Beyond Ornament Catalogue

ornament B E Y O N D

G reenHil l G reens boro Cul tural Cente r 20 0 North Davie Street, Box No. 4 G reens boro, N C 27401 w w w. G reenHil l N C.org Pu blished in conjunction w ith Gre en H ill’ s exh ibit ion Beyond Ornament Augu st 3 - November 4 , 2018 G reenHil l Š2018 GreenHil l A ll r ights reserved. This publicat ion is p rote cted by cop y r ight. No pa r t of th i s pu bl icat ion may b e rep roduc ed or trans m itted in any form or by any mea ns, e le ct ron ic or me ch a n ica l , i nc l ud i ng ph oto cop y, re cord i ng or a ny other in formation storage and ret rieval s ystem , w ith out p r ior pe r m i s s ion i n w riting from the copyright h olde r.

COVE R AN D B OOK DESIGN L au ren Davis Gordon, Market ing + D e s ign Guru, Gre en H i l l Cover image: Kat Col e, Pile with Gold Necklace , 2018 , ste e l , ena me l , gol d l u ste r, a nd r u b b e r, 1 2 x 4 x 1 i nch e s Stellar font famil y used th rough out PHOTOGRAPHY Cou rtesy of the artists PR I NT I NG Printery, Greensboro, NC. 10 0 # Bl azer Satin Text p rinted on Xe rox Color Pre s s 10 0 0

ornament B E Y O N D

AUGUST 3 - NOVEMBER 4, 2018 GREENHILL

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GREENSBORO, NC

PETER ANTOR

ERIKA DIAMOND

TARA LOCKLEAR

ELIANA R. ARENAS

FRANKIE FLOOD

MC FLOYD NICOLAY

JULIA M. BARELLO

SUSIE GANCH

KIT PAULSON

ASHLEY BUCHANAN

CHARITY HALL

MARISSA SANEHOLTZ

KAT COLE

MI-SOOK HUR

SARAH TECTOR

PAIGE HAMILTON DAVIS

LISA KLAKULAK

SARAH WEST

ASSOCIATED EXHIBITIONS C A D AV R E E X Q U I S

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ECU METALS

S a ra h We st a nd Li sa Klak ulak Untitled , 201 6

INTRODUCTION I am excited about GreenHill’s Beyond Ornament exhibition. Not only are some of my very favorite jewelers in the show, but it also embodies the essence of collaboration. The practice of craft, of making by hand, is based in a tradition of handing down techniques and processes from one generation of makers to the next. The artists in Beyond Ornament all have benefited from working with teachers who have inspired, taught, and nudged them to experiment and test their skills. In return, students invigorate teachers to continue to push their creative boundaries forward. In the exhibition and this catalogue, you will find the teacher and student, all with exquisite examples of their innovative and creative jewelry.

Beyond Ornament includes many of the very best metalsmiths creating work today. Their work is consequential, worthy of study and appreciation. Artists such as Bob Ebendorf could stand alone in any exhibition but in this one, his influence is reflected in the work of the artists who have studied with him. Susie Ganch makes stunning work, which I marvel at each time I see it. I admire her activism in educating metalsmiths, and jewelry wearers of the impact mining is having on the planet and global communities. Each artist in Beyond Ornament brings talent and individual perspective to their work; these are just two illustrations.

We are looking forward to opening Beyond Ornament on August 3, 2018, and seeing the assemblage of jewelers Edie Carpenter has brought together. As GreenHill’s Director of Artistic & Curatorial Programs, Edie is continuously looking for ways to connect North Carolina contemporary artists with individuals and communities in unexpected and stimulating ways; in the following pages, you will see how well she succeeded. But she did not do this aloneECU professor Mi-Sook Hur curated an associated exhibition ECU METALS and Sarah Tector is leading Cadavre Exquis with works collaboratively created.

A thank you to Lauren Gordon, our Marketing and Design Guru, the designer of beautiful the Beyond Ornament catalogue, and to Printery, our printer partner. This exhibition would not be possible without significant support from our supporters, members, The Cemala Foundation, and North Carolina Arts Council. Further support was provided by East Carolina University, where Beyond Ornament will travel to the Wellington B. Gray Gallery in January 2019, in conjunction with the Material Topics Symposium.

Enjoy and best wishes,

L AU R A WAY E X EC U T I V E D I R EC TO R , G R E E N H I L L

Beyond Ornament explores the ferment in the field of studio jewelry taking place in North Carolina and features works by studio jewelers who have studied, teach or exhibit regularly in the state. An initial focus on ornament as an accessory or enhancement of the human body was soon expanded to embrace the wide range of practices displayed in the exhibition. The works on view reflect the cross-pollination between mediums infusing metalsmithing and jewelry design. Visitors will see examples of exquisite craftsmanship and also be introduced to innovative approaches to fabrication and the use of non-traditional materials enriching contemporary artistmade jewelry. They will also explore the expressive potential of jewelry to bridge the space between the wearer and society.

Erika Diamond and Kit Paulson create wearable works of art, which though not jewelry, directly reference the body and the history of ornament. Several artists use architecture as a source of inspiration for their work such as in Peter Antor’s architectonic rings evoking miniature Frank Lloyd Wright buildings. Cultural references to topics such as man’s relationship to nature in Susie Ganch’s reuse of single-use plastics bring to the foreground the different ways content is transmitted through ornament to open conversations between wearer and maker.

