Hoxxoh
American, b.1980
Blue Portal, 2023
Spray paint on wood panel
Unique
Signed by the Artist
40 x 60 cm
£950
In this aerosol work, HOXXOH (Douglas Hoekzema) distills the energy of his monumental murals into an intimate scale. Known for his hypnotic vortex and portal compositions, the Miami-based artist employs hand-engineered pendulumlike instruments that guide the spray paint into precise, spiralling formations. Layers of vibrant pigment expand outward in mandala-like rhythms, translating motion into visual structure. Organic abstractions unfold between discipline and release, forming intricate patterns that feel at once cellular and atmospheric. Freed from architectural scale, the canvas becomes a concentrated study of flow and resonance, where colour and geometry evoke the continuous movement of time and space.
Hoxxoh
American, b.1980
Yellow Portal, 2023
Spray paint on wood panel
Unique
Signed by the Artist
40 x 60 cm
£950
In this aerosol work, HOXXOH (Douglas Hoekzema) distills the energy of his monumental murals into an intimate scale. Known for his hypnotic vortex and portal compositions, the Miami-based artist employs hand-engineered pendulumlike instruments that guide the spray paint into precise, spiralling formations. Layers of vibrant pigment expand outward in mandala-like rhythms, translating motion into visual structure. Organic abstractions unfold between discipline and release, forming intricate patterns that feel at once cellular and atmospheric. Freed from architectural scale, the canvas becomes a concentrated study of flow and resonance, where colour and geometry evoke the continuous movement of time and space.
Shamsia Hassani
Afghan, b.1988
Nowadays #03, 2025
Acrylic on canvas
Unique
Signed by the Artist
40 x 50 cm
£5,250
In this quietly powerful work, Shamsia Hassani reflects on exile, memory and the fragile sense of belonging. Walking barefoot across a muted landscape, her calm movement suggests both resilience and a deep emotional connection to the land beneath her feet. The city appears only in simple outlines, like a memory suspended in the sky. A jagged line, carefully mended with small plasters, cuts through the scene, evoking the fractures of displacement and a desire for healing. Around her, dandelion seeds drift like wishes. Though the artist now lives far from home, these quiet hopes remain rooted in memory. Within this gentle scene, Shamsia Hassani reveals a tender truth: the unsettling fear that the homeland she carries within her heart may one day feel unfamiliar, changed in ways that leave her searching for the place she once knew.
Shamsia Hassani
Afghan, b.1988
Nowadays #06, 2025
Acrylic on canvas
Unique
Signed by the Artist
50 x 50 cm
£4,500
In this intimate work, Shamsia Hassani explores voice, transformation and the emotional weight carried within expression. Her familiar female figure appears with closed eyes and no mouth, holding a fractured piano close to her body as if protecting something deeply personal. In Hassani’s imagery, music becomes the language through which her figures speak, and the piano becomes her voice. Cracks run across the instrument, carefully mended with small plasters, while its keys appear slightly irregular, suggesting an instrument altered over time. Through this quiet metaphor, Hassani suggests that even when a voice is shaped by experience, it continues to create new melodies, carrying memory, emotion and quiet resilience.
Bordalo II
Portuguese, b.1987
Eastern Quoll FX, 2025
Paint on an assemble of found objects (plastic, wood and others)
Unique
Signed by the Artist
82 x 102 x 5 cm
£15,000
In Eastern Quoll, discarded materials converge to form a creature both vulnerable and defiant. Fragments of plastic, broken objects, and waste remnants assemble into fur, whiskers, and the distinctive spotted coat of the quoll, giving presence to what would otherwise remain refuse. Once widespread across mainland Australia and now largely confined to Tasmania, the Eastern Quoll stands here as both subject and symbol. The sculpture balances urgency with tenderness. The animal appears alert, almost fragile, yet it is constructed from the very debris threatening natural habitats worldwide. Waste becomes witness. By transforming pollution into living form, Bordalo II holds destruction and renewal within the same frame, compelling viewers to confront the consequences of consumption while recognising the possibility of transformation within it.
