Skip to main content

Metamorphoses: after Illouz (2018) for orchestra and electronics

Page 1

Metamorphoses after Illouz for orchestra 2018

Gregory Rowland Evans


6P_1qP_. dzJ2i KQ`T?Qb2bǴ Bb i?2 iBiH2 Q7 +QHH2+iBQM Q7 KQMQT`BMi- BMF 2i+?BM;b #v a HQKQM AHHQmxX h?2b2 T`BMib `2 brB`HBM; M/ D ;;2/ #bi` +i BK ;2b i? i `2 Q++ bBQM HHv 2pQ+ iBp2 Q7 TH Mi HB72X U:X_X1XV

S1_6P_J L*1 LPh1a a+Q`2 Bb i` MbTQb2/X JB+`QiQM2b, JB+`QiQM2b

ALah_lJ1Lh hAPL 6Hmi2 HiQ 6Hmi2 P#Q2 1M;HBb? >Q`M k *H `BM2ib BM "# k " bbQQMb k >Q`Mb BM 6 k h`mKT2ib BM "# k h`QK#QM2b " bb h`QK#QM2b hm# S2`+mbbBQM, ambT2M/2/ *vK# H- "` F2 .`mK- h K h K- " bb .`mK- G `;2 :QM; ai`BM;b 1H2+i`QMB+b UQTiXV

1H2+i`QMB+b `2 QTiBQM HX h?2 HiQ ~mi2 Bb KQ/B}2/ rBi? `BM; KQ/mH iQ`X h?2 T2`+mbbBQM Bb KQ/B}2/ rBi? Ç´aT2+i +H2Ç´ BM `i+KBtX "Qi? m/BQ 2z2+ib + M #2 `mM BM J tfJaS M/ T i+? Bb p BH #H2 7`QK i?2 +QKTQb2`X


ai`BM;b a[m `2 MQi2 ?2 /b /2MQi2 H27i ? M/ }M;2` T`2bbm`2 BM #2ir22M MQ`K H T`2bbm`2 M/ ? `KQMB+X 1KT? bBx2/ #Qr K `FBM;b `272` iQ Qp2`T`2bbm`2 rBi? i?2 #QrX b[m `2/ dzJǴ BM/B+ i2b i? i i?2 BMbi`mK2Mi b?QmH/ #2 Kmi2/X M mTbB/2 /QrM dzJǴ K2 Mb i?2 Kmi2 b?QmH/ #2 `2KQp2/X lb2 T` +iB+2 Kmi2 Q` MQ`K H Kmi2 b p BH #H2X M `+? rBi? /Qib #2M2 i? Bi BM/B+ i2b `B+Q+?2i #QrBM;X .BpBbB b?QmH/ #2 /QM2 #v TH v2`- #mi B7 M2+2bb `v Bi K v #2 /BpB/2/ #v bi M/X

HiQ 6Hmi2 JB+`QiQM2b K v #2 +?B2p2/ #v Hi2`2/ }M;2`BM;b Q` #v 2K#Qm+?m`2X M dzsǴ MQi2 ?2 / BM/B+ i2b iQM;m2 TBxxX


Metamorphoses after Illouz

Flute Alto Flute Oboe English Horn Clarinet in B♭ 1 Clarinet in B♭ 2 Bassoon 1 Bassoon 2 Horn in F 1 Horn in F 2 Trumpet in B♭ 1 Trumpet in B♭ 2 Trombone 1 Trombone 2 Bass Trombone Tuba Suspended Cymbal Brake Drum Tam-tam Bass Drum Large Gong

1 Violin I 2 3 1 Violin II 2 3 1 Viola 2 3 1

Violoncello 2

3 1 Double Bass 2 3

 = 60

Gregory Rowland Evans

               

           

          

             con sord.         

con sord. 

 

 

 

 

    

con sord.



 

   

   



   

con sord.

                                                                   con sord.  col legno tratto                                              con sord.  col legno tratto                     con sord. col legno tratto

 

 

 


2

Metamorphoses

4

1

Vln I 2 3 1 Vln II 2 3 1 Vla 2 3 1 Vc. 2 3 1 D. B. 2 3

   

 



con sord.

 



Vln I 2

3

1

Vln II 2 3 1 Vla 2 3 1 Vc. 2 3 1 D. B. 2 3

   

                                                                                     

 

con sord.

