Almost Maine Review

The Flinders University Performing Arts Society (FUPAS) has grown considerably in the past few years, putting on their fourth-ever show early this February at the Bakehouse Theatre. This year’s production? Almost, Maine, John Cariani’s 2007 anthology about love and loss in the snowy fictional town of Almost Maine. The play comprises 9 ‘miniplays’ exploring multiple relationships, whether rising or falling.

The production is Alana Lymn’s directorial debut, as well as Anna Wilhelm’s debut as an assistant director. Considering their freshness in their roles, the two have impressive command over their design choices and large ensemble. A strong design team in tow must have also been a big help, especially given that low-budget productions are often forced to forego strong design. Thankfully the FUPAS production team chose to invest time in their lighting, set and sound design. Given the production’s large ensemble, it is no surprise the acting abilities vary - 12 actors portraying 21 characters? You’re bound to have a variety of experience in the room.

A large number of short stories meant we got to see all the actors giving it their best. However, some stories held more chemistry than others. Stand-out performances came from Luna Grzan and Lucas Tennant, ranging from their hilarious portrayal of Rhonda and Dave; the adorable story of Gayle and Lendall, and the performance of Vee Rogers with the heartbreaking monologue by Hope.

While the production could have done without the American accents (let these Aussie kids breathe!), I must admit it added to the whimsical nature of the whole affair. With a varying commitment to the accent from most of the ensemble, Olivia Case and Alex Reader stuck it out the best. Ruby Jenkins’ set design added even more whimsy! From the very beginning, the stage was covered with what appears to be packing peanuts and glitter, creating a magical shining cover of snow.

This snow gets shuffled around and stepped on throughout the show but always fits in. The designer isn’t afraid to be unrealistic- and let’s be real, there’s nothing more boring than a truly realistic set. There’s snow inside the bar, the laundry room, and under the couch, and FUPAS wouldn’t have it any other way. The use of wooden crates and pallets also allows for a versatile set, a necessity when telling this anthology. The simplicity of the wooden designs means the set is never overcrowded. The set is complimented by equally quirky lighting design - FUPAS are not afraid of colour and I like it!

All-in-all a truly fun and playful production. Rough edges aside, FUPAS are a passionate ensemble and I can’t wait to see what each one of them does next!

3.5/5 stars

Words by Zofia Kolodziej