEE'S PLANET AN ANGRY BOY'S REVENGE

The project is a course work for Immersive Landscape: Representation Through Gaming Technology at GSD. Students were asked to create a founding myth for the game world and develop a landscape design based on the myth with 3D modeling softwares and game engine. The final result is presented with a three minutes' video.

Game Design Individual work 2018.09~2019.01 12 weeks Advisor: Eric de Broche des Combes

I drew a comic of 20 pages to explain my founding myth. The basic idea is that an angry boy got really big and kicked away the earth. Then he became a lonely planet himself. Childlike creatures live on the planet, being vulenerable to attacks from giant monsters.

Software: Rhinoceros Cinema 4D Sculptris Unreal Engine

The video is available at https://youtu.be/FcegLE_LudE

“Go kill yourself! I'm so poor. No one loves me.�

A Boy Wrote on His Bedroom Wall 02

03

04

THE FOUNDING MYTH: ANGRY BOY BECAME A PLANET Little Lee was so pissed off at the others.

Everyone was against him. He felt no love.

His anger inflated. He became a giant head and distroyed the city.

05

THE FOUNDING MYTH: ANGRY BOY BECAME A PLANET Shot by the army, Lee became even bigger. He was bigger than the earth! Furious at the whole world, he kicked the earth out of the solar system. He became a planet himself.

He is the strongest being now. But who would love him?

06

IMAGINE THE LANDSCAPE: A PLANET OF VIOLENCE, SORROW AND SOLITUDE The planet is the representation of the boy himself, thus it has the boy's will, affecting how things work in the world. Then what would the world of an angry boy desperate for love and care look like?

I would imagine it as a place of violence, sorrow and solitude.

Sketch of The Sad Mono-Eye

A Lonely Planet 07

IMAGINE THE LANDSCAPE: A PLANET OF VIOLENCE, SORROW AND SOLITUDE

3

1.Mono-eye Mono-eye is watching the world. It's the spirit of the whole planet.

2.Children Childlike creatures live in the dangerous world. They are the most vulenerable.

3.Reproduction Those creatures keep being reproduced through an organosm both like tree and fungus.

1

4.Furious Mouth Children have to sacfrifice themselves to the Furious Mouth or these monsters would kill the Mono-eye.

5.Other monsters Children could also be hurt by other monsters.

4

A Sacrifice in Arena

2

Reproduction of The Charactors

Character Design

SKETCH 08

1

MONO-EYE

4

5

Reproduction of The Tiny Creatures

HES OF THE LANDSCAPE 09

INTO THE GAMING WORLD: REPRESENTATION THROUGH GAMING TECHNOLOGY

SKETCHES AND GAME SCENES 10

Rhinoceros: General planning and modeling of the large-scaled landscape

Sculptris: Detailed organic shapes

Original Scene in Unreal Engine

Cinema 4D: Detailed landscape & Objects Animation

Unreal Engine: Integration of all the objects Rendering with post-process effect Animation & Video

Workflow

Original

Working on Post-Process Effect

Dynamic Sky Background

Cel Shading 11

Toon Shading

SREENSHOTS OF THE VIDEO 12

INTO THE GAMING WORLD: REPRESENTATION THROUGH GAMING TECHNOLOGY A 3-minute video was cut to present the final result. The whole video is available at https://youtu.be/FcegLE_LudE

13

INTO THE GAMING WORLD: REPRESENTATION THROUGH GAMING TECHNOLOGY A 3-minute video was cut to present the final result. The whole video is available at https://youtu.be/FcegLE_LudE

14

SREENSHOTS OF THE VIDEO

15

REDHAT HOUSE STORY OF AN ORDINARY BEING FROM DRAWING TO ARCHITECTURE (1): RETURN TO THE REAL LIFE MOMENTS This is my first experimental project exploring the boundary between drawings and architectures. It's a revolt against the conventional up-down design method that makes people nothing more than the dubious figures in architecture renderings. By telling a story of a solitary's life, the project reexamined the role of people in architectures and cities.

