Nfocus August 2026

AUGUST 2026

STUDIO TENN'S ONE NIGHT ONLY LEGACY B ALL THE WHITL AND AVENUE FOURTH OF JULY PAR ADE

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CONTENTS August 2026 | Vol. XXXIII, No. 8

features 24

29

32

36

40

Tasting the Stars

France’s Champagne region masterfully balances modernity and tradition

44

Sail the Seas

The luxury yacht-style cruise ship SeaDream I promises a week of indulgence

departments

Park It

New and renovated lodges make Tennessee State Parks a destination for discerning travelers

08

Boarding Groups

Far-flung travels build bonds back home

parties 65

Destination: Highlands, N.C.

The Blue Ridge Mountains getaway invites a refined mountain experience

Where Nature And History Intersect

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Amelia Island offers a luxurious Florida escape for adventurous spirits

ON THE COVER

Studio Tenn’s One Night Only offers a starlit evening of awe-inspiring performances

Courage, Generosity, Excellence and Hope

Step Inside

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Ndesign

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The Ties of Our Common Kindred

Behind the Scenes

With Mark Fleischer of Studio Tenn

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Theater Matters

The fifth annual Legacy Ball raises funds for the future 73

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In Our Words

Exploring the world and your own backyard

Chicago’s Boka Restaurant Group opens Alla Vita in Nashville, serving classic Italian fare Keyna Rankin, Interior Koncepts

Worth the Drive

High Hampton

Nretrospect Dormcore

The Whitland Avenue Fourth of July parade celebrates America’s 250th birthday

Our intrepid traveler Ben Scott, photographed

by Eric England on location at Pastis. Louis Vuitton bag from the private collection of Jon Steinick. For more on travel, turn to page 24.

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IN OUR WORDS

Editorial

founding editor

Herbert Fox Jr. editor-in-chief

Janet Kurtz

contributing editor

Lindsey Lanquist associate editor

Madeleine Bradford social correspondent

Gloria Houghland contributors

Chris Chamberlain, Whitney Clay, Carrington Fox, Hannah Herner, Margaret Littman, Hamilton Matthew Masters, Nicolle Praino, D. Patrick Rodgers

Art

art director

Christie Passarello senior photographer

Eric England

staff photographer

Angelina Castillo

contributing photographers/videographers

Tausha Dickinson, Kristin Drum, Michael Scott Evans, Peyton Hoge, Iris Leonardo, Hamilton Matthew Masters, Alan Poizner graphic designers

Sandi Harrison, Mary Louise Meadors, Tracey Starck

There and Back Again Exploring the world and your own backyard

Advertising

advertising solutions consultants

Teresa Birdsong, Kailey Idziak, Michael Jezewski, Carla Mathis, Heather Cantrell Mullins, Allie Robbins, Niki Tyree, Andrea Vasquez sales operations manager

Chelon Hasty IN THE LITERARY CLASSIC The Lord of the Rings: The Fellowship of the Ring, Bilbo Baggins warns his nephew, Frodo: “It’s a dangerous business, Frodo, going out of your door. You step into the road, and if you don’t keep your feet, there’s no knowing where you might be swept off to.” While Bilbo urged Frodo not to stray from the path, explorers throughout history have discovered that a journey often leads to an entirely new world. Travel has a way of inspiring us to venture beyond the familiar in search of the unexpected. It carries us away from what we know and invites us to places filled with newfound wonder.

In this issue, we travel the world — and the region — in search of memorable destinations. I take readers to Reims, France, to tour Champagne and visit the newly refreshed Museum of the Surrender. I also share a watery escape to the Caribbean aboard a fabulous SeaDream Yacht Club cruise ship. Madeleine Bradford takes us to Florida’s Amelia Island for some well-earned rest and relaxation. Margaret Littman heads to Highlands, N.C., a favorite retreat for many mountain-loving Nashvillians, and she explores new and renovated accommodations at Tennessee State Parks. And Carrington Fox introduces readers to several local travel clubs, including the Frist Director’s Circle, Cheekwood Estate & Gardens’ 1929 Club and the Sister Cities of Nashville travel club.

Back at home, Whitney Clay visits Wedgewood-Houston’s new Alla Vita restaurant. And Carrington spends time with Keyna Rankin, principal designer at Interior Koncepts, who recently won Best Dressed at our annual Nfocus Steeplechase Style Contest. We also take readers inside some of the season’s signature events, like the annual Whitland Avenue Fourth of July parade. Madeleine shares the details of Studio Tenn’s One Night Only, and I cover the fifth annual Legacy Ball supporting the R.H. Boyd Family Endowment Fund.

Whether your travels take you across an ocean or simply down the road, every journey has the potential to change the way you see the world — and perhaps the way you see home. After all, the best adventures don’t simply take us somewhere new. They bring us back with fresh eyes.

advertising solutions associates

Audry Houle

Marketing

events director

Robin Fomusa event manager

Tristan Maryanski

Circulation

circulation manager

Gary Minnis

Business president

Mike Smith

chief financial officer

Todd Patton

chief operating officer

Elizabeth Jones

chief revenue officer

Olivia Moye Britton IT director

John Schaeffer digital director

Caroline Prater

Owner

FW Publishing, LLC

BY JANET KURTZ Janet moved to Nashville 28 years ago. She is an avid reader, traveler and collector of fountain pens, and she lives in downtown Nashville with her husband, Ron, and their dog, Julep. Email her at jkurtz@nfocusmagazine.com or follow her on Instagram @musiccitytraveler.

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Nfocus is published monthly by FW Publishing, LLC. Advertising deadline for the next issue is Friday, August 14, 2026. A limited number of free copies, one per reader, are available at select retail establishments, listed on the website: nfocusmagazine.com. Firstclass subscriptions are available for $100 per year. Send your name and address along with a check or credit card number and expiration date to: GARY MINNIS, FW PUBLISHING, 615 MAIN ST., Suite 102, Nashville, TN 37206 or call Gary at 615-844-9307.

For advertising information, call OLIVIA MOYE BRITTON at 615-844-9261. Copyright ©2026 FW Publishing, LLC.

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BEHIND THE SCENES

Behind the Scenes

With Mark Fleischer of Studio Tenn MARK FLEISCHER’S arrival in Franklin doesn’t just signify a personal fresh start — it’s ushered in a new era of growth for Studio Tenn. As the organization’s newly minted executive director, he’s concluding 12 years of leadership at Pittsburgh Civic Light Opera to support Studio Tenn’s growing ambitions with sturdy organizational infrastructure.

Countless productions have impacted the lifelong theater-goer, from Sunday in the Park with George to A Chorus Line to August: Osage County. Mark channels this love of the performing arts into holistic leadership, pairing creative expression with sustainable development.

Collaborating closely with artistic director Patrick Cassidy, Mark seeks to bring a balanced approach to Studio Tenn’s strategic planning, financial stewardship and community engagement. Nfocus met him at Studio Tenn’s Turner Theater in the Factory at Franklin to discuss the company’s 2026-27 season, audience engagement and how good art creates conversations.

Studio Tenn introduced the executive director role with your arrival. How will this level of leadership usher in a new phase for the company? The role was created with the idea of leveling up. We just launched a program called the Studio Tenn Circle, which is a sustained giving program with different levels. I’m really looking at the best of the places I’ve worked and the people I know, and bringing that to the organization. It’s grown so fast based on Patrick’s vision and the theater’s artistic quality. My goal is to give the scaffolding and understructure that will continue to support that growth.

I come from an organization that has a huge education program. I’m asking, “What is already done in the community? What is the niche that’s not being served, and how can we serve that?”

How do you plan to deepen the connection between audience members and onstage productions? Producing a show is like picking up a rock and throwing it in a lake. The rock is the production. Hitting the splash is the performance, and it’s going to make ripples. Sometimes it’s a big ripple, and sometimes it’s small ripples. But the thing that’s come to me over my 30-plus years in the business is you also have to know the lake you’re throwing it into. I’m kind of learning the lake, as it were.

THE BASICS Name: Mark Fleischer Hometown: Plano, Texas ZIP code: 15202 (for now!)

Time in Franklin: It’s complicated.

Since my start date in March, I’ve been back and forth from Pittsburgh, where I’m wrapping up my previous job. My wife and I look forward to becoming full-time residents of Franklin at the end of July.

Approximate number of shows you’ve overseen in your career: Over 225 full productions, not including readings and workshops of new works.

The thing we’re actually doing is starting a conversation, and good shows are worth talking about, whether that’s the ideas or the performance. There are studies that say, as we watch a show, our heart rates sync. Our breathing goes in sync.

Even just watching Jesus Christ Superstar and seeing the response to that — people loved it. I launched a new series for Studio Tenn called Beyond the Stage, where I brought in a rabbi and a pastor to come after the show and talk about the ideas. We had a mix of Jewish and Protestant and Christian audiences, and we had these great conversations. I’m hoping to do that for every show next year. What we can be, and what we are, is a gathering point.

How do you hope the company’s community engagement programs will grow? I’m interested in exploring hands-on opportunities for both adults and young people, whether that’s a drop-in tap class or a drop-in learn-to-scene-paint. We do summer camps for kids. I’m not really going to add something just to add it. I want to see what is already in the community. What can we do to make this feel like the place you belong? And where can we find human connection, not just with the lights turned out, but from the person next to us?

What excites you most about the 2026-27 season, which kicks off in October? Patrick’s put together what he keeps referring to as the blockbuster season.

Something Rotten is written by Wayne Kirkpatrick.

He’s from the area. He lives here, and I don’t think a lot of people know that. And we just had Adam Pascal playing Jesus. Adam was Shakespeare on Broadway and on the road, so there are connections to that.

There’s always some sort of Southern slot. Who are we? Who is this town as a culture? Whether it’s Steel Magnolias or Driving Miss Daisy, where can that go for us as a community? Where could we maybe commission our own plays about what it means to live in the South in this era, versus always looking back?

For this year, it’s about watching audiences respond. I’m being present in the lobby and hearing what people have to say. It’s a transition time for me. My wife and I will move down officially at the end of the summer. The number one question is, “Why Franklin?

Why would you leave a $10 million theater company?”

And I think there are new opportunities to build a company that is growing out of its community.

Quotes have been edited and condensed for clarity.

BY MADELEINE BRADFORD PHOTOGRAPH BY ERIC ENGLAND

nfocusmagazine.com | A U G U S T 2026

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STEP INSIDE

Italy by Way of the Windy City Chicago’s Boka Restaurant Group opens Alla Vita in Nashville, serving classic Italian fare SEVERAL YEARS AGO, when Boka Restaurant Group founders Rob Katz and Kevin Boehm first visited the site of newly opened Alla Vita in Wedgewood-Houston, it was nothing but a gravel parking lot.

Ben Weprin, their longtime friend and the CEO of AJ Capital, had suggested the partners come to Nashville from Chicago so he could show them his vision for the neighborhood. “Kevin and I flew out there, and we sort of got a glimpse of Ben’s vision,” Rob says.

They drove around on the developer’s “beatup Polaris four-wheeler” scoping out the area.

“We had to squint very hard to try and see what he was seeing,” Rob adds. “Because three-and-a-half, four years ago, WedgewoodHouston was nothing like it is today.”

