Academic Portfolio - Gabriela Palacios (English)

PORTFOLIO O Gabriela Palacios Villon/ BArch University of Lima CONTENTS

+ 001

COASTAL LABORATORY

Gabriela Palacios Villon University of Lima

002

CAPSULE EXERCISE FRAGMENTS EXERCISE

003

INDUSTRIAL LIMA

004

CONNECT-UR

001 - I

FUNdaco - VENEZIA

gabriela.palacios_villon@hotmail.com 774 414-9073

- Premier Pro

- Animal Rescue Centre, Warwick, RI - Project Assistant,

- After Effects

ongoing October 2021 - Malden House, Malden, MA - Project Architect, completed October 2021 - Medford House, Medford, MA - Project Assistant,

Andromeda Studio

Lumion Microsoft Office

-Publisher

Thesis project

Senior

9

8 credits

9 hours/ week

Housing and pre-thesis

Architecture Studio VIII

Senior

8

8 credits

9 hours/ week

Urbanism

Architecture Studio VII

Senior

7

8 credits

9 hours/ week

Housing and living spaces

Junior

6

8 credits

9 hours/ week

Landscaping

Junior

6

8 credits

9 hours/ week

Structural systems and parametric design

Sophomore

5

8 credits

9 hours/ week

Public buildings

Architecture Studio III

Sophomore

4

8 credits

9 hours/ week

Challenging locations and slopes

Architecture Studio II

First year

3

6 credits

9 hours/ week

Introduction to architecture: conceptualization

Architecture Studio I

First year

2

5 credits

9 hours/ week

Introduction to architecture

- Parametric design for modular furniture, Apr- Jun 2021

Architecture Studio V

Architecture Studio IV

2020

Lima, PE- Architecture Intern

2017

Imagina

Lima, PE- Architecture Intern

- Urban planning junior analyst for Lima’s districts, Oct Dec 2021 2016

- Excel

9 hours/ week

Architecture Studio VI

- Word - Powerpoint

8 credits

2st semester

Revit

11

1st semester

completed September 2021

Senior

2st semester

Grasshopper

2018

Rhinoceros 3d

- Cranston House, Cranston, RI - Project Assistant,

2st semester 1st semester

Autocad

Architecture Studio IX

Providence, RI - Architecture Designer

- InDesign

Sketchup

Architecture Studio X

1st semester

- Illustrator

Michie Design & Build

2021

2021

- Photoshop

1st semester

Adobe

Architecture studios taken, information regarding year, semester, name of studio, student classification and level, credits, hours per week and academic focus.

ACADEMIC HIGHLIGHTS

2020

PROFESSIONAL HIGHLIGHTS

1st semester

SKILL SET

2019

ARCHITECT

Bachelor of Architecture by the University of Lima, graduated with honors, with academic experience at Universita IUAV di Venezia. Fluent in English and German, Italian at conversational level. Outstanding abilities in creative writing and digital design through various tools and programs. With a focus on urban intervention analysis and parametric design. Creative, communicative, goal-oriented and a leader.

1st semester 2st semester

GABRIELA PALACIOS

COASTAL LABORATORY FOR MARINE INVESTIGATION LOCATION: Chimbote, Ancash, Peru

CLASS: Architecture Studio X TERM: 2021-2, 1Oth semester TYPE: Academic project, individual

The project proposed as equipment recognizes the need to implement a research program that contributes not only to the constant monitoring, study and understanding of the marine ecosystems with which the city of Chimbote coexists, but also to the development of technologies that adapt to change. , face the effects of the prolonged environmental neglect of the bay, and increase the productivity of the bay, and therefore, of the city.

003 1

THESIS PROJECT

Likewise, it seeks to complement the educational system by granting a space for research that has not yet existed. The final project consists of the architectural proposal grounded from the previous analysis of justified needs, the appropriate relationship with the context, and the formal explorations that were evaluated from the concept and the review of references, as well as the proposals for programmatic spatial ordering.

10

Conceptualization Caracteristics and purpose

GRID AS A SPACE Permeability

GRID AS A STRUCTURE

CONTAINER Prevention of disaster

Activity engaging

Defining vacuum

SPACES

BUILDABLE

Defining containers

ELEMENTS

Expandability Exhibición

Verticales

CIRCULAR An architectural element for the exhibition program, its circular shape invites the entrance of a roofed space without losing the feeling of being in the open space, and allows an exterior gallery tour.

RAMPA EN ESPIRAL

NÚCLEOS DE CIRCULACIÓN

Architectural elements as part of the project's contribution to the tour and landscape contemplation.

Necessary for vertical circulation. They are distributed to supply the flow of the entire extension of the project.

Grid model

Grid model

Investigación 10 x 10 m.

Aprendizaje

Horizontales

Diagonales

5 x 5 m.

LABORATORIOS

MIRADORES

Cajas de vidrio insertas en la grilla, con accesos múltiples para visitas y trabajadores, con el fin de conservar los niveles de privacidad requeridos. Tienen núcleos de circulación vertical y se encuentran conectados al programa de observación y enseñanza para apoyarse simbióticamente.

Elementos ubicados en el frente del proyecto con vista al mar, contienen núcleos de salones y aprendizaje para complementar el programa de osbervación, y se encuentran conectados horizontal y verticalmente al programa de investigación y de exhibición.

PASARELAS DE CIRCULACIÓN

RAMPAS

En vez de generar volúmenes completos y conexos entre sí para la circulación horizontal, se aprovecha a la grilla como contenedor y se implementan pasarelas de circulación que proveen de recorridos contemplativos y accesos a los espacios sin comprometer la sensación de permeabilidad del proyecto.

