Design Samples 2020

GESTH I M A N I ROU MPA N I portfolio sample

3

ACADEMIC

CONTENTS

BRIEF RESUME

4

INCOGNITO

6

an investigation through media

SUBTERRANEAN TRADES

10

a dark web allegory

MEDIA LITERACY CENTER

12

children in film-making

---

N° 1475

16

PROFESSIONAL

AIA selection for Silicon Valley Home tours 2018

SIX SENSES MYKONOS

22

luxury spa

GHOST IN THE MACHINE

26

code:ART

MID-CENTURY MODEST

30

back to CA

MENLO OAKS IV CA ranch update

34

4

gesthimani roumpani

brief résumé

www.gesthimaniroumpani.com

EDUCATION Aug 2019 - present

University of California, Los Angeles (UCLA, Architecture & Urban Design / AUD), USA. Master of Architecture II (post-professional degree, Entertainment Studio) Current G.P.A.: 4.0/4.0 (expected graduation: June 2020)

Sep 2008 - Nov 2014

National Technical University of Athens (NTUA, School of Architecture), Greece BA & MA in Architecture (5-year diploma, equivalent to US accredited degree) G.P.A. (58 courses & Diploma Thesis): 8.76/10 (29th among class of 212 students)

WORK EXPERIENCE Oct 2019 - present

Front Office part-time employee, UCLA AUD, Los Angeles, CA, USA Assisting with daily tasks as needed, handling communications & admissions emails.

May 2016 - Jun 2019

Architectural Design Associate (residential), Ana Williamson Architect, Menlo Park, CA, USA • Active throughout all project phases, communications, bids, and Project Management.

• Project “No 1475” selected by the AIA for the 2018 AIA Silicon Valley Home Tours.

• Firm’s designated “Template Master” and graphic standards coordinator.

Dec 2015 - May 2016

Designer (interiors), InteriorCrowd Over 50% selection rate by clients on www.interiorcrowd.com .

Oct 2013 - Jan 2016

Junior Architect (hospitality), Concept Boarding, Athens, Greece Elevated the brand’s visual presentation & expedited designs’ deliveries.

Oct 2008

Hostess of 3 documentary short films, Sporades islands, Greece Project run by Professor Wangtae Lim (Dong-Ah University). Produced by S. Korea Living TV.

RESEARCH EXPERIENCE Oct 2019 - Dec 2019

“This Person is Just a StyleGAN”, “Toward a Hyperfake-ism”, & “Regarding Vision”, UCLA AUD, Los Angeles, CA, USA. Academic research. Instructor: Natasha Sandmeier.

July 2013

Computational Design | Smart Materials: the parallel processing, NTUA School of Architecture, Athens, Greece. Academic research leading to a dissertation, with Kallirroi Taroudaki.

Oct 2010

Architectural & structural analysis of vernacular settlements, NTUA School of Architecture, Mani, Greece. On-site architectural & structural analysis. Program funded by the EU.

SKILLS main software skills:

Archicad

Photoshop

Octane(c4d)

AutoCAD

InDesign

VRay

Revit

Illustrator

Grasshopper

Rhino

PremierePro

Unreal

Cinema4d

AfterEffects

Unity

other software:

SketchUp | Metashape | ZBrush | Maya | Substance Painter | Lumion | Meshlab

personal skills:

fast learner | leader | communicative | dedicated | organized | public speaker

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AWARDS & DISTINCTIONS 2019

Gerondelis Foundation Graduate Study Scholarship | Merit-based scholarship.

UCLA AUD Departmental Scholarship | Merit-based scholarship.

2018

AIA Silicon Valley Home Tours 2018 (winner) | “No 1475” selected to be part of the 2018 tour.

2017

Palo Alto intersection project (runner up) | Proposal for an alternative crosswalk.

Code:ART Palo Alto (winner) | “Ghost in the Machine” interactive installation.

2012

ISARCH awards for architecture students (finalist) | Students’ international competition.