Banksy
Japanese, b.1976
Moon Child - Seville, 2025
Spray paint on canvas
Edition of 2
Signed by the Artist
88.5 x 106 cm
£4,250
Moon Child Seville unfolds beneath an immense moon that seems to hold the entire city in suspension. Silver light settles across bridges and water, while playful vertical beams of colour rise like echoes of sun after rain. Yet the true gravity of the work rests in the two figures who turn toward one another, quietly self-contained within the vastness around them. RoamCouch builds this nocturne through disciplined layers, though the precision dissolves into atmosphere. The city feels momentarily stilled, as if time has softened. Grandeur meets intimacy and scale meets closeness. In this pause, connection becomes the brightest presence of all.
Enivo
Brazilian, b.1986
Memento, 2024
Acrylic and spray paint on canvas
Unique
Signed by the Artist
25 x 30 x 20 cm
£1,300
In Memento, mortality and transformation face one another within an intimate architectural space. A young figure holding a skeletal head confronts a pale wooden outline, its form marked only by shoes, suggesting the trace of a presence or the outline of a memory. The encounter evokes a quiet dialogue between body and spirit, memory and becoming. The box becomes a theatre of reflection, compressing vast themes into an intimate scale where cosmic skies meet fractured ground. Fragility meets endurance, and confrontation softens into contemplation. Enivo balances awareness with restraint, framing mortality not as an end, but as passage. The composition holds tension without collapse, offering stillness within existential awareness. In this contained cosmos, impermanence and continuity occupy the same measured space.
Sonny Sundancer
British, b.1986
SHUMBA, 2025
Charcoal Drawing on Paper
Unique
Signed by the Artist
56 x 76 cm
£3,450
Shumba (“Lion” in Shona) presents the lion with a powerful sense of presence. Working in charcoal and carbon, Sonny Sundancer builds the form through delicate tonal transitions, allowing the mane to dissolve softly into the surrounding space. The result is both precise and atmospheric, drawing the viewer into a moment of still observation. Subtle graphic markings appear within the lion’s face, echoing the layered visual language that runs throughout Sonny’s practice. These patterns sit between the animal and its environment, gently disrupting pure realism and suggesting another layer beneath the surface. This quiet balance reflects Sonny’s philosophy of Liminal Realism, where animals appear within a threshold between the real and the imagined, revealing the layered space where nature, memory and perception overlap.
SNIK
British, b.1991 and b.1984
For a Moment, 2025
Stencil and spray paint on wooden panel
Unique
Signed by the Artist
90 x 130 cm
£6,750
For a Moment presents a female portrait emerging through a delicate lattice of flowers and trailing vines. Her gaze remains steady and introspective as the surrounding botanicals gather across the composition with quiet persistence. Executed through SNIK’s intricate layered stencil technique, the portrait unfolds gradually through finely controlled sprays of light and shadow. Petals and stems drift across the surface like a living veil, suggesting the gentle reclaiming presence of nature. The figure appears neither concealed nor fully revealed, occupying a subtle space between presence and disappearance. Within this delicate equilibrium, human presence and the natural world seem briefly aligned, capturing a fleeting moment of quiet harmony.
Sonny Sundancer
British, b.1986
NIA, 2025
Charcoal Drawing on Paper
Unique
Signed by the Artist
56 x 76 cm
Framed to Museum Standard
£3,150
In NIA (“Purpose” in Swahili), a cheetah meets the viewer with steady focus. Rendered in charcoal and carbon, the drawing demonstrates remarkable tonal precision, allowing light and shadow to shape the animal’s form with quiet clarity. The restrained palette encourages a slower way of looking, drawing attention to detail, texture and presence. Embedded within the fur are faint graphic markings that feel both ancient and contemporary. These subtle patterns sit between the animal and its environment, gently disrupting pure realism and suggesting another layer beneath the surface. This quiet tension reflects Sonny’s philosophy of Liminal Realism, where animals appear within a threshold between the real and the imagined, revealing the layered space where nature, memory and perception overlap.