Storyboard Individual work 2016.03~2016.05 six weeks Advisor: LIANG Jingyu

To me, the project is an important turning point in my acdemic studies, through which I realized the importance of individuality in design project. That is, to treasure the desires and impulses of myself as a living person, and also, to consider those for whom I design as real individuals, not someone of shadowy faces.

Architecture is the art about presence, the presence of itselfďźŒ all the poeple affected by itďźŒand things cannot be put into words. Sometimes, getting too obsessed with theories and disciplines might cut down our sensations of the real world and cut off its connection with real life. Then it'll lost its charm.

After all, what matters the most to us is all that we are going through right now, and right here.

"Story of Redhat" https://issuu.com/guoqian/docs/redhat

Beijing, 2014 A Man Built A Moutain on The Rooftop 16

PART ONE: REDHAT HOUSE

Redhat lived a quiet life alone in the city in his very cute apartment. There he met Littile Peanut.

"A Solitary Night"

"Little Peanut"

"Home, Sweet Home"

"The Goldfish"

The book was made up of mainly 3 parts as illustrated in the picture on the left. The first part focuses on the personal life of Redhat, while in the second part, it extends to a larger scale, telling the adventures of Redhat and his friend Little Peanut in the city. The last part of the story suggests a disillusion, where they saw another side of urban.

PART TWO: LET'S GO OUT AND MAKE SOME CHANGES !

They felt bored and wanted to do something in the city, hoping to make people's life better.

"In The City"

"Skyscraper"

"Street"

"Plaza"

PART THREE: DISILLUSION

A wierd tramp scorned at their ignorance . And a giant rabbit destroyed everything.

"A Tramp"

THIS IS THE STORY OF REDHAT.

"Rabbit in Ruins" 17

"A Solitary Night"

BUILDING TELLS THE STORY OF INDIVIDUALS. a fictional charactor was created at the beginning of the project. Redhat, a introverted young man, lives alone in the city.

A series of his living scenes were then depicted , suggesting the space he lived in.

However, it was still not clear how exactly his house looked like. All we could see is those fragmentary life moments, where the house only served as the background, and a figure of flesh and blood was the only protagonist.

A Typical Style of Apartment Buildings in China

*Look into the mail box

*Come back to the apartment alone

*Nothing there

*Sad

*News are boring

*Climb up to the loft

SELECTED PLOTS FROM CHAPTER ONE, " A SOLITARY NIGHT" 18

" Home, Sweet Home"

The first time Redhat came to visit his house.

With the limited clues of Redhat's apartment, I set about combining those fragments of space into an intergrated one.

Then I found something really interesting and special about his house. It seemed like a combination of a typical apartment and a small cabin.

How is that possible? According to the typical floor plans of old apartment buildings in China, I found out a possible way of adaptation.

It was narrow and old.

Second Floor Plan

First Floor Plan

Ceiling in the bedroom cracked.

SELECTED PLOTS FROM CHAPTER TWO, " HOME, SWEET HOME" 19

A Possible Way of Adaptation

HOUSE, CARRIER OF LIFE. Looking through the whole book about Redhat's life, it's a bit surprising that so many events which happened right in his little house were recorded. From those vivid daily-life scenes, an emotional connection between the charactors and building is revealed.

And this is just a fictional story. It's even harder to imagine how many times we've contacted with a building in real life.

Roof

Look Up at The Moon

Bush

Find A Firefly

Well

Play with Goldfish

Bedroom

Chat 20

Fireplace

Read

Livingroom

Come Back Home

Livingroom

Wake Up from A Nightmare

Kitchen

Cook SECTION AND LIVING SCENES SELECTED FROM DIFFERENT CHAPTERS

21

ONE OF A THOUSAND WISHES Looking around at all those strange buildings constructed spontaneously by urban residents, we will find that there's actually nothing so special about Redhat's house. It's just one of the countless illegal constructions in the city, which are usually regarded as the unpleasant dissonance in a unified urban environment.