The group is now so committed to the area that they’ve opened three concepts on Nashville’s Houston Street in quick succession — Japanese restaurant Momotaro, cocktail bar Middleman, and the latest, Italian eatery Alla Vita, which opened in mid-June.

The Music City restaurant marks the brand’s second location, the first being in Chicago.

On a recent Friday night at Alla Vita, the energy was palpable. “Good Thing” by pop rock ’80s band Fine Young Cannibals pulsed through the speakers. In the greenery-filled dining room, the air conditioning — mimicking a breeze — caused the subtly lit Italian

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chiffon hanging from the ceiling to sway. The space is intended to channel the feeling of a seaside eatery in Italy.

As we headed to our table, we passed an ornately carved host stand, blue velvet banquettes and wood tables with neon-yellow bases. We dined under a massive pergola (fitting, given the outside-in theme) near a dramatic “belt wall.” That art piece was created by Chicago-based Kehoe Designs, who helmed the restaurant’s design and specializes in transforming event spaces in an innovative, “anything is possible” way. After working with Tom Kehoe on numerous occasions, Rob asked him if he’d ever thought about designing a restaurant. Alla Vita in Chicago was his first.

The restaurant, which seats 110 guests, has a private dining room with sheer curtains that can divide it into various configurations, allowing for flexible seating.

Lee Wolen, a Michelin-starred executive chef and Boka Restaurant Group partner, oversees the kitchen. The thoughtfully crafted menu — highlighted by pasta made in house — is designed to be approachable, with something for everyone.

The restaurant is open for dinner seven days a week, and there’s valet parking.

BY WHITNEY CLAY PHOTOGRAPHS BY ANGELINA CASTILLO

ATTENTION TO DETAIL There’s always an unexpected design detail to discover at Alla Vita. Renowned New-Orleans-based artist Diane Killeen hand painted a floral design on the wood floors.

Some of the dining tables echo the same motif. “But not every table,” Rob says.

He describes the restaurant’s design as “deliberate.”

“You want people to come in and every time they come in, they notice something different,” he says. “[Like], ‘Oh wow, look at that table base.’” The partners even hit GasLamp Antiques in Berry Hill to find one-of-a-kind pieces.

LABOR OF LOVE Things were very hectic leading up to opening day. Dining chairs got stuck in customs, so the team had to pinch-hit. The partners set up shop in Nashville, going back and forth to Chicago, while staying here for long stretches of time.

“It was like our hair was on fire, but every detail matters,” Rob says. “It’s very personal to all of us, and we just want to make people happy that are coming into our restaurants.”

DINNER IS SERVED The menu includes wood-fired meatballs and a Liuzzi burrata with marinated cherries, tomato and pine nuts, to start. Homemade pastas include spring pea cappelletti with chanterelle mushrooms, corn and pecorino del parco, and tagliatelle with beef shank ragu, Parmesan and oregano. Rounding out the menu is grilled branzino and roasted bone-in ribeye.

For dessert, try the limoncello panna cotta with blood orange, black lime and basil, or the dark chocolate torta with malted milk, brown butter and caramel. There’s also an impressive selection of Italian wines and craft cocktails.

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NDESIGN

Ndesign: Keyna Rankin, Interior Koncepts Versatile designer, former Mrs. America and winner of our Nfocus Steeplechase Style Contest LIKE AUDREY HEPBURN as Eliza Doolittle at Royal Ascot, designer Keyna Rankin stole the show at the 85th running of the Iroquois Steeplechase. Keyna capped a sleek white pantsuit with a dramatic white top hat improvised with flourishes of netting and a black feather she happened to have around the house. The standout look, drawing on the aesthetic of early-20th-century equestrian fashion, turned heads and earned Keyna the title of Most Stylish Female in our annual Nfocus Steeplechase Style Contest.

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While Steeplechase 2026 may have been Keyna’s debut at the rite of spring benefiting Monroe Carell Jr. Children’s Hospital at Vanderbilt, the horseraces were not her first rodeo when it comes to standing out in a crowd.

Nor is that iconic white top hat Keyna’s first crowning achievement, so to speak.

A veteran of pageants at the state and national level, Keyna knows the challenge and value of making a strong first impression. In the Miss America pageant system, in which she was runner-up to Miss North Carolina, she shared her talent as a singer. Then, in 1993, newly married Keyna earned the Mrs. America crown, a title that has served as a springboard for a diverse creative career.

Almost 30 years ago, music brought Keyna to Nashville, where she’s applied her creativity across fields from clothing to construction — in addition to touring as a backing vocalist for several singer-songwriters.

“Mrs. America opened up a huge door of opportunities,” says Keyna, who is headed to California this fall to celebrate the 50th anniversary of the pageant.

Even though her résumé reads as “quite diverse,” she says her professional experiences share a thread of fashion and design.

As a real estate agent with Keller Williams of Franklin, Keyna uses her background in construction to help homeowners and agents refine their properties to show at their very best. That can mean working on a newly built property to sell or move into. Or sprucing up a well-loved property to put on the market.

Or rethinking a current living situation to use space more fully. In 2013, she founded Interior Koncepts, in Brentwood, with services ranging from home remodeling and decorating, to staging and space planning.

Anyone who loves Doolittle’s unabashed encouragement at the races — “Move your blooming arse!” — will appreciate Keyna’s fearless confidence when it comes to making design decisions for home staging. “I’m emboldened enough to say, ‘This isn’t working. Let’s put it in storage for now,” she says, in an infinitely more diplomatic voice than Hepburn’s inimitable Cockney.

Whether she’s festooning a festive Steeplechase chapeau or staging a home to catch a buyer’s eye, Keyna focuses on small details for maximum impact. “The little things you learn from pageantry help shape what I do today,” says the design queen of all trades. “Attention to detail, intention, confidence and authenticity all derive from my experiences with pageants.”

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WORTH THE DRIVE

THE BASICS What: High Hampton Where: Cashiers, N.C. Distance from Nashville: 321 miles Why it stands out: A true mountain resort, High Hampton offers connection to the outdoors, hiking, clear skies and mountain views, without sacrificing luxury, service or connection to its historic past.

Worth the Drive: High Hampton North Carolina’s High Country provides the setting for a modern take on an old-school mountain resort IF YOU LIKE your vacation to feel like it’s set in a movie, say, Dirty Dancing’s Kellerman’s Mountain House (except Southern), then High Hampton is probably for you. This idyllic mountain getaway has been around since 1922. And in 2021, the Beall family (best known for their Blackberry Farm resort) took control. They renovated and restored the property, bringing their signature commitment to quality, service and appreciation of the landscape — all while keeping High Hampton’s century-old charm intact. They worked some of the vintage furniture into the space, making it both wholly modern and connected to its past.

Today, High Hampton’s 1,400 acres offer one of the most refined ways to experience the Nantahala National Forest and the Blue Ridge Mountains from Cashiers, N.C. Cashiers (pronounced “Cashers,” the “i” is silent) is a remote mountain town, including a small “downtown” with some charming boutiques, a brewery and restaurants. As you turn off NC-107

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and drive through the winding road and gated entrance, you’ll feel like it’s even more remote, passing a par-71 golf course tucked into a temperate rainforest. You’ll be greeted by a team ready to park your car (you likely won’t need it for your stay, but if you do, the 24-hour valet will fetch it), transport your luggage, and walk you through the amenities, from the mountainside private lake, to the swimming pool with views of the mountains, to hiking trails, the kids club and rainy-day board games.

High Hampton feels as exclusive as it is. The resort shares its facilities with an on-site membership club, so you might find club members and property owners in the boathouse, restaurants and golf carts tooling around the property. But still, even on a sold-out holiday weekend, you’ll have plenty of opportunities to commune with nature alone, have a romantic dinner under the stars, or make s’mores with friends and family around the communal firepit.

WHAT’S NEARBY High Hampton is 75 miles from Asheville (the closest airport) and 29 miles from Sylva, a vibrant mountain town with three different bookstores, breweries, restaurants, tea shops and more. It’s just 12 miles to Highlands, another affluent mountain community, and to lots of waterfall hikes on the roads between the two.

Remember, mountain roads can be deceiving, and a 12-mile drive can take 30 minutes or more, depending on weather.

WHAT TO DO You didn’t come to the mountains to ignore the outdoors. Azalea-lined hiking trails leave from the property, offering challenging hikes along Chimney Top and Rock Mountain. You can also opt for easier strolls, playing on the TomFazio-designed golf course, challenging a friend in a pickleball game, swimming (in the lake or pool), playing croquet, kayaking, paddleboarding, stargazing and more. There may also be cooking classes, fly-fishing classes and yoga sessions, depending on when you show up.

What won’t you do? Watch TV. There are no TVs in the guest rooms so you can disconnect (although there is Wi-Fi in case you can’t).

WORTH THE DRIVE

WHERE TO EAT Staying at some resorts means eating at the same table, meal after meal. High Hampton is not some resorts. Choose from fine dining in the Dining Room and more casual fare in the Tavern, plus poolside eats and three restaurants in the membership club — most of which offer scenic views. While the Tavern doesn’t have the prix fixe menus of the Dining Room, it still offers impeccable service and delicious food.

The restaurant’s hummus and vegetable platter was anything but simple, resembling an artist’s palette — so rich in color.

Heading on a hike? Grab a basket of snacks (a welcome gift) from the reception desk, and pack some non-hiking gear to wear to dinner in the Dining Room. Head sommelier Tyler Wesslund has developed an innovative wine list, with categories such as “Women winemakers we love,” “Who doesn’t love a good deal?” and “Last call.”

HOW TO GET A GOOD NIGHT’S SLEEP The rooms at High Hampton are designed for shut-eye.

There are no screens — not even digital clocks — to disrupt your REM (though there is an analog clock if you need to check the time). Blackout curtains shut out the mountain sky, and plush Frette bedding — readied for you by nightly turndown service — is primed for sleep.

Choose from guest rooms in the original inn or separate cottages with small patios. Some bathrooms feature deep soaking tubs. Request one if that’s part of your wind-down routine.

BY MARGARET LITTMAN PHOTOGRAPHS COURTESY OF HIGH HAMPTON

nfocusmagazine.com | A U G U S T 2026

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HISTORY

TASTING THE STARS France’s Champagne region masterfully balances modernity and tradition

FOLLOWING THE CELL AR master down the narrow staircase, my senses immediately came alive. The walls — their unmistakable white chalk damp to the touch — surrounded us. The familiar scent of a wet basement filled the air as the temperature dropped with each step. Along the dimly lit corridor, where low lighting protected the golden elixir stored beneath the earth’s surface, rows of unlabeled bottles lined the walls. These vessels held one of France’s national treasures — Champagne.

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FRANCE’S CHAMPAGNE REGION — before it became the bucolic setting for producing coveted sparkling wines — was home to the Gauls, the Celtic people who inhabited what is now modern-day France. The Romans later claimed the region as part of their empire. Both civilizations carved caves deep into the chalky soil, some stretching for miles.

The Romans, however, introduced grapevines to the region and taught the Gauls how to cultivate the fruit and make wine.

The Gauls and Romans produced traditional still wines in the Champagne region. The sparkling wine we know today emerged only after a fortunate accident. Historians believe Benedictine monks at Saint-Hilaire in western France made the discovery after bottling white wine that hadn’t finished fermenting. The carbon dioxide they trapped created the bubbles that later became Champagne’s defining characteristic.