NEAN
Belgian, b.1991
Dancing With Ghosts, 2025
Acrylic on canvas
Unique
Signed by the Artist
90 x 70 cm
£2,250
Dancing with Ghosts unfolds beneath a sky charged with amber light. Streetlamps bloom into radiant halos, softening wires and treetops and transforming the architecture of night into something intimate and alive. A solitary figure moves through shifting passages of shadow and illumination, each circle of light offering guidance and rhythm. The “ghosts” shimmer, reading as memory, reflection, or earlier selves carried forward. The work lingers in that suspended hour when night feels expansive rather than isolating, and forward motion becomes both physical and emotional. It is a meditation on solitude, resilience, and the quiet companionship found within light.
NEAN
Belgian, b.1991
Silent Spring, 2025
Acrylic on canvas
Unique
Signed by the Artist
70 x 90 cm
£2,200
In Silent Spring, Nean Kingdom turns toward the restorative clarity of day. Cool blues and fresh greens create a forest that feels expansive yet protective, steady yet alive with subtle movement. A seated figure rests beneath the trees, absorbed in quiet observation as filtered light drifts across trunks and ground. The composition evokes a gentle recalibration, when attention softens and perspective quietly returns. Nature is grounding rather than dramatic. Stillness becomes active, suggesting renewal through pause. The painting honours the subtle strength found in retreat and the quiet transformations that unfold when we allow ourselves to simply sit and notice.
Hua Tunan
Chinese, b.1991
Light Spreads Through Time, 2024
Acrylic and spray paint on canvas
Unique
Signed by the Artist
18 x 60 x 8.7 cm
£4,950
In Light Spreads Through Time, Hua Tunan condenses energy into a vertical field of atmosphere and motion. Paint drifts, fractures, and gathers across the surface, echoing the fluid discipline of traditional ink painting while embracing the immediacy of contemporary abstraction. The title suggests light gradually unfolding through time, an invisible presence that quietly expands across the image. A red orb hovers above shifting textures, neither sun nor moon, yet a point of orientation within the composition’s restless movement. Pigment falls in luminous veils as granular textures accumulate like sediment, forming and dissolving at once. Between resemblance and nonresemblance, the image holds a moment of transition, where landscape becomes energy and light extends gently through the passage of time.
Stik
British, b.1979
Walk (Red), 2011
3 colour screen print on paper
Edition of 50
45 x 112 cm
Signed by The Artist
Framed to Museum Standard
Price on Application
Walk (Red) presents Stik’s iconic six-line figure in forward motion, elongated and unwavering against a field of red. The simplicity is disarming, yet the stride carries weight. Created at a time when the artist was navigating instability in his own life, the image of walking becomes more than gesture; it becomes intention. Reduced to essential lines, the figure holds both vulnerability and resolve. There is no destination shown, only movement. The bold ground intensifies this sense of purpose, transforming minimal form into quiet monument. In Walk, movement holds vulnerability and resolve in balance, each step carrying both weight and possibility.
Banksy
British, b.1974
Choose Your Weapon (Dark Purple AP), 2010
Screen print on paper
AP - outside the edition
70 x 70 cm
Issued with a Pest Control Certificate of Authenticity
Signed by The Artist
Framed to Museum Standard with Optium Museum Acrylic Price on Application
Choose Your Weapon first appeared as a mural in Bermondsey, East London, in 2010. The work depicts a hooded figure gripping a heavy chain attached to a barking dog rendered in the instantly recognisable style of Keith Haring. By referencing Haring’s visual language, Banksy establishes a dialogue between two artists who used accessible imagery to address social and political themes. The anonymous figure introduces a sense of ambiguity and tension, reflecting the realities of contemporary urban life. By pairing the figure with Haring’s iconic dog, Banksy invites viewers to consider art itself as a weapon, one capable of provoking thought and dialogue rather than aggression.
