GDUSA - GRAPHIC DESIGN USA - APRIL 2025

GD USA

GD USA GRAPHIC DESIGN USA

APRI L 2025

AMER IC A N PACKA GE D E S IGN AWA RDS SPONSORED BY

F E DRIG O N I S P E C IA L PAP E R S AND MOHAWK APRIL 2025

2025 TOP DESIGN SCHOOLS DESIGN ARMY’S AI PARADISE CARLYLE TOOLS CHAMPIONS TECHS www.gdusa.com

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CONTENTS | APRIL 2025

10 FRESH NAPA’s Carlyle Tools rebrands to elevate those who choose the trades; Design Army conceives of a fantastical paradise where Morphe’s Forbidden Collection is the forbidden fruit; MTA Creative Services reveals the first fully redesigned NYC subway map in a half century with some visual cues from the 1970s; Hearst newspapers and PMG introduce a marketing campaign that focuses on the power of local journalism with Houston and San Francisco as the initial targets; Jones Knowles Ritchie sparks a subtle Walmart rebrand which they say reflects the company’s evolution as a people friendly and tech-led omnichannel retailer; and more.

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TOP DESIGN SCHOOLS 2025 This winter we featured our annual Students-to-Watch selections in print and online; its already been viewed tens of thousands of times on our gdusa.com website. This time around we offer GDUSA’s favorite graphic design schools and programs that excel in teaching the hard and soft skills necessary for success, in nurturing talent and expanding minds, and in preparing the next generation of creatives for a dream career in the real world. Included are traditional centers of excellence dedicated to art and design, as well as a carefully curated selection of wonderful public and private university departments, and select online-first programs that serve undergrad, graduate and continuing education students. You can, of course, also access the list on our website as well.

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PACKAGE DESIGN AWARDS Our 62nd anniversary package design showcase is among our largest ever. Approximately 250 winning projects from talented design firms, agencies, inhouse departments and institutions, selected from nearly ten times the entries. Why is package design so vital and vibrant? Makers, marketers and sellers are challenged as never before to convey the message, tell the story, advance the brand, provide the experience,

GDUSA - Graphic Design USA Volume 62 / No. 2 March/April 2025 Kaye Publishing Corporation (ISSN0274-7499/USPS227020). Published 6 times a year with combined issues in January/February, March/April, May/June, July/August, September/October, November/December.

Executive, editorial and advertising offices at 594 Dean Street, Office 22, Brooklyn NY 11238. Phone: 212.696.4380. Website: www.gdusa.com.

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POSTMASTER: Send address changes to GDUSA - Graphic Design USA, PO Box 3072, Langhorne PA 19047. Permit #224.

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make the sale — and packaging done right is perfectly suited for all of the above. Our competition celebrates beauty and style, of course, but most importantly, the power of design to forge an emotional link with the buyer at the moment of truth. Sponsors Mohawk and Fedrigoni Special Papers make papers for creative communications and luxury packaging.

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LETTER FROM THE EDITORS | 62ND PACKAGE DESIGN SHOWCASE DEFIES GRAVITY

Whatever your politics or economics, it is fair to say that the first quarter of 2025 has been uncertain and unsettling. Just the kind of sentiment that invites caution.

That is why the remarkably strong participation in our 62nd anniversary package design awards competition — in terms of quantity and quality — is notable. As you will see, our showcase features 250 winning pieces — selected from many times that number — celebrating the importance of packaging to advance the brand, tell the story, amplify the experience, make an emotional connection with consumers at the GORDON KAYE AND SASHA KAYE-WALSH ARE EDITORS AT GDUSA Comments, suggestions and letters can be sent to editorial@gdusa.com.

moment of truth.

Why a response that seems to defy gravity?

Effective package design has always added value. But this is its moment to shine: vital as an antidote to the ephemeral world in which we live and brand and market, crucial as a difference maker at the point of decision and affirmation; and responsive to fast-changing demographics, lifestyles and purchasing patterns.

Start with the energy and ferment around package design — add the unique business opportunity it presents — mix in the courage, resilience, proactivity and pride of our community — and you have the recipe for an annual showcase that is an exceptional. - SKW THE WEBSITE IS DONE!?!

On April 1, we launched our redesigned website. After experiencing the process, a popular meme comes to mind: “The website is done. False.

The website is never done.”

As many of you know up close and personal, designing a website is complicated, with lots of moving pieces, conflicting demands, unintended consequences, and budgetary surprises.

As we continue to work through our own ‘punchlist’, I have greater respect than ever for designers and developers. And a deeper understanding of the Buddhist teaching that all is impermanence and finality is just an illusion, something I learned from The White Lotus, Season 3.

We undertook this project for all the right and necessary reasons: to

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School of Brand Communications

LETTER FROM THE EDITORS CONTINUED

freshen the look, enhance functionality, improve user engagement, better align with branding, improve the mobile interface, boost traffic and, yes, contribute to revenue growth. GDUSA began as a print news magazine in 1963; news and information remains our primary mission, and — though we continue to treaure our print edition and shape a role for it — a digital age requires that a state of the art delivery of time sensitve content.

One surprise I did not see coming: the new site has galvanized our team, created a new sense of personal and professional connection, and sparked a flood of new ideas about how to better serve the creative community.

We believe the redesign is an upgrade in form and function — bright, lively, intuitive, welcoming, engaging, and participatory. Early traffic data suggest the web folks nailed it. In the end, that is for you all to determine and, if you have the time or inclination, we would love to hear from you at editorial@gdusa.com - GDK HIGHEST HONORS In 2025, we continue the tradition of compiling our favorite art and design schools and programs. Always an important pillar of the creative professions, these institutions play a critical role at this moment when students are challenged to master the trifecta — design fundamentals and disruptive technologies and soft skills — in order to survive and thrive.

Our list includes many of the traditional elite schools dedicated to design; a number of notable public and private universities; and innovative online or hybrid programs for graduate, undergraduate or continuing education. The selection is informed but ultimately subjective, influenced in part by our own long relationships with creative leaders, educators, administrators, hiring managers and recruiters.

The list is alphabetical. The reach is national. The theme is personal growth and renewal of the profession.

- GDK/SKW SIGN OF THE TIMES In 2023, we were honored to have Cesar Rivera as a GDUSA Person To Watch. A US Army veteran, he earned a BA and MA from Texas State University, has won more than 50 awards from leading organizations and publications in advertising and design, is now AIGA National Board Chair and President, and joined the Centers for Disease Control and Prevention (CDC) in July 2020 to lead the Visual Design Branch. Cesar writes: “It is with a heavy heart to announce the FTE team I was leading and I have been released from government service at the CDC. I have been with the agency for just under 5 years and the division I worked in was a wonderful team of dedicated professionals, also all released, who worked tirelessly through everyday project requests and emergency responses such as measles, COVID, mpox, and Ebola to name a few.

Thank you to all those at the agency that collaborated with the team and me to improve the visual health communications that helped to protect that lives of people in the US and across the globe. It truly was a wonderful experience

and I hope we get to see each other in the future.

Let me know if I can connect you with any of the talented design or illustration team members.” - SKW GDUSA 6

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NE TA W PR LE EV N T IE W SCHOOL OF DESIGN

admissu@syr.edu 315.443.2769 vpa.syr.edu/cmd2023 @su_commdesign

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THANKS TO THE SPONSORS MOHAWK. Mohawk, part of the Fedrigoni Group, is sponsor of our 2025 American Package Design Awards™. Founded in 1931 in Upstate New York, Mohawk has produced some of North America’s best-known fine papers for designers, brands, and printers for over 90 years. Mohawk makes paper that is as enduring and unique as it was well-crafted and beautiful. The company has demonstrated a decades-long history of innovation and resilience in the fields of digital printing, sustainability, and more recently, packaging. This includes Mohawk’s folding board papers which provide a superior print surface of inks, foils, embossing, and other embellishments. And recently released is the “Mohawk Packaging” promotion, a curated unboxing experience that showcases luxury packaging papers from Mohawk Superfine, Loop, Renewal, and Mosaic. Contact: https://www.mohawkconnects.com/ FEDRIGONI. Founded in 1888 in Verona, Italy, The Fedrigoni Group is today synonymous with excellence in the world of labels and self-adhesive materials, specialty papers for luxury packaging and creative communication, and RFID. With nearly 6,000 people in 28 countries and 78 facilities, sites and centers, the Group sells and USA distributes over 25,000 products in 132 countries. Fedrigoni Special Papers makes embossed, high-resistance papers with elegant textures and colors for luxury solutions.

Contact: https://specialpapers.fedrigoni.com

ABOUT THE COVER Shown here: Mattel’s Monster High™ Deadfast

GD USA

Ghoulia™ Doll. Mattel is the most awarded pack-

GD USA GRAPHIC DESIGN USA

age design group in this year’s competition with products, BARBIE, HOT WHEELS and UNO. The entire 62nd anniversary winners showcase starts

SPONSORED BY

at page 34.

APRIL 2025

2025 TOP DESIGN SCHOOLS DESIGN ARMY’S AI PARADISE CARLYLE TOOLS CHAMPIONS TECHS www.gdusa.com

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COVER PAPER CREDIT: The cover of this edition of GDUSA is printed on FSC-certified Kallima

Coated Cover C2S, part of the Kallima Paper family of coated cover paperboard. Kallima products are proudly manufactured by Rayonier Advanced Materials, a global leader in sustainable forest management practices. Their light-weight, fully bleached coated board products are used in commercial printing, publishing, prestige packaging, high-impact graphic corrugated containers, pointof-purchase displays and litho-laminated packaging. Kallima has a distinct low-density high-bulk construction resulting in less trees used and signficant cost savings to the customer.

Contact: kallimapaper.com and 1.800.411.7011

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GRAPHIC DESIGN USA

Gordon Kaye PUBLISHER Ilana Greenberg CREATIVE DIRECTOR Sasha Kaye-Walsh EDITOR/WEBSITE & SOCIAL MEDIA Gordon Kaye EDITOR/PRINT Charlotte Kaye GRAPHIC DESIGN Kyle Redfield CHIEF TECHNOLOGY OFFICER Althea Edwards READER SERVICES

APRIL 2025

AMERICAN PACKAGE DESIGN AWARDS FEDRIGONI SPECIAL PAPERS AND MOHAWK

winners on behalf of, among other brands and

GD USA

Angelo Abbondante ACCOUNTS MANAGER Jennifer Hoff Scott Sczcypiorski INTERNET SERVICES Maliya Malik Christina Ukolov DESIGN/SOCIAL MEDIA ASSOCIATES Jay Lewis Jeff Rosenberg Virtual360 PHOTOGRAPHY Ron Andriani AD SALES + INTEGRATED MARKETING 201.669.9884 randriani@gdusa.com Milton L. Kaye 1921-2016 FOUNDER

COPYRIGHT 2025 KAYE PUBLISHING CORPORATION

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FRESH | DESIGN ARMY’S SERPENT-FORWARD CAMPAIGN Design Army has conceived a serpent-forward campaign for Morphe‘s Forbidden cosmetics collection that presents as an AI and reality-based mashup. “The campaign is designed for the younger generation - so we intentionally used AI to capture their imagination,” says Pum Lefebure, chief creative officer and co-founder of the agency. “We imagined this whole new world that’s quasi-futuristic, lush, and paradisical. Yet, we wanted it to be believable so we combined it with real elements. The result is a cool, unique mixed-reality with bold visuals. It’s definitely not the usual beauty campaign.” A reimagined Garden of Eden tempts “makeup-loving baddies” with an array of sumptuous makeup and vibrant fruits where makeup itself is the forbidden fruit. The campaign seeks to capture the essence of seductive beauty. A baddie Eve and a dramatic Serpentine companion explore an array of makeup; both exude a captivating attraction; and as Eve is being seduced, they unveil the allure of the Forbidden Collection. Explains Lefebure: “We started with a photoshoot featuring real props, models, and Morphe’s products. Every crazy detail was considered in art direction, including actual fruit and custom-created ‘Forbidden’ typography spiked with thorns. Then AI was used to enhance, with global inspo fueling the creation … Layered painterly-style, the lush, vivid mixed-reality nails the makeup’s delish, ethereal palette and vibe.” To give the packaging a pop, the product’s colors are playfully integrated into the seductive design. And a virtual-reality bent makes the concept drip with sparkle and juice. Tempting names are meant to add a witty twist: “Forbidden Honey,” “Pulp Fantasy,” “Love Bite,” and “Lust Potion.”

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FRESH | Carlyle Tools Rebrands For Those Who Choose The Trades

Carlyle Tools, a NAPA-owned brand, is going full-throttle with an extensive brand relaunch and new campaign by creative agency The Variable. Entitled “Built Different,” the branding not only changes the look and feel but the entire strategic foundation as the skilled trades face a generational shift. With baby boomers retiring and Gen Z questioning the traditional four-year degree path, Carlyle is taking a leadership role in championing the next wave of technicians. The Variable helped develop a positioning for Carlyle that aligns with these young techs - ambitious, unrelenting, and unapologetically carving their own path. At the core of the campaign is a strategic reframing of Carlyle’s role: not just as a supplier of tools, but as a badge of honor for those who choose the trades. Says Jamie Walton, EVP, Chief Merchandising Officer at NAPA: “We didn’t just update our logo - we overhauled how Carlyle shows up in this space. Our all-new product line was designed with the next generation of technicians in mind, with tools that are built to last and uniquely tailored to modern technicians who need efficiency and durability.” Adds Matt Cook, SVP, Group Creative Director at The Variable: “We didn’t just want to make Carlyle louder - we made it matter. We created a brand that doesn’t just speak to young techs, it speaks like them. Built Different isn’t a tagline; it’s a challenge to every old-school convention in the industry.” The rebrand is anchored by a “fierce” new visual identity, including the Sabertooth logo - a kinetic character mark symbolizing razor-sharp precision and untamed power. Other notable visual elements: aggressive typography, grit-forward color palettes like Venom Green and Gritty Gray, and new packaging, POS and merch.

Finally, The Variable partnered with the Carlyle team to design The Outlaw, a traveling showroom-on-wheels. The Outlaw seeks to deliver an immersive brand experience, allowing customers to touch, feel, and try out the tools surrounded by the messaging. The “Built Different” campaign is rolling out nationwide this Spring across digital, social, video, retail, and in-person activations.

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FRESH | PMG BREAKS STORY OF HEARST DIGITAL EXPANSION Hearst Newspapers has launched a multi-market ad campaign that promotes the power of its journalism, beginning with two of Hearst’s leading news brands — the San Francisco Chronicle and Houston Chronicle. Created in partnership with PMG, recently named Hearst’s creative and media agency of record, the campaign, “There’s More with the Chronicle,” highlights the local coverage and digital innovations that can connect readers to their communities and to the world. To that end, PMG’s creative team transformed each publication’s video and photography into a collection of imagery to bring the campaign to life. Beyond the textures and settings of each city, they seek to highlight the Chronicles’ modern storytelling capabilities such as live trackers and interactive maps that offer a real-time view of each city. PMG says that the campaign is part of a multimillion-dollar, multi-platform investment in brand building across Hearst’s businesses and is a key component of the company’s broader investment in its newspaper business, alongside its recent acquisition of the Austin American-Statesman. The message emphasizes the role of local journalism and digital experiences to provide deeper engagement. Says Andrew Harper, executive creative director, PMG: “We wanted to capture the energy and unique relationship between two world-class cities and the people who call them home...

In San Francisco and Houston, there’s so much to be discovered to get the most out of your city.” Future campaigns will extend to the Times Union of New York’s Capital Region, the San Antonio Express-News, and Hearst’s Connecticut news brands. Each market will tailor the “There’s More with…” message to the coverage areas that matter most to its readers. The campaign is supported by a strategic media mix combining Hearst-owned assets with paid media that spans billboards, linear tv, streaming services, connected tv, radio, podcasts, and digital ads.

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FRESH | MTA ON BOARD WITH NEW NYC SUBWAY MAP The Metropolitan Transit Authority’s Creative Services Mapping Department has released the first fully redesigned New York City subway map in half a century. Although the map is new in many ways, the creative team drew inspiration from previous editions including using a similar geometric and diagrammatic aesthetic introduced to the NYC Subway with the iconic 1972 Massimo Vignelli diagram and revived by Waterhouse Cifuentes; and preserving the official brand colors established by the 1979 and 1998 Hertz maps. Like many major subway systems, the MTA team leaned into a diagrammatic style, employing bold, straight lines easier for the eye to follow and more suitable for digital users. The white background, bold colors, horizontal writing and use of black dots are said to make the map more ADA-friendly and easier for people with low-vision or cognitive disabilities to read. The designers also focused on text legibility, keeping text on one line wherever possible and making better use of open space to alleviate crowding while using a black subway bullet with a white character for maximum contrast. The legend is also more detailed and includes accessibility, transfer and safety information, plus a QR code that leads users to the MTA website.

The new subway map for weekdays, late nights, and weekends is already displayed on station digital screens and soon will be onboard select cars. Replacing physical maps in the remaining subway cars will be done in phases over the coming weeks. The historic Vignelli map was iconic to design connoisseurs - voted one of the greatest projects of the 20th century by GDUSA readers back in 2013 - but was also harshly criticized for not being true to the actual geography and street grid above ground.

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FRESH | JKR SPARKS WALMART BRAND REFRESH

Walmart has adopted its first brand refresh in decades which the company says reflects an “evolution as a people-led, tech-powered omnichannel retailer.” The refresh has been primarily executed by Jones Knowles Ritchie (JKR) while Landor has worked on in-store design. Among the key features: The wordmark is inspired by Sam Walton’s classic trucker hat and brought to life with a modern, custom font; a spark symbol that is intended to exude the energy of Walmart and remain a beacon that guides customers through all facets of the Walmart experience; a tweaked color palette — True Blue and Spark Yellow — that leans on the retailer’s most recognizable tones and its heritage of blue, while ushering in new updates; and a relatable and approachable tone meant to be representative of customers who shop with Walmart, whether conveyed through brand voice, illustrations or photography. JKR officials state that “the refreshed brand identity supports everything Walmart offers - from affordable prices to digital and health services. It emphasizes the role Walmart plays to an ever-evolving customer and their changing wants and needs, while honoring Walmart’s heritage and spirit of innovation. From the famous Spark symbol, now updated to be as dynamic as the people Walmart serves, to a wordmark drawn from Sam Walton’s iconic trucker hat, it all supports a distinctive, digital-first experience, that’s authentically Walmart. The new look generated a degree of social media scorn — some would say ‘hate’ — focusing on the similarity of the new look to the old one with changes imperceptible to all but the cogniscenti. The pushback: brand refreshes often involve subtle refinements and adjustments, like these, that taken together add up to a fresh look and feel.

