No one knows what exactly happened 2013 score

FRISO VAN WIJCK

NO ONE KNOWS WHAT EXACTLY HAPPENED

FOR NONET

2

FRISO VAN WIJCK

NO ONE KNOWS WHAT EXACTLY HAPPENED (2013) FOR NONET

INSTRUMENTATION: FLUGELHORN SOPRANO SAXOPHONE ALTO SAXOPHONE VIOLIN VIOLA CELLO PIANO DOUBLE BASS DRUMS

DURATION: APPROX. 10:00

SCORE IN C

3

No One Knows What Exactly Happened A  Flugelhorn 

AS WRITTEN q = ±75



         Violin  

Alto Saxophone

pp

Viola

Violoncello

Piano

Contrabass







Soprano Saxophone

Friso van Wijck



  

 



pp

    

5



























       



3



mp

   

loco





mp



mp



     sfzp      sfzp       sfzp

      

 mp



mp

 



mp

 



  



   





mp

pp





mp



pp





mp

pp







    











 











    









 

 

 







 

  











    











       3   











    



















    

















    

















      





  

 

3











AS WRITTEN

A

q = ±75

      pizz.

pp



 3



      

5

with shank of drumsticks on side of different cymbals Drum Set













3







5

pp







 

pp



B



     

pp

© F.V.W.

5



 3



   3

       3

 



B

  

  

p

  

ppp

4

 Flug.  18

MOLTO RUBATO



C

Follow Alto Sax sempre 5

    





   

    





   

    

   





   

    



   





   

    



   





   

    



   





 

 

    



   







   







f

3

3

Follow Alto Sax sempre



Sop. Sax.

Alto Sax.



 Vln.  

Vla.

Vc.

Pno.

Cb.







5

    



f

5

    



f

5

    



f Follow Alto Sax sempre 5



    



Follow Alto Sax sempre



f

    



5

f

 

3

3

3

               



Answer all Sax/ensemble-phrases with dense free fill-ins

 



3



3





  f



sim

                



C

pizz. Answer all Sax/ensemble-phrases with dense fill-ins sim

               



3

5





f

5



   

sim                        3

     3

5



3

3

3

MOLTO RUBATO



3

Follow Alto Sax sempre

f Dr.

Lead sempre

3

  



     3

               3

  





     







     







     

  





     







     







     

27

Flug.

Sop. Sax.



Alto Sax.



Vln.



Vla.

Vc.

Pno.

Cb.

Dr.







     

                   

sim



 3

 





                

sim

           

5 3            5 3            5 3            5 3           









 













 













 











 











 









 



5 3           



           5









3

 

sim

   

                                 

            sim           5



3



3

 

        







 







 

5

6

D

  tacet Flug.   37

 

Sop. Sax.

Alto Sax-solo

String trio-solo

E

   

tacet

wild chaotic free solo, end with harsh low multiphonic (=cue for str.trio)

tacet



tacet

tacet     Alto Sax.        altosax multiphonic as cue for stringtrio-solo  free, wild collective solo  (tacet)  build down gradualy to minimalistic pizzicato-texture      Vln.  

Vla.

Vc.

Pno.

Cb.



 

(tacet)

 

(tacet)



free-ish fast swing, chaotic, no specific meter, no exact "1" --time, no changes--

Alto Sax-solo

free-ish fast swing, chaotic, no specific meter, no exact "1" --time, no changes--

 

altosax multiphonic as cue for stringtrio-solo free, wild collective solo build down gradualy to minimalistic pizzicato-texture

       altosax multiphonic as cue for stringtrio-solo free, wild collective solo build down gradualy to minimalistic pizzicato-texture

       altosax multiphonic as cue for stringtrio-solo tacet

 

trio-solo E altosax String multiphonic as cue for stringtrio-solo tacet

        free-ish fast swing, chaotic, no specific meter, no exact "1" --time, no changes--

Dr.

multiphonic

           

D



       

tacet

 

    41

Flug.

F

Transition

tacet

 

tacet

Sop. Sax.

 Alto Sax.   

tacet

G Flugelhorn-solo

Sax-solo H Soprano sopr sax joins

      solo-spacious, misterioso

after a while build down to nothing

Vla.

   

 

 



 



 



 



solo-mellow

tacet

build down to nothing

    Vc.      

Pno.

Cb.

Dr.



give cue for first pianochord in I

tacet

      continue pizz-texture



 

tacet

pizz-texture build down to nothing  continue    Vln.        continue pizz-texture

7

tacet

tacet

tacet



build down to nothing

tacet



         play inside piano-freely

 

F

continue

continue, slowly go to keys when Fugelhrn drops out

 

Transition

G Flugelhorn-solo

 

 

 

 

tacet

 



Soprano Sax-solo

 

tacet

tacet

H   

singing bowls in C#, D and E

 

8

I

 Flug.  46

J tacet

Bass-solo

tacet

tacet

   build down to nothing

Sop. Sax.

Alto Sax.



Vla.

Pno.

Cb.

Dr.

tacet

build down to nothing

tacet



 Vln. 

Vc.

