FRISO VAN WIJCK
RIDGE
FOR LARGE ENSEMBLE AND SOPRANO
2
FRISO VAN WIJCK
RIDGE FOR LARGE ENSEMBLE AND SOPRANO
COMPOSED FOR THE AKOM ENSEMBLE JANUARY / APRIL - 2018 DEDICATED TO PETER-JAN WAGEMANS
INSTRUMENTATION:
SOPRANO
PICCOLO FLUTE / PICCOLO 2x CLARINET IN Eb / CLARINET IN Bb CLARINET IN Bb BASS CLARINET IN Bb SOPRANO SAXOPHONE / ALTO SAXOPHONE
BASS TROMBONE with F attachment
4X PERCUSSION (for details, see ***)
ACCORDION
HARP
2X VIOLIN VIOLA CELLO DOUBLE BASS (5 strings)
*** PERCUSSION INSTRUMENTS: -PLAYER 1: TUBULAR BELLS, TIBETAN SINGING BOWL (E), GLOCKENSPIEL WITH PEDAL (shared with player 3), LARGE BALI GONGS (F# & G#), LARGE TAM-TAM (C fundamental) -PLAYER 2: MARIMBA, CROTALES (low: C#, D. high: E, F#, A#, B), 2 KNITTING NEEDLES (thick), FIELD DRUM (shared with player 4) -PLAYER 3: VIBRAPHONE, GLOCKENSPIEL WITH PEDAL (shared with player 1), SMALL PAISTE GONGS (C#4, F#4, G4, D5), ALMGLOCKEN (D, Eb, G, Bb, Db, Eb, Ab, A, B), -PLAYER 4: VIBRAPHONE, 2 LARGE THIN CRASH CYMBALS (18" or bigger, high and low "pitch"), LARGE THIN CHINESE CYMBAL (at least 20", low "pitch", preferably authentic WUHAN), LARGE BASS DRUM (with manipulable muffling), FIELD DRUM (shared with player 4), MARACAS (high & low), LOG DRUM, CRYSTAL SINGING BOWL (E)
DURATION: APPROX. 10:10
EXCEPT WHEN OTHERWISE INDICATED, RHYTHMS HAVE TO BE PLAYED VERY STRICT AND PRECISE, REGARDLESS OF DYNAMICS, PHRASING- AND EXPRESSION INDICATIONS CHORDS PLAYED BY HARP AND MELODIC PERCUSSION HAVE TO BE PLAYED WITHOUT EMPHASIS ON TOPNOTES
SCORE IN C
3
INDICATIONS FOR PERCUSSION, CELLO & DOUBLE BASS *Knitting Needles on Field Drum - bars 153/154 & 160/161 : Hold needle A with point on drumhead, needle B makes slow circular movements on needle A, producing soft "white noise".
*Gran Cassa - bars 145 until 179 : Make continous pulse-less "air"-sound on drumhead with spread-out hands, one moving clockwise and the other counter clockwise. Move slow, like brushes on a snare drum.
*Cello and Double Bass - bars 154 & 161 : Slow irregular subtle crackling sound with bow on body of instrument. Keep bow in place, add pressure and rotate/roll in various directions. For Cello the side/corner of instrument can work as well.
4
RIDGE
A ° Piccolo &
Friso van Wijck
q= 80
∑
42 ∑ 58
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43
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43
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Flute
&
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Clarinet in Eb
&
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Clarinet in Eb
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Clarinet in Bb
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?
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38
Bass Clarinet in Bb
Alto Saxophone
?
Bass Trombone
CANTABILE sempre harmon mute, stem in
˙™ œ œ
fp
Tubular Bells
Marimba
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&
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Vibraphone
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Vibraphone
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&
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&
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38 ∑ 16 3 ∑ 16 5
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Harp
Soprano
Accordion
{ {
& ?
° Violin1 &
∑
A
q= 80
Violin2
&
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Viola
B
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38 ∑ 16 3 ∑ 16 5
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Violoncello
Contrabass
¢
Copyright © Friso van Wijck/FVW MUSIC 2018
5
° 3 2 5 &8 ∑ 4 ∑ 8
∑
45
∑
Fl.
3 2 5 &8 ∑ 4 ∑ 8
∑
45
Eb Cl.
3 2 5 &8 ∑ 4 ∑ 8
∑
Eb Cl.
& 38 ∑ 42 ∑ 58
Cl.
17
q= 40
q= 80
44
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3 2 5 &8 ∑ 4 ∑ 8
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B. Cl.
?3 ∑ 2 ∑ 5 8 4 8
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45
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Alto Sax.
3 2 5 ¢& 8 ∑ 4 ∑ 8
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45
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42
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43
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38
Picc.
B. Tbn.
?3 8
Mar.
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58
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44
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Tub. B.
q= 70
f
pp
f
pp
mf
pp
f
pp
f
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> j œfi
˙
58 œ >œfij œ >œfij œ œ 43
f
pp
mp
3 ∑ 42 ∑ 58 {& 8
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& 38 ∑ 42 ∑ 58
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{
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Vib.
3 2 5 {& 8 ∑ 4 ∑ 8
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Vib.
3 ∑ 42 ∑ 58 {& 8
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?3 ∑ 2 ∑ 5 8 4 8
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3 2 5 &8 ∑ 4 ∑ 8
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Hp.
S.
Accord.
{ {
3 2 5 &8 ∑ 4 ∑ 8 ?3 ∑ 2 ∑ 5 8 4 8
∑
45
° 3 ∑ 2 ∑ 5 &8 4 8
∑
45
∑
Vln.2
& 38 ∑ 42 ∑ 58
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Vla.
B 38 ∑ 42 ∑ 58
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Vc.
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Cb.
?3 ∑ 2 ∑ 5 4 8 ¢ 8
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Vln.1
q= 40
∑
q= 80
For the whole of section [B], all woodwinds should be the principal voice, and never be over-powered by percussion and strings. 6
QUASI RUBATO, CANTABILE, SUPPLE sempre
B ° 3 &4 31
Picc.
Fl.
∑
& 43
∑
44 44
∑
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∑
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∑
∑ ∑
∑ ∑
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˙ #œ œ œ œ œ#œ
3:2q
# œ #œ f
Eb Cl.
3 &4
∑
44
˙™
q= 100
∑
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œœ œœœœ
œ “” #œ œ œ œ œ # œ
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∑
œ “” œ #˙
loco
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3:2q
3 &4
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44
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Cl.
& 43
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B. Cl.
? 43
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44
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Œ ‰ j œ œ#œ œ ˙ f
Alto Sax.
B. Tbn.
3 ¢& 4
∑
44
? 43 œ#œ ™#œnœnœ Œ 44 Ó œ b >œ
∑ ‰
f
Tub. B.
Mar.
Hp.
S.
Accord.
Vln.1
Vln.2
Vla.
Vc.
Cb.
∑
(POCO MAESTOSO) > j œfi
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pp
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3 {& 4
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w w æææ
w w æææ
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w w æææ
p
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mf
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w w w w æææ
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w w w w æææ
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w wæ æ
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°
ææ #n#w ww w
w w w w æææ
p
STATIC, BLURRY, BUT CONSISTENT IN DENSITY sempre
ææ æ w w w wæ æ
ææ #n#w ww w
p
soft mallets, motor a bit less then 1/3 speed STATIC, BLURRY, BUT CONSISTENT IN DENSITY sempre
∑
∑
™ #œ œ œ ˙ œ™ œ œ œ œ
‰ j œ œ
f
∑
soft mallets, motor 1/3 speed
∑
Œ Ó o
œ ™ œ #œ ‰#œJ œ
∑
STATIC, BLURRY, BUT CONSISTENT IN DENSITY sempre ææ ææ ææ æ æ æ w w ##w w w w
∑
œ
Œ
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mf
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œ ™ n œ œ œ™ ˙
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STATIC, BLURRY, BUT CONSISTENT IN DENSITY sempre
?3 4
{
∑
take out mute, put in bucket mute
mf
∑
3 &4
∑
soft mallets
3 &4
& 43
∑
bœ œ œ™
f
3 {& 4
3 Vib. & 4 {
Vib.
∑
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∑
3:2q
Eb Cl.
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44
B
° 3 &4
∑
44
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& 43
∑
44
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B 43
∑
44
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? 43
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44
∑
∑
∑
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∑
?3 ¢ 4
∑
44
∑
∑
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∑
q= 100
EGUALE non vibrato sempre
non vibr. sempre
∑
∑
∑
∑
#w
w
w
w
mf
#w
p
EGUALE non vibrato sempre
w
w
mf
w
w p
EGUALE non vibrato sempre
#w
w
w
p
EGUALE non vibrato sempre
w
w
w
p
∑
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w
w
w
#w
w
w
w
w
w
mf
w
mf
w
mf
w
mf
w
mf
mf
∑
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∑
° & 44
Picc.
<“>
œ œ™
#œ
&
Eb Cl.
bœ ™ nœ
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&
Cl.
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B. Cl.
œ
Alto Sax.
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Accord.
Vln.1
∑
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3:2q
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∑
∑
œ™ œ œ œb œ ˙™ œ
œ ™bœ œ
f
o bœ
∑ œ™ œ œ œ™ ˙
œ bœ™ œ
∑
∑
∑
∑
{&
∑
∑
∑
∑
∑
∑
∑
∑
{
æ ? #wææ nw
{
ææ wæ w
ææ æ w w
ææ æ w w
ææ wæ w w w
°
æ & b wææ bw ææ ? bwæ w
ææ æ w w
ææ wæ w w w
ææ æ w w w w
{
& ?
ææ wæ w ææ wæ w
∑ r≈ ‰ Œ œ o
Ó ∑
∑
ææ wæw
ææ wæw
ææ æ bbw w p
ææ ˙˙æ
ææ ˙˙æ
f
w wæ æ
w wæ æ
w bnw æ æ p
˙˙ æ æ
˙˙ æ æ
b bw w nbw w æ æ
˙˙ ˙˙ æ æ
˙˙ ˙˙ æ æ
b bw w nbw w æ æ p °
˙˙ ˙˙ æ æ
˙˙ ˙˙ æ æ
ææ æ b#w w p
ææ ˙˙æ
ææ ˙˙æ
f
bw w æ æ
˙˙ æ æ
˙˙ æ æ
ææ wæw w w
ææ wæw w w
ææ æw w w w
°
ææ æw w w w
ææ æ bw w
ææ æ w w
ææ æ w w
bw w æææ
w w æææ
w w æææ
mf subito
mf subito
p
°
p
f
f
f
f
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
w
w
w
B #w
w
w
w
?
#œ #œ
∑
& #w
¢
ææ n#wæw n#w w
p mf subito
p
™ œ
∑
w
?
w #nw æ æ mf subito
° ææ # æw nn# w w w
ææ wæ w ææ wæ w
Ó o
mf subito
p mf subito
ææ æ w w w w
° #w &
Vc.
p
p
&
Vla.
p
ææ wæ w w w
ææ æ w w w w
ææ wæ w ææ wæ w
ææ n# wæw
ææ wæ w
loco
˙ ∑
bœ œ ˙
∑
ææ wæ w
nœ
∑
∑
ææ # wæ #w
j bœfi
œ™ œ œ œ
œ
œ #œ œ œ
3:2q
∑
f
bœ
œ œ œ™ œ
(loco)
Ó œ <n> œ ™
˙
œ “” #œ œ œ œ œ œ
œ œœ œ
œ
f
3:2q
∑
œ
f
f
Ó o
œ f
œ “”™ bœ œ ˙ œ œ
∑
Œ
∑
Vln.2
Cb.
˙
˙
° ææ #wæ Vib. & # w { # w nw
S.
∑
f
œ# œ ˙
ææ #wæ Vib. & # w { # w nw
Hp.
œ™ œ œbœ™ ˙
Πo
∑
&
Mar.
œ
˙™
?
B. Tbn.
Tub. B.
bœ œ bœ
Ó
f
œ
(loco)
∑
&
Eb Cl.
œ™ œ ˙ ™
loco
∑
&
Fl.
œ
w
w
w ∑
w ∑
#w
w
w ∑
p
mf subito
p
mf subito
p
mf subito
p
∑
w
#w
w
˙
˙
p
f
w
w
w
p
w
˙
w
w
w
#w
˙
˙
f
˙
p
#w
w
mf subito
∑
#w
w ∑
f
˙
˙
p
∑
f
∑
∑
j œfi
œ
7
8
<“> loco # œ œ 53 œ™ ˙ ° œ™ Picc. & &
Fl.
œ™ œ n œ œ œ #œ œ œ 3:2q
& Œ
Eb Cl.
& ˙
Cl.
?
B. Cl.
Ϫ
f
Alto Sax.
