Fine Music Magazine - March 2024

March 2024

What A Weatherley!

The (Big) Band A er Swing He Came, He Sor, He Conquered Schubert’s Unfinished Masterpiece

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04.

Schubert’s 8th Symphony: An unfinished masterpiece Rex Burgess

10.

High Five: pianistcomposer Felix Bornholt

12.

What a Weatherley

06. He Came, He Sor, He Conquered

Keith Pettigrew talks to singer Alex Seigers

Michael Morton-Evans looks at the intriguing life of guitarist Fernando

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Sor

The (Big) Band After Swing Ken Raphael

08. The World of a Symphony: Shostakovich’s 8 Cover photo: Singer Alex Seigers

17.

Paolo Hooke

Volunteer Profile Laurie Smith talks Work Health and Safety with David Edmonds

16. CD Revi ew ws

19. Program Guide

47. Composers List

49. Our People

50. Patrons

NOTES FROM THE EDITOR Alex Siegers sings jazz, a capella, and sacred music. She also works as an educator, conductor, vocal arranger, arts administrator, arts marketer, music librarian and 2MBS Fine Music Sydney jazz presenter. This month will see the release of her debut album, From Here, recorded in our Founders Studio as part of the 2MBS Jazz Scholarship which she was awarded in 2021. She has recorded music from Tim Nikolsky’s first itera on of the Australian Jazz Real Book, which spans 60 years of Australian jazz history from the 1950s to 2010s, by women and men, instrumentalists, and vocalists; each composi on a li le piece of Australiana. Keith Pe grew talks to Alex about this ambi ous project, her extensive travels, and also reviews the debut album.

There is an undoubted fascina on surrounding unfinished musical works. Bruckner and Mahler both died while working on their symphonies Nine and Ten respec vely, while Schubert lived on for six years a er stopping work on his Eighth, leaving only the first two movements and twenty bars of the scherzo, for musical detec ves to puzzle over the inevitable ques on of ‘what if?’ Unperformed ll thirty-seven years a er his death, Schubert’s Unfinished is today amongst the most frequently played in the en re orchestral repertory. Rex Burgess inves gates. david.ogilvie@finemusicsydney.com

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Schubert’s 8th Symphony: An unfinished masterpiece

By Rex Burgess

While there are others, including fragments of a Beethoven Tenth, there are three unfinished symphonies which may be seen as standing out from the crowd: Schubert’s Eighth, Bruckner’s Ninth, and Mahler’s Tenth.

Bruckner and Mahler both died while working on their symphonies, while Schubert lived on for six years a[er stopping work on his Eighth, by mid-November 1822 at the latest.

The first two movements had been completed, along with twenty bars of the scherzo, at which point its composiঞon was interrupted and never returned to.

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One sugges on is that he was later unable to recover the work’s sense of unity.

The fact that in 1823 he gave the score away uncondi onally as a token of gra tude to his friend Anselm Hϋ enbrenner may support this idea.

There are numerous other theories about why work on the symphony was abandoned. One of them points to Schubert’s feelings of uncertainty in composing instrumental music during the years

1818 to 1822, when he le twice as many incomplete fragments as he did complete larger instrumental works.

Another sugges on is that this uncertainty stemmed from his confronta on with Beethoven’s instrumental music, for which he had a profound respect, perhaps even awe. Although they never met, there’s li le doubt that Schubert quite venerated the older man, so much so that his first significant instrumental work to appear in print, a set of varia ons for piano duet issued in April 1822, is inscribed: “Dedicated to Herr Ludwig van Beethoven by his devoted worshipper and admirer.”

A further theory suggests that Schubert may well have considered the symphony sufficiently finished with the first two movements for him to dispense with the usual four movement format, although this theory is on rather shaky ground, there being no evidence that Schubert ever contemplated developing a new kind of symphony in two movements.

However, there is consensus among cri cs that in this symphony there is something quite new, not only in Schubert’s composi ons, but for all music. As George Grove wrote in 1900, “In no other piece of music, perhaps, is the feeling so en rely produced that one has been in communica on with the very person of the composer, himself.” One may add that Schubert repeated this communion in several movements of his masterly Death and the Maiden quartet, composed in 1824 a er he realised that the illness he was suffering from was terminal.

Of the work’s two completed movements, Grove described the first as ‘full of agita on and distress’, while the second ‘dreams of the pastures of the blessed’. The symphony overall was interpreted as ‘a certain premoni on of death and a vision of heaven’, albeit that Schubert’s fatal illness did not emerge ll very late in 1822, a er he’d stopped working on the symphony.

As might be expected, there have been various a empts to complete it, star ng with its second performance, in Vienna on December 17, 1866, when the finale of his Third Symphony in D was added. Then in 1928 the Columbia Record Company considered offering a prize for the best comple on of it, but then replaced this with a prize for the best new symphony a er the manner of Schubert, won by the Swedish composer Kurt A erberg with his Symphony no. 6 in C, opus 31.

Readers interested to learn more about this outstanding work may wish to consult Mar n Chrusid’s book: Schubert: Symphony in B Minor (“Unfinished”).

Unperformed ll thirty-seven years a er his death, Schubert’s ‘Unfinished’ today is amongst the most frequently played in the en re orchestral repertory.

The World of a Symphony, 8pm Thursday, March 21st.

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He Came, He Sor, He Conquered Michael Morton-Evans looks at the intriguing life of the he 19th century’s greatest guitarist, Fernando Sor. St Valen ne’s Day, 14 February 1778, saw the birth in Barcelona of Josep Fernando Macari Sor, arguably the most important player, teacher, and composer for the guitar in its 19th century Golden Age. Not only was he a musical genius, he was also the supreme pragma st, as we shall shortly see.

Sor’s musical life began as a choirboy in a local monastery where legend has it that he wrote his first full mass, though no record of it has yet been found. As a teenager he studied at the military academy in Barcelona, and at 19, produced his first opera, Telemachus on the Isle of Calypso. Ironically, Telemachus in Greek means ‘far from ba le’, something which shortly was to be far from the truth for the young man.

At first, he was offered a job as court organist to the Duchess of Alva and music teacher to her children, which suited him just fine because he was, by all accounts, par al to the high life. But this agreeable musical life came crashing down when Napoleon’s French army suddenly invaded Spain, and Sor, who had le the military academy as a trained officer, was immediately put in charge of a troop of soldiers. It wasn’t long, however, before he realised that the French were going to win, and it was now that his pragma sm manifested itself. He abandoned the Spanish army and accepted a post with the occupa on government, doing exactly what, history doesn’t record.

This move, as one might expect, had seriously compromised Sor in Spain, so when the invading French were driven out of the country

by Britain’s Duke of Wellington, he retreated with the French army over the Pyrenees and ended up in Paris, where he established himself as a concert guitarist.

Never happy in one place for too long, Sor le Paris a er two years for London where he became a favourite of one of King George III’s sons, under whose auspices a fad developed for his songs and guitar pieces. He then added ballet to his repertoire, and his Cendrillon (Cinderella) of 1822 became the most popular ballet of its me. It’s believed that this was the first ballet to be produced by the fledgling Bolshoi Ballet company in 1823 with Sor there to see it.

The Russians loved it and him, and Sor decided to stay in Russia for the next three years, before returning to Paris, where he spent the rest of his life. He died there in 1839, aged 61, and although some reports say that he died in poverty, largely forgo en by the musical world, the more likely event was that he spent the rest of his days teaching the guitar and wri ng copious amounts of music for the instrument.

Nowadays we know Fernando Sor solely for his guitar music. Sadly, all his other works, including ballets, string quartets, symphonies, and masses, have disappeared.