LANGUAGES Greek: proficient (native language)

English: proficient Certificate of Proficiency (CPE), University of Cambridge

German: intermediate Zertifikat Deutsch, Goethe Institut

LEADERSHIP, VOLUNTEERING, & OTHER cinematography:

Olympia International Film Festival for Children & Young People, and Camera Zizanio Representative & participant - Greece, Hungary, Romania, Germany, Croatia, South Korea Leader of the documentary workshop “Daily News”, interpreter, & hostess (2008 - present) Workshop leader - 8th Junior High School of N. Smyrni, Athens (Apr 2009) 1st prize - best film, DINFAC workshop, DIMA university, Anseong, South Korea (2012) 1st prize - best film in its category, 10th Camera Zizanio, Pyrgos Ilias, Greece (2010) Skopelos International Film Festival for Youth Organizing volunteer & hostess (Jul 2009)

other:

UCLA leadership Open House ambassador - selected to represent Entertainment Studio (Apr 2020) Student representative - MArch II program, elected for academic year 2019 - 2020 Symposium volunteer - assisting with the “Stranger Than Fiction” Symposium (Oct 2019) Exhibition coordinator - MArch II Summer exhibit (Aug 2019 - Sep 2019) Tour docent AIA Silicon Valley - Home Tours 2018 (May 2018) Dwell - Home Tours 2016, Silicon Valley (Sep 2016) AIA Santa Clara - Home tours 2016 (Aug 2016) Community & Education volunteering Habitat for Humanity Greater SF (Oct 2017 - Jan 2019) Blossom Birth - Halloween volunteer, Palo Alto, California (Oct 2015 & 2016) Stanford Splash - volunteer teacher (2016 - 2017) BUILD career cruiser - Sequoia High School, Redwood City (Oct 2017) Menlo-Atherton High School - career day panelist (Oct 2017) International Pierre de Coubertin Youth Forum Organizing volunteer - Olympia, Greece (Sep 2009) Team leader for the Greek team - Tabor, Czech Republic (Sep 2007)

general interests:

piano, swing dancing, strategic thinking games, table tennis, traveling

INCOGNITO an investigation through media (concept art by Gesthimani Roumpani)

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project

BRIEF INCOGNITO Winter Studio - UCLA AUD Instructors: Natasha Sandmeier, Nathan Su Contributors: Alekya Malladi, Gesthimani Roumpani, Yanrong Yang Type: academic, research, short film, narrative, storytelling, concept art Mar 2020

When a young girl goes missing, we follow a police officer investigating her timeline against corruptions of memory.

In the format of a criminal investigation, our film’s previsualization serves as an exposé on memory and spatial reconstruction, revealing how connections can be made across memory media. More importantly, it points out that “subjective” memories such as witness

FULL PREVIZ VIDEO

testimonies might be looked at as the most volatile, and yet it is often the data-driven and digital memories that promote bias, exactly because of our approach to them as infallible. Therefore, regardless of human, digital, or object imprinted, memories can be seen as fictions of the past, introducing bias and narrative, and always open to a subjective interpretation.

(concept art by Gesthimani Roumpani)

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(concept art by Gesthimani Roumpani)

(concept art by Gesthimani Roumpani)

(concept art by Gesthimani Roumpani)

SUBTERRANEAN TRADES a dark web allegory (concept art by Gesthimani Roumpani)

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project

BRIEF SUBTERRANEAN TRADES Winter Technology Seminar - UCLA AUD Instructor: Nathan Su Contributors: Gesthimani Roumpani, Liang Yang, Ruohan Yang Type: academic, research, worldbuilding, short film Mar 2020 One internet condition: the dark web.

One environment metaphor: the temple.

The dark web is seen by most as a marketplace of illegal goods and services, this “underground” space one can only visit for satisfying their most dangerous desires.

Therefore, its role as a “safe space” through the anonymity it offers is often overlooked.

Journalists and witnesses navigate these unindexed pages in order to safely communicate with one another, not bound by the censorship of the surface web.

SHORT VIDEO

The sometimes confessional nature of the dark web draws a direct connection to the environment metaphor: the temple. Besides their imposing bodies, a common characteristic across temples is how they are organized in layers. Sometimes these layers refer to physical accessibility. Other times, the layering regards a stratification separating someone’s relationship with God. These layers remind us of the layered accessibility when it comes to unindexed web pages.

(concept art by Gesthimani Roumpani)

MEDIA LITERACY CENTER children in film-making

14

project

BRIEF MEDIA LITERACY CENTER Diploma Thesis - NTUA School of Architecture Location: Pyrgos, Greece Instructors: Sofia Tsiraki, Costas Caradimas, Irene Klampatsea Type: academic, large scale landmark building Nov 2014 Since 1997, the city of Pyrgos experiences a cultural outburst through the Olympia Film Festival every December. This project aims at permanentizing the effects the Festival has on the city, while accomodating all spatial needs for media education.