Marissa Saneholtz’s figurative enamel jewelry humorously questions gender stereotypes while Eliana R. Arenas’ pieces incorporating newspaper texts are seen by the artist as “protective device(s) and a shield to overcome tragic events.” Content in contemporary art jewelry is often embedded in the material itself such as in Julia M. Barello’s cultivation of extravagant blooms from X-ray film or Tara Locklear’s transformation of skateboard decks.

By projecting jewelry’s site of operation beyond the body through the presentation of works that can be worn but are displayed as sculptural installations, a dialogue is also created in the space surrounding the viewer.

Wall-mounted installations by Mi-Sook Hur and Ashley Buchanan deftly utilize the multiple to interrogate loss of diversity in plant species or variation in historical jewelry forms. The creative possibilities opened by shifts in scale when a core design is taken from the body to the floor and ceiling are explored by MC Floyd Nicolay and Sarah Tector. This activation of the gallery space will be articulated during Ornament Performed , a performance pairing dancers with works in the exhibition choreographed by Chris Yon produced in association with Dance Project and part of the North Carolina Dance Festival.

Special thanks are due to Freudenberg Performance Materials for their donation of materia ls and to Cari Noel, a graduate student at the School of Design & Production, University of North Carolina School of the Arts for designing display elements for Beyond Ornament. A gracious thank you is also extended to the Porter | Price Collection for the loan of works by artist Robert Ebendorf to the ECU METALS exhibition.

E D I E CAR P E N T E R D I R EC TO R O F C U R ATO R I A L & A RT I ST I C P ROG R A M S, G R E E N H I L L C U R ATO R , B E YO N D O R N A M E N T

C hore og ra ph er C h ri s Yon , Ornament Performed Th u r s day, O ctob e r 11 , 20 1 8 f rom 6 : 0 0 - 8: 0 0 P M P h oto Cred it : Ch r i s S now / Snov i a n I mage

PETER ANTOR

Architectonic Ring #3 , 20 1 6 s ilve r, e bony, cement, a nd p owde r co at i ng 3 x 3 x 3 i nch e s

Architectonic Ring #2 , 201 6 ( left) silver, ebony, cement, powder coating, and 24K gold leaf 3 x 3 x 3 i nch es Architectonic Ring #1 , 201 5 ( r ight) silver, ebony, cement, acrylic, powder coating, and 24K gold leaf 2 x 3 x 1 i nch es

ELIANA R. ARENAS

Glimpse , 20 1 6 acry lic, bra s s, and ch a lk bo ard paint 3 6 x 180 x 1 inch e s

Ideologias Encontradas , 201 8 brass and n ewspaper 5 x 0.5 x 5 i nch es

JULIA M. BARELLO

Swale 8 (detail), 20 1 8 dyed X - ray fi l m a nd ste e l 72 x 4 8 x 6 i nch e s

Stacked Greens , 201 8 dyed X - ray fi l m , ste r l i ng si lver, and monofi lament 4 x 4 x 2 i nch es

ASHLEY BUCHANAN

Brooching the Object (Detail) , 20 0 9 hand-cut al uminum, b ra s s, bron ze, cop pe r, fin e s ilver, gold, nickel , stainl ess ste e l, ste rling s ilve r, a nd gray p rime r p owde r co at ing 2 . 5 x 1. 75 x 0. 25 inche s

Red on Red Brooch with Gemstone Button , 201 6 h a nd - c ut b ra s s, p owde r co at i ng, d ig itally scan n ed and pri nted i mage on pa pe r, mylar, alumi num, and steel 2.5 x 3 x 0.1 25 i nch es

KAT COLE

Red City #3, 20 1 8 ste e l a nd ena me l 1 5 x 14 x 2 i nch e s

Pile with Gold Necklace, 201 8 ste e l , ena me l, gold luster, and rubber 1 2 x 4 x 1 i nch es

PAIGE HAMILTON DAVIS

Square Bracelet , 20 18 ste e l and ste rling s ilve r 3 x 3 x 2 inch e s

Spiral Pattern, 201 8 copper, paper, and graph ite 24 x 1 0 x 1 0 i nch es

ERIKA DIAMOND

Holding Hands (Apart), 20 14 bron ze cast s ( of t wo l ove r s h ol d i ng h a nd s ) 3 x 3 x 2 i nch e s

Eggshell Bodice, 201 7 eggsh ells on si lk 1 8 x 22 x 4 i nch es

FRANKIE FLOOD

Overhand Valve Bracelet , 20 02 a nod ized alum inum , ste rling s ilve r, sta in le s s ste e l, a nd ste e l 2 . 5 x 9 x 2 . 5 inche s

Piecemaker/Peacemaker , 201 6 pi z z a c utte r with pa r me s a n d i s pens e r revolv i ng cy li nder, alumi num, sta i n l e s s ste e l , b ron z e, ste e l , b ra s s, b a l l b eari ngs, and spri ng steel 1 2 x 5 x 3 .5 i nch es

