Flesh & Bone Vol. 9

FLESH & BONE In pursuit of art and music VOL. 9

F&B

Submissions: If you are intertested in being featured in F&B contact: fleshbonemagazine@gmail.com All images copyright the respective contributor.

FOUNDER: Brandynn L. Pope COPY EDITOR: Donald Kimber DESIGN & LAYOUT: Brandynn L. Pope COVER DESIGN: Morgan Fraser PHOTOGRAPHERS: Sara Almlah Angela Butler Courtney Cook

THE TEAM Rickie Miller Brandynn L. Pope Brittney Tambeau WRITERS: Sara Almlah Angela Butler Ashley Houston Donald Kimber Brandynn L. Pope Cale Zebedee

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CONTENT

February, 2015 | VOL. 9

ALBUM REVIEWS FALL OUT BOY

ALBUM: American Beauty / American Psycho RELEASE: 01/20/15

STAND OUT: Centuries &/or

Irresistable

AUTHOR: Ashley Houston

Fall Out Boy and spectators alike waited five long years between the band’s pre-hiatus 2008 album Folie aÌ Deux, and its post-hiatus 2013 comeback record Save Rock and Roll; fortunately, they won’t even wait two years for the latter’s sequel.

it back on the radio, or back into nightclubs. Many older Fall Out Boy fans may not approve of the approach that the band is taking as far as their new music goes; however, I feel this album has a little bit of something for everyone.

American Beauty / American Pyscho has many highlights; the album has Fall Out Boy seem to have once pop-culture references by the again taken on a revolutionary dozen, the most prominent being task: taking rock music and putting the track, “Uma Thurman,” which

references the Pulp Fiction actor, and The Munsters theme song.

The semi-familiar tune “Immortals,” which was written for, and used, in the movie Big Hero 6 also appears. The band’s talent and the occasional stroke of inspiration make it impossible to write off American Beauty/ American Pyscho entirely.

MEGHAN TRAINOR ALBUM: Title (Deluxe Edition) RELEASE: 01/13/15

Meghan Trainor: the girl that’s all about that bass, has finally dropped her debut album, Title, that has 11 tracks and 4 bonus songs on the deluxe version. Meghan has this old-jazzy-do-wop sound, with a modern twist that I’ve never heard before. She has so much sass, passion, and overall, attitude in her music that I respect a lot. She has these soft ballads like, “Close Your Eyes,” where she wants the listener to feel good about themselves, to 06 | Flesh & Bone

STAND OUT: Lips Are Movin’ AUTHOR: Sara Almlah

be confident, and not be ashamed to express who they are. Another example is, “What If I,” where she’s expressing herself shyly and all she wants is to kiss her love the next day. Then you have songs like, “Walkashame,” which is about your “day after,” hangover, and the little walk you must do leaving your friend’s house. She ‘s proudly showing off her “rap side” in songs such as, “Bang Dem Sticks,” and, “No Good For You.” Overall, this

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8.5

album gets one big yes from me.

Meghan holds a lot of potential and this is definitely not going to be her last number one album.

NEXT DAY HEROES ALBUM: Kingdom RELEASE: 01/23/15

NextDayHeroes mixes powerful vocals, pounding drums, bass, and slick guitar lines to create their own brand of alternative rock, which shows influences from bands such as Jimmy Eat World, Blink-182, and Say Anything; NextDayHeroes never fail to please audiences with high energy performances. Their latest release, Kingdom, is their first fulllength effort, which showcases

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STAND OUT: Hearts Ecstatic

AUTHOR: Cale Zebedee

a more mature sound then previous works. After teaming up with award winning engineer Kirill Telichev, (Sound Priory), in their hometown of Calgary, AB Canada, the group was able to deliver a more authentic sound. Lyricist and main vocalist Mateo Arias’s craft really shines on the track “Hearts Ecstatic,” which gives off a very “poppie,” ‘80s, new-wave feel, as his lyrics cut deep into

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emotions. Take for example the chorus: “Will you believe in the one who cares to manage to hold this long and powerful gaze? The damage becomes so suddenly permanent.” This band gives it all, on all fronts, and makes the entire album an enjoyable experience.

