Mixdown#245 Studio Special

INTRODUCTION Songs written. Check. Arrangements finalised. Check. Bassist is sober. Close enough….so what’s the next step? It’s time to hunt down the perfect gear to capture your sound, and get those tracks out to the mass of adoring fans (family and friends not included). This month we showcase all the latest and greatest gear as part of this years massive Studio Special!

If you’re looking to upgrade your existing

D I S T R I B U T I O N D E TA I L S

gear, or start up your own home recording setup, your good friends here at Mixdown have got you covered. We’ve given our team of expert writers free reign to test and assess a range of microphones, interfaces, headphones, monitors and anything else you could think of to help you decide what is needed to get your tracks sounding the best they can. Have a read through the products, hit up your local retailer and then go press record!

SAMSON CO1U PRO USB

RRP: $179

DISTRIBUTOR

AUSTRALASIAN MUSIC SUPPLIES ELECTRIC FACTORY JADE AUSTRALIA YAMAHA MUSIC AUSTRALIA DYNAMIC MUSIC SENNHEISER AUSTRALIA JANDS AUSTRALIA AUSTRALIAN MUSICAL IMPORTS NATIONAL AUDIO SYSTEMS PRO AUDIO GROUP AUSTRALIA AMBER TECHNOLOGY NETWORK AUDIO SOLUTIONS TECHNICAL AUDIO GROUP

PHONE

(03) 95491500 (03) 9474 1000 1800 144 120 (03) 9693 5111 (02) 9939 1299 (02) 9910 6700 (02) 9582 0909 (03) 8696 0600 (03) 8756 2600 (02) 9521 4844 1800 251 367 1300 306 670 (02) 9519 0900

PRODUCT TYPE: CONDENSER MICROPHONE DISTRIBUTOR: ELECTRIC FACTORY

RECOMMENDED FOR: Any musician who wants a better quality of recording at home without the fuss. Works well for podcasting and YouTube videos.

RECOMMENDED FOR: This is the ideal microphone for a home studio when working on a budget and a little more is needed from a vocal microphone.

Perfect for vocals in a range of studio applications, as well as acoustic guitars and pianos.

USABILITY: Becoming the audio interface for your computer when connected, you can record and monitor all from this microphone. It sets up with just about any computer with very little effort, and is perfect for location use as well being bus powered.

WWW.AUSTMUSIC.COM.AU WWW.ELFA.COM.AU WWW.JADEAUSTRALIA.COM.AU WWW.PAISTE.COM WWW.DYNAMICMUSIC.COM.AU WWW.SENNHEISER.COM.AU WWW.JANDS.COM.AU WWW.GIBSONAMI.COM WWW.NATIONALAUDIO.COM.AU WWW.PROAUDIOGROUP.COM.AU WWW.AMBERTECH.COM.AU WWW.NETWORKAUDIO.COM.AU WWW.TAG.COM.AU

RRP: $359

SAMSON MTR231

PRODUCT TYPE: USB CONDENSER MICROPHONE DISTRIBUTOR: ELECTRIC FACTORY

SOUND AND VERSATILITY: This is the latest generation of a Samson microphone that has been around for many years, and it now sounds better than the original. There is an extended frequency response for a range of applications.

WEBSITE

SOUND AND VERSATILITY: The large diaphragm capsule design means you get an extended frequency response from this microphone that really works well with a variety of vocal ranges.

USABILITY: Being that you can switch from cardioid to Omni and figure-of-8 patterns with this microphone, you can find a lot of uses for it in the studio.

CONSTRUCTION: A solid casing and no moving parts means this microphone is going to last the distance.

You would have to be pretty unkind to it in order to have any issues with the build quality.

CONSTRUCTION: The frame is pretty solid, as is the shock mount that is included. The capsule cage is a little wobbly on the base and the included pop filter does mount in a slightly clumsy fashion.

OVERALL: The original CO1U was a very handy microphone for the price. This is an improvement on that design, which delivers better quality sound for a better price.

OVERALL: This microphone is punching well above its weight category. Samson have delivered a microphone that is going to rival some wellknown units for sound quality on a home studio budget.

PG. 39 / MIXDOWN NO. 245 / SEPTEMBER 2014

M-AUDIO NOVA STUDIO CONDENSER

RRP: $179.99

NEUMANN TLM107 CONDENSER

PRODUCT TYPE: CONDENSER MICROPHONE DISTRIBUTOR: PRO AUDIO GROUP AUSTRALIA

PRODUCT TYPE: CONDENSER MICROPHONE DISTRIBUTOR: SENNHEISER AUSTRALIA

RECOMMENDED FOR: As a first look into a condenser microphone for your home studio, this is a really good option that will tick a number of the boxes and allow you to record a range of sources like guitars, percussion and vocals.

RECOMMENDED FOR: This is a bit of a do everything microphone.

From vocal and instrument recording in the studio, to live use for a range of applications and even choir and orchestra recordings, the TLM107 ticks all the boxes.

SOUND AND VERSATILITY: This is a fairly basic design, with a look that is somewhat like a number of other microphones I can think of. It delivers a somewhat neutral sound that isn’t offensive and delivers on its promises.

SOUND AND VERSATILITY: A very flat frequency response from this microphone means you can record just about every channel in a mix with it and not get an unwanted build-up of certain frequencies when it all comes together. This is a really transparent sounding microphone indeed.