However, every single illegal construction reveals a strong individuality of their owner, since they usually reflects people's most urgent needs and wishes to adapt their houses. Those primitive desires give buildings their unique forms, standing out of their environment, and constantly changing over time.

A SAD CONVERSATION 22

A NIGHT VIEW

23

RABBIT IN RUINS THE HIDDEN PAIN OF CITY FROM DRAWING TO ARCHITECTURE (2): WHEN FANTASY COLLIDES WITH REALITY How far can drawing lead us? For many times I was astonished by the message of a drawing that hides deeply under our unconsciousness. The creation of a drawing and interpretation of it are both associated with our personal experience, which is, on a larger scale, rooted in the era that we're living in. If comprehended in different times or by different people, the meaning of a drawing will vary, making the original reference seem meaningless.

Storyboard, individual work 2016.03~2016.05, six weeks Advisor: LIANG Jingyu

"Rabbit in Ruins" was created in 2016's spring as the ending of Redhat's story. It was a game-like creation, based on the childhood experience of hanging in ruins. I wasn't quite serious about its realistic reference, just talking about adventure in ruins and playing with rubbish.

However, as I looked back on my work in the following year, trying to understand it based on events that happened in reality, I got deeper and more understanding of it. I gradually found some of its possible realistic references. And I think, that the silent rabbit might refers to the unspoken pain concealed in invisible corners of urban life.

Beijing, 2017 Xinjiancun Village Lying in Ruins 24

"Rabbit in Ruins" (End of Redhat's Story)

*A giant rabbit on the other side of the wall

*Chase it

*Ruins

*Find it in a broken house

*Play with rubbish and rabbit

*Visit the rabbit the next day, find it eating rubbish

*Rabbit ignores the carrot

*Leave and say goodbye

*Hit the rabbit hard

25

*Rabbit keeps eating rubbish

*It grows bigger and bigger

*Come out to the street

*More rabbits come

*The rabbit becomes small

*Streets are overwhelmed

*It has eaten everything in the ruins

*Suddenly all the rabbits start to poop

*Run back home with small rabbit

*Shocked and frozen

26

EVERY INDIVIDUAL IS LIMITED, WHILE THINGS ARE ERRATIC. A year and half later, in the evening of November 18th, 2017, fire swallowed an apartment crowded with migrant labors in Xinjiancun, Beijing. 19 people were killed.

Soon, the Beijing government started a 40 days' security check, with the command that all the illegal flats should be cleaned during that time, which meant, almost every "urban village" in Beijing would be removed.

Electricity and heat was cut off; notices were put up, telling the deadlines of moving out.

The once bustling community with tens of thousands of people became empty in less than a week. Some of them were soon torn down into ruins.

In a few weeks, billions of people lost their home in Beijing. Most of them are the socalled "low-end population", coming from small towns and villages, making their life by manual labor, living in narrow rooms of "urban village" and regarded as the bottom of the society.Many people couldn't find a place to go. Some packed up their luggage, and slept on the street in the cold winter wind. Quite a portion of them were forced to leave this city and return to the hometown.

3,300, 000, that's the number of people who were driven out, given by the media.

While it's said that the actual figure is even more. 3,330,000 is a big number, too big for us to outline the large group of people behind it. All the fresh faces lost their personalities, and fell into fuzziness.

About two weeks after the fire, my friend and I made a trip to Xinjiancun Village. As the direct reason that triggered the safety check, the village was cleaned soon after the incident. By the time we got there, the southern part of the village was still preserved but almost empty, while the

northern part was already lying in ruins.

such obsession that we can, or we need to, take control of everything. But the truth is, we cannot, because sometimes the outside forces are so strong, and unexpected things occur.

I wandered on the silent street, passing the empty stores with broken windows and fallen signboards, looking through the rubbish heaps of things left behind by previous tenants and picking up one or two of them. Then I saw endless ruins, and heard the noisy cacophony of excavators.

Airplanes flew over our heads every 15 minutes from the nearby airport. Workers were building up new walls around the fallen ones.

