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midwives

GEORGE STREET PLAYHOUSE

2019 â€“ 2020

SEASON

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Welcome to GEORGE STREET PLAYHOUSE at the New Brunswick Performing Arts Center!

The opening of this extraordinary building â€” the New Brunswick Performing Arts Center â€” represents a milestone in our 45-year history and a dream fulfilled. Named by generous benefactors of George Street Playhouse, the Elizabeth Ross Johnson Theater and the Arthur Laurents Theater offer patrons and artists beautiful spaces in which to create live theater and entertain generations of audiences. George Street Playhouse is honored to be a Founding Resident Company of the New Brunswick Performing Arts Center and we graciously thank all our patrons for their generous ongoing support. We look forward to meeting you at the theater!

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THE DATE GEORGE STREET PLAYHOUSE

GALA

ANNUAL BENEFIT May 31, 2020

Board of Trustees Chairman: James N. Heston* President: Penelope Lattimer, Ph.D.* Vice President: Mark McMahon* Treasurer: Ronald Bleich* Secretary: Sharon Karmazin* Paul G. Alexander, MD, MPH David Fasanella Kenneth M. Fisher Lucy Hughes Adele T. Macula, Ed.D. Norman Politziner Kelly Ryman* David Saint*

W. Burton Salisbury III Jocelyn Schwartzman Ben Sifuentes-Jáuregui, Ph.D. Nonny Stahlin Janice Stolar Lora Tremayne Alan W. Voorhees

*Denotes Members of the Executive Committee

Trustees Emeritus Robert L. Bramson Al D’Augusta Cody P. Eckert

Peter Goldberg William Hagaman Clarence E. Lockett

Anthony L. Marchetta George Wolansky

Honorary Board of Trustees James Cahill

Thomas H. Kean Betty Wold Johnson

Eric Krebs, Founder

Honorary Memoriam Maurice Aaron∆ Dr. Edward Bloustein∆ Dora Center∆∆ Douglas Fairbanks, Jr.∆ Milton Goldman∆ John Hila

Arthur Laurents∆ Richard Sellars∆ Barbara Voorhees∆∆ Edward K. Zuckerman∆ Adelaide M. Zagoren ∆∆ – Denotes Trustee Emeritus ∆ – Denotes Honorary Trustee

The Arthur Laurents Theater The intimate Arthur Laurents Theater, featuring 252 seats and all the amenities for producing riveting new dramas and hilarious new comedies, is named for longtime friend of George Street Playhouse, awardwinning playwright and author Arthur Laurents. “Arthur always said George Street Playhouse was his favorite theater,” our Artistic Director David Saint remarked. “It is fitting that this brilliant artist, who contributed profoundly to the theater and film canons, will be honored in this way. Arthur was a true friend, and it means so much to this community that his name will be etched into this extraordinary performing arts center that George Street Playhouse calls home.” Arthur Laurents is well-known as the acclaimed writer of the books for musicals such as Gypsy and West Side Story, and the screenplays The Way We Were and The Turning Point. He premiered nine of his plays at George Street Playhouse. The Laurents/Hatcher Foundation, named for Arthur Laurents and his partner Tom Hatcher, gifted $2.75 million, which will support George Street’s ongoing commitment to the development and production of new plays and musicals, the cornerstones of George Street Playhouse’s national reputation.

From the Artistic Director

David Saint Artistic Director

Often when I’m on vacation and have a moment to catch up on my reading other than the usual new plays, I love a good novel, and specifically a suspenseful one. When I find a writer I like I tend to immediately buy a few other works by the same author. Such was the case with Chris Bohjalian, the successful writer of suspense novels who has had more than 20 books on the New York Times Bestselling Lists.

It just so happened, Alison Fraser, my old friend noticed a book of his on my table and mentioned that she was friendly with him, having recorded a couple of his books on tape. She told me he was interested in adapting his work for the stage and we should meet. After hitting it off, he gave me a new play he had adapted from his Oprah Book Club Bestseller “Midwives.” I was thrilled that he was interested in us producing it here at George Street as a world premiere. It was equally thrilling to have the remarkable Ellen McLaughlin join us again to play the midwife Sybil, along with several other outstanding GSP alumni and a few newcomers to our stage who together create a first rate cast to bring this powerful and provocative story to life. They have joined a superb group of designers who have managed to evoke a complex and evocative setting to amplify this tale of difficult choices in the midst of crisis. It is very fulfilling to present this new work in our beautiful new theatre named after that champion of new work in the theatre, Arthur Laurents. We hope you enjoy.

David Saint Artistic Director

B E F O R E & A F T E R T H E C U R TA I N m a ke y o u r a p p e a ra n c e a t T h e He l d r i c h

Begin or complete your evening with dramatic flavors to entertain the senses at Christopherâ€™s Restaurant & Bar. Then, take the elevator home to a spacious guestroom with city views of downtown New Brunswick.

10 Livingston Avenue | theheldrich.com | 732.729.4670

GEORGE STREET PLAYHOUSE David Saint, Artistic Director Kelly Ryman, Managing Director Presents

Midwives by Chris Bohjalian Based on the novel Midwives Directed by David Saint Set Design by Shoko Kambara Costume Design by Lisa Zinni Lighting Design by David Lander Original Music and Sound Design by Scott Killian Hair and Wig Design by Charles G. Lapointe Action Coordinator Rick Sordelet Production Manager Christopher J. Bailey Production Stage Manager Samantha Flint* Casting by McCorkle Casting, Ltd.

January 21 – February 16, 2020 Midwives Costumes Sponsored By The Merrill G. and Emita E. Hastings Foundation.

In accordance with Actors’ Equity Association regulations, we remind you that all electronic devices, including pagers, cellular phones and watches must be turned off during the performance.

Grant funding has been provided by the Middlesex County Board of Chosen Freeholders through a grant award from the Middlesex County Cultural and Arts Trust Fund. Made possible by funds from the New Jersey State Council on the Arts/Department of State, A Partner Agency of the National Endowment for the Arts. George Street Playhouse is a constituent of the League of Resident Theatres (LORT) and a member of the New Jersey Theatre Alliance. The theatre operates under an agreement between LORT and Actors’ Equity Association, the union of professional actors and stage managers in the United States, and is a member of the New Brunswick Cultural Center.

