Marking Twelve Years of Paul Watkins’ Artistic Leadership

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Marking Twelve Years of Paul Watkins’ Artistic Leadership

Honoring 12 Years of Paul Watkins’ Artistic Leadership
Music unfolds in time.
Each phrase has its own pulse, each work its own rhythm, each season its own signature. In Time Signatures, the Great Lakes Chamber Music Festival marks a defining moment: the final season of Artistic Director Paul Watkins, whose twelve-year tenure shaped the Festival with clarity, generosity, and deep musical intelligence. Like a well-crafted score, his leadership balanced structure and freedom—honoring tradition while making space for discovery, collaboration, and bold artistic voices.
This season is both a reflection and a continuation. From first notes to final bows, we celebrate the music that has defined our shared journey—works that return like familiar motifs, alongside performances that point toward what comes next. Together, they set the tempo for a resonant future.
The Festival unfolds over two weeks like a carefully paced composition. Concerts range from grand evening performances to intimate midday encounters, from formal halls to museums, libraries, and community spaces.
To make planning simpler, concerts are now grouped into Time Signature Series and Partner Series, allowing you to choose the rhythm that works best for you.

Stone Composerin-Residence David Serkin Ludwig shapes our opening and closing nights with music that bridges tradition and the present moment.

The Calidore String Quartet returns—once part of our Shouse Institute, now one of America’s leading ensembles.

A spectacular two-piano recital from Alessio Bax and Lucille Chung performed in the round with the audience gathered close to the music.

When I became Artistic Director of the Great Lakes Chamber Music Festival, I was struck by the spirit of dialogue between artists, between audiences, and between past and present. Over twelve seasons, I have seen those relationships deepen and expand, shaped by trust, curiosity, and an unwavering belief in the power of chamber music to connect us.
The theme Time Signatures feels especially meaningful now. In music, a time signature provides structure, but it does not dictate expression. Within it, musicians listen, respond, and together breathe life into a piece. That balance between form and freedom has guided my time with this Festival.
This season brings together works that have marked important moments along our path, alongside contemporary voices that remind us why chamber music continues to matter: because it is intimate, human, and shared in real time. I am profoundly grateful to the musicians, staff, board, and audiences who have made this journey possible. Thank you for listening so deeply, and for being part of this extraordinary community.

Paul Watkins, Artistic Director

These performances are presented and ticketed directly by the Festival and may be included in a Festival Flex Pass Subscription package or purchased individually. Concerts take place at core Festival venues, feature world-renowned artists, and offer the full chamber music experience.
TICKET PRICING
$45 General Admission
$15 Student