So it's time to hold back that selfenhancement and reexamine our positions in the world. We can't let it get us immersed in an ideal illusion and thus cut off our connections with the real world. The real world is a broken, chaotic, and uncertain one. So as an architect, also as a humanbe humble, be curious, and be good.

As I stood on the huge moutain of steel and concrete at the sunset, a deep sorrow overwhelmed me. I recalled the bunny in ruins I created one and a half yeats ago, and felt a strong connection between what was in front of me and things happened in the fictional story. Suddenly, fantasy merged with reality. Looking around, I got a strong feeling that the speechless rabbit might be somewhere, eating and digesting all the pain that the city had left him.

The lady just packed up all her stuffs.

The two boys are soon leaving here.

In the end of the story, the rabbit (maybe not deliberately )committed a revenge and ruined everyone's life, while the same thing might never happen in real life. People just leave here, forget about Beijing, and start a new life, like nothing ever happened. What can I do? I asked myself, feeling upset.

Excavator is working at sunset.

The ending of the whole book was a quite helpless one. But somehow it's true that, the power of individuals is always limited and not everything turns out as we wish. There are times we doubt how much difference indeed we can make. I don't think that kind of self-doubt is a negtive thing. And in fact, I always think that one should stay humble in such an uncertain world. The word "architect", which also means the creator of things, sometimes lead us into

Hundreds of communities and buildings were affected.

27

Xinjiancun Village, Beijing, December 5th, 2017 Walking through The Ruins

28

Xinjiancun Village, Beijing, December 5th, 2017 Rabbit in Ruins

29

FAIRYTALES MEMORIALS FOR CHANGJIANG RIVER FROM DRAWING TO ARCHITECTURE (3): EMBRACE THE AMBIGUITY The project is the second time that I tried to approach architectural designs with drawings.

Architectural design Individual work

In an analytical and logical design process, everything seems clear and unarguable. One step leads to the other, and uncertainty is never allowed.

2017.10~2017.12 Ten weeks

However, there's never absolute reason in human's thinking.

Apart from those logical reasons that promote a design, we are also affected by dubious emotions with or without knowing it. What's more, the world itself is never certain. It can't be divided into parts, being analysed seperately. When we do that, we are basically simplifying the complexity of real world.

Advisor: WANG Hui

Ezhou

And this project would try to probe into the ambiguity of design process, hoping it'll extend the multi-significance of a work. The site locates in my hometown Ezhou, near the Changjiang River. With fictional drawings, an intergrated impression of the site is depicted, blending the objective observation of the surroundings and private feelings about the atomosphere. Message hiding below the unconsciousness was digged out and transformed into architectures.

A map of Chanjiang River

Misunderstanding of my own drawing might exist, but that's also an interesting part of the project, which might lead to an unexpected and exciting result.

From My port Series, Credit to YAN Ming 30

GHOSTS HAUNT THE CHANGJIANG RIVER...

A Buddha

Watcher

A Corpse Boat

Winter Swimmer Old Men Dressed in Crane Custom

Pig Breeder

A Drowned Old Lady

THEY WONT' DISAPPEAR...EVEN IN THE MOST MORDEN PLACES. MEN ARE SWALLOWED BY WATER, AND FLOATING CORPSE WOULD EMERGE. THE RIVER IS SOMETHING WE CAN'T UNDERSTAND. The part of Changjiang River that flows though my hometown, Ezhou

The Site

BUT URABN PLANING WANTS TO TAME THE RIVER. IT TOOK AWAY ITS MISTIQUE AND STOLE MY MEMORIES. In the past ten years, most of the wanterfront space in the upper reaches has been built as parks.They're beautiful, and entertaining, but too boisterous, too artificial.

The downstream part is still unexploited and left wild.

This is exactly how the river looks like in my childhood memories.

Decayed, desolate, disordered, a forbidding place of ultimate fantasy.