 

 

                       con sord. 

7

1



   

  

   

 

  



 



col legno tratto

        

 

con sord.

     

 

                                 

con sord.

 

              





 

  

col legno tratto

 

 

 

 

col legno tratto

 

                                                                                            

                                                                                                             con sord.

con sord.

              

                  col legno tratto             

  



 

                                                               

 

col legno tratto

con sord.

                          

    

 

   

col legno tratto



   

  

                                                          

  

        


Metamorphoses

A. Fl.

Eng. Hn

1 Vln I 2

3

1

Vln II 2

3

1

Vla 2

 

 



   

 

10

Fl.

3

                     

 

        

     

                                  

 



 



col legno tratto

            

 

 

 

              

A

              

col legno tratto



       

    

    

                          

                 

                                                col legno tratto                       

 

 

 

 



col legno tratto

         

1

                            

          

             

                           

             

                           

             

                           

          

3

                            

1

Vc. 2

D. B. 2 3

 

3



             


4

Metamorphoses

    

13

Eng. Hn

Cl. in B♭ 1

Bsn 1

Bsn 2

Cl. in B♭ 2

1 Vln I 2 3

1 Vln II 2

3

1 Vla 2

 

1

1 D. B. 2 3

 

 

  

 

 

     

 





 

  

          

3



                             

3

Vc. 2

  

     

       

  

                

     

     

  

      

                 



  



 

col legno tratto

       

        

         

                    

           

 



   

     



      

                   

  

     

          

       

      col legno tratto              

 

 

                           

          

             

             

                           

             

             



                 

             

             

                                        

     

                  

                           


Metamorphoses

16

Fl.

A. Fl.

Ob.

Eng. Hn

Cl. in B♭ 1

Cl. in B♭ 2

Bsn 1

Bsn 2

Hn in F 1

Hn in F 2

Sus. Cym. Br. Dr. Tam. B. Dr. L. G.

1 Vln I 2 3

1 Vln II 2 3

1 Vla 2 3

1 Vc. 2 3

1 D. B. 2 3

     

  

Vla.

                                                                                                                                  

                                                                                       

              

 

 

              

     

      

 

    

 

           

  

 

 

B

5

  

        

              

 

 

 

 

 

 

   

 

  

              

 

 

   

 

 

 

 

 

              


6

Metamorphoses

22

Fl. A. Fl. Ob. Eng. Hn Cl. in B♭ 1 Cl. in B♭ 2 Bsn 1 Bsn 2 Hn in F 1 Hn in F 2 Tpt in B♭ 1 Tpt in B♭ 2 Tbn 1 Tbn 2 B. Tbn Tba Sus. Cym. Br. Dr. Tam. B. Dr. L. G.

1 Vln I 2 3 1 Vln II 2 3 1

Vla 2 3 1

Vc. 2 3 1 D. B. 2 3

  

         

   

    

    

    

   

    

        

    



              

 

 

 

 

              

           

 

            straight mute                         harmon mute stem in



              

 

 

 

 

 

C

 

   

 

  

simile

 



  harmon mute stem out                       bucket mute                   

 

 

   

    

senza sord.

    

senza sord.

      senza sord.        senza sord.

     senza sord.       

 

  

 

 

    

   simile

     

  senza sord.   

 

                           

  

   



senza sord.

senza sord.

 

 

  

senza sord.

senza sord.



    

 

 

 

  

  


Metamorphoses

28

Fl. A. Fl. Ob. Eng. Hn Cl. in B♭ 1 Cl. in B♭ 2 Bsn 1 Bsn 2 Hn in F 1 Hn in F 2

Tpt in B♭ 1 Tpt in B♭ 2 Tbn 1 Tbn 2 B. Tbn Tba Sus. Cym. Br. Dr. Tam. B. Dr. L. G.

1 Vln I 2 3 1 Vln II 2 3 1 Vla 2 3 1 Vc. 2 3 1 D. B. 2 3

      

  

  

   

 



    

 

  

 

     

 

 

   

     

  

  

 



  

 

 

     

  

    



 

  

 

      

  

 

 

 



 

 

 

  

 

  

   

 

 

 

 

  

      

 

   

 

  

 

                      

 

  



  

D

7

  

 

       

   

 

 

 

  

   

  

 

  

  

 

 

    

 

 



  

 

    

 

   

 



 

  

   

  

 

 

  

 

 

  

                      

 

                

   

 





  

     

  

 

 


8

Metamorphoses

31

Fl.