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World of a Symphony:

Shostakovich’s Symphony No. 8 “A great tragic ballad of our terrible mes, an epic and anguished song expressing the boundless ordeals of a human heart,” wrote musicologist Boris Asafyev about the Symphony No. 8 in C minor opus 65

by Dmitri Shostakovich.

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Shostakovich composed his Eighth Symphony in 1943 during World War Two. The war years represented rela ve freedom for ar sts living in the Soviet Union as it became acceptable to depict grief and devasta on. In his disputed but reliable memoirs Tes mony, Shostakovich wrote; “And then the war came, and the sorrow became a common one. We could talk about it, we could cry openly, cry for our lost ones. People stopped fearing tears…Even before the war, in Leningrad there probably wasn’t a single family who hadn’t lost someone, a father, a brother, or if not a rela ve, then a close friend.

Everyone had someone to cry over, but you had to cry silently, under your blanket, so that no one would see. Everyone feared everyone else, and the sorrow oppressed and suffocated us. It suffocated me too. I had to write about it, I felt that it was my responsibility, my duty. I had to write a requiem for all those who died, who had

suffered. I had to describe the horrible extermina on machine and express protest against it … the Seventh and Eighth symphonies are my requiem.”

The Eighth Symphony is sha ering in its impact. This great tragic symphony is built on contrasts between music at mes violently intense and at others unremi ngly bleak. It is a symphony of agonised despair, which tries to escape the burden of unspoken anguish, only to remain trapped in the mire of suffering. It is a shocking symphony not only about the me of war but of peace me tragedy.

As the composer recounts in Tes mony; “The war brought much new sorrow and much new destruc on, but I haven’t forgo en the terrible pre-war years. That is what all my symphonies, beginning with the Fourth, are about, including the Seventh and Eighth.” Shostakovich goes on to say that “The majority of my symphonies are

by Paolo Hooke tombstones. Too many of our people died and were buried in places unknown to anyone, not even their rela ves. I’m willing to write a composi on for each of the vic ms, but that’s impossible, and that’s why I dedicate my music to them all.’’

Boris Asafyev captures the mood; “Suddenly, in the hush there is one lonely heart alive and bea ng that sings fluently and tenderly, as a bo omless spring streaming through the rocks of a craggy mountain cliff: ‘I am alive.’”

In the penul mate movement the symphony shi s from C minor to C major.

A violinist in the Leningrad Philharmonic Orchestra, Yakov Milkis, commended the composer for this transi on and recounts Shostakovich replying to him; “My dear friend, if you only knew how much blood that C major cost me.” Shostakovich was silent and Milkis was le with the feeling he had “touched on something very sacred and private.”

In his Eighth Symphony, a profoundly moving explora on of human suffering, Shostakovich showed himself to be the tragic poet of 20th century music.

World of a Symphony Thursday 14 March 2024, 8 pm Aram Khachaturian Symphony no 2 in E minor (first movement) Dmitri Shostakovich Piano Quintet in G minor opus 57 Dmitri Shostakovich Symphony no 8 in C minor opus 65

However, the change to C major, associated with a journey from darkness to light, does not represent victory in the Eighth Symphony, rather there is an emp ness Dimitri Shostakovich and Yevgeny Mravinsky with the Leningrad Philharmonic Orchestra. in the final movement which suggests Together they would premier eight of the composers fifeteen symphonies. survival.

Image: Alamy

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High Five: Pianist/Composer

Felix Bornholdt

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year. There are some enormous highs in playing shows in places Felix Bornholdt is a New Zealand pianist and with such a deep musical history as London and New York, and the composer. An ac ve figure in the Australian general pinch-me-ness of somehow ge ng to see so much of the improvised music scene, Felix is also a member of the world by being a pianist. pop band Lime Cordiale and spends much of each You are well-versed in a variety of musical genres, year touring in the USA, Europe, and UK. His debut what does jazz mean to you? solo piano record, Man Overboard was released in I was on tour in the US a few months ago and stopped by the June 2023.

What early childhood musical experiences and memories led you to play the piano?

Growing up, my dad played records in the house from waking un l bed; it was a wide selec on with a lot of ECM, Bach, Gregorian chant, Palestrina masses, and then some seriously out-there recordings by groups like the Art Ensemble of Chicago, Don Cherry, and Pharaoh Sanders. If there was a unifying feature, it was all fairly fringe music and always cranked at high volume.

Hearing Keith Jarre ’s Köln Concert for the first me was a huge moment for me.

I have memories of trying to play it for friends in high school and ran ng about all the mythology surrounding it – the fact that he hadn’t slept for days, had to drive, nearly didn’t make the gig, then the piano was the wrong one and the gig almost didn’t happen! They were uninterested, but that record more than anything made me want to become a pianist.

What have some of the highlights of your musical journey been so far?

When I moved from Wellington to Sydney, I felt like I had just arrived in New York. I was going out nearly every night and hearing people like Mike Nock, The Catholics, and Sandy Evans – the people that I had admired all through high school. It was totally intoxica ng and deeply inspiring. As part of the pop world, I’m overseas on tour for about four months each

gallery Corbe vs Dempsey in Chicago. A couple of weeks earlier I’d been in New Zealand, and the saxophonist Peter Brötzmann had just died. My dad, uncle and I had been listening to some of his music and leafing through a book of his graphic design work. He did a lot of album covers and posters, including the cover for his own record Nipples, which is the only record produced by Manfred Eicher that doesn’t appear on the ECM label. I walked into the office of this gallery in Chicago, and that same book was open on a desk. When I men oned this to Mr. Corbe , he pointed to a chair on which Peter Brotzman’s saxophone case was si ng. They had been conduc ng their own Brotzman memorial on the other side of the world. We talked for an hour or so; these guys had an encyclopedic knowledge of all this improvised music that had been coming out of New Zealand in the 80s and 90s – in Chicago!

I men on this because it gave me a profound sense of jazz being this strange global community, Black American music that has had a very deep and las ng interna onal influence.

What is your latest musical project and how did it evolve?

I’ve just released my first solo piano recording, Man Overboard. In part, it is a collec on of works that are thinking about living and making music in the South Pacific. When I was in school, I was part of a two-week expedi on, ini ated by the Sir Peter Blake Trust, to the Kermadec Islands, which is a remote volcanic region three days sail North from New Zealand. An experience like that changes how you see yourself in the world and in this case, it got me thinking a lot about water and about living in what are aqua c na ons.

You are home alone on a Sunday evening and want to relax listening to some of your favourite music. What would you choose?

I’ve always been enamoured with the sound and format of the solo piano. There’s a record by the pianist Jon Balke called Warp which is solo piano with strange threads of electronics running behind it. I’m also completely unable to escape Glenn Gould’s Goldberg Varia ons; I love them both – the ‘55 recording for the morning and the ‘81 for the evening. There’s also a curious recording by h hunt called Playing Piano for Dad that I find oddly compelling; it’s almost like listening to someone prac sing, or being recorded covertly. Some mes he stops in the middle of a piece, and you hear the chair creaking, or some faint words being spoken off-mic.

It’s startlingly in mate and very beau ful.

– Barry O’Sullivan Photo credit: Lih Tsan

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Keith Pe grew talks to Alex Siegers about the Weatherley Scholarship and all things Jazz Alex Siegers sings. She sings jazz, a capella, and sacred music; oh, and jazz. She also works as an educator, conductor, vocal arranger, arts administrator, arts marketer, and music librarian. And she is a jazz presenter on 2MBS Fine Music Sydney. Many fingers and many pies.

