No one knows what exactly happened 2013 score

Page 1

FRISO VAN WIJCK

NO ONE KNOWS WHAT EXACTLY HAPPENED

FOR NONET


2

FRISO VAN WIJCK

NO ONE KNOWS WHAT EXACTLY HAPPENED (2013) FOR NONET

INSTRUMENTATION: FLUGELHORN SOPRANO SAXOPHONE ALTO SAXOPHONE VIOLIN VIOLA CELLO PIANO DOUBLE BASS DRUMS

DURATION: APPROX. 10:00

SCORE IN C


3

No One Knows What Exactly Happened A  Flugelhorn 

AS WRITTEN q = ±75

         Violin  

Alto Saxophone

pp

Viola

Violoncello

Piano

Contrabass

Soprano Saxophone

Friso van Wijck

  

 

pp

    

5





       

3

mp

   

loco

mp

mp

     sfzp      sfzp       sfzp

      

 mp

mp

 



mp

 

  

   

mp

pp

mp

pp

mp

pp

    

 

    

 

 

 



 

  

    

       3   

    

    

    

      



  

 

3

AS WRITTEN

A

q = ±75

      pizz.

pp

 3

      

5

with shank of drumsticks on side of different cymbals Drum Set

3

5

pp

 

pp

B

     

pp

© F.V.W.

5

 3

   3

       3

 

B

  

  

p

  

ppp


4

 Flug.  18

MOLTO RUBATO

C

Follow Alto Sax sempre 5

    

   

    

   

    

   

   

    

   

   

    

   

   

    

   

 

 

    

   

   

f

3

3

Follow Alto Sax sempre

Sop. Sax.

Alto Sax.



 Vln.  

Vla.

Vc.

Pno.

Cb.

5

    

f

5

    

f

5

    

f Follow Alto Sax sempre 5

    

Follow Alto Sax sempre

f

    

5

f

 

3

3

3

               

Answer all Sax/ensemble-phrases with dense free fill-ins

 

3

3

  f

sim

                

C

pizz. Answer all Sax/ensemble-phrases with dense fill-ins sim

               

3

5



f

5

   

sim                        3

     3

5

3

3

3

MOLTO RUBATO

3

Follow Alto Sax sempre

f Dr.

Lead sempre

3

  

     3

               3


  

     

     

     

  

     

     

     

27

Flug.

Sop. Sax.

Alto Sax.



Vln.

Vla.

Vc.

Pno.

Cb.

Dr.

     

                   

sim

 3

 

                

sim

           

5 3            5 3            5 3            5 3           

 

 

 

 

 

 

5 3           

           5

3

 

sim

   

                                 

            sim           5

3

3

 

        

 

 

5


6

D

  tacet Flug.   37

 

Sop. Sax.

Alto Sax-solo

String trio-solo

E

   

tacet

wild chaotic free solo, end with harsh low multiphonic (=cue for str.trio)

tacet



tacet

tacet     Alto Sax.        altosax multiphonic as cue for stringtrio-solo  free, wild collective solo  (tacet)  build down gradualy to minimalistic pizzicato-texture      Vln.  

Vla.

Vc.

Pno.

Cb.

 

(tacet)

 

(tacet)

free-ish fast swing, chaotic, no specific meter, no exact "1" --time, no changes--

Alto Sax-solo

free-ish fast swing, chaotic, no specific meter, no exact "1" --time, no changes--

 

altosax multiphonic as cue for stringtrio-solo free, wild collective solo build down gradualy to minimalistic pizzicato-texture

       altosax multiphonic as cue for stringtrio-solo free, wild collective solo build down gradualy to minimalistic pizzicato-texture

       altosax multiphonic as cue for stringtrio-solo tacet

 

trio-solo E altosax String multiphonic as cue for stringtrio-solo tacet

        free-ish fast swing, chaotic, no specific meter, no exact "1" --time, no changes--

Dr.

multiphonic

           

D



       

tacet

 


    41

Flug.

F

Transition

tacet

 

tacet

Sop. Sax.

 Alto Sax.   

tacet

G Flugelhorn-solo

Sax-solo H Soprano sopr sax joins

      solo-spacious, misterioso

after a while build down to nothing

Vla.

   

 

 



 



 



 



solo-mellow

tacet

build down to nothing

    Vc.      

Pno.

Cb.

Dr.

give cue for first pianochord in I

tacet

      continue pizz-texture



 

tacet

pizz-texture build down to nothing  continue    Vln.        continue pizz-texture

7

tacet

tacet

tacet

build down to nothing

tacet

         play inside piano-freely

 

F

continue

continue, slowly go to keys when Fugelhrn drops out

 

Transition

G Flugelhorn-solo

 

 

 

 

tacet

 



Soprano Sax-solo

 

tacet

tacet

H   

singing bowls in C#, D and E

 


8

I

 Flug.  46

J tacet

Bass-solo

tacet

tacet

   build down to nothing

Sop. Sax.

Alto Sax.

Vla.

Pno.

Cb.

Dr.

tacet

build down to nothing

tacet



 Vln. 

Vc.