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| 2025 |

HIGHEST HONORS TOP GRAPHIC DESIGN SCHOOLS

It’s that time again—our annual roundup of the top graphic design schools and programs for 2025, each excelling in both the hard and soft skills necessary for success in the ever-evolving world of design. These institutions don’t just teach design; they nurture talent, expand minds, and prepare the next generation of creatives for impactful careers in the real world. Our list is diverse, featuring long-established art and design schools, renowned university departments, and innovative online or hybrid programs catering to undergraduate, graduate, and continuing education students. This selection is shaped by both objective factors and insights gathered from our strong relationships with designers, educators, hiring managers, and recruiters.

Presented in alphabetical order, this year’s list reaches across the nation, united by a shared theme: growth— personal, professional, and societal.

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HIGHEST HONORS | 2025 TOP DESIGN SCHOOLS ACADEMY OF ART UNIVERSITY

ArtCenter College of Design educates designers to excel in craft and

SCHOOL OF GRAPHIC DESIGN

develop a unique vision. We believe design is critical to business,

SAN FRANCISCO CA

our communities, and society. We research, strategize, develop

Academy of Art University’s School of Graphic Design is an immersive, dynamic environment that will help you maximize your unique

concepts, prototype, and execute to create sublime solutions that move the viewer.

creative potential. We teach traditional, foundational skills infused

In our Undergraduate Graphic Design Program, we foster the high-

with cutting-edge technology and the spirit of constant innovation.

est standards of creativity and critical thinking, visual and cultural

Along the way, you’ll gain a deep understanding of the transforma-

literacy, craftsmanship, professionalism and collaboration, leader-

tive power of design, build an exceptional portfolio, and position

ship and ethical purpose, and a readiness to be lifelong learners.

yourself for incredible opportunities at top-tier companies, agencies,

We offer five areas of emphasis that can be combined together,

and design studios.

allowing students develop unique skillsets: Motion, Visual Interac-

Our curriculum mirrors the real world; we explore communication design, branding, typography, and much more. Our instructors are

tion Design, Print, Package Design, and Transmedia (design systems explored through traditional and emerging media).

industry professionals who know the value of practical experience

Our Graduate Graphic Design program focuses on skill, leadership,

and the importance of having a professional-quality portfolio coming

and strategic thinking across all media with a goal of practical pro-

out of school.

fessional improvement and creative vision.

As a student in graphic design, you’ll also be part of the School of

In 2022, we launched our MDes in Brand Design and Strategy

Brand Communications, which includes the Schools of Advertising,

online program, focusing on brand strategy and innovation, in which

Interaction & UI/UX, and Communications & Media Technologies.

students explore the broader constructs of successful brand strate-

You’ll have access to a wide range of classes and exciting intra-

gy, building, and management. This program fosters the designer’s

school collaborations.

ability to be a chief decision-maker, with the skills and tools to lead

We believe that AI will be a driving force in the future of design, a vision reflected in our 17 AI-infused design classes. You’ll learn to use tools like Midjourney, ChatGPT, and Adobe Firefly for rapid prototyping and concepting. We even offer the world’s first MA degree in AI Design.

Whether you’re pursuing a full degree, brushing up on existing skills, or just exploring design one class at a time, you’ll benefit from our extensive business network and alumni connections that can lead to internships and jobs. Join us at the Academy and design your future.

ARIZONA STATE UNIVERSITY THE DESIGN SCHOOL TEMPE AZ design.asu.edu ARTCENTER COLLEGE OF DESIGN PASADENA CA

teams and create change. artcenter.edu AUBURN UNIVERSITY SCHOOL OF INDUSTRIAL + GRAPHIC DESIGN AUBURN AL The Graphic Design Program at Auburn University prepares students to practice visual communication in a competitive global environment. Auburn’s nationally regarded BFA is NASAD accredited and concentrates on interactive media and mobile app design, user experience design, strategic branding, typography, publication design, packaging, illustration, image-making, and fine arts. Students receive hands-on design instruction in a professional studio environment accented by a strong sense of community among students and faculty. Courses emphasize a systemic approach to design through cross-disciplinary collaborations, cultivating students to become versatile designers and art directors. The program hosts exhibitions, design symposiums, and guest lectures by industry leaders while supporting an internship program that facilitates experiences in professional practice and opportunities for networking. Students build a strong portfolio of work across their overall experience in design and education. cadc.auburn.edu/design/programs/graphic-design BALL STATE UNIVERSITY SCHOOL OF ART MUNCIE IN Founded in 1918, Ball State University is a research-intensive, residential institution located in Muncie, Indiana, serving approximately 22,000 undergraduate and graduate students. The School

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HIGHEST HONORS | 2025 TOP DESIGN SCHOOLS of Art at Ball State offers state-of-the-art facilities that rival the

BELMONT UNIVERSITY

best in the nation. Our faculty and staff are highly accomplished

WATKINS COLLEGE OF ART

artists, creators, scholars, and designers with active national and

NASHVILLE TN

international profiles. With an enrollment of over 600 students, our NASAD-accredited programs (BA, BS, BFA) provide a diverse range of opportunities in areas such as Graphic Design, Animation, Game Design, Illustration, Painting, Drawing, Printmaking, Sculpture, Photography, Ceramics, Glass, Metals, Intermedia, Graphic Arts Management, Art History, and Art Education.

Located near the heart of thriving Nashville, Tennessee, Belmont University has nearly 9,000 students from every state and 33 countries. The University is nationally recognized for its innovative approach and commitment to undergraduate teaching (U.S. News & World Report). As a Christ-centered, student-focused community, Belmont’s mission is to develop diverse leaders of purpose, character, and wisdom who possess a transformational mindset and are eager and equipped to make the world a better place.

Belmont’s Watkins College of Art at Belmont University offers Bachelor of Fine Arts degrees and post-graduate programs accredited by the National Association of Schools of Art and Design. These programs include Art Studies, Art Education, Art History, Design Communications, Experiential Design, Illustration, Photography, Photographic Studies, and Studio Art. The Design Communications (B.F.A.) program features a portfolio-based graphic design curriculum that equips students with a broad spectrum of skills, focusing on information, communication, and a deep understanding of

The Graphic Design program emphasizes a rigorous interdisciplin-

end-user needs. Graduates of Belmont’s Design program become

ary education that fosters cultural awareness and prepares students

positive contributors to the local, national, and international media

for real-world professional demands. Students develop strong prob-

landscape, competing effectively in any market.

lem-solving abilities, technical expertise, and digital competencies across multiple disciplines. Our program features top-tier facilities equipped with industry-standard computers, software, and equipment, allowing students to excel in both traditional and emerging media. Graphic Design students collaborate closely with faculty and peers to build a strong foundation in design concepts and professional practices. They also have the unique opportunity to join Stu-

Watkins College of Art’s mission is to educate purpose-driven artists and designers with a global perspective and an entrepreneurial mindset, thereby making them valuable contributors to their communities. The college also offers opportunities for studying abroad, internships, and community education programs. https://www.belmont.edu/watkins/

dio 165+, an award-winning student-run design studio, where they work on local, regional, national, and international design projects. bsu.edu/art BAYLOR UNIVERSITY WACO TX Baylor University is a private Christian University and a nationally ranked Research 1 institution. The University provides a vibrant campus community for more than 20,000 students by blending interdisciplinary research with an international reputation for educational excellence and a faculty commitment to teaching and scholarship. The Department of Art and Art History at Baylor offers an emphasis in graphic design within the studio art major. The studio

BOSTON UNIVERSITY SCHOOL OF VISUAL ARTS

art major provides students the opportunity to develop their hand

BOSTON MA

and aesthetic skills and conceptual development. In addition to

The Graphic Design program at Boston University College of Fine

foundation courses, students take graphic design courses in Con-

Arts School of Visual Arts takes a studio-driven approach to design

ceptual Development, Typography, Identity Design and Branding,

thinking and visual communication. With an emphasis on process

Advanced Typography, UX/UI design, and Portfolio. An elective

and critical design thinking, the program sets itself apart as a mak-

internship course is also available for those students wishing to take

er-based design department within an art school and a R1 Universi-

advantage of professional practice in the field. Graduates have gone

ty. The design faculty are leaders in the field who work closely with

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HIGHEST HONORS | 2025 TOP DESIGN SCHOOLS students to develop their technical and conceptual skills, challenging them to think creatively and strategically, and placing them at the forefront of entrepreneurial thinking in the business world.

BOWLING GREEN STATE UNIVERSITY BOWLING GREEN OH

in the future. BYU emphasizes experiential learning on and off-cam pus, both in its extensive study abroad programs and our program’s national internship placements. designdept.byu.edu/graphicdesign CALIFORNIA COLLEGE OF THE ARTS (CCA) SAN FRANCISCO CA www.cca.edu For more than 111 years, Bowling Green State University has been a public university for the public good, always moving forward. BGSU

CALIFORIA INSTITUTE OF THE ARTS (CALARTS)

is a high-research, nationally ranked, comprehensive university,

VALENCIA CA

always proud to be public. The BGSU Graphic Design program educates and mentors its students to become independent and collab-

The CalArts Graphic Design Program fosters the next generation

orative innovators and leaders in the field of graphic design. Our

of graphic designers through rigorous inquiry, fearless exploration,

award-winning program is dynamic, enterprising, and responsive,

and innovative making. Students develop formal and critical think-

and leads to a Bachelor of Fine Arts (BFA) in Graphic Design. Our

ing skills to establish their own unique approaches and individual

multi-faceted curricula merges design ideologies and research with

perspectives with the support of faculty and the studio community.

appropriate aesthetic and communication methods through intensive critical analysis, exploration and experimentation. Students are taught and trained to be mindful professionals and socio-politically aware stewards for the profession and the world. Our practical and theoretical approach to foster and guide clarity of communication is the foundation for a progressive and fluid curriculum— one that graduates thinkers with curious minds.

The Graphic Design curriculum integrates the Institute’s critical approach, placing practice within the context of history, theory, interdisciplinarity, and broader cultures. Graphic design classes are small, intimate, and critique-driven. Studio and lecture courses include print, web, UI/UX, motion, typography, branding, history, and theory. Graduates are prepared for design careers and opportunities in professional, independent, and entrepreneurial pursuits.

BRIGHAM YOUNG UNIVERSITY

Graphic Design students work in year-level studios where individual

PROVO UT

and collaborative learning is encouraged. This dynamic environment

Brigham Young University (BYU) is a large private religious university in Provo, Utah, serving 34,000+ students from over 100 countries and all 50 states. The BYU Graphic Design program has a history of producing award-winning work and enjoys an established

includes art and media labs, galleries, the library, performance spaces, the cafe, outdoor spaces, and proximity to the five other schools. https://calarts.edu/academics/programs-and-degrees/bfa-graphic-design

international reputation. The major simulates a professional studio experience with students working to solve complex visual problems.

As members of a small cohort group, students complete a variety of individual and collaborative projects under close faculty direction.

BYU’s Graphic Design BFA program aspires to prepare students with the skills, knowledge, and intellect necessary to be excellent visual communicators and to foster innovation through problem solving, collaboration, and design thinking. The program aims to cultivate designers that encourage human flourishing, foster charitable interactions, and promote societal and ecological well-being today and

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HIGHEST HONORS | 2025 TOP DESIGN SCHOOLS CARNEGIE MELLON UNIVERSITY SCHOOL OF DESIGN

THE COOPER UNION SCHOOL OF ART

PITTSBURGH PA design.cmu.edu/design-cmu

NEW YORK NY

COLLEGE FOR CREATIVE STUDIES (CCS) DETROIT MI

The School of Art at The Cooper Union has a mission to educate artists in the broadest sense, both as creative practitioners engaged with a wide range of disciplines in the visual arts and as enlightened

Located in the heart of Detroit and integrated into its cultural life,

citizens of the world who are prepared to question and transform

CCS educates artists and designers to be leaders in creative profes-

society. The program is structured around an integrated curriculum

sions. A private, fully accredited college, the school enrolls nearly

that fosters connections between disciplines, as well as between

1,400 students pursuing BFA, MA and MFA degrees. It also offers

traditional and new media. The Foundation Program consists of a

non-credit courses through its Continuing and Precollege Studies

series of prerequisite courses taken during the first year. Following

programs and opportunities for youth through its Community Arts

completion of the Foundation Program, disciplines offered are

Partnerships programs.

graphic design, drawing, film and video, painting, photography,

CCS’s innovative Communication Design program encourages students to create imaginative work that engages users in new and unexpected ways in print, motion, and user experience design.

Integrated into the Communication Design program, Graphic Design studies strengthen students’ design and research skills, and develop their ability to use a variety of media in creating engaging and strategic communications across emerging media platforms. https://www.ccsdetroit.edu/academics/undergraduate-programs/com-

printmaking, and sculpture. Students may choose to focus on one or more areas of specialization and are encouraged to follow an integrated approach. The graphic design curriculum includes courses on typography, web design, game design, information design, motion graphics and more. cooper.edu/art DEPAUL UNIVERSITY SCHOOL OF DESIGN CHICAGO IL

munication-design/ COLUMBIA COLLEGE CHICAGO CHICAGO IL

DePaul University’s BFA in Graphic Design prepares students to communicate to diverse audiences through a wide range of design practices, integrating emerging media and contemporary technologies, including typography, interaction design, branding, illustration, motion graphics, package design, programming, artificial intelligence, Columbia College Chicago offers two programs in graphic design, a BFA and BA. Both degrees give students the tools and experience needed to launch a career in graphic design within a broader program of foundational studies in art and design. Students also gain a strong business foundation, which will prepare them to join a design firm, an agency, an in-house corporate design team, or launch their own freelance business. A second Bachelor of Arts in Graphic Design is also available. The BFA is a rigorous, professionally focused degree in graphic design. The BFA requires students to learn multiple disciplines and has fewer opportunities to choose electives. The BA provides a foundation in design but allows students to choose a general concentration one in Web Design or Publication Design. All Graphic Design students develop a professional portfolio of work as part of the requirements of the degree programs. colum.edu

and digital fabrication.

Located in the heart of Chicago, our program offers a vibrant design community and creates opportunities for collaboration, networking, and internships. Housed in the Jarvis College of Computing and Digital Media, students have access to cutting-edge equipment and lab spaces, including a print lab, two well-equipped makerspaces with facilities for fabricating wood, metal, plastics, soft goods, and electronics; recording, film, stop-motion animation, and motion-capture studios; and several VR and AR production spaces. The Jarvis Student Center for Innovation and Collaboration brings together students and faculty from across the college and provides a media lounge for lectures and presentations, an XR creative studio, and private spaces and conference rooms for meetings. We also offer significant funding opportunities for students, including the Design IMPACTGrants, Jarvis Challenge, and research assistantships.

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HIGHEST HONORS | 2025 TOP DESIGN SCHOOLS Award-winning faculty oversee a host of initiatives, design labs, and

and professional interaction opportunities. Courses are taught by

research programs that foster student learning, engagement, and

accomplished practicing designers and scholars.

community. Students also lead their own initiatives, including our

fitnyc.edu/academics/academic-divisions/art-and-design/ graph-

DePaul Design Club, maker space, Print Lab, and digital fabrication

ic-design/index.php

studio. Design-related study abroad programs in Japan and Scandinavia provide our students with a global context for their practice.

FULL SAIL UNIVERSITY

www.cdm.depaul.edu/design

WINTER PARK FL

DREXEL UNIVERSITY WESTPHAL COLLEGE OF MEDIA ARTS AND DESIGN PHILADELPHIA PA

Full Sail University is an award-winning educational leader for those pursuing careers in entertainment media and emerging technologies. Founded in 1979, Full Sail has received numerous accolades throughout its 45-year history, including being named a Graphic Design USA Top Design School. Full Sail University is a graduate and undergraduate degree-granting institution offering on-campus and online degree programs in areas related to Art & Design, Business, Film & Television, Games, Media & Communications, Music & Recording, Sports, and Technology. With over 100,000 graduates worldwide, Full Sail alumni have worked on countless award-winning projects with individual recognition including Oscar®, Emmy®, Grammy®, Addy® and The Game Award honors.

Located in Winter Park, FL, Full Sail University’s 210+ acres campus is home to 110+ studios and labs, 75+ classrooms, and

The creative heart of Drexel University, the Antoinette Westphal Col-

880,000+ square feet of real-world media production facilities.

lege of Media Arts & Design trains the next generation of scholars,

The university’s art and design degree programs are designed to

thinkers, makers, and doers in the fields of media, entertainment,

equip serious artists with a comprehensive toolbox, combining

design, and the visual and performing arts. Westphal offers 17

traditional skills with digital techniques. Art and design degree

undergraduate and eight graduate majors, housed in award-winning

programs at Full Sail include: Computer Animation, Digital Arts

facilities that encourage collaboration across creative disciplines.