OUT THIS MONTH

Jilly Anais Title Fight Amber Sea Death Grips War On Woman Estelle Imagine Dragons The Parlor Mob Twin River Alcoa All That Remains Falling In Reverse Mat Kearney

The Juice Hyperview Infantile Vision The Powers That B War On Woman True Romance Smoke + Mirrors Cry Wolf Should The Light Go Out Parlour Tricks The Order Of Things Just Like You Just Kids

My Iron Lung Brandynn L. Pope

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GALLERY

Major League Brandynn L. Pope

Silverstein

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Silverstein has been recording and touring for approximately fifteen years to a myriad of success, but one of their biggest milestones, the released of Discovering the Waterfront, is being celebrated anew.

Silverstein, who is now touring for their 10 year “release-a-versary,” brings along with them My Iron Lung, Major League, Hands Like Houses, and Beartooth to reprise the album.

Although I have no previous familiarity with the band My Iron Lung, the decision to have them support this tour was clearly a good one: a fact made obvious once they hit the stage. The way they carried themselves throughout the performance was a great way to start the night. They dedicated a number of songs to other bands on the bill, showing off how supportive this tour is for everyone involved.

Major League has been in the city only a short few months prior, but this did not stop fans from coming to the show and singing along to their tracks. Being the “lightest” band on the bill, they were able to bring in a feel-good atmosphere for the crowd.

Both Hands Like Houses and Beartooth brought something to the crowd that acted as the perfect opener for Silverstein in their celebration.

For Hands Like Houses, they were able to enlist the room’s support to echo lyrics to them as they moved across the stage, and Beartooth also did this by getting the crowd involved in different songs. Frontman Caleb Shomo encouraged the crowd by getting them to repeat lines such as, “one life,” and the crowd would respond with: “one decision.” There was consistent movement and enthusiasm in the pit of people enjoying the music, culminating in the main attraction: Silverstein.

Opening up with “Massachusetts,” Silverstein were as energetic as ever. Their lights were set up to provide a visually stimulating show, as well as enough movement to stir up the crowd. There was a perfect mix of people excited to hear the tracks off of Discovering the Waterfront, as well as those who were just as happy with their newer music. One of the most memorable parts of this 10 year celebration of Discovering the Waterfront is that while they also played the entirety of the album, they still made sure to show off tracks from their other albums, including their freshly released track, “A Midwestern State of Emergency.” Silverstein closed down the entire show by splitting up one of their most popular tracks. Frontman, Shane Told, came onto stage with his acoustic guitar and couldn’t help but laugh to himself, saying: “you already know what song we are going to play.” The room broke out into a collective chorus, singing back, “Call It Karma.” While it started off as acoustic, midway through, the rest of the band joined the stage to end the night with just as much energy as they had produced throughout the rest of the set.

Beartooth

Brandynn L. Pope

Hands Like Houses Brandynn L. Pope

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INTERVIEW

Eleonora (Helbones) NOTE: The editor of this interview has attempted to change as little of the original content as possible. However, sentence structure, wording, punctuation, and more have been altered at times, (and been annotated where possible), for ease of reading and comprehension. At times some interpretation on the part of the editor has been necessary in order to preserve what was likely the interviewee’s intended meaning.

HELLO TO ALL AND THANK YOU FOR THE INTERVIEW! My name is Helbones and I am an illustrator. My passion is “dark art and work on the world of colours with the macabre and grotesque.”

This project was born two years ago after finishing the academy of fine arts. I quickly found the subjects on which I wanted to work and I was very influenced by the technique of my world, (in my work there are strong references), and also employ black and white to transmit a retro atmosphere.

WERE YOU HAPPY TO SEE THAT YOUR ART WAS BEING PRINTED, PRIMARILY, ON CLOTHING? IS THIS WHERE YOU ENVISIONED YOUR ART WOULD BE? WHERE ELSE WOULD YOU LIKE TO HAVE IT? I thought I’d bring the project [to life] in clothing, [because] Helbones works with graphic subjects.

After the first prints I have had many requests [for] commissions. [It] is [just another] method to spread, and make known my world. Even those who do not want to enter the field of illustration know [they are wearing] my necrodolls.