Invader
French, b.1969
Sunset (Blue & Green), 2018
Embossed screen print with glow in the dark ink.
Edition of 100
42 x 42 cm
Signed by The Artist
Framed to Conservation Standard
£7,950
Invader is a pioneering French street artist who, since the late 1990s, has “invaded” over 80 cities worldwide with more than 4,000 of his pixelated mosaics inspired by classic arcade imagery. Sunset (Glow in the dark) was created for his exhibition Into the White Cube at Over The Influence, Los Angeles. Charged by light, the work transforms at nightfall revealing the enduring pulse of his cosmic pixel universe.
Invader
French, b.1969
Sunset (Gold & Blue), 2018
Embossed screen print with glow in the dark ink.
Edition of 100
42 x 42 cm
Signed by The Artist
Framed to Museum Standard
£7,950
Invader is a pioneering French street artist who, since the late 1990s, has “invaded” over 80 cities worldwide with more than 4,000 of his pixelated mosaics inspired by classic arcade imagery. Sunset (Gold) was created for his exhibition Into the White Cube at Over The Influence, Los Angeles. Charged by light, the work transforms at nightfall revealing the enduring pulse of his cosmic pixel universe.
Banksy
British, b.1974
Laugh Now (Signed), 2005
Screen print on paper
Edition of 10
35 x 50 cm
Issued with a Pest Control Certificate of Authenticity
Signed by The Artist
Framed to Museum Standard with Optium Museum Acrylic
Price on Application
Banksy reimagines Andy Warhol’s legendary Campbell’s Soup Cans (1962), paying homage while adding a distinctly British twist by replacing the iconic label with Tesco’s Value range, Britain’s budget supermarket line. The Banana, Lime & Purple colourway is printed in a limited edition of only ten signed prints.
Banksy
British, b.1974
Flying Copper, 2005
Screen print on paper
Edition of 300
44 x 70 cm
Issued with a Pest Control Certificate of Authenticity
Signed by The Artist
Framed to Museum Standard with Optium Museum Acrylic
Price on Application
Flying Copper is one of Banksy’s most recognisable early images, combining humour, symbolism and subtle social critique. The work depicts an armed British police officer whose face has been replaced with the iconic yellow smiley, a motif associated with the acid house and rave culture of the late twentieth century. Angel wings extend from the officer’s back, referencing the familiar expression “pigs might fly.” Through this unexpected pairing of imagery, Banksy creates a striking visual paradox. The work carries both humour and satire, hinting at the contradictions that can exist within systems of power. The image first appeared in 2003 during Banksy’s Turf War exhibition in London’s East End. Banksy later described the print as a “deluxe and very large screen print of a flying pig. Apparently popular with the boys in blue (actually true).”
NeSpoon
Polish, b.1976
Illegals Wall No. 21, 2021
Mixed media on canvas
Unique
Signed by the Artist
50 x 50 cm
£3,000
NeSpoon’s Illegals series documents the lace stencils the artist has used in street interventions since 2019. While widely known for large-scale murals, this body of work focuses on her unsanctioned stencil graffiti practice. Each motif originates from antique lace designs that NeSpoon collects and studies. The patterns are translated into handcut stencils and repeatedly painted across city walls through bombing, allowing the motif to circulate through different urban environments. For the canvas works, NeSpoon first reconstructs the texture and colour of aged facades, evoking the surfaces that host her street interventions. She then applies the same stencils used outdoors. The canvas therefore functions as an archive, preserving her lace stencil bombing across the city.