œ R ‰™ Œ o
˙
œ™ #œ ™ œ œ
(loco)
Ó
#œ œ#œ ™ œ
fi œœ
œ
œ≈‰ Œ R o
f
œ ™ #œ œ
œ œ#œ ™
j œ œ #œ œ
Ϫ
œœ
œ
œ™ b œ œ™ n œ œ œ ™ ˙
Œ o œ
#œ #œ œ
∑ œ# œ œ
œ
&œ ™ œ
Πo
∑
∑
∑ 3:2q
#œ œ # œ #œ
œ bœ
œfij
b˙™
Πo
∑
∑
∑
b œ ™ œ™ œ œ Œ ≈J
∑
∑
∑
∑
∑
∑
∑
œ™b œfij n œ œ b œfij œ ™ ˙
œ bœ ™ œ bœ œ ˙
f
œ™ œ ˙ ™
?
o
œ œbœ ™ œœ 3:2q
œœœ
œ œ œ œ 3:2e bœ œ œ™ œ
∑
?
∑
∑
∑
∑
∑
∑
∑
∑
{&
∑
∑
∑
∑
∑
∑
∑
∑
{
ææ æ æ œœæ œœ
ææ ˙˙æ
ææ ˙˙æ
p f subito
w w æ æ
p
œœ æ æ
f
œœ æ æ
p
œœ æ æ
f
œœ æ æ
p
˙˙ æ æ
f
˙˙ æ æ
p f subito
f
p f subito
p
f
p
p
f
p
œœ œ ææœ æ
p
p f subito
œœ œ ææœ æ
f
f
œœ œ ææœ æ
f
˙˙ ˙ ææ˙ æ p
˙˙ ˙ ææ˙ æ
p f subito
œœ œœ æææ p
œœ œœ æææ
p
f
p
f
ææ ˙˙æ
f
p f subito
ææ œœæ
p
˙˙ ˙˙ æææ
ææ œœæ
f
˙˙ ˙˙ æææ
ææ œœæ
p
œœ œœ æææ
ææ œœæ
f
œœ œœ æææ
p
ææ ˙˙æ
f
w w #ww æ æ p
w w ww æ æ
w w w {& w æ æ
w w #ww æ æ
w w ww æ æ
p
f
#ww æ æ
ww æ æ
{
°
p
ææ & w wæ ? w w æ æ &
{
& ?
?
w w ææ æ
f
œœ æ æ
p f subito
p
œœ æ æ
œœ æ æ
f
p
œœ æ æ f
˙˙ æ æ p
#œ
œ œ#œ œ#œ
ææ œœæ
ææ œœæ
ææ œœæ
ææj ææ œœæ œœæ™™
ææ œœæ™™
ææj œœæ
p f sub
p f sub
p f sub
p f sub
p f subito p f sub
p f sub
p f sub
œœ ™™ æ æ
p f sub
f
œœ œœ ™™ æ æ æJ æ
f
p f subito p f sub
œœ ™™ œœ™™ æ æ
˙˙ æ æ f
nœœ æ æ
œœ æ æ
œœ æ æ
œœ æ æ
p
f sub
p
f sub
p f sub
p f sub
p f sub
p f sub
œœ œœ ™™ œœ œœ™™ æ ææ æJ p æ
f sub
p f sub
p f sub
p f subito p f sub
œœ œœ æ æ
p f sub
œœ œœ æ æ
p f sub
œœ œœ ™™ œœ œœ™™ æ ææ æJ p æ
f sub
œœ ™™ œœ™™ æ æ
p f sub
œœ œœ æ æJ
p f sub
p f subito p f sub
p f sub
p f sub
p f sub
p f sub
p f sub
œœ æææ
œœ æææ
p f sub
œœ æææJ
œœ œœ æ æ
#n#œœœ œ ææ
œœ œœ æ æ
°
° ææ æ bbœœ œœ æææ
ææ œœæ
œœ æææ
p f subito p f sub
œœ œœ æ æ
ææ œœæ
p f sub
ææ œœæ
p f sub
ææj ææ œœæ œœæ™™
œœ œœ ™™ æææJ ææ
p f sub
ææ œœæ™™
œœ ™™ æææ
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
nw
w
p
f
#w
p f subito
w
w
p
f
nw
∑
#w
p f subito
w
w
p
f
nw
w
p
f
∑
œ
œ œ
˙
˙
p
f
p
p
f
w p f subito
∑
f
œ
œ
œ œ
˙
˙
p
f
p
p
f
œ
p f subito
∑
œ
œ
f
œ œ
p
f
p
œ
œ
p
f
∑
f
˙
˙
p
f
œ œ
˙
˙
p
p
f
f
∑
œœ æ æJ
œœ œœ æ æ
#n#œœœ œ æ æ
∑
? w ¢
° ææ æ nbw w
j œfi
œ
∑
B w
Vc.
bnw w w wæ ææ
ææ æ ##œœ
œ œ™
∑
& w
Vla.
œœ œ ææœ æ
°
ææ æ w w
p
° w &
Vln.2
bnw w w wæ ææ
f
° ææ æ w w
3:2e
ææ œœæ
w w Vib. & w { w æ æ
p
f
3:2e
ææ œœæ
ww æææ
ææ æ nbw w
œ
f
œ œ™ bœ
Ó
˙™
∑
f
Cb.
∑ ˙
Πo
œ œ œ
œ œ
∑
p
Vln.1
œ bœ ™ œ
∑
#ww æææ
Accord.
œ œœœ
∑
? w w æææ
S.
œ
∑
ææ æ w w
Hp.
f
œ
3:2q
œ™ œ™ œ œ
œ œœ œ
3:2q
œ œ
f
Ϫ
‰ œj œ #œ œ ∑
œ œ #œ
œ # œfi œ œ
ææ æ w w
Vib.
Œ
∑
ææ æ & w w
Mar.
Ó
¢&
B. Tbn.
Tub. B.
#œ
bœ œ ˙
3:2e
∑
&
Eb Cl.
œbœ™ œ
#ϳ
ϳ
ϳ
ord.
p f sub
p f sub
≥ œ
ord.
p f sub
p f sub
≥ œ
ord.
p f sub
p f sub
ϳ
ord.
p f sub
p f sub
sul pont ord.
p f subito p f sub
≥ œ
sul pont
≥ œ
sul pont ord.
p f subito p f sub
≥ #œ
sul pont
≥ œ
sul pont ord.
p f subito
ϳ
p f sub
sul pont
ϳ
sul pont ord.
p f subito
p f sub
sul pont
∑
œ≥ ≥ œ ≥ œ
ϳ
œ J œ J œ J œ J
≥ œ™
sul pont
p f sub
≥ œ™
sul pont
≥ œ™
ord.
p f sub
≥ œ™
ord.
œœ œœ æ æJ
ææj œœæ
p f sub
ϳ J
sul pont
p f sub
≥ œ J
sul pont
p f sub
p f sub
p f sub
≥ œ™
ord.
≥ œ™
sul pont
f sub
p f sub
p f sub
sul pont
p
œ≥ ™
sul pont
p f sub
œ≥ ™
≥ œ J œ≥ J
ord.
sul pont
p f sub
p f sub
∑
9
° & 61
Picc.
& œ
Fl.
Cl.
B. Cl.
Accord.
Ó
3:2q
œ “” #œ œ œ œ œ # œ
∑
∑
∑
∑ œœ œ œ™ œ œ œ™ œ™
Œ
œ ™ œ#œ ‰#œJ œ
˙ œfij
Πo
œ ™ œœ œ™ ˙
œb œ ™ œ bœœœbœ ˙
Ó o
∑ #œ
œ
poco a poco flz
loco
3:2q
˙™
∑ œ#œ ™
˙
œ
#œ
∑
∑
œ œ# œ ˙
?Œ
∑
œ™ œ œ
Œ œfij
˙
˙
œ ™ œfij œ œ ™ œ œ œ™ ˙
œ
œ
fi œ œ
˙
f
∑
∑
‰ #œ œ œ J
œ
“”™ œ
˙™
œ
&
#œ
œfij
œ
˙ ™ poco a poco flz
œ
œ
œ œ™
˙
∑
bœ œbœœ ™ bœ J
˙
˙
p
f
Πo
fp
∑ œ
poco a poco flz
˙
Ϫ
#œ œ œ ™ œnœ
∑
Πo
3:2e
œ
loco poco a poco flz
∑
j œ œ™ #œ ˙ œ œ œJ
#œ
œ œ™ œœ ˙
∑
3:2e
œ ™ œ #œ œ™ œ œ
f
Ó
Πo
#œ ˙
œ
Πo
f
poco a poco flz
™ œ #œ œ
f
œ
œ
∑
f
f
∑
œ “” #œ œ œ œ œ œ
œœ œœ œ œ
œ™ œ
œ#œ œ
∑
∑
∑
?
œ œ œ™
œ™ œ œ œ #œ
?
∑
∑
∑
∑
∑
∑
∑
∑
∑
{&
∑
∑
∑
∑
∑
∑
∑
∑
∑
{
œœ œ { & æœ ææ
{
? œœ ææ
ææ æ™ ˙˙ ™
p f sub
˙˙ ™™ æææ
{
p f sub
p
p f sub
p
p f sub
w w ææ
p f sub
ææ æ ˙˙ ™™
˙˙ ™™ æ æ
B œ
Vla.
? œ ?
ææ wæ w
f
f
ww æ æ
ww æ æ
ww æ æ
w w n#ww æ æ
w w ww æ æ
w w ww æ æ
w w ww æ æ
° w w n#ww æææ
mf
f
w w ww æææ
p subito
° w bwæ ææ p subito ww æ æ
w w ww æææ
p subito
w wæ ææ ww æ æ f
ææ ˙˙æ mp f sub
mp f sub
w #w æææ
w w æææ
p f sub
mp f sub
#w w #w w æ p æ
f sub
mp f sub
ææ ˙˙æ p
mf
˙ ˙ æææ p
mf
˙˙ ˙˙ æ æ
˙˙ ˙˙ æ æ
mf
˙˙˙ ˙ æææ
mp f sub
w w w w æææ
p
#w w w #w ææ p æ
f sub
mp f sub
mp f sub
˙˙˙ ˙ æææ p
mf
p f sub
mp f sub
mp f sub
ææ ˙˙æ
p
mf
˙˙ æææ
mf
° ææ æ bw w
ææ æ w w
bw w æææ
ææ ˙˙æ
w w æææ
p f sub
˙˙ æææ
mp f sub
mp f sub
p
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
≥ ˙™
ord.
w
p f sub
≥ ˙™
ord.
p
f
≥ ˙™
ord.
p
f
˙≥ ™
p
f
∑
w
p
f
∑
w
w
p subito
∑
mp f sub
∑
œ æ
œ æ
œ ææ
˙≥
˙ ˙
≥ w
LONTANO
mp
mp f sub
œ≥ œ J æ
mp f sub
œ≥ ™ œ œ ™ œ œ ™ ææ ææ
mp f sub
LONTANO poco sul pont
≥ w
o mp
˙ æ æ
mp f sub p mf sul pont + punta d'arco
≥ ææ ˙æ
ææ ˙æ
p
mf
sul pont + punta d'arco
œ ˙≥ ææJ ææ
˙ æææ
œ œ ™ œ ˙≥ æ ææ æ ææ ææ
˙ æ æ
œ ææ
poco a poco sul pont + poco a poco punta d'arco
˙
˙≥ æ æ
mp f sub
œ æ
/
sul pont + punta d'arco
≥ æ æ æ æ æ ææ œ œ™æ œ œ™ œ œ™ œæ œ™
poco a poco sul pont + poco a poco punta d'arco
p f sub
∑
œ≥ æ
poco a poco sul pont + poco a poco punta d'arco
˙≥
w
f
∑
˙
p f sub
f
w
poco a poco sul pont + poco a poco punta d'arco
≥ #˙
p f sub
w
p subito
w
w
w
f
ord.
sul pont
# ˙≥ p f sub
w
p subito
#w
w
ord.
w
ord.
sul pont
w
f
w
w
w
p subito ord.
sul pont
p f sub
w
ord.
w
sul pont
poco a poco flz
˙ ˙ æææ
mp f sub
w w w w æ æ
°
w wæ ææ ww æ æ
f
ææ æ w w
p f sub
w w ww æææ
f
w wæ ææ ww æ æ
ææ æ #w w
w wæ æ
n ww æ æ
p subito
f
w wæ æ f
∑
p f sub
¢
w w w w æææ
w wæ æ
p subito
f
p
p f sub
Vc.
f
p
˙˙ ™™ ˙˙™™ æææ
w #wæ æ p subito
f
w w æææ w w w w æ æ
?
& œ
p
p
˙˙ ™™ ˙˙™™ æ æ
&
Vln.2
ææ wæ w
p f sub
&
° œ Vln.1 &
Cb.
œ
3:2q
?
ææ & œœæ
S.
œ
3:2q
∑
œœ Vib. & œ { œ æ æ
Hp.
j œfi
œœ œbœ #œ œ
∑
? œœ æææ
Vib.
œfij
&
ææ & œœæ
Mar.
Œ
∑
¢& ˙
B. Tbn.
Tub. B.
fij
œ œ#œ ˙
r & œ ≈‰ Œ o
Eb Cl.
Ó
f
&
Eb Cl.
Alto Sax.
