TRAYF Program

®

GEFFEN PLAYHOUSE AUDREY SKIRBALL KENIS THEATER

YF A R T

WELCOME TO

ARTISTIC DIRECTOR

PHOTO BY JEFF LORCH

MATT SHAKMAN

When I first read Lindsay Joelle’s TRAYF sever-

incredibly talented cast and group of design-

al years ago, I was taken with its ode to friend-

ers for this production, and they have breathed

ship and its exploration of how we find—and

brilliant life into Lindsay’s moving words,

create—community. The heart of this piece

conjuring the spirit of 1990s Brooklyn.

leapt off the page. Now, after living through such a long period of being apart, the play’s focus on community and belonging resonates more than ever.

I hope you will join us again soon for our revival of Edward Albee's Who's Afraid of Virginia Woolf? in our Gil Cates Theater, as well as the widely varied shows we have coming up in the

In addition to welcoming playwright Lindsay

rest of our 25th Anniversary Season. The whole

Joelle to the Geffen for the first time, I am so

team at the Geffen and I are grateful for your

pleased to welcome back director Maggie

continued support of the live performing arts.

Burrows. Maggie was last here to direct Man of God, which had to close abruptly due to the pandemic. It is a thrill to have her at the helm of this piece and to introduce her wonderful work to a larger Geffen audience. (She will be back to direct Man of God for this season later in the spring!) Maggie has brought together an 2 P L AY B I L L

Enjoy the show!

Matt Shakman Artistic Director

BOARD OF DIRECTORS Adi Greenberg CHAIR

Victoria Alonso

Jerry Moss

Patricia Kiernan Applegate

Bruce M. Ramer Founding Chair

Beth Behrs

Victoria Mann Simms

Dr. Gene D. Block

Andy Spahn

Kevin Bright

Steven Spielberg

Gil Cates Jr. Executive Director

Steve Tisch

Mary Ann Cloyd Vice Chair

Dr. Charles E. Young Chair Emeritus

Merle Dandridge

IN MEMORIAM

Dr. Brad Edgerton

Gilbert Cates Founder

Bonnie E. Eskenazi Mark Fleischer Sue Nahley Fleishman Patricia L. Glaser Martha Henderson Chair Emeritus

Marcia Israel-Curley Audrey Skirball Kenis Charles Kenis Karl Malden Ginny Mancini

Loretta Everett Kaufman

Jerry Perenchio

Carla Malden

Lew Wasserman

Brian Mann Tiffany Mayberry Danny Passman Holly Rice Pamela Robinson Chair Emeritus

Edie Wasserman

Miranda Tollman Chair

Richard Sherman

Stephanie Carson

Cynthia P. Stafford

Lori Collins

Howard Tenenbaum Chair Emeritus

Ellyce R. Cooper Brenda Garcia Ann Gianopulos Priscila Giraldo

Harold A. Brown

Eric Heer

Kirsten Combs

Laura Kennedy

Robert A. Daly

Wendy Kurtzman

David Geffen

Hannah Linkenhoker

Herbert M. Gelfand Chair Emeritus

John McCrite

Glorya Kaufman Frank G. Mancuso Chair Emeritus Ron Meyer

04.19–05.22.2022

Debra Davis

FOUNDING TRUSTEES

Jeffrey Katzenberg

WHO’S AFRAID OF VIRGINIA WOOLF?

Latham & Watkins LLP

Matt Shakman Artistic Director

Quincy Jones

SEASON

Peter Rosen

ADVISORY BOARD

Kevyn Wynn

ANNIVERSARY

LEGAL COUNSEL

Linda Bernstein Rubin

Marc Weinstock

25TH

Kirsten Hansen

EDWARD ALBEE GORDON GREENBERG

WRITTEN BY DIRECTED BY

FEATURING

Audrey Povar Eric Rollins Allen Shay John Sonego Cela Devine Sutton Laurie Ziegler

AIMEE CARRERO

EDMUND CALISTA ZACHARY DONOVAN FLOCKHART QUINTO

T I C K E T S S T A R T A T J U S T $ 3 0!

G E F F E N P L A Y H O U S E.O R G · 310.2 0 8.2 0 2 8

THE GEFFEN PLAYHOUSE PRODUCTION OF

TRAYF WRITTEN BY

LINDSAY JOELLE DIRECTED BY

MAGGIE BURROWS SCENIC DESIGNER

COSTUME DESIGNER

TIM MACKABEE

DENITSA BLIZNAKOVA

LIGHTING DESIGNER

SOUND DESIGNER

LAP CHI CHU

EVERETT ELTON BRADMAN

CHOREOGRAPHER

DRAMATURG

KC MONNIE

RACHEL WIEGARDT-EGEL

PRODUCTION STAGE MANAGER

CASTING DIRECTOR

LEIA S. CRAWFORD

PHYLLIS SCHURINGA‚ CSA

OPENING NIGHT

THURSDAY, MARCH 10, 2022

TRAYF was originally produced by Theater J, a program of Edlavitch DC JCC (Adam Immerwahr, Artistic Director; Rebecca Ende Lichtenberg, Managing Director) Developed and presented by Penguin Rep Theatre (Joe Brancato, Artistic Director & Andrew M. Horn, Executive Director) from May 18, 2017 to June 11, 2017 in Stony Point, NY

4 P L AY B I L L

EXECUTIVE PRODUCERS CIRCLE MEMBERS Adi & Jerry Greenberg

Jerry & Terri Kohl

Martha Henderson

Linda Bernstein Rubin & Tony Rubin

Pamela Robinson Hollander & Robert Hollander Loretta Everett Kaufman & Victor Kaufman

Miranda & Brett Tollman

TRAYF CAST OF CHARACTERS (IN ALPHABETICAL ORDER)

ILAN ESKENAZI SHMUEL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BEN HIRSCHHORN LEAH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LOUISA JACOBSON JONATHAN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GARRETT YOUNG

ZALMY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

UNDERSTUDIES

KATIE CROYLE ZALMY / SHMUEL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOSH GREEN JONATHAN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOHN GARET STOKER LEAH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Understudies never substitute for listed players unless specified.

The Actors and Stage Managers employed in this production are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

TIME/SETTING

PLEASE NOTE

Manhattan and Brooklyn, winter/spring 1991

There is no photography or filming of any kind allowed in the theater.

Please turn off all electronic devices, including cell phones. Thank you!

RUNNING TIME

80 minutes There will be no intermission.

25TH ANNIVERSARY SEASON SPONSOR

OPENING NIGHT SPONSORS

G E F F E N P L AY H O U S E 5

PRODUCTION BIOGRAPHIES

I L A N ES K E N A Z I

Zalmy

Ilan Eskenazi is thrilled to be making his Geffen Playhouse debut. New York City born and raised, he is a graduate of Fiorello H. LaGuardia High School for Performing Arts and a recent graduate of Pace University with a B.F.A. in Acting. Most recently on stage in New York Theater Workshop’s production of Sing Street, which was planned to debut on Broadway at the Lyceum Theater prior to the COVID-19 shutdown. He can also be seen in Marvel’s Iron Fist (Netflix). Ilan would like to send much love and thanks to his family, Miranda, and Craig, Ellen, and Rachel.

BEN HIRSCHHORN

Shmuel

Ben Hirschhorn is an actor, writer, and director best known for his work in the films Closets Keep Suburban Boys Home (2020) and Practice Funeral (2019) for which he received the Best Actor award at the Los Angeles Short Film and Script Festival. A native New Yorker, Ben studied acting at Fiorello H. LaGuardia High School for Performing Arts and ventured out to the West Coast to attend 6 P L AY B I L L

USC’s B.FA. Acting program.

He made his directorial debut with his new short film Goggles (2022), which is currently making its way through the festival circuit. Additionally, he was notably seen in the 2018 New York Stage and Film production of As You Like It as “Rosalind/ Ganymede.” You’ll find Ben next playing the loveable “Malcolm” in the new Tupac inspired film Amaru (2022), which will have its world premiere at the Pan African Film Festival. Love to Mum, Dad, Jess, and Josh.

LO U I SA JAC O B S O N

Leah

Louisa Jacobson is a recent graduate of the Yale School of Drama where she received her M.F.A. in acting. She has appeared regionally as Juliet in Romeo & Juliet (The Old Globe), as Mary Dalton in a stage adaptation of Richard Wright’s Native Son by Nambi E. Kelley (Yale Repertory Theatre), and as Janice in Carson McCullers’ The Member of the Wedding (Williamstown Theater Festival). Currently, Louisa can be seen playing the role of Marian Brook in HBO’s The Gilded Age, an original series from Downton Abbey creator Julian Fellowes.