In 2021, Alex was awarded the 2MBS Ken Weatherley Jazz Scholarship that, a er a slightly tortured and Covid-struck pathway, is about to come to frui on. March 2024 will see the release of her debut album, recorded in our Founders Studio as part of the Scholarship.

Alex started singing as a child. A favourite was Zombie by the Cranberries. There are a couple of canonical family videos of her singing: Waltzing Ma lda in the backyard as a 2-year-old, and Supercalifragilis cexpialidocious at pre-school. Then Year One choir when in kindergarten.

Life takes its own path, and Alex emerged at the Sydney Conservatorium of Music, comple ng her Bachelor of Music / Bachelor of Arts. In 2015, she went on an interna onal exchange to the University of California, recording a deligh ul a capella-style project with Jon Nathan.

So welcome 2021. Despite travelling far and wide, and living overseas mul ple mes, Alex was drawn back to Australia.

While not overly patrio c, she recognises Australia’s natural beauty, egalitarian spirit, and even lovable larrikinism; all so magne c. “From Cockerawombeeba Creek near Wauchope NSW, to Tangambalanga VIC, just past Yackandandah and Baranduda; our ny na ve bees and our towering tallowwoods; our art, literature and design, kitsch, and the classic. Love it all. We have a deep and complex history, and so many incredible stories to share,” she says. And there is an Aussie jazz canon that is as diverse and exci ng.

Alex’s Weatherley project While Alex was studying with Kerrie Biddell at the Sydney Conservatorium, Tim Nikolsky released the first itera on of the Australian Jazz Real Book (AJRB), and the whole history of Australian jazz music was at her finger ps. However, many of the recordings of these classic tunes aren’t readily available, and of the few held in physical library collec ons, are only available for listening in person.

Alex’s project was to record some of this great Australian jazz, otherwise lost to listeners. She selected music spanning 60 years of Australian jazz history from the 1950s to 2010s, by women and men, instrumentalists and vocalists, each composi on a li le piece of Australiana. As well as music wri en by jazz musicians, she included two selec ons from the Australian classical canon

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reimagined as jazz tunes, one by Carl Vine and one by Elena KatsChernin, important pieces in her own musical development.

The Scholarship provided funds for hire of the 2MBS Founders Studio and recording with 2MBS sound engineer, Jayson McBride.

She drew together musicians she knew who had worked together, par cularly with a singer, and who were at home in the ‘standard’ jazz world, given the tunes being championed. Drummer Andrew Dickeson has worked with so many greats of the Australian scene, and lots of great singers. Pianist Aaron Blakey was a well-known performer from Alex’s me on the Conservatorium campus, and bassist Jacob Graham is a talented young player who was the last piece of the puzzle. Whilst developing the Weatherley project, she was on campus studying for an honours degree, which culminated with an outstanding thesis on the role of vibrato in jazz. During this me, she was mentored by Jo Lawry, who took her out of her crea ve and technical comfort zone, while Virna Sanzone coached her through the vulnerability of singing, and performing from the heart. These mentors gave Alex an addi onal perspec ve to bring to the project.

A fierce recording schedule led to 80 takes over two days, relying on a significant planning effort with arrangements and the interpre ve skills of the musicians. It was mixed by Richie B, a respected Sydney wizard, and mastered by Michael Lynch.

During the recordings, Dickeson suggested that the theme and spirit of the project might interest ABC Jazz, and so this album of Australian Jazz Standards has been picked up for release by ABC as part of its 2024 releases.

I asked her if the Weatherley Scholarship had contributed to her career path: “The money and support from 2MBS have been integral to this project happening,” she replied. “Without this scholarship, I would not have been able to record a debut jazz album. Having the on-site support and exper se of a place to record, a sound engineer and a hugely suppor ve jazz and administra ve team was what got this project over the line.”

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The (Big) Band after Swing

The Swing Era was synonymous with dance. The 1930 Depression led to the collapse of the record industry, and radio emerged as the core entertainment. Big bands were broadcast to at-home dance par es.

As big bands emerged from radio studios into dance halls following the Depression, so was born the Swing Era, its dance, and its big bands.

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Death knocked at the door of the big US swing bands in December 1946; Woody Herman and seven other bands called it quits and let him in. This demise had been coming for some me. There is fairly universal agreement that the causes were a combina on of the effects of the war, the dra , petrol ra oning, midnight curfews, and the amusement tax of 20% on all night clubs that included dancing. To this should be added the lack of men to dance with.

By Ken Raphael

an increasing number of younger white musicians, wanted to play music for listening, not dancing to.

This explana on is not exhaus ve. The rise of the crooner and the fading out of tradi onal dancing styles in favour of jive, and the expense of maintaining a large orchestra all played their part. Of course, ‘swing’ bands s ll existed, ‘cryovacked’ for an ageing audience.

Then there was the growing ennui amongst the musicians who were restricted by their band’s par cular ‘sound’, lack of solo opportuni es, and overworked harmonic formulae. Even when the bands did play, they were restricted from recording by the AFM (the musician’s union) from 19421944.

Benny Goodman ran with pickup bands un l 1950, and the Glen Miller Orchestra was recons tuted in 1956. Some would include the con nued success and popularity of Count Basie and Duke Ellington, although Basie disbanded for a me in 1948, and again in 1950. But they never fi ed the swing formula, being at their hearts crea ve jazz bands.

To these causes should be added the growing resistance of black musicians to the indigni es they had to suffer whilst on the road, and their desire to create their own more virtuosic music that allowed me for individual expression. They, and

Although there was a mainstream increase in small jazz groups, the line used to trace the development of non-swing bands can start with any number of musicians, arrangers, or composers. The ones proposed in this ar cle are not sacrosanct,

Rodney. The band made some iconic bebop recordings including Anthropology, Robins Nest, and Donna Lee. All the musicians who Of immediate no ce is Claude Thornhill. played with Thornhill in this short-lived The Terre Haute pianist and arranger served post-war band acknowledged their debt to his appren ceship with the bands of Benny him as a man who saw the future of jazz Goodman and Glenn Miller, played on but respected its past. early Billie Holiday recordings and with Ray Whilst Thornhill was working with one Noble. He formed his own band in 1939 and used as its theme the former A Fountain group of future icons, Woody Herman surrounded himself with another. In in Havana, wri en for Noble and now 1947 he formed the Four Brothers Band, re tled Snowfall. also known as The Second Herd. Their His posi on as an inaugural post-swing saxophone sec on was Zoot Sims, Serge bandleader was determined by the Chaloff, Herbie Steward, and Stan Getz, musicians that he gathered around him. while other musicians included Al Cohn, First came Gil Evans in 1941, whose Gene Ammons, Lou Levy, Oscar Pe ford, arrangements built on the musical vision and Shelley Manne. that was Thornhill’s own. This is best Their sound is unmistakably ‘Big Band’ with illustrated by their early collabora on on Buster’s Last Stand, described by Allen Lowe mul ple instruments playing in unison. On recordings, each tune was sequestered as ‘a bravura swinger unlike anything else within the typical 3-minute me frame of its me’. required for the 78 rpm records. Clearly Thornhill disbanded his orchestra in 1942 a big band sound, but without the edge but re-established it at the war’s end. of get-up-and-dance. There is no doubt Evans returned and brought along in short that the arrangements have escaped the order Lee Konitz, Gerry Mulligan, and Red confinement of that which was Swing but it would be hard to exclude any of them.