The design emerged as a combination of contextual parameters, algorithmic parameters, and experiential knowledge of the Festival’s mechanisms.

longitudinal section

The impact of the Diploma Thesis has been immense on the local community. Its research basis and final proposal have been used as leverage for the institutionalization of the Festival by the Greek Parliament. As a result, in early 2018, the funding for actually erecting a media literacy center was approved by the Government and the Region of Western Greece, and I will be assisting with its design, due to my thesis’ extensive research.

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cross section

longitudinal section

first floor plan

section A-A’

section B-B’

N° 1475 AIA selection for Silicon Va l l e y H o m e To u r s 2 0 1 8 (photo by Henrybuilt)

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project

BRIEF N° 1475 - AIA SILICON VALLEY HOME TOURS 2018 Completed project - AWArchitect Location: Los Altos, CA Contributors: Gesthimani Roumpani, Kimberly Yee Head architect: Ana Williamson Type: professional, residential addition/remodel Completed May 2018

What started off as a small kitchen remodel, turned into a 424 SF addition and an entire remodel of the existing 3,478 SF three story house. With its East Coast Colonial exterior, this house has been a well-known landmark in its residential neighborhood of Los Altos, and the clients wanted to maintain the allure of its style. Regarding the interior, they opted for a modern, warm, family-friendly living space. Square footage was added at the Kitchen and Laundry / Mudroom on the First Floor and at the back of the house, to create a larger Master Bathroom and ensuite Bed-

rooms on the Second Floor.

The inside of the building envelope was taken down to the studs to allow for a clean slate of materials, for design and constructability reasons. Both flights of internal stairs were re-built with open rails, visually opening up the vertical circulation core. I was heavily involved throughout all phases of this project (SD /DD/Permit/Bid/CD/CA), as well as material selections and design customizations. All content belongs to Ana Williamson Architect, unless otherwise noted.

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existing section

proposed section

1st floor

2nd floor

3rd floor

20

arbor attachment detail

front porch detail

01

05

01

03

04

02

04

04

01 / tribute to colonial forms 02 / clean implementation of traditional details 03 / custom design throughout 04 / soft & refined material palette 05 / task definition w/ ceiling changes

03

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(photo by Henrybuilt)

(photo by Dean Birinyi for AWA)

(photo by Dean Birinyi for AWA)

(photo by Henrybuilt)

(photo by Dean Birinyi for AWA)

SIX SENSES MYKONOS luxury

spa

(photo by Six Senses Spas)

24

project

BRIEF SIX SENSES MYKONOS Completed project - ConceptBoarding Location: Mykonos, Greece Contributors: Domna Ioannidou, Gesthimani Roumpani Head architect: Domna Ioannidou Type: professional, hospitality remodel Completed Jun 2015 Six Senses Spas is a renowned spa brand with various locations throughout the world.

Designing their new branch in Belvedere Hotel, Mykonos, was challenging due to the traditional architecture and design restrictions enforced in the area. After identifying the most crucial issues in this design case, we decided on the best strategies to overcome them. From entirely re-designing the existing interior, to the custom design of each furniture piece, the approach was consistent with the brand’s, hotel’s, and local architecture’s values, aiming for the best customer experience.

Reflecting the traditional architecture of Mykonos, the spa’s decor features classic white walls and marble floors complimented by locally crafted timber features. Natural fabrics in the shades of Aegean blue and white together with soft lighting & skylights, work around the absence of natural lighting, and add warm highlights to evoke the serenity of the island.

My responsibilites included drawing set production, photorealistic renderings, and custom furniture design. All content belongs to Concept Boarding, unless otherwise noted.

before after

treatment rooms mani - pedi reception staff only

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(photo by Six Senses Spas)

(photo by Six Senses Spas)

(photo by Six Senses Spas)

GHOST IN THE MACHINE code:ART

28

project

BRIEF GHOST IN THE MACHINE - COMPETITION WINNER Public Installation - code:ART Palo Alto Location: Palo Alto, CA Contributors: Ben Flatau, Gesthimani Roumpani Type: professional, open competition (winner) Jun 2017 This project uses technology to challenge how an individual perceives and interacts with others within their proximal space.

Traditionally, we experience a space and our surroundings on a personal level. In contrast, this proposal allows users to experience space from another person’s point of view. In doing so, patrons step into the third person to examine themselves, their immediate surroundings, and their community as a collection of experiences activated by the general populace.