SUN JUNE 14 • 7 PM
Seligman Performing Arts Center
22305 13 Mile Rd., Beverly Hills
Sponsored by Linda & Maurice Binkow
OPENING NIGHT:
SIGNATURES IN SOUND
TWELVE YEARS IN THE MAKING
Bax, Chung, Watkins, Frautschi, Kaloyanides Kennedy, Lam, Setzer, Detroit Chamber Winds & Strings, Calidore String Quartet, Candide Quartet, ZaRiah, members of Amnis Piano Quartet & Trio Eris
LUDWIG Missa Brevis
VIVALDI Concerto No. 10 for Four Violins in B minor
MARSALIS Selections from At the Octoroon Balls – String Quartet No. 1
MOZART Concerto No. 7 for Three Pianos and Orchestra in F major
Doors open at 6 p.m. for a Pop-Up Gallery featuring Visual Artist Elizabeth Youngblood
Special Reserved Seating Available for $75
OPENING NIGHT RECEPTION
Sponsored by JPMorgan Chase
Join the Great Lakes Chamber Music Festival for a reception following the concert.
Suggested donation to attend is $50 per person.
TUE JUNE 16 • 7 PM
Temple Beth El
7400 Telegraph Rd., Bloomfield Hills
Sponsored by Isabel & Lawrence Smith
RISING STARS
THE NEXT GENERATION SETS THE TEMPO
Amnis Piano Quartet, Candide Quartet, Trio Eris, ZaRiah
BRIDGE Phantasy Piano Quartet in F-sharp minor, H. 94
BEETHOVEN String Quartet No. 3 in D major, Op. 18, “Lobkowitz”
BARBER Summer Music for Wind Quintet
MENDELSSOHN Piano Trio No. 2 in C minor
Join Paul Watkins and Jennifer Frautschi for a pre-concert Q&A at 6:30 p.m.
WED JUNE 17 • 7 PM
Temple Beth El
7400 Telegraph Rd., Bloomfield Hills
Sponsored by Plante Moran
ROMANTIC DIALOGUES
MUSIC OF INTIMACY & INTENSITY
Frautschi, Setzer, Josefowicz, Lam, Watkins, Calidore String Quartet
STRAUSS String Sextet from Capriccio
RAVEL Sonata for violin and cello
SCHUBERT String Quartet No. 14 in D minor, Death and the Maiden
THURS JUNE 18 • 7 PM
Temple Beth El
7400 Telegraph Rd., Bloomfield Hills
Sponsored by Marguerite Munson Lentz & David Lentz
THE BREATH OF TIME
SCHUBERT’S GREAT C MAJOR QUINTET
De Silva, Frautschi, Watkins, Calidore String Quartet, Trio Eris
ESMAIL Saans for Piano Trio
ELGAR Violin Sonata in E minor
SCHUBERT String Quintet in C major
FRI JUNE 19 • 7 PM
St. Hugo of the Hills – Gathering Space 2215 Opdyke Rd., Bloomfield Hills
Sponsored by Jill & Steven Stone
COUNTERPOINT
TWO-PIANO CONCERT
Bax, Chung
MOZART arr Busoni: Duettino Concertante for Two Pianos
POULENC Concerto for Two Pianos in D minor
DEBUSSY arr. Ravel: Prélude à l’après-midi d’un faune for Piano Four Hands
DEBUSSY arr. Dutilleux: Clair de Lune for Two Pianos
RAVEL La valse for Two Pianos
PIAZZOLA arr. Bax/Chung: Tres Tangos
SAT JUNE 20 • 7 PM
Temple Beth El 7400 Telegraph Rd., Bloomfield Hills
Sponsored by Beverly Baker & Dr. Edward Treisman
SPIRITED EXCHANGES
HAYDN’S WIT, SHOSTAKOVICH’S EDGE, SCHUMANN’S EXUBERANCE
De Silva, Josefowicz, Setzer, Huang, Watkins, Candide Quartet
HAYDN String Quartet No. 2 in D minor, Op. 76, “Quinten”
SHOSTAKOVICH Two Pieces for String Octet
SCHUMANN Piano Quintet in E-flat major
TUE JUNE 23 • 7 PM
Kirk in the Hills – Refectory 1340 W. Long Lake Rd., Bloomfield Hills
Sponsored by Kathleen Block
RULE OF THREE
LUDWIG, BEETHOVEN, BRAHMS
Vonsattel, Hristova, Kaloyanides Kennedy, Lam, Huang, Pajaro-van de Stadt, Arron, Watkins
LUDWIG Rule of Three for two violins & viola
BEETHOVEN Piano Sonata No. 17 in D minor, Op. 31, No. 2, “The Tempest”
BRAHMS String Sextet No. 1 in B-flat major

WED JUNE 24 • 7 PM
David Klein Gallery 678 Livernois St., Ferndale
Sponsored by Joy & Allan Nachman and Linda Goodman in memory of Dolores Curiel
TASTING NOTES
SIP, SAVOR, AND HELP SHAPE THE MUSIC Waddles, Mondry
This relaxed concert pairs wine and cheese with spontaneous piano and harpsichord improvisation—driven by audience requests in a spirited, dueling-style format.
THURS JUNE 25 • 7 PM
Kirk in the Hills – Refectory
1340 W. Long Lake Rd., Bloomfield Hills
Sponsored by Nancy Duffy
THE ARCHITECTURE OF TIME
MESSIAEN’S TRANSCENDENT MASTERPIECE
De Silva, Vonsattel, Hristova, Watkins, Shifrin, Candide Quartet
SHAW Plan & Elevation: The Grounds of Dumbarton Oaks
BRAHMS Cello Sonata No. 1 in E minor MESSIAEN Quartet for the End of Time
SAT JUNE 27 • 7 PM
Kirk in the Hills – Refectory
1340 W. Long Lake Rd., Bloomfield Hills
Sponsored by the Maxine and Stuart Frankel Foundation
CLOSING NIGHT:
SWAN SONG
A CELEBRATION OF PAUL WATKINS
Snyder, Vonsattel, Hristova, Setzer, Pajaro-van de Stadt, Arron, Watkins, Shifrin, members of Amnis Piano Quartet & Trio Eris
BEETHOVEN Clarinet Trio in B-flat major, Op. 11
LUDWIG Swan Song
POPPER Requiem for Three Cellos and Piano
MENDELSSOHN Octet in E-flat major
Tickets are very limited. Reserve early.
Join composer David Serkin Ludwig for a pre-concert Q&A at 6:30 p.m.
CLOSING NIGHT ENCORE! The Kingsley Bloomfield Hills
39475 Woodward Ave., Bloomfield Hills
Join the Great Lakes Chamber Music Festival for a reception following the concert.
Tickets: $100 per person.
Venue-Ticketed or Free Events (not subscription eligible)
Some Festival events are presented in partnership with host venues or are free to the public. Tickets for these performances are either sold directly by the venue, included with museum admission, require registration, or are offered at no cost. While these concerts remain an essential part of the Festival’s artistic and community footprint, they are not eligible for subscription discounts.

THURS JUNE 25 • 7 PM
The Capitol Theatre – Pentastar 121 University Ave. W., Windsor, ON Sponsored by The Morris & Beverly Baker Foundation
RHYTHMS OF PLACE
CLASSICAL FORM MEETS FOLK RHYTHM
Pajaro-van de Stadt, Trio Eris, ZaRiah
MOZART Piano Quartet No. 2 in E-flat major
DVOŘÁK arr. Walter: String Quartet No. 12 in F major, “American” for Wind Quintet
SCOTT Startin’ Sumthin’

A cross-border collaboration that extends the Festival’s reach and celebrates shared cultural exchange.
TICKET INFORMATION (519) 973-1238 capitoltheatrewindsor.ca
The Catherine Filene Shouse Chamber Music Institute, led by Philip Setzer, provides a platform for emerging professional ensembles. Artistic Encounters are public coachings for Shouse Institute fellows in a setting similar to a masterclass. You are invited to attend these Artistic Encounters to get a behind-the-scenes look at what it takes to be a professional musician. As Beyond the Notes events, Artistic Encounters are FREE for anyone to attend.
MON JUNE 15 • 11 AM
Bloomfield Township Public Library
1099 Lone Pine Rd, Bloomfield Township
PHILIP SETZER
MON JUNE 22 • 11 AM
Bloomfield Township Public Library
1099 Lone Pine Rd, Bloomfield Township
MILENA PAJARO-VAN DE STADT
WED JUNE 17 • 11 AM
Bloomfield Township Public Library 1099 Lone Pine Rd, Bloomfield Township
WED JUNE 24 • 11 AM
Kirk in the Hills
1340 W. Long Lake Rd., Bloomfield Hills EDWARD ARRON

Performances within one of Detroit’s great civic spaces, where music, visual art, and architecture intersect.
SUN JUNE 21 • 2 PM
Detroit Institute of Arts – Rivera Court
5200 Woodward Ave., Detroit
Sponsored by Henry Grix & Howard Israel
STARTIN’ SUMTHIN’
A VIBRANT AND RHYTHM-FORWARD PROGRAM
Amnis Piano Quartet, ZaRiah
SHAW Thousandth Orange COLEMAN Suite: Portraits of Josephine
SCOTT Startin’ Sumthin’
BRAHMS Piano Quartet No. 1 in G minor
ADMISSION INFORMATION (313) 833-7900 | dia.org
Events are included with museum admission.
FRI JUNE 26 • 7 PM
Detroit Institute of Arts – Rivera Court
5200 Woodward Ave., Detroit
Sponsored by Barbara Heller
FRIDAY NIGHT LIGHTS
NEW VOICES & RADIANT CLASSICS
Amnis Piano Quartet, ZaRiah
GREEN World Premiere
SHIN The Pond Skater Does Not Like Water Anymore
POULENC Sextet for Wind Quintet and Piano
WALTON Piano Quartet in D minor

An intimate listening room where audiences experience chamber music at its most personal.
FRI JUNE 19 • 7:30 PM
Kerrytown Concert House
415 N. 4th Ave., Ann Arbor
Sponsored by Pearl Planning
MEASURED MOMENTUM
MUSIC PROPELLED BY PULSE & PRECISION
Vonsattel, Candide Quartet, ZaRiah
BEETHOVEN Piano Sonata No. 24 in F-sharp major
BARTÓK String Quartet No. 4 in C major
COLEMAN Suite: Portraits of Josephine
MOZART arr. Rechtmen: Serenade No. 12 for winds in C minor, K. 388
TICKET INFORMATION (734) 769-2999 kerrytownconcerthouse.com
FRI JUNE 26 • 7:30 PM
Kerrytown Concert House
415 N. 4th Ave., Ann Arbor
MODULATING MOODS FROM MOZART’S CLARITY TO DVOŘÁK’S DANCE
Shifrin, Candide Quartet, Trio Eris
MOZART Clarinet Quintet in A major STRAVINSKY Three Pieces for Solo Clarinet
DVOŘÁK Piano Trio No. 4 in E minor, “Dumky”
Music does not exist in isolation. Through Beyond the Notes, the Festival offers space for dialogue and time for connection that provides context to the music you hear, introducing composers and sharing stories that invite audiences of all backgrounds to engage more deeply with the art form and with one another.
Join Festival musicians and guest artists for conversations that deepen your connection to the music. These talks provide context for what you’ll hear on stage, uncovering the stories behind the compositions and the creative choices that bring them to life. Learn about the historical moments that inspired the works and what goes into interpreting a piece of music. Whether you’re new to chamber music or a seasoned listener, these discussions offer fresh insight without requiring any prior training.


Designed for diverse audiences, these interactive musical experiences bring chamber music into senior centers, libraries, and community centers across Oakland and Wayne Counties. Our musicians foster connection through shared listening and participation. These events celebrate music as a communal language that bridges generations and creates space for everyone to connect.
Education is woven into the Festival’s rhythm through meaningful partnerships with Wayne State University, Accent Pontiac, and school districts across Southeast Michigan, including L’Anse Creuse Public Schools. This year, we’re expanding our music education support to include Pontiac Public Schools and Bloomfield Hills Schools. Festival artists engage students through collaborative learning experiences that emphasize skill building, teamwork and creative expression. These initiatives reflect the Festival’s commitment to nurturing curiosity and access to the arts throughout our region.
Next Gen Coaching sessions during the Festival will provide high school ensembles with the opportunity to work with Shouse musicians under the guidance of violinist Philip Setzer, founding member of the Emerson String Quartet. As part of this pilot program, the Festival will host ensembles from Accent Pontiac and the DSO Civic Youth Ensembles.


One Note at a Time, the Festival’s Capital Campaign, aims to provide long-term support for Festival activities, with emphasis on artistic and operational excellence, as well as education and engagement.
For three decades, the Great Lakes Chamber Music Festival has thrived at the intersection of intimate friendships and world-class artistic dialogue. Inspired by great artists, great music, and great friends, the Festival has earned its reputation as a forward-thinking and effective institution.
Our extended family of artists, audience, board, and staff share a passion for us to grow, to expand our reach and embed ourselves more deeply in the cultural fabric of our community. We must continue to evolve, taking pride in our success while not resting on our laurels.
The world has changed dramatically since our birth in the early 1990s. Our opportunity is to leverage our experience and the good will that we have amassed to anticipate, respond to, and thrive in the new environment in which we find ourselves. One Note at a Time foresees a future of exceptional music-making and community engagement as we move forward with open eyes and ears, positioning the Festival for thirty more years of great chamber music.
To date, One Note at a Time has raised approximately $500,000 in cash and pledges toward its $1 million goal. For more information or to participate, contact Jocelyn Conselva at development@art-ops.org.
Elizabeth Youngblood is an artist, educator, designer and overall a maker of interesting things. Her fine art work is abstract. It's conceptual. She intends for her work to "To create an 'air pocket' in the torrent of what’s coming at us constantly. Ideally, that 'air pocket' will become a place in which to look slowly, and to ruminate.” Youngblood’s art-making practice includes working in the mediums of drawing, ceramics, weaving, bookbinding and more. Her interests in making have always been dual, both making by hand and designing for production.
She has been a faculty member at the University of Michigan, Ann Arbor and SUNY Purchase, NY, managed branding with Unisys, and designed for the New York Times. Youngblood is a native Detroiter, educated in Michigan at Cass Technical High School, University of Michigan, Ann Arbor and Cranbrook Academy of Art. After a stint in NYC and Philadelphia, she has returned to Detroit where she maintains a studio practice and continues to investigate the intersection of her range of interests.
Becoming Sky
[From the Believe In Spring series] by Elizabeth Youngblood
Photo credit: CJ Berringer