Del Courtney Orchestra, US big band of the 30s and 40s Image: Alamy

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CD REVIEWS Orawa

Orava Quartet DG 485 9116

From Here Alex Siegers ABC Jazz

Man Overboard Felix Bornholdt

h ps://felixbornholdt.com/store

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Both ensemble and album are named a er a mountainous region on the polish-Slovak border. Two members of the Orava Quartet are of Polish heritage and grew up listening to Orawa, in which composer Wojciech Kilar realised his dream of ‘crea ng a piece inspired by a highlander band’. This release by the Brisbane-based quartet also features music by Schulhoff, Shostakovich and Australian Luke Howard. The opening work is Schulhoff’s String Quartet No 1, which has been described as a ‘highly drama c musical mystery tour’. While it shows an awareness of the experiments of both Schoenberg and Bartok, it also echoes Janácek in its ‘passionate alterna on of bursts of energy and spells of medita on’.

Shostakovich is represented by the rarely

performed String Quartet No 6 – mostly tranquil in tone but with undercurrents of tension, it suggests the calm before the storm of his later symphonies and quartets.

The program concludes with four short composi ons by Luke Howard. They are reminiscent of instrumental pieces by Arvo Pärt and in keeping with the mood of the final movements of the quartets which precede them. While Hymn has been praised for its beauty, I found Andamooka Sta on to be the most evoca ve.

What makes this debut album from Alex Siegers so fascina ng is not just that it explores Australia’s heritage of jazz standards, or that it contributes to that jazz canon with style and grace, it is also an emo ve expression of a great voice. Alex has dived into the Australian Jazz Real Book: 60 years of Australian jazz history from the 50s, some 1700 Australian jazz tracks that speak to the diverse, the larrikin, and the sen mental. She has taken jazz tunes that are uniquely Australian, arranged some good stories, as well as contributed some fresh lyrics.

Alex’s voice is superbly ar culated, including within the sca ng and vocalese tracks. Her vocal presence is clear and works confidently with the piano of Aaron Blakey, the bass of Jacob Graham, and the drums of Andrew Dickeson. From the warmth of Spirit Song, the curious but intriguing story of the first Australian flight in Diggers Rest, to the La n influenced Intersec on, this is an album of sublime skill and adventure. It is Alex’s postcard to the world, From Here.

The solo piano recording is always challenging for the ar st. Firstly, finding the right piano and then the perfect space to record in, hoping that space, piano and me will harmoniously all come to frui on exactly as planned. Bornholdt was fortunate to find a Steinway Model D Grand in the perfect space at the Independent Theatre, Sydney, and the right me to record.

On his solo debut, he lures his listeners into his web as he blends superb technique into the expanse of his crea vity. Something is dazzling about his touch. Space and me rework into a melodic dance, atonality sings beside formal structure, and harmony strikes a rich chord.

Bornholdt never ceases to be inven ve with his eleven original composi ons beau fully engineered and mixed by Ross A’Hern. With sumptuous cover artwork by John Pile, a bonus insert artwork by Brendan O’Brien,

and inspira on and composi on tles connected to a nau cal voyage Bornholdt par cipated in as a youth of fi een to the remote volcanic island of Raoul, this package is occasionally mysterious, always shimmering, and complete. Standout tracks abound – Palais Waipapa, What Was It That Woke You and Credo – all are glorious gems. But there is much more to behold throughout this poe cally ar culated and courageously well-executed impressive musical offering. A vinyl and digital release that comes highly recommended

— Paul Cooke

— Keith Pe grew

— Barry O’Sullivan

Volunteer Profile: David Edmonds Laurie Smith talks to 2MBS Fine Music Sydney’s Work Health and Safety officer.

David, what brought you to 2MBS as a volunteer? What roles have you had at the staঞon?

I’ve listened to 2MBS since the late 1970s and delivered this magazine to subscribers from the early 2000s un l hand delivery concluded a few years ago. I then assisted Elaine Siversen, transcribing LP notes to CD format as the sta on began to digi se its library, and with Sue Ping-Kee, entering new CDs into the library data base.

Around 2010, I joined a new safety policy commi ee under Sue Nicholas, ini a ng and upda ng safety procedures. Since 2017 I have been on the WHS Commi ee as Secretary, and more recently, Chair. In these la er roles I have drawn more directly on aspects of my professional experience: the iden fica on and mi ga on of safety hazards and compliance with regulatory requirements. (I had re red from my career in the pharmaceu cal industry in 2017 where I had worked in R&D, manufacturing. tes ng and regulatory roles.)

Adjunct to my professional work I was ac ve in the Royal Australian Chemical Ins tute which provided useful background for my contribu ons as a volunteer at 2MBS. Where does your love of music come from?

My parents were not concert goers, so the sources of my interest are unknown. My earliest musical recollec on is listening to a 2SM Sydney kids’ show that was always introduced by the gallop of the Willam Tell overture and finished with the Angelus, preceded by the Schumann-Liszt Widmung. I learned the piano and flute in school years but did not progress to any significant playing competence.

I a ended school concerts by the Sydney Symphony Orchestra (SSO) in the mid ‘50s and took out subscrip ons to SSO Youth concerts for some 10 years. I have subscribed to Opera Australia since 1977 and the SSO orchestral and piano recitals since the early ‘90s.

I started to collect classical LPs in the late ‘50s. This accelerated with memberships of the World Record and Australian Record Clubs, and I s ll collect CDs to this day, in par cular, reissued recordings from the ‘golden decade’ from 1955 to 1965. My bookshelves also reflect these interests.

Are there performances or recordings that stay forever in your memory?

I’ve been fortunate to have a ended many memorable performances over the years: Donald Smith and Lauris Elms in Il Trovatore in 1964, Tristan und Isolde under Carlos Kleiber in 1976, Ashkenazy playing Chopin op 25 Etudes in his 20s, Bryn Terfel performing Falstaff for Opera Australia in the ‘90s, and not least the recent OA Brisbane Ring cycle. Regarding recorded works, those of Sir Thomas Beecham and Fritz Reiner and, despite limited sound, Toscanini’s Verdi Requiem, Otello and Falstaff are among my favourites.

What music do you enjoy the most?

All good quality music from Monteverdi to the modern day. I have no pet hates, although it took me a while to enjoy Brahms and even longer to like and enjoy Puccini.

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ENJOY YOUR FAVOURITE PROGRAMS WHEREVER YOU ARE WITH THE 2MBS APP

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FRIDAY 1 00:00 CONTEMPORARY COLLECTIVE

Chaminade, C. Ballet: Callirhoë, op 37 (1888).

BBC Concert O/Martin Yates.

Dutton CDLX 7339 1:02

13:00 SCHUBERT’S OCTET Octet, D803, completed March 1824 Prepared by Ross Hayes

03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Troy Fil 09:00 DIVERSIONS IN FINE MUSIC Journey through history Prepared by Anabela Pina Anon. Our Mother, full of grief. Música Tempora/Andrian Rodriguez van der Spoel.

Etcetera KTC 1384 8 Pastoreta yohepe Àauta. Capilla de Indias/ Tiziana Palmiero.

KTC K617 10 Capelli, G. Ciel nemico, from I fratelli riconosciuti (1726). Philippe Jaroussky, ct; Le Concert d’Astrée/Emmanuelle Haïm.

Virgin 3 95242 2 7 Campagnoli, B. Flute quartet no 1 in D (c1790). Gabriele Formenti, À; Ensemble Il Demetrio.

Brilliant Classics 95399 10 Boccherini, L. Guitar quintet no 4 in D, Fandango (1798). Rolf Lislevand, gui; José de Udaeta, castanets; Le Concert de Nations/ Jordi Savall.

Alia Vox AV9845 22

Schubert, F. Sonata in A minor, D784 (1823).

Imogen Cooper, pf.