Transition q = ±50

K

rit.







tacet

tacet

tacet

tacet

tacet

tacet

tacet

tacet

tacet

Cue by Sopr Sax Comp/interact freely, no exact pulse or meter - sempre

    

  

 

  

    I

  

 

  

Piano, basic chords

Comp/interact freely, no exact pulse or meter - sempre

J

 

  

  

  

  

  

Cue by Double Bass

 

  

 

Bass-solo rit.

K

   Transition

freely

  



 





Give cue for K

solo, lyrical, freely











Cue by Double Bass brushes rubato time







q = ±50













Flug.

L

    55

 

Sop. Sax.

 Alto Sax.    Vln.

     

Vla.

Vc.

Pno.

Cb.



 



M

Piano solo



tacet



tacet



tacet



tacet



tacet



tacet

solo, balad-ish free, open

tacet

tacet

tacet

tacet

Give cue for pno&strings punta 'd arco sempre

 

L

balad-ish free, open

Cue by Vln  

mf

G_9

  

Cue by pno freely

 Csus4           D_9

G_9

Csus4

  

Csus4



F^/C

  

F^/C

      

Bb^/A

  

C7/E

   

by Vln  Cue   

rit.

Cue by Vln                         

    

F^

f

take bow

C7/E

F^

    

Take sticks.

Dr.

  

Cue by Vln

Cue by Vln freely

            

Bb^/A

 



punta 'd arco sempre

tacet

for pno&strings  Cue    

 

punta 'd arco sempre Cue by Vln mf

M

F^/C

  

 

tacet



Piano solo

  

mf

D_9

F^/C

9

tacet

      Csus4

q = ±40

tacet

tacet

continue solo, but sparse more emphasis on chords

Cue for M

N

rit.

N

 

3

q = ±40

 

arco punta 'd arco sempre Cue by Vln mf



  

Cue by Vln

10



 Flug.  67

Sop. Sax.

Alto Sax.

 

   Vln.   Vla.

  

  Vc.  

Pno.

Cb.

Dr.



  

Cue for pno&strings

    

Cue by Vln

  

Cue by Vln

       

Cue for pno&strings       

 

 

Cue by Vln

 

Cue by Vln

   

  

Cue end

   

Cue by Vln Cue by Vln                               loco                    3 3



    

 Cue  by Vln 

 

3

 Cue  by Vln 

 

 

FREELY, MAESTOSO

O tacet





tacet



Cue by drs





f





 Cue by drs



       

      

Cue by drs

Cue by drs

3

ff

3

Cue by drs

Cue by drs



f

  ff

fff

Cue by drs

Cue by drs

Cue by drs



f



ff

fff

Cue by drs

Cue by drs

Cue by drs



ff





Cue by Vln

   f      O







fff

 Cue by drs  

   ff    

Cue by drs

Cue by drs

    fff

FREELY, MAESTOSO

freely Cue by Vln Cue by drs



 



f

 

5

fff

 

Cue by Vln

Cue by drs



fill in similar until next cue sempre

Cue by drs Cue by drs 3                        5

pizz. f

3

3

ff

5

4

fff

4

 free, dense

MOLTO RUBATO, VERY SLOW on cue by piano

 















77

Flug.

Sop. Sax.

Cue by drs Alto Sax.











ffff

   Vln. 

 

Cue by drs



P MOLTO MOLTO LONTANO          pppp   

pppp

    



Vla.

Vc.

Pno.

Cb.

Dr.











ffff Cue by drs



 ffff





   

  

 

Cue by drs

    

  

ffff

          Cue by drs

5

  







       

 







 

p



  





ppp

       

3



ppp

DREAMLIKE - HESITATING freely

  

   

 



p

  ppp



         

ppp

 3





3 5        







 







 

cymbals with bow.



MOLTO RUBATO, VERY SLOW

P on cue by piano  tacet    

take mallets



  





ppp start a bit later then Vln MOLTO MOLTO LONTANO

 



 

ricochet repeat irregular ad. lib.



   



 

MOLTO MOLTO LONTANO small noises

non vibr, change very slowly from ord to sul pont and back - sempre

Give cue for P

4                   ffff      3

 



 



 

pp

 

   

 

 

   

pp





  

  

 MOLTO MOLTO LONTANO       pppp

ffff

Cue by drs

    

MOLTO MOLTO LONTANO



11

12

 Flug.    84

 

Sop. Sax.

Alto Sax.





   

  Vln.     

Cb.











 





   



         



 

 

 

  

 



   

 



 

  



  



   

fade away on cue of high bell

 

 

fade away on cue of high bell



  



fade away on cue of high bell

ricochet repeat irregular ad. lib.



 

fade away on cue of high bell



  

fade away on cue of high bell

  5 







5



 

5



 



  







 3

   

   3



 

5

3        





 

  

 

ppp

 fade away on cue of high bell

ricochet repeat irregular ad. lib.

   



lift pedal slowly on cue of high bell

start a bit later then Vla MOLTO MOLTO LONTANO

ppp

Dr.

  

  





    

Pno.





Vla.

Vc.



 

fade away on cue of high bell



   ppp

 



         

     

3:2

           

 

high bell



pppp

F.V.W. 2013