Fort Worth Weekly // Halloween 2020

Halloween 2020

Slasher flicks and horror movies inspire the macabre paintings of Rayna Terror.

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Hero from Texas

In the pantheon of tall Texans, perhaps the greatest and most internationally beloved was lost on the cutting room floor.

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To say that Texas and Texans have had a memorable imprint on modern history and culture would be a grievous understatement. Texas heroes — real and imaginary — have inspired Texans, Americans, and folks around the world since the founding of the Republic. Heck, I can remember a time in the ’80s when the whole planet was fixated on the Lone Star State, enthralled by Urban Cowboy (and super-honky-tonks like Billy Bob’s and Gilley’s), fascinated by J.R. Ewing and the uber-popular Dallas television series, and captivated by the narrative of Lonesome Dove. Everyone from Tyler to Timbuktu was nostalgic for the measures of friendship, loyalty, and love stories that sprang from Larry McMurtry’s Pulitzer Prize-winning page-turner, and Augustus “Gus” McCrae and Woodrow F. Call became household names.

It didn’t start there, of course. Dallas was prefigured by the struggles between Rock Hudson’s Jordan “Bick” Benedict and James Dean’s Jett Link in the 1956 motion picture classic Giant, which suggested Texans were ranchers or oil men — though in the ensuing years, most Texans seemed to forget which character best exemplified Texas.

Another 1956 motion picture classic, however, was arguably more influential than either. Named the greatest American Western of all time by the American Film Institute in 2008, The Searchers is considered a masterpiece and one of the most compelling yarns ever committed to

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Modern recognition Dracula primarily 1931 American film starring Bela Lugosi

of Bram Stoker’s stems from the of the same name, as Count Dracula.

I have not seen anything pulled down so quick since I was on the Pampas and had a mare that I was fond of go to grass all in a night. One of those big bats that they call vampires had got at her in the night, and, what with his gorge and the vein left open, there wasn’t enough blood in her to let her stand up, and I had to put a bullet through her as she lay.

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Forgotten Halloween

celluloid. John Wayne’s Ethan Edwards is larger than life, especially set against director John Ford’s sprawling landscapes and panoramic vistas (ironically filmed mostly in Utah). But he’s also hard and scary. His hardness may have been necessary in terms of survival on the frontier, but it almost left him unfit for normal existence. It was certainly a far cry from Ethan Edwards’ predecessor, The Lone Ranger, another Texan riding the frontier trying to right wrongs. In fact, the black-and-white Lone Ranger television series began in 1949 and ran until 1957, when Wayne’s Edwards made the Ranger seem quaint.

The origins of the Texas hero archetype began at the Alamo, of course, and specifically in the tales of Davy Crockett, Jim Bowie, and William Barret Travis. Travis’ famous letter commenced with a forward-thinking, ambitious salutation: “To the People of Texas and All Americans in the World.” It ended with his declaration “VICTORY or DEATH.” And legend has it, they all died.

We all know the story. It’s taught in every Texas school. The Alamo was our Thermopylae and Travis was our own King Leonidas. The tale was the Lone Star State’s only real, far-reaching cultural reference until well after the Civil War. The heroes of the Alamo were later joined by real life WWII hero Audie Murphy, whose wartime feats dazzled patriotic Americans and war historians alike. Texas wunderkind Howard Hughes also grabbed a lot of attention and left an international footprint — but hardly as a stereotypical Texan.

In the interim between Crockett, Bowie, and Travis and the Lone Ranger, there were very few major referential figures. Cases could be made for infamous outlaws like John Wesley Hardin or Clyde Barrow, but neither was really hero or archetype material.

There was, however, another major, internationally renowned Texas hero who appeared at the end of the 19th century.

In fact, he was the chief hero of one of the most popular books in human history.

But he got lost in the shuffle.

The actual Bram Stoker novel, published in 1897, included an additional, unsuccessful suitor for Mina Harker’s friend, Lucy Westenra.