In addition to her training at Yale, Louisa attended the British American Drama Academy and holds a B.A. in psychology from Vassar College.

G A R R E T T YO U N G

Jonathan

Garrett Young is elated to be making his Geffen debut! He has previously worked with St. Louis Shakespeare Festival, the Goodman Theatre, TheatreSquared, Chicago Shakespeare Theatre, and he almost made his Oregon Shakespeare Festival debut in their 2020 production of Everything That Never Happened which, in fact, never happened. He is a founding member of the Santa Fe-based experience company The Exodus Ensemble. TV credits include: Chicago Fire, New Amsterdam, Chicago Med, and Chicago Justice. He studied at The Theatre School at DePaul University and the British American Drama Academy.

LINDSAY JOELLE

Playwright

Lindsay Joelle is a Chicago-born, NYC-based playwright, librettist, and screenwriter whose writing explores the rituals, routines, jargon, and humor of micro-communities across America. Her critically acclaimed play The Garbologists, an EST/Sloan Foundation Science & Technology commission, recently re-

PRODUCTION BIOGRAPHIES ceived a co-world premiere at Philadelphia Theatre Company and is slated at City Theatre in spring 2022. Other plays include: TRAYF (Theater J, New Repertory Theatre, Penguin Rep), a Goldberg M.F.A. Playwriting Prize recipient; A Small History of Amal, Age 7 (Forward Flux & Pratidhwani); and The Messengers, an Audible Theatre Emerging Playwright Commission recorded by Audible. Joelle was the National New Play Network’s Playwright-in-Residence at Curious Theatre and is a proud NNPN, New Georges, and American Theatre Wing affiliated artist.

Alumna of the BMI Musical Theatre Workshop, Nashville Repertory Theatre’s Ingram New Works Lab, Hunter Playwriting Program (M.F.A.), and Columbia University (B.A.).

Other writing includes restaurant coverage/food blogs for New York Magazine’s Grubstreet and the prep book Tutor Tells All: ACT Test Strategy. lindsayjoelle.com

for Excellence in the Arts. She is a member of the Lincoln Center Directors Lab, the inaugural 2018-2019 BOLD Resident Director at Northern Stage, and the recipient of the 2018 Boris Sagal Directing Fellowship at Williamstown Theatre Festival. In 2020, in collaboration with the Roald Dahl Story Company, Maggie co-conceived and produced James and the Giant Peach with Taika and Friends to benefit Partners in Health. Select theater credits: On Your Feet!

(The Muny), Indecent (Juilliard), Man of God (Geffen Playhouse), Damsels (Williamstown Theatre Festival), The Sound of Music (Northern Stage), Spacebar (Wild Project). Film work includes her short Condolences and a GOTV video for Michelle Obama’s When We All Vote organization. Upcoming: Legally Blonde (The Muny), Zoe Sarnak and Alexis Scheer’s Shook, and Mark Sonnenblick’s new musical Devotion.

T I M M AC K A B E E

Scenic Designer

M AG G I E B U R R OWS

Director

Maggie Burrows is a theater and film director living in New York City. She has worked with Atlantic Theater Company, Playwrights Horizons, New York Theatre Workshop, WP Theater, Roundabout Theatre Company, Manhattan Theatre Club, Williamstown Theatre Festival, and the Geffen. She received her B.A. from Yale University, where she was a nominee for the Sudler Prize

Geffen Playhouse: Our Very Own Carlin McCullough, Ironbound, Actually. Broadway: The Elephant Man (starring Bradley Cooper), Mike Tyson: Undisputed Truth (dir. Spike Lee). West End: The Elephant Man. Off-Broadway: Seared (MCC Theater, Outer Critics Circle Award); Guards at the Taj (Lucille Lortel Award); Our New Girl (Atlantic Theater Company); Vietgone, Important Hats of the Twentieth Century (Manhattan Theatre Club); Heathers: The Musical, Luce (Lincoln Center Theater); Gigantic (Vineyard Theatre); Much Ado About Nothing (Public Theater). Regional: Geffen Playhouse, ACT San Francisco, Ford’s Theatre, Seattle Repertory Theatre, The Old Globe, Center Stage

Baltimore, Denver Center for the Performing Arts, Portland Center Stage, Cleveland Play House, Dallas Theatre Center, Geva Theatre, Yale Repertory Theatre, Syracuse Stage, South Coast Repertory, Victory Gardens Theatre, Bay Street Theatre, Asolo Repertory Theatre, Williamstown Theatre Festival.

Television: Amy Schumer: Live at the Apollo, Gotham, Smash, The Today Show. Education: North Carolina School of the Arts, Yale School of Drama.

D E N I T SA B L I Z N A KOVA

Costume Designer

Denitsa is a Bulgarian costume designer whose design work has been seen nationwide at regional venues including Pasadena Playhouse, Mark Taper Forum, The Old Globe, La Jolla Playhouse, South Coast Repertory, Denver Center for the Performing Arts, Kennedy Center, Cleveland Play House, Williamstown Theatre Festival, and others. Denitsa’s work for opera includes productions at Los Angeles Opera, San Diego Opera, and Santa Fe Opera.

Costume design credits for other media include films and music videos. At Geffen Playhouse, she previously designed: Man of God, Constellations, Long Day’s Journey Into Night, Big Sky, and Guards at the Taj (Ovation award nomination). Nominations for Outstanding Costume Design: LA Stage Alliance Ovation Award and Colorado Theatre Guild Henry Award.

She is the 2020 recipient of the Costume Design Award from Costume Society of America.

Denitsa is a member of local USA 829, United States Institute for Theatre Technology and Costume Society of America.

Denitsa is a Professor and the Head of the M.F.A. Design and Technology program in the School of Theatre, TV, and Film at SDSU. denitsa.com G E F F E N P L AY H O U S E 7

PRODUCTION BIOGRAPHIES LAP CHI CHU

Lighting Designer

Recent designs include the premiere of Simon Stephens’ Morning Sun at Manhattan Theatre Club and David Lindsay-Abaire/ Jeanine Tesori’s new musical, Kimberly Akimbo at the Atlantic Theater Company. He has designed regionally for Mark Taper Forum, Williamstown Theater Festival, Oregon Shakespeare Festival, La Jolla Playhouse, The Old Globe, Berkeley Repertory Theatre, American Contemporary Theater, Goodman Theatre, American Repertory Theater, Arena Stage, Dallas Theater Center, and the Alley Theater. His New York design credits include The Public Theater, Roundabout Theatre Company, Lincoln Center Theater, New York Theatre Workshop, Signature Theatre, Second Stage Theatre, Performance Space 122, and Kitchen Theatre Company. His awards include the Obie for Sustained Excellence in Lighting Design, the Lucile Lortel Award, Los Angeles Drama Critics Circle Angstrom Award for Career Achievement in Lighting Design, the Ovation Award, and multiple Bay Area Theatre Critics Circle Awards. He is a professor and the Head of Lighting Design at University of Los Angeles. lapchichu.com

Project’s The Waste Land). Other recent adventures include Shotgun Players’ The Light and The Niceties; Aurora Theatre Company’s The Flats; A.C.T.’s Ironbound; and Snowflakes, or Rare White People for UC Berkeley. He is currently co-writing a musical for Bay Area Children’s Theatre and The Rose Theater in Omaha, Nebraska. Stop by and say hello at eltonsounds.com!

KC M O N N I E

Choreographer

Seattle born and raised, KC grew up hanging off of lamps in his living room imitating Gene Kelly.

To his mother’s frustration (and light-less rooms from broken lamps), she threw him in dance straight away. He quickly learned that dance would become his first love and preferred language.

He moved to L.A. when he was 18 and has been working professionally for the past 15 years.

KC would like to thank Maggie and the Geffen for letting him be a part of this wonderful story.

Some of his credits include: Disney’s Disenchanted coming out fall 2022, So You Think You Can Dance, The Marvelous Mrs. Maisel, La La Land, Glee, Grease: Live, A Christmas Story: Live, and The Secret (Broadway Asia).

R AC H E L W I E G A R DT- EG E L

E V E R E T T E LTO N B R A D M A N

Dramaturg

Everett Elton Bradman’s 2021 composer/sound designer credits include audio dramas (Aurora Theatre Company’s The Bluest Eye), student productions (A.C.T.’s The House of Yes), Zoom theater (Actors Theatre of Louisville’s Romeo & Juliet: Louisville 2020), podcasts (Z Space / Word for Word’s Retablos trilogy), filmed theater (San Francisco Playhouse’s [hieroglyph]), hybrid visual/audio (New Conservatory Theatre Center’s Interlude), and outdoor performances (Oakland Theater

Rachel is the Director of New Play Development at the Geffen Playhouse, where she supports the artistic staff in season planning and fostering new work.