After its serendipitous creation, Champagne continued to evolve. Early Champagnes were remarkably sweet, with some containing more than 200 grams of sugar per liter to satisfy the tastes of 18th- and 19th-century consumers. As palates shifted toward drier wines, producers gradually reduced the dosage, giving rise to today’s classifications — brut nature, extra brut, brut, extra dry (extra sec), dry (sec), demi-sec and doux — each defined by its residual sugar content. A modern brut Champagne, the style most commonly consumed today, contains less than 12 grams of sugar per liter.

Even now, the Champagne region continues to balance centuries-old traditions with a global industry that exports millions of bottles around the world.

F E AT U R E

MAJOR HOUSES THE CHAMPAGNE REGION unfolds in a patchwork of emerald vineyards and golden wheat fields stretching across gently rolling hills. At the end of many vineyard rows, bright rose bushes bloom. The flowers supposedly serve as an early warning system, often showing signs of disease before the vines themselves. The region’s terroir varies across its principal growing areas, including the Côte des Blancs, Montagne de Reims and Vallée de la Marne, with differences in soil and topography favoring particular grape varieties.

While visitors often associate Champagne with celebrated names such as Taittinger, Moët & Chandon, Veuve Clicquot, LaurentPerrier and cooperative Nicolas Feuillatte, those iconic houses represent only part of the story. More than 16,000 families own vineyards throughout the region, with roughly 14,000 selling grapes to Champagne producers. In total, the region is home to more than 2,000 Champagne houses representing approximately 400 brands.

In Épernay, the capital of the Champagne region, the tree-lined Avenue de Champagne is often called the most expensive street in the world. The UNESCO World Heritage Site (designated in 2015) is home to some of the industry’s most well-known Champagne houses. And beneath the road and its surrounding streets, 110 kilometers — approxi-

mately 68 miles — of chalk cellars hold nearly 200 million bottles of Champagne. The saying goes that you know you’ve made it if your Champagne house is on the avenue.

Many of the major brands on the Avenue de Champagne are backed by fantastic legends.

One of the most notable houses — Veuve Clicquot — is named after Barbe-Nicole Ponsardin, who at just 27 took over her late husband’s Champagne house, smuggled her wine through Napoleonic War blockades and developed the riddling table that keeps Champagne clear of sediment. Pol Roger became well-known as the favorite wine of Winston Churchill, who famously (and perhaps apocryphally) consumed 42,000 bottles of Champagne in his lifetime. The house created a special, black-bordered label to mourn the statesman after his death.

And of course, there’s the legendary Dom Pérignon. Although many credit the monk with inventing Champagne, historians instead recognize him for refining many of the techniques that elevated its quality. The Dom Pérignon label itself is a much more recent creation, with its first vintage released

by Moët & Chandon in 1936.

While the celebrated houses dominate many wine lists, some of the region’s most memorable discoveries come from family-owned producers whose names rarely leave Champagne.

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CHAMPAGNE THE CHAMPAGNE REGION’S history isn’t only about wine — it’s a 2,000-year-old story of celebration that unfolds against a recurring backdrop of war. Storied points of interest abound, and many visitors find it difficult to balance historic tours and Champagne tastings.

In the early years, the region saw the War of the Succession of Champagne from 1216 to 1222. Érard of Brienne-Ramerupt and his wife, Philippa of Champagne, claimed the county against its underage heir, Theobald IV — but were ultimately defeated by Theobald and his mother, Countess-Regent Blanche of Navarre. From 1914 to 1918, armies fought four devastating battles in Champagne during World War I, causing extensive soldier and civilian casualties.

During World War II, German forces occupied Champagne and requisitioned millions of bottles, while producers struggled with labor shortages and scarce supplies. Some growers and houses resisted by concealing their finest wines, delaying shipments and protecting their cellars as best they could. The region’s survival became another chapter in its long history of endurance.

And it’s because of World War II that Reims holds one of the most important moments in world history.

In the early hours of May 7, 1945, German Gen. Alfred Jodl signed the instrument of unconditional surrender in a Reims schoolhouse serving as Gen. Dwight D. Eisenhower’s headquarters. This brought the war in Europe to its end, and the surrender took effect the following day. A portion of the schoolhouse has since become the Museum of the Surrender, and visitors can enjoy a self-guided tour through French, British, American and German memorabilia as they make their way to the historic room.

Visitors can venture further back in history by exploring Notre-Dame de Reims, where Clovis I was baptized around the end of the fifth century, establishing the city’s enduring connection to the French monarchy.

The cathedral’s soaring Gothic architecture, limestone façade and celebrated Smiling Angel — damaged during World War I and later restored — make it one of France’s most historically significant churches.

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ROYAL CHAMPAGNE HOTEL AFTER DAYS OF exploring the historically rich region, it’s only fitting to have an elevated setting to relax and reflect. The Royal Champagne Hotel offers travelers just that.

The hotel’s caring team — seemingly equipped with three staff members for every guest — warmly greets visitors, and no request is too much. Travelers can unwind with a crisp glass of Champagne, resetting the mind and relaxing the senses after a long international flight. The hotel’s spa offers additional rest and rejuvenation for the travel-weary.

The restaurants at Royal Champagne Hotel & Spa embrace refined French cuisine while showcasing the flavors of the Champagne region. Whether enjoying a leisurely breakfast overlooking the vineyards or a multicourse dinner paired with exceptional Champagnes, every meal reflects the elegance and hospitality that define the region.

The hotel’s spacious rooms — complete with Juliet balconies and soothing neutral palettes — offer sweeping views of Épernay and the Champagne countryside below. Many guests enjoy sunset views while raising one last glass for the evening and taking in the serenity of the moment.

Sitting on the terrace overlooking vineyards that once saw armies march across them, it became clear to me that Champagne’s greatest luxury isn’t simply what’s poured into the glass — it’s the resilience of a region that has reinvented itself time and again while remaining unmistakably Champagne.

BY JANET KURTZ PHOTOGRAPHS BY JANET KURTZ AND COURTESY OF THE ROYAL CHAMPAGNE HOTEL

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F E AT U R E

SAIL THE SEAS

The luxury yacht-style cruise ship SeaDream I promises a week of indulgence STEPPING THROUGH THE granite passageway and into the still, sapphire water of The Baths on Virgin Gorda feels less like entering a beach than wandering into a natural cathedral built by the sea. Towering boulders filter sunlight through narrow fissures overhead until the pool below glows with an almost ethereal light. A small opening in the rock frames Devil’s Bay, a tranquil crescent of turquoise water with a name hinting at a more dangerous past.

Travel is often measured in miles, ports of call or passport stamps. Yet its greatest gift is something less tangible: the moments when a path unexpectedly forks, inviting curiosity over certainty.

The week I spent sailing the British Virgin Islands aboard SeaDream I — a yacht-style cruise ship from SeaDream Yacht Club — became a collection of these moments. Each anchorage offered another choice to step ashore, dive beneath the surface or follow an unfamiliar trail.

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WHILE NASHVILLE endured Winter Storm Fern, 90 strangers boarded the SeaDream I for a week of island hopping in the Caribbean. I was one of them.

When you arrive for your peaceful week at sea, the crew, well-practiced in the art of five-star hospitality, warmly greets you. Each stateroom holds a gleaming silver bucket cradling a chilled bottle of Champagne, quietly signaling that schedules, deadlines and winter coats have been left behind with the dock.

Large cruise ships often feel like floating cities, alive with restaurants, theaters, water slides and meticulously planned schedules. But the SeaDream embraces another philosophy entirely. Here, the yacht itself fades into the background, becoming little more than a comfortable home between quiet anchorages and unhurried days ashore.

On the first day, guests may settle into the rhythm of the yacht, stretching out beside the pool with frozen drinks, a can of Pringles and a good book. Others board tenders for Cruz Bay on St. John, the gateway to Virgin Islands National Park. There, hikers follow a mile-long trail through the island’s tropical landscape before descending to the park’s protected beaches and crystal-clear waters. Each evening, everyone finds their way back aboard for sunset cocktails before sharing a meal in the dining room or on deck under the stars.

Somehow, every day is more luxurious than the last. Scheduled stops at Tortola and Sandy Ground divide guests between water and land.

The staff make a quick study of their guests, visiting with them as friends while handling requests. Favorite cocktails appear before they’re ordered. Crewmates greet guests by name, and travelers pause for selfies with staff members who’ve become friends. Don’t be surprised when the crew attaches a giant inflatable slide to the side of the ship, inviting you to enjoy a swim in the pristine water and take in the beauty surrounding you.

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F E AT U R E

When the ship makes its mid-week stop to the luxurious St. Barts capital, Gustavia, the scene is awe-inspiring. Mega-yachts are moored throughout the bay as far as the eye can see — some dwarfing the SeaDream. And the day is yours.

Visit secluded Gouverneur Beach, where caring locals feed a large colony of feral cats — and the occasional turtle. Or meet your fellow explorers for lunch at Le Select, a must-stop for any Parrothead in search of the official Cheeseburger in Paradise. Or stroll through the high-end shopping district — with stops at Hermès, Louis Vuitton, Cult Gaia, Dior and more — finding special mementos to take home. When you reboard the ship that evening, you’ll arrive to a seven-course dinner and wine pairing, complete with Champagne to start and Sauternes to finish.

Before you know it, it’s time for the SeaDream’s widely celebrated Champagne & Caviar Splash.

The crew ferries you to an inviting scene on a remote beach, complete with lounge chairs, umbrellas and music. And what follows can only be described as a Bacchanalian delight. The captain carries a paddleboard into the water, its surface piled high with buckets of chilled Champagne, tins of caviar and stacks of warm blinis. Servers stand waist-deep in the ocean,

holding silver trays topped with glasses for toasting. But first, the crew pops a bottle of bubbly, playfully bathing everyone in the spray.

Experienced guests know not to fill up on caviar, because a lavish beach barbecue with even more delicious food — fresh salad, grilled seafood and vegetables, and decadent desserts — awaits.

We returned happy, sleepy and full after a day at the beach, with just enough energy to dress for dinner and enjoy the evening’s festivities.

MONTHS L ATER, what lingers from my SeaDream voyage isn’t a particular island or even a favorite meal. It’s the unhurried rhythm of waking each morning to another horizon and another choice. In a world increasingly measured by schedules and speed, perhaps the greatest luxury isn’t Champagne or five-star service. It’s having nowhere to be except wherever curiosity leads next.

BY JANET KURTZ PHOTOGRAPHS BY JANET KURTZ AND COURTESY OF SEADREAM YACHT CLUB

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DESTINATION: HIGHLANDS, N.C. The Blue Ridge Mountains getaway invites a refined mountain experience

I GREW UP in mountain towns in Idaho. And though my love of the Great Smoky Mountains has been well-documented, those mountains always feel like something completely different than the mountains where I was raised.

Then, I went to Highlands, N.C., 4,118 feet in the Blue Ridge Mountains. And that felt like a mountain town. It’s a place where the outdoors take center stage, with winding roads and roadside waterfalls, crisp air and starry nights due to the lack of light pollution. But while everyone may have mud on their hiking boots and hiking poles in their all-wheel drive cars, it’s also somewhere people dress for dinner, where you can have

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a four-course meal and a plush hotel room after your day of adventuring.

In the 11 months after my first visit, I returned to Highlands three times, each one to experience it in a different season.