He was a Texan named Quincey P. Morris. He was tall, handsome, and fearless. He was wealthy and came from a ranching background.

He was also “well-educated” and had “exquisite manners” — but he always carried a Bowie knife.

It was horrifying for its time, incredibly successful, and, in its own right, profoundly iconic. Unfortunately, it cut the yarn’s most gallant character out of the narrative.

The actual Bram Stoker novel, published in 1897, included an additional, unsuccessful suitor for Mina Harker’s friend, Lucy Westenra. He was a Texan named Quincey P. Morris. He was tall, handsome, and fearless. He was wealthy and came from a ranching background.

He was also “well-educated” and had “exquisite manners” — but he always carried a Bowie knife.

In the period that the story takes place, Morris was staying with his English friend, Arthur Holcomb, who had recently won Lucy’s affection and was her fiancée.

In fact, when Morris’ affection for Lucy (whom he admires because of her “grit”) leads him to ask her, “Won’t you just hitch up alongside of me and let us go down the long road together, driving in double-harness?,” he is rebuffed. But he good-naturedly replies, “Little girl, your honesty and pluck have made me a friend, and that’s rarer than a lover; it’s more unselfish anyhow.”

Later, when Lucy inexplicably falls ill because she is slowly exsanguinated

by Count Dracula, Morris is the first to recognize what is happening because he has had some experience with it:

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Then, after Lucy is dead, Morris notices bats lingering around. When Professor Van Helsing, the Harkers, and the others gather to discuss what to do about Dracula, Morris takes leave of the conversation to dispatch a bat that’s been perched outside the parlor window where they’re holding the discussion. And when Mina is falling ill after being visited

by Dracula and instructs her husband Jonathan and the others that if she starts to turn into one of the undead to kill her in such a way that she will not join the ranks of the vampire, Morris is the first to give his promise in regards to the seemingly unconscionable task: I’m only a rough fellow, who hasn’t perhaps, lived as a man should to win such a distinction, but I swear to you by all that I hold sacred and dear that, should the time ever come, I shall not flinch from the duty that you have set us.

At the end of the narrative, when the sun is setting in the area near Dracula’s castle and the wolves are beginning to make what Dracula himself had referred to as “sweet music,” Morris and the other protagonists accost the Szgany gypsy caravan that is transporting the Count.

Morris and Jonathan Harker are the first to assail Dracula’s escorts in an effort to destroy him. Mina describes the scene: In the midst of this I could see that Jonathan on one side of the ring of men, and Quincey on the other, were forcing a way to the cart; it was evident that they were bent on finishing their task before the sun should set. Nothing seemed to stop or even hinder them.

Neither the levelled weapons or the flashing knives of the gypsies in front, or the howling of the wolves behind, appeared to even attract their attention.

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Dracula abruptly turns to dust, and Morris subsequently sinks to the ground, blood still gushing from his abdomen.

Jonathan and Mina rush to Quincey’s side. He lays his head on Jonathan’s shoulder and takes Mina’s hand, telling them “I am only too happy to have been of service.”

As Quincey dies, a “gallant gentleman,” his last words are “The curse has passed away.”

Some years later, the Harkers’ son is born on the same day Quincey Morris perished, and they decide to call him Quincey.

In one of the most universally familiar works of world literature, Quincy P. Morris is key to saving the day, and readers of

avoid litigation. Dracula became “Orlok,” Jonathan Harker became “Thomas Hutter,” and so on. And Lucy Westenra and all of her suitors — including Quincey Morris — were eliminated.

In 1923, Florence Stoker licensed Dracula to playwright Hamilton Deane, whose 1924 stage play adaptation toured England for several years. In 1927, American producer Horace Liveright employed John L. Balderston to revise Deane’s script before its American premiere.

Balderston significantly abridged the narrative, changing or eliminating several characters, including, again, Quincey Morris. The 1931 American film Dracula simply followed

the prevailing stage versions.