YOU HAVE A LOT OF CREEPY AND, “DARK,” IMAGERY. IS THERE ANYTHING OR ANYONE IN PARTICULAR THAT INSPIRES THIS? I follow my instincts and my nature, I have a melancholy character and have always loved everything that is evocative, remote, [and] nostalgic. In [my] technique I [am influenced by] Gustave Dore’, Durer, Albrecht, Francisco Goya, Pieter van der Heyden, Jan Švankmajer, (a Czech film director and screenwriter), John Kenn Mortensen, Mark Ryden, Camille Rose Garcia, Alex Gross. Also, films by Georges Méliès [and] Friedrich Wilhelm Murnau, [who both embody] all that lives [in] disturbing atmospheres.

IS THERE ANYTHING THAT YOU ARE TRYING TO SAY WITH YOUR ART WORK? I try to represent the hidden and contradictory world of childhood without exceeding the horror theme, [while] still [keeping it] a concern. In every man and boy there are double personalities: good and the bad, the beautiful and ugly; I try to represent this double. My dolls are macabre, but never sad: [they] have their games, are with their girlfriends, [and piqued] with hints of malicious smiles!

WHAT MEDIUMS DO YOU LIKE TO WORK WITH THE MOST? IS THERE ANY OTHER MEDIUM THAT YOU WOULD LIKE TO EMPLOY IN THE FUTURE? I love working [with] cartacei, [which] means that I prefer the rough paper. [It] gives a thin feeling and disperses the sign, [using] little colour, [with] only some hints of red he contrasts the black and white. I prefer the china nera rimango1 faithful to this technique for my subjects do not like to experiment too.

WHAT WOULD PEOPLE BE SURPRISED TO LEARN ABOUT YOU, APART FROM YOUR WORK? Despite my illustrations [being] dark, I have a very sunny and expansive side: [I] live a double inside, free[ing] myself through my drawings, like art therapy, but in life I like to play down, laugh, play sports [and] learn from others and learn things you have to do it nuove2 open yourself to the world!

“In every man and boy there are

double personalities: good and the bad, the beautiful and ugly; I try to represent this double.”

1. (In Italian:) “black remain.”

2. (In Italian:) “new.”

3. (Italian:) “inspired.”

4. (Italian:) “talents.”

5. (Italian:) “to.”

ARE THERE ANY OTHER ARTISTS, DEAD OR ALIVE, WHICH YOU WOULD WANT TO MEET AND TALK TO? I would like to meet all the artists living or dead that I mentioned in the first question about who I [am] ispirato3 [by]. *Comparison not only in Italy, [which] is a closed circle, but abroad where I saw more openness to new artistic trends and a market that confronts new talenti.4... Now that I think I would like to create a table of engraving along with Albrecht

6. (Italian:) “I remain ever.” *Although this sentence is missing something, (perhaps a pronoun), this editor feels that to attempt to alter it would do it harm. This editor believes most can take the interviewee’s point without any change.

Dürer, [who] per5 me [is] an idol. Assoluto rimango6 definitely tied to the characters of the past.

IS THERE ANYTHING THAT YOU WISH YOU WERE BETTER AT, OR WANT TO EXPLORE?

HOW DO YOU LIKE TO APPROACH YOUR WORK OR A PROJECT?

My desire and not to stop having inspirations. I love all the people who support me and give me the confidence to continue to do this work; the great thing about this job is the gratitude that people will transmit. [I] exchange important ideas3 with other artists, [through] their collaborations and availability of the galleries to make known my artistic world. I thank you for giving me the chance to tell me and let me know!

I always start with a search of rich images.1 [The] important... books that inspired me avere2 much material. I look at the pictures and I am guilty of an idea sketch, start to draw it in pencil, and I’m sure when I start to pass him in china. I love this phase: clean[ing] up the drawing and see[ing] it inked. I [later] add . . . special freehand, [and] once finished, start the most interesting shadows created by a thousand little signs that fill and give volume to my creatures!

1. Here the word order of “images” and “rich” has been reversed from the original text.

2. (Italian:) “have.”

3. Word order has been greatly altered.

____ FACEBOOK: https://www.facebook.com/HelbonesCreations WEB GALLERY: http://www.quaz-art.it/ita-artisti

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HOMETOWN: Gananoque, Ontario. Home of the camo hat.