& Design, Game Art, Graphic Design, User Experience, Media

The Bachelor of Science in Graphic Design educates students to

Design (MFA), 3-D Arts,and Visual Design. www.fullsail.edu

inform, persuade, educate, and entertain through the creative use of word and image. The program prepares students with diverse

IOWA STATE UNIVERSITY COLLEGE OF DESIGN

backgrounds to enter the field of graphic design with a competitive

AMES IA

edge as skilled design practitioners, creative problem solvers, and multi-talented team members. https://drexel.edu/westphal/academics/undergraduate/graphic-design/ FASHION INSTITUE OF TECHNOLOGY (FIT) NEW YORK NY

The Graphic Design Department at Iowa State is situated in the College of Design, one of the most comprehensive institutions for art and design education, which leads to a strong multidisciplinary network of design thinking for our 300+ students. The department includes an undergraduate BFA in Graphic Design, a Masters in Experiential Graphic Design, and a Master of Fine Arts in Graphic Design. The curriculum emphasizes how to design through

The Graphic Design BFA Program of the Communication Design

organization of visual and verbal information. Our concept-based

Pathways Department educates creative, socially responsible, and

approach can be applied to printed material, digital media,

worldly professionals who are well positioned for a broad range

motion, and environmental graphics.

of art and design fields. It challenges students to generate problem-solving and culture-making design, through experimentation and collaboration attuned to social, environmental as well as commercial challenges. It is an intensive, professionally oriented course of study that relies heavily on typographic craftsmanship, design authorship and motion design. The program presents an annual lecture series for its design students and multiple student curated exhibitions. It facilitates Study Abroad, internships

Students learn to create designs based in a solid understanding of the history and fundamentals of graphic design. They hone their skills through elective studios in a variety of topics including UX design, 3D animation, digital media, motion graphics, exhibition design, packaging design, wayfinding, typography, publication design and branding. They enhance their education with internships or study abroad, including a semester in Italy with our Rome Program.

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HIGHEST HONORS | 2025 TOP DESIGN SCHOOLS Our mission is to educate experiential communicators who enrich our ethical, social, cultural, and environmental future. We prepare students to be adept in the ever-evolving graphic design discipline in the creation of communication artifacts and systems that inform and inspire in virtual and physical environments.

KENT STATE UNIVERSITY SCHOOL OF VISUAL COMMUNICATION DESIGN KENT OH kent.edu/vcd MARYLAND INSTITUTE COLLEGE OF ART (MICA)

design.iastate.edu/academics/departments/graphic-design/

BALTIMORE MD mica.edu

KANSAS CITY ART INSTITUTE (KCAI)

MASSACHUSETTS COLLEGE OF ART AND DESIGN

KANSAS CITY MO

BOSTON MA massart.edu/academics/programs/communication-design MERCER UNIVERSITY MACON GA Mercer University Department of Art & Design offers a comprehensive curriculum that encourages the investigation of contemporary directions in art, imaging, and visual communication, housed within a vibrant liberal arts program. By working in a wide range of print and interactive media, students develop cohesive portfolios appropriate for the pursuit of graduate studies or professional practice. Theory, methodology, and industry-standard technology

KCAI is a college of art and design awarding the B.F.A. degree in 13 majors. We recruit top talent from across the country and equip them with a versatile skill set and the fearlessness to pursue their craft. KCAI’s Graphic Design department takes a wide-ranging view of the possibilities for visual communication, introducing students to the principles of print, interaction, motion, environment, experi-

are taught by award-winning faculty members to prepare students for success in this continually evolving field of study. liberalarts.mercer.edu/academic-programs/majors-and-minors/ graphic-design/ MICHIGAN STATE UNIVERSITY

ence, information, and advocacy. Our approach to design problems

EAST LANSING MI

can best be described as exploratory, systematic, and transmedia.

Michigan State University, founded in 1855 as a pioneering

We recognize the complexity of contemporary design and seek to

land-grant institution, is one of the top research universities in

foster critical and surprising responses through a rigorous process of

the world — on one of the biggest, greenest campuses in the

research, thinking, form-making, and connection to various external

nation — and is home to a diverse community of dedicated

communities.

students and scholars, athletes and artists, scientists and lead-

kcai.edu/graphic-design

ers. Within the Department of Art, Art History, and Design, students in the Graphic Design Program are exposed to a series

KENNESAW STATE UNIVERSITY

of experimental and intellectual exercises that prepare them

SCHOOL OF ART AND DESIGN

for a wide range of professional careers in design. Notable

KENNESAW GA

alum, such as Katherine and Michael McCoy, Sam Landers,

Graphic Communications is one of the largest programs in the

Doug Kisor, and Ellen Bruss, have made historic contributions

School of Art and Design at Kennesaw State University. This vigorous, progressive program supports students in advancing their technical and creative skills, with visual literacy and technology serving as the foundation. Students embody competencies and relevance for a multicultural, global marketplace. The School of Art and Design (SOAAD) is accredited by NASAD and offers students challenging and exciting degrees, including the BFA in Art, a BFA in Digital Animation, and an MA in Art and Design. SOAAD and the City of Atlanta are a powerful combination providing educational and professional opportunities that launch careers into local and international creative industries. arts.kennesaw.edu/visual-arts

to design history and continue to give back to our students in lasting and meaningful ways. Real-world experience is gained through internships, the client-initiated coursework of Design Center, and the AIGA student group. Inspiring lectures demonstrate the wide scope of the profession, as renowned designers are brought in as part of the annual Visiting Artist & Scholar Lecture Series. Past lecturers include Massimo Vignelli, Martin Venezky, Ben Fry, Nancy Skolos & Tom Wedell, James Victore, Andrew Blauvelt, Jim Sherraden, Stuart Bailey, Jan Wilker, Hans Allemann, and Karen Cheng. art.msu.edu MINNEAPOLIS COLLEGE OF ART AND DESIGN (MCAD) MINNEAPOLIS MN www.mcad.edu/academics/undergraduate/majors/graphic-design

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HIGHEST HONORS | 2025 TOP DESIGN SCHOOLS THE MODERN COLLEGE OF DESIGN

Through project-based assignments, graphic & experience design

KETTERING OH

students acquire strong formal and conceptual skills framed by a

The Modern College of Design is a nationally recognized design college in Ohio. The Modern transforms students passionate about art, design, photography, and technology into exceptional designers and future leaders in design. The Modern’s unique residential and online programs provide an innovative education in design, marketing, business, and leadership, and students complete internships and co-ops at agencies across the country. Modern students are creative problem solvers and are recognized nationally for their work. Faculty are industry experts and provide one-on-one education and mentorship. Alumni have access to The Modern’s vast network of employers and work for some of the world’s leading brands, including Apple, Nike, and Disney. themodern.edu

human-centered approach. Students progress to advanced studios that enable in-depth exploration of special topics such as data visualization, branding, accessible design, and artificial intelligence. The NC State Graphic & Experience Design (GXD) program is consistently recognized as one of the top NASAD-accredited design programs in the country. Students are embedded in a College of Design which allows them to thrive in a creative culture alongside fellow graphic & experience designers, industrial designers, landscape architects and architects. design.ncsu.edu THE OHIO STATE UNIVERSITY COLUMBUS OH

THE NEW SCHOOL PARSONS SCHOOL OF DESIGN NEW YORK NY Parsons School of Design at The New School is one of the leading institutions for art and design education in the world. Based in New York but active around the world, the school offers undergraduate and graduate programs in the full spectrum of art and design disciplines, as well as online courses, degree and certificate programs. Critical thinking and collaboration are at the heart of a Parsons education. Parsons graduates are leaders in their respective fields, with a shared commitment to creatively and critically

The Ohio State University’s design undergraduate offerings fall

addressing the complexities of life in the 21st century. The Com-

into three major programs, each leading to the Bachelor of Sci-

munication Design BFA is the oldest undergraduate program of its

ence in Design (BSD) degree: Industrial Design, Interior Design,

kind in the United States. In this major, students learn the theory

and Visual Communication Design. The Visual Communication

and craft needed to combine words, images, and ideas to visually

Design program was recently ranked third among the 25 best

transmit information and project human experiences in print, on

bachelor’s degree programs by CollegeRank. Our undergraduate

screen, or in space.

degree programs provide comprehensive, professional training in the design disciplines, while also emphasizing collaboration

NORTH CAROLINA STATE UNIVERSITY

between each of the areas of study. Students develop projects that

COLLEGE OF DESIGN

demonstrate their abilities to create solutions that meet or exceed

RALEIGH NC

professional expectations. The Department of Design also offers two complementary design-led and research-oriented areas of emphasis in Design Research and Development or Digital Animation and Interactive Media, both leading to the Master of Fine Arts (MFA) degree. Ohio State is the highest-ranked public university in Ohio and ranked in the top 50 of US universities. design.osu.edu/ OTIS COLLEGE OF ART AND DESIGN LOS ANGELES CA otis.edu/index.html PENNSYLVANIA COLLEGE OF ART AND DESIGN LANCASTER PA

The Graphic and Experience Design Program at NC State Uni-

At Pennsylvania College of Art & Design, we are makers and

versity’s College of Design blends user experience and user

dreamers, designers and entrepreneurs. Here students learn to

interface design (UX/UI) with traditional graphic design practices

make creativity their careers. Located in the heart of Lancaster

like branding, typography, service design, and exhibition design.

city’s thriving arts community, inspiration is found around every GDUSA 25

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HIGHEST HONORS | 2025 TOP DESIGN SCHOOLS corner. It’s the personal attention and guidance from our faculty of

PURDUE UNIVERSITY

working artists, coupled with internships and hands-on experienc-

WEST LAFAYETTE IN

es, that set us apart. A hallmark of our Graphic Design program is

cla.purdue.edu/academic/rueffschool/ad/vcd/

our annual Designathon event, a day-long push of brainstorming, designing, refining, production, and presentations, as students

RHODE ISLAND SCHOOL OF DESIGN (RISD)

and faculty create free marketing materials — logos, websites,

PROVIDENCE RI

brochures, and branding — for local nonprofits. This deadline-driven adrenaline-filled experience prepares students well for their futures as they learn to design under pressure. https://pcad.edu/degrees/graphic-design/ PORTLAND STATE UNIVERSITY SCHNITZER SCHOOL OF ART + ART HISTORY + DESIGN PORTLAND OR pdx.edu/art-design/bfa-graphic-design

Graphic Design at RISD pushes on the boundaries of the discipline. At RISD you learn how to communicate ideas visually, play with the tools of the field, frame points of view and messages, build community and embrace a fluid, networked culture. Faculty support students and encourage ambitious ideas along with a mastery of traditional practices.

RISD (pronounced “RIZ-dee”) is a creative community founded in 1877 in Providence, Rhode Island. Today, we enroll 2,567

PRATT INSTITUTE

students hailing from 60 countries. Led by a committed faculty,

BROOKLYN NY pratt.edu/

they are engaged in 44 full-time bachelor’s and master’s degree programs and supported by a worldwide network of over 31,000

PRATT MUNSON COLLEGE OF ART AND DESIGN

alumni who demonstrate the vital role artists and designers play in

UTICA NY

today’s society.

Beyond facts and figures, what is the spirit of this community?

Through a cross-disciplinary curriculum of studio-based learning and rigorous study in the liberal arts, RISD students are encouraged to develop their own personal creative processes, but they are united by one guiding principle: in order to create, one must question. In cultivating expansive and elastic thinking, RISD seeks to activate a critical exchange that empowers artists, designers and scholars to generate and challenge the ideas that shape our world.

RISD’s mission, at both the college and museum, is not only to educate students and the public in the creation and appreciation of works of art and design, but to transmit that knowledge and

Within the intimate and supportive atmosphere of our upstate campus, the Graphic Design program at Pratt Munson stands out as a transformative learning experience. Here, students acquire the essential skills to visually communicate ideas, explore cutting-edge tools, and shape perspectives within a dynamic and

make global contributions. https://www.risd.edu/academics/graphic-design/ RINGLING COLLEGE OF ART + DESIGN SARASOTA FL

interconnected culture. The faculty, committed to fostering ambitious ideas, ensures a robust foundation in traditional practices while offering guidance and support.

Our multidisciplinary approach to Graphic Design encompasses coursework in visual communication, typography, design procedures, and illustration. Through simulated professional projects, students gain hands-on experience in preparing artwork for publication, emphasizing real-world relevance. Pratt Munson prioritizes a supportive environment where world-class faculty provide personalized guidance and feedback, fostering a sense of community and creativity. Join us at Pratt Munson to embark on a journey that combines the prestige of Pratt Institute with the intimacy and

Since 1931, Ringling College of Art and Design has cultivated

affordability of our upstate campus. www.prattmunson.edu

the creative spirit in students from around the globe. The private, not-for-profit, fully accredited college offers the Bachelor of Fine

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HIGHEST HONORS | 2025 TOP DESIGN SCHOOLS Arts degree in 11 disciplines and the Bachelor of Arts in two. The

International Design Awards. In 2024, SCAD was named No. 1

College’s rigorous curriculum employs the studio model of teach-

in the U.S. in Art & Object’s Best Art Schools ranking. Career

ing and immediately engages students through a comprehensive

success is woven into every fiber of the university, resulting in a

program that is both specific to the major of study and focused on

superior alumni employment rate. A 2024 study found that 99%

the liberal arts. The Ringling College teaching model ultimately

of recent SCAD graduates were employed, pursuing further edu-

shapes students into highly employable and globally aware artists

cation, or both within 12 months of graduation. SCAD provides

and designers. For more information, visit www.ringling.edu and

students and alumni with ongoing career support through personal

follow the College on Facebook, Instagram, Twitter, LinkedIn, and

coaching, alumni programs, a professional presentation studio,

YouTube.

and more. Through SCADpro, the university’s in-house design stu-

Ringling College’s Graphic Design program gives students a deep understanding of the design thinking process and how to apply it to a broad spectrum of 2D, 3D, and screen-based media. Students learn strategies for creating concepts and designing interfaces that entice, inform, and surprise the user. Their work is regularly submitted to the ADDY Awards, and they have the opportunity to intern at the Ringling College Design Center. Ringling’s Graphic Design degree graduates work as graphic and product designers, creative and art directors, visual and interactive designers, or as freelancers with the freedom to hand-pick their projects. ringling.edu/academics/majors/graphic-design/

dio, students join forces with luminaries of design, draw inspiration, and form lasting connections with industry powerhouses. The combination of advanced instruction and unrivaled portfolio-building opportunities leads to elite internships and careers with iconic companies such as Apple and IBM. scad.edu SCHOOL OF THE ART INSTITUTE OF CHICAGO (SAIC) CHICAGO IL saic.edu/visual-communication-design SCHOOL OF VISUAL ARTS (SVA) NEW YORK NY SVA has been a leader in the education of artists, designers, and

ROCHESTER INSTITUTE OF TECHNOLOGY (RIT)

creative professionals for seven decades. With a faculty of dis-

ROCHESTER NY https://www.rit.edu/artdesign/school-design

tinguished working professionals, a dynamic curriculum, and an emphasis on critical thinking, SVA is a catalyst for innovation and

SAN DIEGO STATE UNIVERSITY

social responsibility. Comprising 7,000 students at its Manhattan

SCHOOL OF ART AND DESIGN

campus and more than 40,000 alumni in 128 countries, SVA also

SAN DIEGO CA art.sdsu.edu/

represents one of the most influential artistic communities in the world.

SAN JOSÉ STATE UNIVERSITY SAN JOSÉ CA San José State University’s Graphic Design Program was formalized in 1969 and remains the only program in a public university in Silicon Valley. Because of its accessible location in the Bay Area, students can work with design and technology industries and professional and service organizations to connect with broader communities. These experiences, coupled with the required internships (BFA GD majors only), will arm students with the skills and confidence that make them effective contributors to the professional graphic design world. sjsugd.org.

SAVANNAH COLLEGE OF ART AND DESIGN (SCAD) SAVANNAH GA

Our BFA Design program focuses on visual communication problem-solving. In addition to a distinguished faculty, we offer a wide range of course options tailored to each student’s strengths and needs by offering more studio courses than any institution in the

SCAD is a private, nonprofit, accredited university, offering more

world. Our BFA Advertising program is a soup-to-nuts proposition:

than 100 graduate and undergraduate degree programs across

we ground students in the basics — typography, digital produc-

locations in Atlanta and Savannah, Georgia; Lacoste, France;

tion, 3D design, motion graphics, and graphic design while broad-

and online via SCADnow. The innovative SCAD graphic design

ening their visual literacy and sharpening their voice. Many of

curriculum is rooted in creative processes, problem-solving meth-

SVA’s advertising classes are held right at the agencies of faculty

odologies, and visualization concepts designed to connect users to

members, where students can mingle with executives, media plan-

brands. Each year, SCAD graphic design students earn illustrious

ners, and copywriters. sva.edu

accolades, including Applied Arts Student Awards, GDUSA, and GDUSA 27

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HIGHEST HONORS | 2025 TOP DESIGN SCHOOLS SESSIONS COLLEGE FOR PROFESSIONAL DESIGN Sessions College for Professional Design is a fully online school of visual arts offering a range of degree programs and certificate programs in Graphic Design, Web Design, Digital Media, Illustration, Advertising Design, Digital Photography and Fine Arts. The Sessions College Associate and Bachelor’s degree programs in Graphic Design offer an accessible, affordable path for students seeking to enter careers in print and interactive visual communication. Designed for high school graduates and adult learners, the programs offer a powerful foundation in visual design and a working knowledge of contemporary design practices and media. Talented, passionate experts teach the artistic, digital, and critical thinking skills required by dynamic creative fields. sessions.edu SUSQUEHANNA UNIVERSITY SCHOOL OF THE ARTS SELINSGROVE PA

it. State school officials: “We take pride in our professionally oriented programs, many of which have a long history at Syracuse University. Concern for sustainable design practices, social issues, and excellence in professional practice forms the core of our programs.” The School of Design’s first-year experience is a prerequisite, providing a design-studio-based education focused on the fundamental elements of the design disciplines. Students learn basic visualization and making skills as well as an ability to apply iterative thought and action processes to a given problem.

In addition, students receive a focused introduction to the ethical and philosophical grounding of each of the design professions.

School of Design faculty are active professionals dedicated to ensuring that students reach their potential and provide one-onone instruction in studio classes. The School maintains a special relationship with the Syracuse community through the activities of various student groups (including chapters of professional design organizations) who work on projects with not-for-profit agencies as

Founded in 2002, the Graphic Design program at Susquehanna

well as funded research design collaborations.

University has spent two decades training and developing some of

vpa.syr.edu/academics/design

the nation’s top designers. The foundation of the program is simple—process and concept are king. Hard work is the reality, talent

SYRACUSE UNIVERSITY

is the illusion. See everything. Solve the problem. Give a damn.