SUSIE GANCH

Remember Me, Katrina, 20 1 5 us ed coffe e l id s, a nd pl a st ic 84 x 14 4 x 1 2 i nch e s

Pill Box Brooches , 201 7 -pres ent eng raved bottle lid s and bead s d i mensions vari able

CHARITY HALL

Fly, Cicada, Fly!, 20 1 6 cop pe r, bras s, ste e l, a nd wo od 6 x 5 x 4 inch e s

Orange Butterfly III, 201 6 ena me l , cop pe r, si lver, and cubic zi rcon i a 1 .5 x 3 x 0.75 i nch es

MI-SOOK HUR

Seedpod Series - Peppers, 20 1 0 ste rling s ilve r, pl a st ic ca st, a nd p opl a r each 2 x . 75 x . 625 i nch e s

Seedpod Series - Peppers, 201 0 ste r l i ng s i lve r, plastic cast, and poplar 3 6 x 24 i nch es

TARA LOCKLEAR

Rubble of Gems Collection: Pile Ring , 20 1 6 broken s kate bo ard s, ste rling s ilve r, a nd painted ma ple h a rdwo od 2 . 5 x 2 inch e s

Rubble of Gems Collection: Krystal Pile Chain V2 , 201 6 b roken s kate bo a rd s, ste r l i ng s i lve r, a nd pai nted maple h ardwood 1 2 x 7 i nch es

MC FLOYD NICOLAY AND SARAH TECTOR

Small, Series #4, 20 1 8 ste rling s ilve r a nd l i ve r of su l f u r pat i na 3 . 5 x 2 . 25 x 0 . 625 i nch e s

Medium, Series #4, 201 8 ste r l i ng s i lve r, l eath e r, a nd li ver of sulfur pati na 11 x 6 .5 x 1 i nch es

KIT PAULSON

Opaline Corona , 20 1 7 boros ilicate gla s s 23 x 4 3 x 9 inche s

Opaline Corona , 201 7 borosi licate glass 23 x 43 x 9 i nch es

MARISSA SANEHOLTZ

She was not afaid to flaunt her talents., 20 1 3 ename l, cop pe r, vintage t in , ste rling s i lve r, pea r l s, a nd s i l k 9 x 1 0 x 0 . 25 i nch e s

Constantly, she had to remind herself that LOVE was also a four-letter word., 20 11 cop pe r, ena me l , ste r l i ng s i lver, ti n , powder coati ng, a nd found alumi num comb 4.75 x 1 .25 x 0.25 i nch es

SARAH WEST

Foundation Trapezoid Cluster Necklace , 20 1 7 ste e l, bra s s, and vinyl LP’ s 10. 5 x 6 . 5 x 0. 5 inch e s

and Li sa Klak ulak Untitled , 201 6 ste e l , b ra s s, ste r l i ng s i lve r, v i ny l L P ’s, fe l ted and stitch ed wool fi ber 24 x 3 0 x 1 5 i nch es

C A D AV R E E X Q U I S N I N E J E WE LE RS CREATE COLL ECTIVE PIECES THROUGH AN EX ERCI SE I N B LI N D COLLAB OR ATIO N A N D T RU ST Cadavre Exquis is an exhibition of art jewelry based on the surrealist practice of the “exquisite corpse” that was traditionally performed as a drawing game. Nine artists created combined pieces of jewelry with each collaborator adding to the composition in sequence, only discovering the final version of their brooches, rings and necklaces at the end.

Each group of three produced three pieces of wearable art in which each artist took a position one through three. Position one started the project and decided what was being created (ex. ring, necklace, brooch, etc).

Position two furthered the project, steering it in whatever direction the artist chose. Position three completed the project, ultimately deciding the final look/outcome.

G U E ST C U R ATO R , SAR A H T EC TO R

COLL A B O RATO R S

GROUP 1:

Jessica Jordan Cote

Ndidi Kowalczyk Staci Sawyer Phebus

GROUP 2:

Monique Rancourt

Jenny Southern Sarah Tector

GROUP 3:

Tanya Crane

Lauren Markley Laura Wood

Monkey Rabbit Ring with Apatite , 20 1 8 sterl ing silver, 14K Y gold filled, apat ite, a nd plast ic 2 . 5 x 2 . 125 x 1 inche s

Moth Ear Cuff and Stud Earring, 201 8 ste r l i ng s i lve r, s pi n e l , gl a s s s e ed bead s, and ny lon th read 4.825 x 4 x 0.75 i nch es

Artist s : Pos it ion 1: Mon ique R ancour t Pos it ion 2 : Jen ny S outh e r n Pos it ion 3 : S a ra h Te ctor

Ar t i st s : Position 1 : S arah Tector Pos ition 2: Mon i que R ancourt Position 3 : J en ny S outh ern

C A DAV RE E XQ U I S

ECU METALS WORKS BY MFA STUDENTS AND PROFESSORS IN METAL DESIGN FROM EAST CAROLINA UNIVERSITY’S SCHOOL OF ART AND DESIGN East Carolina University has an exceptional MFA program in Metal Design with four outstanding faculty members, Linda Darty, Tim Lazure, Ken Bova, and Mi-Sook Hur and continues to be inspired by Professor Emeritus Robert Ebendorf. The Metal Design Graduate Program is committed to creating an atmosphere that promotes creative thinking and innovative approaches to working in the jewelry and metal design field. This includes using a wide range of materials (not just metal) and creating both functional and nonfunctional work. The students and graduates selected for the ECU METALS exhibition exemplify the diverse kinds of research and experimentation and the highly creative and personally expressive work nurtured at ECU. An active Visiting Artist Program supplements the program along with a student Metal Arts Guild, field trips, off-campus workshops and residencies. A multistate intercollegiate student-run Material Topics Symposium is organized each spring that includes multiple workshops, exhibitions, and lectures from notable artists in the field. ECU METALS, which will travel to the Wellington B. Gray Gallery for the 2019 symposium, is the first joint exhibition of works by students and teachers from the graduate program.