To achieve these goals, two suspended “clouds” are placed at a neglected arcade in downtown Palo Alto. Each cloud has a network of sensors and motors that morph

UNIVERSITY

The resulting installation allows citizens of Palo Alto to form a greater connection with one another through an understanding that we all participate in making a space, neighborhood, and community. Analogous to Gilbert Ryle’s use of the phrase in critiquing mind-body dualism, this physical demonstration of the “Ghost in the Machine” highlights our connection to one another in an interactive and tangible way.

AVE

RAM

ON

AS

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its shape, along with the underlying space, in response to a person or people moving beneath them. Instead of direct interaction between the sensors, person, and movement of the cloud, the partner cloud responds to the users underneath the cloud across.

P

PARKING

SHOPPING

NIGHTLIFE

PEDESTRIAN

EATING

LOCATION

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PLANAR SRF

TRIANGULATION

INTERACTIVE KINETICS

PATTERN

(photo by Josie Nevitt)

1,000FT of elastic shock cord

1,334 laser cut triangles

8,003 zip ties

6 sonar sensors

18 servos

(photo by Josie Nevitt)

4 arduino & Xbees

MID-CENTURY MODEST back to CA (photo by Ana Williamson)

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project

BRIEF MID-CENTURY MODEST In construction - AWArchitect Location: Menlo Park, CA Contributors: Joe Gardella, Gesthimani Roumpani Head architect: Ana Williamson Type: professional, residential new construction To be completed Summer 2020 Preparing for their retirement, an older couple living in Washington requested that we design a California mid-century inspired residence in Menlo Park.

playing in the backyard, the modest design allows for direct communication of the main spaces where the grandparents will be (kitchen, family room, bedroom) with the rear.

The house consists of two main volumes that are distinct in both the front and the back.

Two roof planes define these volumes; one for the family spaces and bedrooms, and one for cooking and other utilitarian needs.

Under the guidance of Ana Williamson and Joe Gardella, I was able to design and lead the various phases of this new construction project, until I had to depart for graduate school. All content belongs to Ana Williamson Architect, unless otherwise noted.

Envisioning their grandchildren visiting and

(photo by Ana Williamson)

32

CRAWL SPACE VENT. CALC.

Above: early SD sketch by Robert Scheren.

CRAWL SPACE: 2,024 SF 1/1,500 x CRAWL SPACE = REQUIRED VENTILATION

Below: Plan from CD set.

1/1,500 x 2,024 SF = 1.349 SF TOTAL VENTILATION REQUIRED SLAB ON GRADE IN GARAGE AS PER STRUCTURAL

1 A4.1

CRAWL SPACE VENTS SIZE: 6" X 14"

2 A4.1

18" X 24" CRAWL SPACE ACCESS AS PER CBC 1209.1

CL 1'-81/2"

3'-21/4"

117

5'-21/2"

CLOSET

HALLWAY 108

SKYLIGHT

105

1'-101/4"

B A6.4

SKYLIGHT

107

106

CL

118

1'-101/2" A A6.6

CL

CL 2'-103/4"

4'-3/4"

206

CL 205

A A6.5

STEEL POST

F.F. = 52.8'

DINING ROOM 102

FLUSH

F.F. = 52.8'

6'-81/2"

3'-2"

CL

FAMILY ROOM 103

101

F.F. = 52.8'

CL

104

FLUSH

3'-6"

204 2'-51/4"

MIN 1/2" TYPE X GYP. BD ON EXT. SIDE OF WALL FOR FIRE PROTECTION

103

6 A7.3

1'-91/4" CL

102

7'-91/2"

6'-41/2"

1 A4.0

6'-1/4"

11'-5"

103

EM

2 A3.1

CL

ELEC. METER, 200 AMP. RECESSED & FLUSH W/ STUCCO WALL

ROOF OVERHANG

SPLIT HEAT PUMP ON CONCRETE SLAB

GAS METER

DOWNSPOUT

2 A4.1

1 A4.1

TRUE NORTH

PROPOSED FIRST FLOOR PLAN 1/4" =

1'-0"

N

1

DOWNSPOUT

18'-91/4"

43'-113/4"

A A6.2

4 A7.3

GM

9'-31/4" CL

DROP FRAMING FOR TILE

20' X 10' REQ. PARKING STALL 2R@ 7 3/4" 1T@ 11 13/16"

-5"

10"

SHOE STORAGE

CL

W/D 104

2 A4.0

10'-71/2"

109

UP

110

B A6.6

2'-43/4"

CL 1'-51/4"

LAUNDRY / MUDROOM 105

102

STORAGE

2'-21/4" CL 1'-93/4"