El recorrido horizontal a lo largo del proyecto, al ser de carácter contemplativo para ambos frentes, se vale de rampas que no interrumpan este recorrido para los cambios de nivel.

Operations and elements Caracteristics and purpose

these elements are articulated by spaces contained between them, where the program is developed at different levels, giving unity to the project without compromising the minimum footprint or the proposed permeability.

neighbouring shape

CONTAINERS

VACUUMS

er

ord

b tal as co e ap

sh

towards the sea

towards the pier

Selected projects/ GABRIELA PALACIOS

Based on the proposed grid, the fills and voids suggested by the previously drawn axes are established. For the full ones, the grid is subdivided into containers, which will structure the project. For the voids, the spaces around which the flows are formed are obtained.

The containers contain the voids, and

11

How is the project equipped?

Program and main users Lorem Lorem ipsum ipsum

ACTIVITY INTENSITY BY HOUR OF THE DAY

PROGRAM BY AREAS RESEARCH

PRO GR AM Space s

Multimedia rooms

INTENSITY

Classrooms Activit ies

Study

Look outs

Play

Socializing

Responsab iliti es

Learning

STORAGE FOR EXHIBITION ROOMS

Observation

Protection

Labs

Research ST S

LEARNING CLASSROOM

2

Walks

A SE

STUDY ROOMS SKILLS LABORATORIES

3

1 2

RE

3

0

3

6

9

12

15

18

15

18

15

18

21

24

21

24

21

24

HOURS

RS KE OR W

ES

LI

R HE

RC

T EN

RO LEARNING P

Contemplation MI FA

Residences

S

UD

STUDENTS

Industry jobs

Connection with environment

Free time

GR

Work Walks

Cafeteria

INTENSITY

IO

N

PR

Break hour

OG

RA

M

AM

FAMILIES

Discussion

1

Essays

Recreation

Exhibition

LOOKOUT/ OBSERVATORY

Library

Education

LEARNING/ OBSERVATORY

WORKERS

Skills labs

RESEARCHERS

IB

E

X

H

GALLERY

1

EXHIBITION

Galería

IT

Resting area

LIBRARY CLASSROOMS

2

MULTIMEDIA ROOM 1

0

3

6

9

12

2

HOURS

LABORATORIES

LEARNING CLASSROOMS

STUDY ROOMS ADMINISTRATIVE OFFICES CONFERENCE ROOMS

INTENSITY

2

3

5 1

4 2

RESEARCHERS’S DORMS

INVESTIGATION

Selected projects/ GABRIELA PALACIOS

STORAGE FOR EXHIBITION ROOMS

1

5

0

3

6

3

9

4

12 HOURS

12

Users

Project and renders

Caracteristics and intentions

Final project pictures

PUB LIC

RAM OG PR

Freely walking

Explore

Non programmed routes

It seeks to recognize the travel patterns of the different user groups to generate a distribution of the built area that allows these pre-existing circulations and opens the possibility of creating new routes that contribute to the permeability of the project between the bay and the city.

Public areas to stay at

COLL EC TIV E

RAM OG PR

Visit and discover

Go from one point to another

PR IVA T

Halls

Tours of public origin are the beginning of all types of tours, however, being a research facility, it has a private program on the upper levels.

Resting areas

B

C

B’

C’ I

H

F

G

E

A

B

C

D

NTT +11.30

E

This calls for a consideration of separation of privacy levels, which is achieved with vertical circulation halls belonging to the blue or private route.

AM OGR PR

Work

Get to destination as fast as possible

Protected circulation

Reunion areas

NPT +8.30

NTT +5.30

NPT +/- 0.00

INTERIOR SECTION B-B’ A

B

C

D

E

F

G

H

I

NTT +11.30

NPT +8.30

NTT +5.30

NPT +/- 0.00

CROSS SECTION C-C’

Public tour (street pedestrian)

1

3

2

5

4

Collective tour (people who work and people who visit)

6

7

8

9

10

11

12

13

15

14

16

17

Private tour (working people only)

