Bad jews playbill

GEORGE STREET PLAYHOUSE

BAD JEWS

2016 – 2017 Season

Board of Trustees Chairman: James N. Heston* President: Penelope Lattimer, Ph.D.* First Vice President: Lucy Hughes* Second Vice President: Janice Stolar* Treasurer: David Fasanella* Secretary: Sharon Karmazin* Ronald Bleich Kenneth M. Fisher William R. Hagaman, Jr. Norman Politziner Kelly Ryman* W. Burton “Tripp” Salisbury Ben Sifuentes-Jáuregui, Ph.D.

Frances C. Stromsland, Ed.D. David Saint* Jocelyn Schwartzman Lora Tremayne Stephen M. Vajtay Alan W. Voorhees *Denotes Members of the Executive Committee

Trustees Emeritus Robert L. Bramson Al D’Augusta

Cody P. Eckert Peter Goldberg George Wolansky, Jr.

Clarence E. Lockett Anthony L. Marchetta

Honorary Board of Trustees Thomas H. Kean

Eric Krebs

Honorary Memoriam Maurice Aaron∆ Dr. Edward Bloustein∆ Dora Center∆∆ Douglas Fairbanks, Jr.∆ Milton Goldman∆ John Hila

Arthur Laurents∆ Richard Sellars∆ Barbara Voorhees∆∆ Edward K. Zuckerman∆ Adelaide M. Zagoren ∆∆ – Denotes Trustee Emeritus ∆ – Denotes Honorary Trustee

From the Artistic Director

The moment I saw Joshua Harmon’s critically acclaimed blisteringly funny comedy Bad Jews I knew it was a great choice for George Street.

David Saint Artistic Director

However, it requires a skilled director of comedy and a cast of expert young actors who understand both the passionate beliefs of their characters as well as Mr. Harmon’s particular brand of New York rhythmic dialogue.

Fortunately, we have Jessica Stone, a smart, funny, up-andcoming star director and her sensational cast to mine the riches of this text.

In a world where the struggle between tribalism and multiculturalism, between fighting for your ancestral religion and culture and a more secular assimilation, this hilarious and moving story gives us much needed food for thought.

Coming on the heels of American Son, I am proud that we are able to bring such thoughtful theatre to our audience in this new era of American social discourse.

Enjoy the ride!

Sincerely,

David Saint Artistic Director

George Street Playhouse David Saint, Artistic Director Michael Mastro, Resident Artistic Director Kelly Ryman, Managing Director Presents

Bad Jews

By Joshua Harmon Directed by Jessica Stone Scenic Design by Charlie Corcoran Costume Design by Sarah Laux Lighting Design by Christopher J. Bailey Sound Design by Drew Levy Wig and Hair Design by J. Jared Janas Fight Direction by Gerardo Rodriguez Production Stage Manager Libby Unsworth* Production Manager Christopher J. Bailey Casting by McCorkle Casting, Ltd.

March 21 – April 6, 2017 The director of Bad Jews -- Jessica Stone -- is sponsored by The Merrill G. and Emita E. Hastings Foundation.

Bad Jews is presented by special arrangement with Samuel French, Inc. World Premiere Produced in New York City by Roundabout Theatre Company (Todd Haimes, Artistic Director; Harold Wolpert, Managing Director; Julia C. Levy,

In accordance with Actors’ Equity Association regulations, we remind you that all electronic devices, including pagers, cellular phones and watches must be turned off during the performance.

Grant funding has been provided by the Middlesex County Board of Chosen Freeholders through a grant award from the Middlesex County Cultural and Arts Trust Fund.

This program is made possible in part by funds from the New Jersey State Council on the Arts/ Department of State, A Partner Agency of the National Endowment for the Arts.

George Street Playhouse is a constituent of the League of Resident Theatres (LORT) and a member of the New Jersey Theatre Alliance. The theatre operates under an agreement between LORT and Actors’ Equity Association, the union of professional actors and stage managers in the United States, and is a member of the New Brunswick Cultural Center.

as Artistic Director

CAST in order of appearance Jonah Haber Daphna Feygenbaum Liam Haber Melody

Amos VanderPoel* Laura Lapidus* Alec Silberblatt* Maddie Jo Landers* *- denotes member of Actors’ Equity Association.

Setting: March. Not quite winter, not quite spring.

A studio apartment on the Upper West Side, New York, N.Y. Bad Jews is performed without an intermission.

Understudies: Carol Foose and Christian James Potterton

The actors and stage managers employed in this production are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

The director is a member of The Stage Directors and Choreographers Society, Inc., an independent national labor union.

The stage technicians of George Street Playhouse are proud members of IATSE Local 21.

The Scenic, Costume, Lighting and Sound Designers in LORT theatres are represented by United Scenic Artists Local USA-829, IATSE. The George Street Playhouse playbill is published five times a year by George Street Playhouse, Inc., a not-for-profit corporation. Please send advertising inquiries to George Street Playhouse, 9 Livingston Avenue, New Brunswick, NJ 08901, attn: Playbill Advertising.

company bios.

Maddie Jo Landers (Melody) is excited to be making her debut at George Street Playhouse.

Favorite Regional Credits include Katherine in The Taming, Vanda in Venus in Fur, and Katherine in The Foreigner. TV credits include The Good Wife, Boardwalk Empire, Royal Pains, and Person of Interest. Maddie Jo is a proud graduate of North Carolina School of the Arts.

Laura Lapidus (Daphna Feygenbaum) previously appeared as Daphna in Bad Jews at DC’s Studio Theatre and Chicago’s Theater Wit. Other credits include Stay Lit in Steppenwolf’s LookOut Series; Balm in Gilead (Jeff nomination for Best Ensemble), Golden Boy and Port with Griffin Theatre; The Seagull with The Artistic Home; Women Beware Women with Two Pence; Pains of Youth with Odradek/Oracle Theatre; and breaks & bikes with Pavement Group (World Premiere).

Television credits include Chicago PD. A Chicagoan at heart, Laura recently made NYC home. BFA in Acting from the University of Michigan.

Alec Silberblatt (Liam Haber) New York: Graduation Day (Middle Voice Theater), The Cherry Orchard (Strange Sun Theater).

Regional: Lungs (Off the Wall - Carnegie Stage), Driftless (world premiere with Hatch Arts Collective), Chickens in the Yard (Quantum Theater), Sharon’s Grave and A Skull in Connemara

(PICT Classic Theater), Orphans (Lake Dillon Theater Company), Rabbit Hole (Pittsburgh Public Theater, Hartford TheaterWorks). Upcoming: Biloxi Blues (Ivoryton Playhouse).