BASED IN: Kingston, Ontario GENRE: Hardcore

_____

FACEBOOK: facebook.com/ThisBurningCity INSTAGRAM: @thisburningcityband TWITTER: @TBCbandofficial

FOR THOSE UNFAMILIAR WITH YOUR MUSIC, HOW WOULD YOU BEST DESCRIBE IT? For those who haven’t heard us, and for those curious, our sound is raw, powerful, and heavy. You’ll be sitting there headbanging and then out of the blue: bam! Some melodic elements come in to change the mood. We like to have our music be energetic and powerful, fuelled by raw emotion.

Those are our goals going into what we write, and I think we do a decent job at it!

HOW DID ALL OF YOU COME TOGETHER TO BECOMING THIS BURNING CITY? This Burning City is the result of a bunch of angsty kids from Gananoque wanting to put together a band after going to see a Dead and Divine show. Most of us knew each other for a long while, so it was a pretty natural formation with only a few bumps in the road. Few line-up changes, but in the end we have a tight group of close friends just playing together.

WHAT IS THE MOST MEMORABLE SHOW THAT YOU HAVE PLAYED SO FAR? The most memorable show for us would likely have to be our show with Ritual. Dead and Divine was our biggest influence going into music, and was the whole reason for the formation of our band. After Dead and Divine broke up, Ritual came to be with former D&D vocalist Matt Tobin. Sharing the stage with one of our heroes is something we won’t forget.

When he mentioned us on stage and joked around with us, I don’t think he realized just how much it meant to us. So I would say likely that show.

“ Don’t rush to play

shows, don’t rush to get merch, don’t rush to make yourself known.”

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WHO ARE SOME OF YOUR GREATEST MUSICAL INFLUENCE? This Burning City, as a band, takes musical influence from Dead and Divine/Ritual, energetic and raw influence from The Chariot, and features a lot of influence from Stray From The Path and Of Temples.

HOW DO YOU LIKE TO APPROACH WRITING NEW MUSIC? It varies to be honest, but usually someone will come in with a cool riff or the bones of a song, we’ll listen to it, and if everyone is in a decent writing mode suggestions come flying off the rails. Then we just toss in all our bits and ideas. It can be chaotic, but the results in our books is awesome.

IS THERE ANY SONG IN PARTICULAR THAT YOU ARE PROUD OF, OR THAT RESONATES WITH YOU OVER OTHERS? It seems nowadays that every song we write just keeps getting better and better. We’re extremely proud of what we write, and it can be hard to pick one that resonates.

I know we picked our single, “Ignorance”, based on how well it hit us, but since then we’ve written some unbelievable stuff. I think the fair answer is that we don’t have a specific song, but we have elements in each song that we absolutely love.

WHERE WOULD YOU LIKE TO TOUR MOST? WHO WOULD YOU WANT TO BE ON THAT TOUR WITH? More of a personal answer on this one, but I think I’d love to get a chance to tour Europe. A change of scene, culture, and people would be nice. Plus getting a chance to see the world is something not a lot of people get. To add icing to the cake, touring with a group of like-minded, hard working, fun loving bands would make it all just that much better.

KNOW WHAT YOU DO NOW, IS THERE ANY ADVICE YOU WOULD WANT TO HAVE GIVEN TO YOURSELF WHEN YOU FIRST STARTED THIS BAND? Don’t rush to play shows, don’t rush to get merch, don’t rush to make yourself known. Sit down, write some solid music, record it, and then get yourself out there. Way too often I see bands trying to get attention with no releases and nothing for people to check out, us included. I think it’s just a mistake people make.

WHAT IS THE PLAN FOR THE BAND IN THE YEAR 2015?

2015 is the year we release our EP, write an album, tour the road, and make some friends! Fame and fortune, (not so much,) here we come! ha ha.

wölfrider

BASED IN: Wroclaw (Poland) GENRE: Heavy Metal AGES: Kamil & Rafał P. (26), Bartek and Rafał G. (25) and Maciek (junior baby-boy - 22 or something) _____ FACEBOOK: www.facebook.com/wolfrider.band INSTAGRAM: @thisburningcityband

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FOR THOSE UNFAMILIAR TO YOUR MUSIC, HOW WOULD YOU BEST DESCRIBE IT?