USABILITY: It is fairly simple. With a fixed polar pattern and a hard mount stand adaptor, you just set this microphone up with the capsule facing the source and you are good to go. It even includes an XLR cable for connecting to your interface.

USABILITY: The modern design allows for a host of options in a somewhat unusual manner with a multi-function dial on the casing and LED backlit indicators showing filter settings, polar pattern and level. Not very traditional in design, but very functional.

CONSTRUCTION: These are not the toughest condenser microphones I have come across. They tend to be a little delicate on the finishing seals around the case, but they are not intended to be mistreated in any way.

CONSTRUCTION: Being a Neumann, and being made in Germany, this is of course an exceptionally well built unit. I cannot fault it. It feels so well made and you can hear the quality in the components when the results are delivered.

OVERALL: For the money, this microphone does deliver what it set out to do. It will work well for vocals and guitar, better than many dynamic microphones do. So, it could be a budget upgrade for recording at home that greatly improves your sound.

AUDIO TECHNICA AT2020WH

OVERALL: I have always had a soft spot for Neumann microphones; they generally offer everything you want in design, looks and tone. This microphone goes one step further and delivers flexibility as well.

RRP: $149

AUDIO TECHNICA AT2050

PRODUCT TYPE: CONDENSER MICROPHONE DISTRIBUTOR: TECHNICAL AUDIO GROUP

PRODUCT TYPE: CONDENSER MICROPHONE DISTRIBUTOR: TECHNICAL AUDIO GROUP

RECOMMENDED FOR: This is the perfect microphone for someone wanting to extend their recording capabilities in a home studio that is slowly being built.

For the home studio that is looking for a first condenser, or as an additional microphone to the kit, this is a great option.

RECOMMENDED FOR: The AT2050 is ideal for a main workhorse in a home studio and anyone that is looking for versatility in a condenser microphone. It works well for vocals, wind, percussion and guitars.

SOUND AND VERSATILITY: This microphone works well for vocals, both male and female voices. It offers a clear, concise sound that has a good high frequency roll-off. It may not have the detail of more expensive units, nor the depth in tone, but it does deliver good results.

USABILITY: As well as a vocal microphone, you will find this work well for guitar amp applications. It can handle high SPLs, so you can work fairly close to a speaker cabinet and get a bright, detailed sound.

SOUND AND VERSATILITY: I am no stranger to the sound of this microphone; it has that certain something to it. The AT2050 not only has the AT look, but it has the AT sound too. Clear, precise and not too heavy in the mid-frequencies.

USABILITY: This is a great setup with a very workable suspension shock mount that will look the part when left set up in the studio at home.

The ability to change the polar patterns further increases the applications in which this microphone works well in.

CONSTRUCTION: Built into a striking white case that looks great next to an iMac in the studio, you will discover that Audio Technica don’t make cheap microphones, even when the price suggests otherwise.

CONSTRUCTION: Not only is the microphone built well, but the cradle is too. Both components are designed to go the distance in the studio and I cannot see any reason why you would not get years and years of continual use from this microphone.

OVERALL: This is a great microphone for the project studio. It isn’t going to set you back too much and will give you a new sound to record with. Plus, they look pretty cool too, a little something different to the majority of the AT range.

OVERALL: These microphones have that classic Audio Technica look and you will want it to be out on display. That means, you will use it more and you will be pleasantly surprised with the results. It’s a great option for the price bracket.

PG. 40 / MIXDOWN NO. 245 / SEPTEMBER 2014

RRP: $1999

RRP: $449

BLUE KIWI CONDENSER MICROPHONE

RRP: $2899

SOUNDART SM-IC CONDENSER MICROPHONE

PRODUCT TYPE: CONDENSER MICROPHONE DISTRIBUTOR: AMBER TECHNOLOGY

PRODUCT TYPE: CONDENSER MICROPHONE DISTRIBUTOR: JADE AUSTRALIA

RECOMMENDED FOR: Studio engineers looking for a mic that will record vocal tracks with grace and dignity.

RECOMMENDED FOR: Recording cymbals, brass, pianos and a range of percussion instruments.

SOUND AND VERSATILITY: Delivers a quality reproduction of the sound it captures. You get to hear everything with the Kiwi and you hear it with clarity and detail. There is a really rich low frequency response that just comes to life from this capsule.

SOUND AND VERSATILITY: With a small capsule housed within the shell, you don’t get a lot of low frequency response from this microphone, but you do get plenty of sizzle in the top end.

USABILITY: The compact design allows for use in a range of applications when space is of an issue. It can easily fit in-between the chaos of a drum kit to get right up and close to your hi-hats without getting in the way.

USABILITY: With a variable polar pattern control, you get a wide variety of uses from the Kiwi, but it should stand tall as a vocal microphone within the studio.

CONSTRUCTION: The compact design sees this microphone housed in a sturdy little casing that doesn’t allow for anything to go wrong. It is pretty tough, although it doesn’t like taking a knock when plugged in.

CONSTRUCTION: Everything in this microphone is built the way I would want my microphone to be built. It isn’t put together in a moulded shell, but from quality components that are joined with precision to create a housing worthy of what is inside.

OVERALL: A compact condenser microphone worth having in abundance for a multitude of applications.