PAUL WATKINS
Artistic Director, cello
Sponsored by Gail & Ira Mondry
PHILIP SETZER
Shouse Institute Director, violin
Sponsored by Isabel & Lawrence Smith
ALESSIO BAX
piano
Sponsored by Franziska Schoenfeld
LUCILLE CHUNG
piano
Sponsored by Franziska Schoenfeld
ROHAN DE SILVA
piano
Eugene Istomin Endowed Piano Chair
JUSTIN SNYDER
piano
Ruth Laredo Endowed Piano Chair
GILLES VONSATTEL
piano
Sponsored by Gwen & S. Evan Weiner
ALVIN WADDLES
piano
Sponsored by Bridget & Michael Morin
NATHAN MONDRY
harpsichord
Sponsored by Carol (Susu) & Howard Fine and Gale Mondry & Bruce Cohen
JENNIFER FRAUTSCHI
violin,
Artistic Director Designate (beginning 2027)
Sponsored by Josette Silver











BELLA HRISTOVA
violin
Sponsored by Shoula Stefos & Mark Schumacher
LEILA JOSEFOWICZ
violin
Sponsored by Martha Pleiss
KIMBERLY
KALOYANIDES KENNEDY
violin
Sponsored by Marguerite Munson Lentz & David Lentz
YVONNE LAM
violin/viola
Sponsored by Sandi & Claude Reitelman and Barbara Solms
HSIN-YUN HUANG viola
Sponsored by Beverly Baker & Dr. Edward Treisman
MILENA
PAJARO-VAN DE STADT viola
Sponsored by Fay Herman
EDWARD ARRON cello
Sponsored by Cecilia Benner
DAVID SHIFRIN
clarinet
Sponsored by Adrienne & Herschel Fink
DAVID SERKIN LUDWIG
Stone Composer-in-Residence
RHYUHN GREEN
Stone Composer Fellow
ELIZABETH YOUNGBLOOD
visual artist
Sponsored by the Edw. C. Levy Co.


Jeffrey Myers, violin; Ryan Meehan, violin; Jeremy Berry, viola; Estelle Choi, cello
Jeffrey Myers sponsored by Shoula Stefos & Mark Schumacher
Henry Meyer Violin Chair (Ryan Meehan)
Paul Katz Endowed Chair in memory of Morris D. Baker (Jeremy Berry)
Estelle Choi sponsored by Cathleen Corken
Founded in 1982, DCWS has been a leading voice for chamber music in the Detroit area.
Sponsored by Geoff Nathan
Cindy & Harold Daitch
Lillian & Walter Dean
Virginia & Michael Geheb
Thea Glicksman in memory of Gregory Fox
Karen & Robert Heuer
Rayna Kogan in memory of Natalio Kogan
Andrea & Woody Leung
David Nathanson
Kathleen & Randolph Schein
Franziska Schoenfeld
Dolores Silverstein
Lauren & Dwight Smith
The Catherine Filene Shouse Chamber Music Institute brings the finest young professional chamber ensembles to the Festival for performing and coaching with Festival artists. This project is supported in part by the National Endowment for the Arts.

Linda Lee, piano; Minkyung Lee, violin; Matthew McDowell, viola; Jenny Bahk, cello

Henry Rogers, violin; Chili Ekman, violin; Amelia Krinke, viola; Vanny Hu, cello
Beverly Franzblau Baker Young Artist Chair (Vanny Hu)

Andrew Jun Chen, piano; KJ McDonald, violin; Thomas Lim, cello
Sponsored by James Tocco

SPHINX ENSEMBLE
Ben Smith, flute; Jamison Hillian, oboe; Katelyn Poetker, clarinet; AJ Neubert, bassoon; Oved Rico, horn
Sponsored by Kathleen & Randolph Schein
Honoring twelve years of artistic leadership and welcoming the next chapter
For twelve seasons, Paul Watkins has shaped the Great Lakes Chamber Music Festival with generosity, musical integrity, and a profound belief in collaboration. His leadership balanced tradition with discovery through commissioning new works and cultivating a culture artists and audiences describe as warm, rigorous, and joyful.
This season is a celebration of what has been built together. Although 2026 marks Paul's finale as Artistic Director, it is also the overture to the Festival's next chapter.


