Architecture Portfolio 2021

ARCHITECTURAL DESIGN

PORTOFOLIO 2021

ARCHITECTURE PORTFOLIO 2020

GLENIZZA IRUKA

PERSONAL INFORMATION Name DOB Phone Email Linkedin

: Glenizza Iruka : Clayton, January 18th 1999 : +6285156554720 : glenizza.iruka01@gmail.com : Glenizza Iruka

EDUCATION 2013 - 2016

SMANU MH Thamrin

2016 - 2020

Bandung Institute of Technology Bachelor of Architecture

COMMITEE & ORGANIZATION 2019

Minister of Student Association ‘Baracita’ Cabinet KM ITB

2019

Senator in Charge

2018

Design & Creative Division (Staff) Community Project & Field Study IMA-G, Architecture Student Association ITB

2017

Head of Appreciation, Student Association Ministry ‘Senurani’ Cabinet KM ITB Treasury Department (Staff) IMA-G, Architecture Student Association ITB Student Guard Division (Staff) IMA-G, Architecture Student Association ITB

2016

Guard Division, April Graduation Ceremony ITB

2015

Secretary MH Thamrin Senior High School Student Council

IMA-G, Architecture Student Association ITB Research Discussion Division (Staff) IMA-G, Architecture Student Association ITB

WORKSHOP AND SEMINAR

2 1

2018

National Seminar Challenges and Opportunities of Disaster Evacuation Shelter in dealing with Indonesian Disaster Situation Parahyangan University (participant)

2019

Architectural Design Seminar for Transit Oriented Design Bandung Institute of Technology The Correlation of Density, Commercialization, and Comfort in North Bandung Station (speaker)

2020

Architecture & Scarcity Series “Harmonizing Elements of Nature as Architecture Conspirators” (participant)

ACHIEVEMENTS 2018

Best Student Work Architectural Design Studio III Cikapundung Gallery and Urban Workshop, Bandung

2018

Best Student Work Landscape Architecture Design Studio ITB Architecture Department representative for Korean Architectural Accrediting Board (KAAB)

2019

Best Paper Seminar Subject for Transit Oriented Design The Correlation of Density, Commercialization, and Comfort in North Bandung Station

2019

Best Student Work Architectural Design Studio IV Resilient School Design Project Apartment Design Project

EXPERIENCE 2019

Agung Sedayu Group, Architect Intern

2020

PT. Pandega Desain Weharima (PDW Architects), Urban Designer Intern

SKILLS Language

: English (Written and Spoken) for professional and daily Bahasa Indonesia

Software : Microsoft Office

Adobe Photoshop

Adobe InDesign

Adobe Illustrator

AutoCAD SketchUp Vray Lumion

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4

C O N T E N T S

The Mod

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6

The Void

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Jangkar Tikolo

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4

Svarna Astamaya

BEACH RESORT an Bajo

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Rucca

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Wae Rana Beach is one of an undeveloped tourism potential areas in Labuan Bajo.The beach is located on the west coast of Labuan Bajo City with an area of 3.8 hectares and has a strategic access t o l o c a l / e n v i r o n m e n t a l r o a d s . T h e r e f o r e , l e i s u r ePortofolio function i s -aGlenizza Iruka 2021 suitable function to be developed because of its private location, tranquility, and natural potential.

5

THE MOD The Mod is a modern style residential project with fenceless cluster concept. The design aims to be inovative and functional, as well as able to accomodate daily needs. The simplicity not only being represented by the design, but also with efficient and affordable materials with easy maintenance. The scheme of the design is bright color with exposed material, combined with natural vegetation. With simple layout, it provides an easy connectivity among the rooms.

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Typology Location Area Status

: Residential : Jakarta : 64 sqm : Competition Entry

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Massing Transformation

1

2

8

3

4 SERVICE

BACK OPENINGS

ENTRANCE

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Floor Plan

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1st Floor Plan

2nd Floor Plan

3rd Floor Plan

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Exploded Axonometry

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Entrance Perspective

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+8.90 m

+6.10 m

12

+3.30 m

+0.50 m

Section Portofolio 2021 Glenizza Iruka

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Mater Bedroom

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1st Floor Common Room

Kitchen + Dining Room

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2nd Floor Common Room

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2nd Floor Common Room

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Bird-eye Perspective

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THE VOID The Void is a contemporary tropical house built above a sloping land.