CAST in order of appearance Connie Danforth................................................... Molly Carden* Charlotte Fugett Bedford..................................... Monique Robinson* Asa Bedford............................................................... Ryan George* Sibyl Danforth....................................................... Ellen McLaughlin* Anne Austin.......................................................... Grace Experience* Rand Danforth....................................................... John Bolger* Judge Howard Dorset /Dr. Terry Tierney............ Michael Cullen* Bill Tanner.............................................................. Armand Schultz* Stephen Hastings.................................................. Lee Sellars*

Settings: Act One: A Vermont farmhouse bedroom Act Two: A Vermont county courtroom Time: 1985 Midwives is performed with one 15 –minute intermission *- denotes member of Actors’ Equity Association

The actors and stage managers employed in this production are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

The director is a member of The Stage Directors and Choreographers Society, Inc., an independent national labor union.

The stage technicians of George Street Playhouse are proud members of IATSE Local 21.

The Scenic, Costume, Lighting and Sound Designers in LORT theatres are represented by United Scenic Artists Local USA-829, IATSE. The George Street Playhouse playbill is published five times a year by George Street Playhouse, Inc., a not-for-profit corporation. Please send advertising inquiries to George Street Playhouse, P. O. Box 194, New Brunswick, NJ 08903-0194, attn: Playbill Advertising.

LIKE A GOOD UNDERSTUDY, WE’VE GOT YOU COVERED Insuring and supporting the George Street Playhouse since 1974. Family-owned for four generations, Borden Perlman has global reach, community roots. We work tirelessly to insure what’s important to you.

609.896.3434 | 800.932.4476 B O RD EN PE RLMA N . CO M Ewing Office: 250 Phillips Blvd., Suite 280, Ewing, NJ 08618 New Brunswick Office: 120 Albany St., Tower II, Suite 405, New Brunswick, NJ 08901

COMPANY bios. John Bolger (Rand Danforth) returns to George Street Playhouse for an eighth time, having previously appeared here in The Trial of Donna Caine, American Hero, American Son, Outside Mullingar; Good People; Twelve Angry Men and Lips Together, Teeth Apart. National Tours: South Pacific and Dirty Dancing; Regional: Five Presidents at Bay Street, cover for That Face at MTC; staged concert of Mendelssohn’s Midsummer Night’s Dream with The Baltimore Symphony Orchestra; Richard III at Hartford Stage; The Real Thing and Antony and Cleopatra at The Old Globe; Light Up The Sky at The Roundabout; The Lady From Maxim’s at The Huntington; Safe Sex at La Mama; Midsummer Night’s Dream, Macbeth, Twelfth Night, As You Like It, The Sea Plays and Ages of Man, with The Willow Cabin Theatre Co. TV: Taken, Bull, Homeland, The Blacklist, Orange is the New Black, The Black Donnelly’s, Sex and the City, Law & Order, NYPD Blue, General Hospital, One Life to Live and Another World. Film: Patriots Day, The Only Living Boy in New York, Just Looking, Parting Glances and Black and White. And thank you Pat McCorkle, yet again, for your decades, yes decades, of encouragement and support. You wonderful woman you! Molly Carden (Connie Danforth) New York: Emotional Creature (Signature Theatre), Please Continue (Ensemble Studio Theater), How To Live On Earth (Colt Coeur), Cherry Smoke (Working Theater), Downtown Race Riot (NYSF/Powerhouse Theater). Regional: Indecent (Weston Playhouse), The Carpenter (Alley Theatre), Translations (Studio Theatre), Frankenstein (Denver Center), The Night Alive (John Drew/Guild Hall), On Clover Road (Contemporary American Theater Festival),

Emotional Creature (Berkeley Repertory Theatre), The Great Immensity, (The Civilians at Kansas City Repertory Theatre). Proud member of Colt Coeur, EST and the 52nd St. Project. B.F.A. from UNCSA. Michael Cullen (Judge Howard Dorset/Dr. Terry Tierney) NY Stage: King Liz (Second Stage Theater); Finks (Ensemble Studio Theater); Bug (Barrow St. Theater-Obie Award); Len, Asleep In Vinyl (Second Stage Theater); Cobb (Lucille Lortel Theater- Drama Desk Award, Best Ensemble); Dark Matters (Rattlestick Theater); One Shot, One Kill (Primary Stages); The Intelligent Design of Jenny Chow (Atlantic Theater); Bus Stop (Circle In The Square); Regional Theatres: Actors Theater of Louisville-Humana Festival, Denver Stage, Dallas Theater Center, Penguin Theater, Buffalo Studio Arena, The English Theater of Frankfurt-Germany. TV: Law & Order, Law & Order: Criminal Intent, Law & Order: SVU, Life On Mars, A Gifted Man, Ed, Third Watch, NY Undercover, Flesh and Bone, The Blacklist, Claws, Film: The Place Beyond The Pines, Margot At The Wedding, Dead Man Walking, Clockers, Malcolm X and the Coen Brothers’ The Ballad of Buster Scruggs. Grace Experience (Anne Austin) is excited to be making her George Street debut. Credits include: Grounded (59E59, directed by Alexander Dinelaris), The Wolves (Lyric Stage Company), Beauty and the Beast (Berkshire Theatre Group), The Turn of the Screw (Middlebury Actors’ Workshop), Our Town (Heartwood Regional Theatre), Beardo (Pipeline Theatre Company), The Thanksgiving Play (Lyric Stage Company), Into the Woods (Heartwood Regional Theatre) and Some People Hear Thunder

A Power Play of Epic Proportions

Conscience by JOE DIPIETRO directed by DAVID SAINT

March 3 to 29 Sponsored by The Blanche and Irving Laurie Foundation.

NEXT AT GSP

Order tickets now at www.GeorgeStreetPlayhouse.org or 732-246-7717

COMPANY bios. (The Space at Capital Repertory). Grace is an award winning audiobook narrator for Penguin Random House Audio and a proud member of AEA and SAG-AFTRA. Love to her family, and the amazing folks at Professional Artists and Tsu Tsu Unlimited. GraceExperience.com Ryan George (Asa Bedford) is a Miami raised, NYC based actor, with a BFA from the University of Florida. His NYC credits include the title role of Othello (Alchemical Theater Laboratory) and Jeb in Rush (Paradise Factory Theater). His Regional Credits include Oshoosi Size in The Brothers Size (Gablestage), Fish in The Royale (Gablestage), Spike in Vanya and Sonia and Masha and Spike (Florida Rep), Trevor in The Play That Goes Wrong (Repertory Theater of St. Louis), Associate in The Christians (Riverside Theater) and Terrance in Thirst (CATF). He was last seen here as Jacob Walker in The Trial of Donna Caine and excited to return to George Street for another wonderful premiere. Ellen McLaughlin (Sibyl Danforth) is marking her third appearance at George Street Playhouse, having previously portrayed Rosemary Muldoon in Outside Mullingar and Margie in Good People. Broadway: Angels in America (Walter Kerr Theater). OffBroadway: The Heart is Not Made of Stone (BAM); Septimus and Clarissa (Ripe Time); Blue Window, (Manhattan Theater Club); The Bacchae (LaMaMa); A Bright Room Called Day (Public Theater); String of Pearls (Primary Stages). Regional: Seascape (ACT, SF, CA); Good People, Ros and Ray (Seattle Rep.); Dear Elizabeth (People’s Light and Theater); Penelope, The Year of Magical Thinking, All My Sons (Playmakers’ Rep. NC); A Delicate

Balance (Yale Rep. and Arena Stage, DC); A Midsummer Night’s Dream (McCarter Theatre, NJ); For Peter Pan…, Hedda Gabbler, Ghosts (Berkeley Repertory Theater); Fen, Road, Angels in America (Eureka Theater, SF, CA); King Lear (Oregon Shakespeare Festival, Portland); Three Penny Opera (Trinity Rep., RI); Cryptogram (Yale Rep.); Angels in America (Mark Taper Forum, LA); Top Girls (Williamstown, MA); Homebody/ Kabul (Intiman Theater, Seattle). TV: Law & Order. McLaughlin is also an award-winning playwright whose plays have received numerous Off-Broadway, regional and international productions. Monique Robinson (Charlotte Fugett Bedford) is ecstatic to make her George Street Playhouse debut! Her credits include: Fairview at the Berkeley Repertory Theater (Theater Bay Award Nominee for Outstanding Performance In a Featured Role, West Coast Premiere), Comedy of Errors at the Oregon Shakespeare Festival, A Midsummer Night’s Dream at Folger Theatre, Two Gentlemen of Verona at Shakespeare & Company, G.O.A.T. at the Queen’s Theatre in the Park; Onscreen credits: Younger (Paramount), See You Yesterday (Netflix), Tell Me A Story (CBS), Product Of My Environment (NYCIFF Nominee), A Ring and FAWK. University of Washington Professional Actor Training Program, MFA. Follow the Journey on INSTAGRAM: @NiqueRobinson and monitheseries.com. Psalms 27:1 Armand Schultz (Bill Tanner) At George Street: American Hero, The Spitfire Grill, Jolson Sings Again. Broadway: Frost/Nixon, The Herbal Bed, A View From the Bridge, The Secret Rapture. First National Tour: Billy Elliot, Chicago/Toronto Companies.

C reating our future, together.

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COMPANY bios. Off-Broadway: Our Town, The House In Town, Stuff Happens, King Lear, The Spitfire Grill, Sight Unseen, Cyrano de Bergerac. Regional: The Guthrie Theatre, Williamstown Theatre Festival, Ogunquit Playhouse, Westport Country Playhouse, Baltimore Center Stage, among others. Film: Inez&Doug&Kira, Crown Heights, SALT, Burn After Reading, The Happening, Vanilla Sky. Recent Television: BULL, Blue Bloods, Mr. Robot, The Blacklist. Upcoming: Billions. Mr. Schultz is the President and Chairman of the Board of The Actors Center and a lifetime member of The Actors Studio. Lee Sellars (Stephen Hastings) Broadway: A Time to Kill, West Side Story (Officer Krupke), Talk Radio. Other NY credits: iOW@, Gun-Shy (Playwrights Horizons) A Small Melodramatic Story (LAByrinth Theatre) The Alchemist (Classic Stage). George Street Playhouse: Our Town, Twelve Angry Men, The Subject Was Roses, The Pillowman. Regional: The Great Leap (Guthrie Theatre), Hollywood (LaJolla Playhouse), A Few Good Men (Alley Theatre), On Clover Road (CATF). TV: Happy (recurring), Billions, Law & Order: SVU, Deception, Elementary, House of Cards (recurring), Mindhunter, Power, Luke Cage (recurring), Shades of Blue, Chappelle’s Show, The Sopranos, Law & Order (recurring) Film: Naked Singularity (upcoming), James White, The Savages, Tenderness, The Crimson Mask, Groundhog Day. Chris Bohjalian (Playwright) is the #1 New York Times bestselling author of 21 books. His work has been translated into 35 languages and three times become movies. His most recent novel, The Flight Attendant, is currently being filmed for an HBO Max Limited Series starring Kaley Cuoco. His new novel, The Red Lotus, arrives March 17. His other plays include the oneacts, Wingspan (originally produced as

Grounded), The Cage Cards, and The Test. His books have been chosen as Best Books of the Year by the Washington Post, the St. Louis Post-Dispatch, the Hartford Courant, the Milwaukee Journal-Sentinel, Publishers Weekly, Library Journal, Kirkus Reviews, Bookpage, and Salon. Deepest thanks to the brilliant David Saint, whose vision has brought Midwives to life in ways that have left me breathless; to the cast and crew and everyone at the George Street Playhouse, all of whom were preternaturally patient with my editing and rewriting right through opening week; to Dana Yeaton, who wrote a different stage adaptation of Midwives back in the year 2000, and will always be an inspiration to me; to all of the midwives, doctors, and lawyers I interviewed while writing the novel back in 1995 and 1996, especially Carol Gibson Warnock; and to my lovely bride, Victoria Blewer, and our amazing Grace Experience, the two people who give my life meaning. David Saint (Director/Artistic Director) is in his 23rd season as Artistic Director of George Street Playhouse. He has directed 39 mainstage productions at GSP, having most recently helmed last season’s The Trial of Donna Caine, in addition to American Hero; I Love You, You’re Perfect, Now Change and An Act of God starring the legendary Kathleen Turner in the 2017-18 season. His time here has been marked by collaborations with such artists as Keith Carradine, Tyne Daly, Rachel Dratch, Sandy Duncan, Boyd Gaines, A.R. Gurney, Uta Hagen, Jack Klugman, Dan Lauria, Kathleen Marshall, Elaine May, Anne Meara, David Hyde Pierce, Chita Rivera, Paul Rudd, Stephen Sondheim, Marlo Thomas, Eli Wallach and many others, including a remarkable partnership with Arthur Laurents. In addition, many new award-winning works have begun their life here during his tenure, such as The Toxic Avenger, Proof, The Spitfire Grill,

S taff S potlight

by Cassidy Nogueira

Catherine Del Castillo is one of George Street Playhouse’s newest staff members, having joined the Education Department as Manager of Tour and Academy Programs just before we moved operations into the New Brunswick Performing Arts Center. Calling Long Island ‘home,’ Catherine is embracing her new life here in New Jersey and in the world of Touring Theatre and Academy classes. Talking to her feels like talking to an old friend, and we had the chance to learn more about Cat over a cup of tea on a rainy day:

What do you work on at George Street Playhouse? I handle the outreach and booking for our Educational Catherine Del Castillo Touring shows in schools and community centers Manager of Tour and Academy Programs Right now it’s Anytown. I’m also the link between the student (or parent) and the Teaching Artists for all of our Academy classes. Say hello to me during Saturday classes! Why arts education? I’ve always loved arts education. It’s joyful. It’s fun. It’s a medium that can empower people to think about who they are, who they want to be, and what they want to say about the world. I earned my Master’s in Applied Theatre at CUNY SPS – that’s where I fell in love with being a Teaching Artist. I worked as a Teaching Artist all over New York City for seven years – in classrooms with students who just immigrated to the U.S.; in workshop sessions for parent engagement; and in homeless shelters, libraries, and museums to bolster socialemotional learning and literacy. GSP’s Education Department operates from a place of integrity, putting the needs of our students and youth first. My colleagues here have this innate fearless desire to grow and learn, and they’re always open to change. That work environment – what makes this educational programming different from other places I’ve worked – goes hand-in-hand with what we’re putting into our work. I’m so excited to work here. Any interesting jobs you’ve had outside of being a Teaching Artist? I worked as an usher at Radio City Music Hall during Radio City Christmas Spectacular. Did you know there’s all these really bizarre tunnels underneath the stage? That’s where the living nativity hangs out. It’s literally another city underground. If I got to work early enough I would share an elevator with a goat. They would also walk the camels outside before the performances - just, like, taking laps around Rockefeller Center bright and early in the morning. Favorite New Brunswick restaurant: Old Man Rafferty’s Favorite animal: Elephant. No, wait. Can I say Baby Yoda? Something on your bucket list: Find my grandmother’s farm in Cuba Favorite movie: Ever After A song that makes you dance: “Finesse” by Bruno Mars

COMPANY bios. Joe DiPietro’s Clever Little Lies and It Shoulda Been You. He has directed Final Follies at Primary Stages, Clever Little Lies at Guild Hall in East Hampton, NY, and off-Broadway at Westside Theatre, as well as the National Tour of West Side Story. In July 2016, he directed a twonight concert performance of West Side Story at the legendary Hollywood Bowl. In Summer 2019, he directed a revolutionary new production of West Side Story for IHI Stage Around in Tokyo and currently serves as a Associate Producer for a new film version of West Side Story directed by Steven Spielberg. He also has directed on Broadway, off-Broadway and regionally at Playwrights Horizons, Manhattan Theatre Club, Primary Stages, McCarter, Williamstown, Seattle Rep, Pasadena Playhouse, Pittsburgh Public, Long Wharf and many others on premieres by writers such as Aaron Sorkin, Wendy Wasserstein, Peter Parnell, Jonathan Marc Sherman, Joe DiPietro and Jonathan Larson. He is the recipient of the Alan Schneider Award, Helen Hayes Award, L.A. Drama Critics Award, several DramaLogue Awards and is the President of The Laurents/Hatcher Foundation. Shoko Kambara (Set Designer) is celebrating her 20 year career in design for stage and film this year. Recent theatrical work includes Native Gardens (Syracuse Stage/Geva Theatre/Portland Stage), Little Girl Blue (George Street Playhouse), Into the Woods (Hangar Theatre), Holiday Inn (Finger Lakes Musical Theater Festival), Always Patsy Cline (FLMTF), Guys and Dolls (FLMTF). Opera work includes I Due Figaro (Manhattan School of Music), The Prince of Players (Houston Grand Opera worldpremiere), The Barber of Seville (Opera Philadelphia, Opera Theatre of St. Louis, Opera Omaha, Virginia Opera- and continues to be performed around the

US). Film work includes The Trial of the Chicago 7 (to be released 2020), Cavan, Summer Fridays. Broadway Associate Design Work: Macbeth, Nice Work If You Can Get It, Man and Boy, How to Succeed in Business Without Really Trying, Million Dollar Quartet, The Miracle Worker, Ragtime and 33 Variations. MFA in Scenic Design from NYU Tisch School of the Arts. BA from Dartmouth College. Lisa Zinni (Costume Designer) Lisa is a New York based designer, a Philadelphia native and happy to be a part of George Streets first season in the new theatre. Broadway Credits include Freestyle Love Supreme, associate costume designer for School of Rock, Cats, An American in Paris, The Play that Goes Wrong, The Glass Menagerie, Rent and Hair. Other Design Credits include the groundbreaking production of West Side Story at the IHI Stage Around in Tokyo Japan Directed by David Saint, Remember Our Song, a new work created and choreographed by Andy Blankenbuehler for the Tulsa Ballet. Lisa has designed for over 20 Seasons with The Pennsylvania Shakespeare Festival and The Orlando Shakespeare Theatre. Some Favorites include: Evita, Shakespeare in Love, Sweeney Todd, Macbeth and The Adventures of Pericles - a modern adaptation of Shakespeare written by Ellen Mclaughlin. Other design venues include Ars Nova, The Round About, 59E59th, TUTS, Walnut Street Theatre, Riverside Theatre in Vero, Two River Shakespeare, Bristol Riverside Theatre, The Arden and The Cape Playhouse. LISAZINNI.com David Lander (Lighting Designer) This is David’s 7th show at GSP. Broadway: The Lightning Thief- The Percy Jackson Musical, Torch Song, The Heiress with Jessica Chastain, Bengal Tiger at the Baghdad Zoo with Robin Williams, 33 Variations with Jane Fonda, I Am My Own Wife; among others. Off-Bway: Fran’s Bed with Mia Farrow,

ENROLL NOW FOR SPRING THEATER CLASSES Classes are appropriate for all ages and skill levels!

