Passion for Bach and Coltrane Program

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QUEENS

SARAH BELK GAMBRELL CENTER FOR THE ARTS AND CIVIC ENGAGEMENT

With it’s opening in February 2020, the Sarah Belk Gambrell Center for the Arts and Civic Engagement became a hub for transformational cultural education, experiences, and engagement for our students, faculty and staff, and the greater Charlotte community.

The Sarah Belk Gambrell Center is home to the acoustically gorgeous, 995seat Sandra Levine Theatre, the intimate 150-seat Kathryn Greenhoot Recital Hall, two visual art galleries, eight classrooms, and myriad practice rooms and workspaces for students. Gambrell is the cultural and creative center of campus and is home to academic, visual, performing and literary arts programs, including design and music therapy.

THE MISSION OF THE GAMBRELL CENTER

The Sarah Belk Gambrell Center for the Arts and Civic Engagement is a dynamic arts destination for our community and students to share in diverse cultural experiences. The Gambrell Center facilitates creative scholarship through interdisciplinary collaboration and offers a vibrant gathering place for educational exploration. Queens demonstrates its commitment to this mission by presenting world-class performances, conversations, and exhibitions, showcasing exemplary faculty and student works, and providing an inspiration for design, creativity, and artistic expression.

SARAH BELK GAMBRELL CENTER STAFF

Laura Kratt, Executive Director

Kristof Leopold, Technical Director

Amanda Mullen, Media Specialist

Jane Wiley, Media Specialist

Stephanie Roman, Marketing Coordinator

704-337-2466

www.arts.queens.edu

thearts@queens.edu

The Gambrell Center team programs and manages the Sarah Belk Gambrell Center, provides shared leadership of Arts at Queens and production services to events across campus.

PASSION FOR BACH AND COLTRANE

This concert is made possible through the generous support of the Charlotte Legacy Fund

Friday, March 14, 2025 at 7:30 p.m. Sandra Levine Theatre

PROGRAM:

I. Aria

II. Psalm

III. Resolution

VI. Out of Nazareth

V. Variation 13

VI. Groovin’ Low

VII. A Hug for Gonzalo

VIII. Acknowledgement (A Love Supreme)

CONCERT DURATION: approximately 70 minutes, without intermission

Imani Winds is represented by Arts Management Group, Inc Harlem Quartet is represented by Epstein Fox Performances

ABOUT THE ARTISTS

PASSION FOR BACH AND COLTRANE

Imani Winds

Brandon Patrick George, flute

Toyin Spellman-Diaz, oboe

Kevin Newton, french horn

Mark Dover, clarinet

Monica Ellis, bassoon and A B Spellman, Poet

Note by Jeff Scott

Jazz Trio

Alex Brown, piano

Edward Perez, bass

Neal Smith, drums

Harlem Quartet

Melissa White, violin

Ilmar Gavilan, violin

Jaime Amador, violin

Felix Umansky, cello

Passion for Bach & Coltrane is a work for wind quintet, string quartet, piano, double bass, percussion and orator. It was inspired by the poetry of A. B. Spellman, from his book of poems Things I Must Have Known, (c) 2008 Coffee House Press. The poetry speaks to the musical mastery of J.S. Bach, JPassion explores the influence of spirituality on the art of these masters and asks the inevitable question: what if JS Bach and John Coltrane might chance to meet? It challenges the performer and listener to be comfortable with the seemingly polar opposites of the musical spectrum presented as equals.

Imani Winds

2024 GRAMMY® winner in the Classical Compendium category for Jeff Scott’s “Passion for Bach and Coltrane” released on their recently formed record label, Imani Winds Media. Celebrating over a quarter century of music making, the four- time GRAMMY® nominated group has led both a revolution and evolution of the wind quintet through their dynamic playing, adventurous programming, imaginative collaborations and outreach endeavors that have inspired audiences of all ages and backgrounds. The ensemble’s playlist embraces traditional chamber music repertoire, and newly commissioned works from icons to new voices reflecting the times in which we live. To date, one of Imani Winds’ most humbling recognitions is a permanent presence in the classical music section of the Smithsonian National Museum of African American History and Culture in Washington DC.

ABOUT THE ARTISTS (continued)

Harlem Quartet

New York-based Harlem Quartet, currently quartet-in-residence at the John J. Cali School of Music and the Royal College of Music in London, has been praised for its “panache” by The New York Times and hailed in the Cincinnati Enquirer for “bringing a new attitude to classical music, one that is fresh, bracing and intelligent.” It has also won plaudits from such veteran musicians as GRAMMY-winning woodwind virtuoso Ted Nash of the Jazz at Lincoln Center Orchestra, who declared in a May 2018 Playbill article, “Harlem Quartet is one of the greatest string quartets I have ever heard. They can play anything.” Since its public debut at Carnegie Hall in 2006, the ensemble has thrilled audiences and students in 47 states as well as in the U.K., France, Belgium, Brazil, Panama, Canada, Venezuela, Japan, Ethiopia, and South Africa.

Alfred B. Spellman

A.B. Spellman is an author, poet, critic, and lecturer and GRAMMY® Award winner for his oration on Jeff Scott’s “Passion for Bach and Coltrane”. University. He has published numerous books and articles on the arts, including Art Tatum: A Critical Biography (a chapbook), The Beautiful Days (poetry), and Four Lives in the Bebop Business, now available as Four Jazz Lives (University of Michigan Press). His poetry collection, Things I Must Have Known, recently was published by Coffee House Press. Mr. Spellman has served on numerous arts panels including the Rockefeller Panel on Arts, Education and Americans; the Awards Panel of the American Society of Composers, Authors and Publishers (ASCAP); the Africa Diaspora Advisory Group, the Jazz Advisory Group, and the Advisory Group on the AfricanAmerican Museum for the Smithsonian Institution. A.B. Spellman is an author, poet, critic, and lecturer and graduate of Howard University. He has published numerous books and articles on the arts, including Art Tatum: A Critical Biography (a chapbook), The Beautiful Days (poetry), and Four Lives in the Bebop Business.

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