OVERALL: There is rarely anything that I can fault with any microphone from Blue, and the Kiwi is definitely no exception. From the deluxe velvet lined wooden presentation case, to the exquisitely engineered removable capsule, this microphone just oozes class.

SHURE PG27 SIDE ADDRESS CONDENSER MICROPHONE

RRP: $239

SOUNDART SM-USB-2 CONDENSER MICROPHONE

PRODUCT TYPE: CONDENSER MICROPHONE DISTRIBUTOR: JANDS AUSTRALIA

PRODUCT TYPE: USB CONDENSER MICROPHONE DISTRIBUTOR: JADE AUSTRALIA

RECOMMENDED FOR: This is a really good choice of condenser microphone when you want to use it in a number of guitar applications. It works well with both acoustic and electric guitars, and even creates great results for bass guitar cabinets too.

RECOMMENDED FOR: Podcasting and general vocal recording on a budget. For anyone wanting to get started in recording without having to set up a lot of equipment, this is ideal.

SOUND AND VERSATILITY: At the entry level range of microphones from Shure, this is one unit that actually stands tall and delivers a really high quality sound. It may not be voiced the best for vocals, but used with a guitar amp, even at high SPLs; this microphone really captures the liveliness of your instrument.

USABILITY: This microphone isn’t restricted to just one application though. It will work up against high SPLs with the -20dB pad switch engaged, but lift the pad and give it a run on an acoustic guitar and you will hear another side to this somewhat versatile tool.

CONSTRUCTION: A pretty rugged case that doesn’t have a great deal of moving parts makes for a great building block for longevity in the studio.

As a home recording device, you shouldn’t have to worry about how this microphone has been put together.

RRP: $34.95

RRP: $129

SOUND AND VERSATILITY: The design does not lend itself to versatility, but the sound is definitely of good quality.

USABILITY: The ease of setup with this device means anyone can be recording in a matter of minutes. Headphone monitoring is supplied direct from the microphone itself, so your entire audio interface is housed within the one device.

CONSTRUCTION: Although built into a fairly lightweight casing, it shouldn’t be an issue when used within a home studio environment. The supplied cradle is secure enough to hold the microphone stable and isolated when in use.

OVERALL: This is a neat little package that bundles a variety of studio tools into one single microphone housing that is quick to set up and easy to operate.

OVERALL: There are plenty of side address condenser microphones available on the market, especially in this price range. But, you have to hand it to Shure, they know how to make a microphone for every purpose and every price point. The PG27 is a prime example of meeting a need in home recording today.

PG. 41 / MIXDOWN NO. 245 / SEPTEMBER 2014

SONTRONICS STC-3X CONDENSER MICROPHONE PACK

RRP: $459

PRODUCT TYPE: CONDENSER MICROPHONE DISTRIBUTOR: NETWORK AUDIO SOLUTIONS

ART M-FOUR MULTI-PATERN TUBE MICROPHONE

RRP: $999

PRODUCT TYPE: CONDENSER MICROPHONE DISTRIBUTOR: NETWORK AUDIO SOLUTIONS RECOMMENDED FOR: This is a real ‘go to’ microphone for vocals in the home studio. ART always deliver with their tube designs and so, you can be sure that when you record yours, or anyone else’s vocal with this, you will get great results.

SOUND AND VERSATILITY: The rich tone you get form this 12AX7 driven microphone is really somewhat lush. I was expecting it to sound good, but even so; I still got a bit of a surprise when I actually heard the results.

RECOMMENDED FOR: This is a microphone designed for use with vocals, be it male or female voices. It works really well not only for singing, but in spoken word applications too, so it makes an ideal microphone for voice-over and podcast recordings.

SOUND AND VERSATILITY: The dual gold sputtered capsule found within this microphone has plenty to offer. With three different polar patterns, three levels of filtering and three stages of pad engagement, you do get a range of tone and colour from this microphone allowing it to find the sweet spot for just about any voice.

USABILITY: Now supplied in the kit is a suspension mount, cable and pop filter, all you need is a sturdy stand to support the entire outfit and you are ready to go. Selecting the different options is simple and quite noticeable when each variation is engaged, so you can easily test to see which works best in any given scenario.

CONSTRUCTION: All the components of this bundle are well designed and deliver a top quality product that will dominate a home studio and hold its own in any commercial facility.

USABILITY: What makes this such a versatile microphone is the way in which it allows you to switch from Omni to Figure-of-8 and then to Cardioid polar patterns. You get several steps in between each of these setting that slowly blend from one to another and so it allows you to explore the sound of your source and your room combined.

CONSTRUCTION: The casing of this microphone is pretty standard for a valve housing. The capsule sits well atop in a mesh cage that doesn’t really let anything through except your voice. All this is suspended on a cradle that as pretty sturdy and handles the weight of the microphone with ease.

OVERALL: I rather like it. I normally wouldn’t look towards ART when choosing a microphone, but this example has made me think twice about them. They don’t just do great preamps and compressors, ART can deliver across the entire signal chain.

OVERALL: Sontronics have given us a classic British design in this microphone and delivered a great broadcast tool that is quite musical as well. It really wouldn’t be a bad choice adding one of these to your home studio setup.