She spearheads The Writers’ Room annual program, in which Los Angeles-based playwrights develop new plays with the Geffen. She has previously worked in a dramaturgy/literary management capacity at the Williamstown Theatre Festival, McCarter Theatre Center, Marin Theatre Company, and the Ojai Playwrights Conference. Favorite past dramaturgy projects

Sound Designer

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include the world premieres of Matt Schatz’s The Door You Never Saw Before: A Choosical Musical, Chelsea Marcantel’s Citizen Detective (New York Times Critic’s Pick), Inda Craig-Galván’s Black Super Hero Magic Mama, and Alena Smith’s Icebergs (Geffen Playhouse).

L E I A S . C R AW F O R D

Production Stage Manager

Leia Crawford is so happy to be back at one of their L.A. homes, the Geffen Playhouse, where they’ve worked on: The Niceties; Murder for Two; Switzerland; The Gospel According to Thomas Jefferson, Charles Dickens and Count Leo Tolstoy: Discord; The Pianist of Willesden Lane; Play Dead; and Ruined. National tours: SEVEN, Steel Magnolias, The Mountaintop, Judgment at Nuremberg, Dracula (L.A. Theatre Works); Other L.A. regional: Dana H. (Center Theatre Group, Kirk Douglas Theatre), Massoud: The Lion of Panjshir (CTG Workshop), Neva (CTG Reading); Last Stop on Market Street, Future Thinking, The Whale, The Motherfucker with the Hat, The Importance of Being Earnest, A Little Night Music, and An Italian Straw Hat (South Coast Repertory); For Piano and Harpo (Falcon Theatre). Dance: Incubation, Four Seasons, LACDC10, and Youth (Los Angeles Contemporary Dance Company). Other theater credits: What Goes Around (Kaiser Permanente Educational Theater), Ojai Playwrights Conference 2014-2016, Story Pirates, Antaeus Theatre Company, Shakespeare Center LA, and Redcat. Film Festivals: AFI, TCM, AIF, and Los Angeles Independent. Film: Diani & Devine Meet the Apocalypse. Educational: Kaiser Permanente’s 2020-2021 Season. YouTube: Princess Rap Battle 4: Cinderella vs. Belle; Princess Rap Battle 5: Maleficent vs. Daenerys; and Princess Rap Battle 6: Katniss vs. Hermione.

PRODUCTION BIOGRAPHIES P H Y L L I S S C H U R I N G A , C SA

Casting Director

Phyllis is an Artistic Associate and the Casting Director for Geffen Playhouse. Recent casting includes Power of Sail, Paradise Blue, Mysterious Circumstances, Black Super Hero Magic Mama, Skeleton Crew, The Legend of Georgia McBride, Guards at the Taj, and American Buffalo at the Geffen, and Put Your House in Order at La Jolla Playhouse. She has received 6 Artios nominations: Witch, Significant Other, Actually, Barbecue, Barcelona, The Country House. Before joining the Geffen, she was the Casting Director for Steppenwolf Theater Company in Chicago where her favorites include Frank Galati’s adaptation of The Grapes of Wrath (also La Jolla Playhouse, National Theatre in London and Broadway, where it received the Tony Award for Best Play), the original production of Steve Martin’s Picasso at the Lapin Agile (and subsequent productions including Westwood Playhouse and Briar Street Theater in Chicago), Austin Pendleton’s Orson’s Shadow, and Charles L. Mee’s Time to Burn. Broadway transfers include One Flew Over the Cuckoo’s Nest (Tony Award for Best Revival) and The Song of Jacob Zulu. She is a member of the Casting Society of America.

Circumstances for the Geffen in 2019 and prior to joining as Artistic Director in 2017, Shakman directed three acclaimed productions at the Playhouse: the West Coast premiere of David Lindsay-Abaire’s Good People (2012), the world premiere of Jeffrey Hatcher’s new adaptation of Wait Until Dark (2013), and Joshua Harmon’s Bad Jews (2015). Matt founded and was the artistic director of the Black Dahlia Theatre in Los Angeles, which was named “one of a dozen young American companies you need to know” by American Theatre magazine and “Best Small Theatre” by Los Angeles magazine. Matt is a director and producer for FX’s It’s Always Sunny in Philadelphia and has directed episodes of Game of Thrones (DGA nomination), Mad Men, Fargo, The Good Wife, and Succession.

He helmed the pilot episode for Hulu’s The Great (Emmy nomination) starring Elle Fanning and Nicholas Hoult and produced and directed all episodes of WandaVision (Emmy nominations for Direction and Limited Series, DGA nomination), a Marvel Studios event series for Disney+ starring Paul Bettany and Elizabeth Olsen.

Matt is currently directing Star Trek for Bad Robot and Paramount Studios.

M AT T S H A K M A N

Artistic Director

Matt Shakman is Artistic Director of Geffen Playhouse.

Matt last helmed Mysterious

G I L CAT E S, J R .

Executive Director

Gil Cates, Jr. is Executive Director of Geffen Playhouse.

In this role, he is responsible for managing the Geffen’s day-to-day operations; developing new, ongoing theater partnerships and leading its mission to inform, entertain and inspire diverse audiences with live theater of the highest caliber. Prior to being named Executive Director in 2015, Cates served as Geffen Playhouse Board Vice Chairman since 2012 and served as a producer and director in theater, film and television.

His theater credits include the award-winning Names (Matrix Theatre Company) and Three Sisters and David Mamet’s A Life in the Theatre (both at Syracuse Stage). Cates’ film credits include The Surface (starring Sean Astin and Geffen Playhouse alumnus Chris Mulkey), Jobs (starring Ashton Kutcher, Josh Gad, Dermot Mulroney, as well as Geffen Playhouse alumni Matthew Modine and Ron Eldard) and the 2011 feature film Lucky (starring Colin Hanks, Ari Graynor and Ann-Margret). In addition, Cates co-produced and co-directed the critically acclaimed Life After Tomorrow, featuring Sarah Jessica Parker, which premiered on Showtime. His other films include Deal (starring Burt Reynolds, Bret Harrison and Charles Durning) and The Mesmerist (starring Jessica Capshaw and Geffen Playhouse alumnus Neil Patrick Harris). Cates’ television directorial debut was an episode of the NBC comedy Joey, starring Emmy winner Matt LeBlanc. He studied at the National Theatre Institute in Waterford, Connecticut, and holds a B.F.A. in Drama from Syracuse University.

G E F F E N P L AY H O U S E 9

PRODUCTION BIOGRAPHIES for accounting functions of

Sloten CPA, after holding the

the theater, including oper-

position of Director of Account-

ating and capital budgets. In

ing at FABS Management,

addition, she supports all IT

where she was responsible for

and HR activities. Behnaz was

overseeing the finances of more

named Chief Financial Officer

than 25 non-profit organiza-

in 2015 after serving as General

tions. As a financial professional

Manager since 2002. She first

with more than 30 years’ experi-

joined Geffen Playhouse in

ence in for-profit and non-profit

1999. Previously, Ataee worked

financial management and au-

as a senior financial analyst for

diting, Ataee began her career

Behnaz “Nazy” Ataee is Chief

Ultratech Inc., an international

in the Bay Area as a partner in a

Financial Officer of Geffen

semiconductor company based

small tech startup. She holds a

Playhouse. In this role, she

in San Jose. Prior to Ultratech,

master’s degree from Pepper-

has oversight responsibility

she was an auditor for Van

dine University.

B E H N A Z ATA E E Chief Financial Officer

THE NEW PLAY DEVELOPMENT PROGRAM Supporting artists is central to the mission of the Geffen Playhouse, and play commissions are a cornerstone of that support. To commission a playwright to write a play means making a commitment to their voice, craft and vision, with the hope of sharing the fruits of their work on our stage.

The Geffen Playhouse’s New Play Development Program is made possible, in large part, through the leadership and generosity of donations from: The Edgerton Foundation, The Harold & Mimi Steinberg Charitable Trust, Fay & Frank Mancuso, Sandra Krause & William Fitzgerald, Hilary & Jack Angelo and Mary Bianco, The MOCA Foundation.

We are proud to have the following artists under commission: RACHEL BONDS COLMAN DOMINGO MICHAEL GOLAMCO MEGHAN KENNEDY MATTHEW LOPEZ MARTYNA MAJOK

CHELSEA MARCANTEL STACY OSEI-KUFFOUR JIEHAE PARK JOHN POLLONO ZOE SARNAK ROBERT SCHENKKAN

JEN SILVERMAN DAVID WIENER LAUREN YEE ANNA ZIEGLER

For more information on this program, please visit geffenplayhouse.org/newplays.