The prime location, which is nearby to office district in South Jakarta,creates a discernly busy neighborhood that might affect the household comfort. Fortunately,the 540 m2 land allows the built area to have enough space for setbacks to keep the property private. In order to respond the tropical climate,the design optimizes passive cooling by applying cross ventilation in the spacious void which is located on the center of the mass as well as natural lighting, corresponding with building orientation. Therefore, with the achieved comfort,the design aims to result in more productivity.

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Typology Location Area Status

: Residential : South Jakarta : 540 sqm : Design Proposal

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Massing Transformation 1

540 sqm area

2

3

22

Mass extrusion

4

Building setback to create large open space

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Splitting the mass and level adjustment to respond the existing slope

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The void connects the two masses giving the natural cross ventilation and natural lighting

Design Concept

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The main concept of the design consists of user privacy, tropical properties, and enhancement of user’s health by applying natural elements.

As for the sloping land, to prevent too much cut and fill, the building itself is formed following the land elevation, resulting split level concept to be applied. The vertical connection between 2 masses creates stacking masses which are ofsetted to create balcony and veranda.

Concrete and steel structure add more rigidity to the building. For the exterior wall, the concrete is exposed to give more texture, meanwhile the interior has less texture with a bright paint coverage.

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Floor Plan

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1st Floor Plan

2nd Floor Plan

The building consists of 3 storeys, which applied the split-level cocept, responding to the slope. What’s different from the common Indonesian house is the room sequence. Given the experience and privacy consideration, the kitchen is located in the front area of the building, separated with natural sets of element with the living room in the back area.

The concept is to create a box-like mass with distinct separation between the main structure and the walls. Therefore, the structures are exposed and the walls are built not located right under the beam, instead being pushed inside, creating overhangs.

There is also a gap to let more air flows into the room between the wall and the ceiling.

3rd Floor Plan Portofolio 2021 Glenizza Iruka

There is a side access that leads to the back of the building. Decorated with tropical vegetations combined with concrete exterior walls, the area becomes the direction of the openings.

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Side Access Perspective

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Building Section

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The main purpose of the void is to distribute cooling air into the building. The void itself is located in the center of the building to evenly gives its advantages. The skylight functions as the natural lighting during the day, creating shade and shadow on the wall beneath.

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Void Area Perspective

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Water element acts as natural cooling, simultaneously being the partition between the kitchen and the living room. The small pool also becomes the surface where natural lights from the skylight reflects. Combined with wall vegetation and wooden staircase, the interior element creates a more natural ambience for daily activity.

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Kitchen Area Perspective

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Common Room Perspective

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Main Bedroom Perspective

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Gate View Perspective

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JANGKAR TIKOLO Labuan Bajo means the berth of the Bajo Tribe, a tribe known for its expertise in sea wandering. They understand very well to read the directions given by nature. The Tikolo Anchor building, which is oriented precisely to the direction of the sunrise and sunset, can be a new corner for Bajo residents to move forward together towards a better future.

The form is adapted from the traditional Musalaki house, meaning the house of the chairman who acts as a problem slover. Horizontally, the mass of the monument is made soaring as a link between humans and their creator (Mori Kraeng). Because it is located at the highest point, visitors will be presented with a landscape that essential to be feeling more grateful spiritually.

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Typology Location Area Status

: Tourism Hub : Labuan Bajo : 3.5 Ha : Competition Entry (Team)

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Site Analysis Macro Site Boundary

Local Tourism Attraction

Socio-economic and Demographic Condition • •

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• • •

Total Population of West Manggarai Regency Approximately 250,000 rerson The population is dominated by the productive age group of 66% total population High concentration in urban areas, but not yet supported adequate educational facilities, especially to support tourism The agricultural sector supports 41% of the regional economy, however each year has decreased, while the related sector tourism is increasing slowly Data for 2019 shows PAD in the tourism sector is 16 billion (100 percent increase from 2018)

Given Macro Site Zoning

No. No.