A. Fl.

Ob.

Eng. Hn

Cl. in B♭ 1

Cl. in B♭ 2

Bsn 1

Bsn 2

Hn in F 1

Hn in F 2

1 Vln I 2 3

1

Vln II 2

3

1 Vla 2 3

1

Vc. 2 3

1 D. B. 2 3

                                       

  

 



 

 

 

          

 

  

 

 

    

     

 

 

 

  

 

 

  

  

 

  

  

 



 

  

 

 



 

 

 

   

       

  

     

 

    

     

                 

         

  

 

 



 

        



           

    

     

  

         

   



      

 

      

  

  


Metamorphoses

Fl.

A. Fl.

Ob.

Eng. Hn

Cl. in B♭ 1

Cl. in B♭ 2

 

 

3

1 Vln II 2 3

1 Vc. 2

   

 

3

1

D. B. 2 3

 

 



   

   

    



            





      



 

    

Vln I 2

 



Bsn 2



 

             

opt. electronics on

1

E

Bsn 1

Sus. Cym. Br. Dr. Tam. B. Dr. L. G.

 

36

9



 

opt. electronics on

  

 

  

col legno tratto

 

 

  

  

col legno tratto

senza sord. col legno tratto

 

   

   

   

   




10

Metamorphoses

44

Fl.

Ob.

Eng. Hn

Cl. in B♭ 1

Cl. in B♭ 2

Bsn 1

Bsn 2

Sus. Cym. Br. Dr. Tam. B. Dr. L. G.

1

Vln I 2

3

1

Vln II 2

3

1

Vla 2

3

1 Vc. 2

3

1 D. B. 2 3

   

 

  

  

    

 

    

   

 

     

      

senza sord. col legno tratto

 

 

 

 

col legno tratto

 

 

 

  

        col legno tratto         senza sord. col legno tratto

col legno tratto

 

col legno tratto

col legno tratto

col legno tratto

 

       

senza sord. col legno tratto

 

                         

              

                 

                                                   

senza sord.

       

col legno tratto

      

 

 

 



 

 

 

 

               

 

     

 

            

 

                       

                    col legno tratto                        



 

        

                          

    

                    

                     

                    

 

                     

                          

 


Pi?2` b+Q`2b 7`QK :`2;Q`v _QrH M/ 1p Mb BM+Hm/2,

lL **PJS LA1.

*> J"1_

6Bp2 1t+mb2b U7Q` +2HHQ HQM2V ai`BM; h`BQ MQXR 6Bp2 1t+mb2b U7Q` TB MQ HQM2V oBQHBM *QM+2`iQ 1TBT?Q` U7Q` bQHQ +2HHQV 6Bp2 1t+mb2b U7Q` bi`BM; i`BQV 6Bp2 1t+mb2b U7Q` tB Q HQM2V /mK#` iBQM Ç´ai`BM; h`BQ kÇ´ bQLPhBM U7Q` bQHQ TB MQV > KQM b?É&#x; Ç´ai`BM; Zm `i2i RÇ´ 6Qm` ;2b Q7 a M/ *i? `

Üyj@kyR3

1G1*h_P *PlahA* "2r2;i /B2 1`/2, 1`/2

B.E.vi : B.E.vii : B.E.i :

Ohrenquallen (f or violin) Staub (f or laptop ensemble)

N GC 3370 (f or percussion trio)

B.E.ii :

P_*>1ah_ G

`[mBi2+im` RReRR J2i KQ`T?Qb2b U 7i2` AHHQmxV :l1__1_P URe b tQT?QM2bV hB Mb?m URk TH v2`bV

Carinanebel (f or viola)

B.E.iv : Arborealkartographie (f or cello)

aB/2`2mb LmM+Bmb U7Q` Q#Q2V " ` .Q U" bbQQMV S2MmK#` UoQB+2V ai m# UG TiQT 1MbXV

a+Q`2b p BH #H2 7Q` Tm`+? b2 i rrrX;`2;Q`v`QrH M/2p MbX+QK

ekeX9y f 0jy


Turn static files into dynamic content formats.

Create a flipbook
Metamorphoses: after Illouz (2018) for orchestra and electronics by Gregory Rowland Evans - Issuu