Bram Stoker’s Dracula has been translated into every major language and has never been out of print. It has inspired 750 films, and more than 200 feature Dracula himself in a major role. Stoker’s bloodsucker has gone on to become a global phenomenon, but — excluding Francis Ford Coppola’s 1992 film Bram Stoker’s Dracula — the tall Texan largely responsible for the vampire’s demise has been almost entirely forgotten, even by most Texans. l E.R. Bills is the author of Pendulum Grim and the editor of Road Kill: Texas Horror by Texas Writers, Vol. 5.

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Mr. Morris had had to use force to pass through his side of the ring of Szgany.

All the time I had been breathlessly watching Jonathan I had, with the tail of my eye, seen [Quincey Morris] pressing desperately forward, and had seen the knives of the gypsies flash as he won a way through them, and they cut at him.

He had parried with his great bowie knife, and at first I thought that he too had come through in safety; but as he sprang beside Jonathan, who had by now jumped from the cart, I could see that with his left hand he was clutching at his side, and that blood was spurting through his fingers. He did not delay notwithstanding this, for as Jonathan, with desperate energy, attacked one end of the [coffin], attempting to prize off the lid with his great Kukri knife, he attacked the other frantically with his bowie. Under the efforts of both men the lid began to yield; the nails drew with a quick screeching sound, and the top of the box was thrown back. …

The sun was almost down on the mountain tops, and the shadows of the whole group fell long upon the snow.

I saw the Count lying within the box upon the earth, some of which the rude falling from the cart had scattered over him. He was deathly pale, just like a waxen image, and the red eyes glared with the horrible vindictive look which I knew all too well.

As I looked, the eyes saw the sinking sun, and the look of hate in them turned to triumph.

But, on the instant, came the sweep and flash of John’s great knife. I shrieked as I saw it shear through the throat; whilst at the same moment Mr. Morris’s bowie knife plunged into the heart.

Dracula have been familiar with him for 120 years. But when moving pictures began to supplant the printed page, he disappeared on the cutting room floor.

The first motion picture to feature Dracula is a lost Hungarian film called Dracula’s Death. Produced in 1921, it includes an original narrative and followed Stoker’s novel only in the title.

The following year, the brilliant German director F.W. Murnau filmed Nosferatu.

Since the production company for Nosferatu was unable to get permission to adapt the film from Dracula (from Bram Stoker’s widow, Florence), the script featured changes to several characters and plotlines in an unsuccessful attempt to

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Jonathan Harker’s approach is less obstructed than Quincey’s and, as he achieves the cart and pushes the count’s coffin off, Mina observes:

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At 5:20pm, 7:55pm, or 10:30pm Fri and Sat, sit on the edge of your seat Saturday for the classic horror movie Halloween from 1978 at the Grand Berry Theatre (2712 Weisenberger St). This American slasher film was directed by horror icon John Carpenter and features Jamie Lee Curtis in her first film role. Show times are 5:20pm, 7:55pm, and 10:30pm. Tickets are $8 at GrandBerryTheater.com. (Michael Myers says he will just catch up with you after.)

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NIGHT&DAY

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From 10am to 8pm daily thru Oct 30, experience Wednesday the SJA Pumpkin Patch in the parking lot of St. John the Apostle United Methodist Church (540 Mansfield Rd, Arlington, 817-468-8484). There are free photo ops, and pumpkins will be for sale with proceeds benefiting the mission efforts of the SJA youth group.

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Halloween and Dia de los Muertos are here.

