Music for the Church - Spring Catalog 2026 by GIA Publications

MUSIC

for the Church

Spring 2026

1-800-442-1358

Contact the GIA Hymnal and Missal Team to help you find the

PERFECT SOLUTION

for your merging communities! Email: hymnalsandmissals@giamusic.com Phone: Suzanne 1.708.552.9815 or Raquel 1.708.552.9819

We are so excited to share with you this catalog filled with new releases and seasonal resources. We now have four music collections featuring the new translations of the texts for the OCIA, each with its own style. New this time is the Spanish language edition of Tony Alonso’s collection: Bendito Sea Dios as well as a collection that is largely conceived for SATB voices and organ from Chaz Bowers and a collection for unison voices with descants from Donna Kasbohm.

Welcome

Welcome to GIA’s Spring 2026 Catalog!

You’ll also find several new special collections —songs for contemplative worship from Marty Haugen and friends, a concert version of Welcome Table: a Mass of Spirituals from Kim R. Harris and M. Roger Holland II, and a Marian collection compiled and edited by Alan J. Hommerding. For personal devotion, we are proud to introduce Illuminations: A Devotional Coloring Book from artist and composer Faith Zimmer, as well as a collection of prayer books that can also be utilized in conjunction with our hymnals and missals. A host of new keyboard and instrumental editions round out this season’s releases. Please share this catalog with all those who would find the contents of interest or download additional copies at issuu.com/giamusic. There, you’ll also find many specialty catalogs and flyers to help you find the resources you need. Thank you for taking a look and we wish you all the best. —Your Friends at GIA

Table of Contents

New Releases . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4–13 Choral Subscription Service. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 Subscription Missals. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 Lent and Holy Week Resources . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16–24 Featuring Psalm 23. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 Stations of the Cross. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 Lent and Holy Week Instrumental. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21–22 Passion Gospels. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23–24 Christian Initiation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25–29 Antiphons and Introits. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 Seasonal Mass Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 Easter Resources . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32–37 Easter Instrumental. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34–37 Ceremonial Binders and Folders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38–39

Call us: 1-800-442-1358 Email us: custserv@giamusic.com Search/purchase products: giamusic.com Browse or download catalogs: issuu.com/giamusic Congregational Song Downloads: giamusic.com/unbound Prices subject to change without notice.

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New —OCIA

Acclamations, Hymns, and Chants for the Or

New collections corresponding to Appe which offers USCCB-approved texts

Blessed Be God

Acclamations, Hymns and Chants for the OCIA T ony A lonso

21 inspiring and accessible songs for the Order of Christian Initiation of Adults (OCIA)! These short acclamations in a variety of forms—including call-and-response, ostinato refrains, and chants— can be used in a range of celebrations as parishes accompany people on their journey of faith before, during, and after their full initiation into the Catholic Church. Most of the songs are composed for SAB voicing, though all can be sung unison and unaccompanied. G-11325 G-11325G

Choral/Accompaniment Edition . . . . . . . . . . . . . . . $8.15 Guitar Edition . . . . . . . . . . . . . . . . . . . . . . . . . . 14.50

Bendito Sea Dios

Aclamaciones, Himnos y Tropos para el RICA T ony A lonso

¡21 canciones inspiradoras y accesibles para la Ritual de Iniciación Cristiana de Adultos (RICA)! Estas breves aclamaciones, con diversas formas —incluyendo llamada y respuesta, estribillos ostinatos y cantos—, pueden usarse en diversas celebraciones mientras las parroquias acompañan a las personas en su camino de fe antes, durante y después de su iniciación plena en la Iglesia Católica. La mayoría de las canciones están compuestas para la voz de la SAB, aunque todas pueden cantarse al unísono y sin acompañamiento. G-11328 G-11328G

Edición de coro y acompañimiento . . . . . . . . . . . . . . $8.15 Edición de guitarra . . . . . . . . . . . . . . . . . . . . . . . 14.00

giamusic.com

endix II of the new translation of the OCIA, s for use throughout the OCIA process.

New —OCIA

rder of Christian Initiation of Adults (OCIA)

We Believe in You, O Christ

Acclamations, Hymns and Chants for the OCIA C haz B owers

Composer Chaz Bower’s weekly work as a church musician informs his ability to craft highly singable music for choir and congregation. This collection of music for Order of Christian Initiation of Adults (OCIA) is largely conceived for organ and SATB voices yet they can easily be sung in unison. Among the 21 pieces are some chant selections as well. Many selections in this collection will also find a home outside of OCIA liturgies. G-11399

Saddle-stitched . . . . . . . . . . . . . . . . . . . . . $7.15

You Are God’s Work of Art

Acclamations, Hymns and Chants for the OCIA D onna K asbohm

Donna Kasbohm has set the 21 texts for the Order of Christian Initiation of Adults (OCIA) largely for unison singing with descants, and piano or organ accompaniment with some C instrument parts. All are easily learned by both choir and assembly. Apart from OCIA liturgies, these pieces are useful throughout the year in various ways including as a sung response to the homily; a reflection during the Preparation of the Gifts; a Communion meditation; within Morning and Evening Prayer; at funerals, memorial services, and weddings; and at the beginning or closing of church council/committee meetings. G-11400

Saddle-stitched . . . . . . . . . . . . . . . . . . . . . . . . . . $7.90

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New

Open Our Hearts

Music for Contemplative Worship M arty H augen

F eaturing works by T ony A lonso , D avid B jorlin , B enjamin B rody , H annah C. B rown , C arlos C olón , M aría E ugenia C ornou , J acque B. J ones , M ichael M ahler , S ally A nn M orris , A dam M. L. T ice , & T om W itt The songs and prayers of this collection come together to create a helpful resource for faith communities desiring to introduce contemplative worship, or a supplement for communities already praying “in the style of Taizé” or “prayer around the cross.” CONTENTS: Be Still/Ten Calma (Cornou) • Bring the Day • Christ, Our Peace • Clothed in the Mantle of Love • Come, Let Us Return to the Lord • Come to Us (Alonso/Mahler) • Come to Us, O Emmanuel (Haugen/Witt) • Deep Peace • Do Justice, Love Kindness, Walk Humbly • For God, My Soul Waits in Silence • God is Near • God of Mercy, Hold Us in Love (prayer) • Heal Our Hearts and Renew Our Lives • Heal Us, Hold Us, Gracious God (prayer) • Healer of Our Every Ill • How Long, O God • If the Only Prayer We Ever Prayed • If We Truly Want Peace • In This Season • In Your Mercy, Hear Our Cry (Tice) • Kyrie • Leaven Us with Holy Yeast (Brown/Brody) • Let Justice Roll Down Like a River • Lord, to Whom Shall We Go? • May We Have the Mind of Christ • Open Our Hearts • Return to God • Santo Dios/Holy God (Colón) • Save Me, O God • Send Forth Your Spirit • Shepherd Me, O God Litany 1 • Shepherd Me, O God Litany 2 • Show Us the Path of Life • Soul, Why Are You Disquieted? (Jones/ Brody) • Stay With Me, the Night Has Come (Bjorlin) • The Song and the Silence • The Whisper of a Distant Wind (Bjorlin/Morris) • To You, O God, I Lift Up My Soul • Turn My Heart, O God • Watch, O Lord • We Pray for Peace (prayer) • With All My Being, I Wait for You • Your Love Is a Wider Love (Brown/Morris) G-11491 Spiral-bound . . . . . . . . . . . . . . . . . . . . . . . . .$25.00 G-11491INST C Instrument parts . . . . . . . . . . . . . . . . Coming Soon

We Sing with Holy Mary

Songs and Hymns Devoted to the Mother of the Lord E d . A lan J. H ommerding

Scripturally and liturgically grounded, theologically and spiritually robust, respectful of the Roman Catholic heritage while ecumenically sensitive, We Sing with Holy Mary offers a broad spectrum of hymns and songs to enhance and deepen the prayer of all who use it. Drawing on sources both ancient and new, the Church’s centuries of Marian song are enriched by these musical offerings. G-11300 6

Spiral-bound . . . . . . . . . . . . . . . . . . . . . . . . . . .$21.00 giamusic.com

Concert Edition

Welcome Table

A MAss of spirituAls Concert Version

K im R. H arris with M. R oger H olland II Welcome Table: A Mass of Spirituals was originally published by GIA in 2012. This new concert edition expands the reach of this important work. With additional music and text as well as full orchestration, this version is not intended for liturgical use, but only for performance outside the celebration of the Roman Catholic Mass.

New

Welcome Table: A Mass of Spirituals

Kim R. Harris with M. Roger Holland II

The Mass setting was conceived as a liturgical setting of the text from The Roman Missal to facilitate the sung prayer of the people, using the melodies and meanings of the Negro Spiritual. This re-envisioned concert version allows the music to more easily transition to the concert stage. A mezzo-soprano soloist sings the parts for the cantor. A bass-baritone soloist sings the parts that would normally be sung by a priest in the liturgy. The lector’s parts are spoken by a narrator and there are still many opportunities for assembly participation. Wonderful concert repertoire any time of the year! G-11484 Saddle-stitched . . . . . . . . . . . . . . . . . . . . . . . . . . $8.40 G-11484A Audience edition . . . . . . . . . . . . . . . . . . . . . . . . . 1.60 G-11484FS Full Score and parts . . . . . . . . . . . . . . . . . Coming Soon

Illuminations

A Devotional Coloring Book F aith Z immer

From composer and visual artist Faith Zimmer comes this beautiful creative book ideal for personal prayer. A devotional coloring book, Illuminations offers teens and adults fifteen sections of faith-based prayer and activity, each including a Scripture passage, a reflection, journaling space, and a coloring page. Makes a wonderful gift! G-11474

8.5 x 11, Saddle-stitched . . . . . . . . . . . . . . . . . .$14.95

1-800-442-1358

New

Homeward Bound

Piano Meditations on the Journey to Heaven

A rr . G regg S ewell

Homeward Bound is a collection of meditations on nine traditional spirituals and gospel songs about our journey to heaven. The pieces are preceded by short meditations that are suitable for printing in the order of service or may be read by the pianist for personal inspiration. Additionally, each meditation is followed by performance notes on the arrangement. Title and tune index included.

Gregg Sewell

CONTENTS: He’s Got the Whole World in His Hands • Wade in the Water • I Want Jesus to Walk with Me • Deep River • Swing Low, Sweet Chariot • I Am Bound for the Promised Land • I’ll Fly Away • Shall We Gather at the River • Bright Shining as the Sun G-11281

Saddle-stitched . . . . . . . . . . . . . . . . . . . . . . . . . $25.00

Eight Voluntaries for Keyboard Eight Voluntaries for Keyboard Robert J. Powell

R obert J. P owell

GIA is honored to posthumously publish this final work of Robert Powell who passed away in January 2025. The third book in a popular series, this edition includes eight original compositions suitable for keyboard: organ, piano, or even harpsichord. A wonderful collection from a composer who blessed us all with a lifetime of beautiful music for the church.

CONTENTS: Allegro • Andante • Bagatelle • Cantabile • Celebration • Meditation • Scherzetto • Supplication G-11526

Saddle-stitched . . . . . . . . . . . . . . . . . . . . . . . . . $17.00

More in this Series

Four Voluntaries for Keyboard Fugue • Intrata • Meditation • Scherzetto G-9812

Saddle-stitched . . . . . . . . . $15.00

Four Voluntaries for Organ Rondo • Andante Cantabile • Appalachian Allegretto • Gaudeamus G-10045

Saddle-stitched . . . . . . . . . $15.00

giamusic.com

F VOL OUR UNT ARIE S KEY BOA R D Rob er for

t J.

Pow

ell

Three Hymn Improvisations for Organ

for Organ

A rr . A sriel D avis

New

Three Hymn Improvisations

Asriel Davis masterfully reimagines the cherished hymn tunes lasst uns erfreuen, thaxted, and solid rock. Each piece in this collection shines not Asriel Davis only as a solo organ work but also serves brilliantly as an engaging introduction, interlude, or alternate harmonization, perfectly matching the mood of the text while accompanying congregational singing. Davis’s interpretations are fresh and invigorating, no matter how you use choose to use them. LASST UNS ERFREUEN THAXTED SOLID ROCK

G-11195

Saddle-stitched . . . . . . . . . . . . . . . . . . . . . . . . . $18.00

Resurrection Hymns for Organ A rr . D aniel B urton

The three hymns in this collection, “Sing with All the Saints in Glory,” “Thine Is the Glory,” and “Christ the Lord Is Risen Today,” are among the most beloved of the Easter season, not only for their textual content but also for the strength of their musical settings. The organ compositions presented here are extended variations on these familiar melodies and can serve as prelude or postlude at the start Eastertide or during its fifty-day celebration. G-11362

Resurrection

Hymns for Organ Sing with All the Saints in Glory Thine Is the Glory Christ the Lord Is Risen Today

Daniel Burton

Saddle-stitched . . . . . . . . . . . . . . . . . . . . . . . . . $18.00

A Fountain of Gardens for Organ

T revor W eston This piece draws upon the musical language of water pieces by Liszt, Vierne, and Ravel, and brings this inspiration into the current day. Ideal as a recital piece, it would also serve well at liturgical events which call for something evocative. Listeners will simultaneously enjoy the harmonic colors while their ears are stretched a bit. Clear direction from the composer will helpfully assist performers in their preparation. A truly unique addition to GIA’s organ catalog! G-11308

Saddle-stitched . . . . . . . . . . . . . . . . . . . . . . . . . $15.00

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New

CARILLON DU LONGPONT For Two Trumpets and Organ

Carillon Du Longpont

for Two Trumpets and Organ

L ouis V ierne E d . and A rr . A lan J. H ommerding and K yle R hoades Louis Vierne Edited and Arranged by

Alan J. Hommerding and Kyle Rhoades

“Carillon du Longpont” is among the most popular from Vierne’s collection 24 Pièces en style libre (pieces in free style). While there have been arrangements of large-scale organ works for brass quartet/quintet and organ—this edition was composed for modest forces, useful for festive occasions in places with limited resources.

The two-trumpet “overlay” is accessible for players of intermediate (or intermediate-plus) abilities. The organ part may be played on the manuals only, so this arrangement will be within reach for organists who are primarily pianists, or whose pedal technique is still developing. G-11347

Saddle-stitched . . . . . . . . . . . . . . . . . . . . . . . . $17.00

Blessings and Prayers

A Missal Companion for Personal and Communal Prayer

Bendiciones y Oraciones

Un Complemento del Misal para la Oración Personal y Comunitaria A wonderful supplement to the prayers in your missal or as a prayer resource on its own, these 6” x 9” booklets contain a variety of prayers from traditional prayers like the Memorae or the Angelus to modern prayers for peace, prayers for the family, or prayers for vocations. These books make excellent companions for both personal and communal prayer and an excellent gift for choir members and other parish groups. G-11541 G-11542 G-11543

English-language Edition . . . . . . . . . . . . . . . . . . . $3.00 Spanish-language Edition . . . . . . . . . . . . . . . . . . . . 3.00 English/Spanish Bilingual Edition . . . . . . . . . . . . . . . 5.00

Quantity pricing available on orders of 25 copies or more.

giamusic.com

New

dash

Lent and Holy Week

6 spaces between G#/name and name/title

two- and three-part music Schultz-Widmar

em-dash

Used for interrupted thought within a running text; also precedes the name of the Notes author, if applicable. [Shift + Alt + Hyphen]

G-11460

ROBERTSON

A New Commandment

header 10pt (follow general header rules)

en-dash

Indicates a series or range, including consecutive page number, verses, birth/death years. [Alt + Hyphen] See em-dash, hyphen. 2–3 years 1818–1918

fill title over 2 lines upward penultimate line hangs from 3”

title copy is Adobe Garamond reg -------------title 28pt, 80% tracked all-caps subtitle (sung trans, etc.) 22pt, 80% tracked U/L tune name 15pt, 80% tracked U/L

A New Commandment

forces 16pt, 80% tracked U/L by-limiters 16pt, 80% tracked U/L names 22pt, 80% tracked all-caps

Spence Robertson SATB, piano G-11460 | $2.60

TITLE (ALL CAPS 28pt)

A NEW COMMANDMENT

TUNE NAME if tune name is used, raise or lower title and forces accordingly (16pt ALL CAPS)

Two-part Mixed Voices and Piano

PREFERENCE IS FOR BY-LIMITER AND NAME TO BE ON THE SAME LINE IF THEY FIT - IF NOT, USE TWO LINES.

i.e.: Two-part Mixed Voices contributor name (up/low 22pt) should be on same line with limiter (up/low 16pt) when possible

Spence Robertson

no edition text below this line

left and rightbe margins are 1” there should no edition text header spacing next to or below the darker block • align 1/4” from top on the series band. If text is • one space on either side of slash between contributor names abundant, move itG-11448 up, BARKOSKIE • six spaces between each header group (edition #, contriubutor, title) keeping adecquate spacing between text groups: titles, forces, contributors

Adoramus te, Christe

Font stats in Bauer Bodoni LT (Linotype)

Title

38pt extrabold, lh42pt, track+0

Subtitle 18pt italic, lh34pt

TUNE NAME 16pt regular lh auto, track+40

highest opt’l 2.75”

Adoramus te, Christe Alvez Barkoskie IV SATB, reduction G-11448 | $2.35

Contributor 22pt bolditalic, lh24pt, track+20

Adoramus te, Christe

This vertical space preferred between single-line title and single contributor. Expand use of the space for more complex setups.

in GILROY light: Header: 10pt light, lh auto pt, track+20 BY-LIMITER 8pt light, allcap, lh26pt, track+100 Forces: 11pt light, lh16pt, track+50 unique possible:

Spanish Lyrics 16pt light italic 24pt (see G-10306)

MUSIC BY

Alvez Barkoskie IV

Note re: Arranged vs. Arrangement or coordination gramatically. If by-limiters that are nouns are present (words and music by), they all should be nouns (arrangement by).

For SATB Voices divisi

“Arranged by” is prioritized if it is not in conflict with other by-limiters, usually when it’s the only one on the cover.

General 2020 design rules:

Caminaré en Presencia del Señor / I Will Walk Before the Lord

Alexis Santos-Alvarado SATB, cantor, assembly, keyboard, guitar, flute, violin, cello G-11270 | $2.60

• The space between the titles and contributors should match the space between the contributors and the forces. Use these two spaces generously. • Note on list of forces: Ideally voices should be on first line, keyboard or accompaniment instruments on 2nd, and additional forces thereafter on separate lines. • It’s okay if the lines of forces are not generally the same length, whereas a balance in the the length of the title lines is preferred, but negotiable. If a 3-line title can be avoided by making the font size slightly smaller, go for it, especially if there are multiple titles, subtitles or an otherwise abundance of data. • It’s okay to overlay any screened design elements in with text, both header and body.

G-11270 SANTOS-ALVARADO Caminaré en Presencia del Señor / I Will Walk before the Lord

Caminaré en Presencia del Señor I Will Walk before the Lord MÚSICA / MUSIC

Alexis Santos-Alvarado Coro SATB, Teclado y Guitarra con Flauta, Violín y Violonchelo SATB Voices, Keyboard and Guitar

Title: Subtitle with Flute, Violin and Cello Title / Alternate Sung Title

left margin for Ritual is 1” header spacing • one space on either side of slash between contributor names • six spaces between each header group (edition #, contriubutor, title)

G-11358

RODRIGUEZ

Faithful Cross

as of Aug. 2021 - font size changes

may not apply multi-contributor (see above) Ritual Series immitates Choral 32 pt, 36 line height, vert. sp 20 Series for the most: part, without neumes in the body space. : 34pt forces: 14pt, 14pt line height, vert. sp. 30 Ritual: all body details justify left at 1”. Exceptions, see forces, contributor lock-ups.

subtitle contributor

RITUAL MOMENT

Faithful Cross

Oliver Neil Rodriguez SATB, cantor, assembly, keyboard, guitar G-11358 | $2.60

highest opt’l 2.75”

GIA Publications, Inc. • giamusic.com

If a ritual moment is used in addition to the main title, use this font. The title font is the primary choice, even if the main title is a ritual moment. Note: This seems to be the conclusion about the ritual moment, on Ritual Series covers, when it is the subtitle: let’s NOT put it in the header. If the subtitle is something other than a ritual moment, it will not be controlled by this conclusion.

Faithful Cross

This vertical space preferred between single-line title and single contributor. Expand use of the space for more complex setups.

single-line title location 3.5”

by-limiter 4.5625” one contributor hangs here 4.75” Note by-limiter & contributor pairs: keep 3-click vertical space (.1875”) between pairs.

MUSIC BY

Oliver Neil Rodriguez

Font stats

forces 5.75” on this series, forces may cross the midline. Also, forces may align to centerline if title and contributor content is dense.

in Bauer Bodoni LT (Linotype):

Title

For Choir, Cantor, Assembly, Keyboard and Guitar

38pt extrabold, lh42pt, track+0

Subtitle 18pt italic, lh34pt

by-limiters used in header should be abbreviated and all lower case.