Because Highlands is a remote mountain town, I’ve noticed limited cell service across most of the area. Download Google Maps for offline use or bring an old-fashioned paper atlas to keep your exploring safe and easy. I loved the forced disconnection the limited service offered me. I was focused on what I was seeing and doing — even if that meant reading a novel in front of the fireplace in my hotel — and not on checking email.

F E AT U R E

WHERE TO STAY Like most mountain towns, Highlands boasts plenty of out-of-the-way cabins with stunning overlooks. But it also has more luxury hotels than seem possible in a town of just over 1,100 people.

Old Edwards Inn & Spa, part of the Relais & Châteaux collection, is the best known of the options. The property is actually a collection of accommodations, from the original inn to freestanding cottages on a campus right off Main Street. There’s a spa on-site.

And when I got snowed in on one trip, I was happy holing up in my suite, with an in-room fireplace and room service.

Just down Main Street is Highlander Mountain House, a cozy English country house with impeccable décor (a must for wallpaper buffs) and one of the town’s best restaurants. The team who owns HMH also owns Outpost Inn, a refurbished motel-style property a few blocks away.

My room at Outpost Inn had a working typewriter (it’s like they knew me), a fireplace, a small kitchenette and high ceilings that let in lots of light. The wine bar and coffee shop in the Outpost Inn lobby are open to the public, and they’re a great place to get some work done if you must.

WHERE TO EAT Apologies to the folks driving behind me on North 4th Street when I saw a “pastry boutique” sign hanging on a charming white house. I didn’t fully know what that meant, but I stopped to find out. Once inside, I saw Edelweiss Pastry Boutique’s edible works of art. There were elaborate mushrooms with chocolate stems and glossy caps, plus birds’ nests and other fanciful creations.

For dinner, I won’t skip the Ruffed Grouse Tavern,

inside HMH. The restaurant makes menu items with seasonal produce (I loved the summer berry and goat cheese salad), and its wine and spirits lists are long and varied. Bluegrass brunch is a popular Sunday reservation.

Mountain Fresh Grocery is my go-to for picnic and hiking lunch supplies, thanks to its family-friendly pizza kitchen and its big cheese selection. (Nearby One Wicker Cheese Co. also has a nice variety.)

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WHAT TO DO One of the charms of Highlands is that there’s a hike for every level in and near Nantahala National Forest. If you want a challenge, stop at the Highland Hiker for any gear you forgot. Then set out to take in nearly 12 miles on the Yellow Mountain Fire Tower trail, or head to the more moderate Chinquapin Mountain trail. But if you’re not up for all that, there are short walks and even waterfalls visible from overlooks. Favorites include Bridal Veil Falls and Dry Falls.

One of the reasons I initially wanted to go to Highlands was The Bascom, a visual arts center, school and museum. In addition to shopping from the gallery and watching artists in action, I loved walking through the six-acre campus, which includes themed walking trails, a sculpture garden and a babbling brook. Even the arts are outdoors in Highlands.

For more indoorsy types, shopping is a pastime. You can breathe in the mountain air as you walk along Main Street, which is dotted with small boutiques offering high-end apparel, jewelry and home décor. Bazaar Barn, which is technically in Cashiers but a quick drive, is a second-hand home décor spot unlike anything I’ve ever seen, with Schumacher draperies, chinoiserie and antique furniture. Prices are bargains for designer goods (but still premium), and the proceeds support nonprofits in the area.

And, because Highlands is best as a driving destination, it’s easy to bring your treasures home. Highlands is about 300 miles east of Nashville, with several scenic driving routes. Take I-40 through the Smokies or south through Chattanooga. If you’re willing to add a little extra time, take the northern route and stop in Cherokee, N.C., home of the Eastern Band of Cherokee Indians. If you choose to fly, the Asheville airport is 1.5 hours away. You’ll have to rent a car from there, as there are no ride-hailing services or taxis available once you’re in Highlands.

Highlands is 12 miles from Cashiers, another affluent mountain town.

The two communities flow well together, particularly when you’re searching for secondhand shopping or waterfalls.

BY MARGARET LITTMAN PHOTOGRAPHS COURTESY OF HIGHLANDS CHAMBER, HIGHLANDER MOUNTAIN HOUSE, OLD EDWARDS INN, OUTPOST INN: EMILY DORIO

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WHERE NATURE AND HISTORY INTERSECT Amelia Island offers a luxurious Florida escape for adventurous spirits

AS SUMMER DECL ARES its arrival with ample sunshine and sweltering heat, I, like many Tennesseans, begin to crave a Florida beach vacation. Lying languidly on white sands under scorching UV rays (perhaps with a frozen libation in hand) is a Southern tradition upheld with great determination.

But if Amelia Island, just 30 minutes from Jacksonville, isn’t on your list, it should be. It’s a place where nature, history and luxury intersect, offering a tropical escape that’s distinctly North Floridian.

In this seemingly mystical land, dolphins strand-feed on the shore and Gopher tortoises roam resort properties (more on that later). Sweeping

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oak tree canopies draped with Spanish moss lead to pristine beaches lined with grassy sand dunes — some of which reach 40 feet.

To add to the fantasy, the island is named after Princess Amelia, daughter of King George II. And while pirate iconography rules many parts of the island, it feels like a tribute to the area’s authentic swashbuckling history, rather than a gimmick.

Enhancing this storied past are the eight flags that governed the island over time — France, Spain, Great Britain, Spain again, Patriots of Amelia Island, Green Cross of Florida, Mexico and finally, the United States — which have left indelible marks on its cultural landscape.

F E AT U R E

CLOSE ENCOUNTERS AFTER A SCENIC 40-minute ride from JAX, I arrived at The Ritz-Carlton, Amelia Island, a glamorous escape that offers handson experiences with the island’s landscapes and wildlife.

The stylish resort extends the unique opportunity to lounge on the beach, hike in the jungle and unwind at the spa — all in a single day and without renting a car. (You can, however, take a Ritz-branded Mercedes-Benz out for a spin. I carefully drove one to picturesque Fernandina Beach for a stroll, dinner and ice cream.)

At The Ritz, encounters with nature are inevitable. On your walk back from the beach, you’ll likely run into some friends — Gopher tortoises — grabbing a snack on the hotel’s pristinely manicured lawn. Return to your suite, and you can enjoy a spacious balcony overlooking the ocean — the perfect place to watch the sun rise and fall.

Many luxury hotels provide turndown service. But at The Ritz-Carlton, Amelia Island, this also includes a note telling you when to wake for the next morning’s sunrise, Amelia Island’s vibrant crowned jewel. While I recommend catching the view on your balcony or at the beach, the entire property brims with floor-to-ceiling windows, making the island’s natural beauty the focal point, no matter the time of day.

GASTRONOMIC DELIGHTS ON-SITE DINING gives epicureans the chance to connect deeply with their meal — you can go fishing with a chef and have your catch for dinner at Salt, the property’s most upscale restaurant. Don’t forget to celebrate your successful fishing trip with Champagne, which Salt servers open with a glistening saber.

For more casual, al fresco dining in an elevated environment, visit Coquina — a nod to Amelia Island’s Spanish heritage. The restaurant, conveniently located next to the pool and just a short walk from the beach, sets itself apart with tropical décor, amber lighting and sleek outdoor seating.

While summer is the property’s most popular season, fall offers even more culinary excellence. Each October, chefs, sommeliers and mixologists from across the state gather at the hotel for the Amelia Island Cookout.

An array of experiences — including a wine pairing class, a Caribbean dinner at Coquina and a special luncheon at Salt — culminate on the event’s fourth day, when Salt chef Okan Kizilbayir spearheads a grand cookout on the hotel’s oceanfront lawn, featuring roughly 40 booths — a must-taste experience for gastronomy fans.

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COASTAL LUXURIES I’M PLEASED TO say this coastal escapade was the first not to leave me horrifically sunburnt — and I owe it all to the Club Beach, available for Club Level guests (who receive an upgraded experience complete with a dedicated concierge, lounge access and exclusive amenities). Whether you tan gloriously or find yourself enmeshed in a never-ending search for shade (like me), you can make the Amelia Island beach experience your own.

The attentive Club Concierge escorts you to a prime spot, sets up powder-blue chairs and umbrellas, folds your towels into headrests and supplies you with ice-cold water bottles. Boxed lunches are delivered to your chair, and you can even order craft cocktails from the nearby Dune Bar. (Ask your concierge for extra sunscreen and aloe vera if you need it.)

The best part? The Club Beach’s convenience eliminates the most tedious part of any beach trip — the walk back. With no need to lug towels, sunscreen bottles or heavy chairs, this Ritz amenity extends one of life’s great luxuries: ease.

After a long, sun-soaked day, I recommend trekking over to the spa. The serene, earth-toned relaxation lounge sets the mood for your experience, offering tea and light snacks. Guests can also visit the wet lounge before or after treatments for a sweat session in the sauna or steam room and a dip in the indoor and outdoor pools.

In terms of treatments, don’t be surprised if the serene Ocean Healing Massage — 100 indulgent minutes of exfoliation, a chromatherapy salt bath and hot stone massage — lulls you right to sleep.

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OUTDOOR EXPEDITIONS WITH A GROWING global focus on ecotourism, many hotels have brought in on-site naturalists. The Ritz-Carlton, Amelia Island has three.

Since 2022, marine biologist Nick Williams has led countless resort excursions — and has left a fossil tour empty-handed only three times. He’s also the creator of the hotel’s Cruise with the Dolphins experience, where he teaches guests how to identify dolphin behaviors and use hydrophones to hear them communicate.

I joined Williams on a blazing summer morning for the Forts & Fossils excursion — an immersive tour through a lush 1,000-acre nature preserve that was equal parts scientific and comedic. I listened in awe as Williams rattled off facts without hesitation, sneaking in a few puns along the way.

We stopped to identify plants that Indigenous people in the area have used medicinally — including citronella, Mother Nature’s bug spray. And Williams explained how the Jacksonville area was Old Hollywood before California took center stage, backdropping many early-20th-century rainforest films — notably The Gulf Between and multiple Tarzan movies.

Our second stop was Fort Clinch, constructed during the Civil War and used by both Confederate and Union soldiers. To this day, you can see two shades of brick converging, signifying where one army’s

stakeout ends and the other begins. The fort’s walls also sport 19th-century graffiti, where soldiers etched their names into the brick.

Williams attests that Northeast Florida is the destination for history buffs. “If you’re doing a history trip, I would start in St. Augustine, then come here and finish in Jacksonville,” he says. “That’s the way the story kind of tells itself.”

We ended our excursion with oceanside fossil hunting. As we searched for ancient treasures gleaming in the sand, Williams highlighted the most special artifacts he’s found over time — a whale’s inner ear bone and ambergris, a common ingredient in luxury perfumes. Much to my delight, I was able to take my finds with me — a couple of shark teeth, a fish bone, part of a turtle shell and a large vertebrae fragment, which Williams was especially impressed by.

On a fabulously air-conditioned drive back to The Ritz, Williams shared that Amelia Island attracts a different kind of Florida vacationer — one with a penchant for immersive outdoor experiences.

“The people that are more imaginative and adventurous come here,” he says.