Beginning in 2027, acclaimed violinist Jennifer Frautschi will assume the role of Artistic Director.
A two-time GRAMMY nominee and Avery Fisher Career Grant recipient, Jennifer is internationally respected for performances that unite intellectual rigor, expressive depth, and vibrant ensemble collaboration. As both artist and educator, she brings clarity of vision and a deep commitment to chamber music as living dialogue.
Her artistic values — curiosity, precision, and connection — align seamlessly with the Festival’s mission and signal an energized, forward-looking future.
LEGACY GALA
May 9, 2026
Next Step Studio & Gallery
New for 2026: join us for an elegant evening honoring Paul Watkins’ twelve years as Artistic Director and celebrating the Festival’s past, present, and future. To receive a formal invitation, please contact development@art-ops.org.
June 14, 2026
Seligman Performing Arts Center
Following the Opening Night concert, join the Festival for a celebratory reception at Seligman. Suggested donation: $50
Q&A WITH JENNIFER FRAUTSCHI & PAUL WATKINS
June 16, 2026
Temple Beth El
Prior to the Rising Artists concert, join us for a conversation with Paul Watkins and incoming Artistic Director Jennifer Frautschi as she shares her vision for the Festival’s next chapter.
CLOSING NIGHT ENCORE!
June 27, 2026
The Kingsley Bloomfield Hills
Following the Closing Night concert, join the Festival as we honor Paul’s artistic leadership and toast the future of the Festival. Tickets: $100 per person.

Attend 3, 5, or all concerts and save up to 30%
Think of the Festival Flex Pass Subscription as your personal blueprint for the Great Lakes Chamber Music Festival—designed for flexibility, value, and ease. You choose how many concerts you want. Plan ahead and order in advance or decide as you go.
WHICH CONCERTS ARE ELIGIBLE?
All concerts in the Time Signature series are eligible for use with the Festival Flex Pass Subscription. Tickets to Partner Series concerts, special events, and receptions are excluded and must be purchased separately.
All subscribers receive exclusive benefits, including the flexibility to exchange tickets at no extra cost and access to the “Subscriber” seating section, which is closer to the stage.
(Prices include all fees) FESTIVAL FLEX PASS SUBSCRIPTION
Purchase Your Flex Pass Subscription Choose your ticket quantity (3, 5, or 10) and purchase a Flex Pass Subscription.
Receive Your Subscription Code You will receive a Subscription code by email with your order confirmation.
Select Your Concerts & Redeem Your Flex Passes ONLINE
Add tickets to your cart and type in your Subscription code at checkout to redeem your flex passes.
BY PHONE
Call the Festival Box Office at (248) 559-2097 to redeem your flex passes.
Once a Flex Pass Subscription has been purchased, tickets can be reserved any time up until 48 hours before a concert. Because some concerts sell out well in advance, we recommend redeeming your flex passes early to secure your preferred performances and seating. Please note: once a concert is sold out, flex passes cannot be applied to that performance. Reservations must be made while tickets are still available.
If you would like to purchase a Flex Pass Subscription but need assistance with your order, contact the Festival Box Office at (248) 559-2097 and a team member will be happy to help!
Performers and programs are subject to change. Subscription discounts must be used as tickets to different concerts, not multiple tickets to one concert. Tickets to fundraising events are not eligible for subscription discount. Discounts will be automatically taken after you complete your order. No refunds. (248) 559-2097 • Monday – Friday, 9 AM to 5 PM
(Prices include all fees)
● TIME SIGNATURE
$45 General Admission
$15 Student (with valid student ID)
OPENING NIGHT SPECIAL PRICING
$75 Reserved Seating (preferred seating closer to stage)
■ PARTNER
Please contact the venue for specific pricing details.
▶
Many of these events are free and open to the public.
If you’re new to the Festival or want the most flexibility and value, a Festival Flex Pass Subscription is the best place to start.
Designed with intention and built for discovery. Just like the music itself.



Planning a night out together? We offer 30% off for groups of 10 or more tickets to a single concert.
Group benefits include:
• Group seating so you can sit together
• A chance to meet Festival musicians after the concert
• A complimentary group photo opportunity
Perfect for community groups, social clubs, students, or corporate outings.