Forces are styled like Celebration series

TUNE NAME 16pt regular lh36pt, track+40

Contributor 22pt bolditalic, lh24pt, track+20

G-11483

in GILROY light:

PETTY, arr. JEFFERSON

Keep Me in Mind

Fonts

RITUAL TITLE: 26pt light, lh30pt, track+0

Mainly, Brandon Grotesque G-Header: BG Reg 11pt

Header: 10pt light, lh auto pt, track+20

BY-LIMITER 8pt light, allcap, lh26pt, track+100

Title: BG lt 36pt

Forces: 11pt light, lh16pt, track+50

Contributor: BG bold 18pt

unique possible:

Spanish Lyrics 16pt light italic 24pt (see G-10306)

Forces: BG reg 14pt

TUNE NAME: BG reg 12pt

exceptions

giamusic.com

Keep Me in Mind

Use Choir notsubtitle: Voices Times Italic 14pt as was Choirby-limiter: for WLP Times Italic 13pt VZ 8/4/22

Keep Me in Mind

W. Clifford Petty, arr. Thomas W. Jefferson SATB, solo, assembly, keyboard, guitar G-11483 | $2.80

Lord, To Whom Shall We Go?

SATB Choir, Solo, Assembly, Keyboard and Guitar

keep by-limiters on same line as name left margin for Voices is 1 inch Do not overprint Voice art!

G-11406

Header: 6-spaces between each of three groups: number, artists, titles

ALOYSIUS, arr. BOLDUC Lord, to Whom Shall We Go?

Voices • details justify left at 1”.

Lord, to Whom Shall We Go?

This vertical space preferred between singleline title and single contributor. Expand use of the space for more complex setups. See sample master.

Font stats All Gilroy Header: 10pt, light, lh auto, track+20

Mark Aloysius, SJ, arr. Ed Bolduc SAB, solo, keyboard, guitar G-11406 | $2.90

Keep fairly tight vertically extra space between 3 groups: (titles, artists and forces) should be moderately small

W. Clifford Petty Piano Arrangement by Thomas W. Jefferson

Title: 38pt extrabold lh40pt

Subtitle: 18pt light italic lh34pt

AR R AN GED BY

Ed Bolduc

BY- L I M I T E R 8pt light allcap lh26pt, track+100

Forces: 11pt, light, lh16pt, track+50

unique possible:

if by-limiter 4.5625” • first contributor hangs from 4.75” Note by-limiter & contributor pairs: keep 3-click vertical space (.1875”) between pairs.

Mark Aloysius, SJ

TUNE NAME: 16pt semibold lh36pt, track+40

Contributor: 20pt, semibold, lh24pt, track+40

highest opt’l 2.75” usual title location 3”

left and right margins are 1” header spacing • align 1/4” from top • one space on either side of slash between contributor names For SAB Voices, G-11488 Cantor, WILLS • six spaces between each header group (edition #, contriubutor, title) Keyboard and Guitar

forces hangs from 6” left justified at 3.5625” (center point) Pange lingua gloriosi

Spanish Lyrics: 16pt light italic 24pt (G-10306) Note: Gilroy is hard to read without some extra horizontal spacing (track+20) – exception: italics are ok without tracking

Font stats in Bauer Bodoni LT (Linotype)

Title

38pt extrabold, lh42pt, track+0

Subtitle 18pt italic, lh34pt

TUNE NAME 16pt regular lh auto, track+40

highest opt’l 2.75”

Pange lingua gloriosi

Katie Wills, arr. Brian McLinden SATB, solo, piano G-11488 | $2.60

in GILROY light: Header: 10pt light, lh auto pt, track+20 BY-LIMITER 8pt light, allcap, lh26pt, track+100 Forces: 11pt light, lh16pt, track+50

giamusic.com

unique possible:

MUSIC BY

Spanish Lyrics 16pt light italic 24pt (see G-10306)

Katie Wills

Note re: Arranged vs. Arrangement or coordination gramatically. If by-limiters that are nouns are present (words and music by), they all should be nouns (arrangement by).

For SATB Voices, Solo and Piano with String Quartet

“Arranged by” is prioritized if it is not in conflict with other by-limiters, usually when it’s the only one on the cover.

General 2020 design rules:

• The space between the titles and contributors should

left margin forand Choral 1” match the space between the contributors theisforces. header spacing Usebetween these two spacesnames generously. • one space on either side of slash contributor • Note on (edition list of forces: Ideallytitle) voices should be on first line, • six spaces between each header group #, contriubutor, G-11425

The Lord’s My Shepherd (brother james’ air) arr. Lisa Hoekstra SATB, piano G-11425 | $2.60

Title

38pt extrabold, lh42pt, track+0

Subtitle 18pt italic, lh34pt

TUNE NAME 16pt regular lh auto, track+40

The Lord’s My Shepherd

Choral SERIES

highest opt’l 2.75”

The Lord’s My Shepherd

This vertical space preferred between single-line title and single contributor. Expand use of the space for more complex setups.

Font stats in Bauer Bodoni LT (Linotype)

Title: Subtitle Title / Alternate Sung Title

arr. HOEKSTRA

keyboard or accompaniment instruments on 2nd, and additional forces thereafter on separate lines. • It’s okay if the lines of forces are not generally the same length, whereas a balance in the the length of the title body details justify left at lines is Choral preferred, but negotiable. If a 3-line title can be 1” unless a two-contributor pairing avoidedfitsby making the font smaller, go for across horizontally. Seesize notesslightly on it, especially there are multiple titles, subtitles or an sample if master. otherwise abundance of data. • It’s okay toDK: overlay any screened design elements in with overprinting neumes is OK! text, both KS: header and body. but avoid if possible.

BROTHER JAMES’ AIR

in GILROY light: Header: 10pt light, lh auto pt, track+20 BY-LIMITER 8pt light, allcap, lh26pt, track+100 Forces: 11pt light, lh16pt, track+50

single-line title location 3.5”

by-limiter 4.5625” one contributor hangs here 4.75” Note by-limiter & contributor pairs: keep 3-click vertical space (.1875”) between pairs.

Contributor 22pt bolditalic, lh24pt, track+20 AR R AN GED BY

Lisa Hoekstra

forces 5.75” on this series, forces may cross the midline

unique possible:

Spanish Lyrics 16pt light italic 24pt (see G-10306)

For SATB Voices and Piano

collection stamp beneath forces, center vertically with neumes if logical. G-11435

Were You There?

arr. GARRETT

Were You There

gia vocal solos

Arr. Marques L. A. Garrett Solo, piano Low Voice: G-11435 | $6.00 Medium Voice: G-11436 | $6.00 High Voice: G-11437 | $6.00

Were You There

Font stats in Bauer Bodoni LT (Linotype)

Title

Low Voice

42pt extrabold, lh42pt, track+0

Subtitle 22pt italic, lh34pt

TUNE NAME 18pt regular lh auto, track+40

A RRA NGED BY

Marques L. A. Garrett

Contributor 26pt bolditalic, lh24pt, track+20 in GILROY light: Header: 11pt light, lh auto pt, track+50 BY-LIMITER 9pt light, allcap, lh26pt, track+100 Forces: 12pt light, lh16pt, track+50

For Solo Voice and Piano

This style family mimics Choral Series, but with larger font sizes for balance and productleft image ratio for Celebration is .75 inch margin

header spacing Choral Series • one space on either side of slash c.f. between contributor names unique possible: • six spaces between each header group (edition #, contriubutor, title)

Spanish Lyrics 16pt light italic 24pt (see G-10306) Celebration • title/contributor details justify left at .75” unless a two-contributor pairing fits across horizontally. See sample master. • forces & collection stamp left justify at centerpoint

G-11427

Callanan

What I Have Done for You

Celebration SERIES

DK: overprinting art is OK! KS: avoid forces over art.

Font stats

What I Have Done for You

Contributor 22pt bolditalic, lh24pt, track+20

Pange lingua gloriosi

This vertical space preferred between single-line title and single contributor. Expand use of the space for more complex setups.

All Gilroy Header: 10pt, light, lh auto pt, track+20

Title: 38pt extrabold lh40pt

Subtitle: 18pt light italic lh34pt

Ian Callanan SATB, assembly, piano, guitar, C instrument G-11427 | $2.35

This vertical space preferred between singleline title and single contributor. Expand use of the space for more complex setups. See sample master.

TUNE NAME: 16pt semibold lh36pt, track+40

Contributor: 20pt, semibold, lh24pt, track+40

What I Have Done for You

highest opt’l 2.75” usual title location 3”

if by-limiter 4.5625” • first contributor hangs from 4.75” Note by-limiter & contributor pairs: keep 3-click vertical space (.1875”) between pairs.

Ian Callanan

BY- L I M I T E R 8pt light allcap lh26pt, track+100

Forces: 11pt, light, lh16pt, track+50

unique possible:

For Choir, Assembly, Keyboard and Guitar with C Instrument

forces hangs from 6” left justified at 3.5625” (center point)

Spanish Lyrics: 16pt light italic 24pt (G-10306) Note: Gilroy is hard to read without some extra horizontal spacing (track+20) – exception: italics are ok without tracking

1-800-442-1358

New

Eastertide

left margin for Celebration is .75 inch header spacing • one space on either side of slash between contributor names • six spaces between each header group (edition #, contriubutor, title)

G-11309

Celebration • title/contributor details justify left at .75” unless a two-contributor pairing fits across horizontally. See sample master. • forces & collection stamp left justify at centerpoint

ZIMMER

Abide in Me

SERIES

DK: overprinting art is OK! KS: avoid forces over art. highest opt’l 2.75”

Abide in Me

Font stats All Gilroy Header: 10pt, light, lh auto pt, track+20

Title: 38pt extrabold lh40pt

Subtitle: 18pt light italic lh34pt TUNE NAME: 16pt semibold lh36pt, track+40

This vertical space preferred between singleline title and single contributor. Expand use of the space for more complex setups. by-limiters used in header should be See sample master. abbreviated and all lower case.

usual title location 3”

if by-limiter 4.5625” • first contributor hangs from 4.75” Note by-limiter & contributor pairs: keep 3-click vertical space (.1875”) between pairs.

Faith Zimmer

Contributor: 20pt, semibold, lh24pt, track+40 G-11452

BY- L I M I T E R 8pt light allcap lh26pt, track+100

TAYLOR-DORSEY

Alleluia For Choir, Cantor, Assembly, Keyboard and Guitar with C Instrument

unique possible:

forces hangs from 6”

Mainly,left Brandon justified atGrotesque 3.5625” (center point) G-Header: BG Reg 11pt

Title: BG lt 36pt

Spanish Lyrics: 16pt light italic 24pt (G-10306)

Tonya M. Taylor-Dorsey SATB, cantor, assembly, piano G-11452 | $2.80

Contributor: BG bold 18pt Forces: BG reg 14pt

Note: Gilroy is hard to read without some extra horizontal spacing (track+20) – exception: italics are ok without tracking

TUNE NAME: BG reg 12pt

exceptions

subtitle: Times Italic 14pt by-limiter: Times Italic 13pt

Alleluia

Gospel Acclamation Setting

dash

and 6 spaces between G#/name and name/title

two- and three-part music Schultz-Widmar

Choral Setting

em-dash

Tonya M. Taylor-Dorsey

Used for interrupted thought within a running text; also precedes the name of the Notes author, if applicable. [Shift + Alt + Hyphen]

G-11277

arr. TAYLOR

Forth He Came at Easter

SATB Choir, Cantor, Assembly and Piano

en-dash

Indicates a series or range, including consecutive page number, verses, birth/death years. [Alt + Hyphen] See em-dash, hyphen. 2–3 years 1818–1918

Use Choir not Voices as was Choir for WLP VZ 8/4/22

header 10pt (follow general header rules)

Keep fairly tight vertically extra space between 3 groups: (titles, artists and forces) should be moderately small

fill title over 2 lines upward penultimate line hangs from 3”

Forth He Came at Easter

keep by-limiters

title copy is Adobe Garamond reg -------------title 28pt, 80% tracked all-caps subtitle (sung trans, etc.) 22pt, 80% tracked U/L tune name 15pt, 80% tracked U/L

TITLE (ALL CAPS 28pt)

on same line as name FORTH HE CAME AT EASTER

TUNE NAME if tune name is used, raise or lower title and forces accordingly (16pt ALL CAPS)

NOËL NOUVELET

forces 16pt, 80% tracked U/L by-limiters 16pt, 80% tracked U/L names 22pt, 80% tracked all-caps

arr. Edwin R. Taylor Unison, organ G-11277 | $2.35

Unison Voices

and Organ PREFERENCE IS FOR BY-LIMITER AND NAME TO BE ON THE SAME LINE G-10872 IF THEY FIT - IF NOT, USE TWO LINES.ZAPIÉN Lord, Send Out Your Spirit / Envía Tu Espíritu, Señor

contributor name (up/low 22pt) should be on same line with limiter (up/low 16pt) when possible

Arranged by Edwin R. Taylor

no edition text below this line

there should be no edition text next to or below the darker block on the series band. If text is abundant, move it up, keeping adecquate spacing between text groups: titles, forces, contributors

Lord, Send Out Your Spirit / Envía Tu Espíritu, Señor

Lord, Send out Your Spirit / Envía tu Espíritu, Señor

Carlos Zapién left margin for Celebration is .75 inch header spacing • one space on either side of slash between contributor names • six spaces between each header group (edition #, contriubutor, title) Celebration • title/contributor details justify left at .75” unless a two-contributor pairing fits across horizontally. See sample master. • forces & collection stamp left justify at centerpoint

G-10966

SATB Voices, Cantor, Assembly, Piano and Guitar OWEN

Overwhelm Night Coro SATB, Cantor,the Asamblea, Teclado y Guitarra

subtitle contributor

SERIES

KS: avoid forces over art. : 32 pt, 36 line height, vert. sp 20

highest opt’l 2.75”

: 34pt

This vertical space preferred between singleline title and single contributor. Expand use of the space for more complex setups. See sample master.

forcesstats : 14pt, 14pt line height, vert. sp. 30 Font All Gilroy Header: 10pt, light, lh auto pt, track+20

Title: 38pt extrabold lh40pt

Subtitle: 18pt light italic lh34pt

TUNE NAME: 16pt semibold lh36pt, track+40 left margin for Celebration is .75 inch header spacing 20pt, semibold, lh24pt, track+40 • one space on either side of slash between contributor names • six spaces between each group (edition #, contriubutor, title) BY- L I header M I T E R 8pt light allcap lh26pt, track+100

Overwhelm the Night

usual title location 3”

GIA Publications, Inc. • giamusic.com

Liz Owen

Overwhelm the Night

if by-limiter 4.5625” • first contributor hangs from 4.75” Note by-limiter & contributor pairs: keep 3-click vertical space (.1875”) between pairs.

Contributor:

Celebration • title/contributor details justify left at .75” unless a two-contributor pairing fits across horizontally. unique possible: See sample master. • forces & collection stamp Spanish Lyrics: 16pt light italic 24pt (G-10306) left justify at centerpoint

G-11273

NAVARRO

Psalm 118

For Choir, Cantor, Assembly, Keyboard and Guitar

Forces: 11pt, light, lh16pt, track+50

SERIES

highest opt’l 2.75”

All Gilroy

Title: 38pt extrabold lh40pt

Subtitle: 18pt light italic lh34pt

Psalm 118

This vertical space preferred between singleline title and single contributor. Expand use of the space for more complex setups. See sample master.

usual title location 3”

M U SI C BY

J. Oconer Navarro

TUNE NAME: 16pt semibold lh36pt, track+40

Contributor: 20pt, semibold, lh24pt, track+40

if by-limiter 4.5625” • first contributor hangs from 4.75” Note by-limiter & contributor pairs: keep 3-click vertical space (.1875”) between pairs.

BY- L I M I T E R 8pt light allcap lh26pt, track+100

Forces: 11pt, light, lh16pt, track+50

unique possible:

Liz Owen SAB, cantor, assembly, piano, guitar G-10966 | $2.35

forces hangs from 6” left justified at 3.5625” (center point)

Celebration

Note: Gilroy is hard to read without some DK: overprinting art is OK! extra horizontal spacing (track+20) – KS: avoid forces over art. exception: italics are ok without tracking

Header: 10pt, light, lh auto pt, track+20

Carlos Zapién SATB, cantor, assembly, piano, guitar G-10872 | $2.60

Celebration

may not apply multi-contributor (see above) DK: overprinting art is OK!

Font stats

Alleluia

Fonts

Forces: 11pt, light, lh16pt, track+50

as of Aug. 2021 - font size changes

Faith Zimmer SAB, cantor, assembly, keyboard, guitar, C instrument G-11309 | $2.60

Celebration

left and right margins are 1” header spacing For Choir, Cantor, Assembly, • align 1/4” from top Keyboard and Guitar • one space on either side of slash between contributor names G-11479 arr. FARRELL That Easter Day with Joy Was Bright • six spaces between each header group (edition #, contriubutor, title)

forces hangs from 6” left justified at 3.5625” (center point)

Spanish Lyrics: 16pt light italic 24pt (G-10306)

Psalm 118

J. Oconer Navarro SATB, cantor, assembly, keyboard, guitar G-11273 | $2.70

Font stats in Bauer Bodoni LT (Linotype)

Note: Gilroy is hard to read without some extra horizontal spacing (track+20) – exception: italics are ok without tracking

Title

38pt extrabold, lh42pt, track+0

Subtitle 18pt italic, lh34pt highest opt’l 2.75” This vertical space preferred between single-line title and single contributor. Expand use of the space for more complex setups.

Note re: Arranged vs. Arrangement or coordination gramatically. If by-limiters that are nouns are present (words and music by), they all should be nouns (arrangement by). “Arranged by” is prioritized if it is not in conflict with other by-limiters, usually when it’s the only one on the cover.

That Easter Day with Joy Was Bright PUER NOBIS

TUNE NAME 16pt regular lh auto, track+40

Contributor 22pt bolditalic, lh24pt, track+20 in GILROY light: Header: 10pt light, lh auto pt, track+20 BY-LIMITER 8pt light, allcap, lh26pt, track+100 Forces: 11pt light, lh16pt, track+50 unique possible:

Spanish Lyrics 16pt light italic 24pt (see G-10306)

ARRANGE D BY

Robert Farrell

For SATB Voices and Organ

General 2020 design rules:

That Easter Day with Joy Was Bright (puer nobis) arr. Robert Farrell SATB, organ G-11479 | $2.35

left and right margins are 1” header spacing • align 1/4” from top • one space on either side of slash between contributor names G-11467 VON KAMPEN • six spaces between each header group (edition #, contriubutor, title)

Most Holy Body and Blood Ave Verum Corpus

Font stats in Bauer Bodoni LT (Linotype)

Title highest opt’l 2.75”

left margin for Ritual is 1”

Ave Verum Corpus

This vertical space preferred between single-line title and single contributor. Expand use of the space for more complex setups.

Contributor 22pt bolditalic, lh24p

in GILROY light: Header: 10pt light, lh auto pt, track+20 BY-LIMITER 8pt light, allcap, lh26pt, track+100 Forces: 11pt light, lh16pt, track+50 unique possible:

M USIC BY

Spanish Lyrics 16pt light italic 24pt (see

David von Kampen

If by-limiters that are nouns are present (words and music by), they all should be nouns (arrangement by).

For SATB Voices

Ritual Series immitates Choral Series for the most part, without “Arranged by” is prioritized if it is not in conflict with neumes other in the body space. by-limiters, usually when it’s the only one on the

cover.

RITUAL MOMENT

Ritual: all body details justify left at 1”. Exceptions, forces, design rules: Generalsee2020 contributor •lock-ups. The space between the titles and contributors should

J. Oconer Navarro Two-part equal voices, piano G-11274 | $2.35

highest opt’l 2.75”

match the space between the contributors and the forces. Use these two spaces generously.

If a ritual moment is used in addition on list of forces: Ideally voices should be on first line, to the main title, use this font. The title font is • Note This vertical space keyboard or accompaniment instruments on 2nd, and the primary choice, even if the main title preferred between additional forces is a ritual moment. single-line title and thereafter on separate lines. single contributor. • It’s okay if the lines of forces are not generally the same Note: This seems to be the conclusion Expand use of the a balance in the the length of the title about the ritual moment, length, whereas space for more on Ritual Series covers, when it is the subtitle: lines is preferred, but negotiable. If a 3-line title can be complex setups. let’s NOT put it in the header. If the subtitle avoided by making the font size slightly smaller, go for is something other than a ritual moment, it, especially if there are multiple titles, subtitles or an it will not be controlled by this conclusion.

Lauda Sion (Sequence for Corpus Christi) Font stats

in Bauer Bodoni LT (Linotype):

Title

SEQUENCE FOR CORPUS CHRISTI

single-line title location 3.5”

Lauda Sion by-limiters used in header should be abbreviated and all lower case.

otherwise abundance of data. • It’s okay to overlay any screened design elements in Navarro with J. Oconer text, both header and body.

38pt extrabold, lh42pt, track+0

Subtitle 18pt italic, lh34pt

G-11337 For Choir and Piano

TUNE NAME 16pt regular lh36pt, track+40

Contributor 22pt bolditalic, lh24pt, track+20

SPOTTSWOOD

Redemption

by-limiter 4.5625” one contributor hangs here 4.75” Note by-limiter & contributor pairs: keep 3-click vertical space (.1875”) between pairs. forces 5.75” on this series, forces may cross the midline. Also, forces may align to centerline if title and contributor content is dense.

Fonts Mainly, Brandon Grotesque G-Header: BG Reg 11pt

Title: BG lt 36pt Contributor: BG bold 18pt

in GILROY light:

Forces: BG reg 14pt

RITUAL TITLE: 26pt light, lh30pt, track+0

TUNE NAME: BG reg 12pt

Header: 10pt light, lh auto pt, track+20

exceptions

BY-LIMITER 8pt light, allcap, lh26pt, track+100

Forces: 11pt light, lh16pt, track+50

Redemption

unique possible:

Spanish Lyrics 16pt light italic 24pt (see G-10306)

subtitle: Times Italic 14pt by-limiter: Times Italic 13pt

Stan Spottswood

Redemption

giamusic.com

SATB Choir, Keyboard and Guitar

Use Choir not Voices as was Choir for WLP VZ 8/4/22 Keep fairly tight vertically extra space between 3 groups: (titles, artists and forces) should be moderately small

Stan Spottswood SATB, keyboard, guitar G-11337 | $2.90

38pt extrabold, lh42pt, trac

Subtitle 18pt italic, lh34pt

TUNE NAME 16pt regular lh auto, trac

header spacing Notenames re: Arranged vs. Arrangement or coordination • one space on either side of slash between contributor G-11274 NAVARRO Lauda Sion • six spaces between each header group (edition #,gramatically. contriubutor, title)

David von Kampen SATB G-11467 | $2.10

Ave Verum Corpus

keep by-limiters on same line as name

giamusic.com

Come and Follow Me

Faith Zimmer SATB, assembly, piano, cello G-11370 | $2.60

New

Seasonal & Topical

Communion Song

M. Roger Holland II SATB, cantor, assembly, keyboard, guitar G-11221 | $2.90

For You, My God, I Wait (billie)

Words by Adam M. L. Tice, Music by Kate Williams, arr. Gregg Sewell SA, keyboard, guitar G-11468 | $2.70

Glory to God

Donna Kasbohm SATB, assembly, keyboard, C instrument, string quartet G-11212 | $2.55

God So Loved the World

Bernard Sexton SATB, reduction G-11360 | $2.10

His Mercy Endures Forever

Joreen Kelly SATB, cantor, assembly, keyboard G-11162 | $2.60

Hope of the World (donne secours)

arr. Sally Ann Morris SATB, piano, guitar, violin, opt. bass G-11439 | $2.90

I Heard the Voice of Jesus Say / All Ye Who Seek a Comfort Sure Chaz Bowers SATB, organ G-11390 | $2.60

Jesus, Show Us How to Pray (rayne)

Words by Adam M. L. Tice, Music by C. Leonard Raybon SATB, assembly, keyboard G-11321 | $2.35

O Sing a New Song

M. Roger Holland II SATB, cantor, assembly, keyboard, guitar G-11223 | $2.80

Praise Ye the Lord

Virgie Carrington DeWitty, arr. Isaac C. Moshay SATB, sop. solo, organ, two trumpets, two trombones, timpani G-11260 | $2.80

The Jesus Prayer

Alvez Barkoskie SATB G-11450 | $2.60

There Is a Wideness in God’s Mercy ( custer ) Edwin R. Taylor SATB, assembly, organ G-11366 | $2.60

Vengan a Mí / Come to Me

Alexis Santos-Alvarado SAB, cantor, assembly, keyboard, guitar, 2 violins, cello G-11250 | $2.60 1-800-442-1358

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missals

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Lent and Holy Week

Gloriosi

T ony A lonso The first comprehensive resource of its kind, Gloriosi contains a treasure trove of ritual music that bridges linguistic, cultural, and musical differences for the liturgies of Holy Thursday, Good Friday, and the Easter Vigil. Weaving together familiar tunes and ancient chants with newly-composed pieces, Tony Alonso has meticulously crafted the music of Gloriosi to inspire the participation of a diverse assembly during these celebrations at the heart of the liturgical year. In addition to settings of all of the ritual texts found in the Roman Missal/Misal Romano for the Three Days, this collection contains settings of every prescribed psalm drawn from texts approved for liturgical use in English and in Spanish. El primer recurso completo de su tipo, Gloriosi es un tesoro rebosante de música ritual que supera las diferencias lingüísticas, culturales y musicales para las liturgias del Jueves Santo, Viernes Santo y la Vigilia Pascual. Tejiendo melodías familiares y cantos antiguos con piezas recién compuestas, Tony Alonso ha elaborado meticulosamente la música de Gloriosi para inspirar la participación de una asamblea diversa durante estas celebraciones que están al centro del año litúrgico. Además de proporcionar los textos rituales que se encuentran en el Misal Romano/ Roman Missal para los Tres Días en forma musicalizada, esta colección también ofrece nueva música para todos los salmos prescritos para las liturgias del Triduo utilizando los textos oficiales en español y en inglés. G-10515 Spiral Edition/Edición en espiral . . . . . . . . . . . . . . . . . . . . $50.00 G-10515C Choral edition/Edición coral . . . . . . . . . . . . . . . . . . . . . . . . 16.50 G-10515G Guitar edition/Edición para guitarra . . . . . . . . . . . . . . . . . 18.95 G-10515INST Instrument edition/Edición para instrumentos . . . . . . . . 18.95 CD-1109 3-CD set/Paquete de 3 CDs . . . . . . . . . . . . . . . . . . . . . . . . . . 39.50

Visit www.giamusic.com/gloriosi for content information and a video introduction from Tony Alonso

Prices subject to change without notice.

giamusic.com

Ritual Music for the Paschal Triduum T ony A lonso

20 original pieces ideal for the celebration of Holy Thursday through Evening Prayer on Easter Sunday. Tony’s writing style and setting of these approved texts will be a perfect fit for contemporary as well as traditional choirs. Contents: We Should Glory in the Cross • Our Blessing Cup: Psalm 116 • Love One Another/Ámense, Unos a Otros • Ubi Caritas • Called to the Supper of the Lamb: Communion Rite for the Paschal Triduum (both Choir/Keyboard and Choir/ Guitar editions) • Into Your Hands: Psalm 31 • Music for the Adoration of the Holy Cross: Behold the Wood of the Cross/Faithful Cross • This Is the Night: Procession of the Paschal Candle and Exsultet • Easter Alleluia: Psalm 118 • Litany of the Saints • Music for the Rites of Initiation • Jesus Christ Is Risen Today 008467 008463

Lent and Holy Week

I Shall Live

Music Collection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $22.00 Compact Disc . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17.00

Cantemos al Señor / Let Us Sing to the Lord

Salmos Bilingües para la Semana Santa Bilingual Psalms for Holy Week T ony A lonso & M ichael M ahler

in both English and Spanish.

An indispensable collection of bilingual psalms for Holy Week. All settings include verses and refrains

G-6129 Music Collection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $16.50 G-6129C Choir Edition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.00 CD-560 Compact Disc . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16.95 G-6129G Guitar Edition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11.00 G-6129INST Instrumental Edition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18.00

Psalms for the Church Lent and Holy Week

Contains pieces by Christian Cosas, Jeffrey Honoré, Tony Alonso, W. Clifford Petty, Peter M. Kolar, and many others. Includes Psalms 12, 15, 16, 19, 22, 23, 25, 27, 30, 31, 33, 34, 42, 51, 91, 95, 103, 104, 116, 118,126, 130, and 137. 006372

Saddle-stitched . . . . . . . . . . $12.00

1-800-442-1358

Lent and Holy Week

Featuring Psalm 23 Psalm 23 for Organ

E urydice V. O sterman Psalm 23 is a three-part piece though each section can be played separately, if desired. The first section, “The Pastorale,” creates the impression of a calm lake in a peaceful green valley by using slow-moving chromatic mediants, meandering harmonies, and descending hexatonic scales. The second section, “The Valley of the Shadow of Death,” ensues with an ominous feeling created by a one-note ostinato in the pedal, an ascending hexatonic scale, fully diminished seventh chords, exploitation of the theme via superimposed major and augmented triads, and a split-third chord that brings that section to its climax. The final section, “Dwelling in the House of the Lord,” bursts into a toccata with the theme in the pedal, and is interspersed with an omnibus. The piece ends with a final statement of the motive in the pedal. G-11196

Saddle-stitched . . . . . . . . . . . . . . . . . . . . . . . . . $17.00

Wild Goose and Brother Bear Sing the Psalms Psalm 23

T ext adapted by K ate W illiams I llustrated by T raci D e R oche Join Brother Bear and Wild Goose as they journey through the Psalms—songs of happiness, sadness, prayer, and thanksgiving that have accompanied us through the ages! In this adventure, they explore Psalm 23, a favorite of many people around the world. It says that God, our greatest protector and comfort, will always love and do what is best for us. The kid-friendly language and adorable illustrations will help children discover how the Psalms can be meaningful in their own lives. G-11388

Board book . . . . . . . . . . . . . . . . . . . . . . . . . . . $18.95

Explore Congregational Song based on Psalm 23 with

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M arty H augen & S usan B riehl Marty Haugen’s musical That You May Have Life proclaims the Gospel of John through song. An eclectic array of musical styles sets the stage for each chapter. Based on the year A readings for Lent, That You May Have Life is a perfect complement to your Christian Initiation program. CD-622 G-6614FS G-6614K G-6614C DVD-622

Compact Disc . . . . . . . . . . $16.95 Full Score . . . . . . . . . . . . . . 44.95 Keyboard Edition . . . . . . . . . 30.00 Choir Edition . . . . . . . . . . . . . . . . . . . . . . . . . . . 6.00 DVD (Performance with commentary) . . . . . . . . . . . 29.95

Lent and Holy Week

That You May Have Life

A Liturgy for Lent G-7069 G-7069A

Leader’s Edition (Years B & C) . . . . . . . . . . . . . . . .$18.00 Assembly Edition (Years B & C) . . . . . . . . . . . . . . . . 1.75

Were You There?

A Service for Holy Week C arla G iomo

This edition includes the complete order of service and the octavos that make up the musical part of the liturgy. Also included on this CD is Giomo’s Vespers: A Service for Evening Prayer. CD-544 G-5754 G-5252 G-5252A

Compact Disc . . . . . . . . . . . . . . . . . . . . . . . . . .$16.95 Music Collection . . . . . . . . . . . . . . . . . . . . . . . . . 10.95 Vespers: Piano/Flute/Leader’s Score . . . . . . . . . . . . . 15.00 Vespers: Assembly Edition . . . . . . . . . . . . . . . . . . . 1.25

My Lenten Prayer

M ichael C ymbala , project editor Each set contains several settings of morning prayer and/or evening prayer. Each service lasts approximately 20 minutes and includes an opening hymn, 2 psalms with psalm prayers, a Scripture passage, a canticle, intercessions, the Lord’s Prayer, a concluding prayer, and a blessing. CD-916

2-CD set with booklet . . . . . . . . . . . . . . . . . . . . . $25.95 Available as mp3 downloads!

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Stations of the Cross

The Way of the Cross C hristine O ndrla

This book can be used for individual prayer or in a communal setting. Pen-and-ink drawings by Charlotte Lichtblau accompany each station. The Way of the Cross also offers a separate recording of powerful music reflections for each station, created by Denise Morency Gannon. 002690 002691

Saddle-stiched . . . . . . . . . . . . $1.95 Compact disc . . . . . . . . . . . . 17.00

Praying the Way of the Cross / Orando el Viacrucis A fully bilingual resource for praying the Stations of the Cross in groups or individually. The prayers, scripture, and music for the entire service appear in English and in Spanish on facing pages. Suit the needs of your school or parish and choose one language, or combine some English and some Spanish elements. 003349

Saddle-stitched . . . . . . . . . . . . . $4.00

Stations of the Cross A versatile, all-inclusive prayer service booklet containing the leader’s guide and the people’s parts, readings, and assembly music for a complete Stations of the Cross. Each of the 14 Stations also include a hymn verse with music notation written by Alan J. Hommerding as well as Scripture references for the reading. 003359

Saddle-stitched . . . . . . . . . . . . . . . . . . $2.95

Walking with Jesus

Preparing Stations of the Cross with Children C hristine O ndrla

Author Christine Ondrla, drawing on her own extensive experience as a parish catechist, has written this guide for catechists and teachers to help them work with their students as they prepare a Stations of the Cross service. Adaptable for homeschooling. 006139

Saddle-stitched . . . . . . . . . . . . . . . . . $14.95

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STABAT MATER

SUITE

Stations of the Cross C haz B owers

Stations of the Cross

G-10967

$17.00

Many parishes offer the Stations of the Cross on Fridays during Lent, wherein the “Stabat Mater” is sung at the Chaz Bowers conclusion of each station as the priest processes to the various stations throughout the nave. The settings and harmonizations included in this Stabat Mater Suite are meant to be used with any of the various translations of the hymn, in conjunction with congregational singing. G-10967

Spiral-bound, 16 pages . . . . . . . . . . . . . . . . . . . . .$17.00

Lent and Holy Week

stabat mater Suite

Variations on stabat mater for Organ

J ohn F. K riebel Of medium difficulty, these 15 variations can be played individually or as a set. Each variation creates its own mood related to a particular Station of the Cross. They may be performed in conjunction with that devotion or on other suitable occasions. G-7096

Variations on STABAT MATER

for Organ John F. Kriebel

Saddle-stitched, 20 pages . . . . . . . . . . . . . . . . . . . $16.00

Four Meditations for Woodwind Trio A rr . D iane M c A ninch

Originally written for use during the Lenten season. Three baroque dances from Bach (“Sarabande”), Handel (“Courante”), and Walond (“Siciliana”) are arranged for an ensemble of two flutes and a clarinet, or a flute and two clarinets, or recorders. The composer also provides a meditation on the Lenten hymn “Parce Domine.” G-6011

Saddle-stitched . . . . . . . . . . . . . . . . . . . . . . . . . $21.00

Trio on WONDROUS LOVE A rr . M aureen B riare

Arranged for flute, oboe, and clarinet this evocative arrangement on wondrous love begins with eight measures of thematic music that returns between each arrangement of the hymntune. The result is a gentle and mysterious new setting of a beloved melody in D Dorian mode. G-6999

Saddle-stitched . . . . . . . . . . . . . . . . . . . . . . . . . $20.00 1-800-442-1358

Lent and Holy Week

The Seven Last Words of Christ F ranz J oseph H aydn A rr . Z ack S tachowski

Using several versions of the original work as inspiration, Zack Stachowski has arranged The Seven Last Words of Christ for solo instrument and piano, making Haydn’s music accessible to music ministers who may not have access to larger instrumental ensembles. These prayerful meditations can be used as preludes, as music for reflection, or in ritual when singing is not recommended. G-10445

Spiral-bound, 64 pages . . . . . . . . . . . . . . . . . . . . .$30.00

Seasonal Suites, Volume 2 Lent and Holy Week A lan J. H ommerding

This volume features two suites for Lent and one suite for Holy Week. The suites utilize the marvelous instrumental descants created by various composers for the One in Faith hymnal; they are designed so that they may be played by either one or two instruments with keyboard. Each suite features three pieces. The first and third feature standard/traditional melodies, while the second includes more contemporary selections. 003038

Saddle-stitched, 24 pages . . . . . . . . . . . . . . . . . . . $14.00

Play for the Lord, Volume 7

Lent and Holy Week Hymn Preludes for C Instrument and Piano R obert F arrell

Aus Der Tiefe • Erhalt Uns, Herr • “Jesus Walked This Lonesome Valley” • St. Flavian • Attende Domine • “Wondrous Love” • Rockingham • St. Theodoplh • Ellacombe • Ubi Caritas • “Passion Chorale” • “Were You There?” 003017

Saddle-stitched . . . . . . . $14.95

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Passion Gospels

The Passion of Our Lord Jesus Christ This edition restores the Passion Gospels to the idiom of proclamation before the assembly. Modeled after the Vatican edition and adapted from the Vatican chants, this classic publication printed in black and red ink captures all the beauty of the original Latin. Notated in modern, stemless chant notation. The interior features high-quality paper while the cover is now an 10" x 14" ring binder with gorgeous embossed cover, allowing the book to easily remain open while being held or when placed on a lectern. G-4988

Binder with embossed cover . . . . . . . . . . . . . . . . . $50.00 Special Pricing Available for Multiple Copies

St. John Passion Choruses

T omás de V ictoria , E d . W illiam R owan The tradition of 3 soloists chanting the Passion with a choir singing the turba (crowd) parts is hundreds of years old! This edition of the popular Victoria choruses has been adapted to contemporary English and is ideal for use with the chanted Passion. Can also be used in the context of a spoken Passion. G-5268

Saddle-stitched . . . . . . . . . . . . . . . . . . . . . . . . . $3.50

Passion Gospels for Holy Week This missal-sized book contains the Passion account for Palm Sunday of all 3 liturgical years, A (Matthew), B (Mark), and C (Luke), as well as the Passion according to John for Good Friday. The inside text is in large print allowing your parishioners to easily follow along and participate in the proclamation of the narrative. Adorned with a durable and beautiful red cover displaying a lovely gold cross, these books are a resource you’ll be happy to display in your pews during Holy Week for many years to come. 006543

Saddle-stitched, 6 x 9 booklet . . . . . . . . . . . . . . $4.50 each 1-800-442-1358

Passion Gospels

The Passion of Our Lord Jesus Christ According to Matthew (Year A) Here is the Passion account from the Gospel of Matthew in a dignified, easy-to-proclaim format. The text corresponds exactly to the Revised Lectionary for Year C and the Passion account that is found in seasonal worship aids and missals. Includes 3 complete sets: the Narrator, the Speaker, and Jesus. Each reader’s part is set in large, 14-point, bold-faced type arranged in sense lines in their set, making it easy to find and proclaim effectively. This edition is text only. 008195 008198

8.5 x 11, 3-hole punched . . . $9.95 According to John (for Good Friday) . . . . . . . . 9.95

La Pasión de Nuestro Señor Jesucristo Según San Mateo (Año A) Similar at su contraparte en inglés, esta Pasión en español se presenta en un formato digno y fácil de proclamar que corresponde exactamente a las lecturas de la Pasión que se encuentran en el leccionario mexicano (aprobado para su uso en la adoración en los Estados Unidos) y en las ayudas y misales de adoración estacionales como WLP‚ ¡Celebremos / Let Us Celebrate! Cada paquete contiene 3 juegos completos del relato de la Pasión para el Evangelio de Mateo el Narrador, el Orador, y Jesús. La parte de cada lector se establece en letras grandes de 14 puntos, en negrita, dispuestas en líneas de sentido, lo que facilita su búsqueda y proclamación de manera efectiva. 012696 012699

8.5 x 11, perforado de tres agujeros . . . . . . . . . . . . . . $9.95 Según San Juan (para Viernes Santo) . . . . . . . . . . . . . 9.95

Prices subject to change without notice.

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Christian Initiation

La Confirmación de los Católicos Adultos Cinco sesiones para prepararse y reflexionar M ary B irmingham

Cada sesión empieza con un ritual que incluye música, lecturas bíblicas, símbolos litúrgicos y signos o gestos o símbolos de los sacramentos de Iniciación como punto de partida. Usando el Ritual para la Confirmación como plataforma, cada sesión desarrolla puntos teológicos expresados en el Ritual. La última sesión es una sesión post-sacramental, que invita a los adultos recién confirmados a reflexionar en la experiencia de la celebración y recepción del Sacramento de la Confirmación. 017170

Encuadernado sin costura . . . . . . . . . . . . . . . . . . .$19.95

Confirming Adult Catholics

Five Sessions for Preparation and Reflection M ary B irmingham

Each session begins with a ritual that includes music, biblical readings, liturgical symbols, and signs or gestures or symbols of the sacraments of Initiation as a starting point. Using the Ritual for Confirmation as a platform, each session develops theological points expressed in the Ritual. The last session is a postsacramental session, which invites newly confirmed adults to reflect on the experience of celebrating and receiving the Sacrament of Confirmation. 017184

Perfect-bound . . . . . . . . . . . . . . . . . . . . . . . . . .$19.95

1-800-442-1358

Christian Initiation

A Child’s Journey of Faith M ary B irmingham

This resource presents nine pre-catechumenate sessions for inquiring children ages 7 to 11, consistent with the theology and process of the Order of Christian Initiation of Adults. Based on principles of the Montessori Method of instruction, children are mentored and apprenticed into faith with prayer, activities, and stories from the Old and New Testaments that invite conversion. The book includes a set of full-color posters to accompany the topic of the session and an access code to download all reproducible worksheets and handouts. G-10402

Multi-media resource kit . . . . . . . . . . . . . . . . . . .$90.00

Purified and Enlightened RCIA Sessions for Lent M ary B irmingham

Note: These sessions are still appropriate for use with the recent changes to OCIA texts. Here, 6 sessions are offered for Christian Initiation ministers: sessions to prepare for and reflect upon the Scrutinies; reflections on the personal and social dimensions of sin; the challenge of the Lenten scriptures; and spiritual preparation for the Triduum. A CD-ROM is included that contains reproducible handouts and a PowerPoint® presentation for each session. 017175

Book with CD-ROM . . . . . . . . . . . . . . . . . . . . . .$39.95

Formed in Faith

Sessions for Inquiry, Catechumenate, and Ongoing Faith Formation M ary B irmingham

Based on solid principles of adult learning, these sessions focus on the core elements of our faith: God the Creator, Jesus Christ, the Holy Spirit, the Creed, the Blessed Trinity, as well as sessions on forgiveness and human suffering. All sessions are reproducible from the included CD-ROM, which contains handouts, discussion/reflection questions, and other materials. 017185

Book with CD-ROM . . . . . . . . . . . . . . . . . . . . . .$59.95

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Easter Reflections for New Catholics D ennis C hriszt , C.PP.S.

Scripture readings and reflections for each day of Easter week, all the Sundays of the Easter season, and Ascension and Pentecost. Help new Catholics deepen their grasp of the Paschal Mystery and reflect on the celebration of the sacraments of initiation. 017194

Perfect-bound . . . . . . . . . . .$19.95

Christian Initiation

The 50 Days of Joy

The Spirit at Work

Conversion and the RCIA M ichael M archal

Note: This book is still appropriate for use with the recent changes to OCIA texts. This book focuses on the process of conversion for catechumens and baptized candidates, but most significantly, the opportunities and challenges that face Christian Initiation leaders and the parish overall when forming and welcoming new Catholics. 017186

Perfect-bound . . . . . . . . . $14.95

Deep in the Spirit

The Inner Dynamics of Conversion M ichael M archal

Michael Marchal takes the 5 components of the process of conversion that he presented in The Spirit at Work and explores the inner dynamics of each. While providing a helpful roadmap for Christian Initation leaders to use in guiding the participants in the process to a complete conversion to Christ and a richer life in the Spirit, this book is also a manual for self-reflection and an outline for team enrichment. Marchal details two phases in each component: a developmental phase and a mature phase. He warns of the traps and detours that can be encountered in the process and offers questions for deeper reflection throughout each of the 5 major sections of the book. 017169

Perfect-bound . . . . . . . . . . . . . . . . . . . . . . . . . .$14.95

1-800-442-1358

Christian Initiation

Chosen in Christ / Elegidos en Cristo

Music for Christian Initiation / Música para la Iniciación Cristiana C ompiled and edited by J erry G alipeau

A complete music resource for the celebration of the Order of Christian Initiation for Englishspeaking, Spanish-speaking, and bilingual parish communities. Includes: music, texts in Spanish and English, pastoral notes and notes for the celebration, arrangements for keyboard and guitar, and reproducible music for the assembly. Un recurso completo para la celebración de la Iniciación Cristiana para las comunidades angloparlantes, hispanoparlantes, y bilingúes. Incluye: música, textos en español e inglés, notas pastorales y para la celebración, arreglos para teclado y guitarra, y música reproducible para la asamblea. 017245 017244

Music book | Libro de música . . . . . . . . . . . . . . . . .$24.95 2-CD set | El juego de 2 CD . . . . . . . . . . . . . . . . . . 27.00

We Send You Forth

Dismissals for Catechumens Beautifully composed texts, inspired by scripture and the season, for dismissing catechumens and baptized yet uncatechized candidates following the homily each Sunday. Features a large, easy-toread print, a liturgy-worthy foil-stamped cover, and a CD-ROM that allows you to print all texts as 8.5 x 11 pages for your own binder. 017195 Perfect-bound . . . . . . . . . . . . . . $19.95

Les Enviamos

Para despedir a los Catecúmenos Esta edición en español de textos está diseñada para despedir a los catecúmenos y candidatos bautizados aún sin catequizar después de la homilía cada domingo. Incluye textos de inspiración bíblica y estacional para cada domingo del año B más el año A y el año C, así como textos de despedida para solemnidades y fiestas que se celebran cuando ocurren los domingos. Tiene una impresión grande y fácil de leer, una cubierta estampada con papel de aluminio digno de una liturgia y un CD-ROM que le permite imprimir todos los textos en 8½ x 11 páginas. 012599

Encuadernado sin costura . . . . . . . . . . . . . . . . . . .$19.95

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Catechumenate Sessions for Children and Families B lessie L a S cola

Volume 1 The 25 sessions in this resource offer gathering prayers, scripture readings, games or icebreakers, hands-on activities, reflective responses by the participants, and closing prayer rituals. The enclosed CD-ROM contains all of the handouts, worksheets, and letters to parents found on the printed pages of this book, making this a convenient, easy-to-use resource for Initiation ministers, directors of faith formation, and catechists alike. 017171

Christian Initiation

Children of the Light

Spiral-bound book with CD-ROM . . . . . . . . . . . . . .$75.00

Volume 2 Volume 2 contains 28 more sessions that build on the children’s evolving faith formation first explored in the precatechumenate period. Each session begins with a summary of its purpose, a brief section of catechist formation, and ideas for setting the environment. A template for a letter home is also provided for each session. An optional “Remembering Back” section is included for some of the sessions to provide an introduction to the experience of mystagogy. The enclosed CD-ROM contains all of the handouts, worksheets, and letters to parents found on the printed pages of the book. 017166

Spiral-bound book with CD-ROM . . . . . . . . . . . . . .$75.00

Volume 3 Volume 3 provides rich, interactive sessions for the Period of Purification and Enlightenment and the Period of Mystagogy as children prepare for and receive the sacraments of initiation through the OCIA as adapted for children. Each session consists of a formation reflection for catechists, a gathering prayer, time for questions, scripture reading and reflection, relevant activities, a concluding prayer, and a letter to be sent home to parents/guardians. Handouts, worksheets, and letters are provided in the printed book and are available online for download, duplication, and distribution. Two retreat formats (a Day Retreat to Prepare for the Rite of Election and a Lenten Day of Reflection) plus an additional session on the sacrament of reconciliation are also included. G-10619

Perfect-bound, 198 pages . . . . . . . . . . . . . . . . . . . $50.00 1-800-442-1358

Antiphons and Introits

Entrance Antiphons for the Church Year

M usic by C harles T hatcher Entrance Antiphons for the Church Year contains thirty antiphon texts from the Graduale Simplex, translated from Latin and set to newly composed music. The psalm verses appointed for these antiphons are taken from the Grail translation (1963). G-10314

Saddle-stitched, 64 pages . . . . . . . . . . . . . . . . . . . . $7.45

Sing of God’s Goodness, Volume 2 Antiphons, Psalms and Canticles C hristine M anderfeld , osb

Sister Christine’s antiphons are steeped in the chant tradition, allowing the meaning and poetry of text to be readily grasped by the singer or listener. G-10905

Saddle-stitched . . . . . . . . . . . . . $6.95

Sing of God’s Goodness, Volume 1: Calls to Worship and Responsories G-10655 Saddle-stitched . . . . . . . . . . . . . . . . . . . . . . . . . . $6.45

In the Shadow of God Introits for Lent K en M acek

In the Shadow of God is the final edition in this series of contemporary settings of the proper introits, adapted from the Gregorian Missal. This edition includes seven musical selections including introits for Ash Wednesday, the five Sundays of Lent, and Holy Thursday. G-8079

Saddle-stitched . . . . . . . . . . . . . . $5.65

I Have Risen

Contemporary Introits for the Easter Season K en M acek

Contemporary settings of the proper introits, adapted from the Gregorian Missal for the Sundays of Easter, including Ascension and Pentecost. Each is structured around a singable melody and a steady building of musical forces as the piece unfolds. G-7656

Saddle-stitched . . . . . . . . . . . . . . $2.80

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Mass of the Risen Lord K athleen D emny

The universal style of Mass of the Risen Lord makes this setting one of great flexibility, working equally as well with organ, instruments, and full choir as it does with piano and guitar ensemble, or children’s choirs. The printed keyboard part is primarily for piano but is easily adaptable for organ. The many instrumental parts will also well suit various parish needs. Most parts of Mass of the Risen Lord begin in unison to support the entrance of the assembly. G-11075 G-11075A G-11075G G-11075FS G-11075INST D-11075BR D-11075WW D-11075HB X-11075CD

Seasonal Mass Settings

Choral / Accompaniment Edition . . . . . . . . . . . . $7.65 Assembly Edition . . . . . . . . . . . . . . . . . . . . . . . 1.45 Guitar Edition . . . . . . . . . . . . . . . . . . . . . . . . 13.00 Full Score Edition . . . . . . . . . . . . . . . . . . . . . . 28.00 Instrument Edition . . . . . . . . . . . . . . . . . . . . . 57.00 Download Brass and Timpani Edition . . . . . . . . . . 45.00 Download Clarinet and Bassoon Edition . . . . . . . . 13.00 Download Handbell Edition . . . . . . . . . . . . . . . . 34.00 MP3 Downloadable Recording . . . . . . . . . . . . . . 10.00

Song of the Spirit Mass T ony A lonso

Years ago, Tony composed a simple, joyful Gospel Acclamation based on the tune lambillotte (“Alleluia, Song of the Spirit”). Song of the Spirit Mass fully extends this tune-based approach to all of the sung portions of the Mass. Song of the Spirit Mass features a driving, rhythmic piano part. However, to accommodate a range of contexts, also includes an alternate accompaniment with more intentional melodic support that is suitable for organ. Optional instrumental parts are intended for trumpet and flute but may be played by any combination of C or B-flat treble instruments. G-10841 G-10841A G-10841CD G-10841G G-10841INST G-10841LS

Choral / Accompaniment edition . . . . . . . . . . . . $8.40 Assembly Edition . . . . . . . . . . . . . . . . . . . . . . . 1.60 Recording . . . . . . . . . . . . . . . . . . . . . . . . . . 10.00 Guitar Edition . . . . . . . . . . . . . . . . . . . . . . . . 12.50 Instrument Edition . . . . . . . . . . . . . . . . . . . . . 21.00 Lead Sheet Edition . . . . . . . . . . . . . . . . . . . . . 12.00

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Easter

Exsultet

The Easter Proclamation / El Pregón Pascual This edition offers ultimate flexibility for parishes seeking to include both English and Spanish in their Easter Vigil service. Identical rehearsal marks in both texts make it easy to use one of the included language treatments, or to create your own more closely reflecting your community. G-10704

Saddle-stitched . . . . . . . . . .$14.00

Exsultet Easter Proclamation Including Longer Form and Shorter Form from The Roman Missal 2010 This updated edition of the Exsultet is taken directly from the 2010 English translation of The Roman Missal. The melody is an elaborate version of the familiar preface chant tone. G-8256

Saddle-stitched . . . . . . . . . . . . . . . . . . . . . . . . . . $7.00

Three Sequences for the Church Year A handy edition for cantors and accompanists to have all of the sequences in one place in a larger, easy-toread format. CONTENTS: Sequence for Easter (victimae paschali laudes) • Sequence for Pentecost (veni sancte spiritus) • Sequence for Corpus Christi—short form (Plainsong, Mode VII) G-10720 G-10720K

Cantor Edition . . . . . . . . . . . . . . . . . . . . . . . . . . $8.00 Keyboard Edition . . . . . . . . . . . . . . . . . . . . . . . . . 9.00

Easter Mass Booklets This seasonal Order of Mass booklet is designed specifically for Easter Mass and is an ideal way for your congregation to follow along during this holiest of days whether in person or virtually! Each booklet contains the complete Order of Mass, the readings for Easter Sunday, and 25 Easter hymns and songs. 006546 32

Saddle-stitched, 6 x 9 booklet . . . $1.95 each

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Music for the Paschal Season S teven C. W arner

Easter

Easter in Ireland

GIA’s first recording by Steve Warner and the Newman Vocare Ensemble from Dublin, Ireland, offers a taste of the rich fabric of sounds found in Ireland with its four-part choral singing, Uilleann pipes, low whistle, harp and harmonium, strings, organ, and guitar. All of the selections are directed toward the joy of Easter. Octavos listed as (D-10124) available for download only as Selections from Easter in Ireland. (D-10124) Contents: Exult Ye Heavens (D-10124A) • If You Find Me (D-10122) • An tAiséirí / The Resurrection (D-10124B) • Seinn Alleluia (D-10124C) • I See His Blood Upon the Rose (D-10124D) • Give Thanks to the Lord (D-10124E) • My Soul Now Magnifies the Lord (D-10215) • Reverie ‘This Is My Will’ • Alleluia, Alleluia, Praise the Risen Son (D-10123) • Taste that Your Eyes May Be Opened (D-10216) • The Easter Snow • Light of Christ! Solas Chríost (D-10124F) • Reprise If You Find Me • Easter Day (D-10121). CD-1072

Compact Disc . . . . . . . . . . . . . . . . . . . . . . . . . .$16.95

Communion Antiphons for the Easter Season C hristoph T ietze

To facilitate assembly participation and underscore the unity of the season, the music is identical for each Sunday. The texts are the Communion antiphons and psalms from the Graduale Romanum. The refrain and verse offer different key relationships, providing refreshing contrast yet moving effortlessly from one tonal center to the other. 000700 000702

Songbook . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$12.95 Cantor/Choir Edition Octavo . . . . . . . . . . . . . . . . . . 5.00

Psalms for the Church Easter

Music for Easter featuring works by Christian Cosas, Jeffrey Honoré, Robert Schaefer, Alan J. Hommerding, and Edward Eicker. Includes: Psalms 4, 16, 22, 23, 33, 27 (2), 30, 47, 66, 67, 97, 98, 100, 103, 104, 118 (3), and 145. 006417

Saddle-stitched . . . . . . . . . . . . $12.00

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Easter

Trilogy for Easter

I. Fanfare: Triumphant Entry / II. Soliloquy: From Gethsemane to the Tomb / III. Fantasia: The Resurrection E urydice V. O sterman

Trilogy for Easter was inspired by an earlier independent piece, Fantasia: The Resurrection published in the collection King of Kings: Organ Music of Black Composers, Past and Present—Volume 4. It eventually grew into a three-movement composition. “Fanfare: Triumphant Entry” begins with a trumpet blast representing the heralding of Jesus riding into Jerusalem on a donkey, accompanied by the cries of “hallelujah” and “hosanna” from the crowd that showered his path with palm branches. “Soliloquy: From Gethsemane to the Tomb” is a slow piece that uses quartal/ quintal harmony, constant harmonic shifts, modal melodies, and scale passages in the pedal that represent the walk from site to site. “Toccata: The Resurrection” is a tonal piece. The first four notes in the pedal reference the first four notes of the “Fanfare,” and are developed into a melody that is repeated several times throughout the piece. G-11192

Saddle-stitched . . . . . . . . . . . . . . . . . . . . . . . . .$17.00

Toccata on VICTIMAE PASCHALI LAUDES

I ain Q uinn Welsh organist, conductor, and composer Iain Quinn, who is Assistant Professor of Organ at Florida State University, has created a magnificent toccata on the traditional Easter sequence. The dynamic fanfare that opens the piece is interspersed with a slower section. A spectacular way to announce the Resurrection! This medium-difficult toccata based on the tune victimae paschali laudes is a perfect addition to any concert organ repertoire. It can also be a dynamic postlude to worship. For this purpose, or other shorter contexts, the option is given to start the piece halfway through at the return of the "A" section. The virtuosity of this piece will display the power and grandeur of the king of instruments, while bringing praise and glory to the King of Kings and Lord of Lords! G-7414

Saddle-stitched . . . . . . . . . . . . . . . . . . . . . . . . . $12.00

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Easter and Pentecost A lan J. H ommerding

Easter

Seasonal Suites, Volume 3

These three-movement suites are flexibly arranged; movements can be performed individually or together. Jubilant Easter favorites are included, along with some newer melodies. 003045

Saddle-stitched . . . . . . . . . . .$14.00

Feet Don’t Fail Me Now! These volumes of organ music are for manuals only, or manuals with very simple pedal parts. A wonderful prelude/postlude resource for pianists called upon to play the organ for liturgy.

Volume Two: Lent and Easter

E dited by A lan J. H ommerding 003069

Saddle-stitched . . . . . . . . . . . . . . . $10.00

Volume Three: A Seasonal Sampler R obert E dward S mith 003090

Saddle-stitched . . . . . . . . . . . . . . . $10.00

Step It Up! Attractive and accessible, these organ pieces incorporate basic pedal for the advancing organist. The trio format helps the player acquire independence of hands-on separate manuals.

Volume Two: Chant Trios for the Church Year R obert E dward S mith 003028

Saddle-stitched . . . . . . . . . .$10.00

Volume One: Hymn Preludes for the Seasons R obert F arrell 003048

Saddle-stitched . . . . . . . . $10.00

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Easter

Ten Easter Flourishes for Organ M eirion W ynn J ones

A collection of enlivening, celebratory introductions for beloved Easter hymns will similarly be a pleasure for organists to play! Some tunes are paired with more than one text during the days of Easter, Ascension, and Pentecost, making this a most practical collection. 003029

Saddle-stitched . . . . . . . . . . .$12.00

This Joyful Eastertide K athleen M. B asi

Renewed arrangements for the Easter season for beginner and intermediate pianists and flutists. Recording performed by Patrick Godon, piano, and Anna Belle O’Shea, flute. 003116 003117

Saddle-stitched . . . . . . . . . . .$16.00 Compact Disc . . . . . . . . . . . . 10.00

The Gifts of the Spirit

Seven Meditations for Piano K eith S. K alemba

Seven pieces inspired by each gift of the Holy Spirit, these pieces draw from chant melodies common to the liturgies of Pentecost and the Holy Spirit, as well as familiar tunes. These meditations are designed for the liturgies in the Easter Season, the Rite of Confirmation, and Pentecost. 003022

Saddle-stitched . . . . . . . . . . . . . . . . . . . . . . . . . . .$12.00

Three Festival Hymns Volume 1: Easter R ichard P roulx

CONTENTS: lasst uns erfreuen • llanfair •

gelobt sei gott G-4009

Saddle-stitched . . . . . . . . . . $30.00

Festival Hymns Set II: Easter

J ohn F erguson CONTENTS: easter hymn • hymn to joy •

gelobt sei gott G-3748

Saddle-stitched . . . . . . . . . . $30.00

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A rr . S ondra K. T ucker

For organ and brass quartet or quintet G-6569

Easter

This Joyful Eastertide (vruechten)

Saddle-stitched . . . . . . . . . . . . $23.00

Lift High the Cross (crucifer) S ydney H ugo N icholson A rr . S ondra K. T ucker

For organ and brass quartet or quintet G-6572

Saddle-stitched . . . . . . . . . . . . $26.00

An Easter Fanfare (easter hymn) C arla J. G iomo

For organ and brass quartet or quintet G-5351

Saddle-stitched . . . . . . . . . . . . $25.00

Meditation on Christ Our Passover R obert W. P arker

For brass quintet, organ, timpani, and optional unison choir G-7601

Saddle-stitched . . . . . . . . . . . . $24.00

This Joyful Eastertide (vruechten)

A rr . C harles E vans

For brass quartet or quintet G-6798

Saddle-stitched . . . . . . . . . . . . $19.00

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Ceremonial Binders and Folders

C E R E M O N I A L B I N D E RS & F O L D E RS Our binders are an attractive and durable solution for clergy and church leaders to use for intercessions, special rites, seasonal service programs, and general announcements, for choirs to keep and display their music, and for church musicians to assemble each week’s accompaniments.

SERIES 1

Every color binder. . . . . . . . . . . . . . . . . . . . $29.50 each 003356 Ivory 006586 Green 006631 Red 006629 Royal Purple (Gold Foil) 006630 Violet (Silver Foil) 006510 Blue 006632 Gray 006511 Black 006512 Set of 8 (One of each color). . . . . . . . . $200.00

SERIES 2

Every color binder. . . . . . . . . . . . . . . . . . . . $19.95 each 006775 Ivory 006776 Green 006777 Red 006778 Purple 006780 Black 006781 Set of 5 (One of each color). . . . . . . . . . $90.00

SERIES 3

Every color binder . . . . . . . . . . . . . . . . . . $19.95 each 006801 Ivory 006802 Green 006803 Red 006804 Purple 006805 Black 006806 Set of 5 (One of each color). . . . . . . . . . $90.00

Each binder includes: • 1-inch spine • Three-ring format • Can hold pages up to 8.5 x 11 • Inside front pocket for loose papers and cards

These attractive and useful Ceremonial Folders feature the exquisite two-tone stamped cross design with gold foil found on WLP’s Series 1 Ceremonial Binders. Each fabric-lined folder holds one or two single sheets of 8.5 x 11 paper that you can easily tuck into the grosgrain ribbon corner holders. Ideal for use by lectors, priests, deacons, and cantors. Every color folder. . . . . . . . . . . . . . . . . . . . $23.00 each 006831 Ivory 006832 Green 006833 Red 006834 Purple 006835 Black 006836 Set of 5 (One of each color). . . . . . . . . . $99.50

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W E C E L E B R AT E & GAT H E R— F O U RT H E D I T I O N SERIES 4—Coodinates with the We Celebrate Hymnal and Missal

Ceremonial Binders

B I N D E RS TO C O O R D I N AT E W I T H

Every color binder. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $19.95 each (006845 Black • 006844 Purple • 006843 Red • 006842 Green • 006841 Ivory) 006846

Set of 5 (One of each color). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $90.00

Ceremonial Binders

Every color binder. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $25.00 each (G-10000BB / Black • G-10000BGRN / Green • G-10000BGRY / Gray • G-10000BP / Purple • G-10000BI / Ivory • G-10000BR / Red ) G-10000BSET

Set of 6 (One of each color). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $135.00

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Music and Resources for the Church—Spring 2026

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