PRESONUS AUDIOBOX iTWO STUDIO BUNDLE

RRP: $399

PRESONUS MUSIC CREATION SUITE

RRP: $599

PRODUCT TYPE: STUDIO BUNDLE DISTRIBUTOR: NATIONAL AUDIO SYSTEMS

PRODUCT TYPE: STUDIO BUNDLE DISTRIBUTOR: PRO AUDIO GROUP AUSTRALIA

RECOMMENDED FOR: When today’s modern musician becomes the recording engineer as well, it is hard to keep them confined to a closed studio space. Therefore, this bundle is ideal in that it allows you to work with a laptop or an iPad and record anywhere, on the go.

RECOMMENDED FOR: When you have no idea where to get started in building your own home studio, this might just be the product for you. It is designed to give anyone looking for a start in music recording all the tools they need to get on their way.

SOUND AND VERSATILITY: The M7 condenser microphone is a great additional to this bundle as it affords you great audio capture to go with the Audiobox iTwo interface. With monitoring kept to the included headphones, you get a really tight reference of your sound.

SOUND AND VERSATILITY: With the Studio One audio engine behind this package, you know you can create professional quality tracks once you get your mind set on it. The M7 microphone allows for vocal and instrument recording that can be improved within the software.

USABILITY: The new Audiobox iTwo interface takes its design and idea from the original Audiobox with a few slight variations. Now that it is compatible with an iPad, you have more freedom to explore your creativity just about anywhere.

USABILITY: With a 49 note USB MIDI keyboard, you can now control all the sounds found within the instruments of Studio One Artist and get the most from them. But, if you are running low on connectivity, the included USB hub allows you to run your entire studio and more from a single USB port on your computer.

CONSTRUCTION: Like any Presonus interface, this unit is housed in a rugged steel case. The Audiobox is solid enough, so long as you are careful to protect the controls on the front panel. The headphones are a little more delicate though.

OVERALL: As an all-in-one bundle for mobile recording, I think Presonus have hit the ball out of the park with the Audiobox iTwo Studio. The name suggests you would use it at home, but the freedom it offers is endless.

PG. 42 / MIXDOWN NO. 245 / SEPTEMBER 2014

CONSTRUCTION: Being a starter pack for recording, the build quality is top notch, and understandably given the price. But, the Audiobox interface is still the same tough old unit and will most likely outlast everything else in this kit.

OVERALL: I think this is a really intuitive solution for Presonus to offer. It clears the headache of not knowing what to buy to get started and gives you a solid selection of equipment to begin your home studio with.

M-AUDIO VOCAL STUDIO PRO PACK

RRP: $429

PRESONUS ERIS E5 ACTIVE STUDIO MONITORS

RRP: $229 (EACH)

PRODUCT TYPE: INTERFACE DISTRIBUTOR: PRO AUDIO GROUP AUSTRALIA

PRODUCT TYPE: STUDIO MONITORS DISTRIBUTOR: NATIONAL AUDIO SYSTEMS

RECOMMENDED FOR: This is the ideal package for someone wanting to start out in home recording. It has an interface, microphone, headphones, software and cables so you are ready to go right out of the box.

RECOMMENDED FOR: As any compact home studio usually suffers from a lack of space, these monitor speakers are ideal given that they are not only compact, but have been designed specifically to work within confined spaces.

SOUND AND VERSATILITY: For anyone wanting to get away from plugging a microphone into the 3.5mm jack on the side of their computer, this is going to take your audio recording ahead in ability and sound quality.

USABILITY: After initial installation, all this gear works seamlessly together. The M-Track interface allows for another microphone to be added, or a guitar or similar instrument. The only harrier is your imagination.

CONSTRUCTION: Let’s face it; you are getting a lot of product for a great price in this bundle. So, while it works seamlessly together, the build quality isn’t the toughest and you will probably see yourself upgrading a little down the track.

OVERALL: This is a great place to start. You are getting professional software with Avid’s Pro Tools Express, so even when you do look to upgrade components, you can bring your existing projects along and help them grow. An upgrade to the full version of Pro Tools will also ensure this gets you further on your recording quest.

M-AUDIO BX6 CARBON STUDIO MONITORS

RRP: $599.99

SOUND AND VERSATILITY: The rear panel of these monitors allows you to set them up to operate in a number of listening positions. This means you can get the most from the speakers in the space you have with three different settings depending on monitor placement to go with a high-pass filter and two-band EQ adjustment.

USABILITY: With RCA, XLR and TRS connections all separately supplied, there are plenty of options on the rear panel for connection with whatever devices you are mixing from in your home studio.

CONSTRUCTION: The Eris monitors are all built just like these ones, just in different sizes. They are a really solid block that seems to be filled with a good deal of heat sink weight. The smooth front porting and gentle contours make for a pleasing design for the tough case.

OVERALL: Presonus are doing really great things with monitoring and amplification at the moment. Although these are essentially the babies in the range, they still have some good pointS and will find plenty of locations in which they will work well.

KRK RP8G3 ACTIVE STUDIO MONITORS

RRP: $1058 (PAIR)

PRODUCT TYPE: STUDIO MONITORS DISTRIBUTOR: PRO AUDIO GROUP AUSTRALIA

PRODUCT TYPE: STUDIO MONITORS DISTRIBUTOR: AUSTRALIAN MUSICAL IMPORTS

RECOMMENDED FOR: When you want a budget studio monitor that delivers a clear sound but also has plenty of power behind it for high volume listening, these monitors should be worth a look in.

