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Walton, Benjamin. Year 2 pdf Portfolio

Page 1

Benjamin Walton

benjaminjwalton.tumblr.com froobs.blogspot.co.uk


What type of project do you feel you best respond to – is it a “tight brief” with very clear guidelines and demands or an “open” brief where the outcomes are E@Q LNQD NODM @MC TMRODBHkDC Are there integral elements that often form key elements within your work – in other how do you best FDMDQ@SD @MC BQD@SD XNTQ NVM HL@FDQX 6G@S G@UD XNT HCDMSHkDC @MC GNV CN XNT VHRG SN CDUDKNO SGHR 6G@S @QD XNTQ RSQDMFSGR 6GDQD G@UD XNT ADDM LNRS RTBBDRRETK 6G@S CN XNT SGHMJ V@R SGD QD@RNM ENQ SG@S ONRHSHUD DWODQHDMBD Where have the problems arisen; have you been able to NUDQBNLD SGDL 6G@S @QD XNT HMSDQDRSDC HM VG@S @QD XNT @ANTS #N XNT feel you have been able to introduce your personality and interests in your work. In what creative direction CN XNT V@MS SN OQNBDDC


Semester Overview

I’d like to think that I am versatile enough to cope well with both tight and open briefs. Somtimes I think a tight brief is easier to work with; when someone knows roughly what they want designed/illustrated it can be useful, although often it can also be restrictive. When developing my ideas I normally start off with only a couple, usually I know the concept I want to take ENQV@QCR @MC @KLNRS DW@BSKX VG@S ( V@MS LX jM@K OHDBD SN KNNJ KHJD @KSGNTFG R@XHMF SG@S ( KNUD CHRBTRRHMF HCD@R VHSG ODNOKD and thinking of alternative solutions.

( C R@X SG@S TRD NE BGH@QNRBTQN HR CDjMHSDKX @M HMSDFQ@K DKDLDMS NE LX VNQJ ( KNUD GHFG BNMSQ@RS AK@BJ @MC VGHSD HL@FDR and minimal colour. I tend to use ink pen, pencil and photoshop (for colouring and texturing my images). I’m a great fan of dip pen but wish I could use paint to better effect (see Little White Lies brief). I like databending and glitch art, which I’ve been interested in for a couple of years but it was only this year when I decided to incorporate some elements of it into my work. Although I’m not the best with colour I feel that with more practice I can learn to use it effectively. I loved making my illustrations look abrasive with gareish colours through digital manipulation (see Collections brief). In all honesty I couldn’t say for certain what my strengths are when it comes to illustration. My favourite briefs this year have been the Collections, Heroes and Little White Lies briefs. I really enjoyed designing my Collections booklet and for the jQRS SHLD ( UD DUDQ OQNCTBDC @ ANNJ ( V@R QD@KKX OQNTC VHSG SGD jMHRGDC OQNCTBS ( L PTHSD FNNC @S jMCHMF HMSDQDRSHMF @MC HMROHQ@SHNM@K RNTQBDR VGDM ( QDRD@QBG ( L QD@KKX HMSDQDRSDC HM jMCHMF NTS A@BJRSNQHDR @MC HMENQL@SHNM RTQQNTMCHMF AQHDER The Meltdown 2012 posters were fun to do, I liked the no holds barred experimental nature of the brief. At one point this year I had real issues with timekeeping and organisation, my Book Covers brief overran into my Reportage Workshops brief and completely threw me off course. However, compared to last year when this happened almost every brief I’d say my organisation has improved. With briefs like Everything is Broken and Reportage Workshops I learned to just dive straight in and produce a lot of illustrations but not to forgot to consider composition. Since im interested in both design, photography and illustration i would like to try my hand at all trhee. over summer im KNNJHMF SN FDS @ EDV OK@BDLDMSR RHMBD jUD LNMSGR HR @ KNMF SHLD H V@MS SN OQNCTBD @MC CDRHFM LX NVM ANNJKDSR DWGHAHSHMF my photography, illustrative prints/posters, illustrate some stories and generally try some new things. i did a branding/ stationary/webdesign brief for a jewellery student at this uni and i found it really enjoyable to do some live work for someone, id like to do more of the same in the future. I like typography, design, architecture, photography, nature, rock climbing, politics, economics, fair trade, free range, charities, being scruffy, not watching shit television, street art, roots music and some other stuff. I like putting hours into a really intricate illustration (although I haven’t done a lot of that this year at all) but I also love expressive scratchy illustrations. Design wise I really like sleek looking coprorate design, however I also like scruffy natural home-made looking design. Experimental typographic layouts really interest me, I love it when people manage to make something that should look horribly messy just work fantasticly as a piece of design or illustration.


