What does it really mean to open a Benheart store in Rome? Honestly, it means everything. Rome is not just another city. Rome is a feeling that has lived through centuries of art, history, beauty, and soul. The moment you step into the city, you can feel it. It is living in every street and corner you walk through. Benheart is born from leather, from the hands of artisans, from sacrifice, and from that uniquely Italian vision that transforms a living material into something timeless. Leather is alive. Every piece carries its own character. And that is exactly why Rome feels like such a perfect destination for our journey.Opening in Rome means becoming part of a city that taught the world the meaning of wonder. A city where every street tells a story, where luxury is not about ostentation, but about culture, identity, and character.
Benheart does not simply want to open a store. It wants to bring to Rome an experience built on authenticity, the scent of leather, true craftsmanship, and human connection. A place where every client feels welcomed, and a part of something. The feeling of walking into an old Italian bottega where everything has meaning and every detail comes from the heart.
Rome and Benheart share something profound: the ability to move people without needing to say too much. There’s power in authenticity, in character, in emotion. For us, arriving in Rome is not just a commercial milestone. It’s deeply personal. It is a love letter to Italy, to authentic Made in Italy, and to the people who still believe that when something is made with heart, it carries a deeper kind of value. Some cities are chosen for opportunity. Rome was chosen because it moved us, inspired us, and felt like part of who we are.
Rome isn’t just business, it’s about passion…
Ben
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bi-monthly magazine
Official magazine of the Roman Association of Hotel Concierges “Les Clefs d’Or” www.romelesclefsdor.com
PRESIDENT
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EDITOR IN CHIEF
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EDITORIAL STAFF
Teresa Favi, Francesca Lombardi Virginia Mammoli
COVER
Valentina Stefanelli
PHOTOGRAPHERS
Dario Garofalo, Valentina Stefanelli
ART EDITORS
Melania Branca, Clelia Giardina
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TEXT Alexandra Sardo President of the Roman Association of Hotel Concierges “Les Clefs d’Or”
Dear Guest, On behalf of all the Golden Keys concierges, we wish you a very warm welcome to Rome. Rome Concierge Information is our concrete commitment to making your stay in our city a truly memorable experience.
In this magazine you will find all the information you
might need and, above all, our suggestions for the best things the city can offer during the summer season. In this issue, we take you on a journey through the Prati district, exploring its elegant boulevards, historic addresses, and iconic landmarks that reveal Rome’s most refined soul. We will then hop on a Vespa to celebrate the 80th anniversary of Italy’s timeless symbol of freedom and style, riding through the Eternal City with a truly cinematic spirit. And finally, a journey into the Rome of Ettore Scola, through cinema and memory. We remain at your disposal at our hotels, delighted to receive your requests. We all wish you a wonderful and amazing stay!
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DATES FOR YOUR DIARY 1
IL TEATRO DELL’OPERA DI ROMA AL CIRCO MASSIMO
From June 29 to July 31 Circo Massimo
The Teatro dell’Opera’s summer season returns to the Circo Massimo with a program combining opera, dance, film, and concerts. Highlights include: Gladiator as a film-concert (July 3–4), Giuseppe Verdi’s Aida from July 12 to 28, the Roberto Bolle and Friends gala (July 14), and Romeo and Juliet (July 24–25).
ROMA SUMMER FEST 2026
From June 12 to September 15
OPERA & DANZA
June
2Teatro dell’Opera di Roma
In June, the Rome Opera House presents two major productions. From June 21 to 30, Giuseppe Verdi’s La Traviata returns, directed by Sofia Coppola and featuring costumes by Valentino. From June 9 to 14, the spotlight turns to A Midsummer Night’s Dream, George Balanchine’s two-act ballet inspired by William Shakespeare’s famous comedy.
Auditorium Parco della Musica Ennio Morricone
From June to September, the Fondazione Musica per Roma brings the Cavea of the Ennio Morricone
Auditorium Parco della Musica to life with over 70 concerts: from Ben Harper & the Innocent Criminals (June 29) to John Legend (July 2), including Anastacia (July 6), Europe (July 7), the Village People (July 13), and many more.
ROCK IN ROMA 2026
From June 9 to July 18
Ippodromo Roma Capannelle
Auditorium Parco della Musica
Ennio Morricone
Rock in Roma remains one of Italy’s leading international music festivals. 17 concerts spanning rock, pop, urban, and indie genres, with big names such as The Offspring (June 9), Counting Crows (July 14), OneRepublic (July 12), and Negramaro (July 20).
FOR MORE DETAILS AND RESERVATIONS, ASK YOUR “LES CLEFS D’OR” CONCIERGE 4
SPORTS EVENTS
June
Foro Italico
5
Rome becomes the capital of sports with two major international events at the Foro Italico. From May 31 to June 7, the BNL Italy Major Premier Padel takes center stage, featuring the best international padel players. From June 26 to 28, meanwhile, the Stadio del Nuoto will host the Setecolli IP Trophy, a historic swimming competition now in its 62nd edition.
FEAST OF SAINTS PETER AND PAUL
June 29
Saints Peter and Paul are remembered as martyrs in Rome during the persecutions under Emperor Nero. The date of June 29 is not historically certain as the date of their martyrdom, but it appears to have coincided with older Roman festivals associated with the Dioscuri and the twins Romulus and Remus, which were later reinterpreted in a Christian context.
1 2 ART APPOINTMENTS
DA VIENNA A ROMA. LE MERAVIGLIE DEGLI ASBURGO DAL KUNSTHISTORISCHES MUSEUM
Until July 5
Palazzo Cipolla. Museo del Corso
Over fify masterpieces from the Viennese collection, offering a journey through European painting from the Renaissance to the Baroque. On display are works by great masters such as Rubens, Velázquez, and Van Dyck, as well as major Italian artists including Titian, Tintoreto, Paolo Veronese, Arcimboldo, and Orazio Gentileschi.
HOKUSAI
Until June 29
Palazzo Bonaparte
The largest exhibition ever dedicated in Italy to Katsushika Hokusai, master of ukiyo-e and icon of Japanese art. Over 200 works, on loan from the National Museum in Krakow, explore his creative universe: from the Thirty-Six Views of Mount Fuji to the famous Great Wave off Kanagawa, and the Manga. The exhibition is enriched by precious artifacts and traditional costumes. 3
ROBERT DOISNEAU
Until July 19
Museo del Genio
Over 140 images capture everyday life in Paris, featuring lovers, children, bistros, and street scenes. Also on display is the iconic Le Baiser de l’Hôtel de Ville, a universal symbol of romantic love. The exhibition celebrates the poetic and authentic vision of the great photographer Doisneau, who was able to transform the simplest gestures into timeless memories.
ANGELI - MESSAGGERI, CUSTODI E VIANDANTI, LE SUBLIMI CREATURE DALL’ANTICO AL CONTEMPORANEO
Until November 1
Musei Capitolini
The exhibition brings together paintings, sculptures, and works on parchment from the Middle Ages to the contemporary era, highlighting the role of angels as messengers. On display are masterpieces by Pietro da Cortona, Carlo Dolci, and Guercino, alongside contemporary works by Omar Galliani and Osvaldo Licini, featuring museum loans and private collections.
TRAGICOMICA. PROSPETTIVE SULL’ARTE ITALIANA DAL SECONDO NOVECENTO A OGGI
Until September 20 MAXXI
The exhibition traces the history
of Italian art from the post-World War II era to the present day through more than 130 artists and approximately 300 works. The exhibition explores the language of irony, paradox, and the tragicomic as a key to interpreting contemporary Italian culture. The works bring together artists such as Alighiero Boeti, Maurizio Cattelan, and Lucio Fontana, offering a cross-cuting perspective on art.
MAX
PEIFFER WATENPHUL. PITTORE DEL BAUHAUS
Until August 23
The National Gallery of Modern and Contemporary Art
The exhibition explores the work of Max Peiffer Watenphul, an artist trained at the Bauhaus in Weimar and associated with figures such as Paul Klee. The exhibition brings together approximately 80 works, tracing his evolution from the early 20th century to his Venetian maturity. A selection of works by masters such as Oto Dix and Oskar Schlemmer provides context for the European avant-garde.
FOR MORE DETAILS AND RESERVATIONS, ASK YOUR “LES CLEFS D’OR” CONCIERGE
Un’elegante oasi di pesce fresco nel cuore di Roma, dove la cucina mediterranea incontra l’estro contemporaneo. Pescado celebra il mare con piatti rafnati, crudi d’autore e una carta vini pensata per esaltare
L’essenza rafinatadel mare
Storico indirizzo della Città Eterna dove gustare carni alla brace, pasta e sapori decisi che raccontano storia e tradizioni
RISTORANTE
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Piazza di Spagna, 34 Roma
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WHITE&SUN
The most summery of colors for a look that’s all about the new season
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25 YEARS OF EXCELLENCE
Ristorante Vattani for authentic traditional food
In the beating heart of Rome there’s a place that has been passionately serving authentic Roman food for over twenty years. This is Ristorante Vattani, a delightful and delicious place at Via del Viminale 2, welcoming guests with informal warmth and elegance since the year 2000. Here, every detail – from the attentive service to the choice of furnishings – is designed to make customers feel truly at home, pampered in simple yet beautifully curated surroundings. The icing on the cake is the delightful outdoor dining room, framed by a stunning array of plants; a green corner exuding freshness and harmony and the perfect place to enjoy traditional food under the Roman sky among natural scents and colours. The food is rooted in the most authentic Roman dishes such as carbonara, amatriciana and saltimbocca alla romana, but alongside the tradition, there’s plenty of room for creativity, with surprising new interpretations that never betray their origins, including cacio e pepe with crispy rocket, paccheri with prawn gricia or pennoni all’arrabbiata with fresh tuna and escarole. Main courses are a true homage to Roman lifestyle and fresh ingredients, from artichokes prepared Roman or Jewish style to roasted veal breast and fish of the day – oven-cooked or fried crisp – which arrives every morning to ensure superb quality. Completing the experience are delicious home-made desserts, a comprehensive wine list featuring a selection of prestigious labels and fabulous cocktails. Vattani is not only about great food; it’s an experience that combines flavour, atmosphere and hospitality, proudly telling its 25-year-old story of dedication, quality and love of good food.