RECOMMENDED FOR: These are an ideal studio monitor for use in slightly larger rooms where more volume is required and extra low frequency response is appreciated. Whether it is a home setup or professional studio, these monitors will stand up and deliver.

SOUND AND VERSATILITY: The 6” Kevlar low frequency driver in these speakers ensures you get plenty of low-frequency response from what are seemingly very compact units. These do sound more like a larger driver, but without having a false bottom end to them. They still sound relatively flat, considering the size.

USABILITY: As a near field monitor in a home studio, these are going to be very easy to integrate into most existing setups. As they are not a large footprint, they will slide into a small space and operate well at low levels when you have to work within a close range.

CONSTRUCTION: All six sides of these boxes seem to have held together for the duration of the test. The rugged coating on the shell will take a few bumps and scratches, but it will show up your coffee stains if you aren’t too careful.

OVERALL: These are a neat pair of studio monitors for home use. They offer some room control with a fixed three-position switch to counter the rear ported bass response depending on their placement.

Not bad for the asking price really.

SOUND AND VERSATILITY: With a very slight improvement from the previous model, the new Rokit 8 monitors have a little more upper mid-range response that helps them sound more natural. They still have the power bass response, partly driven by the front ported cabinet design that surprisingly doesn’t deliver any chuffing when driven hard.

USABILITY: For a home studio environment, these monitors sound amazing. But you do need to be aware that they do have a fairly large footprint and carry a bit of weight, so they might not suit all setups.

CONSTRUCTION: Short of pushing in the dome centre of the bass driver, or smashing off the volume attenuator through gross negligence, there is not a lot that can go wrong with these monitors.

OVERALL: I still do enjoy the sound of a pair of Rokit 8s driven hard in the studio. They do deliver so much punch, but still maintain clarity to their sound that comes from the superfast transient attack found in all KRK monitors.

PG. 43 / MIXDOWN NO. 245 / SEPTEMBER 2014

DYNAUDIO BM6 MKIII STUDIO MONITORS RRP: $1695 EACH, $3390 PAIR

FOSTEX PX-6 ACTIVE STUDIO MONITORS

PRODUCT TYPE: STUDIO MONITORS DISTRIBUTOR: AMBER TECHNOLOGY

PRODUCT TYPE: STUDIO MONITORS DISTRIBUTOR: NETWORK AUDIO SOLUTIONS

RRP: $699

RECOMMENDED FOR: Anyone looking for speakers that are quality in design, build and sound. For the professional studio, commercial editing suite or home studio setup, these are a set of monitors that will redefine how you listen to your work.

SOUND AND VERSATILITY: You really need to hear these things to know just how good they sound. That said, any faults that are present within your mix will be heard on these monitors too, so they are not for the faint hearted.

USABILITY: Supplied with IsoAcoustics L8R200 speaker stands, you are able to correctly decouple these speakers form vibrations through your desk and set them up to the correct angle to achieve the perfect listening position.

RECOMMENDED FOR: These will work great in any home studio. Even if you already have a reliable pair of monitor speakers, these can also serve as a second reference point to tighten your mixes.

CONSTRUCTION: Being that these speakers are not only designed, but also built, in Denmark, the quality of construction is exceptional. These are a pair of speakers worth cherishing and will last you well beyond your need for them.

SOUND AND VERSATILITY: The upgrade design in the PX range of monitors from Fostex delivers a clearer sound than was previously achieved. This model, with the 6” driver has a sufficient low frequency response to operate as a near-field monitor without the requirement of a sub as well.

USABILITY: Inputs are supplied on balanced XLR and TRS combination connectors as well as unbalanced RCA connectors. The endless rotary volume control and digital audio filter means you get consistent results without aging components from continual repetitive use.

OVERALL: There is very little to say about these speakers that isn’t a glowing compliment.

They look sharp and sound even better.

When it comes to discerning studio monitoring, if you really want to get the most form your ears, you should consider giving them the gift of some BM6 monitors.

CONSTRUCTION: The housing for these speakers is very nice indeed. The front ported cabinet is one sealed mould that only sees components connected with the addition of the rear panel which houses the controls and connections. This keeps reflections from the cabinet to a minimum and reduces vibration.

OVERALL: I really like what Fostex have done with these speakers. They are certainly an improvement on previous ideas and proof that they are striving to achieve new goals in studio monitoring solutions.

SAMSON RESOLV RXA5 STUDIO MONITORS

RRP: $718-859 (PAIR)

ALLEN & HEATH ZED60-14FX MIXER

RRP: $699

PRODUCT TYPE: STUDIO MONITORS DISTRIBUTOR: ELECTRIC FACTORY

PRODUCT TYPE: MIXER DISTRIBUTOR: TECHNICAL AUDIO GROUP

RECOMMENDED FOR: Home studio operators who are looking for a budget pair of monitor speakers that offers a little something extra. For mixing music, video editing or post-production work, these are a nice choice.

RECOMMENDED FOR: For anyone looking to expand their signal routing and input options in a home studio, this is a really solid option. As a complete recording solution, or as a part of a larger setup, this will find a place in many home studios.

SOUND AND VERSATILITY: The sound you get from these monitors is well above what you would expect. They deliver a really crisp high frequency range that has a fast transient attack. This means you hear a lot more in the mix with more accurate referencing.