THE WRITERS’ ROOM A group for Los Angeles-based playwrights, The Writers’ Room is a product of the Geffen’s deep commitment to supporting new plays and specifically to fostering bold, relevant work by the vibrant artistic community of this city. During this one-year residency, playwright members gather monthly at the Geffen to share their work and receive feedback from their peers and the Geffen’s artistic staff, culminating in a play reading series.

VIVIAN BARNES LISA SANAYE DRING WESTON GAYLORD

ALEXANDRA KALINOWSKI, TOVA KATZ, & KATIE LINDSAY

NICHOLAS PILAPIL MICHAEL SHAYAN

The Writers’ Room 2021/2022 is made possible through the generous support of Jerry and Terri Kohl.

For more information on this program, please visit geffenplayhouse.org/thewritersroom.

1 0 P L AY B I L L

GEFFEN AT A GLANCE

ACKNOWLEDGEMENTS

CONTACT

PRODUCTION STAFF FOR TRAYF

Geffen Playhouse 10886 Le Conte Avenue Los Angeles, CA 90024

Associate Scenic Designer Kyu Shin

Lead Carpenter Philip Rossi

ADMINISTRATIVE OFFICES

Assistant Costume Designer Jenny Deck Assistant Lighting Designer Sara Gosses

Carpenters Christopher Baab, Chris Bowe, James Chew, Chris Cowan, Ryan Fischer, Erin Galloway, Melissa Hartman, Sarah King, Vanessa Lara, James Stanley, Eiden Weissblum

310.208.6500 Monday through Friday, 10:00am – 6:00pm AUDIENCE SERVICES

310.208.2028 Tuesday through Sunday, 12:00pm – 6:00pm Please visit geffenplayhouse.org for hours, parking and more information.

BOX OFFICE The box office window is open Tuesday through Sunday from 12:00pm – 6:00pm, as well as on performance days up until 15 minutes after curtain during the run of a show.

Please note: the box office window is unable to process exchanges and future sales one hour prior to curtain time on any performance day.

ACCESSIBLE ACCOMMODATION Geffen Playhouse is fully committed to providing access to patrons with mobility, visual and hearing impairments. Parking spaces directly outside the theater are zoned for drop off and pick up, as well as disabled parking spots for patrons with appropriate placards and plates. For more information about our Accessibility services and programs, visit geffenplayhouse.org/ access or call our box office.

LATE SEATING Should you arrive late to the theater or vacate your seat during the performance, please expect to be held in the lobby until an appropriate pause in the action on stage.

To minimize disturbance to other patrons, you may be seated in the first available location by the house staff even if it is different from your assigned seat. Be advised that some productions or circumstances may not allow for late or return seating.

NO PHOTOGRAPHY There is no photography or filming of any kind allowed in the theater. Please turn off all electronic devices, including cell phones.

Lighting Design Intern Emily Moore Consultant Rabbi Yechiel Hoffman Production Assistant Lucy Houlihan Automation Operator & Stage Supervisor Tyler Brogla Wardrobe Supervisor Sarah Nearhoff

Properties Artisans Christopher Baab Electricians Miri Henerson, Nicole Jaja, Justin Kelley-Cahill, Juan Lozano COVID-19 Compliance Manager Phil Gold

Light Board Operator Emma Inglehart Sound Board Operator Stephanie Lynn Yackovetsky

ACKNOWLEDGEMENTS Scenery Provided by F&D Scene Changes Ltd., AAA Flag & Banner Lighting Equipment Provided By Kinetic Lighting, Inc. Sound Equipment Provided By DnB Design

Production Photographer Jeff Lorch Media Filming Ramon Garcia Photography Justin Bettman

SPECIAL THANKS UCLA School of Theater, Film, and Television Scene, Prop, Sound, and Costume Shops; London Cleaners; Joseph Piekarski

UCLA SCHOOL OF THEATER, FILM AND TELEVISION Geffen Playhouse is affiliated with the University of California at Los Angeles, specifically the UCLA School of Theater, Film and Television. Geffen Playhouse values its role as an important educational resource by providing students with master classes, workshops and internships. Students are also able to work and learn from distinguished visiting Geffen artists in areas of directing, playwriting, acting, design, dramaturgy, management and production. Geffen Playhouse also draws upon the distinguished experts in the university to enhance the theater’s programs and research.

This theater operates under agreement between the League of Resident Theaters and Actors Equity Association, the union of professional actors and stage managers in the United States.

The Actors and Stage Managers employed in this production are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

This theater operates under agreement between the League of Resident Theaters and Stage Directors and Choreographers Society, an independent national labor union.

The Director is a Member of the Stage Directors and Choreographers Society, a national theatrical labor union.

The scenic, costume, lighting and sound designers in LORT theaters are represented by United Scenic Artists Local USA-829, IATSE.

G E F F E N P L AY H O U S E 1 1

BEHIND THE SCENES Q&A

FINDING COMMON GROUND AN INTERVIEW WITH PLAYWRIGHT LINDSAY JOELLE

Playwright Lindsay Joelle

BY RACHEL WIEGARDT-EGEL, GEFFEN PLAYHOUSE DIRECTOR OF NEW PLAY DEVELOPMENT

R AC H E L W I E G A R DT- E G E L : What was your

inspiration for writing the play?

L I N D SAY J O E L L E : My experience with Judaism is not as earnest and joyful as this play. Both my grandparents are Holocaust survivors. My grandmother was a member of Poland’s underground youth resistance. So she, as a teenager, was smuggling supplies across borders, and that evolved into moving people into areas that were safer. My family knew nothing about her history for most of my childhood, because she refused to talk about the war. And then, when I was in junior high, she wrote her autobiography, and all of a sudden, we learned our family history. It’s a point of pride, and she was a hero, but it’s a dark legacy to inherit.

I always felt that Judaism was the last thing that I ever wanted to write about. When I went to grad school, one of my mentors was Sam Hunter—who probably needs no introduction, but is a playwright who frequently writes about his own religious upbringing and the joys and 1 2 P L AY B I L L

demons associated with that. He told me it’s a playwright’s job to press on the bruise, because that’s where all the interesting things are. So, I started writing TRAYF. Fortunately, one of the first friends I made in New York grew up as a Hasidic Jew in Crown Heights and left the community in his 20s. [Note: Hasidic Judaism is a branch of Orthodox Judaism.] He would tell me stories of growing up Hasidic and secretly dipping his toe into the secular world. When I started writing TRAYF, my friend was able to open a lot of doors for me in Crown Heights.

I visited Jewish bakeries. I boarded a mitzvah tank. I talked fashion with a Hasidic hatmaker.

I saw how tefillin are made. I did a lot of fieldwork and research and interviews to try to—I would say—earn the permission to tell stories from this community. I grew up Jewish, but this is not my community. I wanted to honor their voices and their experience and, at the same time, filter it through my own secular experience as a teenager, navigating friendships and being obsessed with music and spending a lot of time hanging out in cars.

BEHIND THE SCENES Q&A RW: What was it about the Chabad community that sparked your interest and made you want to center that in the play? [Note: Chabad is a specific dynasty of Hasidic Judaism and is one of the largest Hasidic groups and Jewish organizations in the world. The movement's center is in Crown Heights, Brooklyn. In TRAYF, Zalmy and Shmuel have grown up in the Crown Heights Chabad community.]

L J: The first thing that grabbed me was the bravery that it must have taken for my ex-Hasidic friend to dive into a world that was completely unknown to him and experience secular culture so deeply and fully when he did not have easy access to it. I also had a lot of false assumptions about this community.

When I actually went into the community, I was shocked by how normal it all felt. Shabbat dinner with my friend’s family felt like hanging out with my own family. These were multi-dimensional, human people, and religious observance

to try to increase the goodness and justice in the world, so that the world is prepared for Moshiach to arrive. So messianic fervor is at an all-time high. Also, in 1991, there’s no easy access to the internet. Finding out about the world outside of your community is a much more active pursuit. Zalmy and Shmuel, the two Hasidic teenagers in TRAYF, can’t secretly search the net and find out everything they need to know about girls and sex and music. They would have to actually go out and experience it, which makes it more dangerous. It makes the stakes higher.

RW: Is there anything you’re seeing differently, in coming back to this play after such a long time away from in-person theater and after such a strange period of life for all of us?