BY MADELEINE BRADFORD PHOTOGRAPHS COURTESY OF THE RITZ-CARLTON, AMELIA ISLAND

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zeitlin.com | 615.383.0183 All information is thought to be correct at the time of printing, Zeitlin Sotheby’s International Realty has no liability for any errors printed on this ad.

nfocusmagazine.com | A U G U S T 2064

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The Lodge at Paris Landing

PRK IT

New and renovated lodges make Tennessee State Parks a destination for discerning travelers THAT REAL ESTATE ADAGE, “location, location, location,” applies to lodges in the Tennessee State Park system. The lure of these accommodations is the proximity to all the parks have to offer. But it also doesn’t completely apply, because for years, some of the lodges were a little neglected. They offered easy access to the parks, but didn’t have the amenities many travelers wanted. Some had dated décor, wonky air conditioning and views of the parking lot.

Not anymore. Tennessee State Parks has invested in its lodges, resulting in a multi-year, multi-administration effort to upgrade old buildings and construct new ones. By the end of 2028 there will be six lodges in state parks that rival boutique hotels, says Shannon Bowles, director of hospitality for the Tennessee State Parks.

“First with Gov. Bill Haslam’s administration, and then into Gov. Bill Lee’s administration, we’ve

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really been making a concerted effort to implement industry standards and bring our hotels and facilities up to par,” Bowles says.

The standard in the hotel industry, she explains, is to renovate hotels every seven to 10 years. And some, including the lodges at Montgomery Bell and Pickwick Landing state parks, had gone more than two decades without a refresh. Some just needed updating, but for others, it made more financial sense to start from the ground up. In addition to rising to meet a boutique-hotel standard, the lodges will have better restaurants, moving away from the buffet-restaurant model.

Access 2030 is a Tennessee State Park system initiative prioritizing accessibility, with the ultimate goal of making our park system the most accessible in the country. That means many state parks will not just meet, but exceed, Americans with

Disabilities Act (ADA) standards. All guest rooms, whether designated as accessible or not, will provide a wheelchair-accessible turning radius, so guests with limited mobility can easily visit family and friends in other rooms.

That hard work has been noticed. Bowles was sitting in the Lodge at Paris Landing a few weeks ago when she watched a gentleman walk in, head to the front desk, drop his luggage, say “Wow,” and look across the lake. “This is unbelievable,” he said. “I never expected to find this in a state park.”

While many states contract with a hotel firm to manage their property, the Tennessee Department of Environment and Conservation oversees ours, which is one of the reasons Bowles joined the team. She’s leaned on her industry experience and connections to hire folks that deliver a hospitality-level of service to people who visit the properties.

As with boutique hotels, room rates vary by time of year and room size, and the new state park lodges are priced more competitively with nearby hotels than in the past. Most parks have cabins for rent, which will be upgraded in the future. Meeting and group reservations for corporate retreats, family reunions and weddings are available too.

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The Lodge at Fall Creek Falls State Park

Here are details on the six lodges worth considering for your next Tennessee State Parks trip:

THE LODGE AT FALL CREEK FALLS STATE PARK Spencer, Tenn., 85 rooms Fall Creek Falls, the 256-foot waterfall after which this park is named, is one of the tallest single vertical drops this side of the Rocky Mountains. Opened in 2022, the new lodge takes advantage of its setting, with a glass lobby and many rooms that overlook the lake and have private balconies and patios. When you step out of the lodge, you’ll find piers for paddling on the lake, plus hiking trails and scenic overlooks. The lodge, which was a $40 million project, has meeting space for corporate events, including a divisible ballroom and outdoor space.

THE LODGE AT MONTGOMERY BELL Burns, Tenn., 117 rooms Opened in 2020, this $12 million renovation features event space, a new restaurant and some guest rooms that feel like they’re in treehouses, looking out at the woods.

That’s perfect at Montgomery Bell, which is known for its birdwatching. Many rooms have private balconies overlooking Lake Acorn. Once outside the lodge, you can take to 20 miles of trails, paddle on the lake or just make s’mores around the firepit. Toss in your golf clubs when you drive the 35 miles from Nashville, because the park has an 18-hole golf course.

THE LODGE AT PARIS LANDING Buchanan, Tenn., 91 rooms

The Lodge at Montgomery Bell

Situated on Kentucky Lake, this lodge is a prime spot to enjoy the bounty of Land Between the Lakes. The hotel features a lobby with the head-turning view Bowles heard a guest discuss, plus some rooms with lake views and private balconies. There are some pet-friendly rooms too, as well as a divisible ballroom and outdoor space.

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The Lodge at Pickwick Landing

THE LODGE AT PICKWICK LANDING Counce, Tenn., 119 rooms Lake access is the calling card of this park in West Tennessee. The lodge showcases Pickwick Lake, with some rooms offering lake views and private balconies.

This is a particular gem in autumn, when fall colors turn the area into a jewel box. It’s hard to stay inside here, but if you choose to, you can take a dip in the indoor pool.

THE LODGE AT HENRY HORTON Chapel Hill, Tenn., 72 rooms Scheduled to open in 2027, the lodge will be fully modernized, with an aesthetic that leans into the park’s 1960s roots. Expect a big, glass lobby overlooking the Duck River, native plants, a zero-entry pool, and divisible ballroom and outdoor space. The Duck River is the most biodiverse in North America, and the lodge will allow guests to access the wilderness by paddling, biking and hiking. There will also be an accessible playground and splash pad for families with kids.

The Lodge at Natchez Trace

THE LODGE AT NATCHEZ TRACE Wildersville, Tenn., 49 rooms Also called the Pin Oak Lodge, this lodge is one of the more remote in the state park system, offering a real outdoor getaway with indoor luxury. Scheduled to reopen in 2028, it will include many views of Pin Oak Lake, a zero-entry pool, and divisible ballroom and outdoor space. The light-filled lobby will be designed for hanging out and taking in the views, not just for passing through. And each room will have a private balcony or patio.

BY MARGARET LITTMAN PHOTOGRAPHS COURTESY OF TENNESSEE STATE GOVERNMENT AND TENNESSEE DEPARTMENT OF ENVIRONMENT & CONSERVATION, AERIAL INNOVATIONS SOUTHEAST, ATTIC FIRE PHOTOGRAPHY, SARAH REID, RICK SMITH

The Lodge at Henry Horton

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Where Nashville Style Meets Philanthropy

A video series spotlighting elegant events and conversations with the people shaping Nashville — and the causes making a difference across our community.

Co-hosted by editor-in-chief Janet Kurtz and associate editor Madeleine Bradford.

Now streaming on YouTube.

F E AT U R E

BODING GOUPS Far-flung travels build bonds back home

For many globetrotters, the joy of travel comes from exploring alongside fellow adventurers who share a wonder about the world. Three organizations in Nashville pull together like-minded travelers to forge local relationships as well as global itineraries.

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FIST T MUSEUM, DIECTO’S CICLE “WHAT OFTEN STARTS as a trip based around art ends up as lasting friendships among people who share interests and curiosity about the world around them,” says Jonathan Norris, chief development officer at the Frist Art Museum, which coordinates group trips to international destinations every other year and shorter domestic trips in the years between.

Donors to the Frist’s Director’s Circle, who give $10,000 annually to the institution, have access to the exclusive travel program, which hosted a two-week trip to Japan in 2025 and a shorter visit to Mexico City in 2024.

Seth Feman, executive director of the museum, accompanied them on the trip to Japan. The 20-person group started in Kyoto and ended in Tokyo, via the Art Islands, an enclave of artists and museums. As the group traveled the country, they traced history through the lens of art. “The group was inquisitive, adventuresome and genuine, which meant they were as interested in connecting with each other as they were in learning about Japan, its history and culture,” Feman says.

“People came back with new friends and a hunger to explore the world together again.”

Soon, the Frist will announce details of a summer 2027 art-and-food tour through Scandinavia, and there’s quiet excitement about a soon-to-be-revealed travel collaboration between the Frist and a partner museum to trace the path of a significant historical leader across Europe.

Between the big trips, the Director’s Circle hosts four- or five-day excursions to art destinations like the Zona Maco fair in Mexico City, Paris Photo, the Venice Biennale, and exhibits and art fairs in Chicago, Atlanta and New York. For major Frist donors who show up independently at cultural calendar traditions like Art Basel in Miami, the Director’s Circle often provides home-away-from-home gathering spots, inviting supporters and Frist curators to convene at cocktail receptions and restaurant meet-ups.

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CHEEKWOOD ESTTE & GDENS, 1929 CLUB THE 1929 CLUB at Cheekwood Estate & Gardens takes its name from the year when Mabel and Leslie Cheek commissioned architect Bryant Fleming to design their landmark house, reminiscent of the great country houses of Europe. That same year — on the cusp of the Great Depression — the Cheeks embarked on a grand tour to collect the masterworks that still adorn the museum and its 55-acre landscape.

Almost a century after that sophisticated shopping spree, the elite 1929 Club donors’ circle honors philanthropic supporters who commit a minimum of $29,000 to support the ongoing maintenance of Cheekwood’s house and grounds.

In the spirit of Mabel and Leslie’s exploration, the 1929 Club invites donors to travel on VIP group trips, with behind-the-scenes access to historically significant estates. Past excursions have included tours of Newport, R.I., and New York’s Hudson River Valley, where 1929-ers visited the private rooms of the Nashville Cheeks’ Gilded Age contemporaries. One California expedition led to Bellosguardo in Santa Barbara, the frozenin-time residence of copper heiress Huguette Clark. Built in 1937 and left dormant after the death of Huguette’s mother, Anna, the mysterious property features in the nonfiction book Empty Mansions. “We go to places you can’t just visit as a tourist,” says Sarah Sperling, vice president of museum affairs, who helps build the 1929 itineraries.

Upcoming 1929 Club trips include a visit to Florida in February to tour the Henry Morrison Flagler Museum in Palm Beach, the 75-room former home of the Standard Oil founder, as well as Vizcaya Museum & Gardens in Miami, with private home tours along the way.

SISTER CITIES NASHVILLE THE NASHVILLE CHAPTER of nonprofit Sister Cities International began as a collaboration between the Nashville Bar Association and the French city Caen, in Normandy. After formalizing in 1991, Sister Cities expanded its travel destinations to include 10 sister cities in Europe, Canada, Asia, South America, Australia — even a trip to Erbil, Iraq, in 2023.

Sister Cities trips are open to members, who pay an annual $50 fee to join. There are separate trips for adults and high school students.

“The goal is not just to create connections between sister cities, but to create relationships among Nashvillians who haven’t met,” says executive director Sarah Lingo. Generally, the adult trips run four or five days, with a two-week itinerary for the long-haul trip to Mendoza, Argentina. Often, travelers will coordinate logistics to arrive early or stay late so they can travel together before or after the formal program.

Typical trip programming includes meeting with the mayor and visiting city hall, a school, courts and local attorneys.

In Belfast, Ireland, the group explores the civil rights history of the Troubles, along with the Titanic Belfast museum, near the dry dock where the ship was built and launched. In Caen, travelers visit

Normandy’s World War II landmarks. And, true to its lawyerly roots, the trip provides continuing legal education credits for attorneys.

Sister Cities trips tend to be more affordable than comparable group travel, due to partnerships with the cities, reciprocal relationships and hospitality.

“We always strive to make the trips as affordable and accessible as possible,” Lingo says. “More often than not, there’s a homestay option, to stay with a family who will provide meals and transportation.”

Upcoming trips include Mendoza, Argentina, the home of Malbec wines, in late February, and Belfast, Ireland, in October 2027. Summer trips for high school students frequently go to Caen, Mendoza and Magdeburg, Germany, with the sister cities reciprocating in alternate years. “Even if you aren’t going to travel,” Lingo adds, “you can still host and connect with another country, without ever leaving Nashville.”

BY CARRINGTON FOX INTRO PHOTOGRAPH BY MURATDENIZ FOR GETTY IMAGES AND TRAVEL PHOTOGRAPHS COURTESY OF FRIST ART MUSEUM, CHEEKWOOD ESTATE & GARDENS, SISTER CITIES NASHVILLE

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A SPECIAL PROMOTION BROUGHT TO YOU BY NFOCUS

INSIDER’S GUIDE

TO INTERIOR DESIGN

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Brad Ramsey Interiors Address: 4119 Hillsboro Pike, Nashville, TN 37215 Phone: 615.746.7364 Website: bradramseyinteriors.com

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PHOTOGRAPHS BY REBECCA LEHDE, ZEKE RUELAS, PAIGE RUMORE, CAROLINE SHARPNACK

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ome homes impress immediately. Others reveal themselves slowly, asking you to notice the patina on a well-loved table, the way morning light settles across a room, or the painting that seems to have always belonged exactly where it hangs. Brad Ramsey believes those are the homes people remember.

With growth comes evolution. And as Nashville transforms, its design landscape is only getting richer and more nuanced. New residents have arrived from New York, Los Angeles, Chicago and beyond, bringing fresh perspectives on architecture and interiors. The result is a city whose design identity feels increasingly sophisticated without sacrificing the warmth that has long defined it.

For Brad Ramsey, that’s where the most interesting work begins.

He sees today’s Nashville as a place where refinement and hospitality coexist. Beautiful homes aren’t meant to impress from a distance. They’re meant to be lived in — gathering family around the kitchen island, hosting friends for dinner or providing quiet at the end of a busy day. And increasingly, clients feel the same way.

Five years ago, many homeowners were focused on creating beautiful spaces. Today, they’re asking deeper questions about how those spaces will support their daily lives. Wellness, functionality and longevity have become just as important as aesthetics. Clients want craftsmanship that endures, materials that become more beautiful with age and interiors that feel authentic rather than fashionable.

Perhaps most encouraging, Brad says, is the growing desire for homes that reflect the people who live in them instead of the latest design trends. And achieving that begins with listening.

Long before discussions turn to furnishings, finishes or floor plans, Brad wants to understand what inspires his clients, how they spend their time and, perhaps most importantly, how they want to feel when they walk through the front door. His role, he explains, is both interpreter and editor — uncovering ideas clients may struggle to articulate and shaping them into spaces that feel effortless and deeply personal. Each home should feel unmistakably like its owner.

That approach explains why it’s difficult for him to identify a single project that defines his work. Every client brings a different story, allowing him to move comfortably between restrained, understated interiors and spaces filled with color, whimsy and surprise. What remains consistent isn’t a particular aesthetic, but his commitment to authenticity.

Brad’s own design philosophy favors timelessness over novelty. Layered interiors, natural materials (like warm woods and linen) and metals (like blackened steel and living brass) create a foundation that feels both elegant and approachable. These are building blocks chosen not simply for how they look today, but for how they’ll age over decades of everyday life.

Whether wandering through historic homes, boutique hotels, or museums and galleries, Brad finds inspiration in craftsmanship, architecture and the quiet details that often go unnoticed. Sometimes it’s the way the sun moves through an old building. Other times, it’s an unexpected work of art or the beauty of a material weathered by time. Even fashion and nature contribute ideas that eventually find their way into his projects.

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As Nashville continues to attract new talent and investment, Brad sees tremendous opportunity for thoughtful design to flourish.

At the same time, he believes the city must remain intentional about preserving the character that makes it distinctive. Growth, he believes, is most successful when it respects history rather than replacing it. That belief extends into his own home.

Unlike what many might expect, it wasn’t completed all at once. It has evolved piece by piece, incorporating treasured finds, samples from past projects, imperfect objects and furnishings that simply waited for the right place to belong. The result is less a finished showcase than an ongoing collection. Perhaps that’s the best definition of timeless design.

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bureau interior design Address: 829 Gale Lane, Nashville, TN 37204 Phone: 615.892.9076 Website: bureauinteriordesign.com

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PHOTOGRAPH BY ANGELINA CASTILLO, INTERIOR PHOTOGRAPHS COURTESY OF BUREAU INTERIOR DESIGN

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ureau interior design approaches every project with a belief that great interiors begin long before the furnishings arrive. Architecture, materials and thoughtful planning form the foundation, while decoration becomes the final layer, rather than the starting point. The result is a body of work that feels timeless rather than trend-driven, balancing refined sophistication with natural textures and carefully considered details.

That philosophy has found fertile ground in Nashville, a city whose rapid growth has transformed both its skyline and approach to design. As new residents have arrived from across the country, they’ve brought broader design influences and higher expectations, creating an environment where traditional Southern architecture comfortably coexists with contemporary ideas. Rather than viewing that evolution as a challenge, bureau interior design sees it as an opportunity to thoughtfully shape the city’s future while respecting its past.

The studio believes Nashville’s identity lies somewhere between traditionalism and modernism. While historic architecture and the region’s natural landscape continue to define the city, there’s growing appreciation for clean lines, modern materials and innovative spaces. The key, the firm believes, is ensuring progress never comes at the expense of character.

That shift is evident in the clients walking through the studio’s doors today.

Homeowners are more informed about architecture and interior design than ever before, and they increasingly view their homes as places that enhance their overall quality of life. Wellness has become a

central consideration, extending far beyond a traditional home gym. Clients are requesting spaces designed for restoration, relaxation and daily rituals. At the same time, the pendulum has begun swinging back toward intimacy, with dedicated dining rooms and parlors once again finding a place in modern floor plans.

Every project begins with conversation.

Matt Donahoe, bureau interior design founder and principal, considers those earliest meetings some of the most important moments in the process, recognizing that creating a home is one of life’s most personal experiences.

Listening carefully allows the team to translate a client’s vision into a space that’s both highly functional and deeply meaningful. Along the

way, they introduce new ideas, materials and layouts that inspire their clients, while remaining grounded in how they actually live. For bureau interior design, the experience is just as important as the finished product.

Although Matt and his studio resist being defined by a single style, the team’s work consistently reflects an emphasis on architecture and materiality. Texture plays a leading role, with plaster walls, layered textiles, mixed wood finishes and natural materials creating spaces that feel warm and collected, rather than overly decorated. Furnishings complement the architecture instead of competing with it, allowing every surface and object to contribute to a cohesive whole.

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Travel remains the firm’s greatest source of inspiration. New cities, landscapes and cultures engage every sense, with memorable colors, textures, scents and architectural details often finding their way into future projects. Those influences are subtle rather than literal, enriching interiors without overwhelming them.

That same philosophy extends to Matt’s own home, where antiques mingle comfortably with modern silhouettes and carefully edited colors. Decoration happens slowly, allowing him to curate artwork and meaningful objects over time. Like the homes bureau interior design creates for its clients, his space tells a story that unfolds gradually — one thoughtful piece at a time.

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Castle Homes Address: 5214 Maryland Way, Brentwood, TN 37027 Phone: 615.309.8200 Website: castlehomes.com

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PHOTOGRAPH BY ERIC ENGLAND, HOME PHOTOGRAPHS BY ZEKE RUELAS

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he best homes do more than serve the families who live inside them. They shape streetscapes and strengthen neighborhoods. And, when thoughtfully designed, they can become part of a community’s identity for generations. That long view guides the work of Castle Homes.

As Nashville has experienced extraordinary growth over the past decade, the region’s architectural landscape has evolved just as quickly.

New neighborhoods emerge, established communities are reimagined.

That momentum has created exciting opportunities, but it’s also raised important questions about what kind of city Nashville hopes to become.

Castle Homes believes architecture should respect its surroundings, contributing to the character of a neighborhood rather than simply maximizing a building site. Sure, communities with clear architectural standards, quality materials and a cohesive vision may require more discipline during the design process. But they often prove their value over time by creating places people genuinely want to call home. And that desire to balance function and form informs the way modern-day clients approach the design process.

Outdoor living, for example, has become an essential part of residential design, with homeowners investing in expansive entertaining spaces, inviting pools and other resort-like amenities. Wellness has also moved to the forefront, prompting requests for dedicated fitness rooms, meditation spaces, infrared saunas and other retreats that support both physical and mental well-being.

At the same time, family dynamics are changing the way homes are planned. Multigenerational living is increasingly common, leading many clients to seek larger properties with guest houses or flexible spaces that can adapt as families evolve. Meeting those needs begins with understanding how each family intends to live.

Before drawing plans or selecting materials, the Castle Homes team spends time learning about a client’s routines, priorities and aspirations. Inspiration images, architectural references and design preferences become part of a collaborative process transforming wide-ranging ideas into a cohesive vision. The objective is never to assemble a collection of trends, but to create a home that feels intentional from every angle.

As a design-build firm, Castle Homes partners with a select group of architects and landscape architects to collaboratively design each home, while all interior architectural design is completed in-house. That integrated approach allows the team to focus on cohesion, craftsmanship and the countless details that ultimately define a home’s quality.

The firm’s work is rooted in a deep appreciation for traditional architecture, particularly the English Arts and Crafts movement and architects like C.F.A. Voysey and Sir Edwin Lutyens. Studying these historic precedents offer lessons that remain relevant — from scale and proportion to the way a house relates to its landscape. And honoring them means creating homes that feel timeless, while partnering with

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contemporary architects who demonstrate a commitment to enduring design. You can see why, then, the team often describes its goal as creating homes that become heirlooms.

Looking ahead, Castle Homes sees Nashville’s continued growth as an opportunity to elevate the quality of residential design in the region. Thoughtfully planned communities with strong architectural vision, the firm believes, can help preserve the city’s character while accommodating its future.

Ultimately, every design decision has lasting consequences. The homes built today will shape Nashville’s neighborhoods for decades to come, making thoughtful architecture not simply an investment for one family, but a contribution to the city itself.

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Chad James Address: 1106 18th Ave. S, Nashville, TN 37212 Phone: 615.818.0099 Website: chadjames.com

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PHOTOGRAPH BY DANIEL HUNLEY, INTERIOR PHOTOGRAPHS BY ERIC ENGLAND

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or Chad James, great design has never been about fashioning rooms that simply photograph well. It’s about creating places where life unfolds — where friends linger over dinner, children grow up, traditions take shape and memories are made.

That philosophy has guided his work over more than two decades in Nashville, a city he has watched transform at an extraordinary pace.

“The Nashville we know today is negotiating between two identities,” he says. It remains rooted in Southern traditions, historic neighborhoods and a rich musical heritage — while simultaneously embracing rapid growth, new investment and an influx of residents from across the country. The result is a city that’s both familiar and evolving, balancing preservation with reinvention.

While those changes have naturally influenced residential design, Chad believes the biggest shift is personal rather than architectural. The past several years reminded many homeowners that time is their most valuable resource. Rather than designing homes that impress guests for a single evening, clients want spaces that enhance everyday life — rooms that welcome family, encourage connection and offer comfort at the end of a busy day.