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Zone

Zone Area (m2)

Area (m2)

Site Analysis Site Connectivity Development main access road to enter the site up to the main boulevard

alternative access

proposed road widening (quality improvement) and pedestrianiation

supporting access within the area is prioritized for pedestrians and small vehicles

35 ICONIC LANDMARK LOCATION

Proposed Macro Tourism Trail

RECREATION

COMMERCIAL & RECREATION

HUB & PLAZA

OFFICE & VISITOR CENTER

COMMERCIAL & RECREATION

RECREATION

SMALL HUB

PUBLIC PLACE

ICONIC CULTURAL & CREATIVE PARK

COMMERCIAL & RECREATION

ICONIC LANDMARK LOCATION

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Siteplan 1. Office & Visitor Center 2. Display Area 3. Cafetaria 4. Amphothreatre 5. Cultural Stage 6. Display Corridor 7. Viewing Deck 8. Display Area 9. Viewing Deck 10. Monument 11. Exit Path

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Siteplan Concept

1

2

Landmark as the focal point is located oh the highest terrain

3

The entrance of the landmark building refers to sun’s axis

The building masses are integrated with land’s elevation to reduce intervention towards land’s limestone characteristics

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4

5

Viewing deck designed to enable 3600 view

Main circulation connects all the functions, inspired from local architecture identity

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Walls at the intersection between building masses with circulation lane to add more character

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Site Section

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Design Concept - Building Transformation

Musalaki Traditional Village

Bena Traditional Village

The roof geometry adopts the form of a saddle-shaped with a straw material covering and a wooden structure connected to the steel column.

As for the mass of the monument, the geometry is a pyramid with the mass composition inspired by one of the traditional houses in East Nusa Tenggara, namely the Musalaki traditional house.

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The use of repetitive wall traps was inspired by the shape of the building in Bena Traditional Village. The stone wall which also serves as the foundation of this building is a legacy of megalithic architecture, so it has cultural values ​​that need to be preserved.

Conceptually, this stone wall also serves to create a connection between the outer and inner spaces.

Entrance View Portofolio 2021 Glenizza Iruka

Design Concept - Local Material

The main material used is inspired by buildings that have lasted for hundreds of years.

Building materials such as stone, wood, and thatch are easy to find around the site and create a distinctive flores atmosphere.

In addition, this combination of materials also aims to preserve the architectural values ​​ of Flores that have developed for a long time and can encourage local workers to participate in development. These materials are then combined with more contemporary materials such as concrete and steel to form future-oriented architecture while still making use of past knowledge.

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Visitor’s Center Interior View

Axonometry Skylight Glass Thatch Roof

Wood Structure

Thatch Roof

Wood Structure

Steel Structure

Steel Structure

2nd Floor

2nd Floor Concrete Beam

1st Floor

1st Floor

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3600 Viewing Deck

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+2.50 +3.50

U

+4.50

+4.50

+4.50

+4.50 +4.50

+4.50

+4.50

+4.50 +4.50

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Office & Visitor’s Center Floor Plan

Office & Visitor’s Center Section Portofolio 2021 Glenizza Iruka

0

2

6

12

20m

Visitor’s Center Interior

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-24.00

-7.30 -20.00 -12.85 -12.85

-16.00

-12.40

-11.95

-11.50

-11.50

COURTYARD -11.05

-11.05

-10.60

-10.60

-9.15

-9.15

-8.70

-8.70

ENTRANCE MUSEUM

UP

-8,70

LOBBY

-8.70

-8,70

-8.70

KAFETERIA

AREA PAMERAN TEMP

-8.70

-8.70

PENTAS BUDAYA

-8,70

-8.70

-0.40

MUSHOLLA ± 0.00

-8.70

R. PERSIAPAN

R. KOLEKSI PAMERAN

-8.70

CCTV

R. KURATORIAL

-8,70

R. OPERASIONAL RSG ± 0.00

-8,70

-8,70

R. DAPUR -8.70

-0.10 -0.20 -0.30 -0.40

UP

R. ME -8.70

-4.50

UP

-4.50

-0.90

-1.80

-2.70

-8.70

-3.60

-4.50

1st Floor Plan

Museum & Multifunction Room ±0.00

PANGGUNG -3.00

±0.00

-4.50

+3.30

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-0.90

±0.00

-1.80

-2.70

-4.50

-3.60

-7,00

N

MA

+3.30

+3.30

10m

20m +3.30

30m

TOILET WANITA - 0.10

Museum & Multifunction Room Section Portofolio 2021 Glenizza Iruka

-4.50

-4.50

-4.50

-4.50

.