NeSpoon
Polish, b.1976
Illegals Wall No. 04, 2025
Mixed media on canvas
Unique
Signed by the Artist
50 x 50 cm
£3,000
NeSpoon’s Illegals series documents the lace stencils the artist has used in street interventions since 2019. While widely known for large-scale murals, this body of work focuses on her unsanctioned stencil graffiti practice. Each motif originates from antique lace designs that NeSpoon collects and studies. The patterns are translated into handcut stencils and repeatedly painted across city walls through bombing, allowing the motif to circulate through different urban environments. For the canvas works, NeSpoon first reconstructs the texture and colour of aged facades, evoking the surfaces that host her street interventions. She then applies the same stencils used outdoors. The canvas therefore functions as an archive, preserving her lace stencil bombing across the city.
NeSpoon
Polish, b.1976
Illegals Wall No. 03, 2025
Mixed media on canvas
Unique
Signed by the Artist
50 x 50 cm
£3,000
NeSpoon’s Illegals series documents the lace stencils the artist has used in street interventions since 2019. While widely known for large-scale murals, this body of work focuses on her unsanctioned stencil graffiti practice. Each motif originates from antique lace designs that NeSpoon collects and studies. The patterns are translated into handcut stencils and repeatedly painted across city walls through bombing, allowing the motif to circulate through different urban environments. For the canvas works, NeSpoon first reconstructs the texture and colour of aged facades, evoking the surfaces that host her street interventions. She then applies the same stencils used outdoors. The canvas therefore functions as an archive, preserving her lace stencil bombing across the city.
NeSpoon
Polish, b.1976
Illegals Wall No. 11, 2021
Mixed media on canvas
Unique
Signed by the Artist
50 x 50 cm
£3,000
NeSpoon’s Illegals series documents the lace stencils the artist has used in street interventions since 2019. While widely known for large-scale murals, this body of work focuses on her unsanctioned stencil graffiti practice. Each motif originates from antique lace designs that NeSpoon collects and studies. The patterns are translated into handcut stencils and repeatedly painted across city walls through bombing, allowing the motif to circulate through different urban environments. For the canvas works, NeSpoon first reconstructs the texture and colour of aged facades, evoking the surfaces that host her street interventions. She then applies the same stencils used outdoors. The canvas therefore functions as an archive, preserving her lace stencil bombing across the city.
NeSpoon
Polish, b.1976
Illegals Wall No. 27, 2021
Mixed media on canvas
Unique
Signed by the Artist
60 x 60 cm
£4,000
NeSpoon’s Illegals series documents the lace stencils the artist has used in street interventions since 2019. While widely known for large-scale murals, this body of work focuses on her unsanctioned stencil graffiti practice. Each motif originates from antique lace designs that NeSpoon collects and studies. The patterns are translated into handcut stencils and repeatedly painted across city walls through bombing, allowing the motif to circulate through different urban environments. For the canvas works, NeSpoon first reconstructs the texture and colour of aged facades, evoking the surfaces that host her street interventions. She then applies the same stencils used outdoors. The canvas therefore functions as an archive, preserving her lace stencil bombing across the city.
Restless
Portuguese, b.19xx
Tech Guy, 2025
Mixed media on wooden support
Unique
Signed by the Artist
Approx. 35 × 31 × 17 cm
£495
Robert (Tech Guy) embodies curiosity and capability. Always absorbed in his laptop, he learned by taking things apart and rebuilding them his own way. He trusts his hands, his instincts, and the logic of systems he can understand. If something crashes, he will fix it. Restless portrays Robert with warmth and gentle humour. His dedication speaks to the modern drive to solve, improve, and innovate. Beneath the focus lies a familiar human truth: while we repair the world around us, we sometimes overlook our own needs. In Robert, determination and vulnerability coexist, making him both endearing and quietly relatable.