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Located at the site of an old military base, Hangman’s House of Thursday Horrors (4400 Blue Mound Rd, 817-336-4264) has limited capacity this year, and many dates are unavailable. If you’re looking for a weeknight haunted-house experience, this is the place. Start times are 8:30pm, 9pm, 9:30pm, and 10pm. Tickets are

Today is Dia de los Muertos, a day celebrating the deceased with Sunday activities they enjoyed during their lives. Local metaphysical/ holistic shop Hearth Wisdom Store (2899 W Pioneer Pkwy, Arlington, 682-323-5085) is starting off Day of the Dead with a free Dia de los Muertos Public Ofrenda for those who wish to honor a loved one who has passed away. Hearth will provide paper for their names. Come and go throughout the day, from noon to 7pm.

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Juan Velazquez, our Best Of 2020 winner for Best Mural, has a current Monday installation at Artes de la Rosa Cultural Center (1440 N Main St, 817-624-8222) featuring Dia de los Muertos themes. Admission to Fine Art Artworks & Altars is free, but tickets are required. To download tickets, visit ArtesDeLaRosa.org.

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$34 plus fees at Hangmans.com/Tickets.

Parking is $10.

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At 6pm, the doors will open at Rail Club Live for the Halloween Friday Throwdown & Costume Contest featuring Tampa-based shock-rock band The Genitortures. Tickets are $30, but there’s an early-bird special of $15 thru

Of all the things to do this week, watching the presidential election Tuesday results unfold will be by far the scariest. Here in Texas, we’re able to vote early thru Oct 30, and each polling location has different hours of operation.

If you don’t make it by Fri, then Tue –– Election Day –– is your last chance.

Polling locations are open 7am to 7pm.

Please vote!

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5pm, or Defender Outdoors Clay Sports Ranch (8270 Aledo Rd, 817-935-8378) from 9am to 1pm, just to name a few.

Ready for adult fun on the town? Fat Daddy’s (781 W Debbie Ln, Mansfield, 817-453-0188) is having a Halloween Bash with live tribute music by the Mullet Boyz and a costume contest with $2,000 in prize money. Cover is $15 and includes a free $5 food coupon. Studio 80 (500 Taylor St, 817-332-4833) will help you dance the night away to ’80s tunes spun by an in-house DJ. This popular dance club is

also hosting a costume contest with prize money — to the tune of $500. Cover is $10. Ladies receive two complimentary tacos with cover. If original live music is more your thing, head to Lola’s Trailer Park (2735 W 5th St, 817-759-9100) for A Royal Sons & Polydogs Halloween Show. Tickets are $15 at Prekindle.com.

For an all-ages good time, head to Free Play (1311 Lipscomb St, 682-2311444). Admission is $6, and everyone in costume receives a goody bag. Along with more than 100 games in the game room,

Free Play is also screening movies on its rooftop, including Killers from Space, The House on Haunted Hill, Night of the Living Dead, and Voyage to the Planet of the Prehistoric Women. And, yes, the rooftop bar will be open. And Crockett Hall (3000 Crockett St, 817-885-7331) is hosting Halloween at the Hall featuring free treat bags for the kids from 3pm to 7pm and then live music by local singer-songwriter Summer Lane Emmerson from 7pm to 9pm. The hall has 12 food concepts, plus a bar. The whole family will be happy. l

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We finally get a Halloween on a Saturday, but in a cruel twist of fate, we are still in a worldwide pandemic. Thanks, 2020.

Opinions about this weekend vary widely. Should I stay, or should I go now?

(I think there’s a song about that.) With social distancing and safety in mind, here are some resources for staying in and for going out on Oct 31.

If you’re staying in and welcoming trick-or-treaters or partying with the home crowd, swing past Town Talk in Fort Worth (121 N Beach St, 817-8316136), Weatherford (106 College Park Dr, Ste 200, 817-438-8099), or Arlington (2320 S Collins St, 817-435-2300). Along with an assortment of soft drinks, appetizers, and chips and dips — not ­­ to mention meat for the grill — this discount grocer also stocks a variety of candy. Why spend more when you can spend less?