A special thank you to our Lord and Savior Jesus Christ, without whom nothing would be possible. (Giovanni 15,5)
VIA DEL VIMINALE, 2 | TEL. 06 4818229
Open every day 11am - 12midnight. All credit cards accepted
DIOR
Piazza di Spagna, 70/71
Roma
DOLCE&GABBANA
Piazza di Spagna, 94-100
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EMPORIO ARMANI
Via del Babuino, 140
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SUMMER IN THE CITY
Formal accessories and a bag that’s always ready to go
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Via dei Condotti, 65
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GIORGIO ARMANI
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FENDI
THE PRATI DISTRICT
Between Castel Sant’Angelo and the vibrant energy of Piazza Cavour
TEXT Teresa Favi PHOTO Valentina Stefanelli
Above: Palace of Justice
Below: Piazza Cavour
A LOCAL’S GUIDE TO PRATI ON WHERE TO EAT AND DRINK, AND WHAT TO DO, IN THIS ELEGANT NEIGHBORHOOD
CONCIERGE SUGGESTS
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ALESSANDRO BRUSCHETTA
Borgo Pio its just a few minutes from the Vatican city and St. Peter basilica , is known for its Roman charm: low ochre-colored buildings, traditional shop signs, trattorias, artisan shops, and a quieter atmosphere compared with the more crowded tourist areas surrounding the Vatican city area. During the day, the area is lively yet less chaotic than Rome’s major tourist thoroughfares. In the evening, it becomes especially pleasant for outdoor dining, particularly during the warmer seasons.
Prati is one of Rome’s most vibrant neighborhoods, an elegant crossroads where shopping, cuisine, and urban life intertwine from morning until late at night. Along Via Cola di Rienzo, between Piazza della Libertà and Piazza Risorgimento, boutiques, major brands, historic shops, and contemporary stores line the street, while the side streets are home to bistros, cocktail bars, gourmet spots, upscale takeaways, and venues with live music.
The squares and streets still tell the story of the Italian Risorgimento: Cavour, Garibaldi, Mazzini. Prati is the capital’s twenty-second district.
Officially established in 1921 to house the administrative offices of the Kingdom of Italy, today it retains a refined, residential character while remaining just a short walk from the historic center. It is a favorite hangout
for young Romans thanks to the Adriano cinema, the always bustling shopping streets, and the constant presence of cafés, bookstores, and bars.
The neighborhood’s urban layout immediately stands out for its wide, orderly, and geometric streets. Nothing is lef to chance: the original plan ensured that no urban vista would have St. Peter’s Dome in the background.
A symbolic choice reflecting the strained relations between the new Italian state and the Holy See prior to the Lateran Pacts.
On the right bank of the Tiber, the Prati area began to transform in 1883 with the construction of the Palace of Justice, the famous “Palazzaccio.” Until then, the area was covered in fields, wetlands, and large meadows stretching toward Monte Mario.
It is from this landscape that the neighborhood takes its name.
The Palace of Justice, built in the early 20th century, now houses the Supreme Court of Cassation. Monumental, spectacular, and entirely clad in travertine, it blends Neo-Renaissance style with Baroque influences. The main façade is dominated by a large bronze quadriga, which has become one of the neighborhood’s most recognizable symbols. Behind it lies Piazza Cavour, an elegant, tree-lined square dedicated to Camillo Benso, Count of Cavour. At the center of the garden stands the bronze statue of the Piedmontese statesman, unveiled in 1895.
The square is also known for the Adriano cinema, one of the most famous and popular historic theaters in central Rome. The surrounding area is home to some of the neighborhood’s most beloved spots and traditional pizzerias coexist in a relaxed atmosphere, ideal for breakfast, aperitifs, and afer-dinner drinks. Next to the Palazzaccio, on the Lungotevere Prati, stands an unexpected sight: the Church of the Sacred Heart of Suffrage, known to Romans as the “litle Milan Cathedral.” It is one of the city’s very few Gothic churches and represents an almost unique example in Rome’s
architectural landscape. Built in the early 20th century, the church surprises with its very light-colored reinforced concrete façade, decorated with niches housing nineteen statues of saints and six slender spires that seem to pierce the sky. At the center stands a large, ornate rose window that evokes the cathedrals of Northern Europe more than traditional Roman basilicas. The real curiosity, however, lies inside. The sacristy houses the Museum of the Souls in Purgatory. Afer the apparition of a deceased person during a fire that broke out in a chapel, the church’s founder
RISTORANTE TULLIO
Locale Storico di Roma fondato nel 1950 e gestito tuttora dalla famiglia da ben 3 generazioni
began collecting testimonies and objects linked to alleged manifestations from the aferlife. Today, this unique collection is still open to visitors.
Prati is also one of Rome’s best neighborhoods for eating well at any hour of the day. Afer a stroll through its elegant streets, it’s easy to find the perfect place to stop for lunch, an aperitivo or dinner. For a taste of classic Roman cooking, keep these names in mind: Arlù, Da Cesare, Dal Toscano, Hostaria, Il Matriciano, Il Sorpasso, L’Arcangelo, La Dispensa dei Mellini, Romanè. For something more refined, the neighborhood also de-
livers on the gourmet and fine-dining front with spots such as Alto, Carter Oblio, Les Etoiles and Pulejo. Cocktails, wines and creati-
THE VATICAN’S STYLISH, UNDERTHE-RADAR
NEIGHBORHOOD
ve small plates are the draw at Chorus, Emerald’s Independent Bar, La Zanzara, Magazzino and Scipioni.
To finish on a sweet note, head to Giuliani Marrons Glacés e Cioccolatini, Castroni or the gelateria Neve di Late. The itinerary through the neighborhood naturally leads to Castel Sant’Angelo, the great cylindrical fortress that dominates the Tiber with its imposing silhouete. The mausoleum was commissioned by Emperor Hadrian as a personal and dynastic tomb and was built around 123 by the architect Demetrianus. Over the centuries, it changed function several times: imperial tomb, military bastion, papal refuge, and fortified castle. Its current name derives from a legendary episode.
ChiesadelSacroCuoredelSuffragioinPrati
In 590, Pope Gregory the Great, during a procession against the plague, saw an angel appear atop the building in the act of sheathing his sword.
That very evening, the epidemic ended.
From then on, Hadrian’s Mausoleum became Castel Sant’Angelo, and the statue of the archangel became one of Rome’s symbols.
In 1277, the castle was connected to the Vatican Palaces via the Passeto, the elevated corridor used by popes to flee the Vatican in case of danger.
Visiting the complex takes you through the monument’s various layers: the
original structures of the Roman mausoleum on the lower levels, the medieval fortress built along the spiral ramp, and finally the Re-
DON’T MISS THE TERRACE OF THE ANGEL, WHICH OFFERS A SPECTACULAR VIEW OF THE THE CITY
naissance papal apartments on the upper floors. Don’t miss the Terrace of the Angel, which offers a spectacular view of the Tiber, the
city, and the bronze statue of St. Michael next to the historic bell that once announced executions.
Completing the scene is Ponte Sant’Angelo, one of Rome’s most picturesque bridges, connecting the castle to the lef bank of the Tiber.
Originally built by Emperor Hadrian in 134 and transformed in the 17th century by Bernini, the bridge is famous for the ten statues of angels holding the symbols of the Passion of Christ. The sculptures were created by Bernini’s students under his supervision, while two angels were carved directly by the master himself.
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ETTORE SCOLA’S ROME
Masterpieces, city landmarks, and the exhibition dedicated to the great cult director
TEXT Virginia Mammoli
Ettore Scola on the set of Let's talk about women (ph.ArchivioFamigliaScola)
AMONG HIS MASTERPIECES REMAINS
'WE ALL LOVED EACH OTHER SO MUCH', 'DOWN AND DIRTY' AND 'A SPECIAL DAY'
Perpetually balancing melancholy and irony, tragedy and comedy, Ettore Scola portrayed Italy like few others. His films are populated by fragile, cynical, lovesick, disillusioned characters – always deeply human. Figures who traverse the Italian 20th century, reflecting its contradictions, dreams, and downfalls, ofen with that gaze – both gentle and ruthless – that made the director one of the great masters of our cinema.
Born in Trevico in 1931, Scola spanned over half a century of cinema, working with some of the greatest Italian and international actors. Marcello Mastroianni, Sophia Loren, Vitorio Gassman, Nino Manfredi, Alberto Sordi, Monica Viti, Stefania Sandrelli, Massimo Troisi: for them he wrote roles that became iconic, capable of entering
the collective imagination. Among his absolute masterpieces remains We All Loved Each Other So Much, an extraordinary portrait of thirty years of Italian history through the lives of three friends and their lost illusions.
Then Down and Dirty, a fierce and grotesque portrait of Rome’s underclass, and A Special Day, perhaps his most intimate and universal film: the delicate encounter between an oppressed housewife and a homosexual, anti-fascist intellectual against the backdrop of Hitler’s visit to Rome in 1938.
The film was shot almost entirely at Palazzo Federici, in the Nomentano neighborhood, one of the symbolic locations of Scola’s Rome. And then there is La terrazza, an ironic and razor-sharp self-critique of Italy’s lef-wing intellectual and political class, gathered
in a penthouse at number 6 Piazzale delle Belle Arti in Rome, and The Family, a grand ensemble portrait of the Roman bourgeoisie seen through the rooms of a house in the Prati district. Rome, in Scola’s films, is never merely a backdrop: it is a living, melancholic, and theatrical organism, made up of terraces overlooking roofops, public housing complexes, dusty suburbs, and skies streaked with cinematic sunsets.
A deep bond that the city continues to cherish even today, from the Belvedere Etore Scola on Monte Ciocci to the open-air theater of the Casa del Cinema named afer him. And it is Rome itself, ten years afer his passing, that celebrates one of its most beloved directors with Etore Scola. We never lef each other, running through September 13 at the Museo di Roma.