∑
mp f sub
p
mf
sul pont + punta d'arco
mp f sub p LONTANO sul pont
≥ ˙
o mp
˙
pp
mf
p
In this section slurrs indicate breathing only. 10
“” œœ œ œ #œ œ J œ œJ œ œ œ
MISURATO, MOLTO MECHANICO, MOLTO MARCATISSIMO sempre
C 70 3:2q ° œ œ Picc. & Œ œ #œ œ ff
&
Fl.
mp ff
ord. b>œbœ 3:2q
œ˙
ff
mp
œ #œ œ
œ
ff
mp
r œ ≈‰ Œ
mp
#œ# œ ff
3:2q
Ó
mp
∑
3:2q
ff
mp ff
ff
mp
ffp ffp
&
Eb Cl.
&
Eb Cl.
#>œ œ # œ œ œ œ 3:2q
mp ff
∑
&
ff
Alto Sax.
¢&
Mar.
Vib.
mp
˙
Ó
œ
œœ˙
œ™ œ #œ #œ œ œ œ™ œ œ
œ #œ œ
ff
mp
ff
Œ
p
mp ffp ffp
mp ffp ffp
ff
mp
3:2e
ffp ffp
Œ
œ
Œ
3:2e
ff
3:2e
ff
mp
ffp
ffp
ffp ffp
ffp
ffp
ff
mp
ff
44
∑
45 ‰ œ ™ ˙
Hp.
S.
Accord.
Vln.1
43
#>œ #>œ œ œ#œ ™ œ œ œ œ™ œ J 44 ™ œ œ™ œ œ 45 J œœ œ
Ó
43
Ó
43
Ó
43
Ó
43
mp
ff
3:2q
ff
œ
Œ
Ó
ffmp
45 ‰ œ™ ˙
œ 44 b>œ b>œ
ff
ff
mp
œ œ ™ œbœ œ™ œ œ b ˙ 3:2q
ff
ff
45 ˙
mp
mp
4 œnœ œ œ œ 4 bœ bœ > > ff
fmp
ff
> > 5 j #œ œ œ œ 44 œ œ ‰ j œ œ 4 œ œ™ œ œ œ ™bœ œ 3:2q
∑
∑
∑
∑
∑
∑
∑
45
∑
44
∑
43
{&
∑
∑
∑
∑
∑
∑
∑
45
∑
44
∑
43
œ œ#œ œ
loco œ “” # œ œ œ™ >œ >œ œ™ œ 44 J 45 J
Ϫ
ffp ffp
3:2e
ffp
ffp
Ó
ff
ff
ffmp
Ϫ
ff
hardest marimba mallets
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
motor off
∑
∑
∑
∑
∑
& ?
{&
∑
Œ
ff
∑
3:2q
45
∑
44
medium soft mallet (motor off)
45
∑
∑
∑
∑
∑
∑
∑
∑
∑
45 Ó
&
∑
∑
∑
∑
∑
∑
∑
45
?
∑
∑
∑
∑
∑
{/
Cymbals
{
44
pincé sempre
Ó
bœ ff
œ œ ™ œbœ œ™ œ œ b ˙ 3:2q
45 ˙
Y™ æ æ o
44
∑
43
Ó
43
∑
motor on, 2/3 speed, then gradually slow down to no speed at the end of bar 79
>œ >˙ ™ f
¿ æ æ
43
l.v.
° Œ
43
Ó
l.v.
mp
44
43
∑
4 æ œ n œ œ œ œ 4 #b œœ #b ˙æ˙ ™™ > >
ord. bisb.
43
ff
∑
∑
∑
∑
∑
∑
∑
45
∑
44
∑
43
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
44
43
∑
45
44
∑
?
45
C ° &
∑
∑
∑
∑
∑
∑
∑
45
∑
44 Œ
&
{
&
&
Vln.2
B
Vla.
?
Vc.
Cb.
43
∑
Crash cymbal (higher pitch) very soft mallets
Cym.
43
Ó
ff
ff
œ™ œ œ œ œ œ œ œ J Œ
loco
Ó
> > œ 44 #œ #œ
3:2e
3:2e
ffmp
45
Ó
mp
mp
j œ #œj œ œ # œ œ œ œ™ œ ffp
loco
∑
œ œ œ ™ œ 3:2e ? œ &œ ™bœ œ bœ J œJ œ bœ
ord.
ff
3:2e
3:2e
mp
3:2q
?
{
Ó
ff
ff
œ œ œ#œ œ œ œ œ ™ œ œ œJ œ™ œ œ œ J
mp
p ffp
ffp
3:2e
ffp
ff
ff
” >œ >œ œ œ # œ œ œ “œ™ œ# œ œ œ œ œ™ 44 œ#œ ™ œ œ 45 J
∑
3:2q
∑
ffp
mp ffp ffp
∑
™ #œ #œ œ œ œ ™œ œ œ œ
mp
œ
Œ Ó o
B. Tbn.
Tub. B.
œ
ff
ff
? Œ Œ? œ œ#œ œ œ ˙
œ œ #œ
mp
3:2q
mp
ff 3:2q
B. Cl.
3:2q
ff
ff
Cl.
#œ œ œ œ œ œ œ œ #œ J #œ #œ œ œJ
∑
mp
œ
œ # œ œ œ œ™ œ œ ˙™ J
ord.
∑
loco
Œ
“” œ™#œ œ œ œ œ œ™ œ œ# œ œ œ # œ # œ œ œ #œ œ J J
ffp
p
œ ˙™
¢
?
∑
∑
∑ ∑
∑
∑
∑ ∑
∑
∑
∑ ∑
∑
∑
∑ ∑
∑
∑
∑ ∑
∑
∑
∑ ∑
∑
∑
∑ ∑
45 45
45 45
∑
∑
∑ ∑
43
∑ col legno battuto rubato
3:2x 3 ®œ œ œ ® œ ≈ r ≈ œ œ bœ bœ nœ bœ bœ œbœbœ 4
f
col legno battuto rubato
44 Œ
≈ bœ f
≈ ‰ œ bœbœ œ œ œ 6:4x
5:4x
col legno battuto rubato
44 Œ
44 Œ
≈
6:4x
≈ 43 œ œœ œœ 5:4x
3 ≈ œ œ œ ≈ bœ nœ≈ bœnœœ bœbœ ® bœ œ œ bœ œ 4 5:4x
7:4x
f
col legno battuto rubato
44 Œ
bœ œ
œ bœ ≈ bœ
« bœ
f
7:4x
œ ® œœ œ œ bœ œ ≈ nœbœ ≈ r ≈ 43 bœ 6:4x
7:4x
p
pizz
f
Œ
Œ
43
D
° 3 &4
∑
44
3 &4
∑
Eb Cl.
3 &4
Eb Cl.
79
11
MISTERIOSO sempre q= 70
E
(loco)
˙
w
∑
∑
∑
∑
∑
∑
∑
∑
∑
44
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
44
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
& 43
∑
44
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
Cl.
3 &4
∑
44
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
B. Cl.
? 43
∑
44
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
Alto Sax.
3 ¢& 4
∑
44
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
B. Tbn.
?3 4
∑
44
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
3 Tub. B. & 4 {
∑
44
∑
∑
∑
∑
3 &4
∑
44
∑
Fl.
Mar.
To Sop. Sax.
{
?3 4
∑
3 Vib. & 4 {
∑
Perc. {
{
/ 43
∑
3 &4
Hp.
S.
Accord.
(loco)
Ó
?3 4
p
œ Œ Ó
ppp
˙
w
∑
Ó
˙
p
°
Crotale medium soft mallet
∑
#˙
∑
p
∑
∑
∑
∑
∑
Marimba medium soft mallet
∑
Œ #œ
Ó
∑
p
3:2e Œ ‰ ‰ œj ˙
p
°
‰ ™ œr œ ‰ 7j Œ p pp (>)
7 Œ
Ó
w
Ó
>œ œ™™ œ off æ æ Ó pp æ æ æo
snares
w
p
p
∑ l.v.
∑ Ó
∑
∑ Ó
∑
∑
l.v.
ΠŠϪj w
∑
p
∑
˙
Ó
¿ ¿ Y Œ æ ææ ææ æo æ pp æ
¿ æææJ ‰ Œ 7 7 Ó p
mf
≈œ ™ ˙ ™ J
∑
p
l.v.
#˙
∑
p
Ó Ó
Œ
#l.v. œ
pp
∑
l.v.
‰ j œ ˙™
œ
Œ Ó
pincé l.v.
∑ w
mp
3:2e
‰ œ ˙™
w
Ó
mp
° slightly muffled (l.v.) medium soft beater j œfi
‰ œj Œ
ord.
∑
ord.
l.v.
Ó
w > mf
p
mf
∑
pp
∑
∑
#˙
∑ ∑
ppp
∑
∑
˙
Ó
medium soft mallet
∑
Bass Drum unmuffled (l.v.) snares very soft beater off
˙
∑ ∑
mp
∑
44
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
44
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
ΠΠ44
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
44
‰
ΠΠ44
D œœ
>˙
Ó
>œ™œ >œ œ œ Ó ææ æææ o
medium hard mallet
°
°
Field Drum drum sticks snares on j œfiœ œ œfi
p mfp
∑
Marimba (sempre) medium hard mallet
∑
Crash Cymbal (lower pitch) soft mallets Maracas choke Maracas
œ ™ ‰#˙
w
mf
Ó
∑
p
∑
w
∑
w
mf
(loco)
mp
∑
Ó
∑
mfp
j #œfi mfp
w
Marimba medium soft mallet
∑
˙
∑
w
Field Drum drum sticks snares on œfiœ
Crotale medium soft mallet
∑
(motor off) medium soft mallet
slightly muffled (l.v.) medium soft beater Maracas
∑
#w
Œ ≈ j #œ ™ w p °
l.v.
44 >>
{
˙
∑
44 œ œfi ˙ >
& 43
3 & 4 bœ
44
44
mp
p
medium soft mallet l.v. sempre
Bass Drum unmuffled (l.v.) (choke) very soft beater
?3 æ 4 æ ˙˙ ™™
3 &4
Ó
°
44
∑
° 3 Vln.1 & 4 ®
Vln.2
(loco)
Tubular Bells medium soft mallet
Ó
w
∑
Picc.
pp
5:4x ≈ Œ Œ 44 bœ bœ œ bœ œ
q= 70
E
pp
Vla.
B 43 ≈
Vc.
?3 4
∑
44
∑
∑
∑
Cb.
?3 ¢ 4
∑
44
∑
∑
∑
6:4x
œ œb œ n œ œ pp
pizz
Œ bœ p
pizz
Ó
3:2e
Œ ‰bœ Ó p
∑
Ó
pizz
œ
p
Œ
12
° ˙ & 93
Picc.
œ ‰#œ ˙ J p mfp
& œ ˙™
Fl.
mf
Ϫ
mf
œ™ ‰ ˙
œ œ™ J
j ™ œ‰ ˙
Ϫ
p
p mfp
mf
p
œ ˙™ J
˙™
mf
p
mfp
mf
˙
Ϫ
˙
˙
mf
p
˙
œ œ œ ™ ‰#œfij ˙
mfp
‰
w
mf
p mfp
F
‰
mf
˙
p mfp
œ J ‰ œ™ p
w
mfp
Ϫ
mf
œ™ œ ‰ J
mf
‰
p
#˙
∑
∑
∑
∑
mf
w
Ϫ
p mfp
∑
∑
∑
#œ ™ Œ ææ o
Eb Cl.
&
∑
∑
∑
∑
∑
∑
∑
∑
Cl.
&
∑
∑
∑
∑
∑
∑
∑
∑
Œ
?
B. Cl.
∑
∑
∑
∑
∑
?
≈
mf
˙™
mfp
bœ ‰ J œ™
mf
p mf mfp
∑
œ™ œ ≈ œ w J R
mf
‰
p
p
mfp
n˙
w
mfp
œœ
mp
Œ #æœ ™ æœ ™ æo æmp
Ϫ
œ
mp
Œ
o
∑
Ó
Œ
Ϫ Ϫ o mp
o
˙™
mfp
frullato
bœ œ œ ≈ ‰ Ó R o mf o œ œ œ™ œ#œ ™ ‰ J Ó o mf mp
STATIC sempre
Ϫ o
w
p
ord.
œ™ æ æ
frullato
SCHIZOPHRENIC sempre
bœ œ œ ˙™
œ ‰ J
mf
SCHIZOPHRENIC sempre
∑
&
Eb Cl.
˙™
w mfp
o
œ ≈ bœ w J œ
mf
mf
mfp
mf Alto Sax.
¢&
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
?
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
B. Tbn.
Tub. B.
{& w
Mar.
{
Vib.
{
/
mp
∑
medium hard mallet
Ó
∑
˙
∑
∑
∑
Œ
˙™
∑
Log Drum medium soft mallet
‰‰6 ‰ 6‰6‰6‰ J J J J 5:4e
5:4e
ppp
∑
? #w
l.v.
Œ
Œ 7Œ Œ 7 Œ Ó
∑
mp
3:2q
mp
œ ˙™ J
Œ ‰ bœ ˙ mp
∑ ˙
∑
3:2e
∑
medium hard mallet
w
Ó
mf
mf
°
Field Drum drum sticks snares off j œfiœ œfi
°
Ó
Œ
∑
∑
∑
∑
∑
∑
p
mp
l.v.