G U E ST C U R ATO R , M I - S OO K H U R P RO F E S S O R , S C H OO L O F A RT A N D D E S I G N, EC U

AR TISTS Adam Atkinson, MFA student

Joanne Lang, MFA student

Ken Bova, Associate Professor

Nadia Massoud, MFA student

Carolyn A Buss, MFA student

Barbara McFadyen, MFA 2017

Robert Ebendorf, Former Belk Distinguished Professor

Carolina Sephra Reyes, MFA student

Mi-Sook Hur, Professor

Hosanna Rubio, MFA 2017

ADAM ATKINSON

Touching Me , 20 1 6 cop pe r, s i lve r, a nd a nt i que b ea r f u r 3. 25 x 2 . 25 x 1 i nch e s

E C U ME TA L S

K E N B O VA

Unexpected Consequeces, 20 1 8 ste r l i ng a nd ena me l on cop pe r 3 x 2 x 0 . 25 i nch e s

E C U ME TA L S

CAROLYN A. BUSS

Among the Stars: Hush , 20 1 7 ste rling s ilve r, vit re ou s ena me l on cop pe r, 1 8K gol d, 24 K gol d, a nd ste e l 3 x 2 . 5 x 0 . 35 i nch e s

E C U ME TA L S

ROBERT EBENDORF

Keep the Bird in the Circle , 20 1 8 m i xed med i a 5 . 5 x 2 x 1 i nch e s

E C U ME TA L S

MI-SOOK HUR

Springtime 8 , 20 1 7 vit re ous ena me l on cop pe r, ste r l i ng s i lve r, a nd sta i n l e s s ste e l pi n 1 . 75 x 2 . 1 25 x 0 . 25 i nch e s

E C U ME TA L S

JOANNE LANG

A Blackbird’s Tale: Homage to Wallace Stevens , 20 1 6 cop pe r, bras s, ste r l i ng s i lve r, h emat ite, m ica , ena me l , a nd pa i nted pa pe r 4 x 6 . 25 x 1 . 5 i nch e s

E C U ME TA L S

NADIA MASSOUD

Fragment Brooch #1, 20 1 7 p or c e l a i n a nd ste r l i ng s i lve r 2 . 5 x 1 . 5 x 1 i nch e s

E C U ME TA L S

BARBARA MCFADYEN

Rose and Thorns Reminiscence , 20 1 6 v it re ou s ena me l on cop pe r, ste r l i ng s i lve r, a nd cop pe r 3. 75 x 3. 25 x 0 . 0375 i nch e s

E C U ME TA L S

CAROLINA SEPHRE REYES

Echinacea purpurea, 20 1 8 v it re ou s ena me l a nd cop pe r 4 x 5 x 1 i nch e s

E C U ME TA L S

HOSANNA RUBIO

Opening , 20 1 7 ena me l , ch i na pa i nt, cop pe r, b ra s s, s i lve r, a nd ste e l 5 . 5 x 3. 5 x 0 . 5 i nch e s

E C U ME TA L S

LIST OF WORKS PE T ER ANTOR

JULI A M . BA R ELLO

Architectonic Container, 20 17 silver, e bony, cement, and p owde r co at ing 2 x 3 x 3 inches

Blossom, 20 1 8 dyed X - ray fi l m , ste r l i ng s i lve r, a nd monofi lament 2 . 5 x 2 . 5 x 1 . 5 i nch e s

Architectonic Ring #1, 20 15 silver, e bony, cement, acrylic, p owde r co at ing, and 24 K gol d l ea f 2 x 3 x 1 inches

Iris , 20 14 dyed X - ray fi l m 4 3 x 30 x 6 i nch e s

Architectonic Ring #2, 20 16 silver, e bony, cement, p owde r co at ing, and 24 K gold lea f 3 x 3 x 3 inches

MRI Swirl, 20 1 8 M RI fi l m , ste r l i ng s i lve r, a nd m onofilament 3 x 3 x 1 . 5 i nch e s

Architectonic Ring #3, 20 16 silver, e bony, cement, and p owde r co at ing 3 x 3 x 3 inches

P/B Triplet, 20 1 8 dyed X - ray fi l m , ste r l i ng s i lve r, a nd monofi lament 3. 5 x 3 x 3 i nch e s

E L IANA R . AREN AS

Red Rose, 20 1 8 dyed X - ray fi l m , ste r l i ng s i lve r, a nd monofi lament 3 x 3 x 2 i nch e s

Black Bracelet, 2005 blac k vel l um paper, dyed wo ol, s ilve r, a nd m onofilament 10 x 1 0 x 10 inches

Stacked Greens, 20 1 8 dyed X - ray fi l m , ste r l i ng s i lve r, a nd monofi lament 4 x 4 x 2 i nch e s

Diversos, 2018 b ras s, sterl ing silver, powde r co at ing, and n ew s pa pe r 16 x 0. 5 x 0.5 inches

Swale 8, 20 1 8 dyed X - ray fi l m a nd ste e l 72 x 4 8 x 6 i nch e s

En Mesa, 2018 b ras s, sterl ing silver, powde r co at ing, and n ew s pa pe r 4 x 0. 5 x 0.5 inches

AS H LE Y BUCH A NA N

Glimpse, 2016 ac rylic, brass, and cha lk bo a rd pa int 36 x 1 80 x 1 inches Green Bracelet, 2012 green vel l um paper, dyed wo ol, s ilve r, and m onofila ment 12 x 12 x 12 inches Ideologias Encontradas, 20 18 b ras s and newspaper 5 x 0. 5 x 5 inches

Bow Brooch with Pearl Button, 20 1 3 h a nd - c ut b ra s s, p owde r co at i ng, sterli ng si lver, my lar, d ig ita l l y s ca n n ed a nd p r i nted i mage on paper, alumi num, a nd ste e l 3. 5 x 3. 5 x 0 . 25 i nch e s Brooch with Button and Drops, 20 1 6 h a nd - c ut b ra s s, p owde r co at i ng, sterli ng si lver, my lar, d ig ita l l y s ca n n ed a nd p r i nted i mage on paper, alumi num, a nd n ic ke l s i lve r 4 x 3 x 0 . 5 i nch e s

Brooching the Object , 20 0 9 hand-cut al uminum, bras s, bron ze, cop pe r, fin e s ilve r, gol d, n ic ke l , stainless steel , sterl ing s ilve r, a nd gray p rime r p owde r co at i ng twenty four brooches, 2 . 5 x 1. 75 x 0. 25 inche s each Neckpiece with 3 Gemstone Buttons, 20 0 9 hand-cut brass, powde r co at ing, ste rling s ilve r, myla r, d ig ita l l y scanned and printed image on pape r, alum inum , a nd ste r l i ng s i lve r 10 x 5 x 0.5 inches Red on Red Brooch with Gemstone Button, 20 16 hand-cut brass, powde r co at ing, d igita lly s ca n n ed and p r i nted i mage on pape r, myl ar, al uminum , a nd ste e l 2. 5 x 3 x 0.125 inches Red on Red Neckpiece with Gemstone Button, 20 12 hand-cut brass, powde r co at ing, ste rling s ilve r, d ig ita l l y s ca n n ed and p r inted image on pa pe r, alum inum , a nd oxid ized ste r l i ng s i lve r 8 . 5 x 6.5 x 0.5 inches Silhouette Earrings in Gradient, 20 18 hand-cut brass, powde r co at ing, and ste rling s ilve r twenty earrings, 1.75 x 1. 5 x 0. 3 inch e s each Simple Silhouette Neckpiece with Pendant in Cream, 20 1 8 hand-cut brass, powde r co at ing, and ste rling s ilve r 14 x 6 x 0.25 inches Three Piece Simple Silhouette Neckpiece in Charcoal, 20 1 8 hand-cut brass, powde r co at ing, and oxid ized ste rling s i lve r 11 x 6 x 0.25 inches

K AT COL E Big Oval Earrings with Gold X’s , 20 18 steel, enamel , gol d l uste r, and ste rling s ilve r 2. 5 x 1 x 0.1 inches Big Ovals Black on Black , 20 18 steel, enamel , and sterling s ilve r 2. 5 x 1 x 0.1 inches Box Pendant Black on Black , 20 18 steel, enamel , and gol d fill ch a in 2 x 1 x 0.5 inches Built #1 Necklace , 2016 steel, enamel , and sterling s ilve r 16 x 6 x 1 inches

Folded Pendant with Gold Leaf , 20 1 7 ste e l , ena me l , 24 K gol d, a nd ste r l i ng s i lver 3 x 2 x 0 . 5 i nch e s Oval Pendant with Gold X’s , 20 1 8 ste e l , ena me l , gol d l u ste r, ste r l i ng s i lve r, and brass 2 . 5 x 1 x 0 . 1 i nch e s Pile with Gold Brooch , 20 1 8 ste e l , ena me l , a nd gol d l u ste r 2 . 5 x 2 . 5 x 1 i nch e s Pile with Gold Necklace , 20 1 8 ste e l , ena me l , gol d l u ste r, a nd r u b b e r 1 2 x 4 x 1 i nch e s Red City #3, 20 1 8 ste e l a nd ena me l 1 5 x 14 x 2 i nch e s

PA I GE H A M I LTO N DAVIS Arch with Beads, 20 1 7 ste r l i ng s i lve r, p or c e l a i n , a nd ca r n e l i a n 1 . 5 x 1 . 5 x 0 . 25 i nch e s Brooch, 20 1 7 cop pe r a nd 14 K gol d 4 . 5 x 1 x 0 . 25 i nch e s Dangle with Cutout Top, 20 1 7 14 K gol d a nd ste r l i ng s i lve r 3 x 0 . 5 x 0 . 25 i nch e s Disk Dangle, 20 1 8 ste r l i ng s i lve r 3. 5 x 3. 5 x 1 i nch e s Extra Large Double Hoop with Disk, 20 1 8 ste r l i ng s i lve r 3 x 3 x 0 . 5 i nch e s Fish Shape with Pattern, 20 1 7 14 K gol d 2 . 5 x 0 . 75 x 0 . 1 25 i nch e s Hammered Hoops, 20 1 8 14 K gol d 1 . 5 x 1 . 5 x 0 . 1 25 i nch e s

Hoop with Jade and Carnelian, 20 17 sterling silver, jade, and ca rn e lia n 2 x 2 x 0.25 inches Ladder Earring with Red Bead, 20 18 sterling silver and gl ass 4 x 0. 25 inches Neck/Body Piece, 2018 steel 60 x 24 x 4 inches Spiral Pattern, 2018 cop per, paper, graphite pie ce 24 x 10 x 10 inches Square Bracelet , 2018 steel and sterl ing silve r 3 x 3 x 2 inches Triple Round Bracelet, 20 18 sterling silver 3 x 3 x 2 inches Tube, Triangle, Green Bead, 20 17 sterling silver and gl ass 2. 5 x 0 .5 x 0.25 inches

E RIKA DIAMO ND Bronze Handshake Collection (A Year in Richmond) , 20 1 3 b ronz e casts 2 x 3 x 1 inches each Eggshell Bodice, 2017 eggshel l s on sil k 18 x 22 x 4 inches Eggshell Glove for Shaking Hands, 20 13 eggshel l s and tul l e 7 x 6 x 0.5 inches Holding Hands (Apart) , 20 14 b ronz e casts 3 x 3 x 2 inches

F R A NK I E F LOO D Ribi Bracelet Series, 20 1 8 a nod i z ed a l u m i nu m , sta i n l e s s ste e l , a nd ste e l 6 x 6 x 2 i nch e s Ribi Pizza Cutter, 20 1 8 a nod i z ed a l u m i nu m , sta i n l e s s ste e l , ste e l , a nd ball beari ngs 5 x 1 2 x 3 i nch e s Ribi Ring, 20 1 8 a nod i z ed a l u m i nu m a nd sta i n l e s s ste e l 1 x 1 x 2 . 5 i nch e s

S US I E G A NCH Remember Me, Katrina, 20 1 5 u s ed coffe e l id s a nd pl a st ic 84 x 14 4 x 1 2 i nch e s Untitled (brooch), 20 1 8 eng raved bott l e l id s a nd b ead s 0 . 75 x 3 x 2 i nch e s Untitled (brooch), 20 1 8 eng raved bott l e l id s a nd b ead s 0 . 75 x 2 x 2 i nch e s Untitled (brooch), 20 1 8 eng raved bott l e l id s a nd b ead s 0 . 75 x 2 x 2 i nch e s Untitled (brooch) , 20 1 8 eng raved bott l e l id s a nd b ead s 0 . 75 x 2 x 2 i nch e s Untitled (brooch), 20 1 8 eng raved bott l e l id s a nd b ead s 0 . 75 x 2 x 2 i nch e s Untitled (brooch), 20 1 8 eng raved bott l e l id s a nd b ead s 0 . 75 x 2 x 2 i nch e s Untitled (brooch), 20 1 8 bott l e l id s, bott l e s, a nd b ead s 1 x 2 x 2 i nch e s

Untitled (brooch), 2018 bottle l ids, bottl es, and bead s 1 x 2 x 1 inches

Crane Fly Brooch, 20 1 6 cop pe r, ena me l , a nd s i lve r 2 x 2 x 0 . 5 i nch e s

Untitled (brooch), 2018 engraved bottl e l ids and bead s 0 . 75 x 2 x 2 inches

Dobsonfly, 20 0 9 cop pe r, ena me l , s i lve r, a nd ga r n et 3. 25 x 2 . 5 x 0 . 5 i nch e s

Untitled (necklace), 2018 engraved bottl e l ids and bead s

Dragonfly Brooch, 20 14 cop pe r, ena me l , b ra s s, c u b ic z i r con i a , a nd si lver 1 . 75 x 1 . 75 x 0 . 6 i nch e s

C H A R IT Y HALL

Fly, Cicada, Fly!, 20 1 6 cop pe r, b ra s s, ste e l , a nd wo od 6 x 5 x 4 i nch e s

Antennal Assemblage, 20 14 cop per, enamel , silver, a nd ga rn et 2. 25 x 2 .25 x 0.5 inche s Ants Bowl, 2016 cop per and enamel 2. 75 x 2.75 x 0.25 inch e s Black and White Butterfly Brooch, 20 16 enamel , copper, silver, a nd ga rn et 2. 75 x 1.5 x 1 inches Blue Butterfly Brooch, 20 16 cop per and enamel 2. 5 x 2 .25 x 1.5 inches Blue Butterfly Circle Brooch, 20 16 cop per and enamel 2. 5 x 2 .5 x 1 inches Butterfly, 2015 cop per and enamel 2 x 2 x 0.5 inches Chickweed Geometer Brooch, 20 14 cop per, enamel , and silve r 1. 5 x 1 .5 x 0.5 inches Circle of Grasshoppers, 20 18 enamel on copper and bra s s 9 x 9 inches Colorado Potato Beetle Brooch, 20 12 enamel , copper, silver, la b- grow n ruby, pe ridot, and c it r i n e 1. 5 x 1 .5 x 0.5 inches