Visual Project Summary

Everything is Broken Little White Lies Occult Crime Book Jackets Reportage Meltdown Posters Collections Heroes


Page 6 Everything is Broken: we would like to see how you ideas have been investigated – shaped – refined


Everything is Broken

Page 7 – Everything is Broken: ARTICULATEPresent final design outcomes that articulate a systematic approach to problem solving in a creative visual manner. This should focus on the final presentation/images


Little White Lies


Little White Lies


Occult Crime


Occult Crime


Book Jackets


Page 21 - reportage workshops: We would like to see how you ideas have been investigated – shaped – refined


Page 22 - reportage workshops: We would like to see how you ideas have been investigated – shaped – refined

Book Jackets


Present final design outcomes that articulate a systematic approach to problem solving in a creative visual manner. .


Page 24 - meltdown posters:

Over the next 2 pages we would like to see how you ideas have been investigated – shaped – refined – articulate

Reportage Workshops

INVESTIGATEExplore a considered method of investigation in analysing the demands of a brief and review the research required. Examples of initial thoughts, ideas and references We expect to see sele tive scanned images from your layout sheets, sketchbooks, etc. SHAPEEffectively communicate the shaping, consolidation and articulation of ideas. Refinement of initial ideas, design development – analogue and/or digital. We expect to see selective scanned images from your layout sheets, sketchbooks, etc. In selecting what you put on this page, please ensure we can see the logic of your decision-making, how you are shaping them and that we are able to see the order in which decisions have been made. REFINESelect, test and refine appropriate methods of production. Here we are expecting to see early prototyping and/or proofing. There will no doubt be a shift towards digital refinement at this stage. ARTICULATEPresent final design outcomes that articulate a systematic approach to problem solving in a creative visual manner. This should focus on the final presentation/images


Page 25 - meltdown posters:


Reportage Workshops Page 26- collections: Over the next 3 pages we would like to see how you ideas have been investigated – shaped – refined

INVESTIGATEExplore a considered method of investigation in analysing the demands of a brief and review the research required. Examples of initial thoughts, ideas and references We expect to see sele tive scanned images from your layout sheets, sketchbooks, etc. SHAPEEffectively communicate the shaping, consolidation and articulation of ideas. Refinement of initial ideas, design development – analogue and/or digital. We expect to see selective scanned images from your layout sheets, sketchbooks, etc. In selecting what you put on this page, please ensure we can see the logic of your decision-making, how you are shaping them and that we are able to see the order in which decisions have been made. REFINESelect, test and refine appropriate methods of production. Here we are expecting to see early prototyping and/or proofing. There will no doubt be a shift towards digital refinement at this stage.


Page 27 - collections We would like to see how you ideas have been investigated – shaped – refined


Page 28 - collections: We would like to see how ideas have been Page 27 you - collections investigated – shaped – refined We would like to see how you ideas have been investigated – shaped – refined

Meltdown 2012


Page 27 - collections Page 29 – collections: We would like to see how you ideas have been ARTICULATEinvestigated – shaped – refined Present final design outcomes that articulate a systematic approach to problem solving in a creative visual manner. This should focus on the final presentation/images .


Collections


Page 31 - heroes: We would like to see how you ideas have been investigated – shaped – refined


Page 32 - heroes: We would like to see how you ideas have been investigated – shaped – refined Collections


Page 33 – heroes: ARTICULATEPresent final design outcomes that articulate a systematic approach to problem solving in a creative visual manner. This should focus on the final presentation/image.