∑
∑
∑
∑
mp
Œ 7 Œ Œ 7 7 7™ 3:2q
mp
Ó
Field drum drum sticks snares off œfiœ œfiœ
Log drum medium soft mallet
‰ œ œœ‰ ™ Ó J
Œ ‰‰6 J 3:2e
p
pp
l.v.
l.v.
≈#œj™ ˙ mp
l.v.
∑
Ó
Œ
pincé l.v.
˙
mp
∑
‰6 6 Ó
3:2e
p mp
l.v.
#œ Œ ‰
ord.
Ó
∑
3:2e
mp
ord.
l.v.
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
?
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
° &
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
Vln.2
&
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
Vla.
B
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
Vln.1
{
mp
F
˙
∑
pincé l.v.
∑
mf
Ó
l.v.
∑
&
‰
l.v.
∑
Accord.
Œ
ord.
∑
&
mp
Ó
≈bœr w
∑
mp
Ó
ord.
w
mf
3:2e
(ped. for Vib.)
3:2q
#œ
Glockenspiel medium soft mallet
Ó Œ̇ ‰ ‰ j œ ˙
To Singing Bowl Mrcs. medium hard mallet
∑
medium soft mallet
Maracas
‰ œ ≈ œ™ J J
#œ
mf
w
#˙
S.
Ó
Maracas 3:2q
∑
‰
∑
˙
Vibraphone Vibraphone medium hard mallet
l.v.
mp
#˙
medium soft mallet
medium hard mallet
bw
Glockenspiel medium soft mallet
Ó
mf
Ó
mp
medium hard mallet
∑
°
medium soft mallet
∑
mf
Ó
˙
°
∑
∑
mf
To Glock.
&
Hp.
Œ #œ
{& w
Perc. {
≈#œj™ w
medium soft mallet
mf
∑
medium hard mallet
? Ó
w
° ∑
&
˙™
medium hard mallet
∑
mp
Ó
w
∑
˙
mf
mp
[ Œ ‰ j œ
PATETICO sempre (ord.)
Ó
mf
Vc.
Cb.
¢
?
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
?
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
13
° & w 104
Picc.
mf
&
Fl.
Ϫ mf
& Ó
Eb Cl.
& Ó
Eb Cl.
‰
˙
p
mfp
œ œ bœ œ™ œ
Œ
o
bϪ ŠJ o
Mar.
Vib.
Accord.
Vln.1
p
˙
Ϫ
‰
˙
w
p
mf
p
mfp
mf
‰
Ó
Œ
>fi > œ frullato œ
#œ œ ™ æææ æ æ o mf
œ™ æ æ
œ æ æ
ord.
œ
œ
o mf
mp
∑
‰
mp
Ϫ
Œ
≈ bœ ˙ R
p
Ϫ o
œ™ ˙
mf
œœ œ R ≈
5:4y
bœ œ J o
o œ
œœ
mf
#œ ™ æ æ o
œ™ æ æ
frulato
Ó Ó
∑ Œ
Ϫ o
˙™
˙
mf
p
œ™ j œ ‰
mf
p
∑
∑
?
∑
∑
∑
∑
∑
∑
∑
∑
∑
{
Ó
medium soft mallet
Œ
‰
mp
∑
?
∑
Ó {&
∑
medium hard mallet
˙
mf
°
‰
‰ œfiœ œ Œ J p
#œ
l.v.
Œ
medium hard mallet
Ó
mp
j œ
mp
°
Field drum drum sticks snares off
Ó
∑
˙
∑
˙
mf
medium soft mallet
w
mf
medium soft mallet
Ó
˙
Vibraphone medium hard mallet
/
?
∑ Ó
To Singing Bowl
Ó
˙
°
&
{
≈ r #œ w
˙™
To Singing Bowl
∑
mp
l.v.
∑
∑
∑
∑
∑
∑
∑
∑
l.v.
∑
w
mp
∑
w
&
w
mp
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
?
∑
∑
∑
∑
∑
° &
∑
∑
&
{
&
∑
& B
Vla.
Vc.
?
Cb.
?
[ œ J
] Ϫ
fi œœ
Ó
mf
Ϫ
Ϫ
œ œ œ ∑
(ord.)
∑ ] j œ œ
Ϫ
‰
[
Œ
p
∑
[ ®œœ œ
]
mf
œ œ p
(ord.)
Ó
3:2x
œ œ œ œ
]
[ œ bœ ™ mf
˙™
p
mf
˙
]
p
p
PATETICO sempre
Œ
[
∑
∑
∑
5:4x
p
w
œ
w
˙™
#œ #œ # œ œ #œ œ mf
¢
mf
[ ] œ œ œ bœ œ
p
[ nœ ] œ #œ œ œ ˙
rit.
PATETICO sempre (ord.)
PATETICO sempre
Vln.2
o
mf
∑
{&
o
mf
To Cl.
o
˙
p
p
mp
Œ
œ
mp
˙
mf mfp
œ bœ
j œ ‰
mf
˙
Œ
∑
˙™
˙
mf
mf
Ó
3:2x
˙
p
∑
& Ó
S.
mf
∑
Perc. {
Hp.
˙
¢&
B. Tbn.
Tub. B.
œ œ œ bœ œ œ
∑
mf
Alto Sax.
mfp
∑
mf
? w
B. Cl.
˙
w
mf
&
Cl.
˙
p
>ord. b œfij
≈
rit.
‰
Ϫ
]
œ œ p
[
#œ œ œ mf
∑
]
œ p
˙
œ œ™ J [ 3:2q œ mf
œ ˙
]
mf
p
œ™™ [ ] j œ œ™ mfp
mf
∑
[ bœ >
14
° & w q= 50
G
109
Picc.
o
& #œfij w
Fl.
&
Eb Cl.
STATIC sempre
o
To Cl.
∑
∑
∑
∑
∑
∑
∑
∑
45
∑
44
∑
43
∑
∑
∑
∑
∑
∑
∑
45
∑
44
∑
43
44
∑
43
44
∑
43
44
∑
43
Clarinet in Bb (ord.)
∑
Ó
Clarinet in Bb STATIC
& w o
Cl.
Mar.
Vib.
˙
˙
˙ oo
˙
˙
˙
˙ oo
˙
˙
˙
˙
˙
p
˙™ o
45
˙™
œ ˙™ oo
45
œ
w
˙ ooo
˙
∑
45
∑
44
∑
43
∑
∑
∑
∑
∑
∑
∑
45
∑
44
∑
43
∑
∑
∑
∑
∑
∑
∑
45
∑
44
∑
43
45
stop turning, l.v.
4 j œ ™™™ Ù 4
To Tub. B.
∑
43
45
∑
44
∑
43
44
∑
43
44
∑
43
4Cymbals∑ j œ ™™™ Ù / 4
43
?
∑
p
Singing Bowl
&
∑
?
∑
œ o
˙
˙
w
mp
∑
w ∑
#˙ #˙ n#˙˙
#˙ #˙ n#˙˙
verry soft mallets
∑
mp sempre
w ∑
# œ # ˙ ™™ #œ #˙ n#œœ n#˙˙ ™™
#w #w n#ww
#œ #˙ ™ #œ #˙ ™ #n œœ #n ˙˙ ™™
very soft mallets, motor slowest speed
{&
∑
#˙ #˙ #n ˙˙
∑
#˙ #˙ #n ˙˙
mp sempre
°
˙™ o
°
w ∑
∑ ∑
w
# ˙ ™™ #˙ Œ # ˙™ n˙ ™
∑
mp sempre
#w #w #n ww °
° °
w
∑
#˙ ™ Œ #˙ ™ #n ˙˙ ™™
mp sempre
°
#w #w n#ww
∑
#w #w #n ww °
{& Œ
{
w
mp
S.
Accord.
?
° œ Vln.1 & q= 50
p
°
B œ
mfp
45
stop turning, l.v.
w
choke
∑
∑
45
∑
44
∑
43
∑
∑
∑
∑
∑
∑
∑
45
∑
44
∑
43
∑
∑
∑
∑
∑
∑
∑
∑
45
∑
44
∑
43
∑
∑
∑
∑
∑
∑
∑
∑
45
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
44
43
∑
45
44
∑
43
∑
∑
∑
∑
45
∑
44
∑
43
[
G ] 3:2e j œ œ œ bœ œ œ #œ w J 3:2e
3:2e
mf
#œ mfp
>> fiœ œ
˙
mfp
] œ
œ
˙™
œ
˙
˙ ]
mp
mf
Πo
mf
œ bœ ™
?
∑
p
mf
: ;mf
˙
mp
∑
o
[ ? œ œ™ œ p mf
¢
w
∑
mf
Cb.
œ œ œœ
∑
& w
Vc.
w
œ œ œœ
mf
?
Vla.
w
#w #w 45 n#ww
choke
∑
w
&
Vln.2
w
w
o
∑
pincé l.v.
&
{
w
˙
∑
∑
&
Hp.
w
˙
p
#w 45 # w #n ww
singing bowl
Singing B.
o
∑
∑
Œ
˙
∑
¢&
Ó
o
∑
œ
œ ˙™
˙
p
˙
p
∑
w
p
œ ˙™
45 o
˙
p
∑
∑
{
˙
˙
p
œ ˙™ oo
∑
{&
˙
˙™
?
B. Tbn.
Œ
˙™ o
∑
B. Cl.
Singing B.
˙
&
Cl.
Alto Sax.
w
p
˙ o
∑
œ
w
o
∑
∑
∑
∑
∑
∑
45
∑
44
∑
43
∑
∑
∑
∑
∑
∑
45
∑
44
∑
43
∑
∑
∑
∑
∑
45
∑
44
∑
43
∑
∑
∑
∑
∑
45
∑
44
∑
43
Πo
Ó ∑
15
MISURATO sempre
H
I
° 3 &4
∑
∑
42 ∑ 44
∑
∑
45
∑
∑
43
∑
44
3 &4
∑
∑
42 ∑ 44
∑
∑
45
∑
∑
43
∑
44 #wæ æ
Cl.
3 &4
∑
∑
42 ∑ 44
∑
∑
45
∑
∑
43
∑
44
∑
∑
Cl.
3 &4
∑
∑
42 ∑ 44
∑
∑
45
∑
∑
43
∑
44
∑
Cl.
3 &4
∑
∑
42 ∑ 44
∑
∑
45
∑
∑
43
∑
44
B. Cl.
?3 4
∑
∑
42 ∑ 44
∑
∑
45
∑
∑
43
∑
44
#œ œ œ#œ œ œ 3 4
∑
44 #w
43
∑
44
∑
∑
∑
œ œ Œ œ œ 43 Œ Ó
44
∑
∑
∑
44
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
119 q= 80
Picc.
Fl.
Soprano Saxophone
r 42 ∑ 44 œ œ œ œ œ bœ ™™ œ Œ Ó
45 œJ œ ™ ˙ 45
LONTANO sempre (as a shade of the voice, regardless of all other expression indications)
Sop. Sax.
3 ¢& 4 ˙
œ
mp
˙™
mp
B. Tbn.
? 43
∑
∑
42 ∑ 44
Tub. B.
3 {& 4
∑
∑
42 ∑ 44 Ó
& 43
∑
∑
∑
∑
Mar.
Vib.
{
S.
Accord.
∑
3:2q
∑
∑
LONTANO, as a shade of the voice Tubular Bells mallets; dark, deep tone, minimum contact sound, sempre
? 43
42 ∑ 44 42 ∑ 44
≈ bœœ ™™™™ p
Œ Œ Ó
°
∑
∑
∑
∑
45
∑
45
∑
∑
∑
∑
Ó
°°
45
43
∑
∑
42 ∑ 44
∑
∑
∑
∑
42 ∑ 44
∑
∑
∑
∑
∑
42 ∑ 44
∑
∑
∑
∑
∑
∑
42 ∑ 44
∑
∑
∑
∑
∑
∑
42 ∑ 44
∑
#˙ ææ
mp
∑ ∑
#˙
˙ æ æ
˙
mp
44
motor off
∑ æ æ œ æ æ ææ œ œ™
œ œ œ™
‰
‰
∑
42 ∑ 44
∑
∑
∑
45
∑
∑
43
∑
44 n#w w f
°
(MAESTOSO) Crash cymbal (higher pitch) very soft mallets
Y æ æ
∑
42 ∑ 44
∑
∑
45
∑
∑
43
∑
44
& 43
∑
∑
42 ∑ 44
∑
∑
45
∑
∑
43
∑
44
42 ∑ 44
∑
∑
45
∑
∑
43
∑
44 w bw
œ œ#œ œ œ 3 #œ3:2q 4 œ
∑
44 #w
l.v.