There are also retailers and churches doing free trunk-or-treat events, in which the host organization decorates the trunks of vehicles and passes out candy to drive-by kiddos. For this kind of family-friendly experience, head to Arborlawn United Methodist Church (5001 Briarhaven Rd, Ste 4406, 817-7310701) at 4pm, Cattlebarn Flea Market (4443 River Oaks Blvd, 859-513-5246) at

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Halloween on a Saturday

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Bloody Great Slasher flicks and horror movies inspire the macabre paintings of Rayna Terror.

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The humorous moments that come from painting horror movie scenes are not lost on Rayna Terror (her artist name). One recent trip to buy 20 machetes, tape, and a lighter brought quizzical looks from the cashier and slow backpedaling from an employee near the exit.

“They didn’t even ask to check my receipt on the way out,” Rayna said with a laugh.

Rayna, a lifelong artist, said her passion for painting picked up four years ago when she moved to Fort Worth by way of Los Angeles. Something about the slower pace of

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life and new environment seemed to renew her interest in oils. Her most popular series is simply called Weapons. The self-described horror movie buff had the idea of artistically flipping the narrative of Friday the 13th three years ago. Before she could paint one of the Camp Crystal Lake counselors slashing Jason, Rayna needed a machete to model the artwork on.

“A friend said, ‘You know what would be cool is if you painted horror movie icons on it,’ ” Rayna recalled.

She took the advice and gave the first painted machete to the friend. From there, word and interest in commissions spread.

Butcher knives, machetes, swords: If it slices and dices, Rayna can adorn the metal with intricate oil renderings of Jason, Freddy Krueger, Pinhead, and other supernatural serial killers.

The artworks (which can be viewed at Horrorweapons.com) have even become popular Christmas stocking slashers, er, stuffers. After a past “soul-draining” stint working for a life insurance company, Rayna said her horror movie paintings blend creative challenges and her love of terrifying movies.

“Growing up, my best friend and I were obsessed with the Halloween movies,” she said. “We would play hide and seek, and one of us was Michael Myers. It was a terrifying game.”

Rayna loves all types and genres of horror movies, but the 1980s cult classics are clearly her favorite.

Butcher knives, machetes, swords: If it slices and dices, Rayna can adorn the metal with intricate oil renderings of Jason, Freddy Krueger, Pinhead, and other supernatural serial killers.

“The ’80s had such iconic characters,” she said. “Freddy Krueger had so much personality.”

Horror movie buffs aren’t deviant or gore-loving, she added. It’s the thrill of a good scare that keeps her coming back to the genre. As is probably true with most horror movie fans, Halloween is an exciting time of year.

“Halloween makes me happy,” she said. “I usually decorate for Halloween in September, so I get two months of Halloween.

Normally, I would sit around and watch horror movies. I used to love getting dressed

up like Elvira, Morticia, or Wednesday.”

With each commission comes the chance to see a new horror movie. Her excitement was palpable when she described her current work — Edward Scissorhands. The stoic visage of Tim Burton’s endearing humanoid will soon be painted on a pair of shears.

A custom-painted work by Rayna is currently being raffled at Lovecraftzine. com. The proceeds will benefit Mike Davis, the founder of Lovecraft eZine Press, which publishes weird fiction and cosmic horror.

Davis recently had health-related problems, the fundraising event said. l

another story about a haunted mansion.

However, while Hill House focused on past traumas haunting people, Bly Manor instead shows how love can haunt. Yes, it’s a good old-fashioned Gothic romance, and while it might not have its predecessor’s level of fright, Bly Manor makes up for that with psychological scares and a surprising amount of heart.

American Dani Clayton (Victoria child actors also strike a fine balance of Pedretti) is hired by Briton Henry believable and interesting without being Wingrave (Henry Thomas) to be the new saccharine, especially Ainsworth. The au pair for his nephew Miles (Benjamin standout of the series is probably T’Nia Evan Ainsworth) and niece Flora (Amelie Miler as housekeeper Mrs. Grose, who Bea Smith) at the family’s summer home of delivers a portrayal that’s sincere, strongBly Manor. Though this at first seems like willed, and just off-kilter enough to make a decent job at a good place, the children you wonder what the hell is going on with are, in fact, still reeling from the sudden her. It may take a bit for all the pieces to be deaths of their parents while abroad two laid out on the board, but when they are, years ago, not to mention their previous au you get moments like the bonfire scene in pair drowning herself in the grounds’ lake. Episode 4, when I absolutely fell in love Both Miles and Flora seem tormented with the show.