SOUND AND VERSATILITY: As with all units in the ZED range from Allen & Heath, this model has a really quiet mix bus and still delivers on track count too. The in-built effects all sound pretty good and there will be a number of them you will use regularly.

USABILITY: The ribbon tweeter allows these monitors to operate at higher volume without audible distortion as would be the case with similar spec’d dome tweeter models.

USABILITY: As an analogue mixer in a signal chain this is really easy to work with. But, if you want to go direct into your computer, the added USB output makes it really simple. A stereo DAC allows you to send individual channel one at a time, or your full mix into your favourite recording software.

CONSTRUCTION: These monitors seem rugged enough. They are housed in a tough cabinet that should surely survive the rigours of sitting undisturbed upon your desk top. They are not PA speakers and so are not built like such, just right for a home studio environment.

OVERALL: The RXA range of monitor speakers from Samson definitely represents a step up in the world of home studio monitoring from these guys. These speakers may be a little more than any others on offer in their range, but they are the best sounding Samson studio monitors I have heard yet.

PG. 44 / MIXDOWN NO. 245 / SEPTEMBER 2014

CONSTRUCTION: As a studio tool, you will never have a problem with the build of the ZED40-14FX. In a live environment, it will get a few bumps and scratches, but it is built to take them and will continue to deliver the goods.

OVERALL: These are a stylish, compact mixer that offers plenty of inputs and a range of options that allow them to easily be integrated from the studio to the stage. They are a really nice option for anyone looking at a mixer when audio quality is more important than price.

SENNHEISER HD7DJ HEADPHONES

RRP: $429.95

PRODUCT TYPE: HEADPHONES DISTRIBUTOR: SENNHEISER AUSTRALIA

SOUND AND VERSATILITY: Although they deliver a beautifully clear response across the entire frequency range, the HD7 target the lower mid-range frequencies a little more aggressively so they stand out in a noisy DJ booth.

USABILITY: With this concentrated frequency response, what you get from the HD7s is a pair of headphones that help you hear kick and snare drums within a mix with more precision and without fatiguing your ears in order to do so.

CONSTRUCTION: Designed to be put through their paces in a club environment, these are a tough set of headphones that are not too heavy either. They are also very comfortable when worn with one or both ears.

OVERALL: I think it is nice to see a set of DJ headphones that doesn’t simply give you more bass. When mixing in a DJ booth, you really need a more defined sound that just lots of bass and so, the HD7DJ headphones delivers. It’s a very clever design that should make a lot of DJs very happy indeed.

PRODUCT TYPE: HEADPHONES DISTRIBUTOR: AUSTRALIAN MUSICAL IMPORTS

RRP: $249

PRODUCT TYPE: HEADPHONES DISTRIBUTOR: TECHNICAL AUDIO GROUP

RECOMMENDED FOR: Whether it is for use in the club, or in the home studio, these headphones are designed to give today’s DJs the audio response they require when beat matching. They are the perfect “in the mix” pair of headphones.

KRK KNS 8400/6400 STUDIO MONITOR HEADPHONES

AUDIO TECHNICA ATH-M50X HEADPHONES

RRP: $229

RECOMMENDED FOR: When you are looking for a set of headphones for both tracking in the studio as well as listening back to mixes to get a reference, these could be just what you are in need of.

SOUND AND VERSATILITY: The large over-ear design means you not only get an isolated delivery of the sound, but they can accommodate a driver that is capable of delivering the quality frequency response and detail that you get from these cans.

USABILITY: These are a very comfortable design that allows for extended periods of use without fatigue. The new design also means you can detach the cables and change from a straight to a curly cable should you wish. This makes them ideal for both studio and live use, as well as the ultimate pair of home listening headphones.

CONSTRUCTION: Just like the previous model, the new ATH-M50X headphones are built to last. You can be confident leaving them around in the studio knowing that whatever punishment they receive will be readily received. These headphones will go the distance.

OVERALL: Perhaps a little pricey for some people, but you have to consider what you get for the money you spend. These are a quality pair of headphones that not only sound great, but are built to last as well.

SHURE SRH840 STUDIO REFERENCE HEADPHONES

RRP: $429.95

PRODUCT TYPE: HEADPHONES DISTRIBUTOR: JANDS

RECOMMENDED FOR: These headphones have been purpose built for use in the studio for not only tracking, but also mixing. Essentially, they are designed to be like a pair of studio monitors that can be worn on your head.

SOUND AND VERSATILITY: The KNS6400 deliver a fairly flat frequency response that sounds uncannily like a pair of KRK studio monitors. Meanwhile the KNS8400 have a more detailed audio delivery than their cheaper partners. Both models have an extremely fast transient attack that delivers every moment of a note to your ears when intended.

USABILITY: These are not designed to be used as DJ headphones, so those of you looking for loudness should stop here. You get enough volume to operate these in a quiet studio environment and not much more You get a beautiful sense of air to the sound when working with these cans and don’t feel or sound all closed in like others can tend to do.

CONSTRUCTION: Although light in weight, they are still well assembled and very comfortable to wear.

You can go for extended listening sessions with these and not get tired of wearing them.

OVERALL: These are actually my favourite headphones in the KNS range. I have two pairs of these at home as it is, so I guess that is a pretty good endorsement for them.

RECOMMENDED FOR: These headphones are designed for studio recording and critical listening. So, when you are tracking in the studio and need to hear everything or when you are trying to pick faults within the mix and want clarity, these are the headphones for you.