Training: BFA Acting, CCM. Amos VanderPoel (Jonah Haber) is thrilled to be making his debut at George Street Playhouse!

Theater credits include The Cradle Will Rock; Dog Sees God; Lysistrata; The Lion, The Witch and The Wardrobe; and Urinetown, among other things. Film/TV: Delivery Man, Mozart In the Jungle, and Deception. He has also appeared in numerous commercials. Big shout out to everyone at Wolf Talent, as well as Mom, Dad, and Hannah! BFA Acting Syracuse University.

Joshua Harmon (Playwright) Bad Jews received its world premiere at Roundabout Underground, transferred to the Roundabout’s Laura Pels Theatre, and has since become one of the most produced plays in the United States. International productions include Australia, Canada, Germany, Israel, South Africa and London’s West End, following sell-out runs at Theatre Royal Bath and the St. James. Other plays include Ivanka, which had readings at theatres across the country on Election Eve 2016, and Significant Other, which had its world premiere at Roundabout. Fellowships from MacDowell, Atlantic Center for the Arts and NNPN. He is a graduate of Juilliard and under commission from Roundabout, Manhattan Theatre Club, and Lincoln Center Theater.

company bios.

Jessica Stone (Director) worked as an actress on and off-Broadway, and in television and film, for the last 25 years. Her Broadway credits include Anything Goes, Butley, The Odd Couple, The Smell of the Kill, Design for Living, How to Succeed in Business Without Really Trying, and Grease. Her offBroadway credits include Crimes of the Heart, Krisit, The Country Club, June Moon, Tenderloin,and Babes in Arms. She has performed in regional theatres across the country including Huntington Theatre Company, Mark Taper Forum, Geva Theatre, McCarter Theatre Center, and 10 seasons at Williamstown Theatre Festival. Concurrently, she was an assistant/associate director on and Off-Broadway to Nicholas Martin, Joe Mantello, David Warren, and Christopher Ashley. Ms. Stone’s directing career began in earnest with her all-male 2010 production of A Funny Thing Happened on the Way to the Forum for the Williamstown Theatre Festival.

Directing credits now include Charlotte’s Web (TheatreworksUSA), Neil Simon’s Last of the Red Hot Lovers (Williamstown), Vanya, Sonia, Masha and Spike (The Old Globe/ Huntington Theatre Company), June Moon ( Williamstown), Absurd Person Singular (Two River Theater Company), Arms and the Man (The Old Globe), ...Spelling Bee (Bucks County Playhouse), and a remount of A Funny Thing... (Two River Theatre company). Upcoming productions include David Lindsay Abaire’s Ripcord (Huntington Theatre Company) and the world premiere of Ken Ludwig’s Robin Hood (Old Globe). She currently lives in Brooklyn with her husband and two sons.

Charlie Corcoran (Scenic Designer) Regional: A Comedy of Tenors (Outer Critics Circle AwardCleveland Playhouse/McCarter Theatre); Vanya & Sonia & Masha & Spike (The Goodman Theatre); The Barber Of Seville, The Marriage Of Figaro (McCarter); Ma Rainey’s Black Bottom, Absurd Person Singular, Lives of Reason (Two River Theatre); Without Walls (Center Theatre Group); The 25th Annual Putnam County Spelling Bee (Bucks County Playhouse); Bad Jews (Ensemble Theatre Company/English Theatre of Frankfurt). NY: Shining City, The Weir and The Quare Land (Origin, First Irish Award); The Emperor Jones (Hewes Design Award nomination) at the Irish Repertory Theatre, Billy and Ray (Vineyard Theatre), Straight (Acorn Theatre) Craving for Travel (Peter J. Sharp Theatre); The Last Smoker In America (Westside Theatre); A Perfect Future (Cherry Lane); The Bully Pulpit (Beckett Theatre), and Exits And Entrances (Primary Stages).

Recent opera designs include: Fidelio at the (Santa Fe Opera); The Bartered Bride, Cosi Fan Tutte (co-production, Metropolitan Opera and Juilliard); The Marriage of Figaro, Don Giovanni, (Juilliard); L’Opera Seria (Wolftrap Opera); The Magic Flute, The Bartered Bride (Granada Theatre, Santa Barbara).

Upcoming opera: Katya Kabanova (Juilliard); The Turn of the Screw (Opera Columbus). TV: Full Frontal with Samantha Bee (TBS), Mozart in the Jungle (Amazon), Believe (NBC) and Madam Secretary (CBS).

Sarah Laux (Costume Designer) Broadway: The Humans, Fully Committed. Off Broadway/regional: The Effect (Barrow Street Theatre); Empathitrax (Colt Coer); Thresh/Hold (Pilobolus Dance

company bios.

Theater); Come Back, Little Sheba (Huntington Theatre Company); Women or Nothing (Atlantic Theater Company); Really Really (MCC); Baby Screams Miracle (Clubbed Thumb).

Broadway Associate design credits include An Act of God, The Last Ship, If/Then, War Horse (U.S.), The Performers. Feature Film: Freak Show, directed by Trudie Stylers.

Christopher J. Bailey (Lighting Designer/Production Manager) This season marks Mr. Bailey’s 19th at George Street Playhouse and 13th as its Production Manager, having previously served the Playhouse as Technical Coordinator and Sound and Lighting Manager. He was recently Lighting Designer for GSP’s production of Daddy Long Legs, My Name is Asher Lev, Sex With Strangers, Nureyev’s Eyes and Clever Little Lies, which moved to the Guild Hall Theatre in East Hampton and then off-Broadway to the Westside Theatre. He was Sound Designer for GSP’s recent American Son and offBroadway productions of The Fourth Wall at Primary Stages and Down the Garden Paths at the Minetta Lane Theatre. His work includes 6 scenic designs and 9 sound designs for GSPs’ Educational Touring productions and 23 lighting designs and 40 sound designs for GSP’s mainstage productions. He has also designed for: French Institute Alliance Française, The Pearl Theatre, Barrington Stage Company, Premiere Stages, The Bickford Theatre, Abingdon Theatre, Strand Theatre, The Berkshire Theatre Festival, Two River Theater Company, Ashlawn Highland Opera Festival, LKB Dance, Randy James Dance, The Rand Theater, The Irish Repertory Theatre, Westport Country Playhouse, Long Wharf Theatre, Delaware Theatre Company, Jacob’s Pillow, and more.