Chad believes these priorities have always been at the heart of good design. At the start of each project, his goal is to understand how a family lives, what routines matter most and what they hope their home will provide. Are game nights important? Do they entertain often?

And he’s equally quick to point out that exceptional homes are the result of collaboration between talented architects, builders, craftspeople and designers — all working toward a shared vision. That collective spirit ensures each project becomes greater than the sum of its parts.

Though it’s natural for tastes to evolve over time, Chad’s design philosophy has remained remarkably consistent throughout his career.

He’s never believed a home exists simply to be admired. Beauty certainly matters, but only when spaces function effortlessly and invite people to use them every day.

“If it’s not fun, we’re not doing it” has become something of a mantra for both Chad’s studio and the creative process itself. Years of

experience have reinforced the importance of enjoying the work while continually refining the systems that bring each project to life.

Although Chad can point to early projects that helped establish his reputation, the home that best represents his work is his own.

After a two-year renovation, the 1897 Belmont Estates residence is the place where Chad’s personal history and creative vision finally came together. Like many designers, he considers his own home a workshop — a place to experiment, test ideas and discover what truly resonates. More importantly, it has become a reflection of the life he and his family hope to live.

That perspective also shapes the way he finds inspiration. While travel, art and archi-

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tecture all influence his work, Chad believes creativity comes from paying attention to everyday experiences. Taking the back road instead of the highway. Stopping somewhere unexpected. Remaining curious enough to notice details others might overlook. These moments, he says, often become the most meaningful sources of inspiration.

When guests walk into his own home, Chad hopes they experience the same feeling his family does every day: comfort, peace and the sense that they’re genuinely welcome. In the end, that’s what he hopes every project delivers — not simply a beautiful house, but a place where people can build the next chapter of their lives.

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Histoire Address: 125 Franklin Road, Brentwood, TN 37027 Phone: 615.938.0822 Website: histoireliving.com

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PHOTOGRAPHS BY ANGELINA CASTILLO

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alk into a beautifully designed room and you notice the furnishings, the finishes and the lighting. Stay a little longer, and something else begins to emerge. The room feels calm. Inviting.

Comfortable. Somehow, it seems to understand the people who live there.

For the team at Histoire, that feeling is the true measure of successful design. As Nashville has grown into a thriving metropolitan city, its neighborhoods have developed personalities of their own. The Gulch, Wedgewood-Houston and other emerging districts speak a distinct architectural language, contributing to a city that feels layered, energetic and like it’s constantly evolving. While the skyline has changed dramatically over the past two decades, Nashville has retained the sense of warmth that first drew so many people here.

That balance between growth and character has created exciting opportunities for designers. Today’s clients often arrive with broad design references, having lived in other cities or traveled extensively. At the same time, the past several years have reshaped the way many people think about home. Spending more time within their own walls led homeowners to ask different questions — not simply about how a space should look, but about how it should function and, perhaps more importantly, how it should make them feel.

Histoire has embraced what it describes as a “personalization evolution,” as more clients expect their homes to support both emotional well-being and everyday life. That could mean creating a quiet retreat that serves as a meditation room, home office and reading nook all at once. Or expanding outdoor living

spaces to create natural gathering places for family and friends. Or reimagining a floor plan to accommodate aging parents, adult children returning home and the changing rhythms of multigenerational living.

Function, however, never exists apart from beauty. Every project begins with listening.

Rather than starting with fabrics or finishes, Histoire prefers to meet clients in their current homes — observing how they live, discovering what works well and identifying frustrations they hope to solve. Those conversations become the foundation for every design decision that follows.

The goal is to create spaces that immediately feel elevated while remaining distinctly personal.

That doctrine reflects founder Dena Adams’s lifelong fascination with the transformative power of design. Growing up in a home where fabrics, wallpapers and furnish-

ings were thoughtfully selected and periodically refreshed, Dena developed an early appreciation for interiors that were both elegant and welcoming. Childhood interests in sewing, painting, embroidery and mood boards only deepened a curiosity that would eventually become a career.

Today, her work reflects influences gathered through art, travel and an enduring appreciation for craftsmanship. She layers textures, natural materials, antiques and oneof-a-kind objects to create interiors that engage all the senses. Design, she believes, should be experienced, not only visually, but through touch, fragrance and sound.

That perspective extends outdoors as well.

Some of Histoire’s favorite projects transform patios and gardens into fully realized living spaces, complete with organic furnishings, handcrafted accessories, textured fabrics and

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thoughtful lighting. Rather than being treated as an afterthought, outdoor areas become natural extensions of the home itself.

A recent visit to Copenhagen left a lasting impression on Dena, who was struck by the way early Arctic cultures imbued their handcrafted garments with symbolic meaning. That idea mirrors the way Dena approaches her own clients, finding opportunities to weave individual stories into the spaces they call home.

With Nashville continuing to welcome new ideas and creative talent, Histoire sees tremendous opportunity in the city’s future.

The challenge, Dena believes, is ensuring that growth strengthens, rather than diminishes, the authentic character that’s made Nashville such a compelling place to live. It’s a philosophy reflected throughout Histoire’s work: homes designed not only to be admired, but to be experienced every day.

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INSIDER’S GUIDE

TO INTERIOR DESIGN

Myers Flooring of Nashville Address: 2919 Sidco Drive, Nashville, TN 37204 Phone: 615.777.3344 Website: myersflooringofnashville.com

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PROMOTIONAL

PHOTOGRAPH BY ERIC ENGLAND, HOME PHOTOGRAPHS BY ZEKE RUELAS

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ome of the most personal elements in a home are the ones people rarely think about. A rug that anchors a living room, softens a bedroom or welcomes guests at the front door. A stair runner that transforms one of the hardest-working spaces into a statement of craftsmanship and style. While these details may seem subtle, they often shape the way a home feels more than any other furnishing.

For nearly 70 years, Myers Flooring has helped homeowners perfect those finishing touches.

Founded in 1957 by Gene Myers in Dalton, Ga., the company began with a simple idea: Myers would purchase carpet directly from the mills and transform it into custom runners and throw rugs. Long before customization became a buzzword, the company was creating personalized pieces for specific homes. That philosophy remains at the heart of Myers Flooring today.

Now serving clients through locations in Dalton, Atlanta and Nashville, the company offers everything from hardwoods to luxury vinyl flooring to wall-to-wall carpet. Yet one of its most distinctive capabilities remains its in-house custom rug workroom, where broadloom carpet is transformed into one-of-a-kind rugs and stair runners tailored to each client’s home.

Rather than asking homeowners to choose from standard sizes or settle for a close approximation, Myers Flooring begins with the space itself.

Once a client selects a carpet, they can customize every detail — from the dimensions and shape to the finishing edge that completes the piece.

Some projects require precise templates or custom cut-ins to accommodate architectural features. Others become opportunities to introduce unexpected textures — think leather,

linen or cotton bindings, or traditional serged edges in a variety of colors. When selecting materials, clients get yet another opportunity to personalize their space. They can choose from luxurious wools, natural grasses, performance fabrics and more, striking the right balance between beauty, durability and lifestyle.

That same attention to detail extends to custom stair runners, one of Myers Flooring’s signature specialties. With custom materials, decorative edging and carefully selected stair rods, what was once a humble staircase becomes a

design element in its own right, adding warmth, texture and character to a home.

In every case, the result is so much more than a simple rug. Because each piece is created specifically for the room it will occupy — and the people who’ll live with it every day.

One key advantage sets Myers Flooring apart: Everything happens under one roof. The company’s team oversees each step — from material selection to fabrication to final installation — ensuring quality remains consistent from start to finish. Clients can even watch

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their custom rugs being fabricated in the Nashville workroom, offering a unique glimpse into a craft that’s increasingly rare.

Over the decades, Myers Flooring has built its reputation by not simply installing floors or fabricating rugs, but cultivating lasting relationships with homeowners, designers and builders who return project after project. Woven into each piece are personal details that capture and cater to the people who commission them.

And that tradition of customization lives on in every rug and runner Myers Flooring creates.

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Address: 510 Merritt Ave., Suite 105, Nashville, TN 37203 Phone: 615.373.7733 Website: robinrains.com

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PHOTOGRAPHS BY ANGELINA CASTILLO

Robin Rains Interior Design

hat makes a house memorable? It isn’t the square footage, updated finishes or perfectly styled shelves. It’s the feeling that lingers long after you leave — the sense that the home belongs completely to the people who live there.

That pursuit of authenticity has long defined Robin Rains Interior Design. In a city that has transformed dramatically over the past decade, Robin has remained focused on something far less fleeting than trends: creating homes with soul.

For Robin, every project begins with a conversation rather than a color palette. Before a single fabric is selected, she wants to understand how her clients spend their mornings, where they gather with family, what objects they’ve carried through life and what memories they hope their home will hold. The questions reach far beyond aesthetics, because the goal isn’t simply to decorate a room — it’s to translate a life into a place.

Listening, she says, is the foundation of great design. From there, collaboration becomes an exercise in storytelling. Ideas are elevated, refined and enriched through carefully sourced antiques, one-of-a-kind furnishings and pieces collected from around the world. The result isn’t a showroom, but a home layered with personality, history and character that, Robin says, “looks to the present and the future as much as it embraces the past.”

That aim grounds Robin’s work. Her interiors balance boldness with timelessness, combining old-world charm with contemporary design and natural materials that only grow richer with age.

Robin is drawn to objects with patina — pieces that bear the marks of time rather than hiding them. They introduce texture, authenticity and emotional resonance, reminding us that beauty often lives in imperfection.

In the end, the goal is never perfection for its own sake. Each space is designed to evolve gracefully with the people who inhabit it, becoming more meaningful as memories accumulate within its walls.

Perhaps nowhere is that more evident than in Robin’s own home. Designing it required an unusually personal exercise — looking inward to determine not just what she liked, but how she wanted to live. Today, the house serves as both sanctuary and laboratory. It’s where she entertains friends and family, experiments with new ideas and surrounds herself with antiques, artwork and heirlooms gathered over decades.

More than anything else, travel shapes Robin’s creative perspective. Biannual buying trips through Europe offer endless inspiration, giving Robin the chance to spend time in quiet countryside landscapes, examine centuries-old architecture, relax in intimate hotels and find cozy spots in neighborhood restaurants. These experiences reinforce her appreciation for craftsmanship, natural materials and the richness that emerges when history remains visible.

As Nashville continues its remarkable growth, the city itself has become a study in this kind of contrast. Contemporary glass towers rise beside industrial warehouses, historic buildings find new life as residential spaces, and ambitious hospitality projects reshape neighborhoods. Robin points to thoughtful projects that honor local heritage while embracing contemporary design as evidence that progress and preservation need not compete.

This is, in many ways, the same balance she seeks inside every home. Because the most compelling interiors aren’t defined by what’s new or what’s old. They’re defined by what feels true. And in Robin Rains’ hands, thoughtful design becomes something more enduring than decoration — it becomes the backdrop for a life well lived.

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INSIDER’S GUIDE

TO INTERIOR DESIGN RESOURCE GUIDE

Address: 3201 Powell Ave, Nashville, TN 37204 Phone: 615.385-3054 Website: fergusonhome.com

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PROMOTIONAL

PHOTOGRAPHS COURTESY OF FERGUSON HOME

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hether you’re building a new home or renovating a single room, Ferguson Home offers an unmatched selection of bath, kitchen, and lighting products from renowned brands, ensuring you’ll find everything you need for your project. Our state-of-theart showrooms are supported by our best-in-class online experience. Our experts are standing by to provide you with a personalized experience.