SOUND AND VERSATILITY: Definition is what Shure delivers with these headphones. You get clarity of tone and a really defined representation of the entire frequency range. This makes them ideal as a reference point against your studio monitors to hear what you are missing in other listening environments.

USABILITY: The SRH840s are a very comfortable headphone. The headband is not only wide to fit naturally across the head, but suitably padded too, as are the ear pieces. These fit easily over the ears and allow for extended periods of listening with comfort and ease.

CONSTRUCTION: These are very noticeably a solid set of headphones. They have a bit of weight to them, but not so much as to be a strain when wearing them. But, when you pick them up, you can feel how tough they really are. Perfect for extended use in both the home and professional recording studio.

OVERALL: I first tried these headphones a number of years back and liked what I heard straight away. They stack up very nicely against the competitors and even give some of the higher priced Shure models a run for their money.

PG. 45 / MIXDOWN NO. 245 / SEPTEMBER 2014

SONAR X3 RECORDING SOFTWARE

RRP: $129-549

PRESONUS STUDIO ONE ARTIST SOFTWARE

RRP: $149

PRODUCT TYPE: SOFTWARE DISTRIBUTOR: AUSTRALIAN MUSICAL IMPORTS

PRODUCT TYPE: SOFTWARE DISTRIBUTOR: NATIONAL AUDIO SYSTEMS

RECOMMENDED FOR: Anyone who has been using Cakewalk products in the past really should look at stepping forward into their new platform and taking advantage of all it has in audio recording and music production tools. New users to the Cakewalk world will wonder why they took so long to discover it.

RECOMMENDED FOR: This software package is designed for those looking to break away from the DAWs they have known over the years. It is aimed at musicians as well as engineers, and delivers a fresh approach to music production.

SOUND AND VERSATILITY: The array of sounds on offer with X3 is massive. Beginning with unlimited audio and MIDI tracks, you know there must be plenty to work with to keep users happy. The effects sound great as do the instruments and the overall mix bus.

SOUND AND VERSATILITY: Not only does Studio One Artist cater for audio recording, but it also offers a wide range of music production tools as well. But, it is in the mix engine of this software platform that it performs so well, giving you a new sound in your mixes and quality effects to back it up.

USABILITY: What Sonar offers users is a more modern approach to music publishing within the DAW. Through the Skylight user interface, you are able to easily upload your work to YouTube or SoundCloud and get your music heard as soon as it is completed.

USABILITY: It can always be a bit daunting taking the first steps on the road to working with a new DAW, but Studio One Artist soon quells any fears. It is a really intuitive software package that works similar to many other recording platforms, but with many of the hassles removed and the ease of use increased considerably.

CONSTRUCTION: Built around a double 64-bit audio engine, you are going to need a computer that has plenty of grunt to be able to keep up with Sonar X3. It is a little hungry for power if you abuse it, but it delivers results and seemed pretty stable, even after a good punishing with plug-ins and high track counts.

OVERALL: I haven’t really used much from Cakewalk over the years, not by choice, but more due to circumstance. Now, after more than 20 years of computer recording, a software package like this makes me reconsider my options. They really have done a great job with Sonar X3.

SSL XLOGIC ALPHA CHANNEL

RRP: $1549

CONSTRUCTION: Built from scratch as a full audio creation platform, you are not just getting an add-on piece of software that needs to work with something else to get the job done.

OVERALL: If you are unsure of what DAW you want to end up working with, it could be that the others are confusing you all too much. Perhaps now is the time to take the fresh approach to your music and invest in Studio One now and into the future.

RADIAL GOLD DIGGER MICROPHONE SELECTOR

RRP: $589

PRODUCT TYPE: PRE AMP DISTRIBUTOR: AMBER TECHNOLOGY

PRODUCT TYPE: PRE AMP DISTRIBUTOR: AMBER TECHNOLOGY

RECOMMENDED FOR: Everyone who wants to record quality audio. Everyone. If you want to get the most of your microphone and your computer, this is the tool that needs to be sitting in between the two devices to create magic.

RECOMMENDED FOR: This is the perfect tool for any and every engineer to keep in their kit. It’s also very handy for musicians who sometimes run out of inputs on a desk or when you just want to send a few microphones into a powered speaker without a bulky mixer.

SOUND AND VERSATILITY: Based around the channel strip from an SSL console, this has that classic SSL EQ sound and preamp headroom to back up the sound of your favourite microphone.

SOUND AND VERSATILITY: As far as the sound goes, you pretty much get out of this just what you put into it. The Gold Digger doesn’t take anything from your signal, but allows it some extra headroom on the way through.

USABILITY: It operates just like a channel strip on a mixing console but with some modern SSL tweaks that take this single rack unit one step further. Perfect for use with digital audio recording as the compressor ensures you don’t get any digital clipping along the signal chain.

CONSTRUCTION: Like any SSL console, this rack unit is built to an unbelievable level of quality, but in a compact format. You can now have an SSL in your rack without the need to fill an entire room up with a console.

OVERALL: I have road tested this unit some time ago and my opinion remains unchanged. There is very little that I wouldn’t use this device for when recording at home. It is the perfect front end to a DAW when you are looking to get the most from your microphone.

PG. 46 / MIXDOWN NO. 245 / SEPTEMBER 2014

USABILITY: It is so simple to understand. As an ultra-compact mixer, you just run up to four microphones in and get a single XLR output. You can adjust the volumes of each input and apply phantom power to each one individually.

CONSTRUCTION: Being made by Radial, this is a really tough piece of kit. The controls are all recessed under the lip of the case so you can leave it set up on the floor of a stage and not worry if anyone kicks it or stands on it. The Gold Digger will take that sort of punishment.

OVERALL: Obviously, this is not everyone’s ideal device, but it will help extend channel counts on stage and in the studio when you need to get a few microphones on the go. A very simple yet clever design, this is a very handy tool to have.

MOTU 4PRE FIREWIRE/USB AUDIO INTERFACE

RRP: $649

RRP: $CALL LOCAL DEALER FOR PRICE

PRODUCT TYPE: INTERFACE DISTRIBUTOR: ELECTRIC FACTORY

PRODUCT TYPE: INTERFACE DISTRIBUTOR: NETWORK AUDIO SOLUTIONS

RECOMMENDED FOR: This represents an excellent solution for both home studio recording as well as use in a live environment as well. The bus powered Firewire 400 connection allows you to run the device solely from a laptop without the need for an additional power supply. So, it is easy on stage.

SOUND AND VERSATILITY: The four microphone preamps housed in this unit sound great. You get the same MOTU quality audio conversion that comes on their large models, but in a compact half-rack spaced frame.

USABILITY: With all controls on the front and connections on the back, aside from the headphone outputs, this unit settles into any rack with ease. The included rack mounting bracket makes it easy to set it up for a half-rack on a desktop, or combined with another MOTU unit to fill a rational rack space as one unit.

CONSTRUCTION: Like any MOTU interface, everything is housed with a really tough metal frame. You can stand on these things and all you will do is get them a little dirty. All the important stuff gets protected within the casing and can take a beating and still ask for more.

OVERALL: This is a neat little design from MOTU. It gives you much of what you find in their larger studio interfaces, but just crammed into a smaller package with four ins and four outs. What more could you need for creating on the go?

M-AUDIO M-TRACKQUAD RECORDING INTERFACE

FOCUSRITE ITRACK DOCK

RRP: $499

RECOMMENDED FOR: Anyone recording music that has a newer model iPad, this is going to redefine how you go about this process. From beginners to advanced recording engineers, this is a fun, compact unit to record with just about anywhere.

SOUND AND VERSATILITY: The iTrack Dock makes it very simple to get a high quality analogue to digital conversion into your iPad with a range of professional connections. You can now get the right input level for a microphone, line or instrument level signal on two channels.

USABILITY: This is really easy to operate and set up, if you are an iPad user. However, you will need a Lightning connection, so the older iPads won’t get you there with this device.

CONSTRUCTION: The unit has a lightweight chassis, but isn’t really an issue when sitting firmly on a desk atop of the four soft rubber feet. My only concern is for the iPad as it may get damaged going in and out of the dock.

OVERALL: I think this is one of the standout products that has come across my desk this year. It is a clever design that harnesses the power of your iPad and turns a very small portion of your desk space into a recording studio.

ZOOM TAC2 THUNDERBOLT AUDIO CONVERTER

RRP: $685

PRODUCT TYPE: INTERFACE DISTRIBUTOR: PRO AUDIO GROUP AUSTRALIA

PRODUCT TYPE: INTERFACE DISTRIBUTOR: DYNAMIC MUSIC

RECOMMENDED FOR: Recording more than just a pair of inputs at once without the need for a large console. The M-Track Quad gives you four microphone preamps into your computer at once in a solid, yet compact device.

RECOMMENDED FOR: At this stage, this is a compact interface that will be on the radar of many Mac users out there.

With Thunderbolt fast becoming the new connection for Mac computers, this is going to keep the geeks happy.

SOUND AND VERSATILITY: If you want versatility in a small USB interface, you will get it with this device. Not only are there four inputs on combination XLR/TRS connections, you also get four outputs and inserts on all four inputs.

SOUND AND VERSATILITY: With the speed and bandwidth of the Thunderbolt connection, you have the ability to operate on very high sample rates and bit depths both going in and out of the machine without noticeable latency issues.

USABILITY: With a MIDI in and out, it is easy to integrate this unit with other MIDI controllers and the addition of the three USB outputs allows you to work in into an already busy computer setup and double it as a USB hub.

USABILITY: A simple two in, two out setup with the option of headphone and guitar connections too makes it very easy to work with. The added volume know on the top of the box makes it a very user friendly DAC for general use as well.

CONSTRUCTION: This is built into a solid casing with nickel jack connections, not plastic ones. The knobs are all pretty firm, but feel solid as you turn them and the switches all have a great touch to them too.

CONSTRUCTION: It is housed in a solid little frame and all the connections are firm and well seated, even if board mounted. The volume controller has a smooth action, but maybe a little delicate.

OVERALL: Without being an over the top rack mounted unit with too many connections, this is a great idea for anyone wanting more than just the standard two in and two out configuration. Plus, you get Avid’s Pro Tools Express software included with the unit.

OVERALL: This is a very similar offering to other units on the market in design, but it does deliver a budget Thunderbolt option well ahead of most other manufacturers have done, with results that aren’t to be sneezed over either.

PG. 47 / MIXDOWN NO. 245 / SEPTEMBER 2014