? 3 ˙™ 4
∑
mp
non vibr. sempre f
3 &4 ˙
œ
˙™
& 43 b˙ nbœœ bb˙˙ ™™ ˙ œ n˙ ™
f
? 3 n˙ 4 f
…
f r 42 ∑ 44 œ œ œ œ œ bœ ™™ œ Œ Ó
r ™™ 42 Ó 44 bbœœ œœ bœ œ bbœœ œœ ™™ nœ œ b œ ™™ nœ œ nœ œ nœ R 42 ∑ 44
œœ Œ Ó œ
45 œJ œ ™ ˙ mp
45 nb˙˙ bb˙˙ bœ ˙ ™ n œ ˙™ mp ˙
3 nbœœnbœœ 4 nœ nœ 3 4
n˙ nœ ˙™
Œ Ó
45
∑
n˙ ˙ œ #œ œ ™ #˙ ˙ œ œ œ™ ° ° °°
∑
p
Y æ æ
∑
∑
MAESTOSO
˙ b˙ b ˙ b˙
f
f MAESTOSO
44
#˙
˙
MAESTOSO ” n“w n˙ #˙ f (loco)
4 #w
#˙
˙
Y æ æ
¿ æ æ
œ#œ
‰
… ‰
œ œ œ™
‰
# œ œ œ™
‰
f #f
f f
42 ∑ 44
42 ∑ 44
To Glock.
42 ∑ 44
∑
∑
42 ∑ 44
∑
To Alm.
∑
∑
42 ∑ 44
∑
∑
∑
42 ∑ 44
∑
∑
∑
42 ∑ 44
∑
mf
œ#œ
r
# f ™™
œœ r œ bœ ™™
bœ œ r œ ™™ bbœœ œœ n œ œbbœœ œ ™™
loco
n œ œ nœ b œ ™™ ‰ ? nœbœ R
∑
43
∑
44
∑
∑
∑
∑
f
œ
Œ Ó
œœ Œ Ó œ
∑
f œ œ œ#œ ™#œnœnœ 42 ∑ 44 œ
œœ n œ
œ 42 ∑ 44 œ œ
œœ #œ
f
I
° 3 Vln.1 & 4
∑
Vln.2
3 &4
Vla.
∑
42 ∑ 44
∑
∑
45
∑
∑
42 ∑ 44
∑
∑
45
∑
∑
43
∑
44
∑
∑
∑
B 43
∑
∑
42 ∑ 44
∑
∑
45
∑
∑
43
∑
44
∑
∑
Vc.
?3 4
∑
∑
42 ∑ 44
∑
∑
45
∑
∑
43
∑
44
∑
Cb.
?3 ¢ 4
∑
∑
42 ∑ 44
∑
∑
45
∑
∑
43
∑
44
∑
bœ
42 ∑ 44 # œ œ #œœ œ #œ f
Œ Ó
bœ
∑
42 ∑ 44
f
H
q= 80
mp
Œ Ó
&4
f
œ œ œ#œ ™#œnœnœ 42 ∑ 44 œ
LONTANO, like shade of the voice mallets; dark, deep tone, minimum contact sound Gongs (Paiste)
¿ choke æ ≈‰ æR
bœ b œ œ œ ™™ œ œ
Œ Ó
≈ œ ™™ Œ Œ Ó bœ ™™ p °
∑
mp
œ
∑
Ó
∑
œ œ œ™
œœ r œ bœ ™™ ∑
LONTANO, like shade of the voice mallets; dark, deep tone, minimum contact sound (motor off)
∑
{
∑
(MAESTOSO) flz
/ 43
{
42 ∑ 44
(MAESTOSO)
pp
43
∑
∑
(MAESTOSO)
3 {& 4
Cym. {
Hp.
∑
p
œ
q= 60
∑
∑
q= 60
∑
42 ∑ 44
∑
∑
∑
42 ∑ 44
∑
∑
∑
∑
42 ∑ 44
∑
∑
∑
∑
∑
42 ∑ 44
∑
∑
∑
∑
∑
42 ∑ 44
∑
16
° &
∑
42
∑
44
&
∑
42
∑
Cl.
&
∑
42
Cl.
&
∑
Cl.
& ?
134
Picc.
Fl.
B. Cl.
Sop. Sax.
∑
42 ∑ 43
44
∑
∑
∑
ord. œ ˙ nœ ˙ #œ 2 #œ # œ 3 œ 42 œ œ 43 4 8 œ œ 43 #œ #œ #œ ™ J 44
∑
44
∑
∑
∑
42 ∑ 43
∑
42
∑
38
∑
43
∑
44
42
∑
44
∑
∑
∑
42 ∑ 43
∑
42
∑
38
∑
43
∑
∑
42
∑
44
∑
∑
∑
42 ∑ 43
∑
42
∑
38
∑
43
∑
42
∑
44
∑
∑
∑
42 ∑ 43
∑
42
∑
38
∑
43
∑
(MOLTO MAESTOSO) œ ˙ nœ ˙ #œ 2 #œ # œ 3 œ 42 œ œ 43 4 8 œ œ 43 #œ #œ #œ ™ J 44
Ó
42 ∑ 43
?
œ ˙ #œ #œ 3 œ 42 œ œ 43 ˙ #œ 42 8 œ œ 43 #œ #œ #œ ™ nœJ 44 3:2q
Ó
42 ∑ 43
Mar.
Alm.
∑
42
mp
mp
{&
∑
42
∑
44
&
∑
42
∑
44
?
∑
42
∑
{
mf
∑
∑
{&
42
∑
∑
∑
∑
∑
∑
œ œ™ (l.v.) œœœ 3:2q 44 ææ ææ ææ ææ æœ æœ æœ œ #œææ œææ Ó ææ æ æ LONTANO very soft malets
44 æ ææ ææ ææ ææ ææ ææ ææbœææ bœæ bœ nœ æœ Ó bœ æ œ œ œ œ bœ™ mf
Hp.
S.
Accord.
∑
∑
42
42 ∑ 43
∑
∑
42 ∑ 43
∑
42
∑
42 ∑ 43
∑
∑
42 ∑ 43
∑
42
44
∑
42 ∑ 43
∑
∑
42 ∑ 43
∑
42
∑
44
∑
42 ∑ 43
∑
∑
42 ∑ 43
∑
42
∑
44
∑
42 ∑ 43
∑
∑
42 ∑ 43
∑
42
∑
∑
42 ∑ 43
∑
42
∑
42 ∑ 43
∑
42
3:2q
Ó
To Alto Sax.
take out mute
∑
Bali Gongs
42
∑
38
∑
43
∑
44
∑
42 ∑ 43
∑
∑
42 ∑ 43
∑
42
42 ∑ 43
∑
42
∑
38
∑
43
∑
44
∑
42 ∑ 43
∑
∑
42 ∑ 43
∑
42
LONTANO, like shade of the voice mallets; dark, deep tone, minimum contact sound MOLTO MAESTOSO Vibraphone
nœ n˙ nœ œ #œ ˙ 42 #œ œœ 43 ˙ #nœœ 42 #œ œ 38 #œœ #œ œ 43 nœ nœ œœ ™™ œJ 44 #œ #˙ œ œ #œ #œ ff œ 3:2q °° ° ° ° ° ° °
f
∑
∑
∑
&
∑
42
∑
44
∑
∑
∑
42 ∑ 43
?
∑
42
∑
44
∑
∑
∑
f MOLTO AGITATO
ff
œ 2 4 bœ bœ b œ n œ Ó & j ‰ bœ bœ ™ bœ œ n>œ ‰ 4 bœ bœ œ œ ‰ 4 <n>œ bœ ™ œ œ œ bœ œ
Y™ æ 43 ææ
mp
∑
Y æ 42 ææ
¿™ 38 ææ æ
42
38
∑
° °° °
Y™ æ 43 ææ
∑
43
∑
very soft mallets motor slowest speed
°°
Bass Drum unmuffled make continous pulse-less "air"-sound with spread-out hands,
¿ 44 ææ æ
moving clockwise and the other counter clockwise ¿™ choke one move slow. See page 3 for explanation 2 3 2 æææJ ≈ Ó 42 ˙˙ 43 ˙˙™™ ˙˙™™ 4 ˙˙ 4 ˙˙™™ 4
44
∑
ppp sempre
42 ∑ 43
œ #œ #˙ … MOLTO MAESTOSO œ nœ nœ nœ ™ 42 œ #œ 43 #˙˙ nœ 42 bœb œ 38 œ œ œ 43 bœœ b œb œ ™ œJ 44 œ ˙ Ó bœ œœ œ œ œ 3:2q ff MOLTO MAESTOSO
∑
œ ˙ nœ ˙ #œ 2 #œ # œ 3 œ 42 œ œ 43 4 8 œ œ 43 #œ #œ #œ ™ J 44
∑
“” nœ #œ #˙ #˙ nœ nœ œ ™ œ 24 œ # œ 43 24 38 œ œ 43 nœ nœ n œ J 44
3:2q
#˙ #˙ ™ #˙ ™ #˙ #˙ ™ 42 # ˙ 43 # ˙ ™ # ˙ ™ 42 # ˙ 43 # ˙ ™ 42 #n ˙˙ #n ˙˙ ™™ #n ˙˙ ™™ #n ˙˙ #n ˙˙ ™™ pp sempre °
Ó
42 ##˙˙ ## ˙˙
∑
™ 43 ##˙˙ ™ ## ˙˙ ™™
#˙ ™ # ˙™ ## ˙˙ ™™
pp sempre
3:2q
fff
∑
42 ∑ 43 42 ##˙˙ ## ˙˙
∑
42
™ 43 ##˙˙ ™ ## ˙˙ ™™
42
Ó
42 ∑ 43
∑
∑
42 ∑ 43
∑
42
loco
42 ∑ 43
∑
∑
42 ∑ 43
∑
42
loco
4 ∑ 43
∑
∑
42 ∑ 43
∑
42
MOLTO MAESTOSO
42
& œj ‰ Œ Ó
44
∑
∑
∑
3:2q œœ œœ ™™ ? œœ ‰ bbœœœbbœœ ™™ nœ œ bœ ‰ 42 bbœœœbbœœ œœ ‰ 44 œ œ™ œœœ œœœœœœ bœœœ nœœ œœ bœ œ bœ Ó b œ ™ b œ œ n œ œ œ œœ b œœ œ J b œœ œœ n œœ nb œœ nœ >
Vln.2
∑
∑
44
° Vln.1 &
To Picc.
42 ∑ 43
2 ∑ 43
/4
∑
{
∑
soft gong beaters # œ œœ nœ #nœœ#n˙˙ ˙ 3 2 3 2 Ó ‹? 42 42 œœ œœ 43 b˙ ##œœ 42 #œ 38 œœ œœ œœ 43 ##œœ ##œœ nœœ ™™ œJ 44 ##˙˙ 4 ##˙˙ ™™ ##˙˙ ™™ 4 ##˙˙ 4 ##˙˙ ™™ 4 3:2q p sempre ff °° ° ° ° ° ° ° ° °° ° ° °
42
f
44
LONTANO, like shade of the voice mallets; dark, deep tone, minimum contact sound MOLTO MAESTOSO Glockenspiel
∑
mp
∑
ff
/
AGITATO
43
3:2q
Y æ 42 ææ
{
∑
ff
Large Chinese Cymbal very soft mallets (MOLTO MAESTOSO)
Cym. {
38
mf
LONTANO, like shade of the voice mallets; dark, deep tone, minimum contact sound 3:2q Almglocken l.v. To Vib.
∑
∑
ff MOLTO MAESTOSO bucket mute
∑
mp
∑
∑
MOLTO MAESTOSO
44
∑
42
J STATIC sempre ∑ 42 ∑ 43 ∑
∑
bœ nœ œ ‰ ‰2 ‰4 bœ bœ bœ Ó ¢& œj bœ bœ ™ bœ œ n>œ 4 bœ bœ œ œ 4 <n>œ bœ ™ œ œ œ 3:2q
B. Tbn.
q= 50
∑
pp
Glock.
q= 80
mp
f
f
q= 80
∑
ff
œ ˙ “” 3 ˙ #œ 42 #œ # œ 38 œ œ œ 43 #œ #œ ™ nœJ 44 œ œ 4 #œ 3:2q
ff
2
&4
3:2q
ff
q= 50
˙
MOLTO MAESTOSO
œ
œ
œ œ
J 42 ∑ 43
∑
∑
42 ∑ 43
∑
42
Ó
42 ∑ 43
∑
∑
42 ∑ 43
∑
42
∑ 43
∑
∑
42 ∑ 43
∑
42
Ó
42 ∑ 43
∑
∑
42 ∑ 43
∑
42
Ó
42 ∑ 43
∑
∑
42 ∑ 43
∑
42
∑
∑
44
∑
∑
∑
MOLTO MAESTOSO nœ # œ # ˙ ˙ #œ 2 # œ œ 3 œ 42 œ œ 43 4 8 œ œ 43 #œ #œ œ™ J 44
∑
44
∑
∑
∑
sul pont œ ˙ 2 3 ˙ #œ 42 #œ # œ 38 œ œ œ 43 #œ #œ ™ nœJ 44 &4 œ œ 4 #œ
∑
44
∑
∑
∑
pizz. poco sul pont œ ˙ #œ #œ 3 42 œ œ 43 ˙ #œ 42 8 œ œ œ 43 #œ #œ #œ ™ nœJ 44 3:2q
∑
44
∑
arco œ ˙ #œ #œ 3 œ 42 œ œ 43 ˙ #œ 42 8 œ œ 43 #œ #œ #œ ™ nœJ 44 3:2q
∑
&
∑
42
∑
B
∑
42
?