SI NEWHOUSE SCHOOL OF PUBLIC COMMUNICATIONS

These ideals fuel a community of designers that are changing the

SYRACUSE NY

landscape of design every day through deadline-driven real word projects with the goal of creating competitive, industry ready portfolios. The School of the Arts’ award winning, nationally known graphic design program offers two degree options; the BFA for those

The Visual Communications department at the S.I. Newhouse School of Public Communications at Syracuse University embraces emerging and traditional forms of visual storytelling.

looking for a career in the creative and fast-paced world of graphic design or advertising and the BA for those wishing to augment their first-choice major with professional design skills. Students will graduate with in demand skills, the industry knowledge that employers seek, and a widespread and supportive alumni network working professionally for some of the top agencies and companies throughout the country. Pairing true artistry with professionalism, doors open to thrilling creative opportunities and a career that’s durable, exciting, and satisfying. https://susqu.design/

Its design program emphasizes strategy, problem solving and human-centered design to create smart, intentional, innovative solutions in print and pixels, including motion, 3D, UI/UX, XR, brand identity, product packaging, typography and publication design. The Visual Communications department values designing for social good, cross-media partnerships, workshops and collaboration. We encourage students to let their passions drive their focus and academic path and are proud to support and foster the individuality of its students and their unique voices and vision.

Graduates of the design program have gone on to work at places SYRACUSE UNIVERSITY SCHOOL OF DESIGN SYRACUSE NY The School of Design is an inquisitive community of students and

such as IDEO, Google, Adobe, IBM, Facebook, Amazon, Mapbox, Washington Post, New York Times, Sports Illustrated, National Geographic Magazine, Herman Miller, Trip Advisor, U.S. State Department, and their own businesses. The program offers both a

faculty that addresses firsthand the issues of the world around 28 GDU S A

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HIGHEST HONORS | 2025 TOP DESIGN SCHOOLS Bachelor of Science in Graphic Design and a Master of Science in

experience, human-centered design, environmental graphics, and

Multimedia, Photography, and Design degrees. https://newhouse.

design research prepare the student for professional practice. Stu-

syr.edu

dents may further their education with independent study courses, job shadowing, and professional internships. Communication Design

TEMPLE UNIVERSITY

students have received recognition in numerous prestigious design

TYLER SCHOOL OF ART AND ARCHITECTURE

journals by having their work published in Communication Arts,

PHILADELPHIA PA

CMYK, Step Inside Design, Graphis New Talent Annual, LogoLounge,

Located in Philadelphia, the Tyler School of Art & Architecture’s Graphic & Interactive Design and Illustration & Emerging Media programs offer some of the nation’s most respected BFA and MFA degrees in visual communication. Students develop skills in typography, image-making, UX/UI, motion design, AR, AI, and digital storytelling, preparing them for careers across print and digital media. Mentored by award-winning faculty, students take a conceptual approach to design while engaging in research, human-centered problem-solving, and social impact projects.

Tyler now offers a range of majors and minors: BFA in Graphic and Interactive Design – a foundation in design with cutting-edge tools for branding, UX/UI, AR, AI, and motion graphics. An MFA in Graphic and Interactive Design – advanced design research and creative practice for students pursuing leadership roles. A BFA in Illustration and Emerging Media – traditional and digital storytelling techniques for books, games, animation, and interactive media. And a BFA in User Experience and User Interface (UX/UI) Design – designing seamless, human-centered digital experiences.

Minors in Graphic and Interactive Design, Illustration and Emerging Media, and UX/UI Design allow students from other disciplines to integrate creative skills into their studies. Students gain expertise in Adobe software, animation, prototyping, type design, AR, game development, and more.

Philadelphia’s vibrant creative scene and one of the nation’s largest AIGA chapters offer students real-world design opportunities,

and PRINT. Students have also received recognition in national, regional, and local competitions such as: The One Show, American Advertising Federation Awards, AIGA Flux, The National Show, Creative Summit, Art Director’s Club of Houston, Austin Addy Awards, and San Antonio Addy Awards. finearts.txst.edu/Art THE UNIVERSITY OF ALABAMA TUSCALOOSA AL The BFA in Graphic Design program at The University of Alabama (UA) resides in the department of art and art history in the College of Arts and Sciences. UA’s graphic design program is NASAD accredited and prepares students to be technically versed, critical thinkers who create forms of visual communication that are dynamic, and functional, and address the design goals of the contemporary world. The program offers courses on package design, publication design, brand and visual identity, illustration, video art and animation, UX/UI, typography, production, and more. Throughout the curriculum, students gain real-world experience with internships and classroom collaborations with businesses and organizations, have access to state-of-the-art technology and equipment, and finish with a competitive professional portfolio upon graduation. https://art.ua.edu/degree-programs/graphic-design/ UNIVERSITY OF CALIFORNIA LOS ANGELES (UCLA) LOS ANGELES CA design.ucla.edu/

internships, and industry connections. Graduates work in top

UNIVERSITY OF CENTRAL OKLAHOMA

design studios, UX/UI firms, publishing, motion design, Fortune

SCHOOL OF DESIGN

500 companies, and entrepreneurial ventures. Based at Temple

EDMOND OK

University, Tyler School of Art & Architecture provides access to more than 300 academic programs and the resources of an affordable, world-class art & design city. tyler.temple.edu/programs/ graphic-interactive-design TEXAS STATE UNIVERSITY SCHOOL OF ART+DESIGN SAN MARCOS TX The Communication Design Program is one of the largest public programs in the country and is one of the best in the Southwest United States. The program’s curriculum is oriented around the preparation of a superior portfolio with a focus on enabling students to become excellent critical thinkers, fearless makers, and effective communicators as they enter the professional field of

“The School of Design at UCO places student-centered excellence

communication design. Courses in interactive design, typography,

at the program’s core. This philosophy and practice are captured in

art direction, corporate identity, sustainable packaging, brand

a quote by former design student Emily Falls, “When I joined the

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HIGHEST HONORS | 2025 TOP DESIGN SCHOOLS School of Design, I knew virtually nothing about design. Now,

At the Hartford Art School, students build the skills that will

three years later, I have found my calling as a designer, and I am

enable them to successfully enter the professional world. The

proud of my work and accomplishments.

School offers eight studio majors leading to the BFA — including

There are plenty of challenges in the School of Design, and it is wildly rewarding in the end. The School of Design has shaped me into the person I am today, and for that, I’ll always be grateful.”

At the UCO School of Design, students learn to be change-makers and social innovators while engaged in real-world work experience outside the typical design classroom. The School of Design is deeply committed to the university mission, which states we exist to help students learn by providing transformative education experiences so that they may become productive, creative, ethical, and engaged citizens and leaders serving our global community.” https://www.uco.edu/cfad/academics/design/ UNIVERSITY OF CINCINNATI ULLMAN SCHOOL OF DESIGN CINCINNATI OH

in Visual Communication Design — a BA program in Art History, and three MFA programs. Students have the best of both worlds, pursuing rigorous studio-based disciplines with a liberal arts university environment. Visual communication design students learn how to design static and interactive work, which can include motion graphics, product packaging, and advertising pieces. The program encompasses all visual languages used to communicate, and classes on design theory, methods, and history align with practical work with real clients by senior year. Designers in this program are able to think critically about how to tell a story using design elements rather than words, and to consider not only how work looks, but also about how people will interact with it. hartford.edu/academics/schools-colleges/art/default.aspx UNIVERSITY OF ILLINOIS CHICAGO SCHOOL OF DESIGN CHICAGO IL

At the University of Cincinnati, communication design students receive a foundation in visual problem solving. The core of the curriculum is a series of sequential design studios. These courses help students develop critical and visual thinking along with essential design processes. Students also have opportunities to further develop in the specific areas of graphic design, interaction design and motion design. Students reinforce their skills in the field through several co-ops.

Professional communication designers build careers wherever communication is important. Designers often work for design firms, internal design teams, or as independent freelancers. They have career opportunities in branding and corporate identity, digital product design, exhibit design, interface design, motion graphics, package design, service design, user experience design, and web design. Today’s designers may be found working in the healthcare system improving health, or for governments and NGOs impacting society. daap.uc.edu/academic-programs/school-of-design/communication-design.html

The School of Design at the University of Illinois Chicago is an established leader in design education. Grounded in studio culture and investigating the human experience, UIC Design programs reflect and advance developments in the field. Led by a faculty of renowned professional designers who are committed to teaching, UIC Design students are introduced to contexts of culture and meaning as they develop the formal, conceptual, and technical skills necessary to confidently enter a professional setting.

UNIVERSITY OF FLORIDA

Students at the UIC School of Design learn formal design princi-

SCHOOL OF ART + ART HISTORY

ples, acquiring the skills necessary to engage these principles in

GAINESVILLE FL

practice. At the undergraduate level, students are immersed in

arts.ufl.edu/academics/art-and-art-history/programs/design-and-vi-

the aesthetics, mechanics, and systems of typography, while also

sual-communications/

developing experience in motion literacy, user-interface, and webbased design. At the graduate level, students engage in project­

UNIVERSITY OF GEORGIA

based learning that fosters analytical competence in research,

LAMAR DODD SCHOOL OF ART

writing, design history, and image theory, cumulating in a public

ATHENS GA art.uga.edu/academics/graphic-design

exhibition of the master’s research paper and project.

UNIVERSITY OF HARTFORD HARTFORD ART SCHOOL WEST HARTFORD CT

We take great pride in the fact that many ideas initiated in UIC Design classrooms expand and live beyond the university to bring about positive change in the world. Chicago is a global design center, and through engagement with industry partners, national

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HIGHEST HONORS | 2025 TOP DESIGN SCHOOLS design associations, employment in professional internships, com-

leading design firms, advertising agencies, and corporate studios

munity engagement, and critical exposure to design practices and

nationwide.

exhibitions, our students become active in the real world of design as they pursue their professional design degrees. design.uic.edu.

UNIVERSITY

OF

ILLINOIS

URBANA-CHAMPAIGN

SCHOOL OF ART AND DESIGN CHAMPAIGN IL art.illinois.edu/ UNIVERSITY OF KANSAS SCHOOL OF ARCHITECTURE AND DESIGN LAWRENCE KS arcd.ku.edu/department-design

Located in Denton, a vibrant college town with a thriving arts and music scene, UNT is just 40 miles north of Dallas, a major hub for design and cultural opportunities. Established in 1890, UNT is a Carnegie Tier One research university with more than 40,760 students. cvad.unt.edu.

UNIVERSITY OF SOUTHERN CALIFORNIA (USC) ROSKI SCHOOL OF ART AND DESIGN LOS ANGELES CA

UNIVERSITY OF MINNESOTA COLLEGE OF DESIGN ST PAUL MN design.umn.edu/academics/programs/about-graphic-design UNIVERSITY OF NORTH TEXAS COLLEGE OF VISUAL ARTS AND DESIGN DENTON, TX

The USC Roski School of Art and Design has a noteworthy history as a supportive environment for talented students to explore creativity, experimentation, and collaboration with renowned faculty.

Roski’s graduate programs are housed in a state-of-the-art facility located in the vibrant Los Angeles Arts District, a thriving community for art and design. The MFA Design program, in particular, instills a critical understanding of the issues, theories, and ideas relevant to contemporary design. Roski’s open approach offers The College of Visual Arts and Design (CVAD) offers a rigorous and thoughtfully crafted Communication Design curriculum that prepares students for successful careers in graphic design. CVAD is one of the nation’s most comprehensive visual arts schools and a leader in the Southwest, with state-of-the-art facilities that include studios, a fabrication lab, and a visual resources library.

myriad opportunities for interdisciplinary research and collaboration across the various other professional schools at USC, a leading research institution. This provides Roski design students with the extraordinary ability to integrate diverse pathways into their contemporary design practice. The faculty comprises a diverse group of internationally recognized artists, designers, and scholars dedicated to their students and their professional work.

The program begins with a foundational year, during which stu-

Small class sizes ensure close, personal instruction with abun-

dents develop visual problem-solving and critical-thinking skills

dant access to faculty. Additionally, students engage with visiting

while exploring art, culture, history, and interdisciplinary prac-

designers through lectures, classes, and portfolio reviews, facilitat-

tices. Admission to the Graphic Design track is a competitive,

ed by the Visiting Designer and Designer-in-Residence programs.

two-step process. In their first year, students participate in a

roski.usc.edu/design-areas-of-study/

candidacy review, submitting a 6–10-piece portfolio, completing a design-thinking worksheet, and completing an in-person inter-

UNIVERSITY OF SOUTHERN MISSISSIPPI

view. This work is evaluated by the Graphic Design faculty, and

HATTIESBURG MS

approximately 60 students advance to the introductory ComDes courses. At the end of this course, students undergo a second portfolio review, with the top 40 candidates officially admitted into the Graphic Design track. Graduates of UNT’s Communication Design program are highly sought after, earning positions at

Established in 1910 the University of Southern Mississippi is a tier one research institution that has provided a quality education in visual arts for 110 years. As 1 of only 43 institutions in the nation accredited in all major art forms it is considered the flagship university for the arts in the state of Mississippi. The graphic design program has a rich history

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HIGHEST HONORS | 2025 TOP DESIGN SCHOOLS dating back to 1946 and has produced distinguished alums which

VERMONT COLLEGE OF FINE ARTS (VCFA)

include an AIGA Medalist, and numerous design industry leaders.

MONTPELIER VT

The design program continues to develop this rich tradition of

VCFA is the only college devoted exclusively to graduate fine arts

success which can be seen through our students’ award-winning

education, VCFA offers artists and writers a transformative and

work that has garnered over 300 awards in the past 5 years. Our

progressive educational experience. We are a global community

BFA curriculum focuses on visual literacy; development of con-

of artists continuously redefining what it means to be an arts

ceptual, aesthetic, and visual skills; and creative problem solving.

college. We measure success by our ability to foster the excel-

In addition to traditional course work students can experience

lence of emerging and established practitioners. https://vcfa.edu/

design in one of 2 student lead agencies: Rise Creative, and SPVA

mfa-graphic-design/

Design and Marketing. Our students also enjoy a rich culture and active community within our program with large, active student organizations that travel to design conferences, portfolio reviews and competitions.” usm.edu/performing-visual-arts/index.php

VIRGINIA COMMONWEALTH UNIVERSITY BRANDCENTER RICHMOND VA brandcenter.vcu.edu/ THE UNIVERSITY OF TEXAS AT AUSTIN

VIRGINIA COMMONWEALTH UNIVERSITY

SCHOOL OF DESIGN AND CREATIVE TECHNOLOGIES

SCHOOL OF THE ARTS

AUSTIN TX

RICHMOND VA

The School of Design and Creative Technologies (SDCT) at The

The Department of Graphic Design champions agency through the

University of Texas at Austin aims to produce diverse, creative stu-

competencies of collaboration, research, making and cultural litera-

dents who are the best technical creators, designers, and problem

cy. The department believes in responding to the reality of our time

solvers with exceptional job opportunities. SDCT comprises two

and that design is activated by content, condition and impact. Fur-

academic departments: the Department of Arts and Entertainment

ther, that design exists in a continuum: The study of the historical

Technologies (AET) and the Department of Design. The Depart-

past as it informs the now strengthens design’s ability to strategical-

ment of Design empowers students with a multi-faceted educa-

ly speculate on future forms, languages and systems.

tional experience that poises graduates for careers in the design profession, professions with a design component or a strategic focus, and entrepreneurial endeavors. In addition to a BFA and BA in Design, the department offers an MFA in Design and an MA in Design focused on Health, a first-of-its-kind program equipping a new generation to be change agents in healthcare using design methodologies and practices. designcreativetech.utexas.edu THE UNIVERSITY OF UTAH COLLEGE OF FINE ARTS SALT LAKE CITY UT art.utah.edu/graphic-design/

SCHOOL OF ART + ART HISTORY + DESIGN

Fruits of labor indifferently consumed at student-led exhibition, ‘Scales of Indifference,’ Fall 2024. Department of Graphic Design student curated exhibition at The Anderson Gallery. Photo by Jerry Pleasant III.

art.washington.edu/division-design

The department provides an education that values the inclusion of

UNIVERSITY OF WASHINGTON

diverse backgrounds, skill sets and experiences. Students develop acuities to communicate effectively through visual and verbal repre32 GDUS A

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HIGHEST HONORS | 2025 TOP DESIGN SCHOOLS sentation, and are prepared — as individuals and collaborators — to

We offer 15 unique degree programs, supplemented by several

be practitioners not limited by the confines of current professional

creative research centers and resources, including the Office for

practices. arts.vcu.edu/graphic-design/

Socially Engaged Practice, Island Press, and the D.B. Dowd Modern Graphic History Library, featuring a comprehensive archival

VIRGINIA TECH

collection of periodical illustration. Undergraduates in design

BLACKSBURG VA

may pursue a BFA or a BA as well as second majors and minors in diverse academic fields. Students are free to explore drawing, typography, graphic design, illustration, book arts, and interaction design (and everywhere in between). The MFA in Illustration & Visual Culture (MFA-IVC) program combines studio practice in illustration and writing with the study of visual and material culture. With a focus on illustrator authorship, this two-year, fully residential program is made for illustrators, comic artists, and designers interested in popular visual matter. samfoxschool.wustl.edu/academics/college-of-art WOODBURY UNIVERSITY SCHOOL OF MEDIA :CULTURE :DESIGN

Virginia Tech takes a hands-on, transdisciplinary approach to prepare students to be leaders and problem-solvers. As a leading research institution, Virginia Tech offers about 280 undergraduate and graduate degree programs to more than 34,000 students. The Graphic Design program offers a unique and innovative approach to design education, empowering students to become dynamic problem-solvers and leaders in their fields. With a focus on experiential learning and future-focused research, the program fosters a culture of inclusivity and collaboration, embodying the institution’s motto Ut Prosim: (That I May Serve).

BURBANK CA Woodbury University’s Graphic Design Program is housed in the School of Media : Culture : Design and grants a Bachelor of Fine Arts degree in Graphic Design. The program holds accreditations from NASAD, the National Association of Schools of Art and Design as well as WSCUC, Senior College & University Commission. The Graphic Design program has been recognized among the top thirty design programs nationwide during the last eight years.