Restless
Portuguese, b.19xx
CP210 (A.I. Generated), 2024
Mixed media on wooden support
Unique
Signed by the Artist
Approx. 35 × 31 × 17 cm
£495
C210 (A.I. Generated) presents a character navigating a world shaped by rapid change and digital logic. Half human, half imagined construct, he approaches life with efficiency and emotional agility. If something overwhelms him, he simply switches focus. Restless captures this contemporary archetype with wit and affection. The figure feels playful yet pointed, reflecting how modern identities adapt to systems that move faster than emotion can always follow. Balancing humour with recognition, the work invites a smile as much as reflection. In this compact form, connection and disconnection sit side by side, offering a portrait of humanity in an accelerated world.
My Dog Sighs
British, b.1972
Essential, 2026
Mixed media on reclaimed aluminium can
Unique
Signed by the Artist
25 x 32 cm
£1,000
This work begins with a discarded can from the Essential range, found and repurposed by the artist. Its dents, folds and traces of use remain visible, preserving the object’s history of anonymity and disposal rather than concealing it. Within the circular opening of the crushed can, a painted face emerges. The figure’s green gaze meets the viewer directly, appearing both sheltered by the metal surface and quietly exposed. By intervening in a discarded object, My Dog Sighs shifts its meaning. What was once overlooked or cast aside becomes a singular presence, inviting reflection on value, attention and the fragile boundary between waste and worth.
Enivo
Brazilian, b.1986
Peão de Pião, 2024
Acrylic and spray paint on wood
Unique
Signed by the Artist
15 x 30 x 15 cm
£750
In Peão de Pião, Enivo presents a solitary rider moving through a star-filled expanse, poised between earthly presence and cosmic imagination. Mounted on a spectral animal, the figure appears playful yet deliberate, dressed in vivid patterns and crowned by a heart-eyed emoji that bursts open above the head, scattering fragments like emotions released into the surrounding universe. The title draws on the Brazilian notion of the pião, the spinning top, evoking cycles of motion, balance and constant rotation. Contained within a narrow architectural frame, the scene becomes a small cosmos where movement unfolds within carefully held boundaries. Enivo blends humour, symbolism and contemporary digital language, suggesting a journey shaped by shifting emotions and lived experience.
Sophie Mess
British, b.1989
Equinox, 2026
Acrylic on Birch Plywood
Unique
Signed by the Artist
Ø 55 cm
£1,800
Equinox unfolds within a circular horizon, echoing the brief moment when day and night stand in equal measure before shifting onward. A bloom of tulips expand across the surface with quiet momentum, their petals pressing outward rather than settling into symmetry. The round field suggests cycles and return, yet the flowers resists stillness. Nature holds balance without exact alignment. Here, equilibrium is felt as movement, a poised state already in transition. The composition remains structured yet alive, offering a reminder that harmony is found not in perfect alignment, but in the freedom to move and evolve. Suspended between motion and stillness, the rider navigates the spinning rhythms of life while maintaining a fragile equilibrium.
Renato Hunto
Italian, b.1982
The Hottest Side 2026
Spray paint and oil stick on canvas
Unique
Signed by the Artist
100 x 100 cm
£2,000
In The Hottest Side, Renato Hunto splits the portrait into contrasting visual languages, creating a tension between bold colour and restrained simplicity. One side bursts with geometric fragments, saturated tones, and layered graffiti gestures, reflecting the vibrant energy of the street. The opposing panel introduces a quieter counterpart, where simplified lines and softer textures reduce the face to its essential forms. This deliberate division creates a dynamic equilibrium between chaos and control, intensity and calm. The composition echoes Hunto’s broader practice, where emotion, love, and human connection surface through a visual language shaped by graffiti, pop colour, and urban culture. By dividing the figure into two expressive halves, the work captures a moment of duality, suggesting that within every presence lies both fire and stillness.