Drew Levy (Sound Designer) Broadway: Honeymoon in Vegas (Drama Desk nom.), Chaplin (Drama Desk Award), The Winslow Boy, The Importance of Being Earnest, Present Laughter.

Off-Broadway: One Day the Musical, The Weir, Why Torture is Wrong..., Emergence-See!, Dutchman, The Mistakes Madeline Made. Regional: Bard SummerScape, Williamstown, 5th Avenue Theatre, The Old Globe, Two River Theatre, Arena Stage, Westport Country Playhouse, McCarter, Huntington, Long Wharf. Other: Reconfiguration: An Evening with Other Lives; Drama Desk Awards Ceremony 2014 & 2015; Metropolitan Opera 125th Anniversary Gala; holiday installs for Saks 5th Avenue, Cartier, Van Cleef & Arpels, and Harry Winston.

Associate: The SpongeBob Musical, Waitress, A Raisin in the Sun, Pippin, and many others.

Gerardo Rodriguez (Fight Director) Most recent ‘moments of violence’ include: Crackskull Row (Irish Rep), Manhood (National Black Theatre), but i cd only whisper (The Flea), Kill Floor (LCT3), Seven Guitars (Two River), The Spoils (New Group), The Liquid Plain (Signature), Mme Le Monde (Playhouse Creatures), Be More Chill (Two River), Absurd Person Singular (Two River), Good Grief (INTAR), among others. Core member of Unkle Dave’s Fight House. He is also an actor and proud member of InViolet Theater.

J. Jared Janas (Hair & Wig Design) – Broadway: The Visit, The Real Thing, Lady Day at Emerson’s Bar and Grill, The Gershwins’ Porgy and Bess, Motown the Musical, Peter and the Starcatcher,

company bios.

All About Me, and Next to Normal.

Recent off-Broadway: West Side Story for Carnegie Hall, Invisible Thread, Perfect Arrangement, The Tempest (Shakespeare in the Park), Pretty Filthy, Texas in Paris, A Month in the Country, Allegro, Passion, Bad Jews, and By the Way, Meet Vera Stark.

National Tours: 42nd Street, Joseph..., Motown the Musical, Porgy and Bess, and The Full Monty. Regional: Another Word for Beauty (Goodman Theatre), Waterfall (Pasadena and Seattle), Marley (Center Stage), Les Miserables (Dallas Theater Center), Kiss Me Kate (Barrington Stage), Twist (Alliance Theatre), and The Bandstand, Can-Can, Thoroughly Modern Millie, Curtains, and Peter Pan (Paper Mill Playhouse).

TV: Lady Day..., Gotham, Inside Amy Schumer, Six by Sondheim, 30 Rock, and Gilded Lilys. Film: Lola Versus, Angelica, and God’s Pocket.

Libby Unsworth (Production Stage Manager) Broadway: Les Misérables; The Visit; Scandalous; Promises, Promises; 33 Variations; The Country Girl. Off-Broadway: Sell/By/Date (MTC), Murder for Two (New World Stages), Bunnicula (DR2), Next Fall (Naked Angels), Jailbait (Cherry Lane), Unconditional (LAByrinth), Speech & Debate (Roundabout). Regional: Two River, 5th Avenue, Williamstown (8 Seasons), Geffen. BFA, Boston University.

McCorkle Casting, Ltd. Pat McCorkle, (C.S.A.) has been the proud casting director of George Street Playhouse for over 20 years.

Over 50 productions including; On The Town, Amazing Grace, End of the Rainbow, The Lieutenant of Inishmore, Cat on a Hot Tin Roof, One Flew Over the Cuckoo’s Nest, Amadeus, She Loves Me, A Few

Good Men. Off-Broadway: Highlights; Clever Little Lies, Shear Madness, Tribes, Our Town (Barrow Street), Freud’s Last Session, Toxic Avenger, Almost Maine, Driving Miss Daisy.

Feature films: Year by the Sea, Premium Rush, Ghost Town, The Thomas Crown Affair, Die Hard with a Vengeance, School Ties, etc.

TV: Twisted, Humans for Sesame Street, Hack (CBS), Californication (Emmy nomination), Max Bickford (CBS), Chapelle’s Show, Strangers with Candy, Barbershop and many more. Regional: Well over 75 theatres throughout the country.

David Saint (Artistic Director) is celebrating his 20th anniversary as Artistic Director of George Street Playhouse. He has directed 36 mainstage productions at GSP, including American Son, Mama’s Boy, Sex With Strangers, Buyer & Cellar, Outside Mullingar, Clever Little Lies (which moved to NYC’s Westside Theater in October 2015), Good People, Twelve Angry Men, God of Carnage, Creating Claire and Sylvia. His time here has been marked by collaborations with such artists as Keith Carradine, Tyne Daly, Rachel Dratch, Sandy Duncan, Boyd Gaines, A.R. Gurney, Uta Hagen, Jack Klugman, Dan Lauria, Kathleen Marshall, Elaine May, Anne Meara, David Hyde Pierce, Chita Rivera, Paul Rudd, Stephen Sondheim, Marlo Thomas, Eli Wallach and many others, including a remarkable partnership with Arthur Laurents. In addition, many new award-winning works have begun their life here during his tenure, such as The Toxic Avenger, Proof, The Spitfire Grill, Clever Little Lies and It Shoulda Been You. He has recently directed Clever Little

Official Florist of George Street Playhouse The area’s most unique floral & gift accessory shop Weddings & Special Events Imported soaps - candles - home decor - gourmet and kosher baskets 732-828-1107 www.robertsflorals.com Mark Froehlich - Doug Otrimski

company bios.

Lies at Guild Hall in East Hampton, N.Y., and the National Tour of West Side Story. In July 2016, he directed a two-night concert performance of West Side Story at the legendary Hollywood Bowl. He also has directed on Broadway, off-Broadway and regionally at Playwrights Horizons, Manhattan Theatre Club, Primary Stages, McCarter, Williamstown, Seattle Rep, Pasadena Playhouse, Pittsburgh Public, Long Wharf and many others on premieres by writers such as Aaron Sorkin, Wendy Wasserstein, Peter Parnell, Jonathan Marc Sherman, Joe Di Pietro and Jonathan Larson. He is the recipient of the Alan Schneider Award, Helen Hayes Award, L.A. Drama Critics Award, several Drama-Logue Awards and is the President of The Laurents/ Hatcher Foundation.