And it’s those strong performances by the events, but there may be darker that give the story and its thematic focus happenings at Bly. Let’s get this out of the way first: No, on romance such power. The pain of a Bly Manor is not as scary as Hill House. It love unspoken, the terror of a possessive lacks the sinister edge and skin-crawling love, and the longing of love forbidden scares that propelled that series’ narrative. are all mined by the show for a tale about Bly is more methodical, taking longer to how we can be haunted with and without clarify where it’s heading with a sense of ghosts. The tale could be told with a little slow-building mystery about it. That said, trimming and a handful of scenes could it’s not lacking for scares, as there are be cut to speed things along, but while plenty of tension-building slow camera the frights still aren’t on the caliber of Hill pans down dark hallways, jump scares, and House’s musings on trauma, Bly’s strong hidden ghosts to be found. Oh, and did I bonds between its characters lead to a mention that little Flora likes playing with powerful ending that makes the slow-burn approach absolutely worth it. creepy dolls that have no faces?

So if you find yourself cooped up Like the previous series, Bly is anchored by memorable characters brought without a Halloween party to attend this to life by great performances. Pedretti year, getting cozy with the characters of Bly Manor is a solid way brings an endearing to spend the holiday, sense of nervousness and lights on or off, alone or determination to Dani, The Haunting of Bly Manor Starring Victoria Pedretti, Amelie with someone special. l a woman with her own Bea Smith, Benjamin Evan ghosts to deal with. The

though the results are, this gambit from a first-time filmmaker repays his boldness.

The film stars Azhy Robertson as Oliver who can’t speak and needs a speech app on his phone to communicate verbally. One day, his dad (John Gallagher Jr.) brings home some loot from his unspeakably boring job as a late-night parking lot attendant: an unclaimed tablet with only a slightly cracked screen. The bigger defect is the tablet’s insistence on showing its users a story with pictures and text about a menacing skeleton named Larry who watches the world from the other side of the computer screen. Soon, Oliver’s speech software is talking back to him in its disjointed way: “Your mom and dad want you to be normal. I just want to be your friend.” What Larry really wants is to break through that screen into our world, using Oliver to do it.

Jacob Chase based this on his effective short film, entitled Larry. One of his inspired touches is that Larry can’t be seen with the naked eye, only with the cameras in phones and tablets. The film is like the various versions of The Ring, with ancient evils using our technology to strike at us.

Larry’s early appearances are properly creepy, especially when he starts showing up in the father’s dark and isolated workplace. Oliver’s mom (Gillian Jacobs)

with our tech is preachy invites a group of school Come Play and tendentious. The bullies to the house for Starring Azhy Robertson and Gillian Jacobs. Written and tension in the parents’ a sleepover, and the lead directed by Jacob Chase, based marriage is a promising bully (Winslow Fegley) on his own short film. Rated direction that goes has an encounter with PG-13. largely unexplored, as Larry that leaves him is Larry trying to use so traumatized that he Oliver’s autism to drive loses the power of speech, a wedge between the boy and his parents. because karma is a demon bitch.

Robertson is not autistic in real life, The emotional load largely falls on Jacobs and you may recognize him as the kid (in the role of the parent who’s with Oliver being fought over in Marriage Story. I’m less most of the time), and as wonderful as bothered by the casting of a neurotypical I’ve found her in comedies, the dramatic kid than by the script’s fuzziness about the fireworks here don’t suit her. When she specifics of Oliver’s condition. His speech snaps and screams “Why can’t you be therapist (Eboni Booth) is only there to normal?” at Oliver, it doesn’t have the assure his parents that their visions of venom that it should.

For all that, Come Play is a necessary Larry are in their heads. Aside from his “stimming” behavior to calm himself step. We easily accept films about down, he doesn’t react to Larry much characters with addictions or mental differently from most other horror-movie illnesses, which deploy the techniques characters. The film misses its chance to of cinema to depict their states of mind. show us how his condition might either With autism rates on the rise, we’re handicap or help him in a scary situation. seeing more films like Roman J. Israel, Esq. that put an autistic character at the Here’s where A Quiet Place is superior.

Alas, the story decisively falls apart center of a generic story and seeing how in the final third. If this premise makes that condition changes the outlines of you think that Oliver might suddenly the genre. Someday someone will make a recover his speech at the film’s climactic better film about an autistic character, and moment, I’m afraid that’s exactly what this one will have helped pave the way. l happens. The script’s statement that Larry is born from our loneliness and absorption

C O L E

W I L L I A M S

In 2018’s The Haunting of Hill House, director Mike Flanagan (Oculus, Doctor Sleep) used the Shirley Jackson novel of the same name as a springboard to tell the story of a family shattered by the trauma of their time in a haunted house. With The Haunting of Bly Manor, now on Netflix, he turns to the work of Henry James, primarily his 1898 novella The Turn of the Screw, to tell

With a Friend Like Larry

Terror stalks an autistic boy in this innovative horror film.

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It’s logical that horror movies would introduce disabled characters into the genre. Who’s even more vulnerable than that iconic final girl in the slasher flick?

How about someone who has a physical or mental condition that prevents them from reacting to a threat as quickly as someone else? These films have run the gamut: A Quiet Place made deft use of one character’s deafness, while Jessabelle completely blew its premise of having its heroine temporarily confined to a wheelchair.

Somewhere in between lands Come Play, a Halloween movie whose main character is a boy on the autism spectrum. Mixed

Benjamin Evan Ainsworth may not be who you think he is.

Ainsworth, and Henry Thomas.

Directed by Mike Flanagan.

Based on the works of Henry James. Rated TV-MA.

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B Y

OCTOBER 28 - NOVEMBER 3, 2020

Though not as scary as its predecessor, the Netflix series makes up for that with psychological frights and a lot of heart.

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Entering Bly Manor

Cour tesy Jasper Savage/Amblin Par tners/Focus Features

SCREEN

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SCORE FREE TREATS Fort Worth

SPIN-TO-WIN Halloween Week 10-25 to 10-31

817-763-8622

Arlington

817-461-7711

50 YEARS OF PEACE LOVE & SMOKE

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Some Limits Apply

OCTOBER 21-27, 2020

thegaspipe.net

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Garland Dallas Plano Lewisville

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Highway Hounds Presents

Annual Halloween Event $5 Margarita Raffle Happy Hour Prices for Food & Drinks

Saturday 5PM- 8PM

Sunday 11:30AM- 3:00PM

$14 BOTTOMLESS MIMOSAS 909 W. Magnolia 682.385.9395 W W W . T H E Y U C ATA N G R I L L . C O M

OCTOBER 21-27, 2020

FOR PETS & THEIR HUMANS

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Hosted by Miss Venom Featuring: MOCHA MCVENTI • RAVIN BONES PUDDIN POP • SALEM MOON

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A Drop of Venom DRAG BRUNCH

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FO R T WO R T H W E E K LY

OCTOBER 21-27, 2020

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Rug Cleaning and Repair, Sales and Expert Consultation Professional & Friendly Rug Cleaning

5928 Curzon Ave. • 817-920-RUGS (just off Camp Bowie next to Zeke’s)

OCTOBER 21-27, 2020

Persian and Oriental Rugs

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oh, ! r o r r o H e th

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Dirty Rugs?

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