18

19

20

21

23

22

24

A

A

NPT +/- 0.00

19

1

20

2

B

B 3

21

4

22

5

6

NPT +/- 0.00

INFORMES

BOLETERÍA

NPT +/- 0.00

NPT +/- 0.00

EXHIBICIÓN TEMPORAL

23

ESTACIONAMIENTOS VISITA

NPT +/- 0.00

SS.HH

24

NPT +/- 0.00

C

NPT +/- 0.00 7

25

8

26

9

27

EXHIBICIÓN TEMPORAL

HALL LABORATORIOS NPT +/- 0.00

C

NPT +/- 0.00

NPT +/- 0.00

COMERCIO

ALMACENES

NPT +/- 0.00

NPT +/- 0.00

SS.HH NPT +/- 0.00

10

28

RECEPCION

D

D

NPT +/- 0.00

SS.HH

NPT +/- 0.00

NPT +/- 0.00

NPT +/- 0.00

NPT +/- 0.00

ZONA DE OBSERVACIÓN

NPT +/- 0.00

RECEPCION

ZONA DE OBSERVACIÓN

NPT +/- 0.00

NPT +0.15

SS.HH

SS.HH

NPT +/- 0.00

NPT +/- 0.00

ALMACENES

NPT + 0.30

NPT + 0.45

E

E NPT +/- 0.00

EXHIBICIÓN FIJA

SS.HH NPT + 0.45

NPT +/- 0.00

ZONA DE INVESTIGACIÓN

NPT + 0.45 NPT + 0.45

NPT + 0.45

F

F

NPT + 0.45

SS.HH

RECEPCION

NPT + 0.45

NPT +/- 0.00

RESTAURANTE/BIBLIOTECA

NPT +/- 0.00

NPT +/- 0.00

COMERCIO FOYER

NPT +/- 0.00

NPT + 0.45

36

36

36

36

36

36

36

36

36

36

36

36

36

36

COMERCIO

COMERCIO

NPT +/- 0.00

NPT +/- 0.00

NPT +/- 0.00

NPT +/- 0.00

MEZZANINE

TERRAZA

NPT +2.40

BIBLIOTECA

G

G

NPT +/- 0.00 11

29

12

30

NPT +/- 0.00 NPT +0.15

NPT + 0.45 13

NPT + 0.30

31

COMERCIO 14

ESTACIONAMIENTOS PERSONAL

15

NPT +/- 0.00

H

NPT +/- 0.00

NPT + 0.45

NPT +/- 0.00

NPT +/- 0.00

NPT + 0.45

32

H

33

COMERCIO NPT +/- 0.00

16

34

17

35

18

36

NPT +/- 0.00

CAFETERÍA NPT +/- 0.00

I

I

1

2

3

4

5

6

7

8

9

10

11

NPT +/- 0.00 NPT +/- 0.00

NPT +/- 0.00

12

13

14

15

16

17

18

19

20

21

22

23

24

Selected projects/ GABRIELA PALACIOS

COMERCIO SS.HH ESTACIONAMIENTO BICICLETAS

BIRTH OF SPACE: CAPSULE AND FRAGMENTS OF A HOUSE LOCATION: Chimbote, Ancash, Peru

CLASS: Architecture Studio IX TERM: 2020-2, 9th semester TYPE: Academic project, individual

In this activity, it is investigated how a device can be designed that serves to be inhabited, and that has the ability to transform, adapt and that the user can appropriate it. For me, it was difficult at the beginning to include all these qualities in a single intention without neglecting the functionality of the space and the activities proposed within, which in my case, revolved around rest. After changing the initial idea that included many large moving parts, I was able to consolidate in much more minimal and precise

001 2

ARCHITECTURE STUDIO

movements, the activity options within, taking into account the movement of the body and taking advantage of the same capsule as a delimited space and the furniture they merged into a single element. Finally, it seemed to me an exercise that provided a solid base to continue my journey to a home, because thinking about a capsule and everything that I applied to solve it, I can apply similar criteria for the rest of the spaces that would solve the whole house in the future.

05

Conceptualization Caracteristics and purpose

MORPHOGENESIS PROCESS: INSIDE OUT

+

36º 180

90º

Angles of comfortable resting positions

Angle overlap

OPEN RESTING AREA

2ND LEVEL 1ST LEVEL

PRIVATE RESTING AREA

Required levels 2

Angles + levels: transformation options

C O R E

1

2

3

Appearance of base form and evolution of spaces

1

SHAPING PROCESS SECTION SHAPE

PLAN VIEW SHAPE

D

C

2ND LEVEL A

1ST LEVEL

B

RENDERED SECTION

INTENTION

1

EXPLODED AXONOMETRIC VIEW

TRANSFORMATION

Transforms to necessity: sliding element.

36º

+

2

ADAPTATION

It adapts to the user and their style and rhythm of life: although rest is a common need, not everyone has it in the same way.

Flexibility.

3

APPROPIATION

FUNCTION

90 WORK SPACE

36

180

RELAXING SPACE

RESTING SPACE

The intention of providing a flexible space for rest is based on the function of the furniture integrated into the same spatiality, considering the comfortable angles and other measurements of the human body.

INTERIOR VIEW SIDE B

INTERIOR VIEW SIDE C

Selected projects/ GABRIELA PALACIOS

The user makes the space his own, as it is of great spatial flexibility with the ability to grow in size and have or not have access to levels.

05

Capsule functionality

Atmosphere inside the capsule

Caracteristics and purpose

Lighting throughout the day

The project proposes a reinvention of a need so basic but so little attended, rest.

The rest positions and comfort they represent for different activities included within the rest spectrum are explored from the anthropological and ergonomicpoint of view, and are integrated into the capsule as part of its same shape and arrangement, achieving the goal of rest. anywhere in it.

36º

This makes the refuge a flexible and timeless place, which, depending on the needs of the user, offers a variety of resting points, be it a light one while working, one where you lie down, and even one where you can sleep without problems. In the current situation, thinking about rest has blurred boundaries with the rest of daily activities, due to the restriction of going out into outer space. This, in my personal experience, compromises my ability to rest properly, and it is for this very reason that I was inspired by the lack of attention to this

priority of everyday life, perhaps neglected due to its passivity, but ultimately so important. to effectively carry out the rest of the activities. Inactivity for long periods of time can be uncomfortable, and the relief you aim to achieve can be jeopardized. Taking into account what I really need to rest in the day, the measurements, the angles, and the position of the furniture, made me rethink my priorities, often neglected, and inspired me to create a place where my rest is not get interfered with by worrying about constantly getting it.

Rest should not only be physical, but also mental. Thus, more than a place, I have decided to call it a refuge, because that is what a person should feel when they want to take a break: I welcome, shelter, and the tranquility of being in a space where they can close their eyes, lower their guard, and just rest.

LUZ

+ 3.55 m.

The entry of light allows the space to be illuminated during the day.

ACCESO CERRADO

OSCURIDAD

In case you do not want direct light to rest, when sliding element 1, its passage is obstructed.

4

+ 2.25 m.

+ 1.80 m.

7:00 a.m.

3 + 0.45 m.

+/- 0.00 m.

SECTION 1

ALMACENAJE

2

1

ESCRITORIO

Unfolds from item 1 for everyday use. + 3.55 m.

ACCESO ABIERTO

Selected projects/ GABRIELA PALACIOS

A ladder is detached from the warehouse furniture to allow access to the work area without having to cross the rest area.

Sliding elements

+ 3.00 m.

12:00 p.m.

+ 2.25 m.

Fixed elements 1

2

+ 0.90 m.

3

4 + 0.45 m.

+/- 0.00 m.

SECTION 2 5:30 p.m.

05

VERTICAL 1

HORIZONTAL 1

Fragments

VERTICAL 2 3

2

2

3

4

Types of fragments

3 4

3

5 1

1

3

2

3

4

1

4

4

B

COOKING ZONE Food preparation.

CORTE A-A’

REUNION

COOKING A

A’

REUNION ZONE Adjustable furniture.

B’

CORTE B-B’

AREA: 55 m2

NÚMERO DE PERSONAS:

RESTING SPACES:

CROP A

CROP

RESTING

A

CLEANLINESS

RESTING

CLEANLINESS

desk CORTE A-A’

bed resting

A’

closet

A’

COOKING

COOKING SMALL REUNION

COUPLE

SECOND FLOOR CLEANLINESS

AREA: 110 m2

desk

NUMBER OF PEOPLE:

RESTING SPACES:

REUNION

bunk bed

vanity

lavar

toilet resting changing room

FIRST FLOOR

A

DESCANSO 1

DESCANSO 2

ASEO

MATRIMONIAL

INDIVIDUAL

COMPLETO REDUCIDO

A

cocinar

COOKING

2 PERSONS

MEDIUM SIZED REUNION

table

shower drying

drying zone

resting

bed

washing

kitchen garden

vanity changing room

washer/ dryer ironing station

desk

toilet

CORTE A-A’ ASEO

closet

MEDIO

cooking

REUNIÓN

’A

FULL BATHROOM

1 PERSON

COOKING/ FOOD PREPARING

FIRST FLOOR

LAUNDRY

PERSONAL CLEANLINESS

RESTING

COOKING

MEDIANO

’A

BIG SIZED REUNION

SECOND FLOOR

AREA: 102 m2

PREPARACIÓN DE ALIMENTOS COCINAR

REUNION

RESTING SPACE:

NUMBER OF PEOPLE:

Selected projects/ GABRIELA PALACIOS

HALF BATH

kitchen garden

002 3

INDUSTRIAL AREAS OF LIMA

URBANISM SEMINAR

LOCATION: Lima, Peru

CLASS: Urbanism Seminar TERM: 2020-2, 9th semester TYPE: Academic project, group

It was chosen to analyze the industrial estate that forms along Av. Argentina for its centrality with respect to Lima.

This centrality not only lies in its position in Lima Downtown but also in the connection it provides between two historic centers of La Punta, in Callao and Downtown Lima. The industry that currently sits along this avenue has large lots,

many of them destined for storage. Its strategic position made it one of the first industrial hubs to develop. However, its connection with Callao may currently present greater opportunities than being used for industrial land, perhaps being enabled for citizens and tourists.

06

Industrial area: Argentina Ave. Squares analysis Tracks

Tracks

21% ia Av Universitar

A

A

B

B

B Av. Materiales

B

B

A

Jirón Huancavelica

B

B

A

Av Un ive rsit ari a

Preexisting lots

vides Av Oscar R. Bena

man

cett

B

B

Dueñas

Leonardo Arrie ta

Av Elmer Fau

B

B

Elizalde

B

C

C

B

B

B

B

B

A

Av Nicolás

C

C

B

C

Av Argentina TA: 280.3 Ha ÁREA BRU

B

B

B

B

B

A

Av Argentina

Ricardo Tene

C

Industrial

B

C

C

C

A

B

B

C

B

C

A

A

A

A

A

A

A

B

Jr Antonio de

Av Argentina

Av Argentina

B

B

B

A

A

A

A

C

B

B

B

A

Preexisting grain

ica

Jirón Huancavel

B

A

Meiggs

A

A

A

A

A

A

A

B

C

C

C

C

C

B

B

B

C

C

C

C

C

B

B

B

Av Enrique

Built area

B

B

B

B

B

B

A

A

B

B

A

A

Built area

B

B

B

A

C

C

B

B

B

A

A

A

B

65%

79%

A

A

A

A

A

A

A

Meiggs

Dueñas

Meiggs

35%

Av Nicolás

Av Enrique

Av Enrique

PLOT CODE PREEXISTING

SQUARE CODE PROPOSALS 21 0m

Big plot

Big square Aprox: 3.2 He

A

Aprox: 5.1 He

Medium square Aprox: 2 He

C

Small square Aprox: 1 He

Aprox: 0.2 He

A

96 m

B

C

96 m

80 m

Small plot

B

14 5m

35 m

14 5m 17 5m

Aprox: 1.8 He

17 0m

24 5m

Medium plot

11 0m

18 0m

BEFORE ISOMETRIC GRAPH OF EXISTING GRAIN

AFTER ISOMETRIC GRAPH OF THE PROPOSED GRAIN

The existing urban grain featured large blocks, discontinuous streets, and even single-lot blocks allowed with blind walls.

On the other hand, the proposed grain is modulated around blocks classified into 2 types: A, B C, the largest being 3.2 Hectares.

Existing roads, with the exception of Av Argentina, had a small section, less than 20 m, representing 21% of the gross area, while the built, in this case industry, occupied 79%.

It seeks uniformity and control over the dimensions of the blocks, the continuity of the roads, achieving an area of roads that represents 35% of the gross area, while the built, 65%.