Renato Hunto
Italian, b.1982
That Kiss, 2026
Spray paint and oil stick on canvas
Unique
Signed by the Artist
90 x 110 cm
£2,000
In That Kiss, Renato Hunto fragments the human face into a vibrant constellation of colour, line, and emotion. Bold geometric planes intersect with expressive graffiti gestures, creating a composition where control and spontaneity coexist. The image carries echoes of cubist influence while remaining rooted in the immediacy of the street. Across the surface, bursts of colour and layered forms pulse with energy, while the eyes hold a quiet intensity that anchors the composition. Words such as “MY” and “KISS” emerge through the paint like fragments of a spoken message, recalling the language of graffiti where text and image merge into a single visual voice. Hunto’s work frequently centres on love, connection, and human presence within the chaos of the city, transforming the kiss into both declaration and moment of intimacy amid the noise of urban life.
Bordalo II
Portuguese, b.1987
Panda (Special Edition), 2025
Hand Embellished Giclée on Fine Paper Old Mill 300 grs
Uniquely Handfinished
Ediition of 200
Signed by the Artist
42 x 60 cm
Framed to Museum Standard
£1,800
Renowned for his transformative use of discarded materials, Bordalo II has become one of the most influential voices in urban contemporary art. His work confronts the realities of waste culture, reimagining what society throws away into striking visual statements that challenge our relationship with the natural world. The Panda Special Edition translates the spirit of his monumental Big Trash Animals sculptures into an intimate, collectible format. A global symbol of conservation, the panda reflects the fragile balance between nature and human impact. Each print within the edition is individually handembellished by the artist, ensuring that no two works are ever identical. Every piece carries Bordalo II’s unmistakable intervention, transforming the edition into a series of unique works that bring the energy and message of his sculptural practice into a refined, collectible form.
Bordalo II
Portuguese, b.1987
Leopard (Special Edition), 2025
Hand Embellished Giclée on Fine Paper Old Mill 300 grs
Uniquely Handfinished
Edition of 200
Signed by the Artist
42 x 60 cm
Framed to Museum Standard
£1,800
Renowned for his transformative use of discarded materials, Bordalo II has become one of the most influential voices in urban contemporary art. His work confronts the realities of waste culture, reimagining what society throws away into striking visual statements that challenge our relationship with the natural world. The Panda Special Edition translates the spirit of his monumental Big Trash Animals sculptures into an intimate, collectible format. A global symbol of conservation, the panda reflects the fragile balance between nature and human impact. Each print within the edition is individually handembellished by the artist, ensuring that no two works are ever identical. Every piece carries Bordalo II’s unmistakable intervention, transforming the edition into a series of unique works that bring the energy and message of his sculptural practice into a refined, collectible form.
SNIK
British, b.1991 and b. 1984
Solitude (Twilight Blue), 2026
Stencil and Spray Paint on Canvas with Aged Varnish
Unique
Signed by the Artist
30 x 40 cm
£1,950
Solitude presents a female suspended between eras. Her gaze turns inward, composed and self-contained, as fabric gathers and spills around her in luminous folds. Tangled hair and delicate wildflowers drift across her form, echoing a contemporary meditation on Pre-Raphaelite sensibility. Vines and blossoms trace her presence as reminders of growth that persists quietly through time. In Solitude (Twilight Blue), SNIK introduce the night’s final stillness. The cool blue palette evokes the fading atmosphere before morning begins to stir, where solitude becomes a space of reflection and calm presence.
SNIK
British, b.1991 and b. 1984
Solitude (Amber Light), 2026
Stencil and Spray Paint on Canvas with Aged Varnish
Unique
Signed by the Artist
30 x 40 cm
£1,950
Solitude presents a female suspended between eras. Her gaze turns inward, composed and self-contained, as fabric gathers and spills around her in luminous folds. Tangled hair and delicate wildflowers drift across her form, echoing a contemporary meditation on Pre-Raphaelite sensibility. Vines and blossoms trace her presence as reminders of growth that persists quietly through time. Solitude (Amber Light) occupies the delicate centre of the series. The amber palette introduces warmth without full brightness, evoking the suspended moment when light and darkness share equal presence. Within this gentle equilibrium, solitude feels balanced and quietly illuminate
SNIK
British, b.1991 and b. 1984
Solitude (Golden Dawn), 2026
Stencil and Spray Paint on Canvas with Aged Varnish
Unique
Signed by the Artist
30 x 40 cm
£1,950
Solitude presents a female suspended between eras. Her gaze turns inward, composed and self-contained, as fabric gathers and spills around her in luminous folds. Tangled hair and delicate wildflowers drift across her form, echoing a contemporary meditation on Pre-Raphaelite sensibility. Vines and blossoms trace her presence as reminders of growth that persists quietly through time. In Solitude (Golden Dawn), the radiant palette suggests the gentle arrival of morning. Golden light gathers across the composition, bringing warmth and quiet renewal. The figure remains contemplative, though the atmosphere now carries the promise of a new beginning.