. .

.

.

.

.

DOWN

.

.

R. SEMINAR

R. SEMINAR

+0.40

PROMOSI WISATA

+0.40

.

.

+0.40

PAMERAN UTAMA

.

+0.40

.

DN

DOWN

.

.

2nd Floor Plan

Museum & Multifunction Room .

.

.

.

.

.

.

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.

.

.

.

.

.

.

N

.

.

10m

20m .

30m

TOILET WANITA - 0.10

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Display Area & Corridor

Museum & Multifunction Room View Portofolio 2021 Glenizza Iruka

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Display Area & Corridor

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Design Concept - Landmark Transformation

2

1

Atap

Atap

Wisu / Atas Lantai

Maga / Lantai Wisu / Atas Lantai Kuwu Lewa / Pondasi Maga / Lantai Kuwu Lewa / Pondasi

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The main mass division of the building refers to one of the Flores traditional houses, namely the Musalaki traditional house.

Where there are 4 main building structures, namely Kuwu Lewa / Foundation, Maga / Floor, Wisu / Top Floor, and roof.

3

The concept of substraction with horizontal and vertical planes aims to provide the effect of sunlight illumination.

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Atap

1. Placement of the entrance on the dominant axis of the north and south

su / Atas Lantai

Maga / Lantai

2. The dominant side of the monument faces to the south is being exalted, respecting the mountain

Lewa / Pondasi

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The use of wall traps and columns as character reinforcement which is integrated with the overall building concept

Orientation and Local Belief Landmark buildings are placed at maximum height to create a view orientation of 1800. The building is located at the end of the tourism trail which is the final destination and peak of the journey, so it has its own sacred value. Therefore, the cultural values ​​of East Nusa Tenggara which are spiritual in nature are implemented in landmark buildings.

The cosmology or belief held by the people of NTT is mainly the concept of verticality, which explains the relationship between animals, humans, and Mori Kraeng (Creator). This concept is implemented into landmark buildings, which are structurally consisting of 3 levels with the top level being the highest.

The concept of light illumination originating from the hemispheres of the tower and podium area aims to strengthen the spiritual character associated with the sun as the source of life for all living things.

In addition, to respect the nature around the tower facing south is made higher in honor of the mountains to the south.

Axonometry Elevator Machine

Concrete Plate

Steel Core Structure

Concrete Plate

Concrete Column

Concrete RetainingPlate

Concrete Beam

Elevator Pit

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Monument Section

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Monument Perspective with Light Illumination

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SVARNA ASTAMAYA BEACH RESORT Wae Rana Beach is one of the undeveloped tourism potential with strategic location located in Labuan Bajo.

The beach is located on the west coast of the island with area pf 3.8 hectares. It is near the airport and only 15 minutes away from the city center with road infrastructure facility (local & environmental). Based on Labuan Bajo landuse regulation, the area is aim to be developed as recreational and leisure function beacuse of it’s natural potential, especially view to the Flores Sea and the spreading islands across the beach.

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Typology Location Area Status

: Resort : Labuan Bajo : 3.8 Ha : Final Project

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Site Analysis National & International Connectivity

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Site Aerial View

Site Location

Local Tourism Attraction

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Resort References

Site Analysis Contour & Landslope ( per 4 m)

Climate Temperature Wind speed Humidity Precipitation

: 24.20-30.30 C : 9 - 20 km/hour : 86% : 30%

View Potential A

A

B

Cinta Hill

B

Wae Rana Hill D

C

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C

Wae Cicu Beach

D

Wae Rana Beach

Existing Road Ja

la

n

Pa

nt

ai

W

ae

To Wae Cicu Beach

Ra

na

Jalan Bu

1

kit Cint

a

2

To Airport & Bukit Cinta

1 2

3

Jala

nP ant a

iW

ae

Ran

a

3

To Pede Beach & Labuan Bajo Port

Land Regulation GSP (100 M) GSB (15 M) Sea Line

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Siteplan Topview

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Siteplan Sideview

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Site Section

Exploded Zoning

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Design Concept Macro Issues Diagram Natural Properties