With Federico Fellini at Teatro 5 in Cinecittà (ph.ArchivioFamigliaScola)
The exhibition intertwines life and imagination, offering a rich and multifaceted portrait of the artist: not only a director, but also a screenwriter, illustrator, and keen observer of his time.
From his roots in Trevico to his deep connection with Rome, the narrative takes visitors on a journey made up of images, words, and evocations, like the pages of a story in constant transformation.
Enriched by documents never before exhibited, the exhibition reveals an intimate aspect of his creativity and presents photographs,
manuscripts, objects, original screenplays and personal notes, newspaper and magazine articles,
HE
DIRECTED ACTORS AND ACTRESSES SUCH AS ALBERTO SORDI, MARCELLO MASTROIANNI AND SOPHIA LOREN
cartoons, set sketches that are not mere sketches, but true ‘visual scripts’ through which Scola studied the quirks, faces, and weakness-
es of Italians, transforming journalistic satire into the great cinema we all know. Rounding out the exhibition are films and documentaries, works of art, and, among the most iconic memorabilia, the director’s chairs, the typewriter, the first clapperboards, and the trench coat worn by Federico Fellini in We All Loved Each Other So Much.
Much of the material comes from the Scola Family Archive, curated over the years by Marco Scola di Mambro, Etore’s grandson.
The exhibition is divided into three thematic sections that trace his life and work.
The Man reconstructs Ettore Scola’s early years and his formative years between Southern Italy and Rome, in the Esquilino neighborhood. While still very young, he joined the editorial staff of the magazine Marc’Aurelio, where he met, among others, Federico Fellini and Steno. This marked the beginning of an extraordinary career as a screenwriter. In 1964, he transitioned to directing, developing a personal, ironic, and profoundly civil style capable of portraying everyday life while intertwining it with the broader sweep of history.
The Artist, divided into the subsections The Screenwriter, The Illustrator, and
PHOTOGRAPHS, MANUSCRIPTS, OBJECTS, ORIGINAL SCREENPLAYS AND PERSONAL NOTES, ARTICLES AND SET SKETCHES
The Director, presents the image of a complete artist, from the satire of his early
days to his cinematic maturity. Finally, Rome, dedicated to the special relationship between the director and the city.
Born in Irpinia but a Roman by adoption, Scola observed and portrayed the capital with a gaze that was at once affectionate and lucid.
From the suburbs to the bourgeois terraces, these places become setings for encounters, conflicts, and memories.
A deep and mutual bond, further sealed by the farewell ceremony on January 22, 2016, in the heart of Villa Borghese.
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THE VESPA, DESIGN AND FREEDOM
Born in Pontedera, it conquered the world while staying true to itself
TEXT Francesca Lombardi
WHEN ENRICO PIAGGIO SAW THE PROTOTYPE,
HE IS SAID TO HAVE EXCLAIMED,
'IT LOOKS LIKE A WASP!'
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SIMONE RUZZEDDU
It's an ancient and immediate feeling, much like riding an open-top sports car: the wind, the light, and the city that reveals itself. The Colosseum appears suddenly. You weave through traffic and you're already climbing toward the Orange Garden on the Aventine Hill. Descend toward the Tiber, and the roads guide you to Castel Sant'Angelo. One turn and you find yourself in the quiet of Trastevere. A few more minutes and the Vespa carries you to Piazza Navona, then Campo de' Fiori and the Pantheon. Every curve hides a courtyard, a fountain, a corner no guidebook has ever written about.
Asun-drenched street, a curve by the sea, a square, the unmistakable sound of the engine, the promise of everyday freedom. The Vespa isn’t just a mode of transportation; it’s a way of life: eternally young, carefree, and lighthearted. Wind in your hair and a swimsuit in your backpack. Born in postwar Italy, when the country was trying to rise from the physical and moral rubble of the conflict, the Vespa became a symbol of Italian style in just a few years. Its story begins in Pontedera, at the Piaggio factories, a company that before the war produced railway and aeronautical equipment. Afer 1945, Enrico Piaggio realized that Italy needed a new vehicle: economical, practical, easy to drive, suitable for both men and women, capable of navigating city streets as well as country roads. The task was entrusted to Corradino D’Ascanio, an aeronautical engineer from Abruzzo, a brilliant man with
litle fondness for traditional motorcycles. D’Ascanio eliminated several typical motorcycle features: no exposed frame, no visible chain, no uncomfortable straddle position. Instead, he designed a monocoque body to protect the rider, a gearshif on the handlebars, and a front wheel mounted on an arm inspired by aircraf landing gear, easily removable in case of a flat tire. The result was a vehicle that was agile, elegant, clean in form, and revolutionary in use. When Enrico Piaggio saw the prototype, he is said to have exclaimed, “It looks like a wasp!” From that resemblance – the narrow waist, the rounded rear, the hum of the engine – the name destined to go down in history was born. The patent was filed in 1946, and from there began a unique industrial and cultural journey. The first Vespas rolled off the assembly line in Pontedera in an Italy that was still poor but eager for the future. Success came quickly because the new scooter met
Iconic ads from the 1970s that capture the world of Vespa. On this page: at the bottom left is the model celebrating its 80th anniversary, and above it is the iconic model that made Vespa famous
IN ITALY, IT WAS THE SYMBOL OF YOUTH;
IN EUROPE, IT SPOKE TO GENERATIONS SEEKING INDEPENDENCE;
IN ASIA AND LATIN AMERICA, IT BECAME A MEANS OF MOBILITY
a real need: geting around affordably with a vehicle suitable even for those who had never ridden a motorcycle. In the 1950s, the Vespa accompanied Italy’s economic miracle, becoming the vehicle of a possible modernity. Its international recognition also came thanks to cinema. In 1953, Roman Holiday featured Audrey Hepburn and Gregory Peck riding a Vespa through the streets of Rome, transforming the scooter into a romantic and global icon. From that moment on, the Vespa became a symbol of la Dolce Vita, of carefree Mediterranean living, of a lifestyle defined by natural elegance and movement. In the years that followed, it appeared in films, photographs, advertising posters, and fashion spreads, helping to build a powerful cultural image. Its strength, however, was not merely aesthetic. The Vespa knew how to evolve while remaining true to itself. From the 1950s through the 1960s and 1970s, new models, dif-
ferent engine displacements, colors, and technical solutions accompanied the changes in society. The Vespa became both a popular phenomenon and a cult object. In Italy, it was the symbol of youthful autonomy; in Europe, it spoke to generations seeking independence; in Asia and Latin America, it became a practical means of mobility. Wherever it went, it carried with it a certain idea of Italian spirit. Its image changed depending on who rode it. The Vespa remained the Vespa even as the world around it changed: cars became mass-produced, cities grew, consumption paterns shifed, and design chased new trends. What has always made it special is the combination of form and memory. Its silhouete is instantly recognizable: the sof front, the flat footboard, the compact body, the rounded tail. Each model introduced innovations, but without breaking the link to its origins. It is this balance between continuity
and innovation that has allowed it to survive trends and become a contemporary classic. Over time, the Vespa has transcended its role as a mere mode of transportation to become part of the visual culture of the 20th century and the new millennium. It has been exhibited, photographed, collected, and celebrated. It has become a souvenir, a tourist’s dream, and an icon of Made in Italy. In 2021, on the occasion of its 75th anniversary, Piaggio celebrated the milestone of 19 million units produced, with the Vespa still built in Pontedera, the very place where it all began in the spring of 1946. Today, in the age of electric mobility and cities seeking new balances, the Vespa continues to speak to the present. It does so with updated models, electric versions, special editions, and an international community of enthusiasts. But its charm remains tied to something deeper: the idea that geting around can be a small personal adventure every day.
VIA FRANCESCO CRISPI, 19 - 00187 ROMA
TEL +39 06 6785904
info@ristorantecrispi19.it ristorantecrispi19.it
RISTORANTE_CRISPI19
RISTORANTE CRISPI 19
Intheseimages: Co.Ro.jewelryandGiulia and Costanza at work. The collections canbefoundintheboutique atViadellaScrofa,52
ARCHITECTURE À-PORTER
A friendship gives rise to an elegant and sophisticated project
Co.Ro. Jewels was founded in Rome in 2012 from the creative collaboration between Costanza De Cecco and Giulia Giannini, architects and designers bound by a twenty-year friendship and a shared vision: to transform architecture into wearable jewelry. Their language takes shape in a precise concept, ‘Architecture-à-porter,’ a style statement that expresses the desire to translate volumes, perspectives, urban details, and memories of places into small design objects. Every Co.Ro. creation is conceived as a micro-architecture: not a simple ornament, but a fragment of the city, a memory, an inspiration to carry with you. Rome is the brand’s first major source of inspiration, with collections inspired by the Pantheon, the aqueducts, the Gasometer, the Spanish Steps, Sant’Ivo alla Sa-
pienza, and the geometries of Roman Rationalism. But the two designers’ vision also extends to other cherished places, from Venice to Florence, from Naples to Paris, all the way to Japan, Capri, Positano, Puglia,
THE BRAND’S VALUE LIES IN THE BALANCE BETWEEN FORMAL DESIGN AND CRAFTSMANSHIP
Genoa, New York, and Milan, in an ideal journey through cities, architecture, and inner landscapes. The brand’s value lies in the balance between formal research and crafsmanship. The jewelry is crafed in Italy by expert artisans through a process that combines traditional tech-
niques, hand-drawn design, 3D modeling, micro-sculptures in wax, casting, and goldsmith finishing. From the first sketch to the final piece, each item is born from a dialogue between concept and crafsmanship, between architectural precision and decorative sensibility. Rings, bracelets, earrings, necklaces, ear cuffs, cufflinks, and hair accessories compose a recognizable, contemporary, and cultured universe, capable of speaking to those seeking a personal, unconventional piece of jewelry tied to a place or a story. The name Co.Ro. itself embodies this collective identity: it evokes both the collaboration between designers and artisans and the Collegio Romano, the symbolic place where the friendship between Costanza and Giulia began. And every piece of jewelry tells this story, becoming a small wearable work of art.