Ottavo OTR C68608 20 Der Sieg, D805 (1824). Dietrich FischerDieskau, bar; Gerald Moore, pf.

DG 477 5765

3

Octet in F for winds and strings, D803 (1824). Academy of Ancient Music Chamber Ensemble.

L’Oiseau-Lyre 425 519-2 1:00 14:30 FOCUS ON NEVILLE MARRINER Prepared by Jacky Ternisien Suppé, F. Overture to The Light Calvary (1866). Academy of St Martin in the Fields/ Neville Marriner.

EMI CDC 7 54056 2 7 Ibert, J. Concertino de camera (1935). John Harle, sax; Academy of St Martin in the Fields/ Neville Marriner.

EMI 5 72110 2 13 Purcell, H. Sonata in G minor. Neville Marriner, vn; George Malcolm, hpd.

Vanguard OVC 2002/3

6

Barret, R. Fantasy on Donizetti's Lucrezia Borgia (arr. Price). Bert Lucarelli, ob; Manhattan String Quartet.

Price-Less D 21062 10

Arne, T. Cantata: Bacchus and Ariadne (1755). Robert Tear, ten; Academy of St Martin in the Fields/Neville Marriner.

Decca 452 973-2 10

Romaniello, L. Suite. Raffaele La Ragione, mand; Giacomo Ferrari, pf.

Brilliant Classics 95096 10

Grieg, E. Symphonic dances, op 64 (1898).

Academy of St Martin in the Fields/Neville Marriner. hänssler CD 98.128 31

10:30 CONCERT HALL Prepared by Frank Morrison Satie, E. Ballet: Relâche (1924). New London O/Ronald Corp.

Hyperion CDA66365 22 Stamitz, C. Viola concerto in D, op 1 (pub.

1774). Tabea Zimmermann, va; European Union CO/Dmitri Demetriades.

Helios CDH55035 21 Magnard, A. Symphony no 3 in B Àat minor, op 11 (1896). Toulouse Capitole O/Michel Plasson.

EMI 5 72364 2 40 12:00 A JAZZ HOUR with Barry O'Sullivan Contemporary and modern sounds of 'now' in jazz from all corners of the globe with a focus on contemporary jazz from Australia and regular interviews with local and visiting musicians

Handel, G. Concerto grosso in D, op 6 no 5 (1739). Trevor Connah, vn; Thurston Dart, hpd; Andrew Davis, org; Academy of St Martin in the Fields/Neville Marriner, vn & dir Decca 478 5623 13

Debussy, C. Printemps, symphonic suite (1887; orch. Busser). Montreal SO/Charles Dutoit.

Decca 444 386-2 16 Poulenc, F. Suite française d’après Claude Gervaise (1935). Lille NO/Jean-Claude Casadesus.

Naxos 8.554241 12 22:00 BAROQUE AND BEFORE Celbrating 50 years of the Academy of Ancient Music Prepared by Andrew Dziedzic

Locke, M. Suite from The tempest (1674).

Academy of Ancient Music/Christopher Hogwood.

L’Oiseau-Lyre 433 191-2 39 Bach, J.S. Cantata, BWV202: Weichet nur, betrübte Schatten, Wedding (c1718-23).

Emma Kirkby, sop; Academy of Ancient Music/ Christopher Hogwood.

L’Oiseau-Lyre 478 7863 27 Vivaldi, A. Violin concerto in E minor, RV277, Il favorito. Stanley Ritchie, vn; Academy of Ancient Music/Christopher Hogwood.

L’Oiseau-Lyre 436 172-2 13 Handel, G. Jubilate in D for the Peace of Utrecht 1713 (1713). Emma Kirkby, sop; Judith Nelson, sop; Charles Brett, ct; Rogers CoveyCrump, ten; Paul Elliott, ten; David Thomas, bass; Choir of Christ Church Cathedral, Oxford; Academy of Ancient Music/Simon Preston.

L’Oiseau-Lyre 414 413-2 19 Geminiani, F. Concerto grosso in C, after Corelli, op 5 no 3 (c1716). Academy of Ancient Music/Andrew Manze.

Harmonia Mundi HMU 907261.62 11

16:00 FINE MUSIC DRIVE with James Hunter 19:00 FRIDAY JAZZ SESSION with Alex Siegers A focus on the current Sydney jazz scene mixed with a range of international jazz stars and an occasional guest interview 20:00 EVENINGS WITH THE ORCHESTRA French orchestral dances Prepared by Robert Small Ravel, M. Valses nobles et sentimentales (1911). Ulster O/Yan Pascal Tortelier.

Chandos CHAN 9203 17

SATURDAY 2 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SATURDAY MORNING MUSIC with David Garrett 09:00 WHAT'S ON IN MUSIC Our weekly guide to musical events in and around Sydney 19

09:05 THE PIANO ALONE Prepared by Anne Irish Handel, G. Chaconne in G, HWV435 (1733).

Angela Hewitt, pf.

Hyperion CDA67736 7 Ibert, J. Little suite in 15 pictures (1943). Haewon Chang, pf.

Naxos 8.554720 16

Elgar, E. Pomp and circumstance march, op 39 no 1. Grimethorpe Colliery Band/Robert Childs.

Grim G2015 3 Glinka, M. Theme from Ruslan and Ludmilla.

Cory Band/Robert Childs.

Doyen DOY CD 239 5

Gould, M. Marches, from West Point Chopin, F. Waltz in D Àat, op 28 no 15, Minute symphony. Allentown Band/Ronald Demkee.

AMP 200 59 9 (1846-47). Roger Woodward, pf.

Warner Music 450990318-2

2

Schumann, R. Forest scenes, op 82 (184849). Wilhelm Kempff, pf.

DG 435 045-2 23 10:00 CENTRES OF MUSIC Hot Springs Music Festival, Arkansas Prepared by Elaine Siversen Gottschalk, L. Célèbre tarantelle (1868; ed.

Rosenberg). Michael Gurt, pf; Hot Springs Festival SO/Richard Rosenberg.

Naxos 8.559320 6 Reser, H. Suite for banjo and orchestra (192230). Don Vappie, banjo; Hot Springs Music Festival SO/Richard Rosenberg.

Naxos 8.559647 11

12:00 URBAN JAZZ LOUNGE with Leita Hutchings New, hip, fun and traditional jazz: tons of cool jazz, presented in a chilled and laid-back, lounge style 13:00 FROM THE 18TH CENTURY Prepared by Chris Blower Albinoni, T. Sonata in G minor for violin and continuo, op 4 no 5 (1711). Locatelli Trio.

Hyperion CDD22048 10 Bach, J.S. Trio sonata in G for transverse Àute, violin and continuo (arr. from BWV525, c1730). Members of Sydney Consort.

Sydney Consort SC001 11

Sárka, from Má vlast (1875). Vienna PO/ Nikolaus Harnoncourt.

Teldec 0927-44890-2

11

From Bohemia’s ¿elds and groves, from Má vlast (1875). Vienna PO/Nikolaus Harnoncourt.

Teldec 0927-44890-2 14 Tabor, from Má vlast (1878). Vienna PO/ Nikolaus Harnoncourt.

Teldec 0927-44890-2

14

Blanik, from Má vlast (1879). Vienna PO/ Nikolaus Harnoncourt.

Teldec 0927-44890-2 15 17:00 SOCIETY SPOT Folk Federation of NSW with Gerry Myerson 18:00 STAGE AND SCREEN Prepared by Sue Jowell Allen, P. The boy from Oz. Hugh Jackman, voice.

Decca 9867 184 4

Arlen, H. Excerpts from The Wizard of Oz. Judy Garland, Ray Bolger, Bert Lahr, Jack Haly, voices; MGM Studio O. Guillemain, L-G. Sonata in A minor, op 5 no 1 Classic Soundtracks 002 10 (1739). Paul Wright, vn; Sophie Gent, vn.

Gottschalk, L. Overture: Young Henry’s hunt, ABC 476 6996 8 McCarthy, J. Broadway melody, from Dear Mr after Méhul (1861; reconstr. Rosenberg). John Gable. Judy Garland, voice.

Contiguglia, pf; Richard Contiguglia, pf; Angela Bach, J. Christian Sonata in E Àat (1762; arr. Naxos 8.12563 3 M.C. Alain). John Foster, tpt; David Drury, org.

Draghicescu, pf; Chin-Ming Lin, pf; Joshua ABC 476 639-8 8 Chaplin, S. Can this be the end of the Pepper, pf; Hot Springs Festival SO/Richard rainbow. Judy Garland, voice.

Rosenberg.

Mozart, W. Sonata no 28 in E Àat, K380 Naxos 8.12563 3 Naxos 8.559320 11 (1781). Fabio Biondi, vn; Olga Tverskaya, pf.

Opus OPS 30-216 26 Meyer, G. Excerpts from Me and my gal. Judy Opera: Escenas campestres cubanas (1859Garland, Gene Kelly, George Murphy, voices; 60; reconstr. Rosenberg). Anna Noggle, sop; Beethoven, L. Sonata no 6 in F, op 10 no 2 Studio O/George Stoll.

Darryl Taylor, ten; Richard Ziebarth, bass-bar; (1797). Angela Hewitt, pf.

Sony 638552 12 Hot Springs Festival SO/Richard Rosenberg.

Hyperion CDA67797 16 Various.

Excerpts from Meet me in St Louis.

Naxos 8.559320 13 14:30 SATURDAY MATINEE Judy Garland, Margaret O’Brien, voices; Suesse, D. Jazz nocturne (1931). Peter Orchestral grandeur: Pioneer of Czech Studio O/George Stoll.

Mintun, pf; Hot Springs Music Festival SO/ national music Warner Archive 39412 11 Richard Rosenberg.

Prepared by Elaine Siversen Excerpts from Live at the London Palladium.

Naxos 8.559647 4 Judy Garland, Liza Minnelli, voices.

Gottschalk, L. Symphony no 1, A night in EMI 19126 9 the tropics (1859; reconstr. Rosenberg). Hot Springs Festival SO/Richard Rosenberg.

Smetana, B. Overture to The bartered bride 19:00 EMERGENT JAZZ Naxos 8.559320 16 (1866). Buffalo PO/JoAnn Falletta. with Keith Pettigrew Gershwin, G. Rhapsody in blue (1924; orch.

Grofé 1926). Tatiana Roitman, pf; Hot Springs Music Festival SO/Richard Rosenberg.

Naxos 8.559647 17

www.bpo.org

7

11:30 ON PARADE Music that’s band Prepared by Owen Fisher

From my life (1880; orch. Szell). London SO/ Geoffrey Simon.

LP Chandos ABRD 1149 30

Lovatt-Cooper, P. Home of legends. Cory Band/Robert Childs.

Doyen DOY CD 290 4

Vysehrad, from Má vlast (1872-74). Vienna PO/Nikolaus Harnoncourt.

Teldec 0927-44890-2 16

Anderson, L. Home stretch. Allentown Band/ Ronald Demkee.

AMP 2E 119 3 20

Vltava, from Má vlast (1874). Vienna PO/ Nikolaus Harnoncourt.

Teldec 0927-44890-2 13

Symphonic poem: Hakon Jarl, op 61 (186061). Prague RSO/Vladimir Válek.

Supraphon SU 3916-2 16

Australian jazz of the 21st century featuring high school jazz combos, tracks from Sydney's pre-eminent jazz programs at UNSW and 'The Con' and new Australian and international jazz releases 20:00 THE LIFE OF A COMPOSER Joseph Haydn Prepared by Frank Morrison Haydn, J. Divertimento in G, Hob.II:2 (c175354). Haydn Sinfonietta, Vienna/Manfred Huss.

Koch Schwann 3-1481-2 19

Double concerto in F, Hob.XVIII:6 (bef. 1766).

Salvatore Accardo, vn; Bruno Canino, hpd; English CO/Edo de Waart.

Philips 438 797-2 20 Trio in A Àat, Hob.XV:14 (1789). Yuuko Shiokawa, vn; Boris Pergamentchikov, vc; András Schiff, pf.

Decca 444 862-2 21 Das Leben ist ein Traum, Hob.XXVIa:21.

Christian Gerhaher, bar; Gerold Huber, pf.

Sony 88691935432 4

ten; Stephen Collardelle, ten; Étienne Bazola, bar; Nicolas Brooymans, bass; Ensemble Correspondances/Sébastien Daucé.

Harmonia Mundi 902280.81 30 10:00 THE CLASSICAL ERA Prepared by Anne-Louise Luccarini Ries, F. Flute sonata in E Àat, op 86 no 1 (1819). Duo Estense.

Brilliant Classics 96132

8

Haydn, M. Divertimento in D (1764). Mihai Zágoni, cl; Mircea Neamtu, tb; Ioan Silaghi, Sonata no 60 in C, Hob.XVI:50, English (1794bn, Ecaterina Botàr, hpd; Oradea PO/Romeo 95). Mikhail Pletnev, pf.

Rîmbu.

Virgin 5 45254 2 18 Olympia OCD 485 52 Symphony in D, Hob.I:104, London (1795).

Danzi, F. Sinfonia concertante in B Àat, op 41 Collegium Musicum 90/Richard Hickox.

(1814). Paul Meyer, cl; Franz Liszt CO/JeanChandos CHAN 0655 28 Pierre Rampal, À & dir.

20 22:00 SATURDAY NIGHT AT HOME Denon CO-78911 Prepared by Rex Burgess Bach, J.S. Partita no 5 in G, BWV829 (172531). Rosalyn Tureck, pf.

Philips 456 976-2 23 Canteloube, J. Songs of the Auvergne (192330). Isobel Buchanan, sop; Australian CO/Max McBride.

Fine Music tape archive 23 Koechlin, C. The burning bush, op 203, 171 (1938/45). Rhineland Palatinate PO/Leif Segerstam.

Marco Polo 8.223704 38 Schoenberg, A. Trans¿gured night, op 4 (1899). Walter Trampler, va; Yo-Yo Ma, vc; Juilliard String Quartet.

Sony SMK 62019 29

SUNDAY 3 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC with James Nightingale 09:00 MUSICA SACRA Prepared by Rex Burgess Lorenzani, P. Motet for The Elevation. Le Concert Spirituel/Hervé Niquet.

Naxos 8.553648 10 Alkan, C-V. Impromptu on a chorale of Luther, op 69 (c1871). Kevin Bowyer, org.

Brilliant Classics 95568 14 Charpentier, M-A. Oratorio: Caecilia, virgo et martyr à 8, from Histoires sacrées (1675).

Judith Fa, sop; Caroline Weynants, sop; Violaine Le Chenadec, sop; Caroline Arnaud, sop; Lucile Richardot, mezz; Davy Cornillo,

15:00 SUNDAY SPECIAL Pioneer of Czech national music Prepared by Jacky Ternisien

Mozart, W. Sinfonia concertante no 2 in E Àat, K364 (1779). Veronika Hagen, va; Salzburg Camerata Academica/Augustin Dumay, vn & dir.

DG 459 675-2 31 12:00 CLASSIC JAZZ with Dave Mac The early days of jazz and ragtime as recorded during the ¿rst 30 years of the 20th century 13:00 WORLD MUSIC Whirled Wide with Linda Marr Showcases diverse music from cultures around the world, both traditional and modern, featuring musicians from all corners of the globe, including Australia 14:00 THE PIANO SONATA Sonatas of Johann Nepomuk Hummel, Part 1 Prepared by Jennifer Foong Joachim, J. Overture to Demetrius (arr.

Brahms). Silke-Thora Matthies, pf; Christian Köhn, pf.

Naxos 8.555849 16 Czerny, C. Rondino no 10 on a theme from Mozart's K304, op 98. Christian Lambour, pf.

Schwann 310 120 11 Herz, H. Variations on Non più mesta, from Rossini’s Cinderella. Earl Wild, pf.

Vanguard OVC 4033 10 Hummel, J. Sonata no 1 in C, op 2 no 3 (1792). Ian Hobson, pf.

Arabesque Z 6564

17

Smetana, B. Overture to Libuse (1881).

Prague SO/Ondrej Lenárd. apex 0927 44354 2

8

Fantasia on Czech folksongs; Polka in F sharp minor and A minor, from Czech dances, bk 1; Hulán, from Czech dances, bk 2. Kathryn Stott, pf.

Chandos CHAN 10430 21 Prague carnival (1883). BBC PO/Gianandrea Noseda.

Chandos CHAN 10413 6 My star; The swallows arrived; The sunset (1878). Female voices of Czech Philharmonic Ch/Josef Veselka.

LP Supraphon MS 112 1143 7 Piano trio in G minor, op 15 (1855/57).

Australian Trio.

ABC 476 123-1

29

Triumphal symphony in E, op 6 (1853-54).

Prague RSO/Vladimir Válek.

Supraphon SU 3916-2 37 17:00 HOSANNA Prepared by Neil McEwan Schütz, H. Psalm 137: An den Wassern zu Babel (pub. 1619). Stuttgart Chamber Choir & soloists; Musica Fiata/Frieder Bernius.

Sony S2K 48042 5 Pott, F. Forty days and forty nights. Cantus Choro; Norman Kaye, org; Peter Chapman, cond.

Move MD 3062 3 Psalm. No 19: The heavens declare the glory of God. Choir of Exeter Cathedral; Paul Morgan, org; Andrew Millington, cond.

Priory PRCD 1045 4 Penalosa F. de Credo; Sanctus; Agnus Dei, from Missa, Nunca fué pena mayor. Choir of Westminster Cathedral/James O’Donnell.

Hyperion CDA 66629 15 Bach, J.S. Motet: Fürchte dich nicht, ich bin bei dir, BWV228. Monteverdi Choir/John Eliot Gardiner.

Monteverdi Productions SDG 716 9 Purcell, H. Jehova, quam multi sunt hostes mei (c1680). Choir of Christ Church Cathedral, Oxford; English Concert/Simon Preston.

Archiv 459 487-2 8 Blow, J. Salvator mundi. Choir of Christ Church St Laurence, Sydney; Peter Jewkes, org; Neil McEwan, cond.

CCSL CD06 4 21

Ireland, J. My song is love unknown. Choir of Wells Cathedral; Rupert Gough, org; Malcom Archer, cond.

Hyperion CDP 12101 3 18:00 BOHEMIAN CHAMBER Prepared by Elaine Siversen Kalliwoda, J. Salon piece, op 228. Jean-Louis Capezzali, ob; Chia Chou, pf.

Pierre Verany PV794101 9

23:00 JAZZ AFTER HOURS Portraits with Eddie Bernasconi Late night jazz that presents a picture of individual jazz musicians or speci¿c instruments. Listen, engage and unwind

00:00 CLASSIC-ALL THROUGH THE NIGHT

Schulhoff, E. Sextet (1924). Raphael Ensemble.

Hyperion CDA66516

06:00 FINE MUSIC BREAKFAST with James Hunter

19:00 JAZZ INTERACTION with Maddy Monjo Exploring contemporary jazz, covering new releases, contrasting performers, improvisation and the orchestra, all presented with social media presence; Listen, ask, share 20:00 SUNDAY NIGHT CONCERT Prepared by Dan Bickel

Charody, C. Lunacy; The lost world, from Limbo. Sonja Schebeck, vn; Chloe Charody, pf.

Private recording 8 Pas de deux; Wedded to the sea, from Morning blossoms. Netherlands SO/Tecwyn Evans.

Private recording 8

MONDAY 4

Foerster, J. Piano trio no 2 in B Àat, op 38 (1894). Janácek Trio.

Supraphon SU4079-2 21

24

13:00 100% AUSTRALIAN MADE Prepared by Julie Simonds

Charody - Maleki. Migrant child; Brother; Estrangement, from Truth in a cage. Caitlin Redding, sop; Kunal Lahiry, pf.

Private recording 11

09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1874 Prepared by Frank Morrison Sarasate, P. de Concert fantasy on Gounod’s Faust (1874). Gil Shaham, vn; Jonathan Feldman, pf.

DG 463 483-2 11

Massenet, J. Picturesque scenes (1874).

Suisse Romande O/Neeme Järvi.

Mozart, W. Ballet music from Idomeneo, K367 Chandos CHSA 5137 16 (1781). Academy of Ancient Music/Christopher Brahms, J. Liebeslieder-Walzer, op 52a Hogwood.

(1874). Silke-Thora Matthies, Christian Köhn, L’Oiseau-Lyre 452 604-2 24 pf.

Glière, R. Harp concerto, op 74 (1938). Alice Naxos 8.553140 24 Giles, hp; Adelaide SO/David Porcelijn.

Strauss, J. II So muss allein ich bleiben. O ABC 454 506-2 26 je O je, from Die Fledermaus (1874). Gundula Bruch, M. Symphony no 2 in F minor, op 36 Janowitz, sop; Renate Holm, sop; Eberhard (pub. 1870). Gewandhaus O/Kurt Masur.

Waechter, bar; Vienna PO/Karl Böhm.

Philips 462 164-2 34 Decca 467 407-2 4 21:30 NEW HORIZONS Prepared by Paul Cooke Higdon, J. Soprano saxophone concerto (2006). Carrie Koffman, sax; Hartt School Wind Ensemble/Glen Adsit.

Naxos 8.572889 16 Bingham, J. Byron, violent progress (2008).

David Jones, pf.

Toccata TOCC 0181 18

Fibich, Z. String quartet no 1 in A (1874).

Talich Quartet.

Calliope CAL 3332 23 10:30 CONCERT HALL Prepared by Derek Parker Boïeldieu, A. Overture to La dame blanche (1825). Estonian NSO/Neeme Järvi.

Chandos CHAN 20151 8

Downes, A. Sonata, op 99 (2008). Peter Sheridan, contrabass À; Jane Hammond, pf.

Move MD 3375 21

Dittersdorf, C. Viola concerto in F. Petr Pribyl, va; Miroslava Svobodová, hpd; South Bohemia Chamber PO/Ondrej Kukal.

Campion RR 1342 25

Harrison, S. ... under the circle of the moon ...

(2004). Peter Sheppard Skærved, vn; Mihailo Trandilovski, vn.

Toccata TOCC 0304 13

Mahler, G. Symphony no 1 in D, Titan (1888/93/96-98). Bavarian RSO/Rafael Kubelik.

DG 477 8825

Goehr, A. When Adam fell, op 89 (2011). BBC SO/Oliver Knussen.

Naxos 8.573052 15

22

Charody, C. My Australia. Sydney SO/Pietari Inkinen.

Private recording 9 Castle in the sky. Van-Anh Nguyen, pf.

Private recording

5

Dance of the ¿rebird, from The carnival. Sonja Schebeck, vn.

Private recording 5 14:00 FROM THE TATRA MOUNTAINS Prepared by Paul Cooke Novák, V. Symphonic poem: In the Tatra Mountains, op 26 (1902). Royal Liverpool PO/ Libor Pesek.

Virgin 5 45251 2 16 Paderewski, I. Danses polonaises, op 5 (c1883). Karol Radziwonowicz, pf.

Harmonia Mundi LCD 2781073/75

12

Dvorák, A. Gypsy songs, op 55 (1880).

Bernarda Fink, mezz; Roger Vignoles, pf.

Harmonia Mundi HMX 2908186.88 13 Karlowicz, M. Eternal songs, op 10 (1906).

New Zealand SO/Antoni Witt.

Naxos 8.570295 28 Schelling, E. Nocturne: Ragusa (1926).

Jonathan Plowright, pf.

Hyperion CDA 67903

7

Kilar, W. Orawa (1986). Orava Quartet.

DG 485 9116

9

Szymanowski, K. Violin concerto no 2, op 61 (1933). Roman Lasocki, vn; Polish State PO/ Karol Stryja.

Marco Polo 8.223291 23 16:00 FINE MUSIC DRIVE with Andrew Dziedzic

50

12:00 SWING SESSIONS with John Buchanan Featuring bands of the 1930s swing era and the dance bands of the 1920s taken from radio broadcasts, transcriptions and recording sessions

19:00 JAZZ ABOUT TOWN with Deborah Evans A sound gig guide to what's on in Sydney's jazz scene over the coming week with music from jazz musicians who are About Town 20:00 STORMY MONDAY with Austin Harrison

22:00 JAZZ AFTER HOURS 13:00 PIONEER OF CZECH MUSIC with Ramsay McInnes Music for the piano, Part 1 Late night jazz, to listen and engage, and relax Prepared by Elaine Siversen

TUESDAY 5 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Robert Small 09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Elaine Siversen Rachmaninov, S. Russian rhapsody in E minor (1891). Lilya Zilberstein, pf; Alexander Mogilevsky, pf.

Warner Classics 0825646235940 9 Bach, J.S. Sonata in E minor for violin and continuo, BWV1023 (aft. 1723). Locatelli Trio.

Hyperion CDD22025 10 Corrette, M. Organ concerto in G, op 26 no 1 (pub. 1756). Jean-Patrice Brosse, org; Concerto Rococo.

Pierre Verany PV793113 10 Haydn, J. Sonata no 47 in B minor, Hob. XVI:32 (1776). Geoffrey Lancaster, fp.

Tall Poppies TP216 18 Britten, B. A charm of lullabies, op 41 (1947). Magdalena Kozená, mezz; Malcolm Martineau, pf.

DG 471 581-2 13 Grieg, E. Holberg suite, op 40 (1884). Gerard Willems, pf.

ABC 481 1702 19 10:30 CONCERT HALL Prepared by Anne-Louise Luccarini

Smetana, B. Character pieces, op 1 nos 3 and 4 (1847-48). Peter Schmalfuss, pf.

Thorofon CTH 2005 7 Concert study in G sharp minor, At the sea (1861). Leif Ove Andsnes, pf.

EMI 3 41682 2 5

Dreams (1875). Kathryn Stott, pf.

Chandos CHAN 10430

30

14:00 ALMOST AN ORCHESTRA The nonet Prepared by George Nevin Mozart, W. Grand nonet, after Sinfonia concertante no 1 in E Àat, K297b (1778; arr.

Roman Benedict). 2018 Sydney Symphony Fellows/Roger Benedict.

Fine Music concert recording 30 Parry, H. Nonet in B Àat for winds (1877).

Capricorn.

Hyperion CDA66291 24 Czerny, C. Nonet for winds, strings and piano (1850). Claudius Tanski, pf; Consortium Classicum.

MDG 301 0518-2 36 David, Félicien. Nonet in C minor (1839).

London Gabrieli Brass Ensemble/Christopher Larkin.

Hyperion CDA66470 21 16:00 FINE MUSIC DRIVE with David Brett 19:00 THE JAZZ BEAT with Lloyd Capps Smooth small group jazz from the 50s on, and with a visit from Miles Davis each week

Stravinsky, I. Concerto in E Àat, Dumbarton Oaks (1939). Lliure Theatre CO/Josep Pons.

Harmonia Mundi HMC 901609 17

20:00 JUST IN with Michael Field A selection from the latest recordings to arrive at the Fine Music Library

12:00 JAZZ RHYTHM with Jeannie McInnes An eclectic blending of agreeable rhythm and melody from the New Orleans jazz roots through to recent decades, including many Australian bands

Reicha, A. Grand quintet (1826). Jane Gower, bn; Madeleine Easton, vn; Alice Evans, vn; Galina Zinchenko, va; Catherine Jones, vc.

Ars ARS 38 091 38

WEDNESDAY 6

00:00 CONTEMPORARY Macbeth and the witches (1859). Tamara-Anna COLLECTIVE Cislowska, pf.

ABC 476 6301 10 03:00 CLASSICAL TILL DAWN

Bernstein, L. Ballet: Fancy free (1944).

Paul Searle-Barnes, pf; Paul Turner, drums; Bournemouth SO/Andrew Litton.

Virgin VC 7 91433-2 27

Mendelssohn, F. Symphony no 3 in A minor, op 56, Scottish (1842). Tasmanian SO/ Sebastian Lang-Lessing.

ABC 476 3623 39

Ambroisie AM206 24 Debussy, C. Piano trio no 1 in G (1880). Trio Chausson.

Mirare MIR 163 23

22:00 CHAMBER SOIRÉE Prepared by Albert Gormley Leclair, J-M. Première recréation de musique, op 6 (pub. 1736). Rachael Beesley vn; Julia Fredersdorff, vn; Rosanne Hunt, vc; Jaqueline Ogeil, hpd, org.

Tall Poppies TP194 29 David, Félicien. String quartet no 2 in A (c1869). Quatuor Cambini.

06:00 FINE MUSIC BREAKFAST with Stephen Wilson 09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Gerald Holder Platti, G. Sonata no 8 in C minor (1730-40)..

Elaine Funaro, fp.

Wildboar WLBR9901 12 Scheidt, S. Battle suite. Peter Walmsley, tpt; Catherine Walmsley, tpt; Louise Balletti, hn; Justin Kearin, tb; Matthew Walmsley, tuba.

Fine Music tape archive 9 Sor, F. Six petites pièces, op 5 (pub.1815-18).

Norbert Kraft, gui.

Naxos 8.554196 16 Demantius, C. Prophecy of the sufferings and death of Jesus Christ. Spandauer Kantorei/ Martin Behrmann.

LP Turnabout TV34175 14 Poole, A. Division on the Polewheele’s ground. Vittorio Ghielmi, bass viols; Luca Pianca, lute.

Harmonia Mundi HMI 987066

5

Zimmermann, A. String quartet no 3 in F, op 3. Musica Aeterna Soloists.

Naxos 8.553952 21 10:30 CONCERT HALL Prepared by Noelene Guillemot Rimsky-Korsakov, N. Overture: Russian Easter Festival, op 36 (1888). Paris O/ Gennady Rozhdestvensky.

EMI CDM 1 66428 2 16 Sibelius, J. Violin concerto in D minor, op 47 (1903/05). David Oistrakh, vn; Stockholm FO/ Sixten Ehrling.

Testament SBT 1032 31 Mozart, W. