Fall Winter Catalog 2026 by GIA Publications

& RESOURCES FOR THE CHURCH fall/winter 2026

PUEBLO CANTA Tesoro de Fe Viva

Un Himnario Nuevo para la Iglesia Hispana de Hoy Encuentre más información en la página 4. Find more information on page 4.

welcome Welcome to GIA’s 2026 Fall/Winter Catalog! We are excited to introduce you to some new resources including GIA’s first Spanish language hymnal—Tu Pueblo Canta! This beautiful addition to the GIA family of hymnals reflects the breadth and depth of Hispanic/LatinAmerican sacred music and culture. To learn more, see page 4. We are also proud to share a new collection from composer John L. Bell (page 6). In John’s signature way, these Advent and Christmas carols, prayers, and reflections help us see the seasons and the world from a unique point of view. Page 8 highlights a new book that celebrates both the 25th anniversary of the African American Church Music Series as well as the life and legacy of its editor, Dr. James Abbington. We round out our new releases with two new Mass settings, numerous new works for solo piano and solo organ, and a host of choral octavos. You’ll also find our tried and true seasonal resources. Please share this catalog with all those who would find the contents of interest or download additional copies at issuu.com/giamusic. Thank you for taking a look and we wish you all the best. —Your Friends at GIA

Table of Contents New Releases . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4-11 New Seasonal Octavos. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12–15 Seasonal Concert Picks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 Seasonal Resources. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17–19 Seasonal Mass Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20–21 Seasonal—Royal School of Church Music. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22 Seasonal Piano. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23–25 Seasonal Keyboard with Instrument / Seasonal Brass. . . . . . . . . . . . . . . . . . . . . . . 26–27 Seasonal Organ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28–30 Planning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 Hymnals and Missals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32–33 Word & Prayer Resources for Year B. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34–35 Children’s Bulletins. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36 More from GIA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37 Ceremonial Binders and Folders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38–39

Call us: 1-800-442-1358 Email us: custserv@giamusic.com Search/purchase products: giamusic.com Browse or download catalogs: issuu.com/giamusic Congregational Song Downloads: giamusic.com/unbound Prices subject to change without notice.

new releases

TU PUEBLO CANTA is more than a book. It is a treasure: —a treasure that enshrines the journey of the Hispanic/LatinAmerican people, radiates their love of tradition, and gleams well into the future; —a treasure that shimmers in the kaleidoscope of creation’s diversity, with pride and appreciation for Latinos across the globe who have somehow found community in a Spanish-language Mass offered at a local church or parish; —a treasure whose adorning art increases the beauty of the sacred space it will occupy, befitting its place within God’s sanctuary; —a treasure whose sung words will teach the faith, challenge worldly precepts, and compel a fervent lived discipleship; —a treasure whose melodies will uplift the spirit and soul, carrying heavenward the prayers of the gathered community; —a treasure whose embedded styles, character and rhythms will touch the heart once fully effectuated in breath and voice; —and finally, a treasure that both reflects and illumines faith so that it is overflowing with life and steeped in resurrection joy.

new releases • 10 Full Mass settings: Cantos del Misal Romano Misa Gregoriana Misa Luna (P. Kolar) Misa Sol de Justicia (P. Kolar) Misa San Pedro (S. Fernández) Misa Caribeña (D. Correa / D. Thillet) Misa de Santa María del Lago (S. Janco) Misa al Sagrado Corazón (C. Zapién) Misa Ranchera (P. Rubalcava) Misa de Santa Ana (E. Bolduc) Missa Simplex en Español (R. Proulx / M. O’Conner / H. Aquino) • Words and music that reflect the diversity of Latinos across the globe and enshrine the journey of the Hispanic / Latin-American people. • Music for liturgical seasons and solemnities, rites, and popular celebrations as well as music of cultural heritage and music of the Charismatic Renewal. • Music representing over 30 styles including bolero, cumbia, canto llano, son cubano, marcha, merengue, salsa, bossa nova, and more! • Two assembly editions to choose from: An exquisite hardcover hymnal with simple musical notation or a softcover hymnal with lyrics only featuring beautiful full-color artwork. • A full Spanish language Lectionary psalter featuring the music of a variety of composers.

View full contents and available editions by scanning below:

PUEBLO CANTA Tesoro de Fe Viva

new releases

When the World Was Not Watching Texts and Music from Advent to Epiphany

When The World Was Not Watching Texts and Music from Advent to Epiphany John . L. B ell For over thirty years, John Bell and Graham Maule sent Christmas cards that featured original texts and designs. Among the texts were prayers, reflections and many carols, but not of the conventional sort. Rather, they took on themes usually avoided: the anonymity of the birth of Jesus, the awkwardness for Joseph of being a surrogate father, the savagery of the slaughter of the innocents.

John L. Bell

With this collection, John Bell assembles these works in one volume, guiding us through the full length of the season from the first Sunday in Advent through Epiphany with a truly unique and inspired point of view. G-11523

Spiral-bound . . . . . . . . . . . . . . . . . . . . . . . . $20.00

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Ways Will Open Hymn Tunes, Songs, and Chants Sally Ann Morris This volume contains 68 tunes written from 2016 to 2025 in a variety of styles including traditional, pop, rock, and folk as well as tunes written as short-form chants in the style of the Taizé Community. Featuring texts by Mary Louise Bringle, Angela K. Renecker, Adam M. L. Tice, Eli Cooper-Nelson, Lindy Thompson, Sylvia G. Dunstan, David Bjorlin, John L. Bell, Chris Shelton, and more. G-11522

Spiral-bound . . . . . . . . . . . . . . . . . . . $29.00

new releases Afro-Caribbean Mass Marlon Huie This Mass setting was written to serve the composer’s home parish comprised of families from the Caribbean Islands. Offering a festive and celebratory feel, the accompaniment in the first half of the Mass is in calypso style. A more meditative reggae style is used in the second half of the Mass. Though the Mass setting is notated, it is important to listen to these styles in order to perform the accompaniment with the right Caribbean musical feeling. The Mass is not sung in any Caribbean dialect and can be sung as you would any traditional English Catholic Mass.

AfroCaribbean Mass Marlon S. Huie

A beautiful way to lift up the music rhythms of the Caribbean during the liturgy! G-11478 G-11478A

Choral/Accompaniment Edition . . . . . . $7.35 Assembly Edition. . . . . . . . . . . . . . . . . . . . . 1.80

•••••••••••••••••••••••••••••••••••••• Choral / Accompaniment Edition

M A S S

O F

H O LY LO N G I N G

DANIEL KANTOR

ROB GLOVER

Mass of Holy Longing Daniel Kantor & Rob Glover The Mass of Holy Longing is intentionally restrained in tone, favoring depth and stillness over brighter, more buoyant spiritual expressions. Some cadences may even feel slightly ambiguous or unresolved, helping create a sense of longing for what is yet to come. Rooted naturally in the threshold of Advent and the restraint of Lent, this Mass may also find a home in Ordinary Time. This Mass can be sung in unison by the assembly, or the choral parts can be added for a richer sound. The Mass also often alternates between chant and meter. The Penitential Act lists four invocation options and a call and response Amen at the conclusion. The Glory to God has a simple chant version or a more festive setting with meter and choral chant and the Alleluia and Gospel Verses have metered or chanted options for choir or cantor. G-11411 G-11411A G-11411BASS G-11411FS G-11411G G-11411HB G-11411INST

Choral/Accompaniment. . . . . . . . . . . . . . $7.65 Assembly Edition. . . . . . . . . . . . . . . . . . . . . 1.60 Bass Edition. . . . . . . . . . . . . . . . . . . . . . . . . 6.50 Full Score . . . . . . . . . . . . . . . . . . . . . . . . . . 21.50 Guitar Edition. . . . . . . . . . . . . . . . . . . . . . 13.00 Handbell Edition. . . . . . . . . . . . . . . . . . . . . 5.50 Instrument Edition. . . . . . . . . . . . . . . . . . 45.00 (includes 2 B-flat instruments, 2 C instruments, horn in F & viola)

new releases

In Sound and Spirit Dr. W. James Abbington, Jr. and 25 Years of the African American Church Music Series Compiled and edited by Brandon A. Boyd

In Sound and Spirit Dr. W. James Abbington, Jr. and 25 Years of the African American Church Music Series Ed. Brandon A. Boyd As we mark the 25th anniversary of the African American Church Music Series, we pause with deep gratitude for the vision and leadership of Dr. W. James Abbington, founding editor. Over these twenty-five years, this series has introduced to the world a remarkable breadth of sacred music from Black traditions: spirituals, traditional and modern gospel, hymn arrangements, anthems by Black composers, sacred keyboard literature, newly commissioned works, and an array of scholarly books that have shaped worship, scholarship, and spiritual life. As you journey through this anniversary volume, revisiting beloved works first brought to light through this series and exploring resources Jimmie so thoughtfully nurtured, may you be reminded of what has been accomplished over these 25 years. Includes 12 selections from the African American Church Music Series. G-11605

Perfect bound book. . . . . . . . . . . . . . $25.00

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Selections from King of Kings P erformed by Nathaniel Gumbs CONTENTS: King of Kings / arr. Simpson (Volume 1) • Prayer: An Offertory / Walker (Volume 2) • Fantasia: The Resurrection / Osterman (Volume 4) • Churchyard Chatter / Brown (Volume 3) • Impromptu / Coleridge-Taylor (Volume 2) • Jubilate / Sowande (Volume 3) • Go Down, Moses / arr. Handy, adapt. Simon (Volume 1) • Go Down, Moses / arr. Sowande (Volume 2) • Retrospection / Price (Volume 1) • Spirit Fantasy / arr. Haywood (Volume 4) • Yoruba Lament / arr. Sowande (Volume 2) • Triumphal March of Heritage / Brown (Volume 1) • Variations on a Theme by Ellie / Weston (Volume 3) • Finale-Allegro from Sonata No. 1 for Organ / Price (Volume 4) CD-1124 CD/MP3 Recording. . . . . . . . . . . . . . . . . . . $16.95

new releases King of Kings, Volume 5 Organ Music of Black Composers, Past and Present Compiled and Edited by James Abbington

ORGAN MUSIC OF BLACK COMPOSERS, PAST AND PRESENT COMPILED AND EDITED BY JAMES ABBINGTON

CONTENTS: An Evening Medley in Humility and Praise (W. Patrick Alston) • Arise, My Love, and Come Away (Trevor Weston) • Come Sunday (Carl Haywood) • Fanfare: Triumphant Entry (Eurydice V. Osterman) • Hold On (Joseph Joubert) • Improvisation on thaxted (Asriel Davis) • Meditation from Suite for Organ on christ and st. luke’s (Carl Haywood) • Meditation on picardy (Ralph Holtzhauser) • Postlude on duke street (Eurydice V. Osterman) • Prelude on forest green (Norah Duncan IV) • Sinfonia with “We Gather Together” (W. Patrick Alston) • Toccata on mckee (Yasmin N. Phillip) G-11430

Volume 5, Spiral-bound. . . . . . . . . . $30.00

G-7236 G-7489 G-9377 G-10379

Volume 1, Spiral-bound. . . . . . . . . . $28.00 Volume 2, Spiral-bound. . . . . . . . . . . 28.00 Volume 3, Spiral-bound. . . . . . . . . . . 27.00 Volume 4, Spiral-bound. . . . . . . . . . . 30.00

G-7677

Combo pack, All 5 volumes. . . . . . $115.00

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More Selections from King of Kings P erformed by Ralph Holtzhauser CONTENTS: Offertory / Adams (Vol 1) • Arietta / ColeridgeTaylor (Vol 1) • Melody / Coleridge-Taylor (Vol 1) • Elegy / Coleridge-Taylor (Vol 1) • Talk About a Child that Love Jesus / arr. Taylor (Vol 1) • Fanfare and Chorale / Fuller (Vol 2) • Prayer: An Offertory / Walker (Vol 2) • Adoration / Price (Vol 2) • Joshua Fit de Battle ob Jericho / arr. Sowande • His Eye Is on the Sparrow / arr. Haywood (Vol 3) • Gospel Fancy: He Knows How Much We Can Bear / Hall (Vol 4) • Poor Wayfaring Stranger / arr. Osterman (Vol 4) • Meditation on picardy / arr. Holtzhauser (Vol 5) • BONUS TRACKS: Improvisation on we shall overcome / arr. Haywood • Variations on engelberg / Miller X-1154

MP3 Recording. . . . . . . . . . . . . . . . . . . . . . . . $16.95

new releases

Postlude on Unity Hymn

Postlude on unity hymn Eurydice V. Osterman The piece begins with fanfare figurations that are punctuated by appoggiaturas and accented passing tones in the pedal. The climax, which cadences using the Neapolitan chord, is preceded by a toccata with the hymn tune in the pedal.

Eurydice V. Osterman

Postlude on

G-11560

Saddle-stitched. . . . . . . . . . . . . . . . . . . . $10.00

DUKE STREET

Postlude on duke street

for Organ

Arranged by

Eurydice V. Osterman

Eurydice V. Osterman While the tune is paired with countless texts in a variety of hymnals, this arrangement is influenced by Isaac Watts’ “Before Jehovah’s Awful Throne.” The modulations and shifts throughout the piece are typical of the composer’s style. G-11166

Saddle-stitched. . . . . . . . . . . . . . . . . . . . . $15.00

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Festival Procession for Organ and Brass Quintet with Opt.Timpani Richard Strauss Adapted & Edited by James Biery G-11465

Saddle-stitched. . . . . . . . . . . . . . . . . . . . $28.00 Festival Canticle Triptych

Festival Canticle Triptych

Based on “This Is the Feast of Victory” by Richard Hillert

Based on “This Is the Feast of Victory” by Richard Hillert Arranged for Organ by James Biery I. The Feast of Victory • II. Blessing and Honor • III. Alleluia, Alleluia, Alleluia! G-11534

Saddle-stitched. . . . . . . . . . . . . . . . . . . . $18.00

I. The Feast of Victory II. Blessing and Honor III. Alleluia, Alleluia, Alleluia!

Arranged for Organ by

James Biery

new releases

Immaculate Mary

I M M A C U L A T E

Marian Hymn Arrangements for Piano

M a ry JYOTI HENC H

Jyoti Hench The pieces in this collection are arrangements of familiar and beloved hymns that honor our Blessed Mother. They are ideal for Mass preludes, post-Communion meditations, prayer services, weddings, and funerals. Since each hymn uses its typical hymnal key signature, these arrangements can also be adapted as introductions and codas for sung hymns. There are no key changes, so they can easily be shortened as needed using the rehearsal letters. CONTENTS: Immaculate Mary • Hail, Holy Queen • Sing of Mary / Be Joyful, Mary • On This Day, O Beautiful Mother • O Sanctissima • Bring Flowers of the Rarest / O Mary, We Crown Thee • What Child Is This • Silent Night • Lo, How A Rose E’er Blooming • Ave Maria G-11480

Saddle-stitched. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $25.00

•••••••••••••••••••••••••••••••••••••• God Rest Ye Merry, Gentlemen Arranged by Emily Strobel

God Rest Ye Merry, Gentlemen Arr . Emily Strobel A fun arrangement of the well-known Christmas carol, this piece starts off with triplets and intervals of fifths to intentionally convey a message, a declaration of the coming of our Lord. The middle section in 6/8 is intended to flow more freely than the first. The last section is big and bombastic, an exhilarating challenge for any pianist. G-11499

Saddle-stitched. . . . . . . . . . . . . . . . . . . . . . . $10.00

Prices subject to change without notice.

G-XXXX

new releases All Saints /All Souls left margin for Celebration is .75 inch header spacing • one space on either side of slash between contributor names • six spaces between with Me each header group (edition #, contriubutor, title)

G-11584 / KRINSK JAMISON

arr. DAVIS

Abide

Celebration • title/contributor details justify left at .75” unless a two-contributor pairing fits across horizontally. See sample master. • forces & collection stamp left justify at centerpoint

Beams of Heaven

G-11433

WARNER

G-XXXX used JAMISON KRINSKI by-limiters in header/ should be abbreviated and all lower case.

Abide, Abide with Me

G-11530

Beams of Heaven

G-11557

Come, Let Us Worship God SERIES

All Gilroy TIDE EVEN

Header: 10pt, light, lh auto pt, track+20

Title: 38pt extrabold lh40pt

ED BY Subtitle: 18pt light italic lh34pt ARRANG

s l Davi Asrie TUNE NAME: 16pt semibold lh36pt, track+40

This vertical space preferred between singleline title and single contributor. Expand use of the space for more complex setups. See sample master.

Contributor: 20pt, semibold, lh24pt, track+40 TEXT BY

Blue Jamison MUSIC BY

G-Header: BG Reg 11ptSeries immitates Choral Ritual

Abide, Abide with Me

For SATB and

Contributor: BG bold 18pt Ritual: all body details justify

Good News

usual title location 3”

if by-limiter 4.5625” TEXT BY • first contributor hangs from 4.75” Note by-limiter & contributor pairs: keep 3-click vertical space (.1875”) between pairs. MUSIC BY

WO R DS A DA PTAT I O N A N D M USIC BY

Steven C. Warner

Blue Jamison

Forces: BGleft regat14pt 1”. Exceptions, see forces, TUNE NAME: BG reg 12pt lock-ups. contributor

Sara M. Krinski

Choir, Solo

Forces: 11pt, light, ard lh16pt, track+50 Keybo

Come, Let Us Worship God

For Choir, Assembly, Keyboard and Guitar

forces hangs from 6” left justified at 3.5625” (center point)

Note: Gilroy is hard to read without some extra horizontal spacing (track+20) – exception: italics are ok without tracking

Choir Two-p art divisi SATB Choir

Kim R. Harris and

M. Roger Holland II

SATB Choir, Assembly and Keyboard

unique possible:

Spanish Lyrics: 16pt light italic 24pt (G-10306) , Assem bly, Choir, Cantor For SATB and Guitar Keyboa rd with Flute

Series for the most part, without neumes in the body space.

Title: BG lt 36pt

highest opt’l 2.75”

ANAM CARA

BY- L I M I T E R 8pt light allcap lh26pt, track+100

ski

Sara M. Krin

G-11482

G-11426

For SATB Choir, Cantor, Assembly, Keyboard and Guitar with Flute Two-part Choir SATB Choir divisi

RITUAL MOMENTexceptions

If a ritual moment is used in addition subtitle: Times Italic 14pt to the main title,BY use this font. The title font is ARRANGED by-limiter: Times Italic 13pt the primary choice, even if the main title is a ritual moment. Note: This seems to be the conclusion about the ritual moment, on Ritual Series covers, when it is the subtitle: let’s NOT put it in the header. If the subtitle ForUse SATB Choir Choir notaVoices is something other than ritual moment, it will not be by this as controlled was Choir for WLPconclusion.

Eurydice V. Osterman

Font stats

This vertical space preferred between single-line title and single contributor. Expand use of the space for more complex setups.

TUNE NAME 16pt regular lh36pt, track+40 keep by-limiters

This vertical space preferred between single-line title and single contributor. Expand use of the space for more complex setups.

in Bauer Bodoni

TitlHans e Leo Hassler

by-limiter 4.5625”

lh34pt

regular lh36pt, track+40

WO RDS ADAPTATI O N BY

Contributor 22pt lh24pt, track+20 on same line as bolditalic, name

RITUAL TITLE: 26pt light, lh30pt, track+0

3.5”

by-limiter 4.5625” one contributor hangs here 4.75” Note by-limiter & contributor pairs: keep 3-click vertical space (.1875”) between pairs.

For Choir, one contributor here 4.75” Cantor,hangs Assembly, Keyboard Note by-limiter & contributor and Guitar with pairs: keep 3-click vertical space C Instrument

38pt

HARM O NI ZATIextrabold, O N BY lh42pt, track+0

J. S. Bach TUNE NAME 16pt

in GILROY light:

single-line title location

single-line title location 3.5”

Joreen Kelly

LT (Linotype):

forces 5.75”

(.1875”) between pairs.

Forces are styled like Celebration series

on this series, forces may cross the midline. Also, forces may align to centerline if title and contributor content is dense.

forces 5.75” on this series, forces may cross the midline. Also, forces may align to centerline if title and contributor content is dense.

track+20

RITUA L TITLE :

highest opt’l 2.75”

Song of Farewell

highest opt’l 2.75”

Song of Farewell

in GILROY light:

Forces are styled like Celebration series

Title

Ritual: all body details justify left at 1”. Exceptions, see forces, contributor lock-ups.

RITUA L MOM ENT

If a ritual moment is used in addition to the main title, use the primary choice, this font. The title font is even if the main is a ritual moment. title Note: This seems to be the conclusion about the ritual moment, on Ritual Series covers, when it is the subtitle: let’s NOT put it in the header. If the subtitle is something other than a ritual moment, it will not be controlled by this conclusion. PASSION CHORALE Font stats

Contributor 22pt bolditalic, Viktor Szumlanski lh24pt,

Title

Title: Subtitle Title / Alternate Sung Song of Farewell

Ritual Series immitates Choral Series for the most part, without neumes inSong HASSLER, harm. BACH / words adapt. SZUMLANSKI of Farewell the body space.

Subtitle 18pt italic,

VZ 8/4/22

Keep fairly tight vertically extra space between 3 groups: (titles, 38pt extrabold, lh42pt, track+0 artists and forces) should be moderately small Subtitle 18pt italic, lh34pt in Bauer Bodoni LT (Linotype):

KELLY

Title: Subtitle Title / Alternate Sung Title

Mainly, Brandon Grotesque

DK: overprinting art is OK! KS: avoid forces over art.

Abide with

Font stats

header spacing left margin for Ritual is 1” • one space on either side of slash between • six spaces between contributor names each header group (edition #, contriubutor, title)

Good News

left margin for Ritual is 1”

Celebration

HARRIS and HOLLAND

arr. OSTERMAN

header spacing • one space on either side of slash between contributor names • six spaces between each header group (edition Fonts#, contriubutor, title)

26pt

Header: 10pt For light, lh30pt, track+0 Choir, Assembly, light, lh auto pt, track+20 BY-LIMITER 8pt light, allcap, Keyboard andlh26pt, Guitar track+100 Forces: 11pt light, Instrument with lh16pt, B b or Ctrack+50

unique possible:

Spanish Lyrics 16pt

light italic 24pt (see

G-10306)

Header: 10pt light, lh auto pt, track+20

BY-LIMITER 8pt light, allcap, lh26pt, track+100

Forces: 11pt light, lh16pt, track+50

unique possible:

giamusic.com

Spanish Lyrics 16pt light italic 24pt (see G-10306)

giamusic.com

Abide with Me (eventide) arr. Asriel Davis SATB, alto solo, keyboard G-11584 $2.55 Abide, Abide with Me (anam cara) Words adapt. & Music by Steven C. Warner SAB, assembly, keyboard, guitar G-11433 $2.60

Come, Let Us Worship God Kim R. Harris & M. Roger Holland II SATB, assembly, keyboard G-11530 $2.55

Good News arr. Eurydice V. Osterman SATB, reduction G-11557 $2.55 Song of Farewell (passion chorale) arr. J. S. Bach, Text adapt. Viktor Szumlanski SATB, assembly, reduction G-11426 $2.10

Song of Farewell Joreen Kelly SATB, cantor, assembly, keyboard, guitar, C instrument G-11482 $2.35

The Angel’s Farewell Music by Mark Scozzafave Two-part

left margin for Choral is 1” header spacing • one space on either side of slash between contributor names • six spaces between each header group (edition #, contriubutor, title) G-11373

equal voices, piano, C instrument, cello G-11373 $2.35

SCOZZAFAVE

The Angel’s Farewell

Choral

Choral body details justify left at 1” unless a two-contributor pairing fits across horizontally. See notes on sample master.

SERIES

DK: overprinting neumes is OK! KS: but avoid if possible.

Font stats in Bauer Bodoni LT (Linotype)

Title

The Storm Is Passing Over arr. Joseph Joubert SATB, solo, G-XXXX

38pt extrabold, lh42pt, track+0

Subtitle 18pt italic, lh34pt Beams of Heaven

JAMISON / KRINSKI

TUNE NAME 16pt regular lh auto, track+40

highest opt’l 2.75”

This vertical space preferred between single-line title and single contributor. Expand use of the space for more G-11598 complex setups. arr. JOUBERT

The Angel’s Farewell The Storm IsCPassing Over M USI BY

Contributor 22pt bolditalic, lh24pt, track+20

in GILROY light: Header: 10pt light, lh auto pt, track+20 BY-LIMITER 8pt light, allcap, lh26pt, track+100 Forces: 11pt light, lh16pt, track+50

piano G-11598 $3.10

single-line title location 3.5”

by-limiter 4.5625” one contributor hangs here 4.75” Note by-limiter & contributor pairs: keep 3-click vertical space (.1875”) between pairs.

Mark Scozzafave

forces 5.75” on this series, forces may cross the midline

For Two-part Voices, Descant and Piano with C Instrument and Cello

unique possible:

Spanish Lyrics 16pt light italic 24pt (see G-10306)

collection stamp beneath forces, center vertically with neumes if logical.

The Storm Is Passing Over

Till We Meet Again Robert L. Jefferson SATB, reduction G-11555 $2.55

G-XXXX

JAMISON / KRINSKI

Beams of Heaven

G-11555

JEFFERSON

Till We Meet Again

ARRANGED BY

TEXT BY

Joseph Joubert

Blue Jamison MUSIC BY

Sara M. Krinski

For SATB Choir, Solo and Piano

Till We Meet Again

For SATB Choir, Cantor, Assembly, Keyboard and Guitar with Flute Two-part Choir

left margin for Celebration is .75 inch SATB Choir divisi header spacing • one space on either side of slash between contributor names • six spaces between each header group (edition #, contriubutor, title)

We Remember Hands That Tend (novalove) Words by

Robert L. Jefferson BROWN / WILLIAMS, arr. SEWELL

We Remember Hands That Tend

Celebration

For SATB Choir

SERIES

DK: overprinting art is OK! KS: avoid forces over art.

Hannah C. Brown, Music by Kate Williams, arr. Gregg Sewell

This vertical space preferred Font stats between singleAll Gilroy line title and single contributor. Header: 10pt, light, lh auto pt, track+20 Expand use of the for more 38pt extrabold lh40pt JAMISON / KRINSKI space G-XXXX Beams of Heaven complex setups. Subtitle: 18pt light italic lh34pt See sample master.

Title:

SAB, assembly, keyboard, guitar G-11471 $2.60

G-11471

TUNE NAME: 16pt semibold lh36pt, track+40

Contributor: 20pt, semibold, lh24pt, track+40 BY- L I M I T E R 8pt light allcap lh26pt, track+100

Forces: 11pt, light, lh16pt, track+50

We Remember Hands That Tend NOVALOVE G-11591

arr. BOYD

highest opt’l 2.75” usual title location 3”

Brandon A. Boyd, Editor

When All God’s Children Get to Heaven

if by-limiter 4.5625” • first contributor hangs from 4.75” Note by-limiter & contributor pairs: keep 3-click vertical space (.1875”) between pairs.

WO RDS BY

Hannah C. Brown M USI C BY

Kate Williams

forces hangs from 6” left justified at 3.5625” (center point)

ARRANGE M E NT BY

Gregg Sewell unique possible:

Spanish Lyrics: 16pt light italic 24pt (G-10306)

When All God’s Children Get to Heaven (heaven) arr. Brandon A. Boyd SATB, piano, rhythm section

Note: Gilroy is hard to read without some extra horizontal spacing (track+20) – exception: italics are ok without tracking

Blue Jamison MUSIC BY

Sara M. Krinski

HE AVE N

ARRANGED BY

Brandon A. Boyd For SATB Choir and Piano with Rhythm Section

Two-part Choir SATB Choir divisi

For Choir, Assembly, Keyboard and Guitar

TEXT BY

For SATB Choir, Cantor, Assembly, Keyboard and Guitar with Flute

G-11591 $2.80

When All God’s Children Get to Heaven

new releases Thanksgiving & Christ the King left and right margins are 1” header spacing • align 1/4” from top • one space on either side of slash between contributor names G-11441 arr. MORRIS • six spaces between each header group (edition #, contriubutor, title)

O for a Thousand Tongues

Font stats in Bauer Bodoni LT (Linotype)

Title

O for a Thousand Tongues (azmon) arr. Sally Ann Morris SATB, assembly, piano & organ, trumpet G-11441 $2.70

38pt extrabold, lh42pt, track+0

Subtitle 18pt italic, lh34pt

TUNE NAME 16pt regular lh auto, track+40

highest opt’l 2.75”

O for a Thousand Tongues

This vertical space preferred between single-line title and single contributor. Expand use of the space for more complex setups.

AZMON

Contributor 22pt bolditalic, lh24pt, track+ in GILROY light: Header: 10pt light, lh auto pt, track+20 BY-LIMITER 8pt light, allcap, lh26pt, track+100 Forces: 11pt light, lh16pt, track+50 unique possible:

Spanish Lyrics 16pt light italic 24pt (see G-1030

Note re: Arranged vs. Arrangement or coordination gramatically.

ARRANGE D BY

Sally Ann Morris

If by-limiters that are nouns are present (words and music by), they all should be nouns (arrangement by). “Arranged by” is prioritized if it is not in conflict with other by-limiters, usually when it’s the only one on the G-11579 cover.

This Is My Father’s World: Concertato on terra beata

VISSER

For SATB Voices, Assembly, Piano and Organ with Trumpet This Is My Father’s World

General 2020 design rules:

• The space between the titles and contributors should match the space between the contributors and the forces. Use these two spaces generously. • Note on list of forces: Ideally voices should be on first line, keyboard or accompaniment instruments on 2nd, and additional forces thereafter on separate lines. • It’s okay if the lines of forces are not generally the same length, whereas a balance in the the length of the title lines is preferred, but negotiable. If a 3-line title can be avoided by making the font size slightly smaller, go for it, especially if there are multiple titles, subtitles or an otherwise abundance of data. • It’s okay to overlay any screened design elements in with text, both header and body.

Music adapt. Franklin L. Sheppard, arr. Larry Visser SATB, assembly, organ, brass quintet, timpani G-11579 $3.00

This Is My Father’s World left margin for Choral is 1” header spacing • one space on either side of slash between contributor names • six spaces between each header group (edition #, contriubutor, title) G-11165

HONORÉ

For SATB Voices, Assembly and Organ with Brass Quintet and Timpani

Three Choral Reflections on Sacred Texts

TERRA BEATA

Three Choral Reflections on Sacred Texts

Music Adapted by Franklin L. Sheppard Choral body details justify left at 1” unless a two-contributor pairing fits across horizontally. See notes on sample master.

I. There Is Nothing I Shall Want II. Dona Nobis Pacem / Grant Title

Setting by Larry Visser

Font stats in Bauer Bodoni LT (Linotype)

38pt extrabold, lh42pt, track+0

Subtitle 18pt italic, lh34pt

Us Peace III. Amen, Alleluia! Jeffrey Honoré SATB, assembly

TUNE NAME 16pt regular lh auto, track+40

C A LV I N

University

This vertical space preferred between single-line title and single contributor. Expand use of the space for more complex setups.

Contributor 22pt bolditalic, lh24pt, track+20

in GILROY light: Header: 10pt light, lh auto pt, track+20 BY-LIMITER 8pt light, allcap, lh26pt, track+100 Forces: 11pt light, lh16pt, track+50

highest opt’l 2.75”

Three Choral Reflections on Sacred Texts GIA Publications, Inc., 7404 S. Mason Ave., Chicago, IL 60638

I. There Is Nothing I Shall Want II. Dona Nobis Pacem / Grant Us Peace III. Amen, Alleluia!

forces 5.75” on this series, forces may cross the midline

For SATB Voices and Assembly

collection stamp beneath forces, center vertically with neumes if logical.

Spanish Lyrics 16pt light italic 24pt (see G-10306)

Advent 6 spaces between G#/name and name/title

em-dash

Used for interrupted thought within a running text; also precedes the name of the Notes author, if applicable. [Shift + Alt + Hyphen]

G-11574

CUSTER

Ave Maria

header 10pt (follow general header rules)

en-dash

Indicates a series or range, including consecutive page number, verses, birth/death years. [Alt + Hyphen] See em-dash, hyphen. 2–3 years 1818–1918

fill title over 2 lines upward penultimate line hangs from 3”

title copy is Adobe Garamond reg -------------title 28pt, 80% tracked all-caps subtitle (sung trans, etc.) 22pt, 80% tracked U/L tune name 15pt, 80% tracked U/L

TITLE (ALL CAPS 28pt)

AVE MARIA

forces 16pt, 80% tracked U/L by-limiters 16pt, 80% tracked U/L names 22pt, 80% tracked all-caps

TUNE NAME if tune name is used, raise or lower title and forces accordingly (16pt ALL CAPS) Two-part Voices SATB Voices divisi contributor name (up/low 22pt) Music by Gerald Custer 6 spaces between G#/name and name/title should be on same line with limiter (up/low 16pt) when possible

SATB Voices and Keyboard

PREFERENCE IS FOR BY-LIMITER AND NAME TO BE ON THE SAME LINE IF THEY FIT - IF NOT, USE TWO LINES.

dash

no edition text below this line

two- and three-part music Schultz-Widmar

em-dash

there should be no edition text Used for interrupted thought within a next to or below the darker block running text; also precedes the name on the series band. If text is of the Notes author, if applicable. [Shift + Alt + Hyphen] abundant, move it up, keeping adecquate spacing between text groups: titles, Indicates a series or range, including forces, contributors consecutive page number, verses,

G-11320

VAVILOV, arr. SÁNCHEZ

Ave Maria

Ave Maria Gerald Custer SATB, keyboard G-11574 $2.35

header 10pt (follow general header rules)

en-dash

Ave Maria Vladimir Vavilov, arr. Noé Sánchez SA, piano G-11320 $2.35

birth/death years. [Alt + Hyphen] See em-dash, hyphen. 2–3 years 1818–1918

fill title over 2 lines upward penultimate line hangs from 3”

title copy is Adobe Garamond reg -------------title 28pt, 80% tracked all-caps subtitle (sung trans, etc.) 22pt, 80% tracked U/L tune name 15pt, 80% tracked U/L

TITLE (ALL CAPS 28pt)

AVE MARIA

forces 16pt, 80% tracked U/L by-limiters 16pt, 80% tracked U/L names 22pt, 80% tracked all-caps

TUNE NAME if tune name is used, raise or lower title and forces accordingly (16pt ALL CAPS)

SA Voices and Piano

PREFERENCE IS FOR BY-LIMITER AND NAME TO BE ON THE SAME LINE IF THEY FIT - IF NOT, USE TWO LINES.

contributor name (up/low 22pt) should be on same line with limiter (up/low 16pt) when possible

Vladimir Vavilov Arranged by Noé Sánchez

no edition text below this line

there should be no edition text next to or below the darker block left margin for Celebration is band. .75 inch on the series If text is abundant, move it up, ither side of slash between contributor names keeping adecquate spacing ween each header group (edition #, contriubutor, title) between text groups: titles, G-11392 BROWN / WILLIAMS, arr. SEWELL Celebration forces, contributors • title/contributor details justify left at .75” unless a two-contributor pairing fits across horizontally. See sample master. • forces & collection stamp left justify at centerpoint

Here Am I: Gabriel Said, “Do Not Fear”

This vertical space preferred between singleline title and single contributor. Expand use of the space for more complex setups. See sample master.

trabold lh40pt

light italic lh34pt

SERIES

highest opt’l 2.75”

Here Am I

usual title location 3”

Gabriel Said, “Do Not Fear” MAEBH if by-limiter 4.5625” • first contributor hangs from 4.75” Note by-limiter & contributor pairs: keep 3-click vertical space (.1875”) between pairs.

WO R DS BY

6pt semibold lh36pt, track+40

Hannah C. Brown

or: 20pt, semibold, lh24pt, track+40

M U SIC BY allcap lh26pt, track+100 left margin for Christmas is 1.25” lh16pt, track+50 header spacing • one space on either side of slash between contributor namesA R R A N GEM EN T BY • six spaces between each header group (edition #, contriubutor, title)

Kate Williams

G-11412 Gregg Sewell

Here Am I: Gabriel Said, “Do Not Fear” (maebh) Words by Hannah C. Brown, Music by Kate Williams, arr. Gregg Sewell SATB, cantor, assembly, keyboard, guitar G-11392 $2.60

Celebration

DK: overprinting art is OK! KS: avoid forces over art.

lh auto pt, track+20

forces hangs from 6” left justified at 3.5625” (center point)

DISHMAN

O Oriens

s: 16pt light italic 24pt (G-10306)

d to read without some pacing (track+20) – are ok without tracking

For Choir, Solo, Assembly, Keyboard and Guitar

O Oriens Music by Jacob Dishman SATB, reduction G-11412 $2.35

Christmas body details justify left at 1.25” Do not overprint any master art

• highest opt’l 2.75” Font stats in Bauer Bodoni LT (Linotype)

Title

38pt extrabold, lh42pt, track+0

Subtitle 18pt italic, lh20pt

TUNE NAME 16pt regular lh auto, track+40

This vertical space preferred between single-line title and single contributor. Expand use of the space for more complex setups. See sample master.

O Oriens

• usual title location 3”

M U S I C BY

Jacob Dishman

Contributor 22pt bolditalic, lh24pt, track+20 in GILROY light: Header: 10pt light, lh auto pt, track+20 BY-LIMITER 8pt light, allcap, lh26pt, track+100 Forces: 11pt light, lh16pt, track+50

by-limiter 4.5625” one contributor hangs here 4.75” Note by-limiter & contributor pairs: keep 3-click vertical space (.1875”) between pairs.

Jeffrey Honoré

••••••••••••••••••••••••••••••••••••••

two- and three-part music Schultz-Widmar

single-line title location 3.5”

unique possible:

G-11165 $2.70

dash

Choral SERIES

DK: overprinting neumes is OK! KS: but avoid if possible.