HOW DO YOU LIKE TO APPROACH WRITING NEW MUSIC?

Kamil: Wolfrider is an energetic mix of classic heavy metal riffs fulfilled with modern, powerful sound. Our music is true, fast, and hard like steel, but also you can find a little bit of, “epic,” moments during the listening of our EP.

Bartek: Back in the day we had a lot of free time, so we came at rehearsals with ideas written on music papers and then we develop that idea into a song. It could work, or not, but we tested our composition on stage if it was cool enough. Lots of rehearsals to arrange and compose entire stuff, you know. Nowadays everyone is a little busy with daily business and regular jobs, and we can’t practice that much. Today’s music is written more like a complete song, mostly by Kamil, and then home-recorded to detect any issues with rhythms, harmonies, and just to have a correct piece of music. Then we bring it to rehearsal and then begin polishing each track once they are composed on computer.

HOW DID ALL OF YOU COME TOGETHER TO BECOME WOLFRIDER? Kamil: Most of us had already known each other before, “Wolfrider period,” and shortly after our first few rehearsals, our singer, “Rambo,” came to us from his previous band.

We’ve been playing this lineup since February 2013, and I think that this lineup is good ;)

WHO ARE SOME OF YOUR GREATEST MUSICAL INFLUENCES? Bartek: Our biggest inspirations come from western Europe mostly: legendary dinosaurs of Heavy Metal like Running Wild, Accept, Grave Digger, or Judas Priest, just to name few. You could definitely hear some “epic” influences like Bathory or Manila Road, but many of us listen to different kinds of music, so many genres. You go on a little music trip and bring something back to your band after altering it many times.

WHAT IS THE MOST MEMORABLE SHOW THAT YOU HAVE PLAYED SO FAR? Kamil: Definitely the most memorable show in our history was a gig at “In Memory of Bathory,” when we played only Bathory hymns. This was a fantastic show. It was great to see hordes of Bathory and true heavy metal fans in front of stage.

IS THERE ANY SONG IN PARTICULAR THAT YOU ARE PROUD OF OR THAT RESONATES WITH YOU OVER OTHERS? Bartek: This is a very difficult question, and should be asked to each of us. Moreover, we have much more music than just our demo EP: it’s simply not recorded yet in professional studio. For me, as a drummer, the most interesting song is “Rise of NWO,” because lots of things are going on in that record, including tempo changes, (3 different,) and it has different feels and styles and yet it’s still Heavy Metal. Guys may say something completely different, but one thing remarkable about us, currently, is our tuning in B Standard, so we got really punchy and low-sounding right now. That’s pretty rare in Heavy Metal.

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WHERE WOULD YOU LIKE TO TOUR MOST? WHO WOULD YOU WANT TO BE ON THAT TOUR WITH YOU? Bartek: We would love to play for each country where we sent our CDs: the UK, Germany, Greece, Netherlands, and of course for Poland’s neighbours. It would be awesome to tour with Polish top bands like Turbo, KAT, Wolf Spider, or recently, Night Mistress. Not to mention about huge Heavy Metal rockstars of course. Maybe one day we will meet our idols on the same stage at Wacken, Masters of Rock, Hellfest, or Glastonbury.

KNOWING WHAT YOU KNOW NOW, IS THERE ANY ADVICE YOU WOULD WANT GIVEN TO YOU WHEN YOU FIRST STARTED THIS BAND? Bartek: Yeah. Collect a shitload of money before anything you do :) :) And record at home all of your songs, and work on computer to correct written music, then practice and polish in the rehearsal room: just record your song DIY like it’s going to be final. Then you go to professional studio and record them like a boss. The entire writing process will be way faster and your songs will be more well-considered.

WHAT IS THE PLAN FOR THE BAND IN THE YEAR 2015?

Bartek: We haven’t managed regular tours, and we’ve got lots of new material to work on. The, “Tribute to Bathory,” tour is coming on its way, deadlines are made and clubs are booked It’s going to be huge fun and a great responsibility, you know that’s Bathory legacy. You wanna play it loud, strong, and epic, and this is a challenge.