PLAY CREATION SATURDAYS

9:00AM — 10:00AM

AGES 5 – 8

Mar. 7 – May 2

MUSICAL THEATRE

AGES 9 – 12

TEEN IMPROV

AGES 13 – 18

SATURDAYS

Mar. 7 – May 2

9:30AM — 11:00AM

Mar. 7 – May 2

SATURDAYS 10:30AM — 12:00PM

MUSICAL THEATRE MONDAYS

6:30PM — 8:30PM

ADULT CLASS

Mar. 16 – May 4

JOIN US IN OUR NEW HOME AT THE NBPAC! CLASSES ALREADY IN HIGH-DEMAND!

www.GeorgeStreetPlayhouse.org 732-846-2895

COMPANY bios. King Lear with Kevin Klein, Macbeth with Liev Schreiber and Jennifer Ehle, Modern Orthodox with Molly Ringwald and Jason Biggs; among others. Regional: Arena Stage, Goodman Theatre, Huntington Theatre, Kennedy Center, La Jolla Playhouse, Mark Taper Forum, Old Globe; among others. International works in: London, Singapore, Tokyo, Sydney, Melbourne, Mumbai; among others. Awards: two Tony Award nominations, 5 Drama Desk Award nominations- 1 win; among others! Scott Killian (Composer/Sound Designer) Midwives marks Mr. Killian’s 23rd production at GSP, for which he is enormously grateful. Off-B’way: Manhattan Theatre Club: Sarah, Sarah; Five by Tenn; A Picasso (Lortel nom.); The Other Side; Red Bull Theatre: Volpone, The Duchess of Malfi; Women Beware Women, Edward the Second; Primary Stages: Final Follies; West Side Arts: Clever Little Lies; Rattlestick Theatre: Steve and Idi; Miss Julie; MCC: Side Effects. Many regional theatres, including: Berkshire Theatre Festival (Resident Composer–over 40 productions), Alley Theatre, Shakespeare Theatre (DC), Seattle Repertory Theatre, Cleveland Playhouse, Syracuse Stage, Cincinnati Playhouse, Huntington Theatre, Williamstown Theatre Festival, Original music for dance: Zvi Gotheiner (Resident Composer), Shapiro and Smith Dance (Resident Composer), Cherylyn Lavagnino, Alvin Ailey American Dance Theatre, Hubbard Street Dance Chicago, NikolaisLouis Dance, The Jose Limon Company. Charles G. LaPointe (Hair and Wig Designer) Numerous Broadway; Touring; Regional; West End and International productions including: Hamilton; Beetlejuice; The Cher Show (Drama Desk Award); The Band’s Visit; Beautiful; Ain’t Too Proud; Anastasia; The Lifespan of a Fact; SpongeBob SquarePants (Drama Desk Award); The Donna Summer Musical; Jersey Boys; Motown; Memphis; On Your Feet; A Gentleman’s Guide to Love

and Murder; The Color Purple; The Elephant Man; Newsies; In the Heights. Television: The Wiz Live! (Emmy Award Nomination); Jesus Christ Superstar Live! (Emmy Award Nomination and Make-Up Artists & Hair Stylist Guild Award); Bluebloods; American Crime; Maddoff; Hairspray. Rick Sordelet (Action Coordinator) Has been a fight director for GSP since 1983. Rick and his son, Christian Kelly-Sordelet, are the creators of Sordelet Inc., an exciting new stage combat company bringing over 30 years of action movement experience to the entertainment community. 74 Broadway productions including The Lion King and the upcoming The Outsiders. 52 first-class productions worldwide, including: Ben Hur Live in Rome and European Tour, dozens of opera productions, Cyrano and Don Carlos at the MET, The Royal Opera House and La Scalla. Cold Mountain, Don Giovanni, Romeo and Juliet and La Funciulla del West for Santa Fe Opera. Stunt Coordinators for films Ben is Back starring Julia Roberts, The Game Plan, Dan in Real Life, Brave New Jersey also 12 years as Stunt Coordinators for Guiding Light. Instructors at Yale School of Drama CUNY Harlem, HB Studio. Winners of the Edith Oliver Award for Sustained Excellence from the Lucille Lortel off-Broadway League, Jeff Award for Best Fight Direction for Romeo and Juliet at Chicago Shakespeare Theater. Author of the play Buried Treasure. sordeletinc.com Samantha Flint (Production Stage Manager) Previously at George Street Playhouse: The Immigrant. Broadway: Venus in Fur (MTC). Off Broadway: Final Follies, HIM (Primary Stages); Measure for Measure, In the Wake, The Winter’s Tale, The Brother/Sister Plays (The Public). Selected Regional: Twelfth Night (Shakespeare on the Sound); Murder on the Orient Express, Disgraced, The Winter’s Tale, The Brother/Sister Plays, Herringbone (McCarter Theatre Center); Murder on the Orient Express, Somewhere (Hartford Stage); Camelot (Two River Theater); June Moon,

APRIL 21 â€“ MAY 17

COMPANY bios. The Visit (Williamstown); Barefoot in the Park, …Spelling Bee (Bucks County Playhouse); And A Nightingale Sang (Westport Country Playhouse). Education: The Theatre School at DePaul University. Pat McCorkle (C.S.A.), McCorkle Casting LTD (Casting) Broadway: Over 50 productions including; On The Town, Amazing Grace, End of the Rainbow, A Few Good Men. etc. Off-Broadway Over 60 productions: Highlights; Our Town (Barrow Street), Freud’s Last Session, Toxic Avenger, Almost Maine, Driving Miss Daisy. Regional Theatre: Guthrie, Barrington Stage, St. Louis Rep, George Street Playhouse, Pittsburgh Public, Connecticut Rep, and multiple hundreds of individual productions. Feature films: Senior Moment, Year by the Sea, Premium Rush, GhostTown, The Thomas Crown Affair, Die Hard with a Vengeance, School Ties, etc. Television: Twisted, Humans for Sesame Street, Hack (CBS), Californication (Emmy Nomination), Max Bickford (CBS), Chappelle’s Show, Strangers with Candy etc. www.mccorklecasting.com. Christopher J. Bailey (GSP Production Manager) This season marks Mr. Bailey’s 22nd at George Street Playhouse and 15th as its Production Manager, having previously served the Playhouse as Technical Coordinator and Sound and Lighting Manager. Recently for GSP he was Lighting Designer for last season’s production of The Immigrant. Was also Lighting Designer for GSP’s production of Clever Little Lies, which moved to the Guild Hall Theatre in East Hampton and then off-Broadway to the Westside Theatre. His other designs for GSP includes 6 scenic designs and 9 sound designs for GSP’s Educational Touring productions, 28 lighting designs and 40 sound designs for GSP’s mainstage productions. Also, has designed for: Pearl Theatre, Barrington Stage, Premiere Stages, Bickford Theatre, Abingdon Theatre, Strand Theatre, Berkshire Theatre Festival,