Heroes


Page 35 Personal Development Plan


Heroes


“You have experienced a variety of projects this year. Now is the time to identify your strengths and weaknesses, and your interests and decide how you will develop the skills and knowledge you need to progress.�

How will you develop and broaden your technical @AHKHSHDR How will you develop and broaden you knowledge of contemporary practice in relation to your own HMSDQDRSR How will you nurture and develop you current RSQDMFSGR Where do you need to strengthen your game and more importantly how are you going to make this happen. What action MDDCR SN S@JD OK@BD


Personal Development Plan

*DDO OQ@BSHBHMF @MC SQXHMF NTS CHEEDQDMS SGHMFR ( G@UD @ U@FTD HCD@ NE VG@S CHQDBSHNM ( V@MS SN S@JD LX HKKTRSQ@SHNM SDBGMHPTD VHRD RN ( JMNV VG@S RJHKKR ( MDDC SN VNQJ NM ( CDjMHSDKX V@MS SN VNQJ VHSG BQD@SHMF LNQD @M@KNFTD SDWSTQDR SGD V@X ( construct my work is like a digital collage. I’m sick of just using crumpled paper scans and default stipple textures from the HMSDQMDS ( EDDK KHJD HE ( VNQJ NM BQD@SHMF LX NVM DKDLDMSR SN TRD ( B@M DMG@MBD LX (KKTRSQ@SHNMR "NKNTQ HR CDjMHSDKX RNLDSGHMF ( need a lot of practice with. I’ll be trying to use a lot of it over summer. I’d like to think that I’m pretty well informed about the illustration and desgn worlds as well as a variety of other things. I have @ FNNC BNKKDBSHNM NE AKNFR ( KHJD SN BGDBJ QDFTK@QKX @MC U@QHNTR NSGDQ EDDCR SN JDDO LD TOC@SDC ( L CDjMHSDKX FNHMF SN AD reading more journals and books and magazines and paper printed things over summer. I’ve recently created a ‘Blogspot’ blog which I’ve found is a lot more useful for following professional illustrators and designers progress and picking up some useful tips!

( SGHMJ ( L PTHSD FNNC @S QDRD@QBGHMF @QNTMC AQHDER RN SG@S L@JDR HS @ AHS D@RHDQ SN SGHMJ NE HCD@R ( L BNMRS@MSKX QDRD@QBGHMF more stuff throughout the brief, I don’t believe all of your research should happen at the beginning of a project. My research BNTKC CDjMHSDKX AD LNQD ENBTRDC SGNTFG ( C R@X ( SGHMJ NE RNLD QD@KKX HMSDQDRSHMF BNLONRHSHNM K@XNTSR UHRT@KHRMF SGDL NM paper is sometimes a bit harder than it is in my mind but I want to keep working at producing interesting compositions. My TMCDQRS@MCHMF NE CHFHS@K @R VDKK @R @M@KNFTD BQD@SHUD OQNBDRRDR HR PTHSD FNNC ( L ITRS FNHMF SN JDDO OQ@BSHBHMFŬ ( V@MS SN CDUDKNO LX TRD NE BNKNTQ SDWSTQD @MC ATHKC TO HKKTRSQ@SHNMR VHSG LNQD CDOSG KNS NE LX VNQJ KNNJR PTHSD k@S @MC KNRDR SGD MHBD RBQTEjMDRR @MC DLNSHNM LX CNNCKDR G@UD CTQHMF SGD CDUDKNOLDMS RS@MFD ( V@MS SN BQD@SD LNQD NE LX own textures and mix messiness with cleanlieness and sleekness, to convey the two sides of design/art/illustration I am interested in. Since I’m interested in design, photography and illustration I would like to try my hand at all thee in the future. .UDQ RTLLDQ HL KNNJHMF SN FDS @ EDV OK@BDLDMSR RHMBD jUD LNMSGR HR @ KNMF SHLD ( V@MS SN OQNCTBD @MC CDRHFM LX NVM booklets exhibiting my photography as well as some illustrative prints/posters, maybe ilustrate some stories and just generally try some new things. I did a branding/stationary/webdesign brief for a third year student and I found it really enjoyable to do some live work for someone. It was a great learning experience in terms of communication with clients and presenting work. Aesthetically I like corporate design, but ethically I love fair trade, free range and charities- it would be great if I could do some work for some ethically sound companies over summer. Another thing I’ve noticed recently is that restaurant menus are often GNQQHjB@KKX CDRHFMDC VHSG SDQQHAKD SXOD @MC @M @VJV@QC KNNJHMF K@XNTS 1DCDRHFMHMF RNLD NE SGNRD LHFGS AD ETMŬ ( MDDC SN FDS back ontop of my graphic design skills. Basically I have lots of plans and lots of ideas I want to get into over summer. #1 is completing the redesign of my website, I’m aiming to have it live before the end of next month.


Contact Details

benjaminjwalton@gmail.com +447854063769 froobs.blogspot.co.uk


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