Michael Mastro (Resident Artistic Director) is in his second season as GSP’s Resident Artistic Director. Here at GSP, he has helmed this season’s Daddy Long Legs, last season’s Nureyev’s Eyes, 2014’s The Fabulous Lipitones and 2011’s The Subject Was Roses with Stephanie Zimbalist. He has also appeared on our stage in such productions as The Sunshine Boys, The Pillowman, The Fox on the Fairway and Inspecting Carol. In recent years, he has directed Ingmar Bergman’s Nora at Delaware Theatre Company, where he was Associate Artistic Director, and appeared in Ayckbourn’s The Things We Do For Love at the Westport Country Playhouse. He has also helmed several NYC celebrity play readings to benefit various nonprofits, working with actors like Zachary Quinto, Bernadette Peters, Jean Smart, Beau

Bridges, Michael McKean, Stockard Channing, Melissa Leo, Laura Benanti, Cynthia Nixon, John Slattery and Cecily Strong. Other directorial assignments include associate director of the recent first national tour of West Side Story, helmed by David Saint, as well as the direction of many new American one-acts for several NYC theatre companies. As an actor, he works regularly on and off Broadway, regionally, and in film and TV, where he is currently recurring on Law & Order: SVU. Member: Actors Equity, SAG-AFTRA, SDC, Naked Angels, The Actors Center.

Kelly Ryman (Managing Director) is now in her 17th season at George Street Playhouse.

As Director of Marketing and Public Relations from 2000 to 2013, Kelly spearheaded promotional efforts resulting in the top 10-highest grossing productions in the Playhouse’s history, including the hit musical It Shoulda Been You, which ran on Broadway in early 2015. Off-Broadway, Kelly was a member of the marketing team for The Toxic Avenger, which premiered at GSP and won the 2009 Outer Critics’ Circle Award for Best New Musical. She serves on the Board of Directors of New Brunswick City Market as well the Advisory Board of Elijah’s Promise. Prior to her tenure at George Street Playhouse, Ms. Ryman worked at McCarter Theatre, and The Wilma Theatre. She is an adjunct professor of Arts and Entertainment Business at Mercer County Community College, and was recognized in 2012

by ArtPride NJ with their Jersey Arts Marketers Leadership Award. Kelly is proud to be a recipient of a Boy Scouts of America 2015 Tribute to Women Award.

company bios.

Roundabout Theatre Company (Todd Haimes, Artistic Director) is committed to producing the highestquality theatre with the finest artists, sharing stories that endure and providing accessibility to all audiences.

A not-for-profit company operating in New York City, Roundabout fulfills its mission each season through the production of classic plays and musicals; development and production of new works by established and emerging writers; educational initiatives that enrich the lives of children and adults; and

a subscription model and audience outreach programs that cultivate and engage all audiences. Founded in 1965, Roundabout presents this work on its five stages and across the country through national tours.

Since moving to Broadway 20 years ago, Roundabout productions have received 181 Tony nominations, 174 Drama Desk nominations and 195 Outer Critics Circle nominations. More on Roundabout’s mission, history and variety of programs can be found by visiting roundaboutheatre.org

Sunday, APRIL 2, 2017 at The Heldrich For Further Information Contact Peggy Aronson at 732-846-2895 x145 or paronson@georgestplayhouse.org

Q& A

with Playwright Joshua Harmon

Q: What inspired you to write

Bad Jews?

JH: I didn’t realize it at the time, but the seed for this play was planted at a depressingly unmoving Yom Hashoah service I attended my sophomore year of college. The theme of the service was “Grandchildren of Survivors,” so instead of a survivor speaking, a group of fellow students whose grandparents had survived the Holocaust spoke.

It was strange and sterile and laden with clichés but lacking in genuine feeling and it scared me. A year or so later I came up with the title Bad Jews and started taking notes about the characters during my senior year, but then I put that notebook away for many years (fortunately it wasn’t stolen). I think I felt like this play would either be the worst thing I would ever write, in which case, what was the rush; or, it

might be the best thing I had ever written, and I somehow understood at 21 that I wasn’t good enough to write something really good. So I sat on it for many years, like a chicken a little bit, you know, hatching my eggs. In December of 2010, I went to the MacDowell Colony, in New Hampshire. I felt embarrassingly unworthy, like I had somehow conned these very nice people into thinking I was a legitimate writer, so to prove myself worthy of the honor, I felt like I needed to write a Really Important Play, which, word to the wise, when you set out to write a Really Important Play you wind up writing the opposite, i.e. the WORST PLAY EVER. I brought this piece I had been working on about gay bullies and whales, and I spent three and a half weeks trying to write it, but it just wasn’t happening, it was terrible, and I felt horrible about myself, churning out junk

by Ted Sod, Education Dramaturg Roundabout Theater Company

in the same studio where Alice Walker had worked. So I had a little ceremony to say goodbye to the gay whale play: I spent a night watching Schindler’s List which is my go-to movie when I’m depressed, and I sobbed, and the next day I said to myself, you know, I have to leave here with something, so I looked at my list—I make “Plays I Want to Write Before I Die” lists every so often— and Bad Jews kept making the list going on six years and I guess I got tired of seeing it stare back at me, unwritten, so I figured why not, and I left MacDowell with the first thirty pages and finished the first draft later that spring.

[Several workshops and readings later, here we are.]

Q: What would you say the play

is about?

JH: Purely in terms of plot, the play is about a young woman named Daphna Feygenbaum who comes to New York for her grandfather’s funeral and has something of a battle royale with her cousin over an object that belonged to their grandfather which they both want very badly, albeit for very different reasons. And though there is nothing in that humorless description to indicate the play is a comedy, it’s supposed to be funny. If any larger ideas or themes are at work, I really don’t feel it’s my place to lead that discourse. My job as the writer is to tell a story and then get out of its way. What resonates with the audience is for them to discover

for themselves, not for me to dictate.

The play, like all my writing, comes from a very personal place.

Q: What kind of research did you

have to do in order to write

this play?

JH: Eudora Welty has a great quote about this: “I am a writer who came from a sheltered life. A sheltered life can be a daring life as well.