Located in Burbank, California and recognized for its high-quality education, it has provided unique opportunities for Graphic Design

Through a combination of conceptual thinking, user-experience

students to take internships in major entertainment, marketing,

design, and problem-solving tactics, the program equips students

and interaction design companies and studios. These opportu-

with the tools they need to excel in a variety of design fields. With

nities have led GD graduates to start their professional careers

a strong emphasis on developing both aesthetic abilities and indi-

within a few months after graduation. GD students consistently

vidual creativity, students gain essential teamwork and adaptability

win international and national design awards, and have achieved

skills for success in today’s competitive job market. Graduates

recognition in entertainment design, web design, advertising

work in app design, motion design, product and packaging design,

design, package design, identity design and environmental graph-

web and interaction design, advertising, and other related fields.

ics. Program coursework includes studies of traditional and experi-

Virginia Tech engages alumni as vital and contributing constituents of the community. The school serves the public sector through events, exhibitions, internships, competitions, workshops, and courses that nourish and renew the vitality of art and design. sova. vt.edu.

mental typography, levels of web, app, UX and interaction designs, levels of graphics and information design, Packaging design, Environmental design, Entertainment design, Experimental Design, Motion Graphics, Professional Practice, Senior Portfolio Presentation, and Senior Thesis Project.

Founded in 1884, Woodbury University is one of the oldest insti-

WASHINGTON UNIVERSITY IN ST. LOUIS

tutions of higher education in Southern California. The university

SAM FOX SCHOOL OF DESIGN AND VISUAL ARTS

offers bachelor’s degrees from the School of Architecture, School

ST. LOUIS MO

of Business, School of Media : Culture : Design, and College of

The Sam Fox School of Design & Visual Arts is a leader in architecture, art, and design education. We advance our fields through innovative research and creative practice, excellence in teaching, a world-class university art museum, and a deep commitment to addressing the social and environmental challenges of our time.

Liberal Arts & Sciences, along with a number of graduate studies in Business and Architecture. woodbury.edu YALE UNIVERSITY SCHOOL OF ART NEW HAVEN CT art.yale.edu/about/study-areas/graduate-study-areas/graphic-design

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| 2025 |

AMERICAN PACKAGE DESIGN AWARDS SPONSORED BY FEDRIGONI SPECIAL PAPERS AND MOHAWK

In this moment of challenge for makers and marketers — short term economic uncertainty and long term media evolution — our 62nd anniversary showcase defies gravity. Nearly 250 winning designs by talented creative professionals for many leading companies and brands, selected from many times that number. It is a testament to the power of pack-aging to convey the message, tell the story, advance the brand, amplify the experience, make the difference. We celebrate beauty, of course, but more crucially, the power of effective and strategic design to forge a human connection before, during and after the sale.

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The Fedrigoni Collection selected for North America sets a new standard for brand owners, convertors, and designers, perfect for their most important and inspired print and packaging projects.

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Made in Italy.

Stocked and readily available in North America.

Scan the QR code to request a copy

@fedrigoni.northamerica www.specialpapers.fedrigoni.com/nam/

A MESSAGE FROM THE SPONSOR | MOHAWK AND FEDRIGONI SPECIAL PAPERS

“Mohawk Packaging” is a curated unboxing experience. This new promotion that showcases papers from Mohawk Superfine, Loop, Renewal, and Mosaic.

Luxury packaging is more than just a mere container - it’s a powerful brand statement that resonates long before your product is revealed. Exceptional and elevated packaging ignites anticipation and creates an immediate sense of differentiation, intrigue, and perceived value.

From elegant boxes to signature bags, the allure of premium materials creates a tactile experience that engages the senses and builds excitement.

This heightened attention to detail in packaging communicates that your brand values quality, craftsmanship, and a superior customer experience at every touchpoint. It transforms a simple purchase into a memorable unboxing event, often shared on social media, amplifying your brand’s reach and resonance.

Illustrating the impactfulness of packaging, Mohawk presents, “Mohawk Packaging”, a curated unboxing experience imagined by Hybrid Design & printed by Calitho. The new promotion showcases papers from Mohawk Superfine, Loop, Renewal, and Mosaic.

Each paper combines versatility with print performance for inks, foils, embossing and other embellishments. Whether you’re looking to convey timeless sophistication with Superfine or modern aesthetic with a bold texture from Mosaic, Mohawk’s Packaging Portfolio has a solution.

Mohawk Packaging demonstrates that investing in superior packaging isn’t just about protecting your product – it’s about creating a lasting impression to reinforce your brand’s identity and inspire enduring customer loyalty.

Design: Hybrid Design, San Francisco CA Print: Calitho, Concord CA Photography: Rob Williamson Photo styling: Anna Raben

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DESIGN FIRMS | AGENCIES | SCHOOLS REPRESENTED ALISA GANNOTA 40 AZY BROWN 40 BEHR COLOR+CREATIVE 40 BENCO DENTAL 41 BLINDTIGER DESIGN 41 BLUE DARING 41, 42 BONAVITA DESIGN 42 BURGOPAK 42 CBX 42, 43, 44 COHO CREATIVE 44, 45 CAMPBELL’s INHOUSE DESIGN TEAM 45 CHASE DESIGN GROUP 45 CLANIN CREATIVE 46 COLLABORATIVE CLASSROON 46 CONTENTIOUS INC 46 CROOK & MARKER LLC 46 DANYA DESIGNS 47 DELL EXPERIENCE DESIGN GROUP 47 DESIGN AXL 47 DESIGN HOVIE STUDIOS 47 DESIGN WOMB 48 DISNEY CONSUMER PRODUCTS 48 DIVERSIONARY TACTIC 48 EARTHBATH 49 EIGHT MOON™ 49 ELLEAH STILLMAN 50 FEMMEFOLIO DESIGN STUDIO 50 FIZZ CREATIVE 50, 51 FORTNIGHT COLLECTIVE 51 GATTO RIVERA BRANDING 51, 52 GAUGER + ASSOCIATES 52 GINA McKINNA DESIGN 53 HUNTER 53, 54 HONEY ASHVINKUMAR GARDHARIA 54 HOOT DESIGN STUDIO 54 HOUSE OF KRAUSS 54 ID8 55 IMAGO GROUP LUXURY PACKAGING 55 JACOB DeGEAL 55 JOE CHAUNCEY 55 JIA YU 56 KUDOS DDESIGN COLLABORATORY 56 KAO CORPORATION 56 KRISTINE MASTROPOLO 56 LEAH McDONALD DESIGN + PHOTOGRAPHY LINN DESIGN STUDIO 57 LOOKOUT, INC. 57 M.E. DESIGN LAB 57 MAVRK STUDIO 58

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MANGOLD DESIGN 58 MARCHON EYEWEAR 58 MARINE LANE 58 59 – 65 MATTEL, INC. MEYOCKS HY-VEE DESIGN TEAM 65, 66 MILES FINCH INNOVATION 66 MISKOWSKI DESIGN 66 MONICA LO 67 MRS&MR 67 NOVAMEX 67 ONE FLIGHT UP 68, 69 PHILLIPS 69 PORCELLI DESIGN 69 RAS COMMUNICATIONS 69 RR DONNELLEY 70 REAL FRESH BRANDS 70 RED SHED CREATIVE CO 70 ROLAND FOODS 71 ST8MNT 71 SALLY MORROW 72 SAMANTHA TABLERIOU + ALAN POCARO 72 SARA NELSON DESIGN 72, 73, 74 SEEDHOUSE 74, 75, 76 SMURFIT WESTROCK 76 SPARK 77 SPECTRUM BRANDS DCX 77, 78 STACY KARZEN 78 STOUT COLLECTIVE 78, 79 STRANGER & STRANGER 79 TBA OUTDOOR 80 TBARNES GRAPHICS 80 THE CREATIVE PACK 80, 81 THE CREATIVE STUDIO AT MORGAN STANLEY 81 THE DURST ORGANIZATION 82 THE UNIVERSITY OF SOUTH MISSISSIPPI 82 THIRD STREET 82 TOPCO ASSOCIATES 82, 83, 84 VSA PARTNERS/SAPPI NA 84 VIRGINIA PATTERSON DESIGN 85 85 WATERMARK DESIGN XHILARATE 86 ACADEMY OF ART UNIVERSITY 86, 87, 88 DREXEL UNIVERSITY 88 KENNESAW STATE UNIVERSITY 89 LEHIGH UNIVERSITY 89, 90 MICA 90 RIT 90, 91 SCAD 91, 92, 93, 94 UCO SCHOOL OF DESIGN 94

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AMERICAN PACKAGE DESIGN AWARDS

Design Firm: Alisa Gannota Client: Reef Title: Reef Sea-Weed Gel Packaging Designer: Alisa Gannota Category: Health + Pharmaceuticals

Design Firm: Azy Brown Client: Third Sight Roasters Title: Third Sight Roasters Visual Identity Creative Director: Azy Brown Category: Food + Beverages

Design Firm: Behr Color+Creative Client: Behr Paint Company Title: BEHR ULTRA® Interior Paint Packaging Creative Director: Marianne Hales Designer: Francisco Ramirez Production: Victor Archer 3D CGI Artists: Adrian Covarrubias, Rose Castaneda Project Coordinator: Katherine Dimapilis Category: Home + Garden

Design Firm: Behr Color+Creative Client: Behr Paint Company Title: MAGNOLIA HOME BY JOANNA GAINES® Premium Paint Packaging Creative Director: Marianne Hales Designer: Katelyn Grover Designer: Carmen Serrano Production: Jason Garrison 3D CGI Artists: Adrian Covarrubias, Rose Castaneda Project Coordinator: Liz Ochoa Category: Home + Garden

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Design Firm: Benco Dental Title: VisionXR Intraoral Sensor Creative Director: Eric Larsen Designer: Michael Gentle Category: Private Label Packaging

Design Firm: Blindtiger Design Client: Stoup Brewing Title: Hydromatic Hop Water Creative Director: Oceania Eagan Art Director: Chad Gowey Designer: Lauren Stevens Category: Food + Beverages

Design Firm: Blindtiger Design Client: Yakima Chief Hops Title: HyperBoost Oil-Boosted Hop Extract Creative Director: Oceania Eagan Art Director: Chad Gowey Designer: Ben Hose, Laura Stevens Illustrator: Ben Hose Category: Auto Care + Industrial

Design Firm: Blue Daring Client: LION TotalCare Title: LION TotalCare Customer Welcome Kit Creative Director: Shuky Leung Ideation Lead: Vanessa Mentor Designer: Shuky Leung Copywriter: Genevieve Waller Production: David Hart, Kyle Richer Category: Promotions + Gifts

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AMERICAN PACKAGE DESIGN AWARDS

Design Firm: Blue Daring Title: Supporting You In The New Year Holiday Kit Creative Director: Shuky Leung Ideation Lead: Vanessa Mentor Production: David Hart Designer: Shijing Li Copywriter: Genevieve Waller Category: Promotions + Gifts

Design Firm: Bonavita Design LLC Client: Unimac, A Command Company Title: Unimac’s Beyond the Obvious 2025 Holiday Champagne Package Creative Director: Donna Bonavita Art Director: Donna Bonavita Designer: Donna Bonavita Photographer: Cover: Alison Shaw, Alison Shaw Photography Interior: Peter Comninellis, Getty Images President, Unimac, A Command Company: Greg Matonti Vice President, Unimac, A Command Company: Steven Broomhead Category: Wines, Beer + Liquor

Design Firm: Burgopak Title: MavieMe x Burgopak Creative Director: Dane Whitehurst Designer: Andrew Davis Photographer: Lucy Parker Category: Health + Pharmaceuticals

Design Firm: CBX Client: General Mills Title: :ratio Redesign Category: Food + Beverages

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Design Firm: CBX Client: Keurig Doctor Pepper Title: 7Up Shirley Temple Limited Edition Category: Food + Beverages

Design Firm: CBX Client: Keurig Dr Pepper Title: Canada Dry Package Redesign Category: Food + Beverages

Design Firm: CBX Client: Litehouse Inc. Title: VeggieCraft Package Redesign Category: Food + Beverages

Design Firm: CBX Client: Mezcla Title: Mezcla Puff-Crispy Bar Redesign Category: Food + Beverages

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AMERICAN PACKAGE DESIGN AWARDS

Design Firm: CBX Client: South Mill Champs Title: Dirty Supplements Brand Identity and Package Design Category: E-Commerce Packaging

Design Firm: CBX Client: The Kroger Co. Title: Simple Truth Package Redesign Category: Private Label Packaging

Design Firm: COHO Creative Client: Age International, Inc. Title: Blanton’s Limited Edition 2024 Creative Director: Jessie Zettler Art Director: Monica Campbell Designer: Kate Raterman Senior Designer Render Development: Kevin Bova Realization Director: Shonda Leen Realization Designer: Molly Mariani Category: Wines, Beer + Liquor

Design Firm: COHO Creative Client: Perrigo Company plc Title: Good Start Family Package Redesign Creative Director: Jessie Zettler Art Director: Monica Campbell Designer: Kate Raterman, Finn Schlottman, Maria Fisher, Sarah Balog Senior Designer Render Development Kevin Bova Realization Director: Shonda Leen Client & Strategy Director: Monica Alexander Partner, Chief Client & Strategy Officer Category: Baby + Kids

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Design Firm: COHO Creative Client: Winery Exchange, Inc. (WX Brands) Title: Here By Chance Wine Label Creative Director: Jon Shapiro Art Director: Chris Combs Designer: Kate Raterman, James Billiter Senior Designer Render Development: Kevin Bova Partner, Chief Client & Strategy Officer: Greg Zimmer Client & Strategy Director: Monica Alexander Category: Wines, Beer + Liquor

Design Firm: COHO Creative Client: Wolf Spirit Distillery Title: Puncher’s Chance Warrior Spirit Creative Director: Jon Shapiro Art Director: Annie Ledford Designers: Finn Schlottman, Sarah Balog, James Billiter Senior Designer Render Development: Kevin Bova Category: Wines, Beer + Liquor

Design Firm: Campbell’s In-house Design Team Client: Rao’s Homemade Title: Rao’s Made for Home Frozen Entrée Package Design Creative Director: Trish Suttles Art Director: Trish Suttles Designers: Sarah Garcia, Rachel Anthony, Joey Yu Photographer: Elysa Weitala Brand Manager: Amanda DiCarlo Food Stylist: Alicia ‘Ace’ Deal Retoucher: Tyler Lewis Category: Food + Beverages

Design Firm: Chase Design Group Client: Dorot Gardens Title: Dorot Gardens Brand Redesign Creative Director: Jon Arriaza Art Director: Lindsey Reveche Designers: Lindsey Reveche, Connor Murphy, Ryan Doro, Annie Li, Beverly Hartano, Ardine Keyla Production: Joanna Kawai Category: Food + Beverages

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AMERICAN PACKAGE DESIGN AWARDS

Design Firm: Clanin Creative Client: Prairie Fruits Farm & Creamery Title: Prairie Fruits Farm & Creamery Cheese Labels Creative Director: Scott Clanin Designer: Oscar Aguilar Category: Food + Beverages

Design Firm: Collaborative Classroom Title: SIPPS Fifth Edition (K-12) Creative Director: Roberta Morris Designer: Sasha Zinovik Category: Education Resources

Design Firm: Contentious Inc Client: The Functional Chocolate Company Title: Functional Chocolate for Kids Packaging Series Creative Director: Steve Whittier Illustrator: Chirag Ahir Category: Baby + Kids

Design Firm: Crook & Marker LLC Title: Crooked Tea Can and Package Design Creative Director: Mike Boos Illustrator: Mike Boos Category: Wines, Beer + Liquor

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Design Firm: Danya Designs Client: Granite Roots Brewing Title: Granite Roots Cheshire Czech 12 Degree Lager Creative Director: Dayna Pugliese Art Director: Dayna Pugliese Designer: Dayna Pugliese Illustrator: Dayna Pugliese Photographer: Dayna Pugliese Category: Wines, Beer + Liquor

Design Firm: Dell Technologies, Experience Design Group Title: ALIENWARE Pro Peripherals Packaging Creative Director: Peace Lee Category: Consumer Electronics + Tech

Design Firm: Design Axl Client: Bubble Works Title: Bubble Works Cans Creative Director: James Grady Art Director: James Grady Designer: James Grady Category: Wines, Beer + Liquor

Design Firm: Design Hovie Studios, Inc. Client: Demitri’s Gourmet Mixes Title: Demitri’s Bloody Mary Seasonings Single Serve Packaging Creative Director: Hovie Hawk Art Director: Hovie Hawk Designer: Hovie Hawk Photographer: Erik Skaar Category: Food + Beverages

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AMERICAN PACKAGE DESIGN AWARDS

Design Firm: Design Womb Client: Nanga Title: Nanga Spice Branding & Packaging Design Creative Director: Nicole LaFave Designer: Hannah Gentry Photographer: Zach Golden (On Pack) Andria Lo (Lifestyle) Brand Strategy: Nicole LaFave, Zach Golden Category: Food + Beverages

Design Firm: Design Womb Client: SmartlifeCo Title: SmartlifeCo Sustainable Oral Care Branding & Packaging Design Creative Director: Nicole LaFave Designers: Hannah Gentry, Nicole LaFave, Mike Dornseif Illustrator: Mike Dornseif (Giraffe) Photographer: Erin Scott (Lifestyle), Pophaus (Product On Pack), Andria Lo (Product Photography) Brand Strategy: Nicole LaFave, Zach Golden Prop Stylist: Anna Raben Model: Savina Johnson (Scout Model & Talent Agency) Category: Beauty + Cosmetics + Personal Care

Design Firm: Disney Consumer Products, Packaging and Branding Department Client: Disney Consumer Products Title: The Haunted Mansion Sarah ‘Sally’ Slater Doll - Limited Edition Creative Director: Doug Strayer Art Director: Steve Carsella Designer: Rachel Bristol Senior Manager, Technical Packaging: Steve Saco Category: Toys + Games

Design Firm: Diversionary Tactic, Inc. Client: Characters Unlimted via ATC Wines Title: Zoltar Wines Package Design Creative Director: Tre Stange Art Director: Tre Stange Designer: Tre Stange Illustrator: Tre Stange Category: Wines, Beer + Liquor

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Design Firm: earthbath and Shanan Vasquez Title: earthbath Tooth & Gum Wipes Designer: Shanan Vasquez Category: Petcare + Animals

Design Firm: Eight Moon™ Client: Hill-Murray School Title: Hill-Murray School Acceptance Box Creative Director: Megan Junius Designer: Emmi Brytowski Photographer: Belen Fleming Category: POP + Displays + Signs