Enivo Brazilian,
b.1986
Equinox, 2026
Art toy lamp made of ABS Plastic with half silver-plated paint & mixed media
Edition of 250
52 x 28 x 20 cm
£1,500
A master of post-graffiti abstraction, Futura continues his exploration of form and light with Pointman AV-003S, a striking silver figure that blurs the line between sculpture and technology. The illuminated robot-like form radiates a futuristic calm, transforming ambient light into an extension of his iconic visual language.
Enivo
Brazilian, b.1986
Época Épica, 2026
Acrylic and spray paint on canvas
Unique
Signed by the Artist
60 x 70 cm
£1,500
In Época Épica, Enivo presents a contemporary figure poised between myth and modern life. Elevated on bricks beneath a star-filled sky, the character appears both heroic and play ful, suggesting a new kind of epic protagonist grounded in everyday reality. A serpent coils around the body, evoking circulating energy, knowledge and temptation, while a loyal dog introduces companionship and earthly presence. The mobile phone becomes a portal to digital space, extending the figure’s reach beyond the physical world. Neon gradients pulse across the body, merging organic vitality with artificial light. The title suggests a “heroic era,” yet Enivo reframes the epic within the present moment. Within this contained cosmos, ancient symbols, technology and lived experience converge, proposing that today’s mythologies are shaped not by distant legends but by the complex realities of contemporary life.
Enivo
Brazilian, b.1986
Passeio Cósmico, 2024
Acrylic and spray paint on canvas
Unique
Signed by the Artist
33 x 50 x 29 cm
£1,300
In Passeio Cósmico, Enivo places a solitary figure within a surreal interior that opens onto a vast, star-filled cosmos. The character’s elongated form and radiant gradient body stretch upward into a luminous loop, suggesting a connection between earthly presence and celestial space. Suspended between the intimate and the infinite, the scene unfolds like a quiet moment of wandering through imagined dimensions. The title evokes the Brazilian notion of a passeio, a gentle stroll or drifting exploration rather than a purposeful journey. Surrounding elements, including a watchful dog, scattered objects and a glowing mobile phone, introduce subtle references to contemporary life. The presence of the dog introduces loyalty and companionship, softening the vastness around them. Small digital symbols, including emojilike motifs, echo the language of everyday communication, reflecting Enivo’s interest in how emotions and experiences are expressed through modern visual codes.
Enivo Brazilian, b.1986
A Fuga, 2024
Acrylic and spray paint on wood
Unique
Signed by the Artist
30 x 30 x 10 cm
£1,300
In A Fuga, Enivo captures a figure suspended mid-leap, poised between urgency and control. The body stretches forward across fractured ground beneath a deep night sky, suggesting movement that is both physical and symbolic. A brick strapped to one shoe introduces weight and resistance, while a small emoji on the knee injects a note of contemporary emotion into the scene. Nearby, skeletal riders advance on a motorbike, quiet reminders that consequence and memory travel close behind. Circular voids puncture the floor, opening onto cosmic depth. Drawing on the Brazilian notion of fuga as both escape and transformation, Enivo frames the leap as a conscious passage, where movement itself becomes an act of resilience and self-determination.
