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portfolio

architect

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Soutos k. Georgios


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/portfolio /soutos k. georgios /architect /0030.6944.96.34.30 /vantsi 5 /66100 /drama /greece


mini cv George Soutos was born in Drama, Greece. He studied construction technology for two years at the Technical University of Serres (2000-2002) spending his free time on photography, drawing, radio production, having always in his mind music and rhythm. In 2002, he quit to follow his real passion, Architecture, joining the Democritus University of Thrace in Xanthi (2002-2009). He spent is final year on his research Thesis, titled "the rustling of the city" [24 hours: Sound - Human - Feelings] and his design project. The latest was concerning the architectural design of a music workspace in the city of Xanthi, and has been published at a university journal. He has taken part is several workshops and seminars in Xanthi, the island of Thassos and Athens, both as a member and as a team leader. He has worked on music, photography, and soundfield composition for three theatrical plays of sforaris company and the Somma team of which he remains an active member. He has taken part in live production of electro-acoustic music and the design of sound environments for two fair expeditions. For his compositions he uses samples, programming and soundfield recordings, while he often likes to knock rhythmically his palms on percussions or any kind of objects that could possibly produce and interesting sound .He has co-organised a series of live music and other cultural events with Greek and international artists and has taken part in two photography expeditions. He has joined several architectural competitions and has been awarded twice. In 2009 he worked as a graduate architect at the architectural office of Dr Papagianopoulos, where he had the opportunity to be part of some great design projects. Since 2010 he has been following his own path, creating "Topos 24" an architectural design office where he designs the space and the non-space, the possible and the impossible. He is a member of the architecture and landscape comity of the Drama Chapter of the Technical Chamber of Greece.


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Final year Design project: music workspace design in the city of Xanthi Architectural design: Residential building and museum of art Urban design: Residential area in Pylaia Research thesis: City's wisper 24 hours of sound, space, human, senses Morphology - Rythmology I Architectural design: Hostel for artists in an old quarry Architectural design: block of flats in Xanthi Building acoustics design Visual arts: soundcollage Architectural design: house in Petralona Architectural design: s zmall summer house in Asprovalta Architectural design: configuration of a school landscape Photos: for theatre perfomance "Dr. Maybe Darling" Graphic design: for www.stonepromoter.com Music production: for a workshop on Practising on stage dilema's CV design: for Andriani Kefa Photos: for the theatre "Paraloges" Photos: for the children play "red noses red" Music - photos: for the theatre "Nightly encounters" Construction: of metal model Architectural Competition: Athens x 4 Graphic design: 6 logos for 4 competitions photos: some photos taken in 2011 - 2012


00+ 2004 2005 2006 2007 2008 2009

underg ate wor


1. 2004, 2005, 2006, 2007, 2008, 2009 2. undergraduate works 2. stripes

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001 Final year Design project: music workspace design in the city of Xanthi Semester 10th , Sept. 2009 Design team Katsabanis Georgios, Soutos Georgios Tutors Kokoris P, Papagianopoulos G, Aggelis G Place Xanthi

Xanthi is a town in Northern Greece with 40.000 inhabitants. The town, known for itsdiversity in almost all its ways and in particular by its cultural diversity. Due to its location in the map and the tobacco industry during and after the 400 year occupation by the Turks, Xanthi has become a multicultural city, home for Greeks,Turks, Slavs, Armenians, Gypsies and others. This leads to a particular urban style with many specialties, contrasts and space formations. There is also a local community, the Pomaks, with a strong cultural background. Their culture and music was for many years suppressed but preserved in secrecy. Nevertheless it appears that many of the cultures and traditions of all these community are starting to get lost in our days due to political and other reasons.


 1. view 2. google view 3. google view 4. google view 5. land survey plan

"The city Of the thousand colours"

Having in mind the awaking of these peoples relationships, the conservation and projection of their traditions and the possibility of productive cultural interchange, I chose to design a music lab in a particular part of town where many of these cultures meet. Having a personal love for music and considering it one of the forms of art that creates direct connection among people without the need of speech, this lab, would involve all kinds of people irrespective to each ones origin and race and all kinds of music from the past until our times. In order to research the background on these cultures and their traditions, I visited a series of cultural community centers, talked to musicians from different backgrounds, walked in the neighborhoods of Xanthi and travelled to its villages where traditions are more intense and vibrant than in the city, in order to talk to people and understand the needs of musicians in the area. B


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 1. wider area model 2. wider area model 3,4,5,6,7,8,9, picture of scale divesity

"scale diversity"


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1.site view 2.site view 3. atmosphere

"Wherever we are, what we hear is mostly noise. When we ignore it, it disturbs us. When we listen to it, we find it John Cage fascinating."

During the design I tried to take under consideration the special characteristics and the needs of everyone involved, promoting all cultures, integrating the surrounding area intending to promote the existing feeling of the neighborhood, a place where musicians and passersby would blend. The basic aspects of the final solution involve the inclusion of a pedestrian public way within the building complex, the partial relief with the central square, common public spaces and small courtyards, the blending of scales of the area in achieving harmony, the interchange of light and shade, the explorative mood of the building creating a sense of mystery and successive reading, the close relation to the neighboring buildings, the geometry of the building in correlation with the acoustic demands.