L J : I am more focused than ever on the evolution of the friendship between Shmuel and Zalmy, and I’m currently feeling that it’s not a

“I DID A LOT OF FIELDWORK AND RESEARCH AND INTERVIEWS TO TRY TO—I WOULD SAY—EARN THE PERMISSION TO TELL STORIES FROM THIS COMMUNITY.” — PLAYWRIGHT LINDSAY JOELLE

was the guiding organization of their lives and the root of their faith, but it wasn’t the center of every conversation. So, when I started writing, I was interested in the private conversations that are happening if you’re growing up in this community. If you’re driving a mitzvah tank, what do you talk about when you’re off-duty? What do you talk about when you’re just hanging out with your friend? Do you talk about God, or do you talk about what’s on the radio?

RW: What are some of the reasons for setting the play at this specific moment in time, in 1991?

L J: First of all, it’s a pivotal moment for this community because their spiritual leader Rebbe Schneerson is in his late eighties at the time of the play. Much of the community believed that he would imminently be revealed as Moshiach— in other words, the person to usher in messianic times of peace and unity. That was part of their guiding mission of going out and inspiring Jews,

Jewish play, per se. The “Chabad-ness” of it all is the characters’ given circumstances. But this is a play about being in a truck with your ride or die buddy—listening to your favorite music and dreaming about the future—and what it feels like to be the friend beginning a new journey you are unable to share or to be the friend left behind, watching your soulmate grow in a different direction. It’s about the renegotiation that happens between friends when the dreams that you built for the future are changing. That negotiation between people feels universal. My mission with all my plays is to present people that feel very “other”—to the audience, and sometimes to each other as well—and to make us experience our similarities more than our differences by the end of the play. Hopefully that has the power to change us a little bit.

To read more about Lindsay's writing process and research for the play, visit geffenplayhouse.org/blog.

G E F F E N P L AY H O U S E 1 3

2 5B TE HH IANNDN IT VH EE R SS CA ER NY E SS E QA &S AO N

25 YEARS AND COUNTING Founder Gilbert Cates with Trustee Kristen Combs at the soon-to-be Geffen Playhouse (formerly Westwood Playhouse)

“ONWARD AND UPWARD WITH THE ARTS.” That was the mantra of Geffen Playhouse Founder and Producing Director Gilbert (Gil) Cates, a visionary and a showman who brought this theater to life a quarter of a century ago. And it remains our mantra today.

With the launch of our 2021/2022 season, we celebrate 25 years of storytelling, opening nights, world premieres, standing ovations, and all the artists and audiences who have passed through our doors since we first raised our curtain with Four Dogs and a Bone in 1995.

We did not just begin life as Geffen Playhouse—there’s more to our story. It was the early 1990s and, as a lover of the arts, then-Dean of the UCLA School of Theater, Film and Television Gil Cates had a dream and a vision. The goal was to create a new non-profit professional theater company that 1 4 P L AY B I L L

OCT 10, 1995 — John Patrick Shanley’s Four Dogs and a Bone, directed by Lawrence Kasdan, featuring Brendan Fraser, Elizabeth Perkins, Parker Posey, and Martin Short opened the Geffen Playhouse

Founder Gilbert Cates with philanthropist David Geffen and UCLA Chancellor Emeritus Charles E. Young

Geffen Playhouse is excited to celebrate 25 years with its 2021/2022 Anniversary Season

would enrich the cultural life of Greater Los

of an endowment gift from philanthropist

Angeles and the UCLA community through

David Geffen) to begin the creation of a

plays and educational programs that in-

permanent professional non-profit theater

form, entertain and inspire.

in Westwood. The university created an

UCLA had a long history of working closely with professional theaters as an extension of its academic mission and, for many

independent board, helmed by Cates, which would assume all costs and risks of operating the theater. And the rest is history.

years, owned and operated the Doolittle

Since opening, Geffen Playhouse has

Theater in Hollywood to fulfill this mission.

staged nearly 200 productions, held more

Cates recognized the Doolittle’s geographic

than 9,000 performances, and entertained

distance from campus created a barrier to

countless audiences from around the world

any meaningful relationship with UCLA and

and every walk of life. Each year has brought

argued a better partner would be the West-

with it new stories, new artists, new laugh-

wood Playhouse, located right across from

ter, new tears and new challenges—and we

campus. Compelled by the proximity and

grow as a theater, and as a family, with every

potential of the historic theater, Chancellor

one of them.

Charles Young agreed to sell the Doolittle and pledged the proceeds of the sale to assist Cates with the purchase and refurbishment of the Westwood Playhouse.

It has been an honor to be a home for the arts in this remarkable city of Los Angeles, and we are excited for what the next 25 years will bring. We hope you will continue

UCLA leased the theater to the newly

to join us on this journey, as we go onward

named Geffen Playhouse (in recognition

and upward with the arts.

G E F F E N P L AY H O U S E 1 5

NOW ON DISPLAY IN THE LOBBY

ART LIVES HERE

As part of Geffen Playhouse’s inaugural Art Lives Here project, four Los Angeles artists have been invited to create original art works to be displayed in our lobby welcoming back audiences during our 25th Anniversary Season.

We celebrate the diversity in our audiences and our productions, and it is our mission to create, foster, and nourish an environment that is open and welcoming for all. We are a home for the arts, and we believe our physical space should also reflect and be representative of our ongoing commitment to equality, diversity, and inclusion in everything we do and the communities we support.

FEATURED WORK #2 The Drummer and the Lady ARTIST Roberto Delgado ON DISPLAY Feb. 8 – Apr. 10, 2022

This work layers Old World Shakespeare with New World Chicano Theatre. Most prominently, this work is inspired by the Luís Valdez El Teatro Campesino, and features a lady lute player and a drummer from Día de Los Muertos carpas plays. Carpa, or tent theatre, were touring groups on both sides of the border that toured from town to town, set up tents, and performed a mix of slapstick comedy, folk dance, circus stunts and puppetry, all for a mostly working-class audience. Like the Shakespearean actor William Kempe's "nine daies wonder" performed "in a daunce from London to Norwich," the carpa tradition is making a comeback with Valdez's TC, and "The Carpa Plays," of the Teatro Bravo, connecting a theatre tradition 400 years apart.

ABOUT THE ARTIST The work of Roberto Delgado evolves from the reality of the photo. Both the easel work and public art murals have been based on the people and circumstances that he has encountered, with both being an appreciation of the human figure. Born and raised in the

Koreatown area of Los Angeles, Delgado served in the US Army and was a graduate of UCLA’s M.F.A. program. Spending most of the 70s and 80s in Chiapas State, Mexico, Delgado honed his skills in murals and public art. In 1985 he was awarded a Fulbright Fellowship and lived in Mexico City, working on large monotypes and murals. Seeing the influence of Mexican-American-Chicano barrio realism on the Mexico City art world first hand, he realized how Chicano art had come full circle, with the craft of Mexican art taken to L.A., now coming back to the Mexico City art world.

TO LEARN MORE ABOUT THIS PROJECT VISIT GEFFENPLAYHOUSE.ORG/ARTLIVESHERE

EDUCATION & COMMUNITY

THEATER IN EDUCATION HAS THE POWER TO IGNITE CHANGE

Geffen Playhouse is deeply committed to creating powerful and impactful arts education and engagement experiences that amplify, inspire, and encompass our diverse Los Angeles community. Our programs provide unique, in-depth access to theater and the arts for under-resourced and under-represented groups of youth and adults.

PHOTO BY JEFF LORCH

We invite you to support the vitality of education by contributing to the continued growth and expansion of our programs.

DONATE TO SUPPORT OUR PROGRAMS GEFFENPLAYHOUSE.ORG/DONATENOW

IN LOVING MEMORY OF GEFFEN PLAYHOUSE BOARD MEMBERS GINNY MANCINI & MARTHA DE LAURENTIIS

GINNY MANCINI "Ginny was an incredible advocate for the Geffen and championed arts education throughout the community. She joined the Board in 1996, shortly after the Geffen was founded, and transitioned to a Trustee in 2017. In 2004, she generously supported the redesign of the lobby restrooms during Geffen's Capital Campaign. She was passionate about theater and never missed a show at the Geffen. For those that knew her, she was a beautiful soul who genuinely cared for those around her. We cherish the time we had with her and are very sad to lose such a beloved and treasured member of our Geffen Playhouse family."

— Gil Cates, Jr., Executive Director

MARTHA DE LAURENTIIS "Martha joined the Geffen Board in February of 2020. With her incredible passion for the arts and uplifting support of the Geffen and our mission, she became an important part of the Geffen family. Her work as a producer for over four decades was expansive, to say the least, spanning across over 40 different film and TV productions, though it was her unyielding kindness and grace that was a force all its own. Martha’s legacy as a loving mother, devoted friend, outstanding producer, and champion of the arts will never be forgotten."

—Adi Greenberg, Board Chair

ANNUAL DONORS Geffen Playhouse recognizes the following individuals and organizations for their generous support of our Annual Fund and Backstage at the Geffen. Donors are listed at the Associate level and higher for gifts made between September 1, 2019, and December 21, 2021.

In appreciation, donors enjoy a host of special benefits including house seats, complimentary drinks, receptions, and much more.

For more information, please call Christine Drew Benjamin at 310.208.6500 ext. 195.

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Anonymous (2)

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$100,000+

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Susan & Mark Fleischer Susan Nahley Fleishman Four Seasons Resort Maui at Wailea Fox Entertainment Gang, Tyre, Ramer, Brown & Passman, Inc. Ann & Jim Gianopulos Michael Golamco Goldman Sachs Marcy & Edgar Gross Bryan Hawkins In Memory of Morris A. Hazan ICM Partners Liberty Ross & Jimmy Iovine Peggy Jones & Parise Livanos Glorya Kaufman Julie & David Kavner Kathleen Kennedy & Frank Marshall Willette & Manny Klausner LA Unified School District Lyn & Norman Lear Carla Malden & Norman Beil In Memory of Ginny Mancini Wendy & Barry Meyer Ron Meyer Anonymous Stephen Muller & Donna Baldwin Conan & Liza O’Brien Mo Ostin Soundis & Danny Passman Judith Reichman, MD Pamela Robinson Hollander & Robert Hollander Fredric D. Rosen & Nadine SchiffRosen Family Foundation The Rosenthal Family Foundation Thomas L. Safran Salesforce Hon. Nicole A. Avant & Ted Sarandos Carol ‘Jackie’ & Charles Schwartz The Schwartzberg Family Jessica & Jerry Seinfeld Richard & Barbara Sherman Marcia & Robert Shuwarger The Simms/Mann Family Foundation Sony Pictures Entertainment Wendy Stark Steve Tisch Daniel Tongbai & Henry Clancy U.S. Bank Foundation Joanne & Ken Weinman Aurora & Marc Weinstock Tetiana Wey Stretto David Zuckerman G E F F E N P L AY H O U S E 1 9

ANNUAL DONORS DIRECTOR

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SPONSOR

$3,000 – $4,999 Anonymous Janis Adams & John Lyons Alligator Pear Catering Aversa Foundation Robert E. & Maria H. Barron David Bartman Beam Suntory Madelyn Bennett & Eric Gibson Paula & Bruce Bennett Shelly & Libby Bergen Laurie Bernhard Susan Bloch-Kay & Stephen Kay Susan J. Booth & Christopher Wadden Thomas & Nancy Boxwell VJ Boyd Helen Breitwieser & James Jacks The Eli and Edythe Broad Foundation Linda & Jerry Bruckheimer Carillon Miami Wellness Resort Adam & Lin Cheyer Ellyce R. Cooper & Barry Cohen / Sidley Austin LLP Scott, Susan & Joshua Corwin Chris Daily Lawrence N. Field Lisa Firestone & Caspar Von Winterfeldt Larry Gagosian Sue & Steve Glusker Karney Guren Family Foundation Madeline Gussman John & Ann Daly Gustafson Michael Hayden Gallery Stephen Sass & Steven Hochstadt Vicki Iovine & David Coiro Lenny & David Kelton Mindy Kirshner Freedman Marla & Daniel Klein Thea & Neal Koss Nancy Koven David & Tam Lachoff Joyce Lederer & Family Renee & Meyer Luskin Vicki Magasinn & Robert Somer Jane & Rand Marlis Jill Mazursky Sheila & Joel Mendelsohn Robin Mitchel & Kathleen Marshall Morgan Stanley Bruce Nowel Michael R. Oppenheim The Perry Family Kimberly Steward & Josh Godfrey / Steward Family Foundation Jennifer von Schneidau Mike Weinstock Leslie White & Al Limon Susan & Dan White

PARTNER

$1,500 – $2,999 Anonymous Miriam Aguiar Olga S. Alderson Dr. & Mrs. Bruce Allen

ANNUAL DONORS AnonyMoose Foundation Dr. Peter H. & Nancy V. Antoniou Amy Arenson Daniel & Diana Attias Basch Family Foundation Shelley & Rick Bayer Yvette Bergeron & Dean Bailey Joe Blackstone & Jamie Mohn Mara & Jonathan Blum Blumhouse Dr. Wallace P. Brithinee James L. Brooks Jay Butterfield & Susan Ewert Kristen & Jake Carlson Lexy & John Carroll Kasey Carrothers Candy Carstensen Steven Cerasale & Mary Katherine Cocharo Jo Champa Darcy & Dean Christal Cindy Clark Linda & John Coleman Lori & Jerry Collins Phil Davis Noah Dinkin Rich & Christina Doren Anne Dougherty Jacki & Murray Drechsler Ed & Barbara Dreyfus Victoria Dummer Edward Avedis Fine Jewelry David Edwards Eric Eisner Trust David & Joyce Evans Michael Faber Barbara Fairchild Patti Felker Anita Dann Friedman & Harvey Friedman G2 Graphic Service, Inc. Charlotte Gold Linda & Louis Goldsman Kelly Gonda Manuela & James Goren Barry Gribble Jack Grossbart & Marc Schwartz Penny Grosz & Eugene Korney The Guerin Foundation Deidre Hall Lynda & Neal Hersh Jean Himmelstein Rand Hoffman & Charlotte Robinson Gail & Stanley Hollander Linda Janger Deborah & Ivan Kallick Meg & Lawrence Kasdan Trisha Kelley Corrinne Mann Kempinsky & Louis Kempinsky

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EDUCATION ADVOCATE $1,000 – $1,499

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ANNUAL DONORS Rabbi Steven & Didi Carr Reuben Dr. Robert Rigg Leslie & Doug Robinson Dolores Rogers Allison & Bennett Rosenthal Peymaneh Rothstein & Emad Asfoury Philip & Janet Rotner Lori & David Rousso David A. & Karen Richards Sachs Allen Sackler Nancy & Ted Sanborn Gerald Sauer Schneider Charitable Fund Jane & Bill Schopf Susan Schwarz & Stuart Berton Peggy & Robert Shapiro John Shaw Sherry Lansing Foundation Robin & Robert L. Sills Ron Silverman & Soraya Ross Randi & Rand Singer Amy Jo & Jeff Smith Ronald Smith Aaron & Ross Smith-Knight Jerome & Joan Snyder John Sonego & Thomas Faughnan Tom & Melanie Staggs Melora Sundt & Rob Kadota Anna M. Swanson & Mark Eyles Theodore H. Sweetser Rose Tarlow The Tatasciore Family Anne C. Taubman & David Boyle James Taylor & Stephanie Garcia John M. Teeples & Nicolas Martinez, Jr. Marjorie Thomson Tito + Craig John Turmes Leon & Stephanie Vahn Daniel & Shauna Valenzuela Marcia & Charles Wasserman Ph.D Jennifer Weiser In Honor of Sid & Sheila Weiss John & Connie Weston In Loving Memory of Gareth Wigan Mark Williams Judith & Philip Winik Karen & Gary Winnick Cherie Wrigley Richard Yaffe Dr. Stephen & Dr. Anna Yallourakis Linda Yellin David Young Alissa & Jordan Zachary Shoshana & Parham Zar Bobbi & Walter Zifkin 2 2 P L AY B I L L

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Ralph Page Carol Parry & John Fox Naidu & Jane Permaul Tami Pflug The Poker People Astrid & Howard Preston Ron Rafay Catherine Raneri Rollin Ransom & Chris Lacroix Fred & Denise Reimer Carol Risher Ronda & Fred Rose Peter Rose Barry Rosen & Neil Bokal David & Susan Rosenblum Edward Rubinstein Arlene & Peter Sacks Susan & Kenneth Sarno Lorin Schiff Joel & Sonia Schneider Nancy & Steven Schneider Sonia Schneider Susan & Peter Schwab In Memory of Sylvester Scott & Barbara Hill John H. Scott Dr. & Mrs. P.K. Shah Melanie Sharp & Kevin Miller Mary Sheibani In Memory of Michael Sherman Rita & Jose Sigal Manish Singh Karen & Bill Skinner Bradley Small Diane Good & Frank Smith Chris Sorgi South Pasadena Arts and Music Academy Jan Spiegel Jill & Scott Spiwak Sarah Stegemoeller Sandra Stewart In Memory of Lawrence Strange Dr. Margaret Stuber Robert & Kristie Svaleson Mr. & Mrs. David Tann Audri & Stan Tendler Andrea & David Tenenbaum Tina Tepper David & Cathy Thomas Brigitta Troy Richard Vance Ira & Laurie Waldman Bradley & Natalie Wallace Deborah Walsh Carl Weathers Barry Weissler Blake West Elizabeth Wheat JoBeth Williams Delores Komar & Susan Wolford Jack S. Yeh Marc Zachary