• by-limiter 4.8125” (3 clicks over contributor) • first contributor hangs from 5”

For SATB Voices

• forces 6”

unique possible:

Spanish Lyrics 16pt light italic 24pt (see G-10306)

Prices subject to change without notice.

new releases Christmas left margin

as is 1.25”

for Christm

names contributor title) contriubutor, header spacing either side of slash between (edition #, on header group • one space between each • six spaces

left margin for Christmas is 1.25” header spacing • one space on either side of slash between contributor names Men of Old • six spacesAsbetween eachssheader group (edition #, contriubutor, title) with Gladne

arr. HOEKST

G-11546

G-11521

Christmas body details justify left at 1.25” Christmas

body details

justify left

Do not overpri

at 1.25”

nt any master

pe) Font stats LT (Linoty in Bauer Bodoni

Title itle

track+0 ld, lh42pt, 38pt extrabo lh20pt 0 18pt italic, lh auto, track+4 Subt E 16pt regular track+20 TUNE NAM lic, lh24pt, 22pt boldita

Do not overprint any master art

art

adness As with Gl d Men of Ol Title DIX Font stats in Bauer Bodoni LT (Linotype)

space This vertical preferred between title and single-line tor. single contribu the of Expand use space for more complex setups. master. sample See

38pt extrabold, lh42pt, track+0

Subtitle 18pt italic, lh20pt

TUNE NAME 16pt regular lh auto, track+40 ARRANG

16pt light

italic 24pt

2.75” • highest opt’l location 3” • usual title

Christmas body details justify left at 1.25”

El Nacimiento

Do not overprint any master art

EL NACIMIENTO

Title

contributor)

Félix César Luna TR ANSL ATION BY

38pt extrabold, lh42pt, track+0 6”

Ariel Ramírez Contributor 22pt bolditalic, lh24pt, track+20 AR R AN G EMEN T BY

Carlos C. Mares

(see G-1030

unique possible: For Two-part Mixed Voices,

and Guitar Spanish LyricsKeyboard 16pt light italic 24pt (see G-10306)

This vertical space preferred between single-line title and single contributor. Expand use of the space for more complex setups. See sample master.

GLOVER G-XXXX

Hallelujah to the King JAMISON / KRINSKI

Beams of Heaven G-11592

words & arr. BULLARD

arr. SIMPSO

God Is Here on Earth

N-CURE NTON

Hark! The Herald

Angels Sing

• highest opt’l 2.75” • usual title location 3”

Noche Anunciada clicks over 4.8125” (3 • by-limiter tor hangs from 5” contribu • first Font stats WOR DS BY in Bauer Bodoni LT (Linotype)

in GILROY light: Header: 10pt light, lh auto pt, track+20 BY-LIMITER 8pt light, allcap, lh26pt, track+100 Forces: 11pt light, lh16pt, track+50

and Piano Spanish Lyrics 16pt light italic 24pt (see G-10306)

Forces:

G-11485

SIC BY TUNE NAMEMU 16pt regular lh auto, track+40

BY-LIMITER 8pt light, allcap, lh26pt, track+100

Voice unique possible: For SATB

G-11416

El Nacimiento: Noche Anunciada

• forces Adam Subtitle 18pt italic, lh20ptM. L. Tice

Forces: 11pt light, lh16pt, track+50

0 light: pt, track+2 in GILROY light, lh auto lh26pt, track+100 Header: 10pt allcap, 0 R 8pt light, BY-LIMITE lh16pt, track+5 11pt light,

Spanish Lyrics

ED BY

Header: 10pt light, lh auto pt, track+20

Contributor

unique possibl

This vertical space preferred between single-line title and single contributor. Expand use of the space for more complex setups. See sample master.

Contributor 22pt bolditalic, lh24pt, track+20 kstra Lisa Hoe in GILROY light:

LUNA, tr. TICE / RAMÍREZ, arr. MARES

left margin for Christmas is 1.25” header spacing • one space on either side of slash between contributor names • six spaces between each header group (edition #, contriubutor, title)

God Is Here on Earth

• by-limiter 4.8125” (3 clicks over contributor) • first contributor hangs from 5” STILL, STILL, STILL

Hallelujah to the King • highest opt’l 2.75” • usual title location 3”

James A. Glover MUSIC For SATB Choir, BY Solo,

forces WOR•DS AN D 6” AR R AN G EMEN T BY

Alan Bullard

Sara M. Krins

Guitar •Keyboard by-limiter and 4.8125” (3 clicks over contributor) • first contributor hangs from 5”

• forces 6”

For SATB Choir, Cantor, Assemb Keyboa rd ly, and Guitar with Flute

For SAB Voices and Keyboard

Two-pa rt Choir SATB Choir divisi

Hark! The He Angels Sing rald

MENDE LSSOH

TEXT BY

Blue Jamison

ARRANGE

D BY

Evelyn Simp

son-Curenton

For SATB Choir and Piano with Orchest ra

James Abbington, Editor

As with Gladness Men of Old (dix) arr. Lisa Hoekstra SATB, piano G-11546 $2.60 El Nacimiento: Noche Anunciada (el nacimiento) Words by Félix César Luna, Tr. Adam M. L. Tice, Music by Ariel Ramírez, arr. Carlos Mares Two-part mixed voices, keyboard, guitar G-11521$2.60

God Is Here on Earth Words and arr. Alan Bullard SAB, keyboard G-11485 $2.60 Hallelujah to the King James A. Glover SATB, solo, keyboard, guitar G-11416 $2.55 Hark! The Herald Angels Sing arr. Evelyn Simpson-Curenton SATB, piano G-11592 $2.80

left and right margins are 1” pacing 4” from top ce on either side of slash between contributor names G-11440 BRINGLE / MORRIS ces between each header group (edition #, contriubutor, title)

In a Deep, Unbounded Darkness

Font stats in Bauer Bodoni LT (Linotype)

Title

In a Deep, Unbounded Darkness (divinum mysterium)

38pt extrabold, lh42pt, track+0

Subtitle 18pt italic, lh34pt highest opt’l 2.75”

In a Deep, Unbounded Darkness

This vertical space preferred between single-line title and single contributor. Expand use of the DIVINUM MYSTERIUM left and right margins are 1” space for more header spacing complex setups. • align 1/4” from top • one space on either side of slash between contributor names G-11345 arr. DUNNEWALD In the Bleak Midwinter • six spaces between each header group (edition #, contriubutor, title)WO R DS BY d vs. Arrangement or coordination

TUNE NAME 16pt regular lh auto, track+40

Contributor 22pt bolditalic, lh24pt, track+20 in GILROY light: Header: 10pt light, lh auto pt, track+20 BY-LIMITER 8pt light, allcap, lh26pt, track+100 Forces: 11pt light, lh16pt, track+50 unique possible:

Spanish Lyrics 16pt light italic 24pt (see G-10306)

Mary Louise Bringle

t are nouns are present (words and ll should be nouns (arrangement by).

Sally Ann Morris

design rules:

highest opt’l 2.75”

y-limiters that are nouns are present (words and sic by), they all should be nouns (arrangement by).

In the Bleak Midwinter Bryan Dunnewald SATB Voices and Organ with Brass Ensemble, Suspended Cymbal and Tubular Bells

It Came upon the Midnight Clear

neral 2020 design rules: This vertical space

t light italic 24pt (see G-10306)

and Piano

38pt extrabold, lh42pt, track+0

NAME auto, track+40 her side of16pt slashregular betweenlhcontributor names

This vertical space preferred between single-line title and single contributor. Expand use of the space for more left margin for Choral is 1” complex setups. See sample master.

G-11371

otype)

rabold, lh42pt, track+0 lh34pt

This vertical space preferred between single-line title and single contributor. Expand use of the space for more complex setups.

• by-limiter 4.8125” (3 clicks over contributor) • first contributor hangs from 5”

• forces 6”

It Came Upon a Midnight Clear Music and arr. Tim Brubacher SATB, piano G-11535 $2.70

• highest opt’l 2.75” • usual title location 3”

Title: Subtitle

Title / Alternate Sung Title Mike Balhoff M U SIC BY

Darryl Mary LaidDucote Her Baby Down and Gary Daigle A R R A N GEM EN T BY

Lynn Trapp

• by-limiter 4.8125” (3 clicks over contributor) • first contributor hangs from 5”

Choral • forces 6”

SERIES

For SATB Voices, Assembly, Keyboard and Guitar with Two C Instruments

DK: overprinting neumes is OK! KS: but avoid if possible.

regular lh auto, track+40

WO R DS BY

G-11345 $2.80

• highest opt’l 2.75” • usual title location 3”

Lord, Today

LIGHT, arr. DONALDSON

Y light: 0pt light, lh auto pt, track+20 8pt light, allcap, lh26pt, track+100 Choral body details justify left at pt light, lh16pt, track+50 1” unless a two-contributor pairing fits across horizontally. See notes on ossible: sample master. h Lyrics 16pt light italic 24pt (see G-10306)

2pt bolditalic, lh24pt, track+20

organ, brass ensemble, suspended cymbal, tubular bells

It Came upon the Midnight Clear A R R A N GED BY

The space between the titles and contributors preferred between should otype) single-line titleand and the forces. match the space between the contributors left margin for Christmas is 1.25” single contributor. Use two spaces generously. eaderthese spacing Expand use of the rabold, incorporating CAROL Note onlh42pt, list oftrack+0 forces: voices should be on first line, one space on either side ofIdeally slash between contributor names space for more six spaces between each header group (edition #, contriubutor, title) keyboard or accompaniment instruments on 2nd, and lh20pt G-11402 BALHOFF / DUCOTE & DAIGLE, arr. TRAPP complex setups. additional forces thereafter on See separate samplelines. master. regular lh auto, track+40 It’s okay if the lines of forces are not generally the same 2pt bolditalic, lh24pt, track+20in the the length of the title length, whereas a balance M U SIC A N D A R R A N GEM EN T BY lines is preferred, but negotiable. If a 3-line title can be Tim Brubacher avoided by making the font size slightly smaller, go for Christmas body details justify left at 1.25” o pt, track+20 it,lh26pt, especially if there are multiple titles, subtitles or an p, track+100 otherwise track+50 abundance of data. Do not overprint any master art It’s okay to overlay any screened design elements in with For SATB Voices text, both header and body.

een each header group (edition #, contriubutor, title) ributor 22pt bolditalic, lh24pt, track+20

In the Bleak Midwinter arr. Brian Dunnewald SATB,

For Two-part Mixed Voices, Assembly and Piano with C Instrument

ween the titles and contributors should ce between the contributors and the forces. This vertical space spaces generously. forces: Ideally voices should be on first line, preferred between single-line title and ccompaniment instruments on 2nd, andleft margin for Christmas is 1.25” single contributor. ces thereafter on separate lines. Expand use of the her side of slash between contributor names eeenlines of forces are not generally the same space for more each header group (edition #, contriubutor, title) G-11535 arr. BRUBACHER as a balance in the the length of the title complex setups. red, but negotiable. If a 3-line title can be ranged by” is prioritized. However, present aking font size slightly smaller, go for imitersthe should match grammatically. f there are multiple titles, subtitles or an ndance by” of data. ranged should be used, but only if it’s the only Christmasdesign body details justify in leftwith at 1.25” erlay screened elements imiterany used on a cover. Maybe, if another verb byder and body. ter is also on the cover, there is a logic for both to Do not any master art verbs, but what would it overprint be?

s Bodoni LT (Linotype)

voices, assembly, piano, C instrument G-11440 $2.70

M U SIC BY

prioritized if it is not in conflict with usually when it’s the only one on the

tle 18pt italic, lh20pt

Tr. Mary Louise Bringle, arr. Sally Ann Morris Two-part mixed

Mary Laid Her Baby Down Gordon Light A R R A N GED BY

o pt, track+20 p, lh26pt, track+100 track+50

Andrew Donaldson

light italic 24pt (see G-10306)

For SATB Voices, Children, Keyboard and Guitar

highest opt’l 2.75” single-line title location 3.5”

by-limiter 4.5625” one contributor hangs here 4.75” Note by-limiter & contributor pairs: keep 3-click vertical space (.1875”) between pairs. forces 5.75” on this series, forces may cross the midline collection stamp beneath forces, center vertically with neumes if logical.

Lord, Today Words by Mike Balhoff, Music by Darryl Ducote & Gary Daigle, Arr. Lynn Trapp SATB, assembly, keyboard, guitar, 2 C instruments G-11402 $2.60

Mary Laid Her Baby Down Gordon Light, arr. Andrew Donaldson SATB, children, keyboard, guitar G-11371 $2.60

new releases

left margin

tion is .75

for Celebra

names contributor title) contriubutor, header spacing either side of slash between (edition #, on header group • one space left between each Celebration details justify • six spaces • title/contributor a two-contributor tally. at .75” unless across horizon pairing fits master. See sample stamp collection • forces & at centerpoint left justify OK! nting art is DK: overpri art. forces over KS: avoid This vertical d space preferre between singleline title and tor. single contribu the of Expand use space for more complex setups. master. See sample

Font stats All Gilroy

track+20 lh auto pt, 10pt, light, Header: old lh40pt 38pt extrab italic lh34pt 18pt light , track+40 Subtitle: ld lh36pt E: 16pt semibo , track+40 TUNE NAM ld, lh24pt 20pt, semibo

Title:

Contribu BY- L I M I

T E R 8pt

Forces : 11pt,

tor:

light allcap

light, lh16pt,

unique possib

le:

Spanish Lyrics

lh26pt, track+

100

COSAS

left margin for Christmas is 1.25” header spacing • one space on either side of slash between contributor names Depths • six spaces between each header group (edition #, contriubutor, title) in the of God, G-11486

Mother

Christmas body details justify left at 1.25” Do not overprint any master art

God, Mother of hs pt in the De Title Font stats in Bauer Bodoni LT (Linotype)

38pt extrabold, lh42pt, track+0

Subtitle 18pt italic, lh20pt

TUNE NAME 16pt regular lh auto, track+40

Cos Contributor Chr istia n 22pt bolditalic, lh24pt, track+20

with Two

Spanish Lyrics 16pt light italic 24pt (see G-10306) 24pt (G-103

06)

This vertical space preferred between single-line title and single contributor. Expand use of the space for more complex setups. See sample master.

in GILROY light: Assem bly, Header: 10pt light, lh auto pt, track+20 For Choir, BY-LIMITER 8pt light, allcap, lh26pt, track+100 and Guitar Keyboa rd ents Forces: 11pt light, lh16pt, track+50 C Instrum unique possible:

track+50

: 16pt light italic

inch

G-11461

Celebrat

arr. BULLARD

left and right margins are 1” header spacing • align 1/4” from top • one space on either side of slash between contributor names G-11595 tr. KOLAR, tr. LÉCOT / O’CARROLL • six spaces between each header group (edition #, contriubutor, title)

ion

Now the Holly Bears a Berry

SERIE

left margin for Christmas is 1.25” header spacing • one space on either side of slash between contributor names • six spaces between each header group (edition #, contriubutor, title) G-11562

DEVORICK

header spacing left margin for Christmas • one space on either is 1.25” side of slash between • six spaces between contributor names each header group (edition #, contriubutor, title) G-11413

Praise the Lord, All You Nations Al Señor Denle Alabanzas Louez Dieu, Tous les Peuples

left margin for Christmas is 1.25” header spacing • one space on either side of slash between contributor names • six spaces between each header group (edition #, contriubutor, title)

Peace Carol

G-11585

arr. FARRELL Silent Night Font stats

Christmas body details

in Bauer Bodoni LT (Linotype)

2.75” highest opt’l location 3” usual title

Title Christmas body details justify left at 1.25”

Now the Holly Bears a Berry

Do not overprint any master art

4.5625” if by-limiter tor hangs from 4.75” • first contribu & contributor pairs: er ) Note by-limit space (.1875” Font stats 3-click vertical keep in Bauer Bodoni LT (Linotype) between pairs. A R R A N G E D BY

Title Alan Bullard

38pt extrabold, lh42pt, track+0 from 6” forces hangs 3.5625” (center point) Subtitle 18pt italic, lh20pt at left justified

TUNE NAME 16pt regular lh auto, track+40

Contributor 22pt bolditalic, lh24pt, track+20 For SAB Voices in GILROY light: and Keyboard Header: 10pt light, lh auto pt, track+20 BY-LIMITER 8pt light, allcap, lh26pt, track+100 Forces: 11pt light, lh16pt, track+50 unique possible:

Spanish Lyrics 16pt light italic 24pt (see G-10306)

t some read withou – is hard to 20) Note: Gilroy tal spacing (track+ tracking t ok withou extra horizon italics are exception:

This vertical space preferred between single-line title and single contributor. Expand use of the space for more complex setups. See sample master.

• highest opt’l 2.75”

highest opt’l 2.75”

• usual title location 3”

Peace Carol

This vertical space preferred between single-line title and single contributor. Expand use of the space for more complex setups.

• by-limiter 4.8125” (3 clicks over contributor)

• first contributor from 5” or coordination Note re: Arranged vs.hangs Arrangement gramatically.

John Devorick If by-limiters that are nouns are present (words and music by), they • forces 6” all should be nouns (arrangement by). “Arranged by” is prioritized if it is not in conflict with other by-limiters, usually when it’s the only one on the For Two-part Voices cover. and Piano

General 2020 design rules:

Do not overprint any master art

Al Señor Denle Alabanzas This vertical space Louez Dieu, Tous les Peuples preferred between

• usual title location 3”

Font stats in Bauer Bodoni LT (Linotype)

Title

38pt extrabold, SPAN ISH TR ANSL ATION BY lh42pt, track+0

Subtitle 18pt italic, Peter M.lh20pt Kolar

TUNE NAME 16pt regular lh auto, track+40

F R EN CH TR4.8125” ANSL ATION BY • by-limiter (3 clicks over contributor)

single-line title and single contributor. Expand use of the space for more complex setups. See sample master.

Contributor 22pt bolditalic, • first contributor hangs from 5” lh24pt, track+20 Jean-Paul Lécot in GILROYMU light: SIC BY Header: 10pt light, lh auto pt, track+20 BY-LIMITER 8pt light, allcap, lh26pt, track+100 • forces 6”lh16pt, track+50 Forces: 11pt light,

Sing Lullaby

any master art

38pt extrabold, lh42pt, track+0

Subtitle 18pt italic, lh34pt

Christmas body details justify left at 1.25”

Praise the Lord, All You Nations

• highest opt’l 2.75”

DISHMAN

justify left at 1.25”

Do not overprint

TUNE NAME 16pt regular lh auto, track+40

Font stats in Bauer Bodoni LT

Contributor

Sing Lullaby

22pt bolditalic, lh24pt,This track+20 vertical space (Linotype) preferred between in GILROY light: single-line title and Header: 10pt light, lh auto pt, track+20 single contributor. 38pt extrabold, lh42pt, BY-LIMITER 8pt light, allcap,track+0 lh26pt, track+100 Expand use of the 18pt italic, lh20pt Forces: 11pt light, lh16pt, track+50 space for more complex setups. 16pt regular lh auto, track+40 See sample master. unique possible: 22ptLyrics bolditalic, Spanish 16ptlh24pt, light italic 24pt (see G-10306) STILLE NACHT track+20

Title Subtitle TUNE NAME Silent Night Contributor

• highest opt’l 2.75”

Jacob Dishman

in GILROY light:

lh auto pt, track+20 BY-LIMITER 8pt light, allcap, lh26pt, track+100 Forces: 11pt light, lh16pt, track+50

• by-limiter 4.8125” (3 clicks over contributor) For SATB Voices • first contributor hangs from 5”

ARRANGE D BY

unique possible:

Robert G. Farrell Spanish Lyrics 16pt

• forces 6” • forces 6”

For SATB Voices, Optional Assembly and Organ with Brass Quartet

For SATB Voices, Cantor, Assembly

Spanishand Lyrics 16pt light italic 24pt (see G-10306) Organ

• by-limiter 4.8125” (3 clicks over contributor) • first contributor hangs from 5”

and Piano

G-10306)

Fintan O’Carroll

unique possible:

3”

MUSIC BY

Header: 10pt light,

light italic 24pt (see

• highest opt’l 2.75” • usual title location

• usual title location 3”

with Optional Brass Sextet and Timpani

Mother of God, in the Depths Christian Cosas SATB, cantor, assembly, keyboard, guitar, 2 C instruments G-11461 $2.35

Now the Holly Bears a Berry arr. Alan Bullard SAB, keyboard G-11486 $2.60 Peace Carol John Devorick Two-part voices, piano G-11562 $2.60 Praise the Lord, All You Nations (Al Señor Denle Alabanzas / Louez Dieu, Tous les Peuples) Music by Fintan O’Carroll, Spanish tr. Peter M. Kolar, French tr. Jean-Paul Lécot SATB, cantor, assembly, organ, opt. brass sextet & timpani G-11595 $2.90

Silent Night Robert Farrell SATB, opt. assembly, organ, brass quartet G-11585 $2.60 Sing Lullaby Jacob Dishman SATB, piano G-11413 $2.35 left margin for Christmas is 1.25” header spacing • one space on either side of slash between contributor names • six spaces between each header group (edition #, contriubutor, title) G-11446

There’s a Song in the Air J. Porter Stokes SSA, piano G-11446 $2.60

STOKES

There’s a Song in the Air

Christmas body details justify left at 1.25” Do not overprint any master art

Title

TUNE NAME 16pt regular lh auto, track+40

G-11547

arr. and tr. MARES

See sample master.

Contributor 22pt bolditalic, lh24pt, track+20

J. Porter Stokes

Vamos, Pastores / To Bethlehem arr. Carlos Mares SATB,

• forces 6”

For SSA Voices and Piano

Spanish Lyrics 16pt light italic 24pt (see G-10306)

• highest opt’l 2.75”

Vamos, Pastores To Bethlehem

This vertical space Font stats preferred between in Bauer Bodoni LT (Linotype) single-line title and single contributor. left margin for Christmas is 1.25” header spacing Expand use of the 38pt extrabold, lh42pt, track+0 • one space on either side of slash spacebetween for morecontributor names Subtitle 18pt italic, lh20pt • six spaces between each header group (edition #, contriubutor, title) complex setups. G-11335 SEXTON See sample master. TUNE NAME 16pt regular lh auto, track+40

Title

Contributor 22pt bolditalic, lh24pt, track+20

Verbum caro factum est Bernard Sexton SATB, assembly,

• by-limiter 4.8125” (3 clicks over contributor) • first contributor hangs from 5”

M USI C BY

unique possible:

in GILROY light: Header: 10pt light, lh auto pt, track+20 BY-LIMITER 8pt light, allcap, lh26pt, track+100 Forces: 11pt light, lh16pt, track+50

• usual title location 3”

Vamos, Pastores / To Bethlehem

in GILROY light: Header: 10pt light, lh auto track+20 Christmas bodypt, details justify left at 1.25” BY-LIMITER 8pt light, allcap, lh26pt, track+100 Forces: 11pt light, lh16pt, track+50 Do not overprint any master art

piano G-11547 $2.70

• highest opt’l 2.75”

There’s a Song in the Air

This vertical space preferred between single-line title and left margin for single Christmas is 1.25” contributor. header spacing Expand use of the 38pt extrabold, lh42pt, • one space on either side of slash between contributor namestrack+0 space for more • six spaces between each header18pt group (edition #, contriubutor, title) Subtitle italic, lh20pt complex setups. Font stats in Bauer Bodoni LT (Linotype)

• usual title location 3”

Verbum caro factum est

ARRANGE M E NT AND E NGLISH TRANSL ATI O N BY

Carlos C. Mares

• by-limiter 4.8125” (3 clicks over contributor) • first contributor hangs from 5”

Christmas body details justify left at 1.25” • forces 6”

Do not overprint any master art For SATB Voices and Piano

unique possible:

Spanish Lyrics 16pt light italic 24pt (see G-10306)

keyboard, 2 C instruments G-11335 $2.35

This vertical space preferred between single-line title and single contributor. left margin for Christmas is 1.25” header spacing Expand use of the 38pt extrabold, lh42pt, track+0 • one space on either side of slash between contributor names space for more 18pt(edition italic, lh20pt • six spaces between Subtitle each header group #, contriubutor, title) complex setups. G-11520 arr. HOEKSTRA See sample master. TUNE NAME 16pt regular lh auto, track+40 Font stats in Bauer Bodoni LT (Linotype)

Title

Contributor 22pt bolditalic, lh24pt, track+20 in GILROY light: Header: 10pt light, lh auto pt, track+20 Christmas body details justify left at 1.25” BY-LIMITER 8pt light, allcap, lh26pt, track+100 Forces: 11pt light, lh16pt, track+50 Do not overprint any master art unique possible:

Verbum caro factum est

• highest opt’l 2.75” • usual title location 3”

What Child Is This

Bernard Sexton

• by-limiter 4.8125” (3 clicks over contributor) • first contributor hangs from 5”

For SATB Voices, Assembly and Keyboard with Two C Instruments

• forces 6”

Spanish Lyrics 16pt light italic 24pt (see G-10306) • highest opt’l 2.75”

What Child Is This (greensleeves) Lisa Hoekstra SATB, piano,

What Child Is This

This vertical space preferred between single-line title and left margin for Christmas is 1.25” GREENSLEEVES header spacing single contributor. • one track+0 space on either side Expand of slash use between of thecontributor names 38pt extrabold, lh42pt, • six spaces between each space headerfor group more(edition #, contriubutor, title) G-11606 STACHOWSKI Subtitle 18pt italic, lh20pt complex setups. See sample master. TUNE NAME 16pt regular lh auto, track+40 ARRANGE D BY Font stats in Bauer Bodoni LT (Linotype)

Title

cello G-11520 $2.70

Contributor 22pt bolditalic, lh24pt, track+20 in GILROY light: Header: 10pt light, lh auto pt, track+20 BY-LIMITER 8pt light, allcap, lh26pt, track+100 Forces: 11pt light, lh16pt, track+50

Do not overprint any master art SATB Voices

Spanish Lyrics 16pt light italic 24pt (see G-10306) Font stats in Bauer Bodoni LT (Linotype)

What Is the Star Zack Stachowski Cantor, unison choir, assembly,

38pt extrabold, lh42pt, track+0

Subtitle 18pt italic, lh20pt

TUNE NAME 16pt regular lh auto, track+40

Contributor 22pt bolditalic, lh24pt, track+20

in GILROY light: Header: 10pt light, lh auto pt, track+20 BY-LIMITER 8pt light, allcap, lh26pt, track+100 Forces: 11pt light, lh16pt, track+50

keyboard, gutar G-11606 $2.60

unique possible:

Spanish Lyrics 16pt light italic 24pt (see G-10306)

What Is the Star

Lisa Hoekstra

• by-limiter 4.8125” (3 clicks over contributor) • first contributor hangs from 5”

Christmas body details justify left at 1.25”

unique possible:

Title

• usual title location 3”

• forces 6”

and Piano with Cello

This vertical space preferred between single-line title and single contributor. Expand use of the space for more complex setups. See sample master.