Design Firm: Eight Moon™ Client: Park Dental Title: Park Dental Window Signage Creative Director: Megan Junius Designer: Emmi Brytowski Photographer: Belen Fleming Category: POP + Displays + Signs

Design Firm: Eight Moon™ Title: Eight Moon™ Greeting Cards Creative Director: Megan Junius Designer: Emmi Brytowski Category: Promotions + Gifts

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AMERICAN PACKAGE DESIGN AWARDS

Design Firm: Elleah Stillman Title: Mini Makers Art Kit Designer: Elleah Stillman URL: https://www.stilleleah.com Category: Toys + Games

Design Firm: FemmeFolio Design Studio Client: Modern Alchemy Title: Modern Alchemy Skincare Package Design Art Director: Stephanie Timmons Designer: Amanda Grable Chief Operating Officer: Mollie Mello Category: Beauty + Cosmetics + Personal Care

Design Firm: FemmeFolio Design Studio Client: Stellar Sips Title: Stellar Sips Full Line Can Design Art Director: Stephanie Timmons Designer: Amanda Grable Chief Operating Officer: Mollie Mello Category: Wines, Beer + Liquor

Design Firm: Fizz Creative Client: Flour Pasta Company Title: Flour Pasta Brand and Package Redesign Creative Director: Katie Melnick Art Director: Jasen Melnick Designer: Jasen Melnick Photographer: Emily Metzger Category: Food + Beverages

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Design Firm: Fizz Creative Client: Mugsy Bakes Title: Mugsy Mug Cake Mix Packaging Creative Director: Katie Melnick Art Director: Jasen Melnick Illustrator: Bridget Stec Photographer: Pulp & Wire Category: Food + Beverages

Design Firm: Fortnight Collective Client: Solely Inc. Title: Solely Package Redesign Art Director: Anna Delaney Photographer: Hulswit Designs Photography, Mike Hulswit, Aline Ponce Chief Executive Officer: Simón Sacal Chief Revenue Officer & Executive Vice President, Sales and Marketing: Michel Algazi Head of Marketing: Manish Amin Founder & CEO: Andy Nathan Creative Director/Head of Design: Matt Kubis Creative Director/Copy: Mona Hasan Brand Director: Marci Andress Senior Brand Manager: Lauren Kotz Strategy Director: Brian O’Connell Retouching: Casey Kerrick Creative Services: Lyon Management Management: Nicole Lyon Category: Sustainable Packaging

Design Firm: Gatto Rivera Branding Client: Sabonis Family Wines Title: Ones

by Sabonis Package Design Creative Director: Antonio Rivera, Tim Gatto Art Director: Gatto Rivera Designer: Antonio Rivera, Tim Gatto Package Printer: Vintage Press & Label Co., Cloverdale CA Category: Wines, Beer + Liquor

Design Firm: Gatto Rivera Branding Client: Toje Wines Title: Toje Wines Package Design Creative Director: Antonio Rivera, Tim Gatto Art Director: Gatto Rivera Designer: Antonio Rivera Illustrator: Antonio Rivera Photographer: George E. Baker Jr. Package Printer: CCL Label, Sonoma CA Category: Wines, Beer + Liquor

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Design Firm: Gatto Rivera Branding Client: YB Wine Co. Title: YB Wine Co. Package Design Creative Director: Antonio Rivera, Tim Gatto Art Director: Gatto Rivera Designer: Antonio Rivera, Tim Gatto Illustrator: Tim Gatto Photographer: George E. Baker Jr. Package Printer: MCC Label, Napa CA Category: Wines, Beer + Liquor

Design Firm: Gauger + Associates Client: Prostasis Title: Prostasis NutraMeta Supplements Creative Director: David Gauger Art Director: Lori Murphy Category: Health + Pharmaceuticals

Design Firm: Gauger + Associates Client: Thaiwala Title: Thaiwala Line Extension Creative Director: David Gauger Art Director: Lori Murphy Designer: Lori Murphy Photographer: Cliff Traiman Category: Food + Beverages

Design Firm: Gauger + Associates Title: Gauger + Associates Playing Cards Creative Director: David Gauger Art Director: Lori Murphy, Rob Keil, Jenna Pile, Isabelle Laporte Designers: Lori Murphy, Rob Keil, Jenna Pile, Isabelle Laporte Category: Promotions + Gifts

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AMERICAN PACKAGE DESIGN AWARDS

Design Firm: Gina McKinna Design Client: Lexington Resources, LLC. Title: Chews Hues Pet Packaging Category: Petcare + Animals

Design Firm: HUNTER Client: Diageo North America Title: Lagavulin Caribbean Rum Cask Finish Press Kit Creative Director: Louisa Caragan Art Director: Laura DeSilvio Designer: Benji Hunt Printer: Proof 7 Category: Promotions + Gifts

Design Firm: HUNTER Client: McIlhenny Company Title: Tabasco Light Things Up Box Creative Director: Louisa Caragan Designer: Kaitlyn Armitano Printer: Proof 7 Category: Food + Beverages

Design Firm: HUNTER Client: Pompeian Title: Pompeian Sustainably Grown Packaging Creative Director: Louisa Caragan Art Director: Laura DeSilvio Designer: Laura DeSilvio Category: Sustainable Packaging

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AMERICAN PACKAGE DESIGN AWARDS

Design Firm: HUNTER Client: Revlon Title: Revlon Illuminance Illuminating Box Creative Director: Louisa Caragan Designer: Laura DeSilvio Printer: Proof 7 Category: Promotions + Gifts

Design Firm: Honey Ashvinkumar Gardharia Title: Reimagining Bandage Packaging: Strength, Protection, and Confidence Designer: Honey Ashvinkumar Gardharia School: Rochester Institute of Technology (RIT) Category: Health + Pharmaceuticals

Design Firm: Hoot Design Studio Client: Universal Yums Title: Universal Yums Country Tasting Adventures Creative Director: Jen Borror Art Director: Jen Borror Designer: Jen Borror Illustrator: Jen Borror Lettering: Jeremy Friend Category: Food + Beverages

Design Firm: House of Krauss Client: C.Krueger’s Finest Baked Goods Title: C.Krueger’s Big Box of Thanks Packaging Creative Director: Jason Bradley-Krauss Designer: Jason Bradley-Krauss, Jenna Friel Photographer: Ryan Phillips URL: https://ckruegers.com/collections/great-big-box-of-thanks-collection Category: Food + Beverages

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Design Firm: id8 Client: Yaza Title: Yaza Labneh Mediterranean Style Dip Packaging Creative Director: Kriston Sellier Art Director: Jess Gerjets Designer: Karsten Nebiker Brand Strategist: Eric Berrios Category: Food + Beverages

Design Firm: IMAGO GROUP Luxury Packaging Title: Corporate ID Promotion ‘The Lavender Girls’ Creative Director: Justin Weinrich Illustrator-Artist: Terry DeBlanco Photographer: Justin Weinrich Writer: Gina DeBlanco Category: Luxury Packaging

Design Firm: JOE CHAUNCEY, LLC Client: Obelisco Estate Winery Title: NEFER Branding and Package Design Designer: Joe Chauncey Printer: Trysk Print Solutions Category: Food + Beverages

Design Firm: Jacob DeGeal Client: Ian Power’s Ava Maria Title: CD Packaging Designer: Jacob DeGeal Photographer: Ian Power Piano, Vocals: Anne Rainwater Liner Notes: Carolyn Chen Category: Music + Media

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AMERICAN PACKAGE DESIGN AWARDS

Design Firm: Jia Yu Title: When Your Flow Goes Rogue Designer: Jia Yu Professor: Jennifer Cole Phillips School: Maryland Institute College of Art (MICA) Category: Health + Pharmaceuticals

Design Firm: Kao Corporation Title: Baby Jergens Packaging and Branding Associate Director, Creative Marketing, Consumer Care, A/EMEA: Laura Helton Director, Creative Marketing, Consumer Care, A/EMEA: Paige Mann Design Manager, Consumer Care, A/EMEA: Beth Baker Sr. Creative Team Lead, Consumer Care, A/EMEA: Tara Ackerman Print Quality Mgr., Consumer Care, A/EMEA: Paige Massa Digital Media Specialist, Consumer Care, AEMEA: Jason Siebert Design Mgr., Consumer Care, A/EMEA: Robin Thompson Brand Manager, Communications Content & Partnerships, US: Amy Bella CLIENTS: Assoc. Director, Marketing, Consumer Care, AEMEA: Natalie Orme Brand Manager, Consumer Care, A/EMEA: Allison Meyer Sr. Director, Marketing, Consumer Care, A/EMEA: Ben Pinsky Category: Baby + Kids

Design Firm: KUDOS Design Collaboratory Client: Emina Cosmetics Title: Emina Pore Ranger Package Design Creative Director: Mellisa Hoego Art Director: Carla Stephano Designer: Fanicia Meilian Category: Beauty + Cosmetics + Personal Care

Design Firm: Kristine Mastropolo Client: Capezio Title: Capezio Bunheads Packaging Design Designer: Kristine Mastropolo Category: Fashion + Apparel + Accessories

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Design Firm: Leah McDonald Design + Photography, LLC Client: Red Shed Brewery Title: Red Shed Brewery Beer Labels Designer: Leah McDonald Project Lead: Wyatt Crowley Category: Wines, Beer + Liquor

Design Firm: Linn Design Studio Client: Krupp Brothers Winery Title: Veraison Wine Label Design Creative Director: Amy Linn Designer: Amy Linn Illustrator: Amy Linn Category: Wines, Beer + Liquor

Design Firm: Lookout, Inc. Title: Lookout Winter Prospecting Mailer Creative Director: Muhamed Causevic Art Director: Muhamed Causevic Category: Promotions + Gifts

Design Firm: m.e.designlab Client: City Walk Distilling Title: City Walk Distilling Spirit Labels Art Director: Matt Everley Designer: Matt Everley Illustrator: Matt Everley Category: Wines, Beer + Liquor

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AMERICAN PACKAGE DESIGN AWARDS

Design Firm: MAVRK Studio Client: Cha Lab Title: Cha Lab Tea Packaging Creative Director: Valeria Bonilla Photographer: Sebastian Vaccarella Co-Founder/Tea Practitioner: Jon Mirador Category: Food + Beverages

Design Firm: Mangold Design Client: Nimbus Cannabis Title: Nimbus Cannabis Cartons Designer: Annabel Mangold Category: CBD + Cannabis

Design Firm: Marchon Eyewear Client: Ferragamo Eyewear Title: Ferragamo Vision Industries Display Senior Art Director: Fran Shavzin Ferragamo Brand Manager: Jessica Agugiaro Category: POP + Displays + Signs

Design Firm: Marine Lane Client: MmMm Rice Pudding Ice Cream Title: MmMm Rice Pudding Ice Cream Packaging Creative Director: Hannah Hillier Designer: Yoonjung Cho, Alejandro Rovira Illustrator: Yoonjung Cho Contributors: Megan Flood, Rebeca Rivas, Margie Fox Category: Food + Beverages

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Design Firm: Mattel, Inc. Title: Barbie Cutie Reveal x Carebears Lead Packaging Designer: Laydiana Chiv Senior Graphic Designer: Apple Guo Key Lead Copywriter: Eleanor Oliver Staff Package Engineer: Steve Fireman Manager Packaging Design: Dave Lochner Director Package Design: Suzanna Lakatos Project Manager: Audrey Maderazo Senior Manager Packaging Designer: Emer Lalor Category: Toys + Games

Design Firm: Mattel, Inc. Title: Barbie Dream Besties Core Dolls Lead Package Designer: Sarah Pata Senior Graphic Designer: Judith Lai Lead Package Engineer: Olga Tesler Package Engineer: Mercy Yu Senior Manager Packaging Design: Emer Lalor Illustration: Whitney Pollett, Aimee Hou, Alex Hung Photography: Shannon Donnelly Copywriting: Eleanor Oliver, Kennedy Beltan Senior Director Package Design: Suzanna Lakatos Manager Graphic Design: Lisa Lau Senior Manager Graphic Design: Karen Mak Project Manager: Patty Serafin Category: Toys + Games

Design Firm: Mattel, Inc. Title: Barbie Lunar New Year 5 Lead Package Designer: Laydiana Chiv Senior Graphic Designer: Jeff Zhang Key Lead Copywriter: Virginia Hsia Lead Package Engineer: Jacob Snethen Manager Packaging Design:: Dave Lochner Director Package Design: Suzanna Lakatos Project Manager: Audrey Maderazo Senior Manager Packaging Designer: Emer Lalor Category: Toys + Games

Design Firm: Mattel, Inc. Title: Disney Collector Enchanted Elegance Collection™ Dolls Senior Package Designer: Eric Dahan Key Senior Graphic Designer: Nie Chan Senior Illustration Designer: Sunny Hu Key Lead Copywriter: Amanda Egan Lead Packaging Engineer: Rebecca Brand Senior Package Engineer: Eva Kwok Director Package Design: Karen Taylor Project Manager: Patty Serafin Manager Graphic Design: Jimmy Wan Category: Toys + Games

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AMERICAN PACKAGE DESIGN AWARDS

Design Firm: Mattel, Inc. Title: Disney Frozen and Disney Princess Spin & Reveal Package Designers: Deborah Ava, Susannah Mosher, Jessica Garvin Key Senior Graphic Designer: Nie Chan Key Lead Copywriter: Amanda Egan Lead Package Engineer: Rebecca Brand Senior Package Engineer: Eva Kwok Director Package Design: Karen Taylor Project Manager: Patty Serafin Associate Manager Graphic Design: Jimmy Wan Senior Manager Graphic Design: Karen Mak Category: Toys + Games

Design Firm: Mattel, Inc. Title: Dreamworks Universal Trolls™ Fun Fair Surprise Line Lead Package Designer: Julie Lee Senior Graphic Designer: Judith Lai Associate Copywriter: Kennedy Beltran Senior Package Engineers: April Chin, Nicky Chen, Omey Zhou Project Manager: Patty Serafin Associate Manager Graphic Design: Jimmy Wan Senior Manager Graphic Design: Karen Mak Manager Package Design: Jennifer Yang, Wendy Garay Director Package Design: Karen Taylor Category: Toys + Games

Design Firm: Mattel, Inc. Title: Easter Magic 8 Ball Senior Package Designer: Jeff Ipjian Senior Copywriter: Jim Lincoln Senior Package Engineer: Edgar Ayala Senior Manager Package Design: Jennifer Yang Senior Manager Graphics Design: Augustine Chun Category: Toys + Games

Design Firm: Mattel, Inc. Title: Hot Wheels Batmobile Collector Set Key Lead Package Designer: Flo Jo Senior Package Engineering: Aaron Cross Senior Package Design & Engineer: Puti Intan, Mayang Sani Key Lead Copywriter: David Itkowitz Director Package Design: Livia Roustan Category: Toys + Games

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Design Firm: Mattel, Inc. Title: Hot Wheels JDM Multi-Pack Package Design Manager: Matt Gabe Key Senior Graphic Designer: Luisito Lunas Senior Package Engineering: Dave Magde Package Engineer: Poranote Pooniam Senior Copywriter: Andrew Lubetsky Illustration: Fernando Pino, Michael Guevarra Director Package Design: Livia Roustan Category: Toys + Games

Design Firm: Mattel, Inc. Title: Hot Wheels RLC Treasure Hunt Set Limited Edition Senior Package Designer: Omar Rivero Key Senior Graphic Designer: Chee Im Lim Manager Package Engineering: Taylor Severn Key Senior Package Engineer: Chui Lee Ong Key Lead Copywriter: Dave Itzkowitz Director Package Design: Livia Roustan Category: Toys + Games

Design Firm: Mattel, Inc. Title: Hot Wheels Racerverse Marvel Secret Wars Staff Package Designer: Richard Orlina Key Graphic Designer: Luisito Lunas Manager Package Engineering: Taylor Severn Package Engineer: Onanong Thaksinayon Key Lead Copywriter: Andrew Lubetsky Director Package Design: Livia Roustan Category: Toys + Games

Design Firm: Mattel, Inc. Title: Hot Wheels Star Wars™ Royal Naboo Starship Staff Package Designer: Sam Kok Senior Graphic Designer: Jason Chan Senior Package Engineering: Dave Magde Lead Package Engineer: Dennis Yiu Senior Copywriter: Melissa Karlin Director Package Design: Livia Roustan Category: Toys + Games

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AMERICAN PACKAGE DESIGN AWARDS

Design Firm: Mattel, Inc. Title: Hot Wheels x Transformers Mattel Creations Collaboration Key Lead Package Designer: Julian Koiles Senior Graphic Designer: Edmond Lee Lead Graphic Designer: Eric Wu Manager Package Engineering: Taylor Severn Lead Package Engineer: Ivan Chen Key Lead Copywriter: Dave Itzkowitz Director Package Design: Livia Roustan Category: Toys + Games

Design Firm: Mattel, Inc. Title: Imaginext Jurassic World Dilophosaurus Lead Graphic Designer: Nick Langswager Graphic Designers: J Fong Senior Copywriter: Pam Mogensen Artwork: Chris Zha Lead Package Engineer: Brian Rice Package Engineer: Poke Li Photography: Eric Tronolone Project Manager: Colleen Wheel Sr. Manager, Package Design: Janeen Mears Category: Toys + Games

Design Firm: Mattel, Inc. Title: Little People Collector Batman 85th Anniversary Lead Graphic Designer: Nick Langswager Graphic Designer: Algae Fung Artwork: Dario Brizuela, May Huang Senior Copywriter: Patricia Hall Lead Package Engineer: Ben Brooks Package Engineer: Tomy Leung Project Manager: Colleen Wheeler Sr. Manager, Package Design: Janeen Mears Category: Toys + Games

Design Firm: Mattel, Inc. Title: Little People Collector Harry Potter Lead Graphic Designer: Janeen Mears Graphic Designer: Algae Fung Senior Copywriter: Patricia Hall Artwork: RIPE Illustrators Lead Package Engineer: Ben Brooks Package Engineer: Tomy Leung Project Manager: Colleen Wheeler Sr. Manager, Package Design: Janeen Mears Category: Toys + Games