Flying Cicadas, 20 1 8 ena me l on cop pe r a nd b ra s s 8 x 1 0 i nch e s Green Beetle Stick Pin, 20 14 cop pe r, b ra s s, ena me l , c u b ic z i r con i a , a nd si lver 3 x 1 . 5 x 0 . 25 i nch e s Green June Beetle Brooch, 20 12 ena me l , cop pe r, s i lve r, a nd l a b - g rown r u by 1 . 5 x 1 . 5 x 0 . 5 i nch e s Green Scarab Beetle, 20 1 7 cop pe r, ena me l , s i lve r, a nd bl ue topaz 2 x 2 x 0 . 5 i nch e s Ground Bettle Brooch, 20 14 cop pe r, ena me l , s i lve r, a nd sta i n l e s s ste e l 1 . 5 x 1 . 5 x 0 . 5 i nch e s Gymnetis Bowl, 20 1 7 cop pe r a nd ena me l 3. 25 x 3. 25 x 0 . 25 i nch e s Kinetic Dragonfly Brooch, 20 1 7 cop pe r, s i lve r, ga r n et, b ra s s, a nd b i r ch pl y wood 3 x 2 . 5 x 3. 25 i nch e s Kinetic Dragonfly IV, 20 1 6 b ra s s, cop pe r, s i lve r, ste e l , a nd o a k 1 0 . 5 x 1 2 x 5 . 5 i nch e s Kinetic Mayfly Brooch , 20 1 7 cop pe r, s i lve r, ga r n et, b ra s s, a nd b i r ch pl y wood 3. 5 x 2 . 75 x 3. 25 i nch e s

Kinetic Mayfly IV, 2016 b ras s, copper, steel , si lve r, and bam bo o 5. 5 x 4 x 6 inches

Scorpion Brooch, 20 14 cop pe r, ena me l , a nd s i lve r 2 x 1 . 5 x 0 . 25 i nch e s

Kissing Bug Brooch ll, 20 17 enamel , copper, silver, a nd ga rn et 1. 25 x 1.75 x 0.5 inches

Stag Beetles, 20 1 8 ena me l a nd cop pe r 6 x 7. 5 i nch e s

Mammal Louse, 2011 cop per, enamel , and bras s 2. 75 x 2.25 x 1 inches

Tick Brooch, 20 0 8 s i lve r, cop pe r, ena me l , ga r n et, a nd b ra s s 3 x 2 x 0 . 25 i nch e s

Mating Blowflies, 2017 v itreous enamel , coppe r, s ilve r, a nd a lma nd in e garn et 2. 3 x 1.6 x 0.25 inches

Vespula, 20 1 7 ena me l , cop pe r, a nd s i lve r 3 x 1 . 75 x 0 . 25 i nch e s

Mating Damselflies, 2011 cop per and enamel 2. 5 x 1.6 x 0.25 inches

Wasp Necklace, 20 0 9 cop pe r a nd ena me l 22 x 1 . 25 x 0 . 25 i nch e s

Megasoma, 2018 enamel on copper, cop pe r, and plywo od 8 x 10 inches

Wheel Bug Brooch , 20 14 cop pe r, ena me l , s i lve r, a nd a methy st 2 x 2 x 0 . 5 i nch e s

Monarch Caterpillar Spinner Ring, 20 17 enamel , copper, silver, a nd ga rn et 1. 75 x 1.75 x 2 inches

Yellow and Brown Beetle Brooch, 20 0 8 cop pe r a nd ena me l 2 x 2 x 0 . 5 i nch e s

Mosquito Brooch II, 2017 enamel , copper, silver, a nd ga rn et 2. 25 x 1.5 x 0.5 inches

M I -S OO K H UR

Orange Butterfly III, 2016 enamel , copper, silver, a nd cubic zircon ia 1. 5 x 3 x 0.75 inches

Seedpod Series - Green Peppers, 20 1 0 ste r l i ng s i lve r, pl a st ic ca st, a nd p opl a r 20 x 4 0 i nch e s

Pinacate Beetle Brooch, 20 14 silver, copper, enamel , pin k s ap ph ire, lab grow n blue sa p ph i re, l a b grow n ruby, cubic zircon ia , and garn et 2. 25 x 1.5 x 0.5 inches

Seedpod Series – Irises, 20 1 0 ste r l i ng s i lve r, pl a st ic ca st, a nd p opl a r 36 x 4 4 i nch e s

Praying Mantis Portrait, 20 16 enamel and copper 3 x 1 . 3 x 0.5 inches Red Beetle Brooch, 200 8 cop per and enamel 1. 75 x 1.75 x 0.25 inche s Rituals, 2009 silver, copper, and ena me l 3 x 3 . 5 x 0.25 inches