AUTHENTIC VISION
Otica La Fege in Rome combines style, technology, and personalized care
There is a Rome that everyone knows, made up of large storefronts, chain stores, and quick, ofen impersonal shopping. And then there is a more authentic city, where human connection, atention to detail, and quality of service still make all the difference.
This is the philosophy of Otica La Fege, a landmark in the heart of the capital, at Via del Piè di Marmo 9, a historic street behind the Pantheon. Here, you don’t simply choose a pair of glasses; you enjoy a personalized experience rooted in attentive listening, expertise, and professionalism since 1989. In a welcoming and specialized setting, each customer is guided through a personalized journey that goes beyond the sale. From analyzing specific visual needs to selecting the frame best suited to the ergonomic
features of the face, as well as the customer’s style and visual habits: every step is designed to ensure scientific precision, comfort, and aesthetic harmony. This technology is also particularly useful in the creation of multifocal lenses, resulting in extremely comfortable and
A
PERSONALIZED
EXPERIENCE
ROOTED
IN ATTENTIVE EXPERTISE SINCE
1989
perfectly customized eyewear. The distinctive value of Otica La Fege lies in its ability to combine technology, specialized consultation, and aesthetic sensibility, offering solutions truly suited to the daily lives of those who wear them. To-
day, eyeglasses are no longer merely corrective tools, but true fashion accessories: for this reason, the center offers a wide range of materials, from frames in gold, platinum, titanium, and silver, to solutions in organic materials such as horn and leather, and even marble. Lens fiting is performed inhouse, using state-of-the-art grinding machines connected to a centering system, ensuring maximum precision and quality. Services include optometric consultations and assistance in selecting advanced ophthalmic lenses. Every recommendation is designed to enhance the customer’s identity and improve their visual well-being. The goal is not only to see well, but also to look beter. For information and appointments: ph. +39 352 015 2612 Instagram @otica_la_fege
The MBT collections are available inselectedlocationsincluding Via delle Carrozze 20 and the MBT Rome Official Store in Via Tacito 13
MOVE WELL LOOK WELL
MBT the wellness footwear that works like a small gym for your body
Discover the shoes that activate your muscles and improve your posture with style. Born in Switzerland MBT was created with a clear mission. A shoe that cares for the body through natural movement while bringing style to every step. Today MBT is recognised as the wellness footwear that activates muscles, supports posture and delivers comfort within a modern design. The secret lies in the curved rocker botom sole. This patented technology offers a distinctive sensation from the very first step and comes in three rock levels for different degrees of guided motion. Present in more than 52 countries and backed by 30 years of research MBT carries the APMA seal of acceptance and is recommended by health
and movement professionals worldwide.
The rocker sole guides the foot along a natural line that helps the body find balance with every step. Muscles activate. Posture aligns. Move-
TECHNOLOGY THAT CARES FOR THE BODY WITH STYLE AND A COLLECTION FOR EVERY MOMENT
ment flows. The result is a feeling of effortless walking inside a clean modern design. Walking models offer all day comfort and a refined city look. Outdoor styles bring support and grip for nature
and urban terrain with waterproof options. Running models deliver a smooth athletic stride that protects joints and back. Dress models combine elegance and wellness for work and special occasions. More than 40 independent studies and the MBT Academy continue to shape every detail of the brand. One philosophy. Move well. Look well.
While discovering Rome’s timeless beauty, visitors can also experience MBT in two iconic locations of the city. Near the elegant Piazza di Spagna, MBT can be found at Via delle Carrozze 20, while close to the Vatican area visitors can discover the MBT Rome Official Store in Via Tacito 13.
Two perfect destinations to experience Swiss wellness footwear while exploring Rome in comfort and style.
EFFORTLESS ROME
Class One Group transforms mobility into a bespoke service
Geting around Rome means navigating one of the most fascinating cities in the world, but also one of the most challenging to navigate smoothly. Amid historic alleyways and unpredictable traffic, even the simplest of trips can turn into a logistical challenge. Yet today, there is a new way to experience mobility in the capital: more discreet and precise. This is the philosophy of Class One Group, a company specializing in high-end integrated mobility services, capable of transforming every journey into a seamless experience, without interruptions or compromises. It is not merely about luxury, but about absolute control over time. The journey begins even before landing. Upon arrival at the airport, the chauffeur-driven transfer
is already waiting. Everything is handled with discretion and precision, in perfect sync with flight schedules. An invisible yet impeccable service. In this context, Rome becomes a true strategic hub for some
HIGH-END MOBILITY SERVICES THAT REDEFINE TRAVEL AS AN EXPERIENCE
of Italy’s most exclusive destinations. Capri, the Amalfi Coast, Tuscany, or the Dolomites are no longer destinations requiring long transfers and complicated connections: thanks to helicopter connections from dedicated heliports
at the city’s gates, they can be reached directly and immediately. To complete the system, access to private jets ensures maximum flexibility for international routes. What normally involves multiple steps and changes of transportation is thus transformed into a single, seamless journey. But the real difference lies in the management of details Every journey is monitored in real time, and every change is handled seamlessly without affecting the overall experience. Above all, everything is managed with a low-profile approach – essential for an international clientele that views privacy not as a privilege, but as a non-negotiable requirement. Because in a city like Rome, true luxury isn’t just the destination. It’s the feeling of navigating it without ever sensing its complexity.
LA DOLCE VITA BY GOLF CART
An exclusive experience among the capital’s iconic landmarks and hidden gems with Roma GoGo
There is a Rome that everyone knows, made up of iconic monuments, bustling squares, and picture-perfect itineraries. And then there is a quieter, more authentic, and surprising city, one that reveals itself slowly through hidden alleys, secret views, and atmospheres frozen in time. This is precisely the philosophy behind Roma GoGo Golf Cart, the exclusive service offering a new way to experience the capital: aboard elegant private golf carts, for a refined, relaxed, and fully personalized experience. Designed for those who wish to explore Rome at a leisurely pace and without the stress of long walks, the golf cart tour allows you to traverse the city from a privileged perspective. From the timeless charm of the Trevi Fountain to the grandeur of the Colosseum,
passing through panoramic terraces, off-the-beaten-path neighborhoods, and places beloved by Romans, every itinerary becomes an emotional journey into the heart of the Eternal City. The experience combines comfort, elegance, and storytelling. What makes
FOR THOSE WHO WANT TO DISCOVER ROME AT A RELAXED
PACE
the tour special is not only the places visited but also the slow pace at which the city is revealed and experienced. A contemporary way of sightseeing, ideal for those seeking authenticity and wishing to be guided through history, culture, and
hidden details ofen missing from classic tourist guides. Among the available options are the Classic Rome tour, dedicated to the city’s major landmarks; the evocative Rome by Night tour, which takes guests through the capital’s evening atmosphere; and the Hidden Rome Experience, designed for those who want to discover a more intimate and secret Rome. There are also fully customizable private tours, tailored to the interests and desires of guests. Perfect for couples, families, or travelers seeking an exclusive experience, Roma GoGo Golf Cart reinterprets luxury tourism in a contemporary way, transforming every journey into a moment to remember.
For information and reservations: ph. +39 3315855025
Instagram @romagogo.golfcart
A TUSCAN DREAM
Casa Ruffino, where the excellence of wine meets the charm of contemporary design
Just a few kilometers from Florence, nestled among the rolling hills of the Florentine Chianti region, a place is taking shape where the true soul of Tuscany meets the elegance of contemporary design. It is here that Tenuta Ruffino Poggio Casciano is home to Casa Ruffino, a project that blends winemaking, hospitality, and fine dining, offering guests an immersive experience steeped in beauty and culture. The Renaissance villa, surrounded by vineyards, olive groves, and Italian gardens, preserves a legacy rooted in Roman times and spanning centuries of history, art, and agronomy. Today, this heritage is reborn in a contemporary key, in a harmonious dialogue between past and present, giving rise to iconic labels such as Modus Primo and Alauda. At the heart of the experience are the tour & tasting
itineraries, designed to guide guests in discovering Ruffino’s secrets: from the vineyards to the spectacular underground cellar, on a journey that culminates in a tasting of the estate’s great wines and extra
A PROJECT THAT BLENDS WINEMAKING, HOSPITALITY AND FINE DINING
virgin olive oil. At the Enoteca Ruffino, among large-format botles and historic vintages, time seems to stand still: here you can choose a glass to savor in the gardens or join the Ruffino Wine Club to access exclusive collections. The
experience continues at the Ristorante Tre Rane, where Tuscan cuisine is expressed with a contemporary sensibility, highlighting seasonal and local ingredients paired with the estate’s wines. The spaces, including the indoor dining room and the loggia overlooking the vineyards, invite you to enjoy moments of refined conviviality. The estate’s crowning jewel is the restored Limonaia: an intimate and luminous setting that hosts cooking classes, private dinners, and exclusive events, transforming at sunset into a romantic seting suspended in time. Rounding out the experience is the Wine Relais, featuring eight elegant rooms overlooking the Italian garden and the infinity pool nestled among the vineyards: an invitation to stay in the heart of authentic Tuscany, where every detail reflects the Ruffino style.
AUTHENTIC FLAVORS
Checchino dal 1887: a staple of Roman cuisine in the heart of Testaccio for over 150 years
PHOTO Dario Garofalo
For over 150 years in the heart of Testaccio, Checchino dal 1887 has been a milestone of Roman cuisine and the undisputed realm of fifh quarter cuts. To truly understand its history, one must start with the neighborhood and its historic cellars, carved into Monte Testaccio, the artificial hill formed by fragments of Roman amphorae accumulated over the centuries. It was here, as early as the 1950s, that Bordeaux and Champagne – absolute rarities for the time – were served alongside calf’s head or foot of veal salad. Even today, those natural caves, with their perfect temperature and humidity, house an extraordinary wine cellar, open to guests,
amid walls of millennia-old shards and botles selected to accompany the most authentic Roman cuisine. The menu is a journey through the capital’s culinary memory. There are the
MILESTONE OF ROMAN CUISINE AND THE UNDISPUTED REALM OF FIFTH QUARTER CUTS
great classics – carbonara, gricia, cacio e pepe – but above all those increasingly rare dishes that have made Checchino famous since 1887: rigatoni with pajata, Roman-style tripe, oxtail in
vaccinara way slow-cooked for hours, all the way to mixed roasted entrails and sweetbreads. Recipes handed down in the Mariani family from generation to generation (six to date), prepared with respect for the ingredients and Roman folk tradition.