For all serious daring starts from within.” Which is to say, I didn’t do any research. I just lived my life and thought about the world around me and the world I know and then I wrote about it. And by no means am I putting myself in the same category as the people I’m about to mention, but I consider them some of my heroes, and I don’t think Tennessee Williams had to do much research to write A Streetcar Named Desire except maybe familiarize himself a little bit with the Napoleonic code, and Wendy Wasserstein might have had to reference a few art history books to write The Heidi Chronicles but no research was required to understand the challenges and fears that Heidi faces, and Alfred Uhry didn’t have to research too much to write Driving Miss Daisy, he just had to live in the South when he did and then be brave enough to write about what that was like. And yes, I say brave, because Welty’s right: daring starts from within. Always.

Our interior lives are so much more terrifying than anything outside ourselves. But I think that’s where the best material lives.

summer is coming!

Enroll your kids in Theatre Academy now!

July 3 – July 28, 2017 Monday – Friday 9:00am – 4:00pm (early drop-off and late pick-up available)

• Learn Acting • Build Self-Confidence • Develop Collaboration • Make Friends • Have Fun! george street playhouse

Summer 2017

Theatre Academy Sign-up today at GSPonline.org or 732-846-2895 x117

GET THE BEST SEATS AT THE BEST PRICES!

MAY 7

WINNER OF FOUR TONY AWARDS

MAY 19-21 732-246-SHOW (7469)

STNJ.ORG

Inspirers’ Circle members are individual donors who provide core financial support for George Street Playhouse’s Education Department. Their generous support helps to provide exceptional theatre arts education experiences for children and adults throughout New Jersey.

Members of the Inspirers’ Circle Joyce and Georg Albers-Schonberg Laura and Norm Baron Al Berger Laura Cahill and the Honorable James Cahill Mary and Patrick Callan Andrea Cunnell Richard DeLisi, PhD Alice DeVoe Dina Elkins Suzanne B. Engel JoAnn and Kenneth Fisher Judy and Jim Hancock

Pam and John Harbour James N. Heston Betty Wold Johnson Sharon Karmazin Suzanne and Eric Krebs Penelope Lattimer, PhD Jocelyn Schwartzman Vikki Schwartzman Rozann and George Shackleton Frances Stromsland, EdD and Ken Stromsland Lexine and Cuyler Tremayne Lora and William Tremayne Marlene and Anthony Volpe photo by Brad Resnick

We heard you.

Now hear us better than ever with our new and improved Assisted Listening System!

Every component has been upgraded, from the headsets to the personal receivers to the Broadway–class microphones on the stage.

There are now options for different types of headsets — for patrons who use hearing aids equipped with a T-coil, we now have a “loop” transmitter. You can choose the option that works best for you.

We have also increased the number of available headsets, including additional units for audio-described performances.

With the new Assisted Listening System the reception is clearer, the sound is louder, and the devices are more comfortable.

NEXT @GSP

“a hilarious, high-voltage romp” – The Citizen Times

Curvy Widow book by Bobby Goldman with music and lyrics by Drew Brody directed by Peter Flynn

Broadway’s NANCY OPEL returns after her hilarious, showstealing performance as Ma/Mayor in The Toxic Avenger to star in this sassy, and witty musical comedy. The exploits of a feisty fifty-something widow reveal unexpected truths about life, love, survival and sex.

May 2 – 21

For Your Information GSP is located at 9 Livingston Avenue, New Brunswick, NJ 08901 Box Office: 732-246-7717 • www.GSPonline.org AUDIO-DESCRIBED PERFORMANCES The audio-described performances for patrons with visual impairments are at 8pm on:

Bad Jews, April 6 Curvy Widow, May 18 Please call the Box Office, 732-246-7717, for further information. Large print and Braille brochures and programs are available upon request. Audio-described performances are made possible by support from the Fund for the New Jersey Blind, Inc. OPEN-CAPTIONED PERFORMANCES The open-captioned performances for patrons with hearing impairments are at 2pm on:

Bad Jews, April 8 Curvy Widow, May 20 Please inform the Box Office that you wish to use this service so that you may be seated appropriately.

George Street Playhouse’s accessible programming is made possible in part by the Fund for the New Jersey Blind, Inc., the Gordon and Llura Gund Foundation, the William G. and Helen C. Hoffman Foundation, the Hyde and Watson Foundation, the Union Foundation and the E.J. Grassmann Trust.

ASSISTIVE LISTENING SYSTEM For patrons who have a hearing impairment, light-weight, comfortable, padded earbuds and receivers are available in the lobby at the bar.

George Street Playhouse offers all people equal access and opportunities to participate in its services, programs and activities.

If any individual requires special assistance or assistive technology, please contact the Patron Services Manager at 732-246-7717 as far in advance of the program as possible.

IN CASE OF EMERGENCY If necessary, patrons are asked to leave pagers and cellular phones with the bartender or House Manager, along with their seat location.

FIRE NOTICE The exit indicated by the red light and sign nearest to the seat you occupy is the shortest route to the street. In the event of a fire or other emergency, please do not run, WALK TO THE EXIT. INCLEMENT WEATHER George Street Playhouse maintains a policy of not cancelling performances due to inclement weather, except in the event a State of Emergency has been declared by the State or Local Government.

LATE SEATING POLICY The theatre is open to the public one halfhour prior to the performance. In consideration of all patrons, latecomers will be seated at the discretion of House Management. Late patrons will be seated in the best available seating at an appropriate break or interval during the performance.

RECORDING EQUIPMENT Due to copyright and union regulations and restrictions, still cameras, video cameras or any type of recording equipment is not permitted at any time in the theatre and will be confiscated.

SMOKING The Playhouse is a smoke-free environment.

There is no smoking in the building.

If you wish to smoke, you may do so outside where there are ashtrays available.

Contributors

as of March 3, 2017

George Street Playhouse gratefully acknowledges the generosity of the many individuals, corporations,foundations, organizations and government agencies whose gifts play a significant role in our mission to produce worldclass theatre and to bring the power of theatre education programs to over 35,000 students each year.

Corporations, Foundations & Government Contributors Executive Producers ($100,000 and Above) The Blanche and Irving Laurie Foundation The Horizon Foundation for New Jersey Johnson & Johnson The Laurents/Hatcher Foundation Middlesex County Cultural and Arts Trust Fund New Jersey State Council on the Arts Producers ($50,000 - $99,999) The Geraldine R. Dodge Foundation Karma Foundation The Shubert Foundation, Inc. The Wilf Family Foundation Co-Producers ($20,000 - $49,999) Bank of America Bloomberg Philanthropies Bristol-Myers Squibb J. Seward Johnson, Sr. Charitable Trust Middlesex County Cultural and Heritage Commission New Jersey Council for the Humanities Rutgers Community Health Foundation TD Charitable Foundation The Union Foundation Associate Producers ($10,000 - $19,999) Flemington Car & Truck Company E. J. Grassmann Trust The Hyde and Watson Foundation The Merrill G. and Emita E. Hastings Foundation Novo Nordisk, Inc. PNC Bank Foundation Rita Allen Foundation Robert Wood Johnson University Hospital The John Ben Snow Memorial Trust Wells Fargo WithumSmith+Brown

Contributing Partner ($5,000 - $9,999) The Actors Fund Albert Garlatti Construction Co., Inc. Borden Perlman Salisbury & Kelly Colgate-Palmolive Company William G. and Helen C. Hoffman Foundation McCarter & English, LLP New Brunswick Development Corporation (DEVCO) PSE&G Schumann Fund for New Jersey Sidney J. Harris Charitable Trust TD Bank Guarantors ($2,500 - $4,999) Amboy National Bank The Fred C. Rummel Foundation Nederlander Organization Patrons ($1,000 - $2,499) Anela Kolohe Foundation The Campbell Family Foundation EisnerAmper LLP Engel and Devlin, P.C. DI Group Fund for the New Jersey Blind, Inc. Gilbane Building Company Gordon and Llura Gund Foundation Infineum USA, L.P. I.A.T.S.E. International Brotherhood of Electrical Workers Local 456 LCK Wealth Advisors New York Yankees Parker Home at Stone Gate Saint Peter’s University Hospital Auxiliary Somerset Health Care Foundation Backers ($500 - $999) Central Jersey Property Maintenance Services Franklin Mutual Insurance Genova Burns Glenmede Trust Company

Heath Village Retirement Community Hoagland, Longo, Moran, Dunst & Doukas, LLP I.A.T.S.E Local #21 Joan Jhett Productions Kelso & Bradshaw Mack-Cali Realty New Brunswick Cultural Center, Inc. New Brunswick Parking Authority New Jersey Theatre Alliance North Brunswick Board of Education Plumbers & Pipefitters Local 9 Rutgers Office of Community Affairs Schenck, Price, Smith, & King LLP SchoolWorks LLC Spiezle Architectural Group University Radiology Group, PC Mazars USA LLP Angels (Gifts Under $500) Actors Equity Foundation, Inc. AlphaGraphics American Repertory Ballet Birnn Chocolates The George Passaic Valley Coach Line Siperstein’s Fords Paint Corporation GIFTS-IN-KIND Catherine Lombardi Restaurant Derby Appliances The Frog and The Peach Greater Media Newspaper The Heldrich Jim Heston Nassau Communications Panico’s Brad Resnick Stage Left Tumulty’s Wegmans WMGQ/WCTC

If you notice an error here, please do not hesitate to contact the Development Office at 732-846-2895 x144 so that we may correct it for our next printing.

Thank you for your support Individual Contributors IMPRESSARIOS ($50,000 and Above) Anonymous Sharon Karmazin PRODUCING DIRECTORS ($20,000 - $49,999) Joan and Robert Campbell The Honorable Thomas H. Kean, in Honor of David Saint James N. Heston The Family of Robert Wood Johnson, Jr. Elizabeth and Arthur Roswell Marlene and Tony Volpe EXECUTIVE PRODUCERS ($10,000 - $19,999) Anonymous Betty Wold Johnson Joann and Ken Fisher Peter Jewell and Fred Eisinger Lisa Moro and Alan Voorhees Nancy and Duncan MacMillan David Saint Jocelyn Schwartzman Vikki Schwartzman Producers ($5,000 - $9,999) Anonymous Laura Z. Baron Joseph Benincasa Lois and Ronald Bleich Elaine and Robert Ciatto David M. Greene Mary and Edward Hartnett Lucy Hughes and Sean Devlin Suzanne and Steve Kalafer Penelope E. Lattimer, Ph.D. Dorothy and Norman Politziner Lexine and Cuyler Tremayne Lora and William Tremayne CO-PRODUCERS ($2,500 - $4,999) Isa and Michael Beck Jean Cheever Marylou and Al D’Augusta Dina Elkins William V. Engel William Hagaman Barbara and Leonard Littmann Pat McElraft Ellen Ozur and Stuart Brown Rita Paszamant Richard Patt Ann and Robert Rafano Janice G. and Lewis Stolar Frances Stromsland, Ed.D. Stephen M. and Gabriella Vajtay

ASSOCIATE PRODUCERS ($1,000 - $2,499) Joyce and Georg Albers-Schonberg Dudley Anderson, in Honor of Sharon Karmazin Edward S. Atwater IV Frank Barker Regina Belowsky Al Berger Walter Bradhering and Daniel Kluchinski W. John Bauer and Nancy Boucher Joan and Robert Bramson Laura Cahill and the Honorable James Cahill Mary and Patrick Callan Carol and Joe Ciorciari Andrea and John Cunnell Brenda A. and Jerome Deener Richard DeLisi D’Maris and Joseph F. Dempsey Alice DeVoe Barbara and Paul Eggermann Jane Engel Lyn and David Fasanella Jennie and John Fischer Susan Forman and Richard Lehne Shirley and Robert Gallagher Marc Gonzer Clara and John Grosso Mark Gruber Pam and John Harbour Lorraine and Robert Henry Carol Hila Winnie Holzman and Paul Dooley Tillie and Bob Kahle Mindy Raso Kirstein and Phil Kirstein Suzanne and Eric Krebs Charles T. Larsson Nancy L. and Arthur E. Lee Laura and Joel Leizer Laura and Dean B. Livingston Pamela and Andrew Lovasz Doreen Molloy and John Manfredi Marc McMahon and Roberto Moreira Christine Renz and Noah R. Levy Adrienne and Andrew Ross Carole and Stephen Schneider Thomas Schumacher Rozann and George Shackleton Ben Sifuentes-Jáuregui Margaret Velden Bob Virgadamo Caroline S. and F. Helmut Weymar Nancy and Edward Winant Michele and George Wolansky

Kathleen and Tom Carral Graham Cox Leo Devine Patrick J.Diegnan, Jr. Jon Donnelly Rick Engler and Brad Caswell David A. Feigley Bobbi and Barry Freedman Susan and Bryan Garruto Wilma and Arthur Gelfand Willard Geller Joyce and Alvin Glasgold Julie and Robert Goldstein Marjorie and Bruce Goldstein Midge and Hugo Golin Thomas Gorrie Dorothy W. Guarniero Beth and Martin Hammer Elizabeth and James Hance Dorothy and George Heinze Jean and Claude Heller Nancy and Richard Hines Chip Hoever Ellen and George Horowitz William J. Howard Susan and Jeffrey Hyman Karen and Ronald Joho Joyce and William Jonat Thomas Kelso Renee and Steven Levin Steven Leone Irene and Steven Lieberman Emily Lyssikatos Adele and Joseph Macula Barbara and Robert Martalus Michael Mastro Joan Barry and Richard L.McCormick Joy and Dr. Thomas Mc Partland Maria and Abel Moreyra Daphne and Steve Mishkin Marlene and Michael Nissenblatt Elizabeth Otterbein Mary Patten and Joseph Dudis Mary and Ted Petti Mona and Barry Portnoy Joan Raffe Mary and Gary Reece Marie and Marshall Rosen Adrienne and Andrew Ross Sue and Evan Schwartzman Rozann and George Shackleton, in Honor of Penelope Lattimer Lynn and Barry Sherman Barbara and Howard Sorkin Willa and Michael Spicer Renee Troiano Maurice Williams Nickie and L. Richard Wolff

PARTNERS ($500 - $999) Anonymous Jacqueline Brendel Josi Irene Callan and George Cole

Backers ($250 - $499) Penny and Bud Ackerman Ellen Berman Karen A. Beverly

Contributors Mr. and Mrs. Terrill Brenner Adele and Jack Borrus Christine and Benjamin Bucca Andrea and James Carroll Scott Corbett Lynnette Durko Nancy and Richard Engle Joe Ercolino Stephen Garvey Paula and Jack Gentempo Margaret Grove Irwin Hametz Sally and Nathan Hindes Rachel and Jeff Humphrey Ruth B. Klein Joseph Kosmo Susanne and Alexander Kucsma Howard R. Levine Mr. and Mrs. Michael Levine Nicky and Paige L’Hommedieu Rose and Anthony Lo Castro Kyle Lucas Kathy Mattingly Richard McAdams John McEwen Mary Ann McLaughlin Carol Natarelli Barbara Nathan Brenda Overcash and Thomas West Cori and Jim Palmere Marion and Michael Portnoy Janet and Joseph Potenza Karen and Robert Predale Bethany and Jonathan Rabinowitz Stephen L. Ritz Karen and Henry Ross Rita Seplowitz Saltz Patricia Sheehan Merle Soroco and Steven Rifkin Robert Stone Bonnie and David Sudol Blanquita B. Valenti Dan Vickery Joanne and Allan Williams Angels ($100 - $249) Anonymous Beatrice Abrams Carol Adelman David Alberts Jennifer Allen Mr. and Mrs. Marc L. Alterman Carol and Thomas F. Arnold Maryjane Austin Barbara Baier Isabelle and John Baker Peggy Barbella Nancy R. Baron Jeanne and James F. Barrett, II Shirley and Stuart Bauer Kathi and Greg Baxter Susan and Alan Blanchette Nancy and Russell Block

as of March 3, 2017

Sanders Book Bill Braden Jody and Phil Bramson Shelley Brankner Eileen and John Bufe Joanne and James Bunce Judith E. Burgis Cynthia Butler Mr. & Mrs. Charles M. Carroll Linda and Theodore M. Choplick Susanne Clark Arthur Cohen Sylvia and Howard Cohen Marjorie Cohen Carol Condon Donald B. Cook Sheila Cooper Mark Corso Ellen and Cliff Cramer Toni Cvetko Natalie Darwin Nancy and Jeff Davis Dean A. Dent Madeline Detalvo Norman Diamond Ellen and Richard Diamond Vincent DiNicola David Drinkwater and Jonathan Mills Diana and Phil Dumont Patricia and Michael Egan Sondi and Allan Ellis Paulette Ewert Tom Exton Paula and Irwin Feifer Gail and S. Ashby Foote Marie Fouchei and Daniel D. Hyman Bonnie and William Fox Barbara and Sheldon Freidenreich Judith E. Gardner Stacey and David Garfield Marilyn Glassner Joel Goldsmith Marjorie and Bruce Goldstein Anne and Robert Gordon Marlene and Joel Gordon Elizabeth and Roy Gotta Robert Grant Arlene Greenberg, in Memory of Aaron Greenberg Marcia Greenberg Judy and Michael Greenwood Brenda Hagan James Hastings Ellen Hartmann Nathaniel Hartshorne Lucille Heller Ellen and Joel Henkin Deborah Herman and Shelby Wells Laura and James Holdsworth Frederick Holt Ann and John Holt Bernice and Robert Howatt Brian R. Humphrey Pamela Imbimbo

Edna Ingold Jim Jack Marilyn Jeris Dr. and Mrs. Frank Jones Maxine and Mark Kasdin Liz and Murray Katz John P. Khouri Scott Killian Elisabeth and Donald King Roger E. Klein Heddy and Robert Ladinsky Evelyn and George Lander Kathleen Larkin and Frank Sonnenberg Ann and John Lech Renee and Steve Levin Joyce Levine Michael Levine Karen and David Levinsky Rita and Philip Levy Lanny and Lee Livingston Michael Loch Marlaine Lockheed and Steven Frakt Bobbi and Milton Loeb Vanessa Logan Kathleen Love Carolyn and Frank Lumia Mr. and Mrs. Robert Margolies James Marinello Joanne M. and Tom Marino Mary McDermott Susan and Jack Meola Marion Mezzetti Jane A. and Stephen Miller Joan and Rabbi Bennett Miller Michele and Irwin Millinger Lilia and Roberto Muniz Judith S. Musicant Suzanne S. Nacson Barbara and Kurt Nathan Rochelle and Bruce D. Newman Debbie and Henry E. Newman Walter Newman Esther Novak Dennis O’Dea Eugene F. O’Neill Sophie M. Orloff Anita and Harry Paborsky Virginia and Michael Palmer Melissa and Simon Pankove Cora and Tom Park Glenn M. Parker Kimberly and Gregory Parris Margaret and Harry Perrin Patrizia Perugia Barbara and Jim Petrosini Marlene and Gerald Pomper Marcus Peter Porcelli Joan Pritchard Ellen O. Rebarber Maureen and Frank Rees Susan Rivkind and Richard Zucker Ruth Robinson David Rogoff