31

WAKE UP THE SLEEPING GHOSTS OF OUR MIND WITH DRAWINGS. Upset about the fact that beautiful parks have destroyed the enchantment of the city's river bank, I decide to do a group of architectures of my own, thinking if they can represent the mingled atmosphere near the river that can't be illustrated clearly.

I use drawing to approach it. As a form of personal creation, it'll encourage me to focus on my own feelings and recall my experiences, thus break away from a unified system of architecture through authorship. Also, the integrity of a drawing would prevent the tendency of breaking things into pieces, so to some extend preserved the complexity of real world. Personal feelings are blended into the objective depiction, with three groups of fictional charactors on the locales I chose from the site.

OBSERVE THE SITE This step took days. I went to the site at different times, watching the sceneries and people there. Emotions grew sronger everytime I went there. Impressions of the site also got deeper.

DEPICT A FICTIONAL DRAWING I did a drawing with fictional details that conveyed an intergrated impression of the site, blending the objective environments and my private feelings.

FIND THE HIDDEN MESSAGE I tried to find out what each character stood for and summarized it with a key word.

TRANSLATE IT INTO ARCHITECTURES Each charactor was represented by a specific kind of material and form language that I think would best convey the dubious atmosphere of the drawing.

A General Work Pattern 32

Dead Goat: Secret A dead goat hides in the dense weeds.This might refers to the un spoken secrets of the wild field.

Boy& Puppy: Isolation A boy stands with his dogďźŒ eyes looking into the distance. It might suggest the strong feeling of solitude when one is faced with the mighty sky.

Maiden: Enticement A naked young girl is playing with water. It might suggest the beauty and danger of the river.

33

CONCRETE

A RANDOM COLLAGE 34

SKY

ISOLATION

SECRET

ENTICEMENT

WOOL

CONCRETE

CONCRETE VEIN

35

5m

10m

20m

BOY & PUPPY:

CREATURES LONELY AS WE When one is standing on the river bank, faced with the giant sky abovehead and the endless river, it's easy to get a strong feeling of solitude, and think about how tiny an individual compared with nature.

And I guess that is the hidden message of the boy.

The little boy, stands far away from the river and seems lost in thought, puppy dog standing closely by his side. But the two both seem absent-minded.

What is he looking at? What is he thinking? And what about the dog?

No one knows. invisible walls seperate us from them, and also, divide the two.

36

MODEL Material: Wood, Concrete, Dry Grass, String 37

5m

10m

20m

GOAT'S CORPSE:

INTO THE SECRETS OF SILENCE In the old days, when parks weren't there, the river was a forbidding place for children, always associated with danger and death.

The dead goat was inspired by a real experience of running across a goat's rotten body in the weeds when hanging on the river bank. As a young kid, I was shocked, and sad.

And It's just one of the thousands of unspoken secrets on the river bank.

A Stone

Gypsum Reverse Mould

Fiberglass Model

Felted Wool

38

MODEL Material: Fiber Glass, Wool, Concrete, Dry Grass 39

5m

10m

20m

MAIDEN'S DREAMďźš

TOWARD THE DELICATE ILLUSION Men are enticed by the river, and men are swallowed by the river. Like a captivating young woman, the river is beautiful, but it kills. One step closer to it, one step closer to death.

When I was a kid, mother always told me to stay away from the river, because ghosts in water would drag me down, and make me drown,

40

WATER GRADUALLY SWALLOWED THE GIRL...

MODEL Material: Veins, Acrylic, Concrete, Wool 41

WHAT'S ON MY MIND? It usually takes people a while to realize the relations between the models I made and the drawing when they first see my work. Gennerally, it can be understood in two aspects, material and form language. Yet the correspondence is not exact or exclusive; all is a matter of personal choice.

The actual process of translation in my mind is far more complexed than I can explain. I tried to draw a psychological maps of my thoughts but it's still not precise or complete enough, and I guess that's exactly where the ambiguity of human mind lie.