∑
42
∑
42
ff
43
ff
42
?2
Ó
∑
∑
44
Ó
œ ˙ #œ #œ œ™ 38 #œ œ 43 œ œ J4 4
#œ 42
42
Ó
3:2q
3:2q
MOLTO MAESTOSO
Vla.
ff
3:2q
Ó
2 B4
MOLTO MAESTOSO
Vc.
ff
MOLTO MAESTOSO
Cb.
¢
?
∑
∑
ff
17
° 2 &4 ∑
∑ 43
∑
42 ∑ 43
∑
44
∑
43
∑
42 ∑
∑ 43
∑
42 ∑ 43
∑
44
∑
43
Fl.
2 &4 ∑
∑ 43
∑
42 ∑ 43
∑
44
∑
43
∑
42 ∑
∑ 43
∑
42 ∑ 43
∑
44
∑
43
Cl.
& 42 ∑
∑ 43
∑
42 ∑ 43
∑
44
∑
43
∑
42 ∑
∑ 43
∑
42 ∑ 43
∑
44
∑
43
Cl.
2 &4 ∑
∑ 43
∑
42 ∑ 43
∑
44
∑
43
∑
42 ∑
∑ 43
∑
42 ∑ 43
∑
44
∑
43
Cl.
2 &4 ∑
∑ 43
∑
42 ∑ 43
∑
44
∑
43
∑
42 ∑
∑ 43
∑
42 ∑ 43
∑
44
∑
43
B. Cl.
?2 ∑ 4
∑ 43
∑
42 ∑ 43
∑
44
∑
43
∑
42 ∑
∑ 43
∑
42 ∑ 43
∑
44
∑
43
Sop. Sax.
2 ∑ ¢& 4
∑ 43
∑
42 ∑ 43
∑
44
∑
43
∑
42 ∑
∑ 43
∑
42 ∑ 43
∑
44
∑
43
B. Tbn.
? 42 ∑
∑ 43
∑
42 ∑ 43
∑
44
∑
43
∑
42 ∑
∑ 43
∑
42 ∑ 43
∑
44
∑
43
44
∑
43
44
∑
43
44
∑
43
44
∑
43
44
∑
43
44
∑
43
44
∑
43
44
∑
43
150
Picc.
Gongs
Perc.
Vib.
?2 3 2 3 {‹ 4 ##˙˙ ##˙˙ 4 ##˙˙ ™™ 4 ##˙˙ 4 ##˙˙ ™™
{
Knitting Needles on Field Drum For explanation, see page 3
2 /4 ∑
3 ∑ 4
∑
?2 ∑ 4
∑ 43
∑
X X 42 X 43 X o pp 42 ∑ 43
2 / 4 ˙˙
3 2speed up 3 slow down ˙˙ 4 ˙˙™™ 4 ˙˙ 4 œœ™™
& 42 ∑
∑ 43
{
? 2 #˙ 4# ˙ ## ˙˙
™ 43 ##˙˙ ™ ## ˙˙ ™™
42 ##˙˙ ## ˙˙
™ 43 ##˙˙ ™ ## ˙˙ ™™
∑ 43
∑
42 ∑ 43
?2 ∑ 4
∑ 43
∑
42 ∑ 43
° 2 ∑ Vln.1 & 4
∑ 43
∑
™ ## Ȯ ™ 42 ∑ 43
& 42 ∑
∑ 43
∑
B 42 ∑
∑ 43
? 42 ∑
∑ 43
?2 ∑ Cb. ¢ 4
∑ 43
Vc.
Π4 4 o
∑
43
∑
42 ∑
3 ∑ 4
∑
44
∑
43
∑
42 ∑
∑ 43
∑
44
∑
#˙ ™ 43 # ˙ ™ #n ˙˙ ™™
#˙ #˙ #˙ ™ #˙ #˙ ™ 42 # ˙ # ˙ 43 # ˙ ™ 42 # ˙ 43 # ˙ ™ #n ˙˙ #n ˙˙ #n ˙˙ ™™ #n ˙˙ #n ˙˙ ™™
42 ˙˙
3 2speed up 3 slow down ˙˙ 4 ˙˙™™ 4 ˙˙ 4 œœ™™
42 ∑
∑ 43
{
"inhale" inaudible
p sempre
‰ Œ 44 o
∑
43 ˙˙™™
44
∑
43
44
∑
™ 43 ##˙˙ ™ ## ˙˙ ™™
∑
43
∑
2 &4 ∑
Vla.
43 ##˙˙ ™™
pp sempre
42 ∑ 43
∑
Vln.2
2 &4 ∑
#˙ #˙ ## ˙˙
∑
42 ∑ 43
Accord.
∑
°
pp
∑ 43
S.
∑
44
2 #˙ #˙ 3 #˙ ™ 2 #˙ 3 #˙ ™ {& 4 # ˙ # ˙ 4 # ˙ ™ 4 # ˙ 4 # ˙ ™ #n ˙˙ #n ˙˙ #n ˙˙ ™™ #n ˙˙ #n ˙˙ ™™
B. D. {
Hp.
choke just befor bar line
…
slow
ppp sempre
∑
pp sempre
44
∑
"exhale"
42 ##˙˙ ##˙˙ 43 ##˙˙ ™™ 42 ##˙˙ 43 ##˙˙ ™™
42 ##˙˙ ## ˙˙
p
#˙ #˙ ## ˙˙
∑
∑
‰Œ o
™ 43 ##˙˙ ™ ## ˙˙ ™™
42 ∑ 43 42 ##˙˙ ## ˙˙
∑
™ 43 ##˙˙ ™ ## ˙˙ ™™
∑
42 ∑ 43
Œ 44 Œ 43 r ≈‰ Œ Œ 42 ∑ U™ ? o o p
∑ 43
∑
42 ∑ 43
44
Πo
pp
∑ 43
"inhale"
U
Knitting Needles on Field Drum For explanation, see page 3
X X 42 X 43 X o pp 42 ∑ 43
42 ∑
∑
choke just befor bar line
…
∑
"exhale"
44 Œ
"inhale"
™ U o
43
∑
43
44 o
∑
43
44
∑
43
B4 4
∑
43
Πo
U p
∑
43
∑
42 ∑
∑ 43
∑
42 ∑ 43
∑
43
∑
42 ∑
∑ 43
∑
™ ## Ȯ ™ 42 ∑ 43
## Oœ ## Oœ ## Oœ ## Oœ ## Oœ ## Oœ ## Oœ ## Oœ ˜˜ Oœ ˜˜ Oœ ≈ ™™ Œ Œ 44 42 ∑ 43
∑
43
∑
42 ∑
∑ 43
∑
## Oœ ## Oœ ## Oœ ## Oœ ## Oœ ## Oœ ## Oœ ## Oœ ˜˜ Oœ ˜˜ Oœ ≈ ™™ Œ Œ 42 ∑ 43
∑
#Oœ #Oœ #Oœ #Oœ #Oœ #Oœ #Oœ #Oœ ˜Oœ ˜Oœ ™ ≈ Œ Œ 44 42 ∑ & 43
∑
43
∑
42 ∑
∑ 43
∑
#Oœ #Oœ #Oœ #Oœ #Oœ #Oœ #Oœ #Oœ ˜Oœ ˜Oœ ™ ≈Œ Œ 42 ∑ 43
∑
42 ∑ 43 ® ˘® ± ˘h ˘h ® ˘˘h ± h ˘õh ˘± ® h õ± h ˘ Œ ? 44 o pp
∑
43
∑
42 ∑
∑ 43
∑
42 ∑ 43 ® ˘® ± ˘h ˘h ® ˘˘h ± h ˘õh ˘± ® h õ± h ˘ Œ o pp
?4
4
∑
43
∑
42 ∑ 43 g ® ˘h ˘˘± h ® h ˘h ® ± h ® h ˘˘± h ± h õh ˘õh Œ ? 44 o pp
∑
43
∑
42 ∑
∑ 43
∑
42 ∑ 43 g ® ˘h ˘˘± h ® h ˘h ® ± h ® h ˘˘± h ± h õh ˘õh Œ o pp
?4
∑
43
∑
col legno tratto
˜ ˜ 44 o
gliss. gliss.
pp ricochet, col legno battuto gradual quarter tone-bend
9:8
p ricochet, col legno battuto gradual quarter tone-bend
col legno tratto
pp
p
pp
Slow irregular subtle crackling sound with bow on body of instrument. For explanation, see page 3.
Slow irregular subtle crackling sound with bow on body of instrument. For explanation, see page 3.
∑
˜ ˜
gliss. gliss.
pp ricochet, col legno battuto gradual quarter tone-bend
9:8
p ricochet, col legno battuto gradual quarter tone-bend
44
pp
p
pp
Slow irregular subtle crackling sound with bow on body of instrument. For explanation, see page 3.
Slow irregular subtle crackling sound with bow on body of instrument. For explanation, see page 3.
4
INCISIVE, VERY AGGRESSIVE, SONORO sempre
18
K
° 3 &4
∑
42 ∑
∑ 43
∑
42 ∑ 43
∑
42 ∑ 43
∑
43
∑
42 ∑
∑ 43
∑
42 ∑ 43
∑
42 ∑ 43
∑
44
∑
∑
∑ 42 ∑ 44
∑
45
∑
43
∑
44
Fl.
3 &4
∑
42 ∑
∑ 43
∑
42 ∑ 43
∑
42 ∑ 43
∑
43
∑
42 ∑
∑ 43
∑
42 ∑ 43
∑
42 ∑ 43
∑
44
∑
∑
∑ 42 ∑ 44
∑
45
∑
43
∑
44
Cl.
3 &4
∑
42 ∑
∑ 43
∑
42 ∑ 43
∑
42 ∑ 43
∑
43
∑
42 ∑
∑ 43
∑
42 ∑ 43
∑
42 ∑ 43
∑
44
43
∑
44
3 &4
∑
42 ∑
∑ 43
∑
42 ∑ 43
∑
42 ∑ 43
∑
43
∑
42 ∑
∑ 43
∑
42 ∑ 43
∑
42 ∑ 43
∑
> 44 #w
w
œ 3 4
∑
44
3 &4
∑
42 ∑
∑ 43
∑
42 ∑ 43
∑
42 ∑ 43
∑
43
∑
42 ∑
∑ 43
∑
42 ∑ 43
∑
42 ∑ 43
∑
44 #w >
w
œ 43
∑
44
?3 4
∑
42 ∑
∑ 43
∑
42 ∑ 43
∑
42 ∑ 43
∑
43
∑
42 ∑
∑ 43
∑
42 ∑ 43
∑
42 ∑ 43
∑
44 w >
w
3 œ 4
∑
44
43
∑
44
43
∑
44
∑
43
∑
44
163
Picc.
Cl.
Cl.
B. Cl.
q= 60
> #w
3 ¢& 4
B. Tbn.
?3 4
∑
42 ∑
∑ 43
∑
42 ∑
∑ 43
∑
42 ∑ 43
∑
42 ∑ 43
∑
42 ∑ 43
∑
42 ∑ 43
∑
43
∑
43
∑
42 ∑
∑ 43
∑
42 ∑
∑ 43
∑
42 ∑ 43
∑
42 ∑ 43
∑
42 ∑ 43
∑
42 ∑ 43
w
fff
fff
44
∑
44
#w >
p sempre
/ 43
Perc. {
Vib.
∑
3 #˙ ™ {& 4 # ˙ ™ #n ˙˙ ™™
pp sempre
°
3 / 4 ˙˙™™ slow
B. D. {
{
ppp sempre
& 43
Hp.
S.
? 43 #˙ ™ # ˙™ ## ˙˙ ™™
pp sempre
3 &4
{
& 43
Accord.
∑
? 43
?
42 ∑ 44 w > fff fff
45 w
42 ∑ 44
45
f
w >
fff
fff
w
œ
f
fff
w
œ
f
fff choke just befor bar line
∑
∑ 42 ∑ 44
∑
45
∑
43
Marimba
∑
&4 ?