LOCAL IDENTITY

SENSE OF PLACE

User

TANGIBLE

INTANGIBLE

LOCAL GEOMETRY

LOCAL LABOR

LOCAL MATERIAL

LOCAL ARCHITECTURE PHILOSOPHY

VIEW ORIENTATION RADIAL CIRCULATION

61 Micro Issues and Design Solution • Circulation The circulation path adopts radial and curved shape, representing flexibility. It also combines natural material on the side of pedestrian & vehichle road to give more experience and natural ambience

• User Extent Referred to Kaplan’s Attention Restoration Theory, to provide a restorative effects, the natural envronment should have an extent, being away, soft fascitanion, and natural compatability. These aspects are implemented through the design of the beach resort

• Building Envelope The geometry is inspired from Wae Rebo Traditional Village with it’s traditional house, Mbaru Niang.

The cone shape roof with bamboo structure combined with concrete mixed with riverstone column gives more of a raw eastern Indonesia Experience.

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Main Building Floor Plan

1ST FLOOR PLAN

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2ND FLOOR PLAN

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Main Building Section

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Main Building Perspective

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Bar & Beach Club Floor Plan

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Bar & Beach Club Section

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Bar & Beach Club Perspective

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Bar & Beach Club Perspective

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SVARNA ASTAMAYA

Resort Typology : Standard Room

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architecture finalproject

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Ty p e A

1-2 pers pantry bedroom bathroom private p Portfolio 2020 glenizza

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SVARNA ASTAMAYA

Resort Typology : Deluxe Room

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architecture finalproject

Ty p e B

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1-2 per kitchen dining t pantry bedroom bathroo private Portfolio 2020 glenizza

SVARNA ASTAMAYA

Resort Typology : Suite Room

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architecture finalproject

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Ty p e A

1-2 pers pantry bedroom bathroom private p Portfolio 2020 glenizza

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SVARNA ASTAMAYA

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chitecture finalproject

1

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Bird-eye perspecctive

S VA R N A A S TA M AYA B E A C RESO at Wae Rana, Labuan Ba Portfolio 2020

CH RT ajo

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Wae Rana Beach is one of an undeveloped tourism potential areas in Labuan Bajo.The beach is located on the west coast of Labuan Bajo City with an area of 3.8 hectares and has a strategic access to local / environmental roads. Therefore, leisure function is a suitable function to be developed because of its private location, tranquility, and natural potential.

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Bird-eye perspective

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Resort Interior

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RUCCA : MIXED USE IN CIBADAK Rucca is a mixed use building located in Bandung City Center. Within the heavy traffic of retail and office, the building provides dwelling place in strategic location with wide variety of facility, including more retail spaces for business owner. Many cities are currently experiencing a process of deterioration in historically well known area that was the source of economic and social life. Apart from the buildings are old, lack of maintenance also exacerbated the problem. A solution is needed to revive the area those poorly supports the socio economic activities. According to environmental research and analysis, mixed use buildings are practical and economical strategy to encourage the entry of private investors in an urban regeneration program.

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Typology Location Area Status

: Mixed Use : Bandung : 7.822 sqm : Architural Studio Project

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Site Analysis

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Site Analysis

Surrounding View

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Groundplan

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river setback

1. Mass extrusion

4. Green open space & plaza

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2. Mass subtraction

5. Roof garden

3. Verticall mass addition

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Section

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Exploded Vertical Connectivity & Utility

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Void Interior Perspective

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Meeting Room & Co-working Space

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Meeting Room & Co-working Space

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The back of the building functions as rented co-working and meeting rooms as well as office area. These rooms need to be noise-free, supporting the activity that held in it. Therefore, denser building enclosure is used to phsycologically prevent people whom have no inquiries to enter the area.

The building has 2 storeys, which consists of rented room on both floors. The higher the storey, the quieter the rooms are. Co-working rooms are located on the lower storey, facing the central void decorated with plants and outdoor seatings. While the upper storey consists of meeting rooms which need more privacy in order to gain more concentration. These rooms also face the void with open corridor as the circulation path

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Meeting Room & Co-working Space

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Riverside Seating & Park

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Riverside Park

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Typical Floor Plan

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Typical Facade Detail Concept

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Apartment Interior

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Podium Deck

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Podium Deck

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Section Portofolio 2021 Glenizza Iruka

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Bird-eye perspecctive

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