42

A PSYCHOLOGICAL MAP 43

10m

20m

50m

SITE PLAN

44

AERIAL VIEW

45

(0, 0, 0) FROM WHERE EVERYTHING BEGINS AN ARCHITECTURAL PRACTICE: TIRGGER THE POSSIBILITIES OF URBAN LIFE We try to construct the technical aesthetics in a new way- by solar energy the spatial installation can inspire events in public space.

A box named (0,0,0) is flashing in the urban public space.

By four red jacks, it can be laid at any spot in the city.The variable pattern gives the events uncertainty- inside and outside, open or closed. In this way the events are released from the building, and the drift of (0,0,0) will spread them into the city.

Prefabricated components make the box easy and fast to assemble, and also save lots of budget. A solar energy systems enables it to run without any external power source.

Thanks to the coorperation of several companies, our team finished the project in 3 months, and was later invited to Beijing Design Festival for exhibition.

Completed project Group work 2017.08~2017.10 Twelve weeks Cooperator: ZHANG Haotian, LI Tianyin, GE Sihang, MA Hongtao Role: Designer Participation: Design: 40% construction: 35% Advertise: 30%

The box is also an experimental module for SDC 2018.

Advisor: SONG Yehao, ZHU Ning

Wudaokou, Beijing, 2016 Commuters Stuck in The Busy Traffic 46

NIGHT VIEW ON EXHIBITION SITE

47

CONCEPT We considered all kinds of functions, and decide that a cinema is the best to satisfy people from different ages. We also want to bring back the memories of watching movies together in the city's open space from the older generation.

In consideration of cost, construction, and the impact on public space, we decide to use a fabricated box structure that could be transmitted to everywhere.

June, 2017 Having A Discussion with The Teacher

9:00

18:0

About Team WHAO

ZHANG Haotian Designer

21:

GUO Qian Designer Li Tianyin Designer MA Hongtao Interactive Projection Designer GE Sihang Project Manager

ANALYSIS of MARKET & TARGET GROUPS 48

DESIGN DEVELOPMENT With hourly rent system, the box could be used for private purposes like mini cinema, afternoon parties, hourly room and so on.It can also be placed in public areas and serve as an open-air cinema, activating the neighborhood.

It can switch to different modes conveniently with flexible furnitures during different periods of time in one day.

Easy-transported box structure and independent solar energy system makes it possible for our box to drift in the city.

0- 18:00

With the intelligent control system, all the devices could be easily managed on a touch screen, including lights, sound equipments, projector, air conditioner, storage equipment, environment detector and so on.

mini cinema

00- 21:00 Floor Plan & Section

public cinema

:00- 9:00

hourly room

Solar energy system

Interactive projection

Easy transportation

Independent power supply

Intelligent control system

Flexible possibilities

Different Modes

Features of The Box 49

TECHNICAL SUPPORT We used products from different companies which are listed below. It spent us a lot of time discussing with experienced engineers and workers to figure out how they should be assembled and work together.

Most of the products are sponsored. In exchange, we need to advise for those enterprises.

EXPLODED ISOMETRIC

Products Used 50

S TIme C The

COOPERATION Team WHAO being the core, a complexed cooperation system was established, coordinating the work of different companies and construction teams, as illustrated in the graph on the left.

& dule System e h Sc ration pe Coo

Components of the box come from different cities. The main structure was assembled in the workshop of Tianfon in Henan province, and was later transmitted to Beijing, where the rest were completed.

COOPERATION SYSTEM

Henan, August,2017 Discussing with Engineers of Tianfon

Components Produced in Different Cities 51

CONSTRUCTION DIARY 52

CONSTRUCTION It took us about one month to complete the construction. Most of the work was done in Henan & Beijing. Due to our lack of practice and experience, lots of things hadn't been taken into consideration, leading to several mistakes during construction, which were later smoothed but still differed from the original design.

between the digital model and final result. Most were minor mistakes, while some had quite big influence on the appearance. But we tried our best to make up for them. And despite of the fact that none of us knew much about energy system and the electric devices, not a single problem occured and the whole box ran smoothly.