ANNUAL DONORS ASSOCIATE $250 – $499

Anonymous (7) Terry & Richard Abrams Barbara Adams Loren Adams Shannon Ahl Bette & Wylie Aitken Geraldine & Harold Alden Charles & Annick Allen Debra Alpert Eden Alpert Laura & Harvey Alpert Charitable Foundation Robert C. Anderson Peter Anderson Jon Anderson Eloise & Mark Appel Joseph D. Argilagos Barbara & Ethan Aronoff Judith Ashmann-Gerst & Robert Gerst Behnaz Ataee Lisa Austin Elizabeth & Marc Axelrod Mike & Kim Baginski Cecilia Ball Cindy & Jeff Ballard Donald Balzano Thomas Barad Penny Bard John & Bree Bedford Karen Bell & Robb Cox Marshall Bell Anthony Bellasalma & Susan B. Katz Jeme Benadon Benevity Joanne & Miles Benickes Leslie Berger Karen Berko-Gibson Barbara Berkowitz Marsha C. Berkowitz John Bjorge & Mary McKelvey Marilyn R. Blacker Deborah Blake Marjorie Blatt Bonnie & Cary Blume Ruthven & Hannah Bonaparte Toby Bornstein Jill Boyd & Jarid Sumner Doug & Arlene Braun Howard Brightman The Broderick Family Raegan Brunson Marshall Bull Kimberly & Mark Burstein Laura D. Campbell Karla Campbell Steven & Ellie Campbell Marlene & David Capell Lorena Carlson Richard Cassese Ellen Castleman The Claman/Cates Family

Valarie de la Garza & Michael Centeno Sandra Chan & Richard Pezner Martha J. Chase Diane Chernansky Nancy Chess The Chisolm Family Caroline Choi Lori Christopher Shirley Churgin Jessica & Frederick Lodge Steven Clayman Pam Coats Carl Cohn Jennifer Colantuoni Els Collins Lynn Comer Nessa Cooper Heidi Jo Corey Tonia Corwin Norman & Nancy Cravens Rosella Forte Shawn Cunningham In Loving Memory of Ed Cypert Muriel Dance & Alvin Martin Steven & Linda Darling Susan Dashe Jeffrey & Louise Davis Elizabeth De Oliveira & Moacyr Da Silva Bert Deixler Judith Delafield Hal & Roberta Delevie Gayle & Dan Devin Gina DiBona Kristin Diehl Daryl & Paul F. Doucette Linda Dozier The Milton L. & Betty J. Dranow Family Foundation Kay & Larry Driscoll Jane DuBovy Brian Duffield Tom & Diane Duralde Michael East & Tanisha Gonzalez Richard Eden Ken Egel & Liz Wiegardt Joan & Jerry Elledge Colleen M. Ellis Terri & David Elston Carl & Courtenay Enright Lidia & Mauricio Epelbaum Rena & Peter Falk Stephen Falk Carol Fatuzzo Wilbur Faulk Francesco Federico & Lauren Wilson Diedre Feehan Terry Feuerborn Lisa & William Finkelstein Billy Finnegan Ruth Fisher Elisabeth Fleischman

Geralyn Flood Melissa Ford Christopher & Claire Forsyth Dennis & Jackie Fox Dr. Scott C. Fraser Fran Fredella Amyanne Freeburg Elaine & Larry Friedman Jean & Jerome Friedman Lynn & Barry Friesen Catherine Froloff Laurelle Frome & Brady Frome Mr. Scot McIntosh & Dr. Ruchira Garg Corinne B. Garson Henry Gayden Daniel Giesberg Jarrod Gilbreath Priscila Giraldo Linda & Tom Givvin Lori Glickman Lorain Goldberg Francine Golden & Marvin Schlossman The Goldfarbs Adam Goldman Gretchen Goldsmith Julie Clayton Goldsmith Dina Goldstein AnaAlicia Gonzalez Jay Gordon & Meyera Robbins Roger Gordon Helen Goss Liz Gottainer & David Sadkin Andrea Gozali Howard Gradet Michael A. Green Madelyne & Jerry Green Trudi Green Jana & Randall Greer Kimberly Grieger Edwin & Cecile Gromis Vera & Paul Guerin Annika Guy Eve Haberfield & David N. Johnson Ross & Lindsey Avner Louise Halevy & Kenneth Erlich Mary & Alan Halkett Pamela Halle Jeff Haller Susan Harbert Chris Hardeman Susan & Norm Harper Barbara Harris-Holdrege Lorraine Hartman Brian & Karen Hatch Erica & Madison Hatchett Diane Haun Kam Hekmat Jacqueline Heller & Gabriel Kahana Dr. Felicia D. Henderson Sue Herbers

Carla & Alan A. Herd Michael & Candie Herman Gary & Jane Hewer Jerry Higgins Karen Higgins Penny Hildebrand Jack Hileman & Roxanne Huddleston Cina Hodges Mike & Wanda Hogan Melvin Horowitz Ada & Jim Horwich Tamara Horwich & Gerry Lipshutz Sofie Howard Sharon Ignarro Katherine Immerman Michael Infiesto Jackie & Warren Jackson In Memory of Joseph Jacobs Frederic A. & Nancy Jacobus Marcie & Marc J. Jacoby Mr. & Mrs. Buford James Stephen & Erica Jamieson Jewish Communal Fund Sheila Johnson-Brousseau Philip Angerhofer & Stephen A. Jones Arlene Kageyama Joanne & Larry Kahn Isabel Kallman Jessica Kaltman & Robert Reznik Julia Kantrowitz Victoria Kapitany Mr. & Mrs. Eran & Raquel Karoly Michael Karon Joanna Kasirer Harris Katleman Owen Kato Geoffrey Evans & Bernard Katz Jim Keily Dr. Louanne Kennedy Stuart Kessler Sarah Kilpatrick Cynthia King Phyllis H. Klein Leana Kleinman & Jerald Johnson Patricia Klous Chad Kojorui Charles Kolstad The Kriloff Family Charles Kristenson Barbara Kroll & Ruth Spielman Kimberly Kruse Lynne Lainer Mona Lands John & Sandra Langfitt Donald LaPlante Joan Larkin Jill & Michael Lasky Mindy Lauerlevin & Ed Levin G E F F E N P L AY H O U S E 2 3

ANNUAL DONORS Alyce LaViolette Pamela Lawler Rhonda Lawrence Miriam & Eli Lebental Doreen & Bruce Leddy Mark Leonard Johanna Leovey Jerry & Eve Lerman Learning Encounters / Valerie & Pamela Lev Rick & Vivian Levy Josh Lewensohn & Katia Benthale Lawrin & Linda Lewin Leslie Lian Mae & Hugh Lichtig David Lieberman Joanne Lindsay Hannah Linkenhoker & Carter Cohn Andria Litto Leslie & Adam Lobel The Taylor Family Foundation Karen & Walter Loewenstern Renee Lonner Bryan Lourd Mr. Eric Lund Elizabeth Luster Morgan MacDouglas Paul Madwin Mactarun & Risha Malik Jain Malkin Eric & Eva Plaza Mandel Jeannette & Mervyn Mandelbaum Annette Marmalefsky Phillips & Emily Marshall Gina Martino Laura Maslon Phyllis & Bert Massing Doug & Cindy Maxwell George Mayer Douglas McAvoy, Jr. Kathleen McCarthy John McClure Kelly McDevitt Joel & Sherry McKuin Barbara McLoughlin Kathleen McMullin Sharon McQueen Jay Melnick Cynthia Melville Anupama Menon Eileen & Paul Meshekow Mary Meyer For Everett Mikelich In Memory of Gregory Millar Julie Miller-Phipps Teddie J. Milner Adriana Kahane & Pino Modica Denise V. Moore Suzanne Morrel Howard J. Morris Dr. Brian Morrow Lon Morse & Toni Hollander Morse Linda Muccitelli 24 P L AY B I L L