Seedpod Series – Peppers, 20 1 0 ste r l i ng s i lve r, pl a st ic ca st, a nd p opl a r 36 x 4 4 i nch e s

TA R A LO CK LEA R Foundation Collection: Cluster U-Post Earrings, 201 8 re c yc l ed b roken s kate bo a rd s, ste r l i ng s i lver, and Durat ( re c yc l ed pl a st ic cou nte r top ) 2 . 25 x 1 . 5 i nch e s

Foundation Collection: Durat Hinged Necklace, 20 17 rec yc led broken skatebo a rd s, ste rling s ilve r, and D urat (rec yc led pl astic counte rtop ) 10 x 8 i nches Foundation Collection: Flat Stacked Earrings, 20 18 b roken skateboards, ste rling s ilve r, a nd painted maple h a rdwo od 2. 5 x 1.5 inches Foundation Collection: Hinged Linked Brooch, 20 17 b roken skateboards, ste rling s ilve r, painted exot ic ha rdwo od, a nd stainless steel 5 x 3 . 5 inches Foundation Collection: Linked and Hinged Bracelet, 20 1 8 b roken skateboards, ste rling s ilve r, a nd D urat (rec yc led pl astic counte rtop ) 8 x 2 inches Foundation Collection: Walnut Hinged Necklace, Edition #11, 20 1 8 b roken skateboards, ste rling s ilve r, a nd walnut ha rdwood 11 x 8 inches

Large, Series #4, 20 1 8 ste e l , c r i nol i n e, a nd ena me l pa i nt 5 x 4 . 5 x 3 i nch e s Medium, Series #3, 20 1 8 ste e l , 14 K Y gol d pl ate, a nd p owde r co at i ng 1 8 x 1 8 x 5 i nch e s Medium, Series #4, 20 1 8 ste r l i ng s i lve r, l eath e r, a nd l i ve r of su l f u r pati na 11 x 6 . 5 x 1 i nch e s Small, Series #3, 20 1 8 ste r l i ng s i lve r a nd 14 K Y gol d fi l l 1 9 x 5 x 1 i nch e s Small, Series #4, 20 1 8 ste r l i ng s i lve r a nd l i ve r of su l f u r pat i na 3. 5 x 2 . 25 x . 625 i nch e s

K I T PAULS O N

Rubble Collection: Hinged Double Crystal Strand, 20 18 b roken skateboards, ste rling s ilve r, a nd exot ic h a rdwood 18 x 8 inches

Opaline Corona, 20 1 7 boros i l icate gl a s s 23 x 4 3 x 9 i nch e s

Rubble of Gems Collection: 9-Pile Brooch, 20 16 b roken skateboards, ste rling s ilve r, painted maple h a rdwo od, Paper stone (recycl ed pa pe r counte rtop ) , and stain le s s ste e l 5 x 4 inches

M A R I SS A S A NE HO LTZ

Rubble of Gems Collection: Hinged Pendant, 20 18 b roken skateboards, ste rling s ilve r, painted maple h a rdwo od, a nd Paper stone (recycl ed pa pe r counte rtop ) 18 x 8 inches Rubble of Gems Collection: Krystal Pile Chain V2, 20 16 b roken skateboards, ste rling s ilve r, a nd painted maple h a rdwo od 12 x 7 inches Rubble of Gems Collection: Pile Ring, 20 16 b roken skateboards, ste rling s ilve r, a nd painted maple h a rdwo od 2. 5 x 2 inches

MC FLOYD NICOLAY AND SARAH TECTOR Large, Series #3, 2018 steel and enamel paint 48 x 18 x 36 inches

As she gazed off into nothingness, she successfully avoided the task at hand., 20 1 0 cop pe r, ena me l , dol l h ou s e t i n , ste r l i ng s i lver, found button , and fa b r ic 1 8 x 30 i nch e s Constantly, she had to remind herself that LOVE was also a four-letter word., 20 11 cop pe r, ena me l , ste r l i ng s i lve r, t i n , p owde r coati ng, and found a l u m i nu m com b 4 . 75 x 1 . 25 x 0 . 25 i nch e s The idea of a white picket fence terrified her., 201 0 cop pe r, ena me l , dol l h ou s e t i n , ste r l i ng s i lver, found buttons, pea r l s, s i l k , a nd v i ntage fa b r ic 24 x 34 i nch e s

To reach her goals, “dainty” would need to be quickly incorporated into her vocabulary. , 2011 cop per, enamel , tin, ste rling s ilve r, p owde r co at ing, and fou nd b r u sh h ead 9 x 3 x 1.25 inches

SA RAH WEST Crystalline Construction Cluster Brooch, 20 17 steel and brass 4 x 5 x 1 inches Cube Gem Necklace, 2017 steel, brass, and vinyl LP’ s 24 x 1 x 2.5 inches Foundation Trapezoid Cluster Necklace, 20 17 steel, brass, and vinyl LP’ s 10 . 5 x 6.5 x 0.5 inches

SARAH WEST AND LISA KLAKULAK Untitled, 2016 steel, brass, sterl ing silve r, vinyl LP’ s, fe lted a nd st it ch e s wo ol fi b e r 24 x 30 x 15 inches