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Arborealkartographie (for violoncello and live electronics)

Page 1

Arborealkartographie for violoncello and live electronics 2018

Gregory Rowland Evans


Explanation Of Symbols

String Changes: These notated string changes should have minimum horizontal motion. They do not use the traditional bowing technique, instead a quiet crackle of the bow hair.

String I String II String III String IV

Quarter tones and Eighth tones: Quarter tones should be tempered, while eighth tones may be approximate.

 

Vc.



Vc.

[1]







Third tones and Sixth tones: Like the eighth tones, these may be approximate.

 

[1]

Vc.

Normal Left Hand Finger Pressure

 

Ricochet

 







Half Left Hand Finger Pressure











[1]

Vc.





[1]

Vc.

Vocalization technique: the following symbols represent whispered, inhaled, and spoken vocalization respectively.

   

[1]

Voice

Voice

The text in the vocal line may be pronounced in whatever way seems best in the performer's native language. The electronics are automated and thus are not notated. The patch should be started simultaneously with the performer.

c. 7'


Arborealkartographie

dedicated to Turkar Gasimzada

Underpressure Normale Overpressure

Sul Ponticello Ordinario Sul Tasto

Bow Changes

String I String II String III String IV

Violoncello

Voice

 = 60

                               

        

   

hagch

   

         

         

                         

  

simile



a



          dzl



  

                        

m

bv

   

 

        

                  

Gregory Rowland Evans

    

  

              

  

e dtoh shuw kuh meh

 

vfows

                           col legno tratto


2

Arborealkartographie

Undrpr. Norm. Ovrpr.



 

8

Sul Pont. Ord. Sul Tst.

Vc.

Voice

Undrpr. Norm. Ovrpr.

Sul Pont. Ord. Sul Tst.

Bow Chgs.

Vc.

Voice

 

    

 

16

  

 



        



  

arco

 

 

c.6"  

 

c.6"

 

 

 

       c.6"                   

  



  

c.6"

                      

  

dtelgh ksxiao m ngeh

 

                                   

ghals

  

 

    

 

 

    col legno tratto                                                                            

                                                                             

             

  

mafv

  

tdegch



  

       

col legno tratto

 

ghlos

  a

   

mn

 





arco

    

mauevn





  

       


Arborealkartographie

 

24

Undrpr. Norm. Ovrpr.

 

Sul Pont. Ord. Sul Tst.

Vc.

Vc.

Voice

 

Voice

Sul Pont. Ord. Sul Tst.

                                           

Bow Chgs.

Undrpr. Norm. Ovrpr.

 

 

33

 



    

 

 

   

 

arco

 

hah

 

n

    

        



      

fghalng

col legno tratto                                                                       m

              

     

                                                                                    

          

          

3

 



dzsetd



                                        

  

 

ylwylng

 

  

 

cgheh

 

 



 

       

tah quvacgh zo dih


4

Arborealkartographie

Undrpr. Norm. Ovrpr. Sul Pont. Ord. Sul Tst.

Bow Chgs. I II III IV

Vc.

Voice

 

40

  

 

  

 

               

 

fo

Undrpr. Norm. Ovrpr. Sul Pont. Ord. Sul Tst.

Bow Chgs.

Vc.

Voice

 

48

fvfow

  

                 

 

wha

 

 

  

         arco             

        

 

nuh

un

 

kws

 

   

                



    

tn

    

 

ng

  

                                                                                     

    



 

 

   

 

   

 

whe

nuh

 

 

   

whu nuh

 

        col legno tratto                                         arco                                        


Arborealkartographie

Undrpr. Norm. Ovrpr. Sul Pont. Ord. Sul Tst.

Bow Chgs. I II III IV

Vc.

Voice

Undrpr. Norm. Ovrpr. Sul Pont. Ord. Sul Tst.

Bow Chgs.

Vc.

Voice



 

56

  



 

   

 

   

     

     

                                

 

63

             

   n

 



 

  

                  

  

bl

vng

  





         

 

 

                

 

5

   

  



                      

   

                                          

   

 

uyh

suy

                              

gliss.

      

uhygch



 



  

 

     

 



           

kws

tion eng eyhy


6

Arborealkartographie

Undrpr. Norm. Ovrpr.

Sul Pont. Ord. Sul Tst.

Bow Chgs.

Vc.

Undrpr. Norm. Ovrpr.

Sul Pont. Ord. Sul Tst.

Bow Chgs.

Vc.

Voice

 

72

 

  

 





 

  

  

    

 



   





78

   

 

            



            



        

    

   

 

  

     



    

  





          

       

 

 

   

   

     

 

c.5"

 

c.5"



c.5"



c.5"



c.5"

               

gliss.

                         dz

 

 

 

       

 

          

c.4"



 

c.4"



c.4"

 

c.4"

  

col legno tratto

c.4"

 

 







        



       

 

         



       

 

 


Arborealkartographie

Undrpr. Norm. Ovrpr.

    

 

88

Sul Pont. Ord. Sul Tst.

Vc.

Undrpr. Norm. Ovrpr. Sul Pont. Ord. Sul Tst.

Bow Chgs.

Vc.

  

99

 

  

 

 

  

      arco

 



  

 





    

    

   

 

 

   

 

7



         

  

   

  

    





   

  



       

  

     

   

  

 

       



         

Miami February 2018


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Arborealkartographie (for violoncello and live electronics) by Gregory Rowland Evans - Issuu