Why I Started Work as an Artist

Since I was a kid, I've always loved to draw. But growing up, I didn't necessarily dream of being an artist—I thought it was way cooler to be an astronaut or something like that. Still, art was always there, surrounding me, and as I got older, I found myself gravitating toward storytelling. Art became the medium I wanted to use to tell those stories. Just like Goya shared his perspective on the world through his paintings, I wanted to do the same—just through my own time and age.

What Do You Select as Your Subject Matter?

I tend to choose subjects that reflect the current world around me —issues like climate change, politics, and global situations. gallerym.se

Sometimes, though, I’ll choose more abstract subjects, like dreams, stories from books, or even just painting an emotion or feeling. It’s about capturing something that speaks to the now, but also tapping into something timeless.

How Do You Create One of Your Works? What’s Unique or Unusual About Your Technique or Process?

For me, it all starts with an idea—usually something conceptual. I work out that idea through a sketch, and then it gets transferred onto a canvas. I’m all about using old techniques and sustainable materials, which I think is what makes my process unique. As for the unusual part, well, I’d say it’s the weird dance moves I do when I’m in the zone. When I start creating a new piece, it’s like my body moves with the rhythm of the art itself!

Did You Begin With This Style, or Was It an Evolution?

No, my style has definitely evolved over time. I started with a darker style, but as I progressed, I began incorporating more color. I’m also influenced by my favorite era, the Baroque period, which I’ve merged with some modern-day elements. For example, my Jester character is one of the pieces that bridges the past with the present.

How Would You Describe Your Work?

I would describe it as a never-ending process of learning and evolution. If I had to put a label on it, I’d call it "neogrotesque" with a sprinkle of childlike imagination. It’s always changing, growing, and never stagnant.

Do You Learn From Criticism of Your Work?

It really depends on who the criticism is coming from. If it’s meant to be constructive and come from a place of dialogue, I’m always open to it. But if it’s just out of spite or negativity, I gallerym.se don’t bother engaging with that. I’m here to grow, not to get stuck in unnecessary conflicts.

How Has Social Media Affected Your Work?

Honestly, social media hasn’t really changed the way I create, but it has provided an excellent platform for me to showcase my work. It’s a great way to connect with potential buyers or fellow artists. It’s also helped me share my work with a larger audience, but it hasn’t altered my creative process.

What’s Your Future Plan?

My future plan is simple: keep working, keep evolving, and keep expanding my portfolio. I want to stay true to my creativity, and I never want to fall into the trap of becoming a copy of myself. There’s always more to learn, and I’m excited to see where my art will take me next.

Info regarding Dante are on my page and also his page.

Dante Galic | See our available works → Gallerinijenkamp

Dante Galic - ARTIST

CV: Exhibitions / CV - Dante Galic

Sir Lanka : Azure Depths : 2024 : 122cm x 91.5cm : Ink on canvas with gold leaf : US$ 1400 https://www.bukiarts.com

Sir Lanka

2024

122cm x 61cm

Oil on canvas with plaster, gold pigment & gold leaf https://www.bukiarts.com