But Checchino dal 1887 also looks to the present with Ch 18 87, a cocktail bar that reinterprets the world of mixology with a modern twist. Signature cocktails and contemporary twists interact with the flavors of the restaurant’s cuisine, creating surprising pairings between mixology and offal. And then, to round out the meal, the encyclopedic rum list – a true must-have for enthusiasts of this famous spirit.
Checchino dal 1887 also boasts an extraordinary historic wine cellar, featuring bottles carefully selected to complement the most authentic Roman cuisine, and Ch 18 87, a cocktail bar that reinterprets the world of mixology with a modern twist
TOP PLACES TO SEE IN ROME
Museums, churches and all the atractions that you should not miss in city. Reservations are recommended in some museums, ask your ‘Les Clefs D’Or’ concierge
MUSEUMS AND ARCHAEOLOGICAL SITES
COLOSSEUM
Designed to hold 50,00075,000 spectators coming to see the fights between gladiators and ferocious animals, the Colosseum is the largest amphitheatre from Antiquity, a symbol of Rome and one of the seven wonders of the world.
A water system fed various fountains and allowed for naumachiae, mock naval batles. Piazza del Colosseo, 1 ph. +39 06 39967700 colosseo.it
Closed: January 1, December 25
FOR0 AND PALATINO
The Arch of Constantine links the Palatine Hill, adding to the houses of Livia and Augustus, and the Forums built along the Via Sacra and beyond the Arch of
Titus, up towards the Capotiline Hill and the Sacred Largo Argentina area, that is reopened and equipped for disabled people.
At the same time, the emperors paid homage to themselves by building their own squares, known as Fori.
Fori Imperiali | Foro Romano | Palatino: ticket office Piazza della Madonna di Loreto and Via della Salara Vecchia ph. +39 06 39967700 coopculture.it
Closed: January 1, December 25
THE BATHS OF CARACALLA
Inaugurated by Caracalla in 216 CE, they extended for 10 hectares, vaunted a sophisticated water system for its tepidarium, calidarium, frigidarium and two gymnasiums, and included a Mithraeum, the god venerated by young soldiers.
Priceless materials stripped from the structure were recycled to build Santa Maria in Trastevere.
Viale delle Terme di Caracalla, 52 ph. +39 06 39967702 coopculture.it
Closed: January 1, May 1, December 25
CATACOMBS
These underground cemeteries carved into tuff rock were decorated with Christian symbols and located, for reasons of hygiene, outside the city walls. Beginning in the 2nd century, martyrs, Christians and Jews were all buried in them. The most evocative, near the Appian Way, are the catacombs of Domitilla, Lucilla, Callixtus, St. Sebastian and the Ardeatine.
CIRCO MASSIMO
A portion of the area gives us an idea of the original purpose of this stadium, 120 metres wide and 620 metres long, likely the largest structure ever built to stage spectacles and able to seat 250,000 people. It was used for horse races and a market. This is also where the Rape of the Sabine Women occurred. Today, it is a popular place for hosting large events.
Via del Circo Massimo ph. +39 06 0608 sovraintendenzaroma.it
Closed: January 1, May 1 (variable), December 25
CASTEL SANT’ANGELO
The mausoleum of Emperor Hadrian, it later became Castel Sant’Angelo. Thanks to its secret passage connecting it to the Vatican, it was transformed into a fortress and refuge for popes. It was later a prison, barracks and museum. Inside, there are frescoes by Pinturicchio, while the bronze angel was made by Peter Anton von Verschaffelt in 1753. Lungotevere Castello, 50 ph. +39 06 6819111 castelsantangelo.beniculturali.it
Closed: January 1, May 1, December 25
VATICAN MUSEUMS AND SISTINE CHAPEL
This collection of buildings houses one of the most impressive and visited art museums in the world.
Another highlight, in addition to the Gallery of Geographical Maps, is the Pinacoteca, which conserves artworks, including pieces by Leonardo, Gioto, Titian, Reni, Caravaggio and Raphael. The later’s
masterpiece, however, can be found in Julius II’s apartments, today known as the Raphael Rooms. Near there is the Pauline Chapel, which conserves frescoes by Michelangelo, and the Sistine Chapel. The walls were frescoed by Boticelli, Perugino and Signorelli, while the ceiling is Michelangelo’s triumphant. On the wall behind the altar, Last Judgement. Viale Vaticano ph. +39 06 69884676 museivaticani.va
Closed: Sunday (except for the last of the month), January 1, February 11, March 19, April 22, May 1, June 29, August 14 and 15, November 1, December 25 and 26
GALLERIA
BORGHESE
The gallery, adjacent to the villa that dominates the Pincian Hill, is considered the most important museum in the world for its collection of artworks by Bernini and Caravaggio, including the former’s Apollo and Daphne, the later’s Young Sick Bacchus and The Deposition by Raphael. Piazzale Scipione Borghese, 5 ph. + 39 06 8413979 galleriaborghese.beniculturali.it
Closed: January 1, December 25
MUSEI CAPITOLINI
Housed inside Palazzo dei Conservatori and Palazzo Nuovo, in the piazza redesigned by Michelangelo, the museums conserve artworks like the Capitoline Wolf, the original statue of Marcus Aurelius, the Dying Gaul, Bernini’s Medusa and The Fortune Teller by Caravaggio. A section of the museum is now in the Centrale Montemartini.
Piazza del Campidoglio, 1 ph. +39 06 0608 museicapitolini.org
Closed: January 1, May 1, December 25
GNAM – GALLERIA
NAZIONALE DI ARTE MODERNA
Designed by architect, Cesare Bazzani, the National Gallery houses Italian masterpieces
from the 19th and 20th centuries. Divided into two sections, the exhibition space was built for the International Exhibition and showcases works by the Macchiaioli, Futurists (Boccioni and Balla), Chini, Modigliani, Gutuso and De Chirico, as well as Klimt, Monet, Cézanne, Mondrian, Kandinsky.
Viale delle Belle Arti, 131 ph. +39 06 32298221 lagallerianazionale.com
Closed: Monday, January 1, December 25
IL VITTORIANO
Named the Vitorio Emanuele II Monument at its inauguration, it is also known as the Altare della Patria (Altar of the Fatherland) and was built to commemorate Italian liberation. Built like a modern Roman Forum, it houses the Museum of the Risorgimento and the Tomb of the Unknown Soldier. Today, it houses temporary exhibitions and features a large terrace with a view of the city.
Il Vitoriano: Via di San Pietro in Carcere ph. +39 06 8715111 ilvitoriano.com
Museo centrale del Risorgimento al Vitoriano: Closed Easter, week of August 15, December 25 ; Timetable of temporary exhibitions on the site
PALAZZO BARBERINI AND GALLERIA CORSINI
The galleries housed here showcase artworks including gems like Raphael’s Portrait of a Young Woman and Holbein’s Portrait of Henry VIII, as well as pieces by Van Dyck, Tintoreto and Titian. Built by Maderno for Pope Urban VIII, features a salone with Barberini Power by Pietro da Cortona. Palazzo Barberini:
Via delle Quatro Fontane, 13 ph. +39 06 4814591
Closed: Monday, January 1, December 25
Galleria Corsini:
Via della Lungara, 10 ph. +39 06 68802323
Closed: Tuesday , January 1, December 25
barberinicorsini.org
SCUDERIE
DEL QUIRINALE
Up until 1938 it was used as a stables and carriage house, afer which it housed the Carriage Museum. Built on top of the ruins of the Roman temple of Serapis, the
building boasts a view from the highest point of Rome’s historic hills.
The Scuderie was restored by the international architect Gae Aulenti for the Jubilee in 2000 and is today one of the main sites for large exhibitions.
Via XXIV Maggio, 16 scuderiequirinale.it
Timetable of temporary exhibitions on the site.
GALLERIA
DORIA PAMPHILJ
Palazzo Doria Pamphilj is the biggest palace that still serves as a residence and is home to important private art collections. The gallery features works by Titian, Raphael, Caravaggio, Parmigianino, Lorrain, Sebastiano del Piombo, Bronzino and Bernini, as well as Vélazquez’s most famous
portrait. The palace apartments and private chapel can be accessed via the gallery. Via del Corso, 305 ph. +39 06 6797323
doriapamphilj.it
Closed: third Wednesday of the month, January 1, Easter, December 25
MAXXI
The museum features art from the 21st century and was built on the site of an old army barracks, the Caserma Montello, near the Auditorium Parco della Musica by Renzo Piano. The interior space is dedicated to international avant-garde movements and the first gallery of Contemporary Architecture.
Works on display include pieces by Boeti, De Dominicis, Kapoor, Richter and Catelan.
Via Guido Reni, 4A ph. +39 06 3201954 maxxi.art
Closed: Monday, May 1, December 25
MUSEO
DELL’ARA PACIS
Intended to celebrate peace in Spain and Gaul, the Ara Pacis was consecrated in 9
BCE between via Flaminia and the Mausoleum of Augustus. Decorated with the achievements of Emperor Augustus and portraits of the Giulio-Claudia gens, it has been enclosed in a protective building made of steel and marble designed by Meier since 2006.
Lungotevere in Augusta (corner via Tomacelli) ph. +39 06 0608 arapacis.it
Closed: January 1, May 1, December 25
QUIRINALE
The hill, also called Cavallo (horse) because of the statues of the Dioscuri found in the square, has always been the home of powerful people. First
the popes from Gregory III to Pius IX, and then Napoleon. It was also the king’s home and finally the residence of the President of the Republic. The majestic walls of the palace preserve beautiful tapestries, antique clocks and porcelain, as well as the beautiful elliptical by Mascarino and the staircase of Honour.
