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The Gallo Center has adopted the use of digital programs meant to be viewed on cell phones or other computer devices. This change has important public health, environmental and economic benefits: reducing close contacts between patrons and ushers, cutting our use of paper, and eliminating substantial printing costs. View the program only before shows begin or during intermissions. Please be considerate of other patrons and artists on stage by not viewing it during performances. Patrons who do not observe this courtesy and create distractions may be asked to leave. Thank you!

The Gallo Center for the Arts is a non-profit performing arts center with a deep commitment to enriching the people and communities of California’s vast San Joaquin Valley. From the scintillating performances of its wonderful resident companies, to the great variety of world-class entertainment presented by the Center each season, to robust arts education programs for the region’s youth, this is where the magic happens.
From the beginning, the Center’s mission has been clearly defined: to provide an inspirational civic gathering place where regional, national, and international cultural activities illuminate, educate, and entertain. Since revenue from ticket sales and facility rentals only covers a portion of the costs associated with fulfilling this mission, the Center is dependent on the generous annual financial support from donors and program sponsors within our community.
LEARN MORE AT GALLOARTS.ORG/SUPPORTUS.


In Person: 1000 I Street, downtown Modesto
Online: 24/7/365 at GalloArts.org
By Phone: (209) 338-2100
Monday – Friday: 10 am – 6 pm, Saturday: Noon – 6 pm Closed Sundays
Ticket Office opens two hours prior to all events
Sign up at GalloArts.org and receive e-news about events, added performances, and special offers!
The mission of the Gallo Center for the Arts is to enrich the quality of life in the San Joaquin Valley by providing an inspirational civic gathering place where regional, national and international cultural activities illuminate, educate and entertain. The Gallo Center for the Arts celebrates the diversity of the San Joaquin Valley by offering an array of affordable cultural opportunities designed to appeal, and be accessible, to all.

The Center opened in September, 2007 and consists of the 440-seat Foster Family Theater, the 1,248-seat Mary Stuart Rogers Theater, the Marie Damrell Gallo Grand Lobby and a plaza serving both theaters, and the Modesto Rotary Music Garden.
As a regional non-profit performing arts center, the Gallo Center for the Arts presents internationally recognized touring artists in all disciplines, and also is home to four resident companies: Central West Ballet, Modesto Performing Arts, Modesto Symphony Orchestra and Opera Modesto. The Gallo Center for the Arts is a unique public/private partnership. Construction was funded jointly by the County of Stanislaus, which owns the facility, and contributions from more than 4,000 individuals and businesses given to a non-profit 501(c)(3) organization which today operates the Center.

• Emergency exits are indicated by green exit signs located above each exit. For your safety, please check for the location of the exit nearest to your seat.
• The Gallo Center for the Arts is accessible to disabled patrons. Wheelchair seating is available in both theaters. Portable wireless listening devices are available at the Coat Check room at no charge. Please inform the Ticket Office of any special needs when ordering tickets.
• Food and beverages are not allowed in the theaters. (with the exception of bottled water and beverages served in theater cups.)
• Smoking is prohibited inside the building and within 20 feet of all entrances.
• Latecomers will be seated at the discretion of the Gallo Center for the Arts’ house managers.
• The use of recording equipment and the taking of photographs in Gallo Center for the Arts theaters is strictly forbidden. The Gallo Center for the Arts reserves the right to confiscate any such equipment and/or require offending customers to exit the premises.
• As a courtesy to artists and to your fellow patrons,
please turn off or silence any mobile device on your person. No texting, please!
• Restrooms are located on all three levels of the Center.
• Lost items will be held in the Coat Check room on the main level until the end of the performance. Thereafter, please contact Ticket Office at (209) 338-2100.
• All patrons MUST have a ticket to enter a performance regardless of age.
• Out of courtesy to other patrons, the Gallo Center for the Arts requests that no infants or toddlers attend any performance.
Groups qualify for discounts up to 15% on ticket prices to the many exciting performances offered by the Gallo Center for the Arts and its resident companies.
Secure your group reservation today for just 10% down of your total price!
EMPLOYEE PARTIES/REWARDS CHURCH OUTINGS CLUBS AND ORGANIZATIONS
BUS TOURS
CORPORATE ENTERTAINMENT
SENIOR CENTER OUTINGS
HOLIDAY, ANNIVERSARY & BIRTHDAY PARTIES
…AND MORE!
ONE CALL DOES IT ALL!

Our group sales manager, Jesica Sanchez, is at your service. Call her at (209) 338-5064, or send an email to jsanchez@galloarts.org.




For The Bacon Brothers, music is all about exploration.
The siblings have spent the better part of three decades creating their own mix of folk, rock, soul, and country music. They call that diverse sound “forosoco,” and it’s taken them around the world, from headlining gigs in Japan to American performances at iconic venues like Carnegie Hall, the Grand Ole Opry and Gruene Hall.
The exploration continues with the band’s twelfth release, Ballad Of The Brothers. It’s a record that highlights not only the similarities between Kevin Bacon (known worldwide as an A-list Hollywood actor) and Michael Bacon (celebrated as an Emmy-winning composer), but the differences, too. The two siblings may be bound together by blood and a mutual love of American roots music, but they’ve grown into sharp songwriters and cinematic storytellers with their own distinct approaches. Ballad Of The Brothers makes room for both of those approaches, offering a mix of edgy alt-rock (“Take Off This Tattoo”), Motown-inspired soul (“Put Your Hand Up”), fingerpicked folk (“Let That Be Enough”), and everything in between.
“We’re two musicians who write songs very differently, and we’ve grown to really appreciate those differences,” says Michael. “Whenever I go see a band play live, I’d much rather see them do a thousand things than just one thing. We take a similar approach to our albums.”
While writing new material for Ballad Of The Brothers, the Bacons made several trips to Tennessee, where they teamed up with Nashville-area songwriters like Casey Beathard, Brett Tyler, and Kimberly Kelly. They continued to travel once it came time to record the album, too. “Live With The Lie” was tracked in New Jersey, where the band abandoned the use of a click track in favor of capturing a raw, real performance with their touring band. “Put Your Hand Up,” a brassy soul song that splits the difference between Memphis grit and Motown groove, was recorded in Philadelphia. “Take Off This Tattoo” was produced in Los Angeles by Kevin’s son, Travis Bacon. “It sounded like a country song when we wrote it,” Michael remembers, “but once we decided to give it to Trav, who has more of a rock and electronic sensibility, it became something new.” The band even added a fiddle solo to “Take Off This Tattoo” — an unexpected choice for a rock song, perhaps, but one that emphasizes the Bacon Brothers’ willingness to break new ground. “We worked with fiddle player Brian Fitzgerald on that song,” explains Kevin, “and the direction we gave him was: ‘Imagine that you’re playing an electric guitar, but it just looks like a fiddle.’ He absolutely crushed it.”
Like much of the Bacon Brothers’ work, Ballad Of The Brothers offers a mix of autobiography and richly-detailed fiction. The tongue-in-cheek “Old Bronco” finds Kevin turning a song about his 1969 Bronco truck into a metaphor for aging. “Airport Bar,” one of the most gorgeous tracks in the Bacons’ catalog, compares a doomed relationship to a sports bar in an airport terminal. On the album’s title track (inspired by Gruene Hall, the historic dancehall where Willie Nelson played some of his most memorable shows), the brothers deliver a Wild West narrative about two East Coast city slickers who take a road trip to Texas. Whether by fate or by Faust, they find themselves onstage at a Texas honky-tonk, blessed with musical talent they didn’t know they had. “I wanted to write a Faustian story set in one of my favorite states ever,” says Michael. “It’s sort of like Texas’ own version of Charlie Daniels’ ‘The Devil Went Down to Georgia.’”
For Michael and Kevin Bacon, Ballad Of The Brothers marks the continuation of a musical partnership that began long ago in Philadelphia, where the two siblings were raised on a soundtrack of 1970s singer/songwriters, Philly soul bands, and classic rock acts. They’re creating their own soundtrack now, and like many artistic endeavors, the work is never truly done.
“We’re still exploring the sound we began making all those years ago; we’ve just gotten
a lot better at it,” Michael says. “Music is a life’s work. It’s a universe of things yet to know. We’re still making new discoveries.”
Ballad Of The Brothers
Abbreviated bio
The Bacon Brothers have spent the better part of three decades exploring their own mix of folk, rock, soul, and country music. They call that diverse sound “forosoco,” and it’s taken them around the world, from headlining gigs in Japan to American performances at iconic venues like Carnegie Hall, the Grand Ole Opry and Gruene Hall.
The exploration continues with the band’s twelfth release, Ballad Of The Brothers. It’s a record that highlights not only the similarities between Kevin Bacon (known worldwide as an A-list Hollywood actor) and Michael Bacon (celebrated as an Emmy-winning composer), but the differences, too. The two siblings may be bound together by blood and a mutual love of American roots music, but they’ve grown into sharp songwriters and cinematic storytellers with their own distinct approaches. Ballad Of The Brothers makes room for both of those approaches, offering a mix of edgy alt-rock (“Take Off This Tattoo”), Motown-inspired soul (“Put Your Hand Up”), fingerpicked folk (“Let That Be Enough”), and everything in between. The album also marks the continuation of a musical partnership that began long ago in
Philadelphia, where the Bacons were raised on a soundtrack of 1970s singer/songwriters, Philly soul bands, and classic rock acts. Multiple decades and countless shows later, they’re creating their own soundtrack, saluting their old-school influences while making music that’s undeniably modern.

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CENTER CIRCLES
As
*Charter
Sponsors
25/26
Skeet’s Insurance Service, Inc.
Arts Education
As of January 15, 20265
$25,000+
Education Foundation of Stanislaus County
Raymus Foundation
U.S. Bank
$10,000+
Jean-Charles Boisset & Gina Gallo
Kaiser Permanente
Make Dreams Real Foundation
Modesto Subaru
Freda Motto
New Bridge ManagementAdrian Harrell
Silva Injury Law, Inc.
$5,000+
Ella Webb & Shelley Dameron
Robert & Cheryl Fantazia
$2,500+
Beard Land & Investment Co.
Enterprise Mobility Foundation
Jeff Gaudio & Karen Freeborn grantLOVE project
In Memory of Caleb Hurst
Star One Credit Union
Chris & Stephanie Tyler
$1,000+
Carl Collins & Donna Flanders
Mr. & Mrs. William Gagon
Christina & Victor Gomez
Dennis & Kathy Hoskins
Ginger & Kent Johnson
Michael & Claudia Krausnick
Dr. Alex Mari
Katy & Ken Menges
Modesto Rotary Club Foundation
Pete & Charlie Rodgers
Shirley Schmidt
$500+
Cindy & John Alba
Melvin & Barbara Bradley
Ed & Jodi Felt
Cortney Hurst
Modesto Sunrise Rotary
CORPORATE PATRONS
As of January 15, 2026
The Mayol Family & Team PSC
Surla’s Restaurant Daniel Del Real – Del Real Group
Pirrone Family
Stanislaus Food Products
Burnside Body Shop
Gianelli | Friedman | Jeffries | McKernan
The Graspointner Family
Sodhi Law Group
Winton-Ireland, Strom & Green Insurance Agency
Wille Electric Supply Company, Inc.
Mistlin Honda
John & Mary Ann Sanders
Judith Simms
USS Balthasar
Ann M. Veneman
$300+
Corie Coleman
Grace Lutheran Church, Lutheran Women’s Missionary League
Jerry & Diane Hougland
Pam, Dave, & Jill Robert
Yogurt Mill
$150+
Donald & Judie Brimmer
Chuck & Elizabeth Harvey
Timothy C. Hubbel
Melvin & Betty Lowe
L. Wynette Murphy, M.D.
Frank & Mollie Ratto
Soroptimist International
Gary & Ann Stone
Chick & Lynda Venturini

Each season the Gallo Center partners with some of the region’s most prestigious companies, businesses that recognize the remarkable marketing value of associating with the Center. Below are some of the ways* we connect corporate sponsors to Gallo Center patrons. Imagine how these might impact your marketing goals.
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for the a r t s
Ginger Johnson, Chair of the Board
Marie D. Gallo, President Emerita† June Rogers, Director Emerita
Christina Gomez, Immediate Past Chair
Mel Bradley, Chair Elect
Sarah Grover
Juan Sánchez Muñoz, Ph.D. Jeff
Todd Aaronson
Angelica Anguiano
Rebeca Baeza
Victor Barraza
John C. Bellizzi
Jennifer Coehlo
Stacey Filippi
Robert Fores
Lou Friedman
Julian Gallo
Diane
Stephanie
Ann M. Veneman
Geoff Wong
BOARD OF TRUSTEES
Mani Grewal Emma Grover
Irene Angelo†
Lilly Banisadre
Carl Boyett†
Joan Cardoza
Sheila Carroll
Suzanne Casazza
Paul Draper
Ron Emerzian
Ann Endsley
Kenni Friedman
Jaime Jimenez
Brian Kline
Kevin Luttenegger
Johann Ramirez
Catherine Rhee
Rosalee Rush
Robert Soria
John Schneider
Kate Trompetter
Philip Trompetter, Ph.D. Aaron Valencia
Colleen F. Van Egmond
Julie Vander Wall
Sue Zwahlen
FOUNDING TRUSTEES
Kate
Barry Highiet†
Jeanne
M.D.
Tony Mistlin†
M.D.
Schrimp
Fred A. Silva
Ray Simon
Delmar R. Tonge, M.D.†
Tom Van Groningen, Ph.D.
Doug Vilas
Carol Whiteside†
Jeremiah Williams
Alice Yip
Memoriam