STREET SECTIONS

1 1

1

SECTION: AV. UNIVERSITARIA TRAMO ZAMORANO - CASTILLO

2

1

SECTION: AV. ARGENTINA TRAMO NICOLÁS DUEÑAS - RICARDO HERRERA

3

2

3

APROX. SECTION: AV ARGENTINA TRAMO CARCAMO - DUEÑAS 1 COMERCIO INDUSTRIA

INDUSTRIA

INDUSTRIA

INDUSTRIA

INDUSTRIA

Proposal: street grid

RÍO RÍM

AC

AC

RÍO RÍM

Industrial area’s interior

RÍO RÍM

AC

RÍO RÍM

AC

9

7

E MEIGGS

TRACK CODE

AV. ENRIQU

5

PUBLIC BUILDINGS CODE

4 21

AV. ENRIQUE

MEIGGS

24

AV. J. VELASCO

AV. MATE AV. INDUSTRIA

M ITA EV

Proposed main streets Proposed secondary streets

17

12

8

DUEÑAS

A AV. ARGENTIN

20 14

EMAN

GUILLERMO

DANSEY S

AV. BENAVIDE

cett

3

Av Elmer Fau

Train tracks

22

A

AV. ARGENTIN

RICARDO TREN

AV. NICOLAS

CARR. PANM. SUR

6

16 MAQUINARIAS

TO IEN

MAQUINARIAS

A

19

15

NTAS 13 LAS HERRAMIE

VÍA

S

M6 MAQUINARIAS

AV. ARGENTIN

11

10

L

AV. MINERALE

2

ARIA AV. UNIVERSIT

S

AV. MATERIALE

ALVARADO

M2

Preexisting secondary streets

RIALES

S

M2

AV. BENAVIDE

m

Bus stops

M

Metro stops

M2

Rivers/canals

COMMERCE

Neighbourhood shops Zonal commerce Metropolitan commerce SERVICIOS

Hospitals Schools

Selected projects/ GABRIELA PALACIOS

Preexisting main streets

23 18 1

07

Strategies

Phases of the proposal

Caracteristics and purpose

Caracteristics and purpose

1st level

In this sector located in the area delimited as an industrial zone of Av. Argentina, the road network is presented as an ordering and zoning grid from which the starting points of the proposal were worked. This has, without exception, a percentage destined to pedestrian traffic equivalent to that of vehicular traffic. The proposal is organized, in this

Activate the sector in a homogeneous way through the use of a multidirectional walkable mesh.

Recover

Prioritize

Reinvent

the public space lost in overcrowded blocks and minimal roads.

the human scale and foot traffic.

the urban fabric based on an ordering logic that respects hierarchies of use and according to the possibilities of the grid.

2nd level

Protect

Wake up

Decentralize

private zoning without alienating them

the sector’s activity

the uses and nuclei of activity

1

MAIN AXLES

2

COMMERCIAL AXLES

3

RESIDENTIAL AXLES

way, in two phases: the first, which focuses on organizing and classifying the previously proposed routes, and the information on both the hierarchy and the level of activity that they allow is used; and the second, which uses the parameters that it establishes for the zoning of the built and free areas within the blocks.

Selected projects/ GABRIELA PALACIOS

A AV. ARGENTIN

08

Proposal: zoning of sector COMMERCE PUBLIC EQUIPMENT PRIVATE EQUIPMENT COMMERCE Consolidated commerce 1st level commerce PUBLIC EQUIPMENT Hospitals / health centers Municipalities / public entities Library Public schools

PRIVATE EQUIPMENT Corporate buildings Teaching centers and schools Hotels / hostels HOUSING Residential complexes Residence with business in 1st level PUBLIC AREAS Áreas verdes Plazas/ alamedas

HOUSING

PUBLIC AREAS

Square’s proposal 2. 65 m

2. 65 m 2. 65 m

24 m

2. 65 m

2. 65 m

2. 65 m

2. 65 m

28 m 2. 65 m 26 m

88 m 13 m

17 m

100

20 m

31 m

17 m 25 m

87 m

130 m

26 m

20 m

100 m 130 m

127 m

130 m

96 m

140 m

Private equipment Residence Green areas Plazas Commerce Public equipment

Manzana típica Equipamiento público

Manzana típica Vivienda

Manzana típica Vivienda + Equipamiento público

Manzana típica Vivienda + Equipamiento público + Comercio

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100 m

004

CONNECT-UR: 2 DE MAYO PLAZA REINVENTION LOCATION: Lima, Peru

CLASS: Architecture Studio VII TERM: 2019-2, 7th semester TYPE: Academic project, individual

ARCHITECTURE STUDIO A network of streets on different levels is proposed under the concept "connect to activate". In this, it is proposed to unite the pedestrian flow with the Plaza 2 de Mayo so that it has greater accessibility. In the area, the use of land destined for music predominates, whether they are workshops or the sale of instruments: of a musical nature.

In order to increase accessibility to the square, it was decided to increase the width of the sidewalks of the streets, as well as the sidewalks near the oval and pedestrianize streets with low vehicular traffic that will end in squares that will have a program for children, youth and older adults as well as for people with disabilities. This first level has commerce.

Bridges will be added on a second level forming the musical route in which, in addition to the local user being present, it is proposed to add the visitor through a musical experience.

The upper level of certain lots will feature cultural-musical workshops. On the second level there will be rooms with sound waves, this will be a musical journey in which all types of users can be part of an inclusive experience, such as deaf people through vibrations. These bridges are made of metallic structure, due to their lightness and structural resistance, they will be anchored towards abandoned private lots to avoid damaging the monumental buildings. In addition, the bridges will be covered with expanded mesh so as not to obstruct the views towards the square.

14

Proposal for the plaza Plaza 2 de mayo, Lima In the connection between the square and the block, the route of cars continues but with the necessary measures to protect and favor the pedestrian.

With a change of floor, spring breakers and bollards, the square and the sidewalk unite without problem, reducing the speed of the car in the area but maintaining the continuity of vehicular traffic without harming the proposal for a safe pedestrian network that is set up throughout the place.

B-B PUNTO ACTIVO #1 - REMATE ZAMORA

3

GALLERIES. IN THE WAY OF MEZZANINES THAT EXHIBIT THE EXISTING NATIONAL MUSICAL GENRES, WITH A CULTURAL-PEDAGOGICAL AND ACTIVATING PURPOSE.

THIRD LEVEL

MUSIC GENRE MUSEUM

SECTION C-C - ROAD BUMP

A-A

THE CONNECTORS. MEETING SPACES TO ACTIVATE.

On the first level, there is the PEDESTRIAN on the street together with the SHOP, which act symbiotically and help each other to activate each other.

On the second level you can see the CONNECTORS, bridges that cross between lots on the second level for workshops related to music and dance. The third level is a mezzanine and is used as a GALLERY of musical genres that allow tours.

CAMBIO DE PISO DE LA VÍA VEHICULAR

B-B

2

THE WORKSHOPS. MEETING SPACES TO ACTIVATE.

SECOND LEVEL WORKSHOPS

SECTION D-D - JR. MOQUEGUA CONCHA ACÚSTICA/ ANFITEATRO

1

THE FIRST LEVEL IS MAINTAINED FOR COMMERCE AND ITS INTERACTION WITH THE PEDESTRIAN, EQUIPMENT IS USED IN AUCTIONS TO GENERATE ACTIVATION POINTS THAT UNIFY THE PEDESTRIAN SECTIONS. ACTIVATION POINTS

FIRST LEVEL

PEDESTRIAL + COMMERCIAL LEVEL

PEDESTRIAN TRANSIT The Jr. Moquegua and Jr. Zamora roads are pedestrianized to generate a network connected to the plaza and the proposed active points, safe for everyone.

VEHICULAR TRANSIT The way in which traffic is organized around the square and the pedestrianized pathways.

TRAFFIC DIRECTION

A-A

PEDESTRIAN VIEW

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PUNTO ACTIVO #2 - REMATE MOQUEGUA

15

Concept

AV. ALFONSO

UGARTE

Connect and activste

VERTICAL AND HORIZONTAL CONNECTIVITY

+

ESPACIOS DE PERMANENCIA PLAZA RAMÓN CASTILLA

PARQUE LAS MALVINAS

INDOOR AND OUTDOOR ACTIVATION, AT ALL LEVELS

PLAZA DE ARMAS

RED PEATONAL AV. BENAVIDES

PLAZA 2 DE MAYO

+

JR. MOQUEGUA BYPASS ALFONSO UGARTE

LEVERAGE EXISTING TRADE TO GENERATE SOCIAL INTERACTION AND ACTIVATE

+

PLAZA SAN MARTÍN

ZONA DE RECREACIÓN

JIRÓN DE LA UNIÓN POINT ACTIVATION IN COMMON

A connection is made with Jr. Moquegua and its extension and Jr. de la Unión for the pedestrian.

Spaces that serve as articulating points that unify the pedestrianized proposal throughout the entire network.

REMATE ZAMORA

Urban mesh that is proposed in order to connect and activate the square with the surrounding context, allowing activities that are committed to pedestrians and thus generate spaces that benefit each other and remain frequented and used by the community.

JR. MOQUEGUA

Areas that are activated with the use of the pedestrian network that communicate with each other by this means, which also serve as recreational and rest places.

Cross sections Proposal ACTIVE POINT / FINISHES

MONUMENT

CONNECTORS

MAIN BRIDGE

The ends of both pedestrianized roads serve as joints and places of rest.

Representative landmark of the square and the place, it seeks to enhance its value as an attraction point with the surrounding proposal.

Representative landmark of the square and the place, it seeks to enhance its value as an attraction point with the surrounding proposal.

It is the milestone of the project that marks the intention to connect the square with the surroundings, including what is proposed and what exists. It generates a flattering elevated view to appreciate the monument and, with the design of its latticework, it represents a door and entrance that alludes to the history of the square.

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CROSS SECTION A-A’

CROSS SECTION B-B’

REMATE MOQUEGUA ANFITEATRO PLAZA 2 DE MAYO CONECTADA A MANZANA

PROLONGACIÓN DE JR. MOQUEGUA JR. ZAMORA JR. DE LA UNIÓN

PLAZA SAN MARTÍN PLAZA DE ARMAS PARQUE ALAMEDA LAS MALVINAS PLAZA RAMÓN CASTILLA

INTERNATIONAL STUDENT - IUAV PROJECT

W.A.Ve. 2020 POST-COVID SCENARIOS I 06 - 24/07/2020 I Università Iuav di Venezia

FUNdaco: PLAYTHINGS TO ASSEMBLE AND DISASSEMBLE LOCATION: Campo dei Tolentini, Venice, Italy

CLASS: W.A.Ve 2020 (Workshop di Architettura Venezia), Universitá IUAV di Venezia PROFESSORS: Giancarlo Mazzanti + CLAB Architettura TERM: July 2020 TYPE: International student project, group

Fun-daco was born as a proposal to bring together inhabitants, tourists and passers-by within the historic city of Venice. By bringing life experiences back to the center, the tourist manages to discover a new Venice, far from the massively frequented places.

Crosswords are created from stories in order to keep experiences alive and establish new interactions through play. The contribution given by tourists to the population can

001-I INTERNATIONAL STUDENT PROJECT

also be compared to this sharing of knowledge. In the same way, he will contribute to the creation of new crosswords, a sign of his passage in the lagoon city.

The neighborhood, the inhabitants and the tourists are actively questioned about their experiences and ideas. This involvement makes it possible to rediscover and establish human bonds, the basis for the suppression of Venice.

17

Conceptualization internazionale

Campo dei Tolentini

TRASMETTERE CONFRONTARE

VENICE AS A LOCATION

SCOPRIRE INTEGRARE

The choice of Venice as a project location represents our virtual union, not only as a W.A.Ve, but also as a training center. Venice, in fact, is for us an essential component of our cultural and human growth. Campo dei Tolentini, in particular, is a place where each of us has lived experiences and met new people. At the same time, however, it is a place that we have been deprived of and we try to reclaim. Based on this pretense, our reflection is part of the experience of relationships in order to be able to encourage the social interactions of the community.

TEACH - LEARN -

PRE- PROJECT: STORYBOARD

Venice has long been confronted with flows of tourists. On the one hand, unsustainable tourism guarantees the survival of the inhabitants, but on the other, it destroys the city. Our reflection aims to integrate visitors within Venice in order to be able to propose a new tourist. Furthermore, thanks to greater interaction and integration, local citizens will also be able to expand their knowledge.

PLAY

TEACH & LEARN & PLAY.

transmit confront integrate discover

ABSTRACT

-

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-

La scelta di Venezia come luogo di progetto, rappresenta la nostra unione virtuale, non solo come W.A.Ve, ma anche come centro di formazione. Venezia, infatti, è per noi una componente essenziale della nostra crescita sia culturale che umana. Campo dei Tolentini, in particolare, è un luogo in cui ognuno di noi ha vissuto delle esperienze e incontrato persone nuove. Allo stesso tempo, però, è un luogo di cui siamo stati privati e cerchiamo di riappropriarci. Sulla base di questa pre-

sociali della comunità.

Fun-daco nasce come proposta per far incontrare abitanti, turisti e passanti all’interno della città storica di Venezia. Riportando al centro le esperienze di vita, il turista riesce a scoprire una nuova Venezia, lontana dai luoghi massivamente frequentati.

A partire da storie vengono realizzati dei cruciverba in modo da mantenere vive le esperienze e instaurare nuove interazioni attraverso il gioco. A questa condivisione di conoscenze, è possibile accostare anche l’apporto dato dal turista alla popolazione. Allo stesso modo, egli contribuirà alla creazione di nuovi cruciverba, segno del suo passaggio nella città lagunare.

Il quartiere, gli abitanti e i turisti vengono interpellati in maniera attiva sulle proprie esperienze e idee. Questo coinvolgimento permette di ritrovare e instaurare legami umani, base per la soppravvivenza di Venezia.

18

LOCALS

ACTORS AND INTERACTIONS CHURCH GOERS

LOCAL WORKERS

TOLENTINI RESIDENTS

BAR OWNERS

YOUNG PEOPLE

ELDERLY

KIDS

YOUNG ADULTS TEENAGERS

BOAT DELIVERY WORKERS

PEOPLE PASSING BY

CUSTOMERS

FAMILIES

sone possibili grazie all’idea della “settimana enigmistica all’aperto”. cruciverba

TOURIST

BACKPACKERS

INDIRECT

FAMILY

LOCAL STUDENTS

TOURISTS

lettura periodici

co-lettura

“pass an

CAMPO DEI TOLENTINI

ti”

cali

nti lo

turisti

abita

ie quart

singolo

re

città

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INTERNTIONAL STUDENTS

STUDENTS ONE-DAY VISITORS

il gioco dell’impiccato

sport di gruppo

cinema

giochi da tavolo

zona di riposo

performances

conoscenze nuovi spazi

Campo dei Tolentini Università Iuav di Venezia

from the Noun Project

ONE-DAY VISITORS

FUN -DACO punto d’incontro

nuove consapevolezze

CAMPO DEI TOLENTINI

INTERNATIONAL STUDENTS

LARGE TOURIST GROUP

Il nostro obiettivo è riuscire a propiziare l’inte grazione attraendo il più largo numero di per

BALCONY PEOPLE

SEAGULLS

PEOPLE STAYING NEARBY

ADULTS

LARGE TOURIST GROUP

KIDS

DIRECT

PROPIZIARE

LOCALS

STUDENTS

Campo dei Tolentini is located in a particular position: in front of the Renaissance Tolentini Church and a few steps from the important "Tolentini" seat of the Iuav University.

Furthermore, by analyzing the points of interest present within 500 meters (= 5 minutes on foot), we also add the Iuav headquarters in "Campo della Lana" and two of the main access points to the island: the S. Lucia and Piazzale Roma, the final point of arrival for trams and buses. The rest of the area is characterized by the typical Venetian organization: ground floor Venetian trade-organization:commercial ground floor and upper floors used for residential or tourism purposes.

19

Proposal: FUNdaco Campo dei Tolentini Our goal is to be able to propitiate integration by attracting the largest number of people possible thanks to the idea of the "open puzzle week”.

-

IL G

Il g l’un rie Abb util giu so stru

IL GIUNTO

CROSSWORD PUZZLE

PERIODICAL READING

CO-READING

Il giunto permette l’unione delle varie parti in legno.

Abbiamo scelto di utilizzare lo stesso giunto e lo stesso materiale per struttura e mobili.

FOR THE UNIVESITY CAMPUS: FUTURE OF THE YOUTH IN VENICE

THE HANGMAN GAME

REST AREA

CINEMA

PERFORMANCES

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TABLE GAMES

GROUP SPORTS

We believe that young people, in this case represented by the INTERVENTI UNIVERSITARI Student Senate Organ of the Iuav University of Venice, can play PARASSITA Il ruolo dei giovani ri-attivazione di Venezia an active rolenella in the rebirth and integration ofIL the city into an international system. We have therefore chosen to promote Noi crediamo che i giovani, in questo caso rappresentati dall’Organo del SenatoConnettendo degli Studenti dell’ulo spazio d Venice an open place to the following niversità Iuavas di Venezia, possano and giocarelively un ruolo attivo nella according rinascita e nell’integrazione della città in con gli edifici circostanti IL P un sistema internazionale.

Abbiamo quindi, di performances promuovere Venezia come(theater, luogo aperto e vivace initiatives: sharing ofscelto, books, do al lorodance, interno attraver secondo le seguenti iniziative: condivisione di libri, performance (teatro, danza, letture) e cinema. readings) cinema.

In locale, thisè possibile way, avere the unFUN-DACO spacein facciata, ture esistenti Inoltre, integrandoand tali attività con la comunità coinvolgimento del quartiere in prima persona.

In questo modo, loplace spazio FUN-DACO luogo accogliente anche per e alzare la Co a elderly ingrandire su becomes a welcoming even diventa for un lonely people anziani soli che, da un lato, possono condividere le loro avventure, e dall’altro possono venire aiutati due/tre who, on the one hand, can share their adventures, andlivelli. on the con dai più giovani nell’usare la tecnologia. La comunità viene così ri-attivata e arricchita con le nuove coLo spazio pubblico risulta, noscenze hand, dei turisti, can ora integrati in un processo reciproca condivisione. other be helped bydithe youngest in using technology. do tegrato con l’interno degl The community is thus re-activated and enriched. questo modo è possibile tur trare le vite dei turisti con a in gli abitanti locali.

Queste nuove stanze pubb du no la funzione di nicchie p Lo coli, esposizioni, ristoranti te attività solitamente teg svol terra, ma che questa volt inalzate e disperse. qu

tra gli Qu no col te a ter ina

20 THE JOINT

The joint allows the union of the various wooden parts. We have chosen to use the same joint and the same material for the structure and furniture.

THE SURROUNDINGS

By connecting the pitch space with the surrounding buildings and entering them through the existing openings in the façade, we are able to enlarge and raise the surface on two / three levels.

IL GIUNTO

UNTO

Il giunto permette The public space is therefore integrated with the interior of the buildings. In this l’unione delle vaway it is possible to bring together the lives of tourists with those of local rie parti in legno.

Abbiamo scelto di inhabitants.

These new public rooms have the function of niches for shows, utilizzare lo stesso exhibitions, restaurants and bars - all activities usually carried out on the ground giunto e lo stesso materiale per floor, but which this time are raised and dispersed. struttura e mobili.

to permette ne delle varti in legno.IL PARASSITA mo scelto diConnettendo lo spazio del Campo con gli edifici circostanti ed entranare lo stessodo al loro interno attraverso le aperture esistenti in facciata, riusciamo e lo stes-a ingrandire e alzare la superficie su livelli. ateriale perdue/tre Lo spazio pubblico risulta, quindi, integrato con l’interno degli edifici. In ura e mobili. questo modo è possibile far incon-

Connettendo lo spazio del Campo con gli edifici circostanti ed entrando al loro interno attraverso le aperture esistenti in facciata, riusciamo a ingrandire e alzare la superficie su due/tre livelli.

Lo spazio pubblico risulta, quindi, integrato con l’interno degli edifici. In questo modo è possibile far incontrare le vite dei turisti con quelle degli abitanti locali.

Queste nuove stanze pubbliche hanno la funzione di nicchie per spettacoli, esposizioni, ristoranti e bar - tutte attività solitamente svolte al piano terra, ma che questa volta vengono inalzate e disperse.

Campo entranRASSITA e apersciamo ettendo lo icie su

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Il giunto permette l’unione delle varie parti in legno.

Abbiamo scelto di utilizzare lo stesso giunto e lo stesso materiale per struttura e mobili.

IL PARASSITA

trare le vite dei turisti con quelle degli abitanti locali.

Queste nuove stanze pubbliche hanno la funzione di nicchie per spettacoli, esposizioni, ristoranti e bar - tutte attività solitamente svolte al piano terra, ma che questa volta vengono inalzate e disperse.

spazio del Campo gli edifici circostanti ed entranndi, inloroIn interno attraverso le aperifici. inconesistenti in facciata, riusciamo elle derandire e alzare la superficie su he rehanlivelli. spettaazio ar - tut-pubblico risulta, quindi, inl piano to con l’interno degli edifici. In ngono o modo è possibile far inconle vite dei turisti con quelle deitanti locali. te nuove stanze pubbliche hanfunzione di nicchie per spettaesposizioni, ristoranti e bar - tutività solitamente svolte al piano ma che questa volta vengono ate e disperse.

IL GIUNTO

IL GIUNTO Il giunto permette l’unione delle varie parti in legno.

Abbiamo scelto di utilizzare lo stesso giunto e lo stesso materiale per struttura e mobili.

IL PARASSITA Connettendo lo spazio del Campo con gli edifici circostanti ed entrando al loro interno attraverso le aper-

Gabriela Palacios Villon University of Lima

gabriela.palacios_villon@hotmail.com 774 414-9073