Piazza del Quirinale ph. +39 06 3996 7557 palazzo.quirinale.it
FORUM STUDIOS
Founded in 1970 by Ennio Morricone, Forum Studios in Rome represent a landmark in music and cinema history. For the first time ever, the historic Studios will open their doors to guests with a number of customisable exclusive visits and experiences inside the most famous Italian recording studios in the world.
A cross between Baroque and Neoclassicism, the largest fountain in Rome reflects the story of the Augustus-era Aqua Virgo.
It was rebuilt multiple times in Antiquity and enlarged by Bernini but finished only in the late 18th century. Traditional says that if visitors to throw a coin into the fountain, they will return to the city one day.
Piazza di Trevi
SCALINATA
TRINITÀ DEI MONTI
Imposing and scenic, its shape narrowing and widening as it climbs, it connects the Church of Trinità dei Monti to piazza di Spagna. Afer centuries of development, the stairway was built in 1726 based on a design by the architect Francesco De Sanctis.
Its beauty is exalted in the spring, when the flowers are in bloom.
Piazza di Spagna
COLONNA TRAIANA
Ancient Roman at its finest, it is the first coclide column, erected in 113 to celebrate the victory over Dacia (today Romania), with scenes from the war depicted across a spiral, chronological frieze. Forty metres tall, it con-
serves the ashes of Trajan and is located in what was Trajan’s Forum. Sixtus V replaced the statue at the top with one of St. Peter.
Via dei Fori Imperiali
TEATRO MARCELLO
Begun by Caesar and located between the Tiber and the Capitoline Hill, it was completed and enlarged by Augustus. In the Middle Ages, it was used for houses and workshops. Restored in the 1920s, it is one of the few and
oldest theatres remaining, and over the centuries, it has been used as a model for theatres and amphitheatres.
Via del Teatro di Marcello
COLONNA
DI MARCO AURELIO
It’s located opposite Palazzo Chigi, in the exact spot where it was erected by Commodus in 190 to celebrate the victories of his father Marcus Aurelius over the Germanic people. Forty metres tall, the frieze winds for 110 metres and was inspired by Trajan’s Column. In 1589, Sixtus V replaced the Roman statue on top with an effigy of St. Paul.
Piazza Colonna
ARCO DI COSTANTINO
With its three arches, it is the largest triumphal arch in Rome and symbolically inaugurates via dei Fori. The Senate dedicated it to Emperor Constantine in 315. Recent studies have dated it to the era of Hadrian, however.
The decorations show a variety of styles, from classical to medieval: a veritable open-air “museum”.
Via di San Gregorio
PYRAMID
OF CAIUS CESTIUS
Gaius Cestius wrote in his will that the tomb must be built in only 330 days, lest his heirs be excluded from his rich patrimony.
Erected out in 18 BCE and 36 metres tall, it was covered in marble and inspired by the Pyramids of Giza.
Via Raffaele Persicheti
CHURCHES
BASILICA DI SAN PIETRO IN VATICANO
St. Peter’s Basilica is the most fascinating place in the world. In addition to priceless relics and interesting tombs, there are many masterpieces inside St. Peter’s, including the Pietà, sculpted and signed by young Michelangelo, and the lavish canopy by Bernini. The bronze
statue of the saint is by Arnolfo di Cambio, while the towering round dome is by Michelangelo, who was inspired by Brunelleschi’s dome in Florence.
Piazza San Pietro vatican.va
ARCIBASILICA
DI SAN GIOVANNI IN LATERANO
This is the city’s cathedral and the first of the four papal basilicas. Built by Constantine following the First Council of Nicaea in 325, this is where Pope Boniface VIII announced the first Jubilee in 1300. The Constantine-era mosaics, Cosmatesque floor and ciborium remain, while the incredible “rooms of light” by Borromini can still be seen today.
Piazza di S. Giovanni in Laterano, 4 vatican.va
BASILICA DI SAN PAOLO FUORI LE MURA
This was the cemetery where St. Paul was buried. The church, built by Constantine, is one of the four papal basilicas, the second largest afer St. Peter’s and also called Ostiense.
Vaunting an imposing colonnade, it was destroyed by a fire and rebuilt as it was. The ciborium by Arnolfo di Cambio is priceless, while the mosaic portraits of all the popes is a rare masterpiece.
Piazzale San Paolo, 1 basilicasanpaolo.org
BASILICA DI SANTA MARIA MAGGIORE
The church, one of the four papal basilicas, maintains its original early-Christian structure and was built in the 4th century on the spot where snow is said to have fallen in the summer (commemorated every August 5). Inside also to the oldest Nativity, by Arnolfo di Cambio.
Piazza di S. Maria Maggiore, 42 vatican.va
PANTHEON
BASILICA DI SANTA MARIA AD MARTYRES
Dedicated to all the gods by general Marcus Vipsanius Agrippa, it was later rebuilt
by Emperor Hadrian. It is almost a perfect sphere, 43 metres in diameter and vaunting a concrete dome with an oculus. In addition to Raphael, Annibale Carracci, Perin del Vaga, Margherita di Savoia and kings Umberto I and Vittorio Emanuele II are all buried here.
Piazza della Rotonda pantheonroma.com
Closed: January 1, May 1, December 25
BASILICA DEI SANTI COSMA E DAMIANO
The basilica is of the first churches built atop ancient buildings, in this case the Forum of Vespasian and the Temple of Romulus, both still visible. The apse contains a 6th-century
mosaic depicting Saints Peter and Paul Presenting Cosmas, Damian, Theodorus, and Pope Felix IV to Christ. The 18th-century Nativity, which sets the scene in Rome, is worth a look. Via dei Fori Imperiali, 1 cosmadamiano.com
BASILICA
DI SAN CLEMENTE
One church atop another between Esquiline and Caelian hills: the first was transformed from an earlier mithraeum built on top of Roman houses. The second (4th century), conserves frescoes dedicated to St. Alexi-
us. In the upper basilica (12th century), frescoes by Masolino dedicated to St. Catherine of Alexandria.
Via Labicana, 95 basilicasanclemente.com
BASILICA DI SAN PIETRO IN VINCOLI
Nothing remains of the 5th century church, the Baths of Titus and the Neronian domus. Julius II is buried here, whose tomb was designed by Michelangelo and vaunts his imposing Moses. According to tradition, the church con-
serves some of the chains that bound St. Peter in the nearby Mamertine Prison, the oldest in Rome.
Piazza di San Pietro in Vicoli
BASILICA DI SANTA MARIA DEGLI ANGELI E DEI MARTIRI
Built by Michelangelo, who recovered the building without destroying the Frigidarium from the Baths of Diocletian, this church is where official state ceremonies are held. It was completed by Giacomo del Duca and restored by Luigi Vanvitelli. Amongst the works of art conserved here, a modern Igor Mitoraj and a sundial built for the Jubilee.
Piazza della Repubblica santamariadegliangeliroma.it Closed on Saturdays
BASILICA DI SANTA MARIA DEL POPOLO
Built in 1099 with funds offered by the community (popolo in Italian, inspiring the church’s name), it was altered by Maderno, Raphael, Bramante and Bernini, and is decorated with masterpieces like the Crucifixion of St. Peter and the Conversion of St. Paul by Caravaggio in the transept. The Chigi Chapel is splendid, designed by Raphael and restored by Bernini.
Piazza del Popolo, 12 smariadelpopolo.com
BASILICA
DI SANTA MARIA IN TRASTEVERE
It is the oldest church dedicated to the Virgin Mary. It is said that the church was built where oil miraculously erupted from the ground. Rebuilt in the 12th century with materials taken from the Baths of Caracalla, it conserves a triumph of 13th-century mosaics, many of which are by Pietro Cavallini, as well as the historic Madonna Theotókos.
Piazza di Santa Maria in Trastevere
CHIESA DEL GESÙ
It is perhaps the first church built during the Counter-Reformation and was a model for all those that came later. Vaunting a single nave and a barrel vault, the church has a large side pulpit and a central altar. Desired by Ignatius of Loyola (with his breathtaking revolving altarpiece), it is also the mother church of the Society of Jesus.
Via degli Astalli, 16 chiesadelgesu.org
CHIESA DI SAN LUIGI
DEI FRANCESI
The church was completed in 1587 thanks to Catherine de’ Medici. The French church in Rome is famous for its paintings by Caravaggio, in the Contarelli Chapel, dedicated to St. Mathew with The Calling, The Inspiration and The Martyrdom. The church also conserves
frescoes by Domenichino and a copy of Raphael’s Saint Cecilia by Guido Reni. Piazza di S. Luigi de’ Francesi saintlouis-rome.net
CHIESA DI SAN PIETRO IN MONTORIO
It is famous for the Tempieto designed by Bramante. Legend says that St. Peter was martyred here, and Beatrice Cenci has been buried here since her execution in 1599.
The Tempieto was commis-
sioned by the Spanish king Ferdinand II of Aragon in the early 16th century to dissolve a vow. Today, the former convent houses the Royal Spanish Academy.
Piazza S. Pietro in Mortorio, 2 sanpietroinmontorio.it
CHIESA
DI SANT’AGNESE IN AGONE
Built atop the Stadium of Domitian, the church is a masterpiece of Baroque architecture, replete with optical illusions.
Built according to a Greekcross plan, it was redesigned by Borromini, who created a concave façade and separated the two bell towers, making it
appear as if it were larger. Today, it is also an elegant venue for sacred music concerts.
Piazza Navona corner Via S.Maria dell’ Anima, 30/A santagneseinagone.org
CHIESA DI SANTA MARIA DELLA PACE
Commissioned Sixtus IV following the Pazzi Conspiracy in the hope for a period of peace, the church was altered in the 17th century by Piet-
ro da Cortona. In the Chigi Chapel designed by Michelangelo, there are paintings by Raphael. The adjacent former convent conserves the Bramante cloister (an exhibition site today); the dome was added in 1524.
Arco della Pace, 5
CHIESA
DELLA SANTISSIMA TRINITÀ DEI MONTI
Overlooking the homonymous staircase by Domenico Fontana, the church vaunts a façade with two bell. Its style is between Baroque and Rococo. Inside frescoes by Daniela da Volterra, including a portrait of Michelangelo and Giovan Batista Naldini. In front of the church stands an obelisk that was in the Gardens of Sallust.
Piazza della Trinità dei Monti, 3
GARDENS AND PARKS
Villa Ada Savoia on via Salaria is one of the largest parks in Rome, while one of the most beautiful parks is the Villa Torlonia in Nomentano whith lakes and grotos, ex residence of Mussolini. Located in near the ancient Appian Way, the Aqueduct Park. The Rose Garden, at the base of the Palatine hill, is a must-see in the spring, while the Villa Borghese is a great classic.
PALACES
Many palaces are still inhabited by the same families who built them centuries ago, while others have become museums, embassies, government offices. But all of them are tied to the fortunes of popes who rebuilt the city beginning in the 15th century. From the Visconti to the Orsini, the Corsini to the Colonna to the Borgia, Piccolomini, Della Rovere, Farnese, Medici, Carafa, Borghese, Barberini, Pamphilj, Chigi and Rospigliosi, each family lef an enduring mark on the city. There’s Palazzo Doria Pamphilj on the busy via del Corso, decorated in the Baroque style and vaunting loggias and courtyards elegantly frescoed. Palazzo Spada in piazza Capodiferro is also impressive. Cardinal Bernardino commissioned its construction by
Borromini, the man behind the famous Galleria Prospettica. Since 1927, the building has housed the Council of State. Palazzo Farnese is nearby, in the homonymous piazza decorated with two Egyptian, granite tubs from the Baths of Caracalla. The palazzo, granted to France in 1939 for 99 years, it now serves as the French embassy and is open to the public on July 14. Palazzo Chigi in piazza Colonna was instead intended as a place to host elite parties. Bought by the Chigi family in the mid-17th century, it became the seat of the Austrian embassy in 1917, followed by the headquarters of the Ministry of the Colonies under Mussolini, then the Ministry of Foreign Affairs and, lastly, the Council of Ministers since 1961. The nearby Palazzo Montecitorio has been the seat of the Chamber of
Deputies since 1870. Palazzo Madama is seat of the Italian Senate since 1871, it was the Medici’s Roman residence until Cardinal Ferdinando bought Villa Medici on the Pincian Hill.
The villa is currently home to the French Academy in Rome. Palazzo del Quirinale was a papal residence and since 1946 it has been the official residence of the President of the Italian Republic. The Versailles-style 18th-century Palazzo Colonna is nearby, in piazza Santi Apostoli. Assigned to the university by Pope Eugene IV, the Renaissance Palazzo della Sapienza was later modified by Francesco Borromini, who added the Church of Sant’Ivo.
The building houses the State Archives today.
(ph.ValentinaStefanelli)
FOOD EXPERIENCES
The best restaurants in Rome. Reservation recommended, the ‘Les Clefs D’Or’ concierge is at your service
AMBASCIATA D’ABRUZZO
A passion for excellent food and high-quality produce, courtesy and atentiveness are the foundations at this storied restaurant in Rome’s Parioli neighbourhood; the perfect place to enjoy grilled meats, pasta dishes and the bold flavours of history and tradition.
ALFREDO ALLA SCROFA
Alfredo alla Scrofa opened in 1914 in the heart of Rome, a stone’s throw from Piazza Navona. And it is here, with passion and artistry, that the legendary Fetuccine Alfredo were invented. To this day, the restaurant continues to preserve and celebrate tradition in the same spirit of dedication and authenticity, welcoming guests from all over the world. A place where luxury and tradition coexist in harmony, among exclusive dining rooms and the storied Roman wine cellar.
BABETTE
Imagine dining in an elegant house, a lot of books and the scent of thyme and bread in the air. Babete is a combination of the skills and experiences of the owners, Flora and Silvia, who love pampering their guests every day with special atention. The menu changes depending on the availability of seasonal ingredients, following the creativity of the chef who ofen reinvents family recipes or traditional dishes.
Via di Monte Testaccio, 30 ph. +39 333 5855055
checchino-dal-1887.com
CHECCHINO DAL 1887
Six generations of the same family have been managing this restaurant which combines tradition and quality, providing a unique gastronomic experience. Every dish is a must-try: from the delicious calves’ feet salad to the traditional bucatini alla gricia and rigatoni with pajata, or the oxtail alla vaccinara and the famous padelloto alla macellara. Elio and Francesco Mariani, professional sommeliers, personally select the wines, while Marina is in charge of the desserts.
Via Francesco Crispi, 19 ph. + 39 06 6785904 ristorantecrispi19.it
CRISPI 19
Live an experience of gastronomic excellence at Crispi 19, just a few steps from the Trevi Fountain. Since 1873, we have been dedicated to creating unique dishes that blend Mediterranean cuisine with Italian haute cuisine, exalting the freshness of our fish, fine meat selections, and offering a curated wine list designed to enhance every pairing. The romantic and intimate atmosphere, ideal for anniversaries and important events, makes every visit an unforgetable moment.
Piazza del Fico, 29 ph. +39 06 6864009 dafrancesco.it
DA FRANCESCO
It was back in 1957 that Francesco Boni and Amalia Tognoloni took over this venue close to Piazza Navona and created a place that has become a landmark for authentic local food. Even today, with the third generation of the family, although there are some contemporary variations, the traditional Roman recipes are ever present.
Via Francesco Carrara, 12-15 ph. +39 06 3234453
fingersrestaurants.com
FINGER’S ROMA
A luxury Japanese restaurant offering a fabulous culinary experience, thanks to the fusion creations of chef Roberto Okabe. Superb quality, excellent service and a beautiful seting, with generous sofa seating and sof lights creating a delicate, evanescent Japanese mood for a new eastern-style Dolce Vita. To round off the evening, Finger’s Roma has a spacious lounge area devoted to mixology, where you can sample innovative cocktails.
Via della Scrofa, 100 ph. +39 375 6788300
gnoccoroma.it
GNOCCO
Piazza Trinità dei Monti, 6 ph. +39 06 69934726
hotelhasslerroma.com
IMÀGO
In the heart of Rome, Gnocco offers traditional dishes reinvented with light options, seasonality and research. Davide Cianeti’s cuisine blends tradition and contemporaneity to offer authentic and creative dishes, accompanied with a selection of modern wines and cocktails. A convivial and refined location where Roman style is presented with taste, simplicity and personality.
Imàgo - image and magic - summarises in just one word the philosophy behind the restaurant at the Hassler in Rome: a location where the magnificent view of the Eternal City and the flavours come together to create a unique culinary experience. Andrea Antonini has since 2018 been Executive Chef, developing a vision that puts Italian and local recipes front and centre, deconstructing and reconstructing them with exquisite technique and creative flair.
INEO
Ineo Restaurant, from the Latin “new beginning,” embodies the new culinary path undertaken by Anantara Palazzo Naiadi together with Executive Chef Heros De Agostinis. Located in Rome’s Piazza della Repubblica beneath the iconic travertine arches framing the famed Fountain of the Naiads, INEO is a true temple of contemporary taste. Awarded a Michelin star in the 2026 Michelin Guide.
IL FALCHETTO
Tucked away among the city’s most delightful squares and narrow streets, Il Falcheto offers meticulous cooking with a strong focus on quality ingredients. The menu features all the classics of Roman cuisine, like pasta with cacio e pepe, amatriciana or carbonara, Jewish-style artichokes, oxtail alla Vaccinara and tripe. There’s also a huge variety of fish dishes. All are accompanied by superb wines, thanks to the list of more than 200 labels, to suit all tastes.
IL PORTO DI RIPETTA
From 2014, Il Porto di Ripeta is the perfect place for those looking for cuisine which combines innovation with a deep respect for tradition. Over the years, the staff have refined their unique style, delighting guests with original creations and authentic flavours. From the most creative seafood dishes to the most classic recipes, each course is designed to be a gastronomic experience that combines technique, creativity and respect for the ingredients.
Via di Ripetta 250 ph. +39 06 93570160 ilportodiripetta.com
Piazza della Repubblica 46 ph. +39 06 489381 ineorestaurant.com
Via dei Montecatini, 12 ph. +39 06 6791160 ristoranteilfalchetto.it
Via Mario de’ Fiori, 98 ph. +39 06 97639976 lamenagere.it
LA MÉNAGÈRE
La Ménagère is a place where aesthetics, taste, and hospitality come together in a multisensory experience. In the new Roman location, envisioned by the Manfredi family, every detail – from fresh flowers to lighting, from seasonal cuisine to crafed cocktails – is designed to inspire emotion. A place to return to, always different, always special.
An inviting modern restaurant that’s open all day every day, from breakfast time to midnight. Crisp, thin-based pizzas, fried specialities, hamburgers, traditional starters and mains, homemade desserts and a wine list featuring over 100 labels make for an authentic contemporary venue.
Via Boncompagni, 31-33 ph. +39 06 8543182 ormaroma.it
ORMA
A fine-dining restaurant with an international outlook in the historic Ludovisi neighbourhood. Orma’s architecture is visually stunning, and the food ranges from fine dining, with a chef’s table seating four, to the formula lunch at the bistro and a cocktail bar on the terrace for hot summer nights. Ingredients are brought straight from the Orto di Orma in the Lazio countryside.
OSTERIA QUARANTAQUATTRO
In the historic centre of Rome, there’s a place that interweaves traditional cooking with modern touches for an unforgetable dining experience. It’s the perfect seting for dinner with friends, a business lunch or a romantic evening. The menu combines mediterranean cuisine with an ongoing quest for new combinations, and the result is a triumph of flavour and tradition. Wines come in a broad range of aromas and styles for a pleasant and lasting memory.
Via Aureliana, 44 ph. +39 06 42013318 osteriaquarantaquattro.com
PESCADO SEAFOOD RESTAURANT
At this elegant fresh fish destination in the heart of Rome, mediterranean cuisine meets contemporary flair. Pescado celebrates the sea with sophisticated dishes, spectacular raw options and a wine list designed to bring out every flavour. A sensory seafood journey in an eclectic seting, with four beautiful dining rooms and a panoramic terrace.