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Design Firm: Mattel, Inc. Title: Little People Collector Voltron Lead Graphic Designer: Philip Miller. Graphic Designer: Algae Fung Artwork: Dario Brizuela Senior Copywriter: Patricia Hall Lead Package Engineer: Ben Brooks Package Engineer: Tomy Leung Project Manager: Colleen Wheeler Sr. Manager, Package Design: Janeen Mears Category: Toys + Games

Design Firm: Mattel, Inc. Title: Mattel Creations Corazon Marikit Doll Senior Package Designer: Jennifer Cretacci Sr. Graphic Designer: Judith Chung Yi Lai Lead Package Engineer: Olga Tesler Senior Package Engineer: Edith Ng Senior Director of Package Design: Suzanna Lakatos Copywriter: Piper Anderson Project Manager: Bianca Serle Manager Graphic Design: Lisa Lau Category: Toys + Games

Design Firm: Mattel, Inc. Title: Masters of the Universe Masterverse Packaging Rebrand Key Lead Package Designer & Art Director: Roy Juarez Graphic Designer: Jasmine Chan Artwork: Simon Eckert Lead Copywriter: Robert Rudman Manager Package Engineer: Adam O’Conner Sr. Packaging Engineer: Lawrence Pukhrambam Lead Packaging Engineer: Brian Wong Sr. Packaging Engineer: Lily Shi Manager Package Design: Frank Medrano Sr. Manager Package Design: Tyler Russell Assoc. Project Manager: Samantha Swint Vice President Package Design: Jamie Dunn Category: Toys + Games

Design Firm: Mattel, Inc. Title: Mattel x Keiichi Tanaami Lead Package Designer (Games): Michelle Compton Senior Package Designer (Games): Jeff Ipijan Senior Package Engineer (Games): Edgar Ayala Senior Copywriter (Games): Jim Lincoln Associate Manager (Games): Rong Chen Senior Manager, Graphic Design (Games): Augustine Chun Senior Manager, Games Packaging Design: Jennifer Yang Package Designer (Dolls): Priscilla Bara Senior Package Designer (Dolls): Carol Lin Graphic Designer (Dolls): Alko Liu Lead Package Engineer (Dolls): Olga Tessler Packaging Engineer (Dolls): Niko Liang Packaging Manager (Dolls): Lisa Lau Senior Manager, Copywriting: Julee Shapiro Senior Director, Dolls Package Design: Suzanna Lakatos Category: Toys + Games

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AMERICAN PACKAGE DESIGN AWARDS

Design Firm: Mattel, Inc. Title: Monster High FangVote Jinafire Senior Package Designer: Carol Lin Package Designers: Jimmy Lam, Judith Lai Lead Package Engineer: Olga Tesler Package Engineer: Edith Ng Illustrator: Jane Yang Copywriter: Piper Anderson Manager Packaging Design: Lisa Lau Director Package Design: Suzanna Lakatos Category: Toys + Games

Design Firm: Mattel, Inc. Title: Monster High™ Deadfast Ghoulia™ Doll Lead Package Designer: Charis Ceniseroz Character Art: Darko Dordevic Lead Package Engineer: Olga Tesler Package Engineer: Edith Ng Creative Operations Manager: Bianca Serle Manager Graphic Design: Jimmy Lam Graphic Design: Lisa Lau Writer: Piper Anderson Senior Manager Graphic Design: Karen Mak Director Package Design: Suzanna Lakatos Category: Toys + Games

Design Firm: Mattel, Inc. Title: Polly Pocket Collector Package Designers: Neil Segura Graphic Design: Carrie Zhong, Anchor Gan Illustrator: Cici Luo Key Lead Copywriter: Lillian Berg Lead Package Engineer: Ryan Baysa, Rebecca Brand Package Engineer: Hedy Lin Manager Packaging Design: Wendy Garay Director Package Design: Karen Taylor Project Manager: Paul James Category: Toys + Games

Design Firm: Mattel, Inc. Title: Street Sharks - SDCC Ripster in ‘A Shark Among Us’ Package Design: Bruce Reyes, Rita Sin Editorial: Andrew Lubetsky, Julee Shapiro, Joanie McCaw Package Engineering: Elizabeth Sweeney, Allen Zhong Manager Package Design: Tyler Russell Category: Toys + Games

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Design Firm: Mattel, Inc. Title: UNO Artiste Gray Malin Lead Package Designer: Michelle Compton Senior Copywriter: Jim Lincoln Senior Package Engineer: Edgar Ayala Sr. Manager Package Design: Jennifer Yang Sr. Manager Graphics Design: Augustine Chun Category: Toys + Games

Design Firm: Mattel, Inc. Title: UNO x NDJOLIJEAN Art Director: Jean Jacques Ndjoli Lead Package Designer: Michelle Compton Senior Copywriter: Jim Lincoln Senior Package Engineer: Edgar Ayala Sr. Manager Package Design: Jennifer Yang Sr. Manager Graphics Design: Augustine Chun Category: Toys + Games

Design Firm: Mattel, Inc. Title: WWE x Teenage Mutant Ninja Turtles Package Design: George Martinez, Loki Li Illustration: Joseph Zacate Editorial: Robert Rudman Package Engineering: Lawrence Pukhrambam, Deep Wang Manager Package Design: Frank Medrano Category: Toys + Games

Design Firm: Meyocks Hy-Vee Package Design Team Client: Hy-Vee Title: Chophouse Meats Packaging Art Director: Trenton Burd Designer: Meyocks Hy-Vee Package Design Team Category: Private Label Packaging

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AMERICAN PACKAGE DESIGN AWARDS

Design Firm: Meyocks Hy-Vee Package Design Team Client: Hy-Vee Title: HandStand Energy Drinks Packaging Art Director: Rawley King Designer: Meyocks Hy-Vee Package Design Team Category: Private Label Packaging

Design Firm: Meyocks Hy-Vee Package Design Team Client: Hy-Vee Title: Shox Energy Drinks Packaging Art Director: Trenton Burd Designer: Meyocks Hy-Vee Package Design Team Category: Private Label Packaging

Design Firm: Miles Finch Innovation Client: Litchfield Distillery Title: Building Homes for Heroes Bourbon Label Design Creative Director: Anthony Vengrove Designer: Matt Kornhaas Photographer: Anthony Vengrove Category: Wines, Beer + Liquor

Design Firm: Miskowski Design LLC Client: Operator Canna Co. Title: Operator Canna Co. Package Design Designer: Justin Miskowski Category: CBD + Cannabis

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Design Firm: Monica Lo Client: Grow It From Home Title: Grow It From Home Seed & Flower Packaging Creative Director: Monica Lo Art Director: Monica Lo Designer: Monica Lo Illustrator: Monica Lo Category: CBD + Cannabis

Design Firm: Mrs&Mr Client: La Colombe Title: La Colombe Draft Latte Visual Identity and Package Design Category: Food + Beverages

Design Firm: Novamex Title: Jarriboba Can Design Art Director: Ariadne Willis Photographer: Elliott Rivera Category: Food + Beverages

Design Firm: Novamex Title: Jarritos Loteria Card Game Art Director: Ariadne Willis Designer: Perla Perez Illustrator: Perla Perez Category: Toys + Games

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AMERICAN PACKAGE DESIGN AWARDS

Design Firm: One Flight Up Design Client: Cra-Z-Arts Title: Be Inspired Magic Fashion Doll Creative Director: Lynn Schmieder Designer: Carin Manetti, Kristen Rolfe Photographer: Lynn Lohmeyer Senior Accounting Services: Barbara DeVos Retouching: Chris Spliedt Category: Toys + Games

Design Firm: One Flight Up Design Client: Cra-Z-Arts Title: Super Cra-Z-Loom On-The-Go Caddy Creative Director: Lynn Schmieder Art Director: Carol Corson Designer: Carin Manetti Photographer: Lynn Lohmeyer Senior Account Services: Barbara DeVos Retouching: Chris Spliedt VP, Production: Jason Malmstrom Category: Toys + Games

Design Firm: One Flight Up Design Client: Hometown Food Company Title: Pillsbury Funfetti and Elf On The Shelf Cobranding Seasonal Design Creative Director: Lynn Schmieder Designer: Keri Davis, Rachel Walker Photographer: Curtis Newborn, Food Photo Studio Retouching: Lynn Lohmeyer VP, Director of Client Services: Susan Ramos Category: Food + Beverage

Design Firm: One Flight Up Design Client: Mondelēz International Title: Ritz Hot Honey Flavor Extension Creative Director: Lynn Schmieder Designer: Tiffany London VP, Production: Jason Malmstrom Senior Account Services: Evan Stanhope Category: Food + Beverage

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Design Firm: One Flight Up Design Client: Toblerone Title: Toblerone Limited Edition Lunar New Year Creative Director: Lynn Schmieder Designer: Tiffany London Photographer: Lynn Lohmeyer VP, Production: Jason Malmstrom Senior Account Services: Evan Stanhope Category: Food + Beverage

Design Firm: Phillips Client: Phillips Asia Title: Phillips Lunar New Year Red Envelope Box Creative Director: Martin Schott Designer: Cherry Ng CMO: Amy Wexler Category: Luxury Packaging

Design Firm: Porcelli Design Client: Lindt & Sprüngli (USA) Inc. Title: Lindt Lindor Holiday Creative Director: Maryam Cristillo Designer: Lael Porcelli Category: Food + Beverages

Design Firm: RAS Communications Client: Pollyanna Brewing Company Title: Allure Fruited Sour Ale Series Creative Director: Russell A Schultz Designer: Russell A Schultz Photographer: Abby Ray, Pollyanna Brewing Company Category: Food + Beverages

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AMERICAN PACKAGE DESIGN AWARDS

Design Firm: RR Donnelley Client: Limited Run Games Title: Jurassic Park Prehistoric Edition Value-Added Corrugated Product Box Structural Design: RR Donnelley Category: Toys + Games

Design Firm: RR Donnelley Client: Wagwell Title: WagWell Slider Box Structural Design: RR Donnelley Category: Petcare + Animals

Design Firm: Real Fresh Brands Title: Scratch Dig-In-Chicken Signage and Sales Materials Creative Director: Chelsea Garrow Designer: Eric Luken Category: POP + Displays + Signs

Design Firm: Redshed Creative Co. Client: Genuine Georgia and Barstool Sports Title: Miss Peaches: Legendary Georgia Peaches Creative Director: Harold Riddle Designer: Harold Riddle Category: Package Design For Good

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Design Firm: Roland Foods Title: Roland Foods Escargot Line Creative Director: Eling Lee Designer: Julie Dernigoghossian Category: Food + Beverages

Design Firm: Roland Foods Title: Roland Foods Latin Products Line Creative Director: Eling Lee Designer: Julie Dernigoghossian Category: Food + Beverages

Design Firm: Roland Foods Title: Roland Foods Sun-Dried Tomatoes Line Creative Director: Sandi Grigoryan (TNKR Design), Sergey Grigoryan (TNKR Design), Eling Lee (Roland Foods) Designers: Sandi Grigoryan, Sergey Grigoryan Category: Food + Beverages

Design Firm: ST8MNT Client: Ugly Bagel Title: Storefront and Retail Store Design Creative Director: Josh Newman Art Director: Abby Murdock Designers: Anthony Formisano, Grace Goga, Tanner Germany, Tanner Dunning Illustrator: Anthony Formisano Photographer: Digital Love Project Manager: Afton Aurand Production Manager: Whitney Sutton Architect: Design & Engineering Category: Store Design

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AMERICAN PACKAGE DESIGN AWARDS

Design Firm: Sally Morrow Creative Client: Stoic Fine Cider Title: Stoic Fine Cider Packaging Creative Director: Sally Morrow Art Director: Sally Morrow Designer: Sally Morrow Illustrator: Bekah Worley Category: Food + Beverages

Design Firm: Samantha Tableriou & Alan Pocaro Client: Grand Prairie Friends Title: Grand Prairie Pilsner Creative Director: Samantha Tableriou & Alan Pocaro Designer: Samantha Tableriou & Alan Pocaro Illustrator: Samantha Tableriou & Alan Pocaro Category: Food + Beverages

Design Firm: Sara Nelson Design, Ltd. Client: 1883 Sanctuary Cellars Title: 1883 Sanctuary Cellars Package Design Creative Director: Sara Nelson Designer: Sara Nelson Illustrator: Sara Nelson Category: Wines, Beer + Liquor

Design Firm: Sara Nelson Design, Ltd. Client: Cascadian Outfitters Title: Eco-Friendly Tetra Paks Design Creative Director: Sara Nelson Designer: Alexis White Category: Sustainable Packaging

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Design Firm: Sara Nelson Design, Ltd. Client: Firewater Distillery Title: Rainfire Package Design Creative Director: Sara Nelson Art Director: Sara Nelson Logo Design: Copacino Fujikado Category: Wines, Beer + Liquor

Design Firm: Sara Nelson Design, Ltd. Client: Grab & Go Title: Grab & Go: Wine Boxes Creative Director: Sara Nelson Designers: Sara Nelson, Alexis White Category: Sustainable Packaging

Design Firm: Sara Nelson Design, Ltd. Client: Inspiring Dreams Foundation + Villa Bibbiani for Ellie Kanner Title: Ellie’s Private Reserve Creative Director: Sara Nelson Designer: Sara Nelson Category: Private Label Packaging

Design Firm: Sara Nelson Design, Ltd. Client: Lacewing Cellars Title: Lacewing: Voracious Label Design Creative Director: Sara Nelson Illustrator: Eleftheria Easley Category: Wines, Beer + Liquor

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AMERICAN PACKAGE DESIGN AWARDS

Design Firm: Sara Nelson Design, Ltd. Client: Love the Girls Title: Love the Girls Label Design Creative Director: Sara Nelson Designer: Sara Nelson Category: Package Design For Good

Design Firm: Sara Nelson Design, Ltd. Client: The Bee Society Title: The Bee Society: Honey Holographic Jars Packaging Creative Director: Sara Nelson Designer: Alexis White Illustrator: Emma Faleyev Category: Food + Beverages

Design Firm: Sara Nelson Design, Ltd. Client: Wine Away Title: Wine Away Package Design Creative Director: Sara Nelson Designer: Sara Nelson Category: Home + Garden

Design Firm: Seedhouse Client: Ford Gum Title: Big League Chew Limited Time Offers Creative Director: Bryan Vanderwarker Art Director: Krissy Vanderwarker Designer: Laurea McLeland Illustrator: Mudge Studios Category: Food + Beverages

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Design Firm: Seedhouse Client: Ford Gum Title: Military Energy Gum Creative Director: Bryan Vanderwarker Art Director: Krissy Vanderwarker Designer: Laurea McLeland Brand Strategy: GoGo Brand Studio Category: Food + Beverages

Design Firm: Seedhouse Client: Go Brewing Title: Easy Man THC-Infused Craft Brew Creative Director: Bryan Vanderwarker Art Director: Krissy Vanderwarker Designers: Ash Miyagawa, Laurea McLeland Category: CBD + Cannabis

Design Firm: Seedhouse Client: La Founette Bakery Title: La Fournette Special Macaron Gift Box Creative Director: Bryan Vanderwarker Art Director: Krissy Vanderwarker Designers: Laurea McLeland, Ash Miyagawa Category: Food + Beverages

Design Firm: Seedhouse Client: Prism Worldwide Title: Cirx The Green Car Mat Packaging Creative Director: Bryan Vanderwarker Art Director: Krissy Vanderwarker Designers: Ash Miyagawa, Laurea McLeland Category: Auto Care + Industrial

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AMERICAN PACKAGE DESIGN AWARDS

Design Firm: Seedhouse Client: Snack Bar Title: Snack Bar Cannabis Vapes Packaging Art Director: Krissy Vanderwarker Designers: Ash Miyagawa, Laurea McLeland Category: CBD + Cannabis

Design Firm: Seedhouse Client: Squirrel Collective Title: Cannabis Infused Nut Butters Packaging Creative Director: Bryan Vanderwarker Art Director: Krissy Vanderwarker Designers: Ash Miyagawa, Laurea McLeland Illustrator: Ash Miyagawa Category: CBD + Cannabis

Design Firm: Smurfit Westrock Client: Food Tech Hub Title: Sustainable Stands For Food Tech Designers: Carlos Silva, Sofia Medrano Category: Sustainable Packaging

Design Firm: Smurfit Westrock Title: Car Carrier Truck Corrugated Box Designer: Walter Javier Hurtado Category: Toys + Games

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Design Firm: Spark Client: Çizmeci Title: Waforia Wafer Packaging Creative Director: Craig Tollenaar Designer: Craig Tollenaar Category: Food + Beverages

Design Firm: Spectrum Brands Dynamic Consumer Experience (DCX) Client: Spectrum Brands Global Pet Care Title: Just Add Water Grooming Products Designer: Spectrum Brands DCX Team Category: Petcare + Animals

Design Firm: Spectrum Brands Dynamic Consumer Experience (DCX) Client: Spectrum Brands Global Pet Care Title: Marineland® Filters and Media Design Designer: Spectrum Brands DCX Team Category: Petcare + Animals

Design Firm: Spectrum Brands Dynamic Consumer Experience (DCX) Client: Spectrum Brands Home & Garden Title: Repel® Brand Redesign Designer: Spectrum Brands DCX Team Category: Home + Garden

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AMERICAN PACKAGE DESIGN AWARDS

Design Firm: Spectrum Brands Dynamic Consumer Experience (DCX) Client: Spectrum Brands Home & Garden Title: Spectracide® Wasp, Hornet & Yellowjacket Trap Designer: Spectrum Brands DCX Team Category: Home + Garden

Design Firm: Stacy Karzen LLC Client: Bellie Title: Bellie Prebiotic Teas Can Design Creative Director: Stacy Karzen Designer: Stacy Karzen Category: Food + Beverages

Design Firm: Stacy Karzen LLC Client: Double R Brand Foods Title: Holmes Smokehouse Pecan Smoked Sausages Rebrand and Packaging Creative Director: Stacy Karzen Designer: Stacy Karzen Category: Food + Beverages

Design Firm: Stout Collective Client: Allagash Brewing Title: Allagash Lager Package Design Creative Director: Tanya Avoundjian Designer: Jackie Stephan Photographer: Nick Murway, Allagash Brewing Project Manager: Kevin Schmalandt Category: Wines, Beer + Liquor

