Classic Blue

CLASSIC GENAU PRESS FEB 2020

BLUE

GENAU PRESS // CLASSIC BLUE

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CLASIC

BLUE

ZOZO COLOR OF THE YEAR

Madison Kichler @madisonkichler

NOT CERULEAN

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Not cerulean

AIRHEADS AND CRAYONS Airheads & Crayons Marc Amoroso classic blue reminds me of of elementary & middle school our pants were all an uneventful blue as we were led single-file from open, happy, and creative, to the incipience of addled-hood no one’s fault really, it’s the name of the game: the blues nevertheless i remember it fondly: my cares were lightweight and i wore those pants to pieces without a thought

blue can be strong & settled, like melancholy, or happiness, it depends on what you draw

TRANSITION Transition

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Diane Molandes @triangle.molasses

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PANTONE BLUE

PANTONE BLUE

Katharine Dimitruk

BLUE.MIRROR blue,mirror

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Matt Marcure @rainamulet

MYCELIUM mYCELIUM

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Amelia Evard @ajevard

GENAU PRESS // CLASSIC BLUE

BLUE SEA Blue Sea @sineadsantich

OUT OF THE BLUE Out of the Blue Alannah Clark @alannah_llama

“...if

blue is anything in

oh, it’s a blue world lit up by blue screens powered by companies with calm blue logos trusted by a population of blue people, bigger and bluer than ever before, desperate to turn their blueness into something else, anything else, before sinking to the bottom of a sea so dark you can only see blue — or do you swim toward a sky that, even without the sun, paints itself every shade of blue?

GENAU PRESS // CLASSIC BLUE

this world, it is abundant.”

- Bluets, Maggie Nelson

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BLUE HOURS

@anastasia_scheichl

BLUE HOURS

Till the cold runs through & through,

A portrayal in Black & Blue -King Krule

BAUHAS // MY HAUS

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annetter Kelly @annette_c_kelly

BAUHAUS MY HAUS

BAUHAS

MY HAUS

BLUE EVENING Blue Evening

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Christina Ungermann @christina.ungermann

TRUE BLUE TRUE BLUE

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Hayley Kellner @hayley.kellner

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SKAR

SKAR

Scott Kelly

UNTITLED Untitled

GENAU PRESS // CLASSIC BLUE

Serenah Clark @snailrenah My collage was an ocean of blue and off-blue from various magazines. I wanted to make an ocean from many different pieces because I said that both helping and getting help involves a lot of different complex components, and I chose the ocean to represent the intensity of the process. While the ocean is very furious and daunting, it is also very beautiful. It’s something we need to take care of, and I think that helping is similar in all those aspects.

GENAU PRESS // CLASSIC BLUE

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