Transition q = ±50

K

rit.

tacet

tacet

tacet

tacet

tacet

tacet

tacet

tacet

tacet

Cue by Sopr Sax Comp/interact freely, no exact pulse or meter - sempre

    

  

 

  

    I

  

 

  

Piano, basic chords

Comp/interact freely, no exact pulse or meter - sempre

J

 

  

  

  

  

  

Cue by Double Bass

 

  

 

Bass-solo rit.

K

   Transition

freely

  

 



Give cue for K

solo, lyrical, freely

Cue by Double Bass brushes rubato time

q = ±50




Flug.

L

    55

 

Sop. Sax.

 Alto Sax.    Vln.

     

Vla.

Vc.

Pno.

Cb.

 

M

Piano solo



tacet



tacet



tacet



tacet



tacet



tacet

solo, balad-ish free, open

tacet

tacet

tacet

tacet

Give cue for pno&strings punta 'd arco sempre

 

L

balad-ish free, open

Cue by Vln  

mf

G_9

  

Cue by pno freely

 Csus4           D_9

G_9

Csus4

  

Csus4

F^/C

  

F^/C

      

Bb^/A

  

C7/E

   

by Vln  Cue   

rit.

Cue by Vln                         

    

F^

f

take bow

C7/E

F^

    

Take sticks.

Dr.

  

Cue by Vln

Cue by Vln freely

            

Bb^/A

 

punta 'd arco sempre

tacet

for pno&strings  Cue    

 

punta 'd arco sempre Cue by Vln mf

M

F^/C

  

 

tacet



Piano solo

  

mf

D_9

F^/C

9

tacet

      Csus4

q = ±40

tacet

tacet

continue solo, but sparse more emphasis on chords

Cue for M

N

rit.

N

 

3

q = ±40

 

arco punta 'd arco sempre Cue by Vln mf

  

Cue by Vln


10

 Flug.  67

Sop. Sax.

Alto Sax.

 

   Vln.   Vla.

  

  Vc.  

Pno.

Cb.

Dr.

  

Cue for pno&strings

    

Cue by Vln

  

Cue by Vln

       

Cue for pno&strings       

 

 

Cue by Vln

 

Cue by Vln

   

  

Cue end

   

Cue by Vln Cue by Vln                               loco                    3 3

    

 Cue  by Vln 

 

3

 Cue  by Vln 

 

 

FREELY, MAESTOSO

O tacet

tacet

Cue by drs

f

 Cue by drs

       

      

Cue by drs

Cue by drs

3

ff

3

Cue by drs

Cue by drs

f

  ff

fff

Cue by drs

Cue by drs

Cue by drs

f

ff

fff

Cue by drs

Cue by drs

Cue by drs

ff



Cue by Vln

   f      O

fff

 Cue by drs  

   ff    

Cue by drs

Cue by drs

    fff

FREELY, MAESTOSO

freely Cue by Vln Cue by drs

 

f

 

5

fff

 

Cue by Vln

Cue by drs

fill in similar until next cue sempre

Cue by drs Cue by drs 3                        5

pizz. f

3

3

ff

5

4

fff

4

 free, dense


MOLTO RUBATO, VERY SLOW on cue by piano

 

77

Flug.

Sop. Sax.

Cue by drs Alto Sax.





ffff

   Vln. 

 

Cue by drs



P MOLTO MOLTO LONTANO          pppp   

pppp

    

Vla.

Vc.

Pno.

Cb.

Dr.



ffff Cue by drs

 ffff

   

  

 

Cue by drs

    

  

ffff

          Cue by drs

5

  

       

 

 

p

  

ppp

       

3

ppp

DREAMLIKE - HESITATING freely

  

   

 

p

  ppp

         

ppp

 3

3 5        

 

 

cymbals with bow.

MOLTO RUBATO, VERY SLOW

P on cue by piano  tacet    

take mallets

  



ppp start a bit later then Vln MOLTO MOLTO LONTANO

 

 

ricochet repeat irregular ad. lib.

   

 

MOLTO MOLTO LONTANO small noises

non vibr, change very slowly from ord to sul pont and back - sempre

Give cue for P

4                   ffff      3

 

 

 

pp

 

   

 

 

   

pp

  

  

 MOLTO MOLTO LONTANO       pppp

ffff

Cue by drs

    

MOLTO MOLTO LONTANO

11


12

 Flug.    84

 

Sop. Sax.

Alto Sax.



   

  Vln.     

Cb.



 

   

         

 

 

 

  

 

   

 

 

  

  

   

fade away on cue of high bell

 

 

fade away on cue of high bell

  

fade away on cue of high bell

ricochet repeat irregular ad. lib.

 

fade away on cue of high bell

  

fade away on cue of high bell

  5 

5



 

5

 

  

 3

   

   3

 

5

3        

 

  

 

ppp

 fade away on cue of high bell

ricochet repeat irregular ad. lib.

   

lift pedal slowly on cue of high bell

start a bit later then Vla MOLTO MOLTO LONTANO

ppp

Dr.

  

  

    

Pno.

Vla.

Vc.

 

fade away on cue of high bell

   ppp

 

         

     

3:2

           

 

high bell

pppp

F.V.W. 2013


Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.