What Is the Star

• highest opt’l 2.75” • usual title location 3”

Incorporating We Three Kings

Zack Stachowski

For Cantor, Unison Voices, Assembly, Keyboard and Guitar

• by-limiter 4.8125” (3 clicks over contributor) • first contributor hangs from 5”

• forces 6”

seasonal concert picks Planning your seasonal concerts? Explore the full giamusic.com website for some great performance pieces from all our catalogs!

G-10196 COVENTRY CAROL • HUDSON

HUDSON

From the Evoking Sound Series

Coventry Carol

John Frederick Hudson

G-11178 W ŻŁOBIESSATBB LEŻY • ARR. AMES

AMES W Żłobie Leży

The Evoking Sound choral series presents high-quality editions of standard and newly composed music for accomplished choirs. Edited by James Jordan. Christmas repertoire includes:

He Is Lying in the Crib

Arranged by Roger Ames

G-11509 A SPOTLESS ROSE • KENNEDY

SATB

KENNEDY A Spotless Rose

Piers Connor Kennedy

AATBBB Edition and revoicing for The King’s Singers

Coventry Carol John F. Hudson SATB, soprano solo, piano G-10196 $2.90

W Żłobie Leży Arr. Roger Ames SATB, reduction G-11178 $2.80

A Spotless Rose Piers Connor Kennedy AATBB, reduction G-11509 $2.80

COVENTRY CAROL arr. Gjeilo

From Walton Music Coventry Carol Arr. Ola Gjeilo SATB divisi WW2175 $3.40

SATB divisi, unaccompanied

WW2175

COVENTRY CAROL SATB divisi with Soprano Solo

Ola Gjeilo’s setting of Coventry Carol uses the well-known carol melody set with a lilting, rhythmic underlay of vocal accompaniment.

SATB divisi, unaccompanied

STOPPING BY WOODS ON A SNOWY EVENING Whitacre

Arranged by

Ola Gjeilo

Stopping by Woods on a Snowy Evening

Stopping by Woods on a Snowy Evening Eric Whitacre

SATB divisi, unaccompanied

Eric Whitacre, composer

WJMS1232 $3.40 One of Eric Whitacre’s most well-known compositions, Sleep, is available now as it was originally composed in 2000, using the Robert Frost poem Stopping By Woods on a Snowy Evening.

From Lorenz Glory to the Newborn King: Celebrating the Light of Christmas Lloyd Larson 65/2131L $12.95

Two narrators weave the Christmas story between eight anthems, ranging from celebratory to contemplative. With SATB and SAB voicings available, plus a full orchestration by Ed Hogan, this 40-minute work is accessible for choirs of all sizes.

From Elaine Hagenberg Love’s Pure Light (Silent Night) Elaine Hagenberg SATB, piano,

opt. string quartet, flute, oboe, and timpani EH1020 $3.25 Experience a captivating new melody to Silent Night as hints of the timeless Christmas hymn are interwoven throughout. Graceful choral parts capture the tenderness of the beloved text, then ascend to new heights—resounding with "Son of God, Love’s Pure Light."

EH1020

SATB CHORUS AND PIANO

HAGENBERG

Love’s Pure Light (Silent Night)

ELAINE HAGENBERG

WJMS1232

seasonal resources A Festival of Advent and Christmas Songs

Choral Edition

For Two-part Voice and Piano Four Hands Arr . Teresa Cobarrubia Yoder

A Festival of Advent and Christmas Songs

Arranged by

Teresa Cobarrubia Yoder

Develop young voices and budding pianists by including them in this year’s Advent and Christmas concerts and services with A Festival of Advent and Christmas Songs.

For Two-Part Voices and Piano Four Hands

This unique edition allows you to… FEATURE EARLY LEVEL PIANISTS! Six seasonal songs are accompanied by easy piano duet (four hands, one piano) with a limited amount of hand position changes and minimal use of accidentals while still offering engaging, textural interest.

TEACH! Arranged with a pedagogical approach, the songs highlight musical and technical skills such as rhythm, phrasing, dynamics, articulation, balance, and coordination. PROGRAM THE SONGS YOU LOVE! This edition includes: Away in a Manger • Go, Tell It on the Mountain • Lulajże, Jezuniu / Lullaby, Little Pearl • O Come, Divine Messiah • Pat-a-Pan • Silent Night.

FEATURE YOUNG VOICES! The two-part vocal arrangements include melody and harmony, allowing for beautiful tone and phrasing. G-11179 G-11179C

Piano Edition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $19.00 Choral Edition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5.90

•••••••••••••••••••••••••••••••••••••• Choral / Accompaniment edition

Laudamus Te A Service of Lessons and Carols

SABT

Laudamus Te A Service of Lessons and Carols Jacob Dishman

Jacob Dishman

Laudamus Te is a service of lessons and carols intended for use during the Advent season and for Christmas Eve worship. There are seven Scripture lessons, one before each song. The first three carols deal thematically with despair and hope, darkness and light, exile and promise. The final four carols are intended as a lavishing of praise on the newborn Jesus, as the choir and assembly witness together the birth of Christ.

CONTENTS: Prayer of Israel (G-11136) • Come, Thou Long-Expected Jesus (G-11137) • Carol of the Flower (G-11138) • Laudamus Te (G-11139) • Carol of the Nativity (G-11140) • Carol of the Angels (G-11141) • Hark! the Herald Angels Sing (G-11142). G-11135 G-11135INST

Choral/Accompaniment (spiral-bound). . . . . . . . . . . . . . . . . . . . $8.95 Instrument Edition. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22.50

seasonal collections Revival III T ony Alonso The third volume in this popular series, Revival III features arrangements of fourteen familiar Christmas carols for contemporary ensembles. CONTENTS: Angels We Have Heard on High (G-10431) • Away in a Manger (G-10432) • Hark! The Herald Angels Sing (G-10434) • It Came Upon a Midnight Clear (G-10435) • We Three Kings of Orient Are (G-10443) • O Little Town of Bethlehem (G-10439) • Joy to the World (G-10436) • Once in Royal David’s City (G-10440) • What Child Is This (G-10444) • O Come, All Ye Faithful (G-10437) • The First Nowell (G10442) • O Come, O Come Emmanuel (G-10438) • Good Christian Friends, Rejoice (G-10433) • Silent Night (G-10441). G-10430 G-10430S G-10430C G-10430G G-10430INST CD-1098

Music Collection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $29.00 Spiral Edition. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24.00 Choral Edition. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7.15 Guitar Spiral Edition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21.95 Instrument Spiral Edition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21.95 Compact Disc. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16.95

••••••••••••••••••••••••••••••••••••••

Mysterium Chris de Silva

Recorded by The Missouri State University Chorale Cameron LaB arr, Conductor Through Chris de Silva’s incredible choral writing and inspired instrumental scoring, the themes of Christmas are exquisitely retold – those of light, darkness, shepherds, angels, heaven, earth, fear, wonder, peace, joy, silence, and sound. CONTENTS: Singing, We Come Singing (G-10199) • Holy Night, Blessed Night (G-10103) • Away in a Manger (G-10072) • The Child Is Born in Bethlehem (G-10051) • Shepherds, on to Bethlehem (G-10176) • Carol of the Birds (G-10198) • Jul, Jul (G-10052) • Of the Father’s Love (G-10050) • Away in a Manger (reprise). G-10200 G-10200S CD-1085

Music Collection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $16.00 Spiral Edition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17.00 Compact Disc . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16.95

seasonal resources A Bit About Kwanzaa C. Anthony Bryant With contributions by Kevin Sibley and Jeffrey F. Monestime This work is truly a performance-based teaching tool, calling to awareness Kwanzaa and its principles—principles that can be incorporated into daily life by all. Includes a part for a narrator. G-10992 G-10992INST

Choral/Accompaniment Edition . . . . . . . . . . . . . . . . . . . . . . . . . . $7.90 Instrument Edition. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6.00

••••••••••••••••••••••••••••••••••••••

The Announcement of the Nativity of Our Lord Jesus Christ and the Announcement of Easter and the Moveable Feasts “The Christmas Proclamation” is specified in The Roman Missal to be sung during the Liturgy of the Hours on Christmas Eve. More commonly, it can be sung before the Christmas Mass during the Night (Midnight Mass). “The Epiphany Proclamation” is set to a traditional chant formula and The Roman Missal prescribes that it be sung on the Solemnity of the Epiphany after the Gospel. Each year, a downloadable copy of this proclamation containing the correct dates for that year is available for purchase. G-10507 D-10508

Saddle-stitched. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $8.00 Annual Epiphany Proclamation download. . . . . . . . . . . . . . . . . . . 4.00

•••••••••••••••••••••••••••••••••••••• left margin for Ritual is 1” header spacing • one space on either side of slash between contributor names • six spaces between each header group (edition #, contriubutor, title)

Advent and Christmastide Gospel Acclamation

G-11040

ALONSO

Advent and Christmastide Gospel Acclamation

Ritual Series immitates Choral Series for the most part, without neumes in the body space. Ritual: all body details justify left at 1”. Exceptions, see forces, contributor lock-ups.

RITUAL MOMENT

from The Lyric Gospel Acclamations T ony Alonso

If a ritual moment is used in addition to the main title, use this font. The title font is the primary choice, even if the main title is a ritual moment. Note: This seems to be the conclusion about the ritual moment, on Ritual Series covers, when it is the subtitle: let’s NOT put it in the header. If the subtitle is something other than a ritual moment, it will not be controlled by this conclusion.

This vertical space preferred between single-line title and single contributor. Expand use of the space for more complex setups.

Advent and Christmastide Gospel Acclamation

highest opt’l 2.75”

from

by-limiter 4.5625” one contributor hangs here 4.75” Note by-limiter & contributor pairs: keep 3-click vertical space (.1875”) between pairs.

MUSIC BY

forces 5.75” on this series, forces may cross the midline. Also, forces may align to centerline if title and contributor content is dense.

