Harlem Stage presents the american vicarious’ Debate: Baldwin vs Buckley, directed by Christopher McElroen and called “unmissable!” by Vulture, in the intimate setting of the Harlem Stage Gatehouse, restaging the historic debate to place Baldwin and Buckley’s words, which still resonate 58 years later, within the voice of contemporary artists Teagle
F. Bougere (Broadway’s The Tempest with Patrick Stewart, A Raisin In The Sun with Phylicia Rashad, and Ivo van Hove’s The Crucible) as Baldwin and Eric T. Miller (HBO’s Mare of Easttown and Mope at the Ensemble Studio Theater) as Buckley, with Spencer Hamp and Charlie O’Rourke.
Thank you for joining us!
Harlem Stage
Christopher McElroen Director
Erica Laird Producer
Teagle F. Bougere Actor, Baldwin, Eric T. Miller Actor, Buckley
Spencer Hamp Actor, Haycock
Charlie O’Rourke Actor, Burford
Adam J. Thompson Video Designer
Jaymes Jorsling Artist in Residence
Robyn Sunderland Marketing Manager
Everman Agency Press Representation
Run Time: 60 minutes
Debate: Baldwin vs Buckley was originally produced in 2020 and broadcast in partnership with BRIC.
the american vicarious’ programs are supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council, and the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.
All actors and stage manager are appearing through an Agreement between the american vicarious and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
Special Thanks: Tom Klingenstein, Elivia Bovenzi
Christopher McElroen is a Brooklynbased mixed media artist committed to generating artistic content, across disciplinary boundaries, that aspires to reflect on America: its ideals and realities and that which unites and divides its people. He is the Founding Artistic Director of the american vicarious. Christopher’s recent projects, Debate: Baldwin vs Buckley (2022) and Static Apnea (2020), were both listed as “Highbrow and Brilliant” in New York Magazine’s Approval Matrix, and Broadway World said “the american vicarious is on my list of must see theatre companies.” In collaboration with six-time Grammy Award nominee Gerald Clayton, Christopher developed and directed Piedmont Blues: A Search for Salvation, which was presented at Harlem Stage in June 2022.
Christopher received a 2013 Helen Hayes Award for his direction of the world premiere stage adaptation of Ralph Ellison’s iconic novel Invisible Man. Alongside visual artist Paul Chan and Creative Time, Christopher co-produced and directed Waiting for Godot in New Orleans, a year-long community development through the arts initiative in post-Katrina New Orleans. The archives from the production were acquired into the permanent collection of The Museum of Modern Art (MoMA). Christopher had the honor of directing 51st (dream) State, the final work of poet, musician, and activist Sekou Sundiata, which premiered at BAM’s Next Wave Festival. Christopher co-founded the Classical Theatre of Harlem, where from 1999 to 2009, he oversaw 41 productions yielding 18 AUDELCO Awards, 6 OBIE Awards, 2 Lucille Lortel Awards, and a Drama Desk Award.
Broadway appearances include The Tempest (Caliban) with Patrick Stewart, directed by George C. Wolfe; A Raisin In The Sun (Asagai) with Phylicia Rashad and The Crucible (Judge Hawthorne), directed by Ivo van Hove. Selected television and film include Law and Order S.V.U. a.d.a. Phillip Baptiste (recurring); Queen America (series regular) with Catherine Zeta-Jones; The Blacklist; Bull; The Mist; The Path; Cosby; The Big C; The Job; A Gifted Man; Conviction, What The Deaf Man Heard; eight episodes for the various Law and Order franchises. A Night
At The Museum; The Pelican Brief; Two Weeks Notice; The Imposters. Selected Off-Broadway includes The New Englanders, Manhattan Theater Club (Audelco Award-Outstanding Lead Actor); Beast In The Jungle, Vineyard Theater, directed by Susan Stroman; Is God Is, Soho Rep; A Last Dance For Sybil by Ossie Davis, starring Ruby Dee and Coriolanus at The New York Shakespeare Festival. Coriolanus was Mr. Bougere’s 13th appearance with the New York Shakespeare Festival Public Theater. Past turns at the festival include Plato in Socrates (with Michael Stuhlbarg); Caska in Julius Caesar; Eros in Antony and Cleopatra, directed by and starring Vanessa Redgrave; and Cymbeline, directed by Daniel Sullivan. Regionally Mr. Bougere created the title role in the world premiere stage adaptation of Ralph Ellison’s Invisible Man. The production was directed by Christopher Mcelroen and played The Court Theater In Chicago; Studio Theater in Washington D.C., and Boston’s Huntington Theater.
Theater credits include Mope (Ensemble Studio Theatre), rogerandtom (HERE), Sweet Storm (LAByrinth), (A)Loft Modulation (the american vicarious), Awake and Sing! and Ripcord (Huntington Theatre), Wink (TerraNova), Luft Gangster (Sheen Center), Safe Home (Royal Family Productions), Betrayed (Culture Project) as well as work at the Syracuse Stage, Bard Summerscape, New York Stage and Film, Rattlestick, PS 122, Workshop, and the Flea. Television and Film credits Television and Film credits include Mare of Easttown, Halston, FBI: Most Wanted, The Good Fight, Blue Bloods, Chicago
PD, Blacklist, Person of Interest, Elementary, The Unusuals, Kings, Law & Order, Shame, Reaching Home, The Waiting Room, Home, Tom’s Dilemma, AdFirm, Separation, Redemption in Cherry Springs, Josie & Jack, and the upcoming Jules with Ben Kingsley. www.erictroymiller.com
Some recent stage acting include his Off-Broadway debut in (A)loft Modulation (the american vicarious), working with MacArthur fellow Naomi Wallace on her play Birdy (Commonwealth Shakespeare), and playing Alan Strang in Equus (Pittsburgh Public Theater). Screen acting: music videos for Erik Blood and Hunter Lea, a guest spot in Law and Order: SVU, and working with visionary independent filmmaker Jimmy Bontatibus on his feature films
A Muse and All I’ve Been Wanting. Over the past six months, Hamp has been platforming some poetry on internetbellyache.com and distributing a zine about the creative process.
Charlie O’Rourke is a New York based actor and innovator. He has performed in Merrily down the Stream, a one-act play written and directed by Deborah Copeland at New York University’s Tisch School for the Arts. He also assistantdirected Godspell and performed in Shenandoah: The Musical at Totem Pole Playhouse in Fayetteville, PA. O’Rourke graduated from the MFA program at American Conservatory Theater in 2019. Production highlights from ACT include Baron Tuzenbach in Three Sisters, Nathan Leopold in Never the Sinner, and directing/ choreographing Chuck Mee’s Wintertime. After graduation, he returned to New York City and originated the role of Brenden in Cat Miller’s The Hope Hypothesis at The Sheen Center with Voyage Theater Company. He is also featured in Peer to Peer Production’s new web series Flawed.
Jaymes Jorsling was a 2016-17 Artist-in-Residence at Brown University. There, he worked on his play trilogy “...Insufficient Funds...” named from Dr. Martin Luther King Jr.’s I Have A Dream Speech. (The trilogy addresses where America is headed unless fairness and freedom become as inalienable as they are obliged to be). In 2015 he was commissioned by Duke University to write the script for multi Grammy nominee Gerald Clayton’s sprawling oeuvre Piedmont Blues: A Search For Salvation (the piece is now touring internationally).
Jaymes is currently a staff writer for TheTruthPodcast.com. He has workshopped his writings with Classical Theatre of Harlem, LAByrinth Theatre Company, HIP-HOP Theater Festival, New Federal, Inneract Productions, etc. He is a 4x finalist for the Eugene O’Neill National Playwrights’ Conference and was a fellow there in 2010. He has been a finalist for the LARK’s Playwrights Week and was nominated for their prestigious PONY award. He’s won best Screenplay at the San Francisco Black Film Festival. Jaymes has also acted on The Wire, The Affair, Law & Order, etc. as well as having done voice-overs for Nike, NewBalance, Ford Escort, Dunkin’ Donuts, Champs Sports, and others. Produced by the american vicarious, his play (A)loft Modulation premiered off-Broadway in September 2019.
the american vicarious, under Artistic Director Christopher McElroen, Producing Director Erica Laird, Marketing Manager Robyn Sunderland, was formally incorporated in 2018 and is committed to producing creative content across disciplinary boundaries that aspires to reflect on America’s ideals and realities, and that which unites and divides its people. Current projects include: Debate: Baldwin vs Buckley, 5BT, and Sherief Elkatsha’s documentary film Far From the Nile. Recent projects include Gerald Clayton’s concert installation Piedmont Blues: A Search for Salvation, Shooting Celebrities, The New York Times Critic’s Pick STATIC APNEA (2020), Negative Liberty / Positive Liberty, Jaymes Jorsling’s (A)loft Modulation.
Over the course of the 2022/2023 season, Harlem Stage examines the Black Arts Movement of the 1960s to the 1970s, and its relationship to race, gender, sexuality, music, photography, film, poetry, theater, and dance, as well as its intersectionality with the larger Black Power Movement.
Learn more and buy tickets at harlemstage.org/black-arts-movement-examined
Photos by Kwame Brathwaite
This program is supported, in part, by public funds from The New York City Department of Cultural Affairs in Partnership with the City Council.
Harlem Stage’s Programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.
This project is supported in part by an award from the National Endowment for the Arts.
Harlem Stage is the performing arts center that bridges Harlem’s cultural legacy to contemporary artists of color and dares to provide the artistic freedom that gives birth to new ideas.
For nearly 40 years our singular mission has been to perpetuate and celebrate the unique and diverse artistic legacy of Harlem and the indelible impression it has made on American culture. We provide opportunity, commissioning, and support for artists of color, make performances easily accessible to all audiences, and introduce children to the rich diversity, excitement, and inspiration of the performing arts.
We fulfill our mission through commissioning, incubating, and presenting innovative and vital work that responds to the historical and contemporary conditions that shape our lives and the communities we serve.
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Jamie Cannon, Vice President
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