Cynthia Murphy Anita Nagler Michael & Delight Nasatir Bonnie Nash Stephen Nathan David Neilan Sherri & Arnie Nelson Paulette & Ron Nessim Tom Nevermann Dan Newman Andrew Newman Qui Nguyen & Abby Marcus Helen Nightengale Robert & Anita Nitta Doreen & Donald Nortman Susan Oka Louise Olin Adrienne & Arthur Omansky Dr. Ronald & Iris Onkin Martin Ordman Janie & Allan Orenstein Stefan Otto Sharon Oxborough Ron Ozur & Nancy Lahana Jorge Paganin Steven Papazian Sylvia & Robert Paris Edward Parker Sun Parmeshwaran Kelly & Abhilash Patel Paul & Kathy Pearlson Mr. & Dr. Don Pestana Susan Petelik Dr. David B Peterson Leo & Nina Pircher Vanessa Pizzuto Darcy Pollack Jack & Jane Pollock Cory Popovich Heather M. Porter Susan Poulson Sam Puathasnanon Paul Quaranto Dr. Stephen & Lani Rabin Joann Ralphs Joan Ransohoff Gloria & Michael Rausch Mike Rausch Kay & Bob Rehme Elyse Resch Mike Resnick Janice & Benjamin Reznik Sheena M. Ricchio Linda & Erin Rice Jason Ritter Lindy Robbins Jaime & Linda Rodriguez Julie Rogers Robert Rosania Brad & Nancy Rosenberg Margaret Rosenthal Douglas Ross Brad Ross Laurie Ross Lawrence Ross & Linda Nussbaum Terry Ross Dr. Diane & Michael Glazer Becca Rothschild

Mindy Rutigliano Liz Ryan Terry Ryan Anne Sacks Nancy Sacks Noriko Salamon Susan & Wayne San Filippo Tawny & Jerry Sanders Jennifer Saunders Maxine Savitz Cliff & Linda Schaffer Mary Lou Schanche Carole & Michael Scheinberg Melanie Scher Chris T. Schmidt Jamie Schmidt Marilyn Schmitter Stanley Schneider Renee Schnell Ian Schorvitz Toni & John Schulman Heidi & Mickey Schulman Linda Schwarz Marc Scott Marc Seltzer Morton & Marjorie Hansen Shaevitz Roy Shaked Lisa Shalet Eric Shalov Barbara Vickery & Martin Shapiro Robin Share Tom & Judy Sharp Muriel F. Sherman Alex & Ben Dashwood George Shohet Stuart Siegel Elizabeth Silberlicht Nancy & Bruce Silverman In Honor of Daniel Robaire David B. Simons In Memory of Ross Hunter & Jacque Mapes Sandra & Irwin Sitkoff Marlene Sklar & Joel Moskowitz Leah Sklar Steve Slaughter Ethan & Joanna Smith Jon Snow Susan Solomon Melvin Spears Debra Spector Alice Cortez & Richard Spitzer Donald Spradlin Elina Srulevitch-Chin Andrea & David Stanley M Leslie Stearns Cydney Stewart

Frances & Sy Strasberg Frances Strasberg Arthur Streeter Mr. Kayser Sume & Dr. Renee Sabshin Ann & Paul Sunderland Katherine Sung Neely & Larry Swanson Robin & David Swartz Andrea & Jay Swerdlow Susan Szambelan Katherine Szopa Joanne Takahashi Lance & Maureen Tan Ilisa E. Tanner Christine Tarr Tenenbaums & Schoenfelds David Tepper The Thayer Family Allison Thomas Natalie & Matthew Thompson Rebecca Thyret Judy & Art Tompkins William Toth Joyce & Josh Trabulus Barbara Tuchi Karen Van Kirk Maureen Vana Robin Venturelli Julia Wackenheim Ann Wallace William Wallace Fern Wallach Chris Walther Louise Wannier Barry Ward Jill Waterman Gerald Watkins Julie Waxman Kelly Weber Williams Donna Weiss Marsha & Steven Weiss Teresa & Bill White Mr. & Mrs. Mark Whitman Aaron Widera Mike Williams Rae Jeane Williams WME Albert Wolsky Karen Woo Jennifer & Randy Wooster Lisa Yen & Tom Bajoras Arnold & Tricia Zane Diane Zapach David & Christine ZeBrack Steven Ziel Dr. & Mrs. Darin Detwiler Laura Zucker & Allan Miller Sandy Zwirn

HAVE WE MADE AN ERROR?

To report a misspelling or omission in these listings, please contact the Development department at 310.208.6500 ext. 195

Matt Shakman

Gil Cates, Jr.

ARTISTIC DIRECTOR

EXECUTIVE DIRECTOR

ARTISTIC

Amy Levinson Associate Artistic Director Daniel Ionazzi Producer Ross Jackson Artistic Producer Phyllis Schuringa Artistic Associate / Casting Director Rachel Wiegardt-Egel Director of New Play Development Abby Weston-Mark Company Manager Carly Plasha Assistant to the Artistic Director

PRODUCTION

Isaac Katzanek Production Manager Jill Barnes Production Office Manager Evan Friedman Technical Director Patty Squibb Assistant Technical Director Alexandre Norkus Gil Cates Theater Stage Supervisor Tyler Brogla Audrey Skirball Kenis Theater Stage Supervisor Rick Gilles Properties Master Karin Rabe Associate Properties Master Audrey Lastar Costume Supervisor Sarah Lindsley Wardrobe Supervisor Andrew Vance Lighting & Projection Supervisor Julie Cowger Assistant Lighting Supervisor James Grabowski House Sound Supervisor Jake Delgado Associate House Sound Supervisor

ADMINISTRATION

Behnaz Ataee Chief Financial Officer Berenice Campos Director of Human Resources Peter Banachowski Accounting Manager Nova George Staff Accountant & Payroll Manager Youra Kim Junior Accountant Clay Dzygun Office Coordinator Marguerite Harris Receptionist

DEVELOPMENT

Danielle Bearden-Mead Interim Director of Development Mark San Filippo Director of Donor Stewardship Christine Drew Benjamin Assistant Director of Institutional Giving Jessica Brusilow Rollins Grant Writing Consultant Allie Reasol Development Assistant

EDUCATION

Brian Allman Interim Director of Education & Community Engagement Rudy King Manager of Community Engagement Paloma Nozicka Education Associate Sean Michael Boozer, DeJuan Christopher Conner, Lyssa Deehan, Ramy El-Etreby, Elisa Noemí, Tara Ricasa, Maddy Wagner Teaching Artists

MARKETING & COMMUNICATIONS

Patrick Brown Director of Marketing Zenon Dmytryk Director of Communications Karen Gutierrez Director of Advertising & Audience Development Brian Dunning Director of Content & Creative Zack Hamra Associate Director of Audience Services & Ticketing Kevin O’Brien Marketing Manager Georgia Arnold Social Media & Communications Manager Janice Bernal Box Office Manager Alyssa Tyson Box Office Manager Lexy McAvinchey Assistant Box Office Manager & House Seat Manager Vaneh Assadourian, Brianna Barrett, Jacob Feller, Sean James, Alan Kistler, Lauren Machain, Sara Turken, Yua Watanabe, Dennis Woullard Box Office Staff

FRONT OF HOUSE Jeni Pearsons Director of Operations

Mel Yonzon Front of House Manager Amy Farkas Lead Concierge Rob Mersola Event Manager Adam Carr Hospitality Captain Bella Luna, Anya Pryjmak, Emir Yonzon Part Time House Managers Sam Baker, Ron Burch, Sigourney Chin, Sarah Chute, Savanna Chute, Ki Duncan, Elizabeth Fritsch, Tony Jose Garcia, Angelo Herrera, Joe Maldonado, Simon Martin, Taylor McClain, Bradley Pierce, Adam Simers, Kari Solum, Taneal Williams Guest Services Brynn Allen, Anya Banerjee, Hannah Battersby, Blaire Battle, Lauren Curet, Cecily Dowd, Sydney Fleischman, Charlene Herrella, Aja Hinds, Keo Lacebol, Alia Maboob, Clayton McInerney, Austin Merrill, Ana Nguyen, Elena Scaring-Peene, Areaney Tolentino, Titus VanHook, Steven Vargas, Ben Wendel, Paulyne Youri Ushers

INFORMATION TECHNOLOGY Karim Bouzzit IT Manager

Dream Warrior Group System Administrator

FACILITIES MANAGEMENT

Art Guillen Facilities Manager Martin Ayala, Felipe Ayala Building Maintenance Mario Santillan-Perez Custodial Juan Carlos Umaña, Camerina Martinez Cleaning Custodial

Geffen Playhouse is supported, in part, by the Los Angeles County Board of Supervisors through the Los Angeles County Arts Commission.

This project was also funded in part by the Department of Cultural Affairs, City of Los Angeles.

Geffen Playhouse, a not-for-profit theater company, is proudly affiliated with the University of California at Los Angeles.

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