Ferguson Home offers a worldclass shopping experience for trade professionals and homeowners. Our state-of-the-art showrooms feature beautiful displays of innovative products in a welcoming, hands-on environment designed to inspire. A knowledgeable, expert consultant will guide you through the process from start to finish, presenting the latest designs from leading brands, so you can choose the perfect bath, kitchen, and lighting products for your project.

Our website offers an unparalleled selection of products complete with design inspiration and a suite of digital tools that are sure to streamline your next project. Our online shop-by-look pages take today’s leading styles and design trends and realize them in carefully curated collections of products, making it easy to bring the look home.

Call or chat our experts seven days a week for personalized project support.

Ferguson Home is where contractors, designers and homeowners discover inspiring showrooms, an extended online product selection and expert support, ensuring every home project is a success. Whether you’re redesigning, remodeling or building a new home, our experts are committed to making the process as simple and fulfilling as possible. At Ferguson Home, we help clients create spaces they’ll love to live in.

PA R T I E S

Theter Mtters

Studio Tenn’s One Night Only offers a starlit evening of awe-inspiring performances

Dan and Amy Stumpfl

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TJ and John Gauder

Norm Lewis

Trent and Bethni Hemphill, Ashlyn Cablay, William Hemphill

Rachel Potter

Lynne McAlister, Eslick and Annie Daniel

tudio Tenn’s annual One Night Only fundraiser promised an evening under — and with — the stars, and it delivered just that. Co-chairs Julie and Matt Brown worked with Southern Events to bring the glitzy Summer Starlight Serenade theme to life with shimmering décor and an incandescent star canopy.

But in true Studio Tenn fashion, the real stars were the onstage performers (and everyone working behind the scenes) who immersed guests in the magic of live theater.

Once everyone had their cocktail fix and sampled the buffet from Catering & Events by Suzette, artistic director Patrick Cassidy welcomed guests and thanked sponsors. Julie and Matt joined him, setting a jovial tone for the soirée.

Matt said he’s always dreamt of being in a Studio Tenn production and joked that Patrick is looking for the perfect role for him.

“Maybe this is the perfect role,” Julie quipped. “You’re up here for a couple of minutes, and then we get you off the stage.”

Once the laughter died down, Patrick introduced someone truly special — theater and TV star Norm Lewis, who made Broadway history as the first Black performer to play Phantom in Phantom of the Opera and Javert in Les Misérables.

Patrick presented Norm with the 2026 Legacy Award, which recognizes a commitment to advancing live theater as an art form.

An avid supporter of Studio Tenn, Norm has made many visits to Franklin to raise funds for the company and attend the One Night Only gala.

“Studio Tenn faced extraordinary challenges during the pandemic,” Norm said. “Yet what inspired me wasn’t just that this theater survived. It continued to create, inspire and remind people that theater matters.”

After roaring applause and a standing ovation, the evening’s performances began. A cast of talented actors banded together to sing “Summer Nights” from Grease. Then came Norm’s much-anticipated take to the microphone, where he performed “Stars” and “Bring Him Home” from Les Misérables. His voice’s deep timbre and elastic range caused the audience to lean in, eagerly hanging onto every word — sure signs of a soul-stirring performance.

BY MADELEINE BRADFORD PHOTOGRAPHS BY HAMILTON MATTHEW MASTERS

Co-chairs Julie and Matt Brown

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Ava White, Jane van Laar

Eric Dilts, Allie Freemon

Patrick Cassidy, Norm Lewis, Mark Fleischer

Patrick Cassidy

Steve and Kaye George

Greg and Katrina Herman, Melanie and Houston Moran

Bob Ravener, Pam and Sam Whitson

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Frank Byrd, Pung-Pung Huang

Shelley Galant, Anna Shaffer, Teresa Anderson, Kay Heller

Megan Murphy Chambers

Harry and Tammy Horton, Cole Cassidy

Where the joy of learning and spirit of discovery thrive, 3K-6!

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Coure, Generosity, Excellence nd Hope

Christiane Buggs-Frazier, Adrienne Battle

The fifth annual Legacy Ball raises funds for the future

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uests at the fifth annual Legacy Ball ascended the grand staircase of the Schermerhorn Symphony Center for an evening that celebrated philanthropy and raised funds for the R.H. Boyd Family Endowment Fund, which supports education and community initiatives.

Event planner Amos Gott of Amos Events transformed the venue with his signature peach palette, creating a warm contrast against the Schermerhorn’s neutral interior.

Co-chairs Tracy and Don Hardin and Gail Carr Williams greeted guests before everyone moved into the concert hall for dinner. The Clean Plate Club served a delicious chicken entrée, and the Legacy Jazz Trio provided the evening’s soundtrack, playing familiar tunes as guests enjoyed conversation with their tablemates.

Renowned artist James Threalkill created a live painting of the event — which guests could bid on during the auction later that night.

Each year, the evening celebrates those whose leadership strengthens the community through service, education and opportunity. “History teaches us that progress is never inevitable. It is the result of ordinary people choosing to do something extraordinary in extraordinary times,” said LaDonna Boyd, R.H. Boyd Company president and CEO. “Tonight, let us ensure that the legacy we leave is one of courage, generosity, excellence and hope.

Let us ensure that what we do is impactful.”

Her words set the tone for the evening’s highest honors.

Author Alice Randall received the R.H. Boyd Storytellers Award for using her voice to shape culture through literature and music. The YWCA Nashville & Middle Tennessee accepted the R.H. Boyd Humanitarian Award for its longstanding commitment to empowering women and eliminating racism. The Nashville Public Library’s Civil Rights Room earned the R.H. Boyd Service Award for preserving and sharing the city’s civil rights history, while the Urban League of Middle Tennessee received the R.H. Boyd Excellence Award for expanding economic opportunity and advancing equity across the region.

Guests then welcomed a surprise appearance by Christianee Porter of The Christi Show, portraying her hilarious character Ms. Shirleen. Her storytelling and impeccable comedic timing filled the room with laughter, before beloved party band Bizz and Everyday People took the stage and kept the celebration going late into the evening.

LaDonna Boyd, Shalaé Boyd, Yvette Boyd, Waddell Wright

Calvin Dunning and Crystalline Jones

Kristen and Xavier Darden

Co-chairs Don Hardin, Gail Carr Williams, Tracy Hardin

BY JANET KURTZ PHOTOGRAPHS BY ERIC ENGLAND AND MICHAEL SCOTT EVANS

Bentley Caldwell

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Young Professionals co-chairs Tylan Beard, Lea Bryant

Eric Carter and Lloryn Love-Carter

John Faison, Freddie O’Connell, Maya Faison, Zulfat Suara

Tempest Utley, Elliott Robinson, Alice Randall

Rashonda Crawford and Raquelle Woodard

Christianee Porter, Charity Porter

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Michelle Mowery Johnson, Karen Johnson, Michele Harrell

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Alyzee and Aljus Alcineus

Doreatha and André Churchwell, Pat Parker

Dave and Stephanie Coleman

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Mario and Nicole Hambrick, Sophia Woodard

Rod McDaniel

Ben Scott, Stephen and Marci Houff, Russell Bates

Wendy Corley, Magalie Normil, Sheila Gibson

LaChanta and S.L. Lampkin

Ravonda Shumate, Tommy Breeden, Jamila Whiting, Skyler Vanwyk

Nikki Fant, Memorie White

Tom Kaczmarek and Angela Bostelman-Kaczmarek

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Chaired by: Eliot Bloom, Sam Creamer, Mark Hemberger presented by

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ACADEMY FOR WOMEN OF ACHIEVEMENT An Evening Inspired by Flora & Fauna benefitting Sexual Assault Center

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Conrad Nashville

Cathy Bender

SEPTEMBER 26TH, 2026

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Get Your Tickets Today sacenter.org

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PA R T I E S

Seenu Reddy, Bob Lowe

The Ties of Our Common Kindred The Whitland Avenue Fourth of July parade celebrates America’s 250th birthday

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n its 49th year, the Whitland Avenue Fourth of July celebration remains a treasured annual tradition, drawing generations of neighbors together to celebrate the nation’s founding and the enduring bonds of community.

The beloved event began much like countless Fourth of July celebrations before it — with a group of neighbors and a fun idea.

It all started in 1976, when then-Mayor Richard Fulton reportedly performed a dramatic reading of the Declaration of Independence.

Nashville celebrity photographer and well-known prankster Slick Lawson was so moved by the event that he famously joined his Whitland Avenue neighbors, including Pat and Dan Burton, to launch the parade the next year.

Nearly five decades later, as the sun climbed on America’s 250th birthday, residents gathered for front-yard parties and scoped out choice vantage points along the parade route. Carrington and David Fox began their annual Constitutional trivia game promptly, giving revelers plenty of time to make their way to the celebratory parade. For months, neighbors had stocked up on bottled water, sodas, popsicles and hot dogs in preparation for the cherished — and often scorchingly hot — tradition.

Adults pulled wagons carrying the youngest participants, while guiding older children on bicycles and scooters to the staging area.

Grand marshals Steve and Helen Curnutte led the procession alongside Mayor Freddie O’Connell, as toddlers and young children followed behind the Whitland Fourth of July banner.

Once the procession reached the grandstand, paradegoers joined the mayor for the Pledge of Allegiance before the Fourth of July Band, led by conductor Jeff Phillips and organizer Ann Richards, played traditional patriotic songs. Vanderbilt University athletics director Candice Storey Lee took the podium to deliver the Declaration of Independence with passion and conviction — just like Mayor Fulton had 50 years before.

On Whitland Avenue, that spirit of patriotism doesn’t disappear once the parade ends or the last fireworks go off. It lives on, carried into the shared civic traditions that have sustained the neighborhood for nearly half a century.

BY JANET KURTZ PHOTOGRAPHS BY ERIC ENGLAND

Charlie and Jennifer Gay

Sandy Nelson, Carrington Fox, Simon Fox, David Fox

Candice Storey Lee, Heidi Campbell, Freddie O’Connell

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Andrew and Lauren Medvecz with Elizabeth, Mary Margaret, Sophie

Phillip Huizinga, Will Huizinga

Alima Kassim, Alexander Reddy, Simon Fox

John and Chelsea Williamson with Jack, Darden (on shoulders)

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George Paine, Thompson Paine with Terral

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NRETROSPECT

Dormcore MUSIC TECHNOLOGY LOOKED a little different in the early ’70s, when someone snapped this picture in a Trevecca Nazarene College dormitory. Founded in 1901 and relocated to Murfreesboro Road in 1935, the school adopted its current title, Trevecca Nazarene University, in 1995. And it celebrates its 125th anniversary as students return to campus for the 2026-27 academic year.

If you recognize any of these music-swapping roomies, please let us know. We’d love to update the record.

BY CARRINGTON FOX PHOTOGRAPH COURTESY OF TREVECCA NAZARENE UNIVERSITY

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c u s t o m h o m e s • r e m o d e l i n g • i n t e r i o r d e s i g n • c a s t l e h nfocusmagazine.com o m e s .c o m •| 6A1U5G. 3U0S9T .2064 8200

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