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Design Firm: Stout Collective Client: Goose Island Beer Company Title: Honker’s Ale Package Design Creative Director: Tanya Avoundjian Designer: Jackie Stephan Photographer: Ken Yoonemeder Category: Wines, Beer + Liquor

Design Firm: Stranger & Stranger Client: Allianspirits Title: Laferté French Blended Malt Whisky Category: Wines, Beer + Liquor

Design Firm: Stranger & Stranger Client: Purple Wine Company Title: Redwood Empire Bourbon Whiskey Haystack Needle Category: Wines, Beer + Liquor

Design Firm: Stranger & Stranger Client: Verb Group Title: Ulysses Whiskey x Art Telemachus Category: Wines, Beer + Liquor

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AMERICAN PACKAGE DESIGN AWARDS

Design Firm: TBA Outdoors Client: Adrenaline Research Labs Title: Alpha Charge Exploding Targets Creative Director: Austin Scott Designer: Kelli Woodell, Tami Severinsen, Sunny Manning Photographer: David Thompson Studio Manager: Michelle Willis Category: Sports + Leisure

Design Firm: TBarnes Graphics Client: River Basin Distillery Title: Rail Yard Chocolate Whiskey Brand and Package Design Creative Director: Tyler Barnes Designer: Tyler Barnes Category: Wines, Beer + Liquor

Design Firm: The Creative Pack Client: Bakkover USA Title: Fresh & Simple Fresh Prepared Foods Creative Director: Danielle Kidney Designer: Emma Tung, Heather Storie, Joshua Manalang, Casey Chui Photographer: Kevin Chelko Category: Food + Beverages

Design Firm: The Creative Pack Client: GoodFarms LLC Title: GoodFarms Limited Edition Organic Strawberries Creative Director: Danielle Kidney Designer: Emma Tung, Paola Ip, Casey Chui Category: Package Design For Good

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Design Firm: The Creative Pack Client: Nom Nom Title: Nom Nom Dog Treats Creative Director: Danielle Kidney Designer: Emma Tung, Joshua Manalang Category: Petcare + Animals

Design Firm: The Creative Pack Client: Rosie’s Place Title: Rosie’s Place Gooey Butter Cookies Creative Director: Danielle Kidney Designer: Casey Chui Illustrator: Emma Tung Printer: RR Donnelley Category: E-Commerce Packaging

Design Firm: The Creative Pack Client: Social Kitchens Title: Social Kitchens Crispy Sweet & Spicy Shrimp Creative Director: Danielle Kidney Designers: Heather Storie, Joshua Manalang Photographer: Heather Winters Photography Category: Food + Beverages

Design Firm: The Creative Studio at Morgan Stanley Client: Morgan Stanley Title: Lunar New Year Red Packets Design Category: Promotions + Gifts

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AMERICAN PACKAGE DESIGN AWARDS

Design Firm: The Durst Organization Title: 2024-2025 Corporate Tenant Gift Creative Director: Tressa Campbell Designer: Tye Bailey Category: Promotions + Gifts

Design Firm: The University of Southern Mississippi Title: Patriots Passage Board Game Creative Director: Jacob Cotton Art Director: Dakota Owens Category: Toys + Games

Design Firm: Third Street Client: Colameco Title: Colameco’s Primo Naturale Packaging Line Creative Director: David T. Jones Designer: Amanda Grable Category: Food + Beverages

Design Firm: Topco Associates LLC | Marks, part of SGS&CO Title: Crav’n Flavor Snack Nuts Campaign Category: Promotions + Gifts

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Design Firm: Topco Associates LLC | Marks, part of SGS&CO Title: Crav’n Flavor Snack Nuts Packaging Category: Private Label Packaging

Design Firm: Topco Associates LLC | Marks, part of SGS&CO Title: Food Club Packaging Redesign Category: Private Label Packaging

Design Firm: Topco Associates LLC | Marks, part of SGS&CO Title: Simply Done Bright Day Launch Campaign Category: Promotions + Gifts

Design Firm: Topco Associates LLC | Marks, part of SGS&CO Title: Simply Done Bright Day Packaging Category: Package Design For Good

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AMERICAN PACKAGE DESIGN AWARDS

Design Firm: Topco Associates LLC | Marks, part of SGS&CO Title: Tippy Toes Food and Electrolytes: Pediatric Shakes Packaging Category: Promotions + Gifts

Design Firm: VSA Partners Client: Sappi North America Title: Sappi 2024 Holiday Gift Associate Partner, Design: YanYan Zhang Associate Director: Elaine Palutsis, Associate Director Senior Designer: Elisa Penello Director, Design: Amber Dunk Photographer: Matthew Lemke Writer: Bisola Sosan Category: Promotions + Gifts

Design Firm: Topco Associates LLC | Marks, part of SGS&CO Title: TopCare Feminine Care: Period Underwear Category: Health + Pharmaceuticals

Design Firm: VSA Partners Client: Sappi North America Title: The Touch Advantage: How Premium Packaging Affects Sales Associate Partner, Design: YanYan Zhang Senior Designer: Elisa Penello Photography: Matthew Lemke Writers: Bisola Sosan, Bill Maday Study Contributors: Dr. R. Andrew Hurley and Sahil Bhayani, Clemson University Research Designer: Vicki Strull, Vicki Strull Design Printer: Classic Color, Printer Category: Promotions + Gifts

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Design Firm: Virginia Patterson Design Client: Teaspressa Title: Teaspressa Luxe Mixer Cubes Creative Director: Virginia Patterson Art Director: Virginia Patterson Designer: Virginia Patterson Photographer: Justin Proctor Assistant Creative Director: Jesse Wolfe Assistant Creative Director: Allison DeVane Category: Food + Beverages

Design Firm: Watermark Design Client: Spy Trail Distillery Title: Spy Trail Distillery Branding and Package Design Creative Director: Darcey Lacy Designer: Rebecca Miller Category: Wines, Beer + Liquor

Design Firm: Watermark Design Client: Penelope Bourbon Title: Penelope Estate Collection Creative Director: Darcey Lacy Designer: Rebekah Seiler Photographer: Anna Kariel Category: Wines, Beer + Liquor

Design Firm: Watermark Design Client: Thistlerock Mead Co. Title: Thistlerock Mead Co. Branding and Sustainable Packaging Creative Director: Darcey Lacy Designer: Rebekah Seiler Illustrator: Rebekah Seiler Category: Wines, Beer + Liquor

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AMERICAN PACKAGE DESIGN AWARDS

Design Firm: Xhilarate, Inc. Client: CB Brands Title: Boozibles Wine Infused Gummies Creative Director: Frank Castaldi Art Director: Michael McDonald Designer: Frank Castaldi Illustrator: Frank Castaldi Product Photography: Zave Smith Category: Wines, Beer + Liquor

Design School: Academy of Art University Title: Barrel House Beer Packaging Designer: Ningyi (Sabrina) Xu Instructor: Thomas McNulty Category: Student Work

Design School: Academy of Art University Title: Cali Flavored Beer Packaging Designer: Fei Wang Instructor: Thomas McNulty Category: Student Work

Design School: Academy of Art University Title: Endangered Species Chocolates Designer: Lauren Prindes Instructor: Thomas McNulty Category: Student Work

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Design School: Academy of Art University Title: Fender Tool Packaging Designer: Tomás Britos Instructor: Thomas McNulty Category: Student Work

Design School: Academy of Art University Title: Le’Nu Skin Care Packaging Designer: Gavin Wong Instructor: David Blankenship Category: Student Work

Design School: Academy of Art University Title: NASA Homeware Packaging Designer: Sissi Chen Instructor: Thomas McNulty Category: Student Work

Design School: Academy of Art University Title: Rutini Wine Label Packaging Designer: Tomás Britos Instructor: Thomas McNulty Category: Student Work

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AMERICAN PACKAGE DESIGN AWARDS

Design School: Academy of Art University Title: Starbuck Home Appliances Designer: Fei Wang Instructor: Thomas McNulty Category: Student Work

Design School: Academy of Art University Title: Vignelli Sustainable Paint Packaging Designer: Zach Jacobson Instructor: Thomas McNulty Category: Student Work

Design School: Academy of Art University Title: Williams Sonoma Branding & Packaging Designer: Natasha Murray Instructor: Thomas McNulty Category: Student Work

Design School: Drexel University Title: The Curly Vanity Student Work Creative Director: Lauryn Samson Art Director: Lauryn Samson Designer: Lauryn Samson Illustrator: Lauryn Samson Photographer: Lauryn Samson Category: Student Work

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Design School: Kennesaw State University Title: Five Two Nine Design Creative Director: Lydia Pruett Art Director: Lydia Pruett Designer: Lydia Pruett Illustrator: Lydia Pruett Associate Professor of Graphic Communications Concentration: Kristine Kim Category: Student Work

Design School: Kennesaw State University Title: Milo’s Lager Creative Director: Madison Selby Art Director: Madison Selby Designer: Madison Selby Illustrator: Madison Selby Photographer: Madison Selby Associate Professor of Graphic Communications Concentration: Kristine Kim Category: Student Work

Design School: Lehigh University Title: ATOMIC Student Project Designer: Ell Nittler Instructor: Jenny Kowalski Category: Student Work

Design School: Lehigh University Title: Flashy Juice Student Project Designer: Aviela Maynard Instructor: Jenny Kowalski Category: Student Work

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AMERICAN PACKAGE DESIGN AWARDS

Design School: Lehigh University Title: Paraigua Student Project Designer: Emma Valle Instructor: Jenny Kowalski Category: Student Work

Design School: Lehigh University Title: Troidomés Student Project Designer: Aviela Maynard Instructor: Jenny Kowalski Category: Student Work

Design School: Maryland Institute College of Art (MICA) Title: Doze Melatonin Packaging Student Work Designer: Kanika Anand Photographer: Taher Basrai Instructor: Jennifer Cole Phillips Category: Student Work

Design School: Rochester Institute of Technology (RIT) Client: Naviluna Title: Naviluna - Cacao’s Cultural Tapestry Creative Director: Janki Akbari Professor: Anna Jordan Category: Student Work

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Design School: Rochester Institute of Technology (RIT) Title: Grovey Garlic Package Design Motion & Video Designer: Nathaniel Cardiel Copywriter & Designer: Mackenzie Gidusko Packaging Design Specialist: Malena Juif Branding and Graphics Specialist: Lucy Rose Miles Project Leader: Nicole Wright Instructor: Lorrie Frear Category: Student Work

Design School: Savannah College of Art and Design (SCAD) Title: ANAGRAMA Student Work Designer: Adriana N. Colón Negró Professor: Peter Wong Category: Student Work

Design School: Savannah College of Art and Design (SCAD) Title: Death Valley Skincare Student Work Designer: Samantha Moyet Professor: Michael Whitney Category: Student Work

Design School: Savannah College of Art and Design (SCAD) Title: Dry Bar Elixir Christmas Subscription Box Student Work Designer: Breanna Cristabel Luchetti Professor: Camille Kulakowski Category: Student Work

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AMERICAN PACKAGE DESIGN AWARDS

Design School: Savannah College of Art and Design (SCAD) Title: HOT ROD Playing Cards Designer: Dylan Predmore Illustrator: Dylan Predmore Category: Student Work

Design School: Savannah College of Art and Design (SCAD) Title: Holy Smokes Student Work Designer: Evelyn Szymusiak Professor: Camille Kulakowski Category: Student Work

Design School: Savannah College of Art and Design (SCAD) Title: Little Women Collector’s Item Student Work Designer: Hannah Solomon Professor: Peter Wong Category: Student Work

Design School: Savannah College of Art and Design (SCAD) Title: Metamorphosis Artists Books Student Work Designer: Samantha Moyet Professor: Michael Whitney Category: Student Work

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Design School: Savannah College of Art and Design (SCAD) Title: Neenah Paper Promotion Student Work Designer: Kalina Richardson Professor: Peter Wong Category: Student Work

Design School: Savannah College of Art and Design (SCAD) Title: Queen Bee Student Work Designer: Madelyn DeWitt Professor: Camille Kulakowski Category: Student Work

Design School: Savannah College of Art and Design (SCAD) Title: SOLA: MBTI Brews Student Work Designer: Bhavani Sitaraman Professor: Judy Salzinger Category: Student Work

Design School: Savannah College of Art and Design (SCAD) Title: Studio Dumbar: Then and Now Student Work Designer: Morgan Portillo Professor: Peter Wong Category: Student Work

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AMERICAN PACKAGE DESIGN AWARDS

Design School: Savannah College of Art and Design (SCAD) Title: Sylvan Tea Packaging Student Work Designer: Samantha Moyet Professor: Michael Whitney Category: Student Work

Design School: University of Central Oklahoma, UCO School of Design Title: HELLFIRE - Unholy Spicy Tonic Water Designer: Joel Woodland Instructor: McKenna Sanderson Category: Student Work

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CREATIVE JOBS IN 2025: DESIGN SKILLS EMPLOYERS NEED RIGHT NOW

BY LUCY MARINO

In 2025, creativity is converging with technology, and companies are searching for talent that thrives at the intersection.

Businesses are investing in artificial intelligence (AI), machine learning and hyper-personalized customer experiences.

However, new research from Robert Half reveals that 56% of creative and marketing leaders say their teams have skills gaps, and 59% said the impact of those gaps has increased in the past year. That could be where you come in.

But landing a job in today’s employment market isn’t always easy. Demonstrating a blend of sharp design skills with an eye for user experience and emerging tech can help you get noticed by hiring managers.

DESIGN SMARTER: THE SKILLS EMPLOYERS ARE LOOKING FOR TODAY Design has always been about problem-solving and storytelling, but in 2025 the scope is broader than ever. Designers aren’t just shaping visuals; they’re shaping user experiences, driving engagement and collaborating with data and AI tools to make their creative solutions more impactful.

According to Robert Half’s Demand for Skilled Talent report, the most in-demand marketing and creative roles include graphic designers, UX designers and marketing analytics specialists​. That’s because companies want creatives who can: MASTER CROSS-PLATFORM DESIGN Think mobile-first, responsive layouts and cohesive branding across web, social and apps.

THINK LIKE A USER UX skills are in hot demand. Even if you’re not a full-on UX designer, knowing how to make user-friendly designs gives you an edge.

WORK WITH DATA, NOT AGAINST IT Marketing is increasingly data driven. Understanding how design impacts metrics like engagment and conversion rates can set you apart.

EXPERIMENT WITH AI TOOLS Whether it’s generating concepts with DALL·E or using Canva’s AI features, employers want creatives who aren’t afraid to explore new tools.

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EXPERIMENT WITH AI TOOLS

HIGHLIGHT AI EXPERIENCE AND EXPERTISE

Whether it’s generating concepts with DALL·E or using Canva’s AI features, employers want creatives who aren’t afraid to explore new tools.

AI is now baked into most design workflows, so employers want to know you’re not stuck in 2015. You don’t need to be an expert, but showing you can use AI tools gives you an edge. Create a few assets using Midjourney, Canva or DALL-E, then tuck them into your portfolio with a line about how you used the software. It shows you’re not afraid of new tech, which matters — 25% of leaders say their teams lack AI strategy skills.

HOW TO GET NOTICED: 6 JOB SEARCH IDEAS FOR 2025 How do you make your application compelling to hiring managers when you’re looking for a new position? Here are some tips: UPDATE YOUR DIGITAL PROFILE Your portfolio isn’t just a gallery of your past projects — it’s a reflection of how you think. Hiring managers want to see how you approach your work. Include a few projects as case studies that walk through your design choices, user considerations and even challenges you overcame.

For the portfolio itself, consider using interactive formats like Webflow or Figma prototypes to better showcase web or app designs. Whatever format you choose, ensure it’s simple to navigate and mobile-friendly — a clunky site can quickly create a negative impression.

PICK UP RELEVANT CERTIFICATIONS An Adobe Certified Expert badge shows you’ve mastered the tools most designers use daily. Or try a short UX design course—even an entry-level one from a site like LinkedIn Learning or Coursera can teach you how to think about users, a perspective employers value. Certifications aren’t so much about collecting qualifications as it is proving you’re curious and ready for what’s next.

CONNECT WHERE CREATIVES HANG OUT Big networking events can feel overwhelming, and you really don’t need them. Instead, find places where designers already gather—online forums like Behance or Slack communities like Designer Hangout, for example. Share a recent project with a quick note about what inspired it or how you solved a problem. Maybe comment on someone else’s work with a kind word or a question. It’s less about selling yourself and more about joining the conversation.

You never know who’s watching—a creative director might spot your post and reach out.

TAILOR YOUR PITCH TO THE JOB When you apply for a role, look at the job posting and pull out one or two desired abilities the employer lists that match your skills. Maybe they want someone who’s good at web design. If you’ve created a website you’re pleased with, mention it briefly in your email or cover letter, saying something like “I’ve worked on responsive web projects like the one you’re hiring for.” It’s a small touch, but it shows you’re paying attention and not just blasting out generic applications.

ASK FOR FEEDBACK ON YOUR WORK Reach out to a designer you respect— someone you follow online, perhaps, or know from a past job. Share a piece you’ve created and you’re proud of. Ask for feedback. Go beyond “thoughts on this?” and ask a targeted question like “Does this design flow logically for a user?” or “How would you have approached this layout differently?” It’s easier for people to respond when they know what kind of feedback you want — and it signals that you’re serious about improving. *** Today’s hiring managers seek new approaches and viewpoints in job applicants, not just technical skills. Whether you’re eyeing a permanent position or a contract role, showcase your creative vision. Don’t be afraid to put your work out there. The companies hiring aren’t just looking for talent — they’re looking for fresh perspectives.

And yours could be precisely what they need.is telling a story that sticks—in just a few seconds. Focus on designing content that matches your brand’s personality, whether a quick tip, a behind-the-scenes moment or something fun and shareable.

LUCY MARINO is executive director of the marketing and creative practice at global talent solutions firm Robert Half, which connects employers with skilled marketing, creative, digital, advertising and public relations professionals to meet their specialized recruiting needs. Marino manages strategy and operations for the company’s marketing and creative talent solutions teams across U.S. locations.

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