Two River Theater, Ashlawn Highland Opera, LKB Dance, Randy James Dance, Rand Theater, The Irish Repertory Theatre, Westport Country Playhouse, Long Wharf, Delaware Theatre Company, Jacob’s Pillow, and more. Kelly Ryman (Managing Director) is celebrating her 20 th season with George Street Playhouse, having recently led the company through a transformative chapter in its history – overseeing the planning, construction and operations of the move to its interim home on Rutgers Cook Campus in 2017 as well as the move back downtown as a Founding Resident Company of New Brunswick Performing Arts Center. From 2000 to 2013, as the company’s Director of Marketing and Public Relations, she spearheaded promotional efforts that resulted in the top ten-highest grossing productions in the Playhouse’s history, including the hit musical It Shoulda Been You which moved to Broadway in 2015. Off-Broadway, Kelly was a member of the marketing team for The Toxic Avenger, which premiered at George Street Playhouse and went on to win the 2009 Outer Critics’ Circle Award for Best New Musical. Active in the non-profit arts community throughout New Jersey, she was the Central NJ Chair of Jersey Arts Marketers for over a decade. She serves on the Board of Directors of New Brunswick City Center and is an adjunct professor of Arts and Entertainment Business at Mercer County College. Prior to her tenure at George Street Playhouse, Ms. Ryman worked at McCarter Theatre and The Wilma Theater. Kelly was recognized in 2012 by ArtPride NJ with their Leadership Award and is a 2015 recipient of the Middlesex County Boy Scouts of America “Tribute to Women” Award. She is the Vice-Chair of the New Brunswick Arts Consortium Advisory Committee.

From New York Times Bestselling Author, and Playwright: An Interview with Chris Bohjalian By Megan Cherry

Q: What was your motivation to turn Midwives into a play? What was it like to pick up a novel you wrote 22 years ago, and explore it in a new way? I love theatre. I love the stage. But for most of my life, I presumed I was a one-trick pony. I wrote novels. But when a friend of mine, the playwright, screenwriter, and director Alexander Dinelaris, encouraged me to try a one-act, I did. And I had a spectacular time. The result was Grounded — now called Wingspan — and what I enjoyed about the writing process was knowing that while a lot had to be conveyed by dialogue, a great director and a great production team and great actors could handle the real heavy lifting. Yes, a play begins with the playwright, but it only begins with the playwright. It’s a collaboration that is really exciting. So, after writing a one act, the next natural step in my growth as a playwright seemed to be trying to adapt one of my novels. Midwives was the natural choice because I have always loved courtroom dramas on stage. Now, Midwives was my fifth novel; my twenty-first, The Red Lotus, arrives in March 2020. I’ve never been shy about admitting that I’m not a fan of my early work: I’m responsible for the single worst first novel ever published, bar none. It was my fourth and fifth novels, Water Witches and Midwives, where I began to find my voice. I think by then I had reached that great Malcolm Gladwell barometer of ten-thousand hours. I had to have gotten better, if only through practice and force of will. But I was pleased at how well Midwives had survived the test of time. It still worked as a story and I was thrilled with the way the universal themes still resonated: birth and death and the horrific nexus of the two. I wrote Midwives soon after my wife’s and my daughter was born and as my mother was dying. It’s no coincidence that two mothers we care about in the novel die. All of that influenced what I was writing: every page, in hindsight, and (forgive me) every twist of the knife. It was the first time I understood why I loved reading some novels so much more than others and what was always going to drive people to turn the pages of my books: dread. Whether I am writing historical fiction such as The Sandcastle Girls or a thriller like The Flight Attendant, the fulcrum around which everything is going to turn is (at the very least) anxiety. And so I when I adapted Midwives for the stage, I never wanted to lose that. I realize that many people in the audience will know how it ends from reading the novel, but

(of course) we know also that the Titanic sinks and Lady Macbeth is going to die. Nevertheless, I was careful to structure the play to ramp up the tension with critical moments of foreshadowing. But I also view Midwives as a mother-daughter love story – how deeply Sibyl and Connie care for each other – and that, too, is a factor in the novel’s longevity. I wanted to be sure you could also feel that in the play. Q: How was writing Midwives, as a play, different (or similar) to writing your first play, Grounded (now Wingspan)? The principal difference was this: my first play occurs in one scene in “real time.” There are no jump-cuts in time or transitions or movements to different venues. It’s an original play that I conceived as occurring at the front of a passenger jet in the moments before takeoff and then during the flight’s first minutes. Midwives is an adaptation of a novel that occurs over many months. But it really has two principal settings: the bedroom where the home birth occurs and the courtroom where the midwife stands trial. And so I decided to approach the material a bit like I did my first play: Act One would be the birth and Act Two would be the trial. There are jump-cuts and scenes within each act, but — like my first play — I wanted each act to be its own world. Q: What are your hopes and expectations for the stage adaptation of Midwives? Oh, I hope people enjoy it and are moved. But I also wanted to do this in the stage version: bring some additional focus to the way that Sibyl Danforth is being bullied by men and the way that men, for so long, have commandeered control of birth and of women’s bodies and women’s birthing choices. And so, in act two, you will see a lot of mansplaining and a lot of men behaving badly – but also, I believe, the courage of a couple of women who, pure and simple, have had enough. Q: So far, what has been your favorite aspect of the “page to stage” experience? Do you see yourself adapting more of your novels for the stage? Writing a novel is a solitary process. Certainly, I talk about it with my editor, my book agent, and my wife and my daughter — my principal readers; and, yes, there are always people I interview for research. But the vast majority of the time I am alone in my library and my world is utterly silent. Playwriting is different: it’s team art. I’ve loved working with directors such as David Saint and Sheryl Kaller and Alexander Dinelaris, all of whom are brilliant, and I’ve savored my time with actors — watching them bring the characters to life. With their help, I see what’s working and what isn’t. I think that’s been my favorite part of the experience. I’ve now written four plays, only one of which is an adaptation of one of my novels. At the moment, the only other one of my novels I can imagine adapting is Close Your Eyes, Hold Hands. But that’s what I’m thinking today. Tomorrow? Who knows.