The picture below shows the discrepancies

Henan, September, 2017 The Box Being Assembled in The Workshop of Tianfon.

Discrepancies between The Digital Model And The Built Result 53

Beijing, September, 2017 Painting the Interior Wall

EXHIBITION The box was exhibited at Beijing Design Festival in 751 Design Park from Spetember 29th to October 14th.

Visitors showed great interest in the box. Children were having fun playing with the interactive projection or rolling on the floor. Designers and businessman asked lots of questions about the construction, energy system and price. A forum was held outside the box, discussing the prospects of prefabricated modules.

After that, the box was transported to Tsinghua University.

751Design Park

Site location & its surroundings 54

PICTURES SHOT DURING EXHIBITION 55

OTHER WORKS

OLD TOWN OF XINCHANG While working at Drawing Archtecture Studio in the summer of 2016, I had the opportunity to participate in Old Town of Xinchang, an urban panoramic scroll for the traditional town of South China.I was in charge of 1/5 of the whole scroll and finished it independently.

The scroll aims at representing the contemporary scene of xinchang, using the drawing skills inspired by ancient Chinese maps.The ancient map is more like a psychogeographical one, spurred mainly by the author's psychological sensation of the physical world. The compositon doesn't follow strictly the rules of perspective, and buildings are shown two sides of them in seemingly random directions. However, the subjective perspective enables the observers to go though a spiritial adventure with the author and better percieve the essence of Ye cheng.

Using similar drawing skills, the scroll represents the vivid contempory scene of Xinchang. With digital tools such as AutoCAD, affection for the Chinese trational street life is conveyed in a seemlingly rational and quite preserved way through the rigid architectural drawings.

Architectural Drawing Gourp work

2016.08~2017.09 Four weeks Cooperator: LI Han, HU Yan, ZHANG Xintong, HAN Jizhe Role: Designer Participarion: Drawing: 20% Coloring: 15% Advisor: LI Han

An Acient Chinese Map 56

THE WHOLE SCROLL

57

THE PART I WAS IN CHARGE OF 58

59

WEARABLE DEVICE (IN PROGRESS): CONTACT WITHOUT CONFRONTATION A real-time Facetime helmet allows physical contact without direct confrontation of each other. The project is still under development.

60

61

PENCIL DRAWING: DESTROYED OBJECT A series of pictures were taken when the egg was being crushed by my foot. Two stages of the process were overlapped and represented in a pencil drawing, aiming to reveal the tension and dynamics.

62

DRAWING

PROCESS OF DESTROYING 63

INK DRAWING: SADNESS With simple pencil lines . an emotion was depicted. Then the sketch was projected into a larger scale and furthered enriched with several textures in ink.

Pencil Sketch

64

INK DRAWING

65

CONTACT Qian GUO Tel: +1 6174016532 Email: guoqian996@hotmail.com

EDUCATION 2013.08~ 2018.07 School of Architecture, Tsinghua University, bachelor of architecture 2018.08~ present Graduate School of Design, Harvard University, master of design candidate

AWRADS 2013.08 Freshmen Scholarship of Tsinghua University 2017.08 Honorable Mention, International Student Construction Competition (Deyang, China) 2017.11 Acdemic Exellence Scholarship of Tsinghua University

WORK EXPERIENCES 2016.06~2016.10 Intern at Storm Rock Editorial Office 2016.08~2016.09 Intern at in Drawing Architecture Studio 2016.10~2017.10 Designer at Tsinghua SDC Studio

EXHIBITIONS 2017.04 Storyboard "Life of Redhat", exhibited at 106th Anniversary of Tsinghua University 2017.09 Design work WHAO box, experimental module for SDC 2018, exhibited at Beijing Design Festival 2017.10 Design proposal "WHAO HOUSE", entry for SDC 2018, exhibited at China International Expositon of Housing Industry

SKILLS Photoshop Illustrator AutoCAD Rhinoceros Cinema 4D Unreal Engine

LANGUAGE Chinese: Native Speaker English: Fluent Japanese: Beginner

66

67