“Maybe one day we will

meet our idols on the same stage at Wacken, Masters of Rock, Hellfest, or Glastonbury.�

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Jilly Anais _____ FACEBOOK: https://www.facebook.com/JillyAnais TWITTER: https://twitter.com/jillyanais WEBSITE: http://www.jillyanais.com/

My name is Jilly Anais. I’m a nineteen year old R&B/Pop artist from Houston, TX! Music has always been my passion. A few years ago I started out doing cover videos and uploading them to my YouTube channel. As time went on, I decided I was ready to start recording and releasing original music. My upcoming EP will be my first introduction to my sound!

“Music makes me forget about all my

problems and worries at the moment and it brings me to a happy place.”

WHAT IS YOUR ARTISTIC VISION FOR YOUR UPCOMING FULL LENGTH RELEASE? My artistic vision for my upcoming release is for everyone to get to know me as an artist, connect with my music, and grow as an R&B/Pop artist.

HOW DO YOU SEE YOUR OWN SOUND AS UNIQUE FROM OTHERS IN YOUR GENRE? I see my own sound as unique because I decided not to follow the trend of today’s music and create my own sound, which is fresh and edgy. It’s a sound that I’m excited to show the world I’ve been working on!

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I SEE ON YOUR TWITTER THAT YOU WERE EXCITED TO TURN NINTEEN ON JANUARY 2nd. HOW HAS BEING UNDERAGE AFFECTED YOUR CAREER SO FAR? I turned nineteen on January 2nd. I’ve learned many things as I chase my dreams at such a young age, which has helped me grow in a lot of ways. Doing this at a young age has had an effect on my career as it gives my supporters the opportunity to grow and be on this journey with me.

YOU SAY ON YOUR TWITTER “MUSIC IS MY THERAPY.” WHAT KIND OF MUSIC DO YOU LISTEN TO, TO GET YOUR THERAPY? I listen to all types of music, but my favourite artists are Beyoncé, Aaliyah, Rihanna, and Janet Jackson. When I listen to music it’s an escape from everything else. Music makes me forget about all my problems and worries at the moment and it brings me to a happy place.

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YOUR BIO SAYS YOU HAVE “BEEN SINGING IN SCHOOL CHOIRS AND PERFORMING IN SCHOOL PLAYS AND MUSICALS” SINCE YOU WERE YOUNG. DO YOU THINK THAT BACKGROUND BROUGHT YOU TO WHERE YOU ARE? HOW SO? I definitely think that background brought me to where I am today. I grew up on the stage and have always had an eye for performing.

IT SOUNDS LIKE YOU HAVE BEEN WORKING INTENSIVELY IN THE STUDIO LATELY. HOW HAS THAT BEEN? I’ve been in the studio a lot lately! It’s always amazing creating music; I’m already working on even newer music!

HOW DO YOU SEE YOUR RECENTLY RELEASED SINGLE, “THE JUICE”, AS EXPRESSIVE YOU AND YOUR UPCOMING ALBUM?

WHO WOULD YOU SAY “THE JUICE” IS FOR? I MEAN IN TERMS OF BOTH WHO IT MAY BE DEDICATED TO, AND WHO ITS LISTENERS MIGHT BE. I would say “The Juice” is relatable to anyone and everyone. In life there will always be those who have something to say about you no matter what, so you may as well give them something to talk about. All listeners will be able to relate whether they are the ones who have something to say or are the ones who give others something to talk about.

“The Juice” expresses a powerful message about how there will always be those who have something to say about you, no matter what, so you may as well give them something to talk about!

WHAT MEANING DOES, “THE JUICE,” HOLD FOR BOTH YOUR UPCOMING EP AND THE TRACK ON IT WHICH BEARS THAT TITLE? The Juice’s meaning is “The gossip.” People love gossip, so why not give them something to talk about? My EP is definitely something to talk about!

WHAT, OR WHO, HAS BEEN THE BIGGEST INFLUENCES ON THE FINISHED EP? My life experiences, as well as experience with peers, etc.

My life is a story and through my music I am able to tell my stories.

Check out Jilly Anais’ new EP “The Juice” Here: https://soundcloud.com/jillyanais/sets/the-juice

In pursuit of art and music Do you want to join our team? You can contact us at fleshbonemagazine@gmail.com with your application.