Thank you for your support Naomi and Jerry Rose David Rosen Andrew Rosenberg Buena Rosenbloom John Samsel Michael S. Sarnoff Karen Satterthwaite Barbara Schafer Donna and George Scher Dr. and Mrs. Ronald S. Schotland Ken Schurzky Susette Schwartz and Marvin Brauth John Seiber Todd and Tara Schwartzman Lurlee Shutkin and Donald White Mr. and Mrs. Michael Seletsky Lynn and John Semmlow Amy Shakun Marjorie Shakun Carolyn and Arthur Sherbin Victoria and Michael Shernicoff Pat Shiffner Harvey B. Singer Karen and Sheldon Singer Elaine and Gene Sletvold Roger Smith Cecile Spector Patricia and Robert Spencer

Mark Spindler Susan Steinfeld Robert Stone Gail and James Szeluga Beverly Teich Raymond Testa Nancy Thielmann Donald Thomas Germaine and Richard Trabert Kerry Tremayne Bridget Troccoli Cecilia Tyler Bonnie and Allan Warton Martha Weisberger Barbara Westergaard Adam White Caroline Willard Frank J. Wilson Jon Winer Philip Witt Anita H. Wolfson J. Wood, in honor of Marc Vogt

Arthur Laurents Memorial Fund Donors: Lauren Bacall* Roger Berlind Lois and Ronald Bleich Paddy Briglio Tyne Daly Joe DiPietro Holly and Orlando Esposito Freddie and Myrna Gershon David M. Greene David Hatcher Marcia Hefter Shirley Herz* James N. Heston Winnie Holzman and Paul Dooley Betty Wold Johnson Sharon Karmazin The Honorable Thomas H. Kean Jonathan Lomma Judith A. McDowell Anne Meara* and Jerry Stiller Karen S. Price David Saint Jocelyn Schwartzman Stephen Sondheim The Streisand Foundation Margaret Styne Lora and Bill Tremayne Ralph W. Voorhees* * – deceased

Maximize the impact of your gift with a matching gift from your company!

Double or triple the impact of your gift to George Street Playhouse! Include the name of your affiliation on your pledge form and your company’s matching gift form.

GSP will credit the amount of your matching gift toward your gift total and include you in the higher level of benefits based on the combined gift total. Matching gifts play an essential role in the financial support of George Street Playhouse.

Current Matching Gift Companies Supporting the Playhouse

Bristol-Myers Squibb General Electric Corporation The Horizon Foundation for New Jersey IBM Johnson & Johnson

Merck Company Merrill Lynch & Co Pfizer Robert Wood Johnson Foundation UBS

FOR HELP • Kosher Meals on Wheels • Hebrew Free Loans • Need-Based Camp Scholarships • Bereavement Groups • Holocaust Survivors • Counseling • Security Grants

TO HELP • Volunteer • Donate • Create a Legacy • Advocate for Israel • Buy Israeli Products • Visit Hospitals • Deliver Meals on Wheels

TO CONNECT • Teens • Business, Legal, and Medical Professionals • Active Adults • Women • People with Special Needs • Families with Young Children • Seniors

FOR EXPERIENCES • Young Family Playdates • Birthright Israel • Israel Education • Films • Travel to Israel & Overseas • Jewish Camp • Adult Education

TO THE

Staff David Saint, Artistic Director • Michael Mastro, Resident Artistic Director Kelly Ryman, Managing Director DEVELOPMENT

ARTISTIC Producing Associate Casting

Scott Goldman McCorkle Casting, Ltd.

EDUCATION Director of Education and Outreach Assistant Director of Education Manager of Tour and Academy Programs Education Administrative Assistant

School-based Project Coordinator 2016/17 – Touring Cast

Stage Manager Teaching Artists

Jim Jack Christa Cillaroto Diana Gundacker Angela Peletier Annie Rutherford Lutz Carol Foose Desmond Martin Christian James Potterton Auriel Thompson Erica Leigh Dustin Ballard Laura Bozzone Madeline Calandrillo Sam Leichter Annie Rutherford Lutz Rachel Matusewicz Lucas Pinner Dave Seamon Jaime Ward

Director of Development Development Associate, Special Events Development Associate, Institutional Relations Development Associate, Donor Relations

FINANCE & ADMINISTRATION Business Manager Assistant to Business Manager Volunteer Coordinator

Jacqueline Brendel Peggy Aronson Cassidy Nogueira Megan Shook Karen Price Lynne Holton Joel Schwartz

PRODUCTION Production Manager Company Manager/ Assistant Production Manager

Christopher J. Bailey Megan Cherry

SETS Technical Director Assistant Technical Director Master Carpenter Carpenters

Scenic Charge

Marc Vogt Matthew Schmutz Frank Giamella Mohamed Haddara Theodore Hoelter James Hancocks

PROPERTIES Properties Master Assistant Properties Master Deck Hand

Helen Tewksbury Jeanette Mieses Andre Penn

MARKETING & PUBLIC RELATIONS Director of Marketing & Public Relations Rick Engler Marketing & Public Relations Associate Brian Kelley Patron Services Manager Jaci D’Ulisse Graphic Designer/Marketing Associate Mark Kieran

COSTUMES Costume Shop Manager Wardrobe Supervisor

Esther Arroyo Samantha Meyerson

Photographer

SOUND & ELECTRICS Master Electrician Sound Engineer

Tommy Williamson Ted Crimy

Assistant Master Electrician and Lighting Console Operator

Brian Sivetz

T. Charles Erickson

PATRON SERVICES & BOX OFFICE Patron Services Manager House Manager/Usher Coordinator House Manager/Concessions Manager House Manager Sales Associates

Front of House Staff

Shakera Blakney Gerry Porcaro Harene Pitter Lolly Schenck Kajoree Bhattacharya Diana Gundacker Abid Hassan Cassidy Nogueira Aaron Ratzan Carol Foose Diana Gundacker Anthony Pitter Aime Zimel

For This Production Assistant Director Assistant Stage Manager Assistant Set Designer Assistant Costume Designer Associate Lighting Designer

Paul Castree

Theron Alexander Sam Vawter Wila Piro Jason Flamos

special Thanks Marketing Intern Marketing Intern Production Intern

Jillian Hanna Joana Marmelo Lulu Pellizzari