THE

CAMPAIGN FOR GEORGE STREET PLAYHOUSE

We gratefully recognize the following who have generously contributed to this special campaign for the future of George Street Playhouse: Shelley and Alan Best Lois and Ronald Bleich Joan and Robert Campbell Lyn and David Fasanella JoAnn and Kenneth Fisher Myrna and Freddie Gershon David M. Greene William Hagaman James N. Heston Lucy Hughes and Sean Devlin Peter Jewell and Fred Eisinger Elizabeth Ross Johnson Charitable Trust Sharon Karmazin Penelope E. Lattimer, Ph.D. The Laurents/Hatcher Foundation

Mark McMahon and Roberto Moreira Lisa Moro and Alan Voorhees Dorothy and Norman Politziner David Saint Enza and Tripp Salisbury Jocelyn Schwartzman Lynn and Barry Sherman Ben Sifuentes-Jรกuregui and Mark Trautman Janice and Lewis Stolar Frances and Kenneth Stromsland Lora and William Tremayne Gabriella and Stephen Vajtay Marlene and Anthony Volpe Anonymous

BE PART OF THE FUTURE OF GEORGE STREET PLAYHOUSE — SPONSOR A SEAT

Recognize an individual or business, celebrate a milestone, or commemorate a loved one by naming a theater seat at the New Brunswick Performing Arts Center! Seats are available for naming in both the Elizabeth Ross Johnson Theater and the Arthur Laurents Theater. Seat sponsorships range from $ 500 – $2,500 and your contribution is tax-deductible to the fullest extent allowed by federal law. For more information call Christine Murray at 732-258-7555 or visit bit.ly/GSPSeatCampaign

CORPORATIONS, FOUNDATIONS & GOVERNMENT

GEORGE STREET PLAYHOUSE gratefully acknowledges the following for their annual support: EXECUTIVE PRODUCERS $100,000 and Above

The Blanche and Irving Laurie Foundation

PRODUCERS $50,000 - $99,999

THANK YOU for your annual support CO-PRODUCERS $20,000 - $49,999

GUARANTORS $2,500 - $4,999

Bank of America Charitable Foundation Bloomberg Philanthropies E. J. Grassmann Trust Rutgers Community Health Foundation Union Foundation

Anela Kolohe Foundation The Morey Family Foundation, Inc. New Jersey School Development Council The Fred C. Rummel Foundation

PATRONS $1,000 - $2,499 Fund for the New Jersey Blind, Inc.

ASSOCIATE PRODUCERS 10,000 - 19,999 $

PNC Foundation Princeton Area Community Foundation, The Robert Wood Johnson III Fund The Provident Bank Foundation Wells Fargo Foundation

CONTRIBUTING PARTNER $5,000 - $9,999 The Amboy Foundation The Merrill G. and Emita E. Hastings Foundation Investors Foundation PSEG Foundation

BACKERS $500 - $999 Actors Equity Foundation, Inc. Franklin Mutual Insurance S&P Global Foundation

GIFTS-IN-KIND Brunswick Catering Delta’s Restaurant The Frog and the Peach Grounds for Sculpture The Heldrich Hotel Nassau Communications Panico’s

Tavern on George

MAXIMIZE THE IMPACT OF YOUR GIFT with a matching gift from your company!

Double or triple the impact of your gift to George Street Playhouse! Include the name of your affiliation on your pledge form and your company’s matching gift form. You will be entitled to donor benefits based on the combined gift total. Matching gifts play an essential role in the financial support of George Street Playhouse.

Current Matching Gift Companies Supporting GEORGE STREET PLAYHOUSE ATT Bristol-Myers Squibb GE Corporation Goldman Sachs The Horizon Foundation for New Jersey IBM Corporation Johnson & Johnson

Merck Company Merrill Lynch & Co Pfizer Prudential Foundation Robert Wood Johnson Foundation UBS

INDIVIDUALS PRODUCER’S CIRCLE VISIONARIES $25,000+

JoAnn and Ken Fisher James N. Heston Peter Jewell and Fred Eisinger Sharon Karmazin The Honorable Thomas H. Kean Elizabeth and Arthur Roswell Marlene and Anthony Volpe

SUSTAINERS $10,000– $24,999 Joan and Robert Campbell Lucy Hughes and Sean Devlin Mindy Raso Kirstein and Phil Kirstein

AMBASSADORS $7,500 – $9,999 Mary and Edward Hartnett Leonard Littman

ADVOCATES $5,000 – $7,499 Laura and Norm Baron Al Berger Dina Elkins Lorraine J. Knapp Nancy and Duncan MacMillan Elizabeth Otterbein Ellen Ozur and Stuart Brown Lora and William Tremayne

BENEFACTORS $2,500 – $4,999 Edward S. Atwater, IV W. John Bauer and Nancy Boucher Isa and Michael Beck Lois and Ronald Bleich MaryLou and Al D’Augusta Suzanne Engel William Engel David M. Greene William Hagaman Judy and James Hancock Tillie and Bob Kahle Penelope E. Lattimer, Ph.D. Mark McMahon and Roberto Moreira Lisa Moro and Alan Voorhees Elizabeth Otterbein Rita Paszamant Dorothy and Norman Politziner Christine Renz and Noah Levy David Saint Jocelyn Schwartzman Lexine and Cuyler Tremayne Gabriella and Stephen Vajtay

ANGELS $1,000 – $2,499 Paul Alexander Regina Belowsky Walter Bradhering Joan and Robert Bramson Mary and Patrick Callan Josi Irene Callan-Cole Elaine and Robert Ciatto Carol Condon D’Maris and Joseph Dempsey Barbara and Paul Eggerman Richard Engle Lyn and David Fasanella Ellen Kennedy and David Feigley Jennie and John Fischer Susan Forman Ellen Frede and Steven Barnett Bobbi and Barry Freedman Susan Garruto Midge Golin Marc Gonzer Margaret and Thomas Gorrie Christine Grant and Michael Halpern The Halpern Family Foundation Jeanine and Michael Greenleaf Clara and John Grosso Margaret Grove Sharon and Mark Gruber Jean and Claude Heller Susan Henoch and Jay Coggeshall in Honor of Dee Henoch Lorraine and Robert Henry Chip Hoever and Dan Mackey Kathleen Campbell Jackson Karen and Ronald Joho Lynda and John Kazmark Suzanne and Eric Krebs Nancy L. and Arthur E. Lee Laura and Joel Leizer Laura and Dean Livingston Adele T. Macula, Ed.D. Richard A. Patt Ann and Robert Rafano Adrienne and Andrew Ross Kathy and Ken Schurzky Lynn and Barry Sherman Noreen and Patrick Sinko Janice and Lewis Stolar Renée Troiano Margaret Velden Bob Virgadamo Alan Weller Nancy and Edward Winant Michele and George Wolansky Wendy and Warren Zimmerman