1'-51/4"

108 C L

F

B A6.2

GARAGE 107 1/4" SLOPE

F.F. = 52.8'

2R@ 7 3/4" 1T@ 11 13/16"

CL 1'-91/2"

RG

BATH #1 106

1'-61/4"

4'-61/2"

DO P

6'-31/4"

8 A7.1

UP

15'-81/2" PORCH

A A6.0

F.F. GARAGE = 51.51'

4'-51/4"

DW

KITCHEN 104

105 SKYLIGHT

POCKET FOR RETRACTABLE WINDOW SCREEN INSIDE

9'-53/4"

20' X 10' REQ. PARKING STALL

CL

33'-1"

1 A7.2

1 A3.1

UP

TANKLESS W/H

2x10 WALL REAR PATIO

2 A4.0

3 A4.0

EP

EXTERIOR GRADE = 51.51'

8'-1/2"

3 A4.1

3'-113/4"

101

1 A3.2

FRONT PORCH

119

8'-6"

111

14 A7.2

UP

COAT CLOSET

CL

121

CL

CL 2'-71/2"

119

2'-5

13 A7.3

2'-11/2"

116

(E) GRADE = 51.38'

3'-71/4"

114

LIVING ROOM 101

2'-3/4"

3' CL

VESTIBULE 109

207

3 A4.0

118

3'-111/4" CL

120

4'-21/4"

91/2"

A A6.4

STEEL POST

5'-21/2"

1'-6" 1'-6" CL

115

CL

3'-1/2"

BEDROOM #3 115

CL CL 1'-93/4" 1'-93/4" 1'-93/4"

4'-31/4"

8'-4" PORCH

113

1/2"

8'-1"

106

12'-41/4" CL

1 A8.1

3'-1/4"

122

3'-31/4"

3/4"

FLUSH

CL 4'-21/4"

3'-

113

MASTER BEDROOM 110

210

2'-1/4"

CL 2'-21/4" 1'-81/2"

8'-21/2"

112

208

112

5'-81/4" 3 A8.1 BATH #3 114

6 A8.1

CL

11'-93/4"

SKYLIGHT REACH - IN STORAGE CLOSET

209

A A6.3

6'-23/4"

CL

CL

13 A8.1

5'-11" CL

6'-2"

2'-11"

3'-91/4" 1'-7

CL

CL 1'-6" 1'-6" EQ. EQ.

3'-4"

111

SKYLIGHT

4'-91/4" MASTER BATH 112

1/2"

7'-61/2"

18'-8"

110

BEDROOM #2 113

115

1'-7

107

3'-4"

117

114 1/2"

108

79'-73/4" CL

5'-111/4"

51'-9"

CL

6'-51/2"

4'-3" EQ.

A A6.1

CL

6'-111/4"

116

SKYLIGHT

DOWNSPOUT

DROP FRAMING FOR TILE

CL

4'-3" EQ. 109

QUIETROCK @MASTER SUITE WALL

8 A7.2

DROP FRAMING FOR TILE 16'-63/4"

MASTER CLOSET 111

2 A3.2

11'-11/4"

DOWNSPOUT

1 A4.0

7 A7.2

2R@ 7 3/4" 1T@ 1/6"

QUIETROCK @MASTER SUITE WALL

3 A4.1

0' 1' SCALE: 1/4" =

5' 1'-0"

10' 20'

5.

CRAWL SPACE VENTS SIZE: 6" X 14".

T.O. ROOF

T.O. ROOF

7 A 7.1

08/19

T.O. ROOF

PL A N 45째 1.67

110

112 1.67

113

109

9 A 7.1

T.O.P.

E

111

ISSUE:

DATE:

PERMIT SET

05/09/2018

PLAN CHECK R1

12

BID SET

12

1/4" =

GRADE 51.78' 1'-0"

102

12'-6"

6 A 7.2

T.O. AVG NATURAL GRADE 51.78'

13'-7" 1'-1/4" 16'-41/2"

T.O. F.F. + 52.8'

115

117

10 A 7.1 118

116

114

DRAWN:

T.O. F.F. + 52.8' AVERAGE GRADE FOR DAYLIGHT PLANE @ 51.78'

DAYLIGHT PLANE @ 51.49'

T.O. AVG NATURAL GRADE 51.78'

1'-1/4"

T.O. F.F. + 52.8'

PROPOSED WEST (SIDE) ELEVATION T.O. AVG NATURAL AVERAGE GRADE FOR

6 A 7.1

6" x 14" CRAWL SPACE VENT

+/- 6' VERIFY W/ OWNER

6" x 14" CRAWL SPACE VENT

119

+/- 6' VERIFY W/ OWNER

+/- 6' VERIFY W/ OWNER

1'-1/4"

6" x 14" CRAWL SPACE VENT

2

101

174 12'-53/4"

16'-41/2"

1/4" 1'13'-7"

CD SET

T.O. F.F. + 52.8'

DATE:

08/08/2018

APN: 062-271-030

N

MENLO PARK, CA 94025

A

5 A 7.1

174 SAN ANDREAS DR.

PL

HT

HT

IG

IG

45째

SEAL:

YL

YL

T.O.P.

PAINTED WOOD SIDING

A

A

INTEGRAL COLOR SMOOTH STUCCO

TPO ROOF

D

D

T.O.P

E

11 A 7.1

THE GUPTA RESIDENCE

T.O.P.

T.O. AVG NATURAL GRADE 51.78'

t: (650) 329 0577

33

INTEGRAL COLOR SMOOTH STUCCO

885 SANTA CRUZ AVE A, MENLO PARK, CA 94025

ADDRESS NUMBERS SHALL BE PLACED AS PER CRC SECTION R319.1, AND SHALL ALSO BE ILLUMINATED.

1'-91/4"

1'-91/4"

STANDING SEAM METAL ROOF

T.O. ROOF

16'-41/2"

PROVIDE 16"X24" MIN. CRAWL SPACE ACCESS. VERIFY EXACT SIZE AND LOCATION W/ OWNER/ ARCHITECT

1'-0"

PAINTED WOOD SIDING

1/4" 1'-9 13'-7"

GUTTER AND DOWNSPOUT COLOR TBD.

3.

16'-41/2"

1/4" =

2.

4.

ANA WILLIAMSON ARCHITECT

PROPOSED EAST (SIDE) ELEVATION

A 7.3

174 S

6" x 14" CRAWL SPACE VENT

MENLO

6" x 14" CRAWL SPACE VENT

A 7.1

1'-91/4" 13'-7"

2

6" x 14" CRAWL SPACE VENT

THE GUPTA R

6" x 14" CRAWL SPACE VENT

09/04/2018

03/07/2019

MR

3/7/2019

JOB NO.

1707

DRAWING TITLE:

PROPOSED EXTERIOR ELEVATIONS

SHEET:

PROPOSED NORTH (FRONT) ELEVATION

0' 1' SCALE: 1/4" =

1'-0"

E

T.O. ROOF

PL N E

45째

12 1'-6"

210

12'-6"

13'-7"

108

ISSUE:

206

205

1.67

204

105

104

104 1 A 7.1

7 A 7.3

08/08/2018

BID SET

09/04/2018

CD SET

03/07/2019

AVERAGE GRADE FOR DAYLIGHT PLANE @ 51.49'

T.O. AVG NATURAL GRADE 51.78'

1'-1/4"

1'-1/4"

DRAWN:

T.O. F.F. + 52.8' AVERAGE GRADE FOR DAYLIGHT PLANE @ 51.78'

05/09/2018

PLAN CHECK R1

1'-6"

T.O. F.F. + 52.8' T.O. AVG NATURAL GRADE 51.78'

DATE:

PERMIT SET

3 A 7.1 12

16'-41/2"

T.O.P.

A

1.67

1'-91/4"

N

HT

1'-91/4"

PAINTED WOOD SIDING

TPO ROOF

A

IG

A

PL

YL

D

HT

A

45째

IG

A3.1

D

T.O.P.

YL

10'

16'-41/2"

INTEGRAL COLOR SMOOTH STUCCO T.O. ROOF

5' 1'-0"

13'-7"

1/4" =

12'-6"

1

DATE:

MR 3/7/2019

JOB NO.

6" x 14" CRAWL SPACE VENT

4 A 7.1

1707

2 A 7.1

DRAWING TITLE:

PROPOSED EXTERIOR ELEVATIONS

1

PROPOSED SOUTH (REAR) ELEVATION 1/4" =

1'-0"

(photo by Joe Gardella)

SHEET:

0' 1' SCALE: 1/4" =

5' 1'-0"

10'

A3.2

34

(photo by Ana Williamson)

MENLO OAKS IV CA ranch upgrade

35

project

BRIEF MENLO OAKS IV Completed - AWArchitect Location: Menlo Park, CA Contributors: Reiko Michlig, Gesthimani Roumpani, Kimberly Yee Head architect: Ana Williamson Type: professional, residential addition/remodel Oct 2019 The everyday obstacles of living with MS, convinced this Menlo Park couple that remodeling their house would bring them comfort and easier mobility. Despite the setbacks of a typical California ranch home, such as low ceilings and limited daylight, this remodel achieved a level of extroversion sought after by the clients.

A pool and a cabana were another addition to this project, that was finished with high end materials and cabinetry. Everything is

(photo by Ana Williamson)

custom-designed and tailored to the couple’s needs, such as the “disappearing” TV in the living room.

I started in this project with As-Builts and Schematic Design, and later returned to it during the Construction Documents and Bidding phases. Visualization for material selection was also part of my duties. All content belongs to Ana Williamson Architect, unless otherwise noted.

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A

1 A4.1

B

C

2 A4.0

C.1

1 A3.2

F

F.1

G

H

NOTES 1. (N) TANKLESS W.H.

74'-6 1/4" 5'

16'-7 1/2"

13'-6 1/4"

14'-4 1/2"

+/- 5'-9"

2. (N) RECESSED 400 AMP ELECTRICAL METER

+/- 19'-2 3/4"

3. PROVIDE FOR FUTURE POWER WALL, LOCATION T.B.D (N) STL. BEAM ABOVE

4. SEE LANDSCAPE AND CIVIL DRAWINGS FOR EXTENT RAMPS

9

9 CL DOOR/ SKYLIGHT WELL 6'-9 3/4"

9'-7 1/4"

CL

EQ

EQ

12'-6"

(N) WD. BRISE SOLEIL AND CURTAIN POCKET ABOVE

(N) CONCRETE PATIO, S.L.D.

12'-6"

5. SEE LANDSCAPE DRWINGS FOR LOCATION OF CONTROL JOINTS AT CONCRETE PATIO.

(N) PTD. STL. COLUMN, S.S.D. TYP.

LEGEND EXISTING WALL

102

10 A7.0

-1 1/2"

NEW WALL 8

APPLIANCE GARAGE

CL

5 A7.4

TRASH

DW

(N) WD. DECK, S.L.D.

103

WINE FRIDGE

7

ALIGN

EQ.

2R@6 1/4" 1T@12" 103

+/- 20'-4 3/4"

EQ

EQ.

EQ. EQ. EQ2 EQ1

EQ. 128

MASTER BATH 112

MASTER BEDROOM 113

1 A4.0

106

CL

107

CL

2X8 WALL

(E) FLOOR FRAMING TO BE DEPRESSED FOR FLUSH TILE/ WOOD FLOOR TRANSITION

+14"

110

111

CL

(N) CONC. LANDING

B A5.4

MIN. 1/2" GYPSUM BOARD INSTALLED ON THE GARAGE SIDE OF ALL (N) SEPARATION WALL BETWEEN THE GARAGE AND LIVING SPACE. (CRC TABLE R302.6)

(N) ATTIC ACCESS 20" X 30" MIN. AT WALL ABOVE (E) GARAGE 104

EQ

125

(N) LINEAR DRAIN

(N) CRAWL SPACE ACCESS 18" X 24" MIN.

SOLID WOOD, HONEYCOMB-CORE STEEL OR A 20-MIN. FIRE RATED DOOR WITH SELFCLOSING AND SELFLATCHING DEVICES PER CRC R302.5.1.

A A5.3

(E) FURNACE ABOVE

2'

LOWER (N) SUB-FLOOR 1/2" BELOW (E) TO ALLOW FLUSH TILE/ WOOD FLOOR TRANSITION AT YOGA STUDIO, MUDROOM, AND POWDER ROOM

(E) CRAWLSPACE ACCESS

(N) ATTIC ACCESS W/ LADDER 126

BATH 1 111 EQ.

117

2 A3.1

(N) TANKLESS W.H.

127

A A5.1

2

+18" 108

1'-7 1/2"

3

(N) FL DRAIN

118

1'-4"

DN

- 3" +/- 3'-5"

3'-10"

EQ

ALIGN

(N) SKYLIGHT WELL

101

4'-6"

POWDER ROOM 102

109

3.1

3'-7 1/4"

110

3'-9 3/4"

4'-1"

4

ALIGN

104

(N) WD. DECK, S.L.D.

EQ

CL

108

CL

+/- 6'-2 1/2"

BEDROOM #3 110

+/- 10'-6 1/4"

MASTER CLOSET 114 CL

W AV

5'-10 3/4"

EQ2

CL

CL

CL 2'-3 1/4"

2'-8"

2'-7 3/4" CL

4'-4 1/2"

ALIGN

EQ

4'-1"

CL

EQ

1'-6"

CL

123

D

(N) DRAIN

CL 115

CL

CL

1'

124

LAUNDRY 117

114 116

ENTRY 101

C 2'-2" L 2'-5"

4'-11 1/4"

119

7'-7 3/4"

EQ

CL

+/-4'-1 3/4"

EQ1

- 1 1/2"

ALIGN

111

3'-4 1/4"

EQ

112

MUDROOM 103

CL

YOGA STUDIO 105

B A5.3

15'-7 1/2"

3'-5 1/4"

71'-2 3/4"

ALIGN

2'-4 1/2"

HALL 109 PANTRY

(N) F.F.E. 93.84'

CL

4'-3 3/4"

14'-7"

7'-6 1/4"

(N) CRAWL SPACE : 252 SF

1/150 X 252 SF = 1.7 SF TOTAL (N) VENTILATION REQ'D

4'-1"

EQ.

EQ

3'-10 1/2"

CRAWL SPACE VENT. CAL

1/150 X (N) CRAWL SPACE SF = (N) REQUIRED VENTILAT

2'

6'-3" CL

BEDROOM #2 115

120

ALIGN 6'-6 1/2"

+/- 15'-1 3/4"

105 122

F

(N) WD. COL., S.S.D. TYP.

13'-1/4"

13 A7.0

9 A7.4

FUR OUT (E) WALL FOR EXHAUST DUCT 1'-10 1/2"

O

EQ.

4'-7"

BEDROOM #1 116

FRIDGE DRAWER

KITCHEN D-99 108

D-97

EQ.

2'-3 1/2" 6'-3 1/2"

ROOF ABOVE

EQ. 121

4' (CLR, CTOP TO CTOP)

EQ

WD. SCREEN WALL, ALIGN WITH EXISTING WALL

(N) SKYLIGHT WELL

(N) RECESSED 400 AMP ELECTRICAL METER - BLIND DOOR, STAINED TO MATCH WALL

1 A4.0

6.1

DINING ROOM 107

CL

+/- 15'-10 1/2"

(E) AC UNIT TO REMAIN

(E) F.F.E. 93.84'

A A5.0

LIVING ROOM 106

A A5.5

2 A3.2

- 1 1/2"

A A5.0

SLOPED CEILING ABOVE

(N) GAS FIREPLACE INSERT

(N) D.S., TYP.

104

-1 1/2"

(E) GAS METER

NEW ADDITION

D-98

5'-6"

3'-10 1/4"

107 106 105

6

5

ROOFLINE ABOVE 6'-4 1/2"

1 A7.4

71'-2 3/4"

3'

9 A7.0

EQ.

13 A7.4

(N) LINEAR DRAIN, S.C.D.

EQ.

8

109

(E) F.F.E. 92.61'

7'-10 3/4"

EQ.

14 A7.2

VERIFY/ CONFIRM BAY WINDOW STRUCTURE W/ ARCHITECT

EQ. CL ROOM & WINDOW

1

1 102

5'

+/- 19'-8 1/2"

+/- 6'-3"

+/- 11'-1 1/4"

+/- 7'-4 1/2"

8'-11 3/4"

16'-1 3/4"

74'-6 1/4"

A

1

B

1 A4.1

PROPOSED FLOOR PLAN 1/4" =

1'-0"

Above: Plan from CD set.

Below: Visualizations & material selection.

D

2 A4.0

E

1 A3.1

G.1

H

37

C U S T O M I Z AT I O N

Above: Detail from custom screen design.

1'-3"

1'-3"

Below: Detail for hidden TV.

TV CABINET BELOW FLOOR JOIST TO HOUSE TV LIFT/ TV

2'-10 1/2" 2'-3"

TV UPLIFT MECHANISM

The request for a “disappearing” TV could not be tackled with traditional solutions, due to the peculiarities of remodeling, retrofitting, & device specifications. After entertaining multiple solutions, in the end the compartment for hiding the TV was recessed in the crawl space below.

1'-4" VIF

(E) FLOOR JOIST

(E) GIRDER TO BE CUT LINE OF (E) RAT SLAB

CTIONS

9'-3 1/2"

FOR MORE, VISIT www.gesthimaniroumpani.com