The Lyric Gospel Acclamations

Font stats in Bauer Bodoni LT (Linotype):

Title

Tony Alonso

38pt extrabold, lh42pt, track+0

Subtitle 18pt italic, lh34pt

TUNE NAME 16pt regular lh36pt, track+40

Contributor 22pt bolditalic, lh24pt, track+20

For Choir, Cantor, Assembly, Keyboard and Guitar with Two C Instruments

in GILROY light:

G-11040 G-11040G G-11040INST

RITUAL TITLE: 26pt light, lh30pt, track+0

Octavo. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $2.90 Guitar edition. . . . . . . . . . . . . . . . . . . . . . . . . . .8.00 Instrument edition . . . . . . . . . . . . . . . . . . . . . . 5.00 Header: 10pt light, lh auto pt, track+20

BY-LIMITER 8pt light, allcap, lh26pt, track+100

Forces: 11pt light, lh16pt, track+50

unique possible:

Spanish Lyrics 16pt light italic 24pt (see G-10306)

giamusic.com

single-line title location 3.5”

seasonal mass settings Come, Emmanuel Mass P aul Hillebrand Come, Emmanuel Mass, based on the familiar hymn tune VENI EMMANUEL, is written in triple meter. The setting is easily singable by choir and assembly and works beautifully whether using simple keyboard accompaniment or using full instrumentation. G-10698 G-10698A

Choral/Accomp. Edition . . . . . . . . . . . . . . . . . $6.15 Assembly Edition . . . . . . . . . . . . . . . . . . . . . . . . 1.35 (visit giamusic.com for more editions)

Missa de Lumine Adapt. and Arr . Kathleen Demny Kathleen Demny, inspired by Carol Browning’s arrangement of the hymn tune CONDITOR ALME SIDERUM (“Creator of the Stars of Night”), has further adapted and arranged the tune as the basis for Missa de Lumine. G-10250 G-10250G G-10250A

Choral/Accompaniment Edition . . . . . . . . . . $6.40 Guitar Edition . . . . . . . . . . . . . . . . . . . . . . . . . . 10.50 Assembly Edition . . . . . . . . . . . . . . . . . . . . . . . . 1.50

Missa Emmanuel (veni emmanuel) Arr . Richard Proulx Based on the ancient chant VENI EMMANUEL, this extremely popular setting of the Mass ordinary for Advent use is set for SATB choir, cantor, and assembly. G-8081 G-8081A

Choral Edition. . . . . . . . . . . . . . . . . . . . . . . . $5.65 Assembly Edition. . . . . . . . . . . . . . . . . . . . . . . 1.45

Mass of Comfort and Joy Kevin Keil This popular Mass for the Christmas season is based on familiar carols: ADESTE FIDELIS, ANTIOCH, W ŻŁOBIE LEŻY (Infant Holy, Infant Lowly), GLORIA (Angels We Have Heard on High), and RESONET IN LAUDIBUS. Eucharistic Acclamations are based on IN DULCI JUBILO. 018210 D-e18212

Choral Edition . . . . . . . . . . . . . . . . . . . . . . . . . $6.65 Instrumental Edition (download). . . . . . . . . . 7.50

seasonal mass settings Misa de la Inmaculada Concepción Marc Cerisier Misa de la Inmaculada Concepción was born out of a desire to have a simple setting that could be sung either accompanied or a cappella. It is melodic, with common themes throughout, making it easy for the assembly to learn.

Misa de la Inmaculada Concepción Marc Cerisier Edición de Voces y Acompañamiento

La Misa de la Inmaculada Concepción nació del deseo de crear una composición sencilla que pudiera cantarse tanto con acompañamiento como a cappella. Tiene un carácter melódico, con temas recurrentes a lo largo de toda la obra, lo que facilita que la asamblea la aprenda. G-11306 G-11306A G-11306G

Edición de voces y acompañamiento . . . . . . . . . . . . . . . . . . . . . . . $6.15 Edición de asamblea . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.35 Edición de guitarra. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10.00

Mass of the Holy Family C hris de Silva Mass of the Holy Family is one of those rare settings that will be at home in both Cathedrals and mission churches. This joyful setting for SAB choir can be done simply with piano accompaniment or enhanced by adding C instruments, cello and guitar. The melodies are easily learned and memorable and each acclamation is imbued with a sense of welcome, belonging, and celebration. G-11147 G-11147A

Choral / Accompaniment Edition. . . . . . . . . . . . . . . . . . . . . . . . . . $7.15 Assembly Edition. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.50 (visit giamusic.com for more editions)

Mass of the Epiphany F r. Ross Caniglia Featuring a melody that is accessible to all congregations, Mass of the Epiphany is simple, yet elegant. It holds its own with just a cantor and keyboard accompaniment yet this setting truly shines when the instrumental parts are utilized. Brass, strings, and organ offer a majestic feel that lends itself well not only to Epiphany but to other feasts, solemnities, and special occasions. G-10912 G-10912A

seasonal – RSCM RSCM Carols for Sopranos, Altos and Unison Lower Voices 42 Carols for Advent and Christmas ed . D avid O gden

Choirs and those who listen to them will love the 30 new carols in this collection as well as twelve arrangements of well-known favorites. G-11189

Perfect-bound book . . . . . . . . . . . . . . . . . $25.00

Advent Pilgrimage A Liturgical and Musical Resource Advent Pilgrimage takes us on a journey through four ‘Stations’: Hoping, Waiting, Fearing, and Preparing. Each station provides a selection of anthems and hymns reflecting the theme and the voices we hear along the way. RS56

Perfect-bound book . . . . . . . . . . . . . . . . . $19.00

The Advent Sequence: Veni Emmanuel Ed. David Ogden & Peter Moger This sequence of words and music provides all you need for an Advent Carol Service, plus a wide range of choral resources for use during Advent, in one convenient book. Includes music by John Barnard, Jon Banks, Bernadette Farrell, George Guest, Graham Kendrick, Simon Lole, Peter Moger, David Ogden, Margaret Rizza, and Richard Shephard. G-8511

Saddle-stitched . . . . . . . . . . . . . . . . . . . . . $13.50

Instrumental Praise, Volume 1: Christmas Hymns and Songs The book contains piano, guitar, and vocal parts of a variety of wellloved Christmas hymns and songs while the accompanying CDROM provides an extensive range of instrumental parts to print out for the following instruments: Flute I, Flute II or Oboe, Clarinet I and Clarinet II in B-flat, Alto Saxophone, Bassoon, Horn in F, Trumpet in B-flat, Trombone, Tuba, Percussion/Drums, Voice, Guitar, Piano, Violins I and II, Viola, Cello, Double Bass. G-8512

Saddle-stitched. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $45.00

seasonal piano collections A Wintry Piano Wonderland Christmas Carols Reimagined Arr . Oded Essner A Wintry Piano Wonderland breathes new life into classic Christmas melodies, drawing inspiration from Ellington’s The Nutcracker Suite, jazz Christmas albums, and Ravel’s impressionistic piano works. Each arrangement reimagines familiar melodies with new harmonies and textures, offering a personal take on these timeless carols. CONTENTS: Hark! The Herald Angels Sing • Jesu, Joy of Man’s Desiring • Silent Night • O Christmas Tree • Deck the Halls • Jingle Bells • A Curious City. G-11248

Saddle-stitched . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $18.00

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Christmas Piano Arrangements Josie Merlino CONTENTS: Angels We Have Heard on High • Away in a Manger • Bring a Torch, Jeannette, Isabella • Carol of the Bells • Gloucestershire Wassail / The Holly and the Ivy • God Rest Ye Merry, Gentlemen • Hark! The Herald Angels Sing • I Heard the Bells on Christmas Day • Il Est Né, le Divin Enfant • In the Bleak Midwinter / Still, Still, Still • Maria Walks amid the Thorn / Lo, How a Rose E’er Blooming • O Come, All Ye Faithful • O Little Town of Bethlehem / See amid the Winter’s Snow • Patapan / Noël Nouvelet • Silent Night • The Birthday of a King • The First Nowell G-10734

Saddle-stitched. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $30.00

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Six Advent Christmas Carols Larry Harris Each arrangement includes performance notes that include suggestions for improvisation. CONTENTS: Angels We Have Heard on High • Christmas Bells • Creator of the Stars of Night • God Rest You Merry, Gentlefolk • Lo, How a Rose E’er Blooming • Winter Sky G-10259

Saddle-stitched. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $20.00

seasonal piano Colours 3 Carols for Solo Piano Chris de Silva CONTENTS: Angels We Have Heard on High • Away in a Manger • Bring a Torch, Jeannette, Isabella • The Coventry Carol • The First Nowell • The Holly and the Ivy • Infant Holy, Infant Lowly • O Come, All Ye Faithful • Silent Night, Holy Night • ‘Twas in the Moon of Wintertime • We Three Kings of Orient Are • What Child Is This G-10511 CD-1110

Spiral-bound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $24.95 Compact Disc. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16.95

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Pageant of Carols Ten Carol Settings for Solo Piano Arr . Fred Offutt CONTENTS: Come, All Ye Shepherds • Rocking Carol (Theme and Variations) • Coventry Carol • Sing We Now of Christmas • In the Bleak Midwinter • Lo, How a Rose • Silent Night • O Little Town of Bethlehem • What Child Is This • Joy, Joy, Joy G-6858

Saddle-stitched. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $24.00

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Child of Hope Christmas Carols for Piano, Volumes 1 & 2 John Carter Foor intermediate-level pianists, these carols are arranged with extended harmonics in a jazz-like style. VOLUME 1 CONTENTS: Lo, How a Rose E’er Blooming • Good Christian, Friends Rejoice • Still, Still, Still • Angels We Have Heard on High • Silent Night • Christmas Hymn. 003059

Saddle-stitched. . . . . . . . . . . . . . . . . . . . . . . . . $15.00

VOLUME 2 CONTENTS: Unto Us a Boy Is Born • How Brightly Beams the Morning Star • O Come, Little Children • It Came Upon a Midnight Clear • Joseph Dearest, Joseph Mine • O Little Town of Bethlehem. 003049

Saddle-stitched. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $10.00

seasonal piano Carols at the Piano Arr . Ann Buys CONTENTS: Hark! The Herald Angels Sing • In the Bleak Midwinter • Infant Holy, Infant Lowly • Bring a Torch, Jeannette, Isabella • The Holly and the Ivy • I Saw Three Ships • It Came upon the Midnight Clear • O Come, Little Children • Away in a Manger • Sussex Carol G-11037

Saddle-stitched. . . . . . . . . . . . . . . . . . . . . . $25.00

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Christmas Medleys at the Piano Arr . Ann Buys CONTENTS: I. The Nativity: In the Bleak Midwinter (CRANHAM); What Child Is This (GREENSLEEVES); Infant Holy, Infant Lowly (W ŻŁOBIE LEŻY) - II. Lullaby Medley: Away in a Manger (CRADLE SONG); The First Nowell (THE FIRST NOWELL) - III. The Proclamation: Angels We Have Heard on High (GLORIA); It Came upon the Midnight Clear (CAROL); Hark! The Herald Angels Sing (MENDELSSOHN) IV. Pastorale: While Shepherds Watched Their Flocks (CHRISTMAS); Come, All Ye Shepherds (KOMMET IHR HIRTEN) - IV. Bell Medley: O Come, All Ye Faithful (ADESTE FIDELES); Silent Night (STILLE NACHT); Joy to the World (ANTIOCH) G-7265

Saddle-stitched. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $18.00

Christmas at the Piano

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Twelve Carol Settings Arr . Ann Buys CONTENTS: Angels We Have Heard on High • Coventry Carol • God Rest Ye Merry, Gentlemen • Good Christian Friends, Rejoice • I Wonder As I Wander • It Came Upon a Midnight Clear • O Come, All Ye Faithful • O Come, O Come Emmanuel • O Little Town of Bethlehem • Silent Night • The First Nowell • What Child Is This G-6004

Saddle-stitched. . . . . . . . . . . . . . . . . . . . . . . . $15.00

seasonal keyboard & instrument Seven Christmas Carols For Treble Instrument and Keyboard Robert J. Powell CONTENTS: Bring a Torch, Jeannette, Isabella (BRING A TORCH) • Cold December Flies Away (EL DESEMBRE CONGELAT) • Come Running, You Shepherds (O LAUFET, IHR HIRTEN) • Ding! Dong! Merrily on High (BRANLE DE L'OFFICIAL) • God Rest You Merry (GOD REST YE MERRY) • How Far Is It to Bethlehm (STOWEY) • Infant Holy, Infant Lowly (W ŻŁOBIE LEŻY) G-10828

Saddle-stitched. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $22.00

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Come to the Manger Christmas Carols for Flute and Piano Kathleen M. Basi CONTENTS: Lo, How a Rose E’er Blooming • O Come, Little Children • I Saw Three Ships / Bring a Torch, Jeanette, Isabella • Sing We Now of Christmas • What Child Is This? • Angels from the Realms of Glory / Angels We Have Heard on High. 005898 005942

Saddle-stitched. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $16.00 Compact Disc. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10.00

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Tidings of Comfort and Joy Christmas Carols for Flute and Keyboard Arranged by Clark Kimberling CONTENTS: Away in a Manger • O Little Town of Bethlehem • Here ‘twixt Ass and Oxen Mild • God Rest You Merry, Gentlemen • Good Christian Friends, Rejoice • Joy to the World • Pat-a-pan • Silent Night • Unto Us a Boy Is Born • What Child Is This. G-7749

Saddle-stitched, 40 pages plus insert. . . . . . . . . . . . . . . . . . . . . . $21.00

seasonal keyboard & instrument / brass Seasonal Suites Volume 1: Advent and Christmas Edited by Alan J. Hommerding These three-movement suites for keyboard and one or two C Instruments feature traditional seasonal favorites, along with newer selections as well. CONTENTS: O Come, O Come Emmanuel • The King Shall Come • O Lord of Light • Hark! The Herald Angels Sing • Christmas Hymn • O Come All Ye Faithful • Silent Night • Alleluia! Sing Noël • It Came Upon the Midnight Clear. 003046

Saddle-stitched, 28 pages plus insert. . . . . . . . . . . . . . . . . . . . . . $14.00

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Grand Chœur: Sortie pour Noël For Brass Quintet, Organ and Optional Timpani Chaz Bowers Combining two French carols, arranger Chaz Bowers honors the spirit of the original work while allowing both brass and organ to shine on their own, in dialogue with each other, and in a rousing conclusion. G-10583

Saddle-stitched. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $29.00

Discover more seasonal collections, including selections with brass by scanning the QR code:

Prices subject to change without notice.

seasonal organ

O Come, All Ye Faithful O COME, ALL YE FAITHFUL André Fleury

Adapt. Alan J. Hommerding This straightforward presentation of the beloved adeste fideles melody is followed by a jaunty fugue that blends its dancing theme with the carol. Designed for organists whose pedal technique is still developing, this arrangment will provide organists of every skill level a thrilling addition to their repertoire.