∑
∑ 42 ∑ 44
∑
45
∑
43
∑
44
∑ 43
∑
42 ∑ 43
∑
42 ∑ 43
∑
43
∑
42 ∑
∑ 43
∑
42 ∑ 43
∑
42 ∑ 43
∑
44
∑
To Glock. #˙ #˙ #˙ ™ #˙ #˙ ™ #˙ #˙ ™ #˙ ™ #˙ #˙ #˙ ™ #˙ #˙ ™ #˙ #˙ ™ 42 # ˙ # ˙ 43 # ˙ ™ 42 # ˙ 43 # ˙ ™ 42 # ˙ 43 # ˙ ™ 43 # ˙ ™ 42 # ˙ # ˙ 43 # ˙ ™ 42 # ˙ 43 # ˙ ™ 42 # ˙ 43 # ˙ ™ 44 ∑ #n ˙˙ #n ˙˙ #n ˙˙ ™™ #n ˙˙ #n ˙˙ ™™ #n ˙˙ #n ˙˙ ™™ #n ˙˙ ™™ #n ˙˙ #n ˙˙ #n ˙˙ ™™ #n ˙˙ #n ˙˙ ™™ #n ˙˙ #n ˙˙ ™™
l.v.
ff
"half" muffled (with hand) medium hard beater mute just before ord. bar line
45
"half" muffled (with hand) medium mute hard beater just before bar line
4
42 ˙˙
3 2 3 2 3 3 2 ˙˙ 4 ˙˙™™ 4 ˙˙ 4 ˙˙™™ 4 ˙˙ 4 ˙˙™™ 4 ˙˙™™ 4 ˙˙
3 2 3 2 3 4 > ˙˙ 4 ˙˙™™ 4 ˙˙ 4 ˙˙™™ 4 ˙˙ 4 ˙˙™™ 4 w
∑
2 4 > ∑ 4 ∑ 4 w
45
∑
43
∑
44
42 ∑
∑ 43
∑ 43
∑
∑
∑ 42 ∑ 44
∑
45
∑
43
∑
44
… 44 ∑
∑
∑ 42 ∑ 44
∑
45
∑
43
∑
44
42 ##˙˙ ## ˙˙
#˙ #˙ ## ˙˙
∑
™ 43 ##˙˙ ™ ## ˙˙ ™™
42 ∑ 43 42 ##˙˙ ## ˙˙
∑
™ 43 ##˙˙ ™ ## ˙˙ ™™
42 ∑ 43 42 ##˙˙ ## ˙˙
∑
™ 43 ##˙˙ ™ ## ˙˙ ™™
43
∑
42 ∑
™ 43 ##˙˙ ™ ## ˙˙ ™™
42 ##˙˙ ## ˙˙
speed up
p
#˙ #˙ ## ˙˙
∑
™ 43 ##˙˙ ™ ## ˙˙ ™™
42 ∑ 43 42 ##˙˙ ## ˙˙
∑
™ 43 ##˙˙ ™ ## ˙˙ ™™
42 ∑ 43 42 ##˙˙ ## ˙˙
∑
™ 43 ##˙˙ ™ ## ˙˙ ™™
fff
44
fff
∑ 43
∑
42 ∑ 43
∑
42 ∑ 43
∑
43
∑
42 ∑
∑ 43
∑
42 ∑ 43
∑
42 ∑ 43
∑
44
∑
∑
∑ 42 ∑ 44
∑
45
∑
43
∑
44
r ≈‰ Œ Œ 42 ∑
∑ 43
∑
42 ∑ 43
∑
42 ∑ 43
∑
43
∑
42 ∑
∑ 43
∑
42 ∑ 43
∑
42 ∑ 43
∑
44
∑
∑
∑ 42 ∑ 44
∑
45
∑
43
∑
44
42 ∑
∑ 43
∑
42 ∑ 43
∑
42 ∑ 43
∑
43
∑
42 ∑
∑ 43
∑
42 ∑ 43
∑
42 ∑ 43
∑
44
∑
∑
∑ 42 ∑ 44
∑
45
∑
43
∑
44
43
∑
44
œ 3 œ 4
∑
44
œ 3 œ 4
∑
44
œœ 43
∑
44
œ 43 œ
∑
44
∑
K
q= 60 non vibr. sempre
>≥arco w ## w w w
42 ∑ 43
∑
42 ∑ 43
∑
43
∑
42 ∑
∑ 43
∑
42 ∑ 43
∑
42 ∑ 43
∑
44
3 &4
∑
42 ∑
∑ 43
∑
42 ∑ 43
∑
42 ∑ 43
∑
43
∑
42 ∑
∑ 43
∑
42 ∑ 43
∑
42 ∑ 43
∑
arco >≥ 44 ##w w
w w
B 43
∑
42 ∑
∑ 43
∑
42 ∑ 43
∑
42 ∑ 43
∑
43
∑
42 ∑
∑ 43
∑
42 ∑ 43
∑
42 ∑ 43
arco
>≥ 44 #w #w
w w
44 #w≥ w > fff
w w
fff
>≥ #w 24 ∑ 44 # w
w w 45
>≥ #w 42 ∑ 44 # w
w 45 w
w w
>≥ #w 42 ∑ 44 #w
w 45 w
w w
≥ 42 ∑ 44 #w w > fff fff
45 w w
w w
≥ 42 ∑ 44 w w > fff fff
45 w w
w w f
non vibr. sempre
fff
∑
∑ ∑
42 ∑ 42 ∑
∑ 43 ∑ 43
∑ ∑
42 ∑ 43 42 ∑ 43
∑ ∑
42 ∑ 43 42 ∑ 43
∑ ∑
43 43
∑ ∑
42 ∑ 42 ∑
∑ 43 ∑ 43
∑ ∑
42 ∑ 43 42 ∑ 43
∑ ∑
42 ∑ 43
arco
42 ∑ 43
arco
∑ ∑
non vibr. sempre
44 w≥ w > fff
w w f
non vibr. sempre
fff
?3 ¢ 4
45
f
42 ∑
∑
Cb.
#w > fff
fff
∑ 42 ∑ 44 w
∑ 43
? 43
f
∑
ff choke Bali Gongs
42 ∑
Vc.
fff
fff
42 ##˙˙ ##˙˙ 43 ##˙˙ ™™ 42 ##˙˙ 43 ##˙˙ ™™ 42 ##˙˙ 43 ##˙˙ ™™ 43 ##˙˙ ™™ 42 ##˙˙ ##˙˙ 43 ##˙˙ ™™ 42 ##˙˙ 43 ##˙˙ ™™ 42 ##˙˙ 43 ##˙˙ ™™ / 44 w
∑
Vla.
fff
f
° 3 Vln.1 & 4
Vln.2
fff
42 ∑ 44
w
f
42 ∑
∑
p
fff
w w
fff
f
45 w
fff
fff
f
w
œ
42 ∑ 44 #w >
(no mute)
w > “‘
fff
w
w
fff
f
w
45
w 45
f
Alto Saxophone
∑
> #w
> #w 42 ∑ 44
choke Tam-tam medium hard Tam-tam just before beater l.v. bar line
?3 {‹ 4 ##˙˙ ™™
fff
w
fff
fff
Gongs
42 ∑ 44
f
fff
Sop. Sax.
w
non vibr. sempre
w w
f
f
f
fff
fff
fff
fff
fff
fff
f
f
f
f
f
œœ fff
fff
fff
fff
fff
œ œ œ œbœ ˙™ œ œ œ œbœ nœ œ
œ œ œ œ œbœ nœ œ œ œ œ™™b œ œœ >œ œ œ ™™ b œ œ™n œ œ b œ œ œ œ œ œbœ nœ œ œ œ bœ nœ œ œ œnœ œ b œ œ œ 41 ∑ 44 Œ 45 42 J ‰ Œ 44 ‰ 43
MOLTO MARCATISSIMO sempre
° 4 &4 Ó 186 q= 80
Picc.
œ
5:4x
ffff
3:2x
ffff
#œ
Piccolo
& 44 Ó
3:2x
> #w
4 &4
Cl.
5:4x
ffff
fff-ff
> 4 #w &4
Cl.
fff-ff
4 & 4 #w >
Cl.
?4 4 w >
B. Cl.
fff-ff
4 Alto Sax. & 4 ¢
#w >
{
Glock.
fffmf
∑
ææ ˙æ
Vln.1
>æ æ / 44 ˙æ
{
4 &4
?4 4
>≥ #w & 44 # w >≥ #w B 44 #w
fff-ff
Vc.
? 4 #w≥ 4 w > fff-ff
?4 ≥ Cb. ¢ 4 w w >
fff-ff
ffffp
> #w
45
fff-ff
w
œ
w 45
œ
fff-ff
mf
3:2x
ffffmf
#>œ #>˙ ™ 42 J ‰ Œ 44
œ
œ 2 #>œ #>˙ ™ 4 J ‰ Œ 44
œ
œ
mf
5:4x
fff
fff-ff
fff
fff-ff
œ
2 j ‰ Œ 44 œ 4 >œ ˙™ > fff fff-ff
œ
41 ∑ 44
45
ff
p
˙
ff
p
ff
p
choke just befor bar line
ææ # ˙æ˙
mf
#w >
fff-ff
w >
41 ∑ 44
ææ … ææ ˙æ 41 ∑ 44 ˙æ >
ææ ˙æ
fffmf
æ æ 45 w
œ
pp
…
41 ∑ 44
fffmf
Œ
∑
ææ œæ o
œ
42
4 j ‰ Œ 4 ˙™ >œ >
œ
mf
œ
∑
œ
ææ ææ j … œæ 42 œ ‰ Œ 44 ˙æ > >
fffmf
fff
43
mf
43
l.v.
44
43
mf
ff
ff
42
3 œ 4
fff-ff
>rchoke ≈ 42 œ ‰ Œ 44 w
ææ œæ
ææ œæ
∑
mp
43
ææ œæ
ææ œæ 43
pedal as much strokes as possible
mp
p
45
∑
41 ∑ 44 p
ææ œæ
ææ 45 w
l.v.
fff
45 æææ # ww
∑
bisb.
p
45
∑
> ææ >j mute ææ œæ 42 œ ‰ Œ 44 ˙
fffmf
fff
42
ææ æ œœ
∑
44
… ææ 42 j ‰ Œ 44 æœ œ œ #>œ
f
fff
42
∑
ffff
5:4x
3:2x
∑
3:2x
45
ffffp
∑
>≥ ## w w 41 ∑ 44
w w 45
œœ
>≥ #w 41 ∑ 44 # w
w 45 w
œ œ
f
˙ ˙
ff
>≥ #w 41 ∑ 44 #w
w 45 w
˙ ˙
˙ ˙
≥ 41 ∑ 44 #w w > p fff-ff
45 w w
˙ ˙
≥ 41 ∑ 44 w w >
˙˙
˙˙
f
ff
˙ ˙
˙ ˙
f
ff
˙ ˙
f
4 j ‰ Œ 4 #>œ #˙ ™ > fff-ff
3:2x
thunder effect
41 ∑ 44
∑
˙ ˙
42
œ 43
mf
∑
ææ œæ
ææ œæ
mp
ææ œæ 43
thunder effect
43
∑
ææj 43 # œæœ l.v.
fff
44
43
∑
œ œ œ™™b œ œœ >œ œ b œ n œ œ œ œ œ b œ n œ œ œ œ œ œ b œ n œ œ œ ™™ œ b œ œ™n œ œ b œ œ œ œnœ œ b œ œ œ 14 ∑ 44 Œ œ œ œ 54 24 J ‰ Œ 44 ‰ 43
3:2x
f
œ
fff-ff
fff
p
ææ ˙æ
41 ∑ 44
∑
45
∑
mp
>æ mute æ 41 ∑ 44 ˙æ
mp
mf
w
œ
œ 3 4
5:4x 5:4x #œ #-œ œ œ #œ nœ #œ- œ #œ- ™™ #œ nœ -œ ™#œ œ nœ- œ 2 >-œ ‰ Œ 4 ‰ #œ œ #-œ ™™ œ #œ nœ œ œ #œ œ 3 41 ∑ 44 Œ #œnœ #œ #œ nœ #œ- œ #œ œ nœ #œ nœ 45 4 J 4 4 #œnœ #œ fff ffff 3:2x 3:2x
ææ ˙æ
ææ ˙æ˙
œ
45 Ó™
pedal as much strokes as possible
∑
fff
mf
fff-ff
ff
p
w
mf
45
l.v. 41 ∑ 44 w
mf
p
5:4x
mf
fff-ff
41 ∑ 44
˙
∑
fff-ff
43
mf
45 w
p
œ mf
41 ∑ 44 w >
L
>≥ #w ° 4# w &4
3:2x
˙
∑
q= 80
3:2x
˙
MOLTO MARCATISSIMO sempre “” œ œ œ œbœ ˙™ œ œ œ œ œbœ nœ œ ffff
5:4x
œ
∑
fff-ff
Vla.
l.v.
ffffmf
j œ 42 #œ ‰ Œ 44 #˙ ™ > >
bisb.
fff
ffff
3:2x
œ
p
? 44
ffff
5:4x
45 w
ææ ˙æ
∑
ffff
41 ∑ 44 #w >
fff 3:2x pedal as much strokes as possible
mp
ffff
˙
p
ææ ˙æ
ffffp
ff
5:4x
#œ-
3:2x
> #w 41 ∑ 44 p
thunder effect
4 &4
fff-ff
Vln.2
p
#œ nœ #œ œ #œ œ #œ #œ nœ- œ Ó œnœ #œ
Glockenspiel
3:2x
f
ææ ˙æ
mp
41 ∑ 44
hard plastic mallets, sempre
4 Ó {& 4
{
ff
∑
medium soft mallets, sempre
4 &4 Ó
Accord.
f
l.v.
fffmf
S.
˙
f
more muffled (with cloth) medium hard beaters sempre
Hp.