PIRÒ
Pirò opened in 2015 and today it’s a modern fish restaurant located in a historic palace built in the year 1000, very close to Piazza Navona. In this welcoming and meticulously designed seting, Pirò serves simple food that showcases the natural flavours of local fish, for an unforgetable culinary experience.
Viale Bruno Buozzi, 31/33 ph. +39 331 7443515 pescadoseafood.com
Vicolo della Cancelleria, 36 ph. +39 06 68803140 piroosteriadipesce.it
Via Padre Massaruti, 183/185 ph. + 39 06 91938937 quantobastaroma.it
QUANTO BASTA
QB – Quanto Basta. Exceptional quality, vital goodness. Every carefully selected ingredient becomes the star of a unique sensory experience. International culinary techniques and extraordinary fusions come together in dishes where flavors guide you on a metaphysical journey of taste… Quanto Basta.
Via Sicilia, 47 ph. +39 06 5575012 damareroma.it
RISTORANTE DA’MARE
The restaurant just steps away from Via Veneto where the sea unveils its flavors in a refined yet informal atmosphere. Its cuisine of memories narrates the creativity of Chef Davide Cianeti with offerings of locally sourced seafood and a wine list boasting sought-afer and prestigious labels. The American bar serves tapas paired with cocktails that can be enjoyed both at the counter and in the outdoor seating area.
Via Appia Antica, 139 ph. +39 06 7880494 larcheologia.it
RISTORANTE L’ARCHEOLOGIA
Since 1804, Ristorante L’Archeologia has told the story of the city through its food, its wine cellar and its unique experience. New forms of expression are inspired by traditional regional food and wine culture, while respect for superb ingredients is always at the heart.
RISTORANTE SINATRA
RISTORANTE LIFE
Opened 20 years ago in a quiet, elegant street near Piazza di Spagna, Ristorante Life offers high-quality dishes based on fresh fish, meat and white and black truffles. There’s a terrace garden with a huge variety of plants, and indoor dining rooms with beautiful cosy decor. A fantastic cellar of the best Italian wines.
RISTORANTE MIRABELLE
Via della Vite 28 ph. +39 06 69380948 ristorantelife.com
On the seventh floor of the elegant Hotel Splendide Royal, the Mirabelle restaurant offers a sensory experience on one of the most enchanting gourmet terraces in the city. Surrounded by a unique panorama, wonder and marvel intertwine amidst the Mediterranean flavors of refined cuisine and the elegance of unparalleled hospitality.
The interiors od Sinatra Restaurant, inspired by 1930s American style, feature elegant wall paneling and a refined cocktail bar. The menu celebrates Italian tradition with seasonal ingredients, offering both seafood and meat dishes, including the classic green pepper filet and a wide selection of premium grilled meats. The indoor dining rooms and an outdoor terrace are available for dinners, aperitifs, and afer-dinner drinks.
Via di Porta Pinciana, 14 ph. +39 06 42168838 robertonaldicollection.com
Via della Penna, 68 ph. +39 06 3610291 osteriastana.it
RISTORANTE ST. ANA
Storied restaurant, always a landmark in Rome for good food. Opened in 1968 by Elio Quagliarini and his wife Antonieta, it is now run by their son, Roberto. It is located in an evocative seting of rare beauty, in an historic building with medieval walls, close to Piazza del Popolo. Its ancient walls testify to the countless showbiz stars and illustrious figures who have dined here from the Sixties to today.
Via Pompeo Magno, 12/C ph. +39 06 24401661 theappuntamento.it
THE APPUNTAMENTO
Nestled in Rome’s elegant Prati district, just steps from Piazza del Popolo and Via Cola di Rienzo, this glamorous Italian bistrot and concept store is a harmonious blend of tradition and modernity. Here, classic cuisine meets floral artistry, fine ceramics, and curated design objects. Wandering among the chic armchairs and sophisticated wallpaper, it’s easy to imagine crossing paths with a ‘60s diva, as you savor an exquisite cocktail or indulge in signature creations by Executive Chef Marco Melati.
VATTANI RISTORANTE
Via San Nicola da Tolentino, 26 ph. +39 06 4745560 tullioristorante.it
TULLIO
Not far from Piazza Barberini and Via Veneto, Tullio has been run by the same family since 1950. It all began with a small grocery shop, and has become a landmark in the city. In this informal, convivial place you can sample typical Florentine dishes (the owners are originally from Tuscany) and seasonal specialities, accompanied by a superb range of wines.
A refined restaurant and cocktail bar right in the centre of Rome, with an elegant and exquisitely retro style, where diners can give themselves over to the pleasures of traditional Roman cooking and fresh Mediterranean and seafood dishes for an unforgetable culinary experience. Outdoor seating is available.
Via del Viminale, 2 ph. +39 06 4818229
TRATTORIAS
FELICE A TESTACCIO
Via Mastro Giorgio, 29 ph. +39 06 5746800 feliceatestaccio.com
HOSTARIA DA PIETRO
Via di Gesù e Maria, 18 ph. +39 06 3208816 hostariadapietro.it
MATRICIANELLA
Via del Leone, 4 ph. +39 06 6832100 matricianella.it
Via Lombardia, 47 ph. + 39 06 478021 setimoristorante.it
VICI BISTROT & RISTORANTE
Via Vitorio Veneto, 62 ph. + 39 06 42010788 rome.intercontinental.com
INFORMATION GETTING AROUND IN ROME AND THE SURROUNDING AREA
Everything you need to know to move in the city and further afield
TAXI AND UBER
Rome’s taxis can be booked by calling +39 06 0609, Free Now app or you can catch one at the taxi stand.
Starting price from 6:00 to 22:00 on weekdays: €3,50.
Starting price from 6:00 to 22:00, weekends and holidays: €5,00. Starting price at night from 22:00 to 6:00: €7,50.
Fixed rate from Rome city center to Fiumicino airport: €55,00. Fixed rate from Rome city center to Ciampino airport: €40,00.
Rome is also covered by Uber service with cars bookable through the Uber app.
CAR SHARING
The simple, sustainable shared vehicle solution. To
access the service you need to register with operators and download the Car Sharing Roma app. The fleets of vehicles include hybrid and electric options.
follow the instructions to register and activate the service. To hire bikes or scooters, choose one of the three operators Lime, Dot and Bird (until 2026). They can also be booked via the Uber app.
CITY BIKE AND SCOOTER
In Rome it’s quick and easy to hire a shared bicycle or scooter: just choose an operator, download the app and
BUS
Rome boasts a total of 379 bus lines (including 29 night buses). The night buses replace the metro when it’s closed, and are essential for geting around the city afer midnight.
Urban lines (U) operate from 5:00 or 6:30, and the service ends at midnight. Night buses (N): operate when the metro is closed, between 00:00 and
DISTANCE FROM ROME TO:
CAPALBIO
5:00 or 6:00. Bus tickets (like metro tickets) can be bought at metro stations, tobacco shops or newspaper kiosks, or on the ATAC ROMA app. A standard ticket is valid for 100 minutes from stamping, and covers one journey on ATAC public transport. The price is € 1.50. There are also day tickets (€ 7.00), 2-day tickets (€12.50), 3-day tickets (€18.00) and other options.
METRO
The metro is an alternative way to move around the city. There are 4 lines: A (Anagnina-Batistini), B (Laurentina-Rebibbia),
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B1 (Laurentina-Jonio) and C (Pantano-San Giovanni), and trains run at the weekends too.
From Sunday to Thursday, the first train is at 5:30 and the last at 23:30; on Friday and Saturday the first is at 5:30 and the last at 1:30. In August 2023, line A is partially closed for refurbishment.
TRAIN
Rome has 71 railway stations. The main one is Roma Termini in the city centre, Italy’s most important railway hub. The second-largest in terms of passenger numbers is Roma Tiburtina. Both are served by high-speed connections to the main Italian destinations. To reach the centre of Rome from Tiburtina, take the blue metro line B and get off at Colosseum.
AIRPORT
Fiumicino international airport (IATA code FCO) is the largest of Rome’s airports. It is located 32 kilometres from the capital, and connected to Roma Termini by the Leonardo Express train and numerous shutle bus services. Ciampino airport is mainly used by low-cost airlines, and is 17 kilometres from the centre.
SPERLONGA
HOTELS
ANANTARA PALAZZO NAIADI
ROME HOTEL
Piazza della Repubblica, 48-49 ph. +39 06 489381 anantara.com
BAGLIONI HOTEL REGINA
Via Vitorio Veneto, 72 ph. +39 06 421111 rome.baglionihotels.com
CORINTHIA ROME
P.za del Parlamento, 18 +39 06 0020 5000 corinthia.com
GRAND HOTEL PALACE ROME
Via Vitorio Veneto, 70 ph. +39 06 47871 millenniumhotels.com
HOTEL DE RUSSIE
Via del Babuino, 9 ph. +39 06 328881 roccofortehotels.com
HOTEL DE LA VILLE
Via Sistina, 69 ph. +39 06 977931 roccofortehotels.com
HOTEL D’INGHILTERRA ROMA STARHOTELS COLLEZIONE
Via Bocca di Leone, 14 ph. +39 06 699811 collezione.starhotels.com
HOTEL EDEN
Via Ludovisi, 49 ph. +39 06 478121 dorchestercollection.com
HOTEL HASSLER
Piazza Trinita dei Monti, 6 ph. +39 06 699340 hotelhasslerroma.com
INTERCONTINENTAL ROME
AMBASCIATORI PALACE
Via Vitorio Veneto, 62 ph. +39 06 47493 ihg.com
J.K.PLACE ROMA
Via di Monte d’Oro, 30 ph. +39 06 982634 jkroma.com
ORIENT EXPRESS
LA MINERVA
Piazza della Minerva, 69 grandhoteldelaminerve.com
PALAZZO MANFREDI
Via Labicana, 125 ph. +39 06 77591380 manfredihotels.com
PALAZZO RIPETTA
Via di Ripeta, 231 ph. +39 06 3231144 palazzoripeta.com
ROME CAVALIERI, A WALDORF ASTORIA HOTEL
Via Alberto Cadlolo 101 ph. +39 06 35091 romecavalieri.com