ADAPTED AND ARRANGED BY

Alan J. Hommerding

G-11116

Saddle-stitched . . . . . . . . . . . . . . . . . . . . . . . $10.00

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Yuletide Favorites for Organ Eurydice V. Osterman CONTENTS: Advent Medley (Lo, How a Rose E’er Blooming / Of the Father’s Love Begotten) • Hark! The Herald Angels Sing • Joy to the World • O Come, All Ye Faithful • Silent Night • There’s a Song in the Air G-11028

Saddle-stitched . . . . . . . . . . . . . . . . . . . . . . . $20.00

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Eight Advent and Christmas Carols for Organ William McNair CONTENTS: Come, Thou Long-Expected Jesus (HYFRYDOL) • God Rest Ye Merry, Gentlemen (GOD REST YE MERRY) • Of the Father’s Love Begotten (DIVINUM MYSTERIUM) • O Come, All Ye Faithful (ADESTE FIDELES) • Hark! the Herald Angels Sing (MENDELSSOHN) • In the Bleak Midwinter (CRANHAM) • We Three Kings (KINGS OF ORIENT) • Spanish Carol (RIU, RIU, CHIU) G-10839

Saddle-stitched. . . . . . . . . . . . . . . . . . . . . . $20.00

seasonal organ

Ten Christmas Flourishes for Organ Meirion Wynn Jones This collection of refreshing, festive introductions to familiar Christmas carols will be a delight for organists to play and will both invite and invigorate congregations to sing their holiday favorites! 003037

Saddle-stitched. . . . . . . . . . . . . . . . . . . . . . . $12.00

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A Wreath of Carols for Christmastide B ernard Wayne Sanders Each of these four organ solos is ideal for use during its individual season or feast: Advent, Christmas, Feast of St. Stephen, and Epiphany. Manuals and pedal, registration suggestions included. G-7278

Saddle-stitched. . . . . . . . . . . . . . . . . . . . . . . . . . . $16.00

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Six Carols of Christmas for Organ Arranged by Robert J. Powell A wonderful collection of short, easy-to-prepare organ pieces based on the folk songs of distant lands. These carols require moderate skill and are best played on a two-manual organ. G-8394

Saddle-stitched. . . . . . . . . . . . . . . . . . . . . . . . $15.00

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Ten Carols for the Christmas Season for Organ Arranged by John F. Kriebel Beloved carols like “Silent Night,” “In the Bleak Midwinter,” and “We Three Kings” will delight listeners, and the hauntingly beautiful settings of “Coventry Carol,” “Divinum Mysterium,” and others will perfectly fill any repertoire gaps you may have for the season. G-9388

Saddle-stitched. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $25.00

seasonal organ

A Polish Christmas Triptych Kevin Vogt Each piece opens with the tune in a traditional setting, followed by a variation, several of which are in a duo or trio form presented on two staves, enabling them to easily be played by a pianist as well. G-9412

Saddle-stitched . . . . . . . . . . . . . . . . . . . . . . . . . . $12.00

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Feet Don’t Fail Me Now! Volume 1: Advent & Christmas Edited by Alan J. Hommerding Drawn from the best of the WLP Organ Library and originating from Alan Hommerding’s well-known organ technique workshops comes this volume of organ music for manuals only, or manuals with very simple pedal parts. 003068

Saddle-stitched. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $16.00

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Consoliere Classic Volume III: Advent and Christmas Edited by Alison Luedecke 003062

Saddle-stitched . . . . . . . . . . . . . . . . . . . . . . . . . . $12.00

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Hymn Preludes for the Christmas Season R obert Edward Smith 003024

Saddle-stitched. . . . . . . . . . . . . . . . . . . . . $15.00

planning Visit

GIAMUSIC.COM/PLANNING for planning by Sunday or Solemnity

Curated Choral Suggestions

Complete with full score previews and recordings for easy browsing.

Hymn Suggestions

The complete hymnal and missal planning grids found in the GIA Quarterly.

Psalm-based Resources

Psalms sorted by translation; each featuring a score preview.

Instrumental Suggestions

Instrumental collections from GIA and WLP—many available for individual download.

Hymns from Unbound

Texts and tunes available as PDF downloads with full accompaniment included.

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GIA Quarterly Every issue of the GIA Quarterly invites national leaders in liturgy and music to engage readers in a dialogue about how to celebrate parish worship that transforms communities. It also features Master Class columns, reflections for Sundays and Solemnities, and full planning pages for all current GIA hymnals and missals. Annual subscription . . . . . . . . . . . . . . . . . . . . . . . . . . $21.00 Digital subscription . . . . . . . . . . . . . . . . . . . . . . . . . . . 13.00 (International subscriptions digital only)

Find the perfect match for your assembly, choir, and ensemble amongst GIA’s wide variety of top-quality, affordable long-term hymnals and subscription missals

Whether you’re looking for a hardbound resource or a dated subscription missal, organ-based hymns or music perfect for contemporary ensemble, GIA has something for your community. Take the quiz below to identify your perfect match or contact our hymnals and missals team for more information!

Take our Hymnal/Missal Matchmaker Quiz today to discover your perfect match!

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word & prayer resources

SANCTUS

Sanctus Bilingual Missal / Misal Bilingüe

BILINGUAL MISSAL + MISAL BILINGÜE

2026 - 2027 2026-2027

4/22/26 1:42 PM

SB26 G-10956

GIA’s fully bilingual side-by-side liturgy resource that includes readings and psalm responses (Abbey Psalms and Canticles/ Leccionario Edición Hispanoamericana) for Sundays and major feasts! Un recurso litúrgico completamente bilingüe de GIA que incluye lecturas y respuestas a los salmos para los domingos y los días festivos principales.

Year B . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $3.75 2-Volume Psalter/Salterio (for all three years). . . . . . . . . . . . . . . 64.95

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Liturgy of the Word An annual missal without hymns and songs. Contains texts from the Lectionary for Mass. Includes the complete Order of Mass, Sunday and holy day readings and Psalms, weekday reading citations, entrance and communion antiphons, and Psalm responses. The lectionary psalms used in this resource contain texts from the RNAB. LOTW26 Year B 1-4 copies. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $15.00 each 5-24 copies. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6.48 each 25–49 copies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.68 each 50 or more copies. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.32 each

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Sunday’s Word

Year B

Includes readings for Sundays and major feasts, Order of Mass with music from the Mass of Christ, Light of the Nations, weekday section with entrance antiphon, psalm response, gospel verse, and communion antiphon for all feasts, memorials, and weekdays of the year. The lectionary psalms used in this resource contain texts from the Abbey Psalms and Canticles.

GIA

Year B

SW26

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word & prayer resources

LIVING THE WORD

Scripture Reflections and Commentaries for Sundays and Holy Days

Gilberto Ruiz and Deborah Wilhelm have teamed up to present thought-provoking commentary, insightful reflection, and lively discussion questions for the Sunday and feast day scriptures. Living the Word offers discussion groups, scripture study groups, small Christian communities, religious education classes, homilists, catechumens, candidates, and individuals the scripture readings for each Sunday and feast of liturgical Year C and more. You and your group will find something for everyone here, even suggestions for ways of responding to the scripture readings that encourage you to go out and “live” the word. Allow Living the Word to make a difference in your life.

Insights into the scriptures for each Sunday, holy day, and major celebration of the liturgical year. Each entry includes readings of the day and three articles. Quantity pricing available.

LIVING THE WORD

Living the Word

Scripture Reflections and Commentaries for Sundays and Holy Days

“The sacred Synod forcefully and specifically exhorts all the Christian faithful . . . to learn ‘the surpassing knowledge of Jesus Christ’ (Philippians 3:8) by frequent reading of the divine Scriptures. Ignorance of the Scriptures is ignorance of Christ . . . let them go gladly to the sacred text itself . . . or in devout reading, or in such suitable exercises and various other helps which . . . are happily spreading everywhere.”

LTW26 Year B

—Vatican II, Dogmatic Constitution on Divine Revelation, par. 25

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Y E A R YEAR

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Daily Mass Intercessions 2027 Katharine E. Harmon Includes daily general intercessions with an invitation to prayer and a closing prayer, Scripture citations for the readings of the day. Digital subscription also available. DMI26

2027 Edition . . . . . . . . . . . . . . . . . . . . . . . . . . . .$25.00

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Pastoral Patterns

PA S T O R A L P A T T E R N S

A quarterly resource for liturgy planners includes suggested texts, patterns, and models for crafting liturgical language for every Sunday and major feast of the year. Digital subscription also available. PAS

Subscription (4 issues) . . . . . . . . . . . . . $18.00

WINTER 2026–2027 November 29, 2026 to February 7, 2027

PA L A B R A S P A S T O R A L E S

Palabras Pastorales The Spanish-language version of Pastoral Patterns. Special attention is given to the culture and celebrations of Hispanic Catholics in the United States. Digital subscription also available. PASS

Subscription (4 issues) . . . . . . . . . . . . . $15.00

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INVIERNO 2026-2027 Del 29 de noviembre de 2026 al 7 de febrero de 2027

children’s bulletins

Help Kids Connect to the Liturgy with a Weekly Bulletin Just for Them! A weekly bulletin for the children in your assembly, school, or religious education program... • • • •

provides liturgical catechesis for the whole community. introduces Catholic traditions and practices to younger members of the assembly. encourages prayer and scripture study in the home, the domestic church. invites children and adults into the richness of Catholic liturgical life.

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View Me, Lord, a Work of Thine Jackson Berkey G-11614 ■ BERKEY ■ VIEW ME, LORD, A WORK OF THINE

View Me, Lord, a Work of Thine Jackson Berkey For SATB Chorus, Solo and Piano

The Works of Jackson Berkey

For SATB Chorus, Solo and Piano

The Works of Jackson Berkey

G-11614 ■ BERKEY ■ VIEW ME, LORD, A WORK OF THINE

INTEGRA MUSIC GROUP and coming October 2026

ceremonial binders & foldres Our binders are an attractive and durable solution for clergy and church leaders to use for intercessions, special rites, seasonal service programs, and general announcements, for choirs to keep and display their music, and for church musicians to assemble each week’s accompaniments.

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SERIES 2

Every color binder . . . . . . . . . . . . . . . . . . . . $24.00 each 006775 Ivory 006776 Green 006777 Red 006778 Purple 006780 Black 006781 Set of 5 (One of each color). . . . . . . . . $105.00

SERIES 3

Every color binder . . . . . . . . . . . . . . . . . . $24.00 each 006801 Ivory 006802 Green 006803 Red 006804 Purple 006805 Black 006806 Set of 5 (One of each color). . . . . . . . . $105.00

Each binder includes: • 1-inch spine • Three-ring format • Can hold pages up to 8.5 x 11 • Inside front pocket for loose papers and cards

These attractive and useful Ceremonial Folders feature the exquisite two-tone stamped cross design with gold foil found on WLP’s Series 1 Ceremonial Binders. Each fabric-lined folder holds one or two single sheets of 8.5 x 11 paper that you can easily tuck into the grosgrain ribbon corner holders. Ideal for use by lectors, priests, deacons, and cantors.

Every color folder. . . . . . . . . . . . . . . . . . . . $27.00 each 006831 Ivory 006832 Green 006833 Red 006834 Purple 006835 Black 006836 Set of 5 (One of each color). . . . . . . . . $110.00

ceremonial binders Binders to coordinate with WE CELEBRATE & GATHER—FOURTH EDITION SERIES 4—Coodinates with the We Celebrate Hymnal and Missal

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Set of 5 (One of each color). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $105.00

Ceremonial Binders Every color binder. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $25.00 each (G-10000BB / Black • G-10000BGRN / Green • G-10000BGRY / Gray • G-10000BP / Purple • G-10000BI / Ivory • G-10000BR / Red ) G-10000BSET

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Music and Resources for the Church—Fall/Winter 2026

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