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"the first sketches, the first ideas captured with ink on transparent paper"


 1. sketch with ink on transparent paper (imaginary space in prespective view) 2. sketch with ink on white paper (imaginary space in cross-section)


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"relation between empty and full, moving and standing"


 1. sketch with colored ink 2. sketch with pencil


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 1. idea model in 1:500 2. idea model in 1:500 3. idea model in 1:500 4. sketches

"The idea begins to acquire, dimensions, full space, empty space, standing, moving scale"


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 1. sketches in 1:200 2. model photos in 1:200 3. sketches of inside movement directions 4. sketches of outdoor movement directions


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 1. photos of model in 1:200 2. proposal area plan

"Public pathway creation"


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 1. ground floorplan 2. 2nd floorplan


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 1. axonometric sections 2. photos, microcamera 3. axonometric sketch 4. axonometric plan


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 1. facade plan with pencil in white paper


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 1. plan with pencil in white paper 2. plan with pencil in white paper 3. plan with pencil in white paper


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 1. mixed photo with model 2. mixed photo with model 3. mixed photo with model 4. plan withn pencil in white paper


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 1. mixed photo with model 2. mixed printed photo with ink and colored pencil


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"Room acoustics"


 1. master studio floorplan 2. lessons studio floorplan 3. practice studio floorplan 4. construction plan 5. photos


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 1. model photo from concert hall 2. model photo from concert hall


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 1. model photo

"cultures, like scales, meet, producing a new form, a new reality"


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 1. general model photo, carton model 1.50 x 1.00 2. general model photo, carton model 1.50 x 1.00 3. general model photo, carton model 1.50 x 1.00


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 1. model photo, cement plaster, etched by cutter 2. model photo, section 3. model photo


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 1. model photo, entrance, information 2. model photo, view of puplic pathway


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 1. model photo 2. model photo


002 Architectural design: Residential building and museum of art Semester 9th , Jun. 2007 Design team Spanou Stella, Soutos Georgios, Aggelakos Ioannis Tutors Kokoris P, Loukopoulos D, Karadimas K Place Athens, Metaxourgio

The intervention area is located in the fast developing area of Athens, Metaxourghio. The program was divided into two separate sectors: An upper level residential complex, including commercial usage on the ground floor and the renovation of an old abandoned silk factory, which site stands right next to it where we had to intervene by renovating and designing youth art labs and a small library. Our purpose was also to shape the square adding an exhibition space for a well-known Greek artist Papaloukas and a small cafe.


1. general view 2. site view 3. google photos

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Residential building

This subject was a great challenge, as it required the design of a residential building, bearing in mind mass of restrictions and several factors. At a building plot with confined space, neighboring with a square, we were expected to compose a complex of smaller and bigger houses, working spaces and stores. We should also renovate the old silk factory. All of the above were expected to be completed with a low cost.


 1. webcamera photos 2. sketch with colored pencil on white paper


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portfolio 1. plan with pencil on white paper 2. plan with pencil on white paper 3. plan with pencil on white paper

Soutos K. Georgios


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portfolio 1. model photos 2. model photos 3. ground floorplan 4. site view

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"an endless

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 1. model photos 2. floorplan at 13.00 meters 3. floorplan at 07.00 meters

"an endless passageway connects me with you a train that disappears, and the sound of a man' shape looking at the world though the eyes of another saying: tell me what you see..." stereonova


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museum of art


 1. drawing of painter Papaloukas 2. model by plaster 3. floorplan 4. model from gypso


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 1. model photos 2. plan with pencil 3. model photo 4. Papalouca's paintings


003 Urban design: Residential area in Pylaia Semester 8th , Jun. 2006 Design team Aggelakos Ioannis, Soutos Georgios, Ampatzoglou Spyros Tutors Polychronopoulos D, Attart V, Ioannou V Place Thessaloniki, Pylaia

Based on the main characteristics of the area and the neighborhoods around it (differences in layout, scale, height, uses, connectivity) our main goal was the use of layouts appropriate for maintaining the continuity and connectivity of our area with the others. Appreciating the special natural character of the neighborhood of Pilea with its water creaks and undeveloped structure we tried to enforce the use of the natural element in combination with a public network of walkways and pavements with controlled directions of movement.


 1. google photo 2. sketch from window 3. master analysis plan


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relationship with the built enviroment

housing

comersial area

public space - park


 1. photos of site view 2. collage 3. sketch


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 1. master plan 2. groundfloor uses master plan 3. model from paper and balsa


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New housing areas are detined leaving space for the development of the local centre


 1. housing sketces 2. square plan 3. square model


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 1. facade plans with pencil 2. sketch, color pencil on model photo 3. model photo 4. model photo 5. housing master plan


004 Research thesis: City's wisper Semester 9th , feb. 2008 Team Soutos Georgios Tutors Mantzou P, Keventsides K, Kozokos T Place noizy space

EFFECT : Cut Out//Crossfade//Envelope

6:30 Âľ.Âľ. STEREO - DOLBY SR

24 hours of sound, space, human, senses The aim of this project is not just to research the relationship between space and sound, but most importantly, the manner in which these two factors affect the individual and his feelings. Basic questions that are looking for an answer through this research , is how the individual is affected by sound, how space and location determine this effect, and how this is translated in feeling.


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It was a song different than the others, it ended when my journey did. At that moment, music and sound became one. I wake up, I look ahead, a blurry room... I can see a level which seems to have been formed through objects that have been optically represented. I see a frame on the wall which has been placed there in order to forget the walls existence, to forget what exists behind the wall (why should walls even exist?). I can touch in a restrained radius. I can smell a human body, the sent of the wine in the glass reminds me of yesterday. Nevertheless, sound, comes from everywhere! No restrictions. My brain is asking for it, it separates it, it reminds me the vastness of the universe, even when I have no particular desire to search or absorb.