THANK YOU for your annual support BACKERS $500 – $999

Deborah Alexander Charles Berry Joan and Robert Bramson Laura and James Cahill Carol Ciorciari Marco Cucchi Marie Foucher and Daniel Hyman Willard Geller Julie and Robert Goldstein Marlene and Joel Gordon Robert Grant Richard Hines John Hoffman Ellen Horowitz Jeffrey Hyman Joyce and William Jonat Leslie and Tom Kelso Scott Killian Gregory King Susanne and Alex Kucsma Tom Livaccari Pamela and Andrew Lovasz Barbara and Robert Martalus Michael Mastro and Richard Hester Joan and Richard Barry McCormick Anne McHugh Joy and Thomas McPartland Daphne and Steven Mishkin Robert Nolan Ira Novak Mary and Theodore Petti Marcus Porcelli Mona and Barry Portnoy Karen and Robert Predale Bethany and Jonathan Rabinowitz Julie and Robert Rafano Kristen Rich and Anthony Camioni, II Christine Robbins Simona Romanoschi Marie and Marshall Rosen

Carole and Stephen Schneider Randy Schwartzman Lynn and John Semmlow Ken Shapiro Howard Sorkin Renée Troiano David Wagner Vicki and Neil Weisfeld

PARTNERS $250 – $499

Esta Aranoff Patricia and Joshua Ardise Linda Bachman Barbara Baier in memory of Barbara and Ralph Voorhees Jeanne and James F. Barrett, II Diane Beni Susan and Alan Blanchette Gilbert Blitz Jacqueline Brendel Adelaide M. Brenner Jennifer and Richard Bullock Andrea and James Carroll Thomas Carroll Theodore Choplick Anthony Cicatiello Judy Cohen Melissa and Charles Daniel Dina and Peter Engler Stacy and David Greenblatt Irwin Hametz Evelyn Hartmann Robert Hartmann Ellen and Joel Henkin Jim Jack Kevin Janis and George Kupczak Pat and Roger Klein Sunny Kordower Sharon and Joseph Kosmo Paul Leath

Cheryl and Jeff McBride Denise and William McBride Richard McPartland Susan and Jack Meola Frani and Ferenc Mike-Mayer in Memory of Noah Raines Joan and Rabbi Bennett Miller Karol and Wayne Morrison Dennis O’Dea Brenda Overcash and Thomas West Marion Portnoy Karen and Henry Ross Barbara Roth Rita Seplowitz Saltz Karen Satterthwaite Victoria and Michael Shernicoff Ben Sifuentes-Jáuregui and Mark Trautman Sheldon Singer Nonny and Paul Stahlin Gladys Stein and Scott Rosmarin Bonnie and David Sudol Patrice Sullivan Gail and James Szeluga Blanquita Valenti Dan Vickery Caroline Willard Joanne and Allan Williams Anonymous

Includes contributions made through December 20, 2019. If you notice an error here, please do not hesitate to contact us at development@georgestplayhouse.org so that we may correct it for our next printing.

A contribution to the arts is an investment in the quality of life for all citizens. As a not-for-profit theatre, we depend on annual support from individuals, corporations, foundations, and government to produce world class theatre in New Jersey, provide highly acclaimed arts education programming to over 30,000 students each year, and make theatre accessible to everyone in our community.

Inspirersâ€™ Circle members are individual donors who provide core financial support for George Street Playhouseâ€™s Education Department. Their generous support helps to provide exceptional theatre arts education experiences for children and adults throughout New Jersey.

Laura and Norm Baron Al Berger Patrick and Mary Callan Josi Irene Callan-Cole Susan Henoch and Jay Coggeshall in Honor of Dee Henoch Dina Elkins Suzanne Engel William Engel JoAnn and Kenneth Fisher Margaret and Thomas Gorrie Judy and Jim Hancock James N. Heston

Lucy Hughes and Sean Devlin Suzanne and Eric Krebs Penelope E. Lattimer, Ph.D. David Mallow Mark McMahon and Roberto Moreira Maha and John Pulomena Jocelyn Schwartzman Lynn and Barry Sherman Lexine and Cuyler Tremayne Lora and William Tremayne Marlene and Anthony Volpe Alan Weller

GEORGE STREET PLAYHOUSE gratefully acknowledges the following for their support of our 2019 ANNUAL GALA BENEFIT: SPONSORS The Atlantic Foundation Joan and Robert Campbell Grounds for Sculpture James N. Heston Horizon Blue Cross Blue Shield of New Jersey Cecelia and Seward Johnson Betty Wold Johnson

Sharon Karmazin Nassau Comunications PSE&G RWJBarnabas Health David Saint TD Bank WithumSmith+Brown

PARTNERS & BACKERS JoAnn and Kenneth Fisher Lucy Hughes and Sean Devlin Penelope E. Lattimer, Ph.D. Nancy and Duncan MacMillan McCarter & English Mark McMahon and Roberto Moreira

Lisa Moro and Alan Voorhees New Brunswick Development Corporation – DEVCO Northfield Bank The Francis E. Parker Memorial Home Lora and William Tremayne Marlene and Anthony Volpe

SUPPORTERS Clary and Anthony Anconza-Barber The Actors Fund Charles Berry Lois and Ronald Bleich Boston Properties Brunswick Sign and Exhibit Laura and James Cahill C.B.R.E. Citi Private Bank Marco Cucci Cushman & Wakefield Fox Rothschild LLC Joe DiPietro EisnerAmper LLP Engel and Devlin, P.C. Roy Epps The Erdmann Group Flemington Car & Truck Country Ellen Frede and Steven Barnett Paula and Jack Gentempo Glenmede Muriel Grimmett-Ray Llura and Gordon Gund

Ilana and Mauricio Gutierrez Janice and Brian Haggerty Ruth Hendel Hoagland, Longo, Moran, Dunst, & Doukas John Hoffman Winnie Holzman and Paul Dooley I.A.T.S.E. Local #21 I.B.E.W. Local 456 The John Gore Organization, Inc. Kelso & Burgess Kilmer Square Langan Engineering and Environmental Services Barbara Lawrence LCK Wealth Advisors Irene Lieberman Michael Loch Emily Lyssikatos Markowitz, Fenelon & Bank LLP Mazars Amy and Michael Moorby Maria and Abel Moreyra New Brunswick Parking Authority

New Brunswick City Center New Jersey Theatre Alliance Michael Nissenblatt NJP Associates Esther Novak Pennrose Properties Barbara and Jim Petrosini Plumbers & Pipefitters Local 9 Mindy Raso Kirstein and Phil Kirstein RBC Wealth Management Simona Romanoschi Carole and Stephen Schneider Jocelyn Schwartzman Lynn and Barry Sherman Ben Sifuentes-Jáuregui and Mark Trautman Somerset Health Care Foundation Janice and Lewis Stolar Universal Mailing Service, Inc. Gabriella and Stephen Vajtay Adam White Michele and George Wolansky

SEE BROADWAY IN NEW BRUNSWICK!

APRIL 2-4