˙
˙
æ ? 4 ˙æ 4 >
B. D. {
ff
ff
4 &4
Mar.
f
f
fff-ff
/ 44 w
˙
˙
fff-ff
T.-t. {
˙
f
?4 4 w <“> >
B. Tbn.
ffff
˙
fff-ff
5:4x
#œ # œ œ œ # œ n œ # œ # œ ™™ # œ n œ # œ n œ œ # œ œ # œ ™™ œ # œ n œ œ # œ œ >œ œ œ™ œ œ #œnœ# œ #œ n œ # œ œ #œ œ n œ # œ n œ 5 #œnœ #œ 41 ∑ 44 Œ 4 42 J ‰ Œ 44 ‰ 43
#œ œ#œ#œ nœ ˙ ™ œnœ# œ #œ n œ # œ œ
MOLTO MARCATISSIMO sempre Picc.
19
MOLTO INCISIVE, VERY AGGRESSIVE, SONORO sempre
L
ff
ff
p
p
p
p
fff-ff
fff-ff
fff-ff
fff-ff
mf
mf
45 w w mf
ffff
∑
44
ffff
≥ >≥ ##>œœ ## w w 42 J ‰ Œ 44 fff
fff-ff
5:4x
∑
3:2x
ffffmf
mf
≥ >≥ œ 2 #>œ #w œ 4 # œ ‰ Œ 44 # w J
mf
œ œ
≥ >≥ œ 2 #>œ 4 #w œ 4 #œJ ‰ Œ 4 #w
mf
œ œ
≥j ≥ œ 42 #œ ‰ Œ 44 #w œ œ> w > fff fff-ff
œ œ
ord ≥j ≥ œ 42 œ ‰ Œ 44 w œ œ> w >
mf
mf
œœ
42
fff
fff
fff-ff
fff-ff
fff-ff
43 43 43
43 mf
al talone
fff
43
43 mf
20
° 3 &4 193
Picc.
œ
ffff
& 43
Picc.
Cl.
Cl.
fff
mp
3 œ &4
œ
mp
œ
œ
œ
œ
œ
mp
œ
S.
pp
3 œ {& 4
œ
3 ææ /4 œ
ææ œæ
fff
pp
ææ œæ #œ
42
∑
œ
42
∑
44 #w >
gliss.
œ
42
∑
44 w > fff-ff
gliss.
pp
œ
pp
ffff
pp
ffff
42
œ
ffff
œ
fffppp
#-œ ™ œ œ ææ æ œ™
ææ œæ
fffppp
ææ œæ
?3 æ 4 æ # œœ
bisb.
fff
ææ æ œœ
42
∑
ffff
ppp
42
pp
3 &4
fffppp
ææ ææ æ æ œœ œœ ffff
ffff
> œ œ œ œ œ™ mf ffff
bœ
ffffp
?3 4
œ ffff
∑
œ & 43 œ fff
B 43 œœ fff
œœ
œœ
mp
œ œ mp
œ œ
œœ ™™
œœ
ffffp
œ œ
Ϫ Ϫ
mp
Ϫ Ϫ
œœ ffff
œ œ
ffffp
œ œ
42
œ œ ffff
œ œ
ffffp
œ œ ffff
44 ‰
ffff
∑
>æ 44 ˙ææ
gliss.
∑
44
∑
ææ ˙æ
mp
Ϫ
°
œ
°
42
∑
42
? 43 œ œ fff
?3 Cb. ¢ 4 œœ fff
œœ
mp
œ œ
mp
œœ œ œ
œœ ™™
ffffp
Ϫ Ϫ
ffffp
œœ œ œ
œœ
42
œ œ
42
ffff
“” 4 &4 ‰
>Ϫ
>œ
?
>œ ™
>œ
>≥ #w 44 #w
gliss. gliss.
ffff
pp
∑
Ó
∑
∑
Ó
∑
∑
Ó
∑
∑
Ó
∑
∑
Ó
∑
∑
∑
∑
>˙
> œ
>3:2q j chocke œ œ ‰ Ó
3:2q
ffff
Œ
l.v.
f
ææ œæœ
∑ ææ æ ˙˙
&
∑ 3:2q
>œ
#œ °
œ °
#œ °
fff
ææ æ bn˙˙
3:2h
fff
>˙
>œ
>˙
°
°
3:2q
∑
∑
(l.v.)
Ó
∑
∑
Ó
∑
∑
Remove muffle half, before last stroke
> 3:2q > œ ˙
(l.v.)
To Singing Bowl
Ó
fff
< # œœ >
gliss.
œ
>≥ 44 ##w w
gliss. gliss.
>≥ 44 #w #w
gl iss
œœ
gliss
.
œ
ss. gli
#>œ #>œ
>œ >œ
>œ
œ œ
iss gl
œ
.
gl iss
gl iss
&
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
. (ffff) gong effect on lowest strings
.
œ
ss. gli
ÛÛÛÛ >˜
>œ
˜˜w w ˜w ˜ w
poco a poco crunch
f
>˜
44 #w≥ w >
>œ
>œ
>œ
>œ
œ >
>œ
fffff
>˙ 3:2q
>˙
3:2q
>≥ >≥ ## œœ ## ˙˙ ffff
3:2q
≥ ≥ #>œ #>˙ #œ #˙ ord.
ffff ord.
ffff
fff-ff
44 w≥ w > fff-ff
µw µw
gliss. gliss.
f
3:2q
≥ #>˙ #˙
≥
3:2q
≥
3:2q
n#>œœ ffff
poco a poco crunch
gliss. gliss.
f
nœ n>œ ffff
≥
#˙˙ >
ord.
ord.
Ó
loco
Ó
?
mute
Ó
mute
Ó
3:2q
f poco a poco crunch
loco
ord.
≥ #>œ #œ
µ˜w w
ord.
l.v.
∑
˜w ˜w
poco a poco crunch
Ó
3:2q
ffff
fffff
f
gliss. gliss.
.
p
poco a poco crunch
fff-ff
∑
∑
n>œ
∑
ffff
ord.
pp
Ó
Bw
#>˙
ffff
p
l.v. p
fff-ff
∑
>˙
3:2q
ord.
Vc.
∑
f
∑
ord.
pp
∑
#>œ
ææ wæ
ææ # œæœ
fff-ff
∑
Ó
µw
°
mp
ord.
pp
°
3:2q
ffff
œ
œ
bisb.
∑
∑
n>œ
p
ææ ˙æ
44
44 ‰
42
ord.
ææ œæ
∑
42
pp
#˙ >
ffff
∑
thunder effect
44
∑
ord.3:2q
ææ ˙™æ o
l.v.
fff
42
3:2q
#œ >
f
fffmf
∑
pp
ffff
Bw
gliss.
fffmf
∑
3:2q
f
∑
To Fl.
#>˙
ord. #>œ #>˙
f
æ 44 ˙æ >
Ó
>˙
µw µw
ff
ppp
42
∑
<“> œ
…
ffff
f
w >
44
mute
gliss.
#w > fff-ff
∑
ææ œæ
ord.
ord.
42 ææ … œæ 42
∑
>œ
3:2q
#>œ
f
fff-ff
ppp
> œfij
#>œ
>œ
#>œ
µw
gliss.
fff-ff
44 w
42 ææ æ œœ ™™
ææ æ œœ
∑
44
>œ 3:2q >˙
fffff
> #w
∑
-œ ææ œæ
44
pp
ffff
>œ
>œ
fff-ff
∑
>j œfi
>œ
>œ
>œ
ffff
> 44 #w
pp
42
>j œfi
fff-ff
pp
42
ææ æ œ™
>œ
44
∑
fff
Vla.
∑
>Ϫ
∑
œ
>œ
#>œ
fffff
42
pp
>j œfi
ffff
44 ‰
ffff
ffffp
ææ œæ
fff
° 3 œœ Vln.1 & 4
Vln.2
œ
44 ‰
>œ
∑
∑
æ ? 3 œææ 4
{
Ϫ
œ
∑
>Ϫ
42
ffff
œ
ffffp
œ
/ 43
3 &4
Accord.
œ
Ϫ Ϫ
mp
3 &4
{
œ
& 43
Hp.
œ
ffff
œ
ffffp
pp
ord.
œ <“>
B. D. {
œ
Ϫ
ffffp
42
ffff
ffffp
mp
fff
Glock.
Ϫ
œ
fff
{
œ
ffffp
œ
T.-t. {
Ϫ
œ
œ ffff
ffffp
œ
fff
Mar.
#>œ ™ œ œ
& 43 œ
? 43
B. Tbn.
#œ
mp
3 ¢& 4
bœ
ffffp
fff
fff
Alto Sax.
>œ™ œ œ
mf ffff
œ
? 43
B. Cl.
œ
œ
3 &4
œ
mf ffff
œ
ffff
Cl.
œ
≥
˙ >˙
mute
Ó
mute
Ó
mute
Ó
&
MISURATO, LONTANO, MOLTO MISTERIOSO sempre
M
° & 200
Picc.
∑
∑
Flute 3:2q
& œ bœ
Fl.
pp
œ
& ˙ o
Cl.
œ
bœ
˙
pp
& w
Cl.
pp
?
B. Cl.
pp
Alto Sax.
pp
3:2q
œ #œ ˙
œ œ œ
œ #œ œ œ œ
“” #œ
˙™
œ
œ
∑
w
w
w
w
w
w
w
˙™
˙
Ϫ
œ œ œ™
#œ
#œ
œ
Ó œ
œ
Ϫ
Œ bœ
bœ
pp
œ
™ œ #œ œ œ
œ
Œ
o
œ #œ
œ
œ #œ ˙
∑
U ∑
∑
∑
?
∑
∑
∑
∑
∑
Mar.
Glock.
{
&
Tubular Bells
∑
∑
Ó
Ó
soft mallets
Œ
Crotales medium soft mallets
To Crot.
?
{&
∑
To Vib.
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
˙™
ppp
Vibraphone very soft mallets
Ó
Ϫ
Œ
bœ
ppp
°
œ
#œ
œ
{
&
Hp.
S.
Accord.
?
w
pp
3:2q
œ bœ
pp
ord.
Ϫ
pp
w
bœ
œ
œ #œ ˙
j œ œ #œ œ
˙
Ϫ
œ
œ
#œ
w œ
œ
œ œ œ
3:2q
œ œ œ™
œ
#œ
3:2q
#œ
œ
œ
bœ
œ
&
Ϫ
™ œ #œ œ œ
œ #œ
… Ó
œ
l.v. œ #œ ˙
∑
∑
∑
Ó
&
∑
∑
∑
∑
∑
Ó
(loco)
w
w
w
w
w
choke
Ù
˙™
◊ÿ ˙
U w
very slow up and down unsynchronised 1/4tonevibrato, produced by sliding the finger
w
˙
–—–—–—–—–—–—–—–—–—–—–—–—–—–—–—–—–—–—– ˙ w w
pp
ô & w pp
w
w
w
Bô w
w
w
˙™
—–—–—–—–—–—–—–—–—–—–—–—–—– –—–—–—– œ w w
w
—–—–—–—–—–—–—–—–—–—–—–—– w w
gliss.
–—–—–—–—–—–—–—–—–—–—–—–—–—–—–—–—–—–—–—–—–—–—–—–—–—– w w w
gliss.
pp
? ôw
sul pont sempre
pp
? ôw
sul pont sempre
—–—–—–—–—– –—–—–—–—–—
very slow up and down unsynchronised 1/4tonevibrato, produced by sliding the finger
w
very slow up and down unsynchronised 1/4tonevibrato, produced by sliding the finger
w
w
very slow up and down unsynchronised 1/4tonevibrato, produced by sliding the finger
w
w
pp Copyright © Friso van Wijck/FVW MUSIC 2018
o
U ∑
o
very slow up and down unsynchronised 1/4tonevibrato, produced by sliding the finger
˙™
œ J ‰ o
gliss.
w
œ
U ∑
?
U w
pp
U ∑
U ∑
˙
pp
sul pont sempre
¢
œ
U ∑
j œ ™™™
Ó
∑
sul pont sempre
Cb.
l.v. œ #œ ˙
pp poss
M pont sempre ° sul ô Vln.1 & bw
Vc.
bœ
l.v.
∑
?
Vla.
w
œ
œ
&
{
Vln.2
œ
˙™
w
” œ “ #œ œ œ œ
U ∑ U ∑
stop turning, l.v.
{& w o
ord.
˙
∑ œ #œ
ppp poss
U ∑
l.v.
∑ œ #œ œ œ ™
w
pp
l.v.
œ #œ ˙
œ
U
˙ “‘
‰ #œj œ pppp °
Singing Bowl
Singing B.
U ∑
o
U ∑
∑
∑
U ∑
Πo
∑
∑
To Tub. B.
U ∑
∑
∑
{&
U ∑
o
ppp poss
Tub. B.
U ∑
∑
w
∑
˙
œ
∑
¢&
B. Tbn.
œ
3:2q
∑
∑
j œ œ #œ œ
Ϫ
œ
w
∑
&
Cl.
œ
œ
#œ
21
. gliss
o gliss.
o
o o
o
U ∑ U ∑ U ∑
U ∑ U ∑
F.V.W. Rotterdam, February / April - 2018