"Ancient life was submerged in silence. In 19th century with the invention of machines, noise was born. Today, noise plays a major part in forming peoples' feelings [...] We can have a lot of fun if we imagine an orchestra by shopping malls, opening doors, crowded streets, train stations, textile factories and subways."


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"There is no argument in favor of playing music in one end of the hall, instead of different spots. Music can surround us in the same manner the sounds of nature do in the forest or in the ocean. The common practice followed in concerts, where music comes exclusively from one source, is only one option amongst many others." Iannis Xenakis

EFFECT : Cut Out The sudden lowering of the volume of the sound plays a great role in the perception of space and time since it marks the transition to a different space or a different sequence of events. Very often it is connected with the movement of the listener or the sound source. This effect can be resembled with the cut out filter of a synthesizer. This resemblance helps us understand the sound-space as a composition of sounds and interactions (between natural, social, cultural environment and inner sound-space of every person). The sound-space is a space of action within the existing space.

I was in a nonexisting space. I could see materials which cannot possibly be described. Jewelry that do not exist in the planet. It was an inter-galactic Super Market. The Super Market of the universe. What ever exists in the universe, one could find in this super market. I could see no walls; it was so huge that no walls where visible; but I could feel them. I was in vacuum, but I could step like in solid ground. From the speakers came a sound like which I had never heard before! It was the loudest noise I had ever heard but it made me feel as beautiful as ever... I asked: How much does that sound cost? They answered: This sound is not for sale. But we've got some others with 5 Euros. They insisted to buy, and I did.


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"Sound is violence: it annoys. I make noise, means I intrude, I disconnect, I kill. On the other side, music is the mimic of the control of noise and picture of sacrifice." Jacques Attali

Saul Steinberg - the art of living 1949


005 Morphology - Rythmology I Semester 4th , Jun. 2004 Design team Myrizaki Aikaterini, Palaskas Aggelos, Soutos Georgios Tutors Lianos N, Prepis A Place Xanthi, old town

This project aims to complete the imprint of a house [1st semester] and a road with the facades of the buildings surrounding it [2nd semester] located in the old city of Xanthi. A construction of a model and the architectural analysis of the area is accomplished with the help of theodolite, stave and measure tapes. Historical data where analysed and the time wear off, the colour, the uses and the transformations where studied alongside with construction details.


 1. photo from the place 2. topographic 3. model photo

"house"


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 1. facade plans with ink and photoshop 2. facade plans with ink and photoshop 3. model photo


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1. texture photos 2. doors sketches 3. facade imprint plan 4. masterplan

"road"


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 1. facade plans 2. metric sketches 3. road construction plans 4. floating water photos 5. facade imprint plans with pencil


006 Architectural design: Hostel for artists in an old quarry Semester 9th , Jun. 2007 Design team Myrizaki Aikaterini, Palaskas Aggelos, Kallea Sofia, Soutos Georgios Tutors Polychronopoulos D, Mantzou P, Kyriaziw A, Nikiforidis P Place Thessaloniki, Sykies

In a stone quarry at the area Sykies of Thessaloniki we were assigned to design an ephimeral complex of residence and flexible labs - exhibition spaces for 9-11 artists (sculptors, painters, video artists, etc.) giving priority to views, redefining the structure of residence as we know it. The residence is both, changing -based on the needs of each user- and folding in order to be movable.


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 1. two views with spray on hard paper 2. experimental model 3. idea collage 4. model


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 1. labs folding model 2. labs folding plans 3. surrounding aerea model photo 4. anthropometric study


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 1. furniture folding plans 2. residence folding plans 3. 3d model


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The proposed complex refers to the city which is its part and also invites it. Dominant role at the composition of this subject, held the natural ground form. In the half of the large flat area in the front of the quarry were placed the laboratories and on the other half, which was left free, a little square was designed in order to "receive" the city life.

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1. Laboratories where artists can work are built with concrete. The external place is formed on different levels and passages in order to allow the artists to work outdoors. 2. The main idea was the creation of two courtyards, the one having a more public character, and the other beeing more private and protected referring exclusively to the artists. Access to the lower private square is achieved through smaller descending levels and elevated passages.

3. A small theater is built inside the rock. Access to it is obtained through a passage dug in the rock. 4. The accommodation units, which are transferable, are placed separately on the slope of the quarry. They are described by a Strip. They consist of fixed and folding panels arranged according to the interior needs of the user. The folding panels constitute a light and flexible system of controlling the light and aeration for interior spaces.


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007 Architectural design: block of flats in Xanthi

Semester 5th , feb. 2005 Design team Aggelakos Ioannis, Ampatzoglou Spyros, Soutos Georgios Tutors Kokkoris P, Aggelis G, Patrikios T, Place Xanthi

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 1. land survey plan 2. model photo 3. sketches 4. site view


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 1. flat sketches 2. groundfloor plan with pencil 3. model photo 4. model constraction photo 5. building facade plans with pencil 6. axonometric plan


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 1. model photo 2. model photo 3. model photo


008 Building acoustics design Semester 4th , Jun. 2004 Design team Vasiliadis Stelios, Psykou Kallia, Soutos Georgios Tutors Barkas V. Place Xanthi


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009 Visual arts: year soundcollage Semester 7th , Jun. 2006 Design team Soutos Georgios Tutors Tomas Nikos, Mandrali Aggeliki, kozokos Takis Place Xanthi, univercity

A year of recordings of the space around the school of architecture, the talks, the nature, the seasons, the everyday life, the machines, the repetition, the team project, the dawn, the night, the animals, the people.


 1. place polaroid photo 2. package with polaroids 3. polaroid photos

Tranquility... Almost only nature. Some forgotten sounds signify the existence of yesterday. Nature is always alive. In a different manner every time every day. Human wakes up. He realizes he has been asleep. The machine keeps on working; always; awaiting an order. Human relaxes, machine relaxes, nature relaxes.


00* 2009 2010 2011 2012

postgra works


 1. 2009, 2010, 2011, 2012 2. postgraduate works 2. stripes

aduate


010 Architectural design: house in Petralona Date jun 2009 Design team Papagianopoulos Giorgos, Verikiou Anthi, Soutos Georgios Place Athens, Petralona

In the neighborhood of Ano Petralona, a spot where the Athenian land remains original with the building of the radio transmition as a logo of the estate, with filopapu hill overseeing everyday life, and in the end, Acropolis. We where called to design a residency there in a spot of 7 meters by 13. The unstable ground level and the intention to enter within the view, led us in locating the living room in the top floor, leading us to an alternative approach which created space with a particular interest as regards light, movement and view.


 1. surroundings photo 2. sketch with pencil and photoshop 3. google earth


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1. model photo 2. model photo 3. model in photoshop reality 4. floorplan with colored pencil on trancparent paper 5. bedroom sketch 6. facade sketch 7. 2nd bedroom sketch 8. studio sketch

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011 Architectural design: Small summer house in Asprovalta Date feb. 2011 Design team Soutos Georgios Place Asprovalta The town of Asprovalta is located at the foot of the Kerdil mountain. During the destruction of Asia minor in 1922, g4 families of refuges settled down at the coast of Asprovalta bringing with them their culture, their beliefs and their traditions. The project land is located at the area near the foot of the mountain, which is separated by the beach by the main public highway and a strip of trees. The field under concern is located at a lower level than the highway, directing me towards a two story solution in order to provide the much needed sea views from the roof-top veranda.


 1. polaroid photo 2. package with polaroids 3. polaroid photos

Requirements: 2 bedrooms, 2 WC, Living room, kitchen, veranda


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 1. 3d floorplan 2. inside 3d views 3. mixed 3d max with photoshop facade plan 4. mixed 3d max with photoshop facade plan


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 1. mixed 3d max, photo, photoshop


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012 Architectural design: configuration of a school landscape Date feb. 2011 Design team Soutos Georgios Place Asprovalta The role of the school yard has been devalued during the past couple of decades in Greece. The typical Greek school yard is a big area covered in asphalt with oversimplified space management that suits the old teacher-centered model which constrains learning within the walls of the classroom. With the appropriate equipment and organization the school yard can enhance learning through purpose designed activities, increasing the practical interaction of children with nature and the environment. The schoolyard can be transformed to a dynamic environment for: Social development, aesthetical education, creation of democratic relationships, increase of love for nature and can be used for activities of a variety of learning sectors, such as maths, natural sciences, poetry, drawing, technology, art, history etc


 1. photo from the school entrance 2. site photos 3. google earth photo, movement analysys 4. master plan colored sketch 5. masterplan

Κάτοψη

8ο ∆ΗΜΟΤΙΚΟ ΣΧΟΛΕΙΟ ∆ΡΑΜΑΣ


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8ο ∆ΗΜΟΤΙΚΟ ΣΧΟΛΕΙΟ ∆ΡΑΜΑΣ

Κίνηση - Στάση / στεγασµένο - αστέγαστο

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κίνηση

στεγασµένο / αστέγαστο

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κίνηση / στάση

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συνδιασµός

Soutos K. Georgios


 1. entrance sketch 2. movenent, station 3, entrance plan 4. entrance model photo

"Learning spaces of varying dimensions, for being alone, or with others, promoting the most important society unit: the team." ∆ιαµόρφωση εισόδου Ιπποκράτους / ασφάλεια / καθαριότητα / ποδήλτο

problems & thoughts Scale, material, colour, usage relationships, space relationships, visual relationships, movement directions, relationship with adjacent buildings, educational character of space, health and safety, shading, game, green space, interaction

8ο ∆ΗΜΟΤΙΚΟ ΣΧΟΛΕΙΟ ∆ΡΑΜΑΣ


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Soutos K. Georgios

8ο ∆ΗΜΟΤΙΚΟ ΣΧΟΛΕΙΟ ∆ΡΑΜΑΣ

Kάτω από τις σύγχρονες συνθήκες περιβαλλοντικής κρίσης η εκπαίδευση για θέµατα οικολογίας του περιβάλλοντος της φύσης αποτελεί ένα από τα κύρια µέσα που προτείνονται να χρησιµοποιηθούν για την ευαισθητοποίηση του ανθρώπου απέναντι στο περιβάλλον. Έτσι η κατάλληλα σχεδιασµένη ενίσχυση της παρουσίας της φύσης στον υπαίθριο σχολικό χώρο και ειδικότερα της βλάστησης, χάρη στον πλούτο των φυσικών και βιολογικών χαρακτηριστικών της, θα µπορούσε : να βελτιώσει την αισθητική και λειτουργική ποιότητα του σχολικού περιβάλλοντος να βοηθήσει το παιδί να γνωρίσει βασικές έννοιες που αφορούν τη φύση, να ενισχύσει τους δεσµούς του παιδιού µε τη φύση και το ενδιαφέρον του απέναντι στη φύση, να συµβάλει στον εθισµό του παιδιού στον επιστηµονικό τρόπο σκέψης µέσα από τη παρακολούθηση, διερεύνηση και ερµηνεία διάφορων βιολογικών φαινοµένων σχετικών µε τη βλάστηση και άλλα υλικά από τη φύση να αξιοποιηθεί για εκπαιδευτικές δραστηριότητες βιωµατικής µάθησης από διάφορες γνωστικές περιοχές

* ΣΥΜΜΕΤΟΧΙΚΉ ∆ΙΑ∆ΙΚΑΣΊΑ στην διαδικασία πραγµατοποίησής τους * βιωµατική µάθηση των παιδιών σε διάφορες γνωστικές περιοχές * Τα δέντρα µπορούν να είναι φυτεµένα έτσι ωστε να είναι διακρητή η εναλλαγή των εποχών

θεµατικά πάρκα / πάρκα αισθήσεων ΟΣΦΡΗΣΗΣ / αρωµατικά φυτά (βασιλικός, δυόσµος, δεντρολίβανο, ρίγανη, πασχαλιά, γιασεµί, λεβάντα κ.α.)

ΓΕΎΣΗΣ / οπωροφόρα δέντρα (αµυγδαλιά, ελιά, ροδιά, µηλιά, κερασιάκ.α.) ΟΡΑΣΗΣ / τοίχος ελεύθερης έκφρασης (χρώµα, φώς) ΑΦΗΣ / ∆ιάφορα ορυκτά πετρώµατα, βράχια, ποόδη φυτά. ΑΚΟΉΣ / Μουσική εγκατάσταση (οκτάβα, ηχοπαραγωγά υλικά)

Εξοπλισµός Προαύλειου χώρου

Λάστιχα (µεγάλα) // χρήση: καθίσµατα, παιχνίδι χρώµα: δράση παιδιών (τα βαφούν όπως θέλουν) τοποθέτηση πάνω στο χώµα ή την άµµο και / µπορούν να θαφτούν λίγο αν είναι επιθυµητή η ακινησία τους

Κορµοί δέντρων // βαµένοι σε χρώµατα / χρήση: κάθισµα /

Παγκάκια // υλικό: έγχρωµο µπετόν / Σχήµα: κύβος, κύλινδρος, [γεωµετρικά] / χρώµα: κοκκινο, πράσινο, µπλε [βασικά]

Σωλήνες // (µεγάλες) τοποθετηµένες σε βάσεις ωστε να ειναι ακίνητες, τοποθετηµένες σε µία συνέχεια

Σκακιέρα // υλικό: χρωµατιστές πλάκες / Υφές // παιχνίδισµα υφών δαπέδου µε εναλλαγή αποχρώσεων και υφών


 1. green proposals 2. wall of space experiments 3. eco solutions

Τοίχος ελεύθερης έκφρασης

2 1

1,2 // πιθανές ζώνες εφαρµογής

Αξονοµετρικό

Κάτοψη

8ο

Όψεις ∆ΗΜΟΤΙΚΟ ΣΧΟΛΕΙΟ

Εξοπλισµός Προαύλειου χώρου

∆ΡΑΜΑΣ

πρότασης τοποθέτησης φωτοβολταϊκών πανέλων στην στέγη του σχολείου ωστε να επιτευχθεί η όσο το δυνατόν µεγαλύτερη ενεργειακή αυτονόµηση του κτιρίου

ηλιακά φώτα για την ενεργειακή ανεξαρτητοποίηση του κτιρίου και για την εκπαίδευση της οικολογικής συνείδησης των παιδιών / αρκετές ώρες αυτονοµίας /τιµες ποκίλουν

κάδοι ανακύκλωσης / κυρίως για την εκπαίδευση των παιδιών

Χρωµατικές παρεµβάσεις στους τυφλούς τοιχους των όµορων κτιρίων και φυσικά στους τοίχους του σχολικού κτιρίου.


013 Photos: for theatre perfomance "Dr. Maybe Darling" Date Nov. 2011 Photos Soutos Georgios Place Kavala "Dr. Maybe Darling" is a multimedia solo performance based on an autobiographical text that raises the problem of decision making process and "Free Choice". Video (live feed and pre-recorded material) and speech (live and pre-recorded) are constantly in a dialogue with the performer on stage and so digital medias become necessary elements for unfolding the story. At first speech, information and thoughts dominate, then the system overloads and the body takes over the mind.




portfolio

Soutos K. Georgios




G

ood evening ladies and gentlemen. My name is Dr Darling and I would like to welcome you to tonight's show or maybe lecture..? or maybe presentation..? Or even research..? The reason I invited you here tonight is to investigate the way the human brain is used. On what manner are decisions made? What has happened to the human brain with rapid options increase brought to us by technology? Is indecision a modern social effect? Do we live in the era of though increase and action decrease?

http://www.maybedarling.com/?page_id=483


014 Graphic design: for www.stonepromoter.com

stonepromoter

Date Jul. 2010 Design Soutos Georgios Place Internet / hardcopy Stonepromoter.com is a new internet application used for promoting and trading natural stones internationally. I was called to organise the design and promotion of the brand.



Natural stone deals made easy!

What can i do on stonepromoter.com?





 



 

 

  

  

  

   

Due to self initiative and budget restrictions, the promotion was based on cheap materials, simple design, clear forms and clear message. The main aim was Marmomac natural stone expedition in Verona, Italy.

www.stonepromoter.com




stonepromoter

1. flyer illustration 2. web site design 3. printed flyer


015

"Practising on Stage Dilemma's"

Music production: for a workshop on Practising on stage dilema's

               Date Mar. 2011 Design Soutos Georgios Place Sofia, Bulgary

 , l.   .   e  




016 CV design: for Andriani Kefa

Date Apr. 2011 Design Soutos Georgios Place Drama

ΚΕΦΑ Β. ΑΝ∆ΡΙΑΝΗ ∆ιεύθυνση: Τηλέφωνο: E-mail: Ηµ. Γέννησης: Υπηκοότητα:

4ο χλµ. Σερρών - Χρυσοπηγής // τ.κ. 62100 (Τ.Θ. 1084) // Σέρρες // 6948278972 andriani.kefa@gmail.com 06.06.1983 Ελληνική

Σπουδές

2001 2002

Απόφοιτος Βενετοκλείου Λυκείου Ρόδου, Τεχνολογική κατεύθυνση ∆ηµοκρίτειο Πανεπιστήµιο Θράκης (∆.Π.Θ) Τµήµα Μηχανικών Παραγωγής και ∆ιοίκησης // Επί πτυχίω

Επαγγελµατική εµπειρία

2002 - 2010 2006 - 2007 2008 - 2010

∆ηµόσιες σχέσεις και οργάνωση προσωπικού σε κέντρα διασκέδασης Πωλήτρια σε κατάστηµα ρούχων Γραµµατειακή υποστήριξη σε Αρχιτεκτονικό γραφείο

Άλλες γνώσεις Αγγλικά, First Certificate in English (Lower), Univercity Of Cambridge Ισπανικά, παρακολούθηση σεµιναρίων Πολύ καλή χρήση Η/Υ (Microsoft Office, SPSS, Autocad 2D, Social Networks, χρήση διαδικτύου, προσαρµοστικότητα σε λοιπά προγράµµατα ) Σχέδιο, γραµµικό, µηχανολογικό, ελεύθερο ∆ίπλωµα οδήγησης, αυτοκινήτου

Γενικά ενδιαφέροντα Φωτογραφία, Μουσική, Σχέδιο, Κινηµατογράφος Αθλήµατα, αντισφαίρηση, µπαλέτο, χορός

Purpose: readability, presentation simplicity, ease of printing.


017 Photos: for the theatre "Paraloges" Date Mar. 2010 Photos Soutos Georgios Place Athens, Eleusina


"When a life is gone, nobody can't be asleep"

"Paraloges" or small everyday tragedies, is a play for the great and sudden events that happen at the most unsuspected times of our lives. Its heroes are our next door neighbors that could not stand the narrow boarders of their comfortable lives and changes everything with a great noise. It is a structured play, based on the stories of 4 traditional songs sang through the ages and transferred from generation to generation (1. The murdered, 2. The killer mother, 3.The brothers and the bad woman, 4. The shepherd lady.)


018

"Red noses never speak"

Photos: for the children play "red noses red" Date Jan. 2009 Photos Soutos Georgios Place Kavala Children play ath the city of Kavala, directed by E. Dimopoulou. No text, no words, only voices and sounds.





019 Music - photos: for the theatre "Nightly Encounters" Date May. 2010 Photos/ Music Soutos Georgios Place Thessaloniki


1. photo 2. sketch 3. poster 4. photo

Between grey buildings and black crossroads, under the grey sky, people run... Passers by hidden behind their coats under colorful umbrellas. Standing in bust stops, in public agencies, in zebra crossings. Waiting... waiting for a different life. Running to catch up with a lost life. Irrelevant, tight up, alone, speechless... In a city that speaks loneliness... It all begun then... A rainy autumn evening, in a dark park...




020 Construction: of metal model Date Dec. 2011 Photos/ Music Soutos Georgios Place Drama

portfolio

Soutos K. Georgios


 1. photo 2. sketch 3. poster 4. photo

"metal"




portfolio

Soutos K. Georgios

00# 2010 2011 2012

works compet


 1. 2009, 2010, 2011, 2012 2. postgraduate works 2. stripes 3. polaroid photos

for titions


021 Architectural Competition: Athens x 4 Date Dec. 2010 Photos/ Music Aggelakos Ioannis, Kallea Sofia, Moskofidis Nikolaos, Myrizaki Aikaterini, Soutos Georgios Place Pireaus

The contemporary Greek city is made up of some of the smallest urban blocks in Europe, with an accompanying dense network of small streets and incredibly narrow pavements. The competition proposes the assimilation of 4 inner-city urban blocks into a unified entity, with the aim of improving the neighborhood and the quality of life of the community. We chose Piraeus, the port of Athens as our intervention area.


4



αστικοί αποικοδομητές

5397Ο87

ΠΕΙΡΑΙΑΣ

ΛΕΚΑΝΟΠΕΔΙΟ ΑΤΤΙΚΗΣ

ΕΜΠΟΡΙΚΟ ΛΙΜΑΝΙ

ΠΑΛΙΑ ΑΓΟΡΑ

ΚΤΙΡΙΑ ΓΡΑΦΕΙΩΝ ΜΕ ΕΜΠΟΡΙΟ ΣΤΟ ΙΣΟΓΕΙΟ (ΚΕΝΤΡΟ ΠΟΛΗΣ)

Σε κομβικό σημείο της περιοχής παρατηρούμε δύο μεγάλες περιοχές πρασίνου. Αυτοί οι δύο διακριτοί δημόσιοι χώροι θα μπορούσαν να συνενωθούν σε έναν μεγαλύτερο και ενιαίο αστικό πάρκο, ικανό να μεταφέρει την δυναμική της ένωσης και διαμπερούς επικοινωνίας των δύο λιμανιών. Προς αυτόν τον γενικότερο πολεοδομικό στόχο, επιλέγονται προς μελέτη τα τέσσερα οικοδομικά τετράγωνα που παρεμβάλλονται μεταξύ

6

των δύο αυτών διαθέσιμων χώρων. Σε μια προσπάθεια να ενεργοποιηθούν αυτοί οι δημόσιοι χώροι της πόλης, και να επιτευχθεί η ένωση τους με τρόπους πιο έμμεσους αλλά εξίσου αποτελεσματικούς.

2

Πιο συγκεκριμένα πρόκειται για τα τέσσερα οικοδομικά τετράγωνα που ορίζονται από τις περιφερειακές οδούς: 2ας Μεραρχίας, Κολοκοτρώνη, Σωτήρος, Φίλωνος και περιέχουν τους ενδιάμεσους δρόμους (σταυρός): Ναυάρχου Νοταρά και Μπουμπουλίνας. Ο εσωτερικός κόσμος των τεσσάρων τετραγώνων

ΚΑΤΟΙΚΙΑ ΜΕ ΕΜΠΟΡΙΟ ΣΤΟ ΙΣΟΓΕΙΟ

χαρακτηρίζεται από την έλλειψη δημόσιου χώρου , διόγκωση του ιδιωτικού, στενόμακρους ακάλυπτους κτιρίων ανίκανους να σχηματίσουν έναν εσωτερικό κοινόχρηστο χώρο και μεγάλα ύψη κτιρίων που δίνουν στους δρόμους την αίσθηση ‘αστικών

Σε

ΠΑΣΑΛΙΜΑΝΙ

αντιδιαστολή

με

την

γενικότερη

‘λειψυδρία’

του

5

1

3

χαραμάδων’.

9

υφιστάμενου περιβάλλοντος, μια συστηματικότερη καταγραφή, φανερώνει την παρουσία ενός εξώστρεφου δικτύου μικροτόπων διάσπαρτων μέσα στο υφιστάμενο οικοδομικό πλέγμα. Αδόμητα οικόπεδα, δώματα κτιρίων, δρόμοι, στοές-περάσματα, υφιστάμενα εξωτερικά κελύφη κτιρίων, αποτελούν νησίδες λίγο- πολύ τυπικές στο περιβάλλον της ελληνικής πόλης αλλά και πιθανές λύσεις που η ίδια η πόλη προσφέρει στο πρόβλημα της, και που συνθέτουν έναν μικρόκοσμο μεγεθών, υλικών, σχέσεων, ιδιαίτερα χρήσιμο, πλην όμως αποσπασματικό.

8

4

ΜΠΟΥΜΠΟΥΛΙΝΑΣ

ΣΩΤΗΡΟΣ ΣΩΤΗΡΟΣ

ΝΟΤΑΡΑ

ΜΠΟΥΜΠΟΥΛΙΝΑΣ

2ΑΣ ΜΕΡΑΡΧΙΑΣ

ΦΙΛΩΝΟΣ

ΔΟΜΗΜΕΝΟΣ ΧΩΡΟΣ

ΚΟΛΟΚΟΤΡΩΝΗ

2ΑΣ ΜΕΡΑΡΧΙΑΣ

ΦΙΛΩΝΟΣ

ΝΟΤΑΡΑ

8 2

ΑΚΑΛΥΠΤΟΙ

3 4

ΚΟΛΟΚΟΤΡΩΝΗ

1 5 9

ΦΙΛΩΝΟΣ

ΚΟΛΟΚΟΤΡΩΝΗ

ΠΑΛΑΙΟ ΚΤΙΡΙΑΚΟ ΔΥΝΑΜΙΚΟ ΧΑΜΗΛΑ ΔΩΜΑΤΑ ΣΩΤΗΡΟΣ

ΜΠΟΥΜΠΟΥΛΙΝΑΣ

2ΑΣ ΜΕΡΑΡΧΙΑΣ

ΣΤΟΕΣ ΝΟΤΑΡΑ

ΚΕΝΑ ΟΙΚΟΠΕΔΑ ΕΡΕΙΠΙΩΔΗ ΚΤΙΣΜΑΤΑ

6


4

αστικοί αποικοδομητές *

5397Ο87

ΕΡΓΑΛΕΙΑ ΠΑΡΕΜΒΑΣΗΣ

αποικοδομητές: μικροοργανισμοί που διασπούν τις ουσίες νεκρών κυττάρων σε συστατικά ώστε αυτά να επαναχρησιμοποιηθούν από το περιβάλλον

Διαπερνούν τις “χαραμάδες” της πόλης Ενεργοποιούν τους φυσικούς και αστικούς πόρους Αναζωογονούν τα νεκρά περιβάλλοντα Συστήνουν νέες αποικίες ζωής (σε απρόσμενα σημεία) Επιτρέπουν συλλογικές κοινωνικότητες και δίκτυα ελεύθερης συμμετοχής Αλλάζουν την πόλη

-πεζοδρόμηση και στέγαση δρόμου -κίνηση,θέα, στάση,σκιά -δίκτυο συνάντησης

ΔΡΟΜΟΣ

ΓΡΑΜΜΙΚΗ ΕΞΑΠΛΩΣΗ

-διαπλάτυνση πεζοδρομίου -φίλτρο σε αυτοκινητόδρομο

ΦΙΛΤΡΑ ΜΙΚΡΟΚΛΙΜΑΤΟΣ

υπαίθρια εκτόνωση πίσω μετώπου δημόσιο πέρασμα

διπλές όψεις δροσισμός / σκιασμός

-κοινόχρηστος γραφείου -εσωτερική θέα -συνάντηση δημόσιου ιδιωτικού

φυτεμένα δώματα

ΚΑΤΑΚΟΡΥΦΗ ΕΞΑΠΛΩΣΗ

πλήρωση με: ύφασμα περσίδες φύτευση φωτοβολταϊκά

-κοινωνικές εστίες γειτονιάς -κόμβος άτυπων περασμάτων -αναζωογόνηση υφιστάμενων μετώπων

φυτεμένος ακάλυπτος

Ο Ι Κ Ο Π Ε Δ Α

ΣΥΜΒΙΩΤΙΚΕΣ ΕΣΤΙΕΣ

ΔΙΚΤΥΟ ΧΩΡΩΝ ΑΝΘΡΩΠΩΝ

ΔΙΑ-μοιράζω ΔΙΑ-κοινώ ΔΙΑ-λέγομαι

υπαίθρια εκτόνωση πίσω μετώπου

ΔΙΑΔΙΚΤΥΟ

-μεταβατικό περιβάλλον -κοινόχρηστος κτιρίου

ΠΙΛΟΤΙΚΟ ΣΥΣΤΗΜΑ ΔΩΜΑΤΙΟ

ΣΥΝΑΡΜΟΛΟΓΗΣΗ ΤΥΠΟΠΟΙΗΜΕΝΗ ΟΙΚΟΔΟΜΙΚΗ

Α Δ Ο Μ Η Τ Α

κύτταρο κατασκευής

ΠΟΛΗ ΜΕΣΑ ΣΤΗΝ ΠΟΛΗ ΔΕΥΤΕΡΗ ΓΗ ΤΕΤΑΤΡΑΓΩΝΟ Χ4

πιθανή μελλοντική εξέλιξη κτιρίου

ΠΟΛΗ ΔΙΚΤΥΟ

-διατήρηση κλίμακας σε σχέση με το δρόμο -προσθήκη ορόφου σε υποχώρηση [θεσμικά κατοχυρωμένη]

ΕΙΣΟΔΟΣ

ΑΝΟΙΧΤΟ ΔΩΜΑΤΙΟ

Υ Φ ΙΣΤ Α ΜΕΝ Α

ΔΩ Μ ΑΤΑ

ΕΝΔΙΑΜΕΣΗ ΚΛΙΜΑΚΑ

-χωροθέτηση νέας δημόσιας χρήσης -ενίσχυση φυσικής και αστικής βιοποικιλότητας

ΑΠΟΙΚΙΣΜΟΣ ΔΩΜΑΤΩΝ

δημόσιο περπάτημα σε υπέργειες στάθμες

ΚΑΝΑΛΙ ΕΠΙΚΟΙΝΩΝΙΑΣ


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022 graphic design: 6 logos for 4 competitions Date 2011 / 2012 Photos/ Music Soutos Georgios Place Drama

What is blank (keno)? How does each one of us conceives it? Why canâ&#x20AC;&#x2122; t we give an exact definition of it? Blank has to do with movement and time, plays a major part as a tool for understanding space. The logo should therefore communicate directly with it. The creator will focus on the design of the word KENO (blank). The word will be designed in Greek font.


For a moment, nothing happened. Then, after a second or so, nothing continued to happen. "Douglas Adams, 1952-2001,"

Exibition about "space" by S.a.n.as




2 logos for a competition for the new logo for the balkan volleyball association.

portfolio

Date 2011 / 2012 Photos/ Music Soutos Georgios Place Drama

Soutos K. Georgios




balkan volleyball association




portfolio

Soutos K. Georgios

moleskinerie

molskinerie symbol

Date Nov. 2011 Design Soutos Georgios Place Drama competition for the new logo of the new site of the legendary moleskine handbooks. A symbol

molskinerie symbol




"1st Construction materials National Conference"

Date Sep. 2009 Design Soutos Georgios, Moskofides Nikos Place Xanthi This is a poster and a logo design for a graphic design competition for the "1st Construction materials National Conference" in the city of Xanthi where our team won the 1st logo design award, and 2nd poster award.




portfolio

Soutos K. Georgios

00% 2010 2011 2012

works fo self


or my-




023 photos: some photos taken in 2011 - 2012 Date Dec. 2010 Photos/ Music Aggelakos Ioannis, Kallea Sofia, Moskofidis Nikolaos, Myrizaki Aikaterini, Soutos Georgios Place Pireaus


161

"symmetryrtemmys"




portfolio

Soutos K. Georgios




"ambient photos"




"summertime in Greece"

portfolio

Soutos K. Georgios




"the earth is eating junk food, ...in greece"




portfolio

Soutos K. Georgios




"layers in reality"




portfolio

Soutos K. Georgios




"Trees, sky and water"


the end


architect

/portfolio /soutos k. georgios /architect /0030.6944.96.34.30 /vantsi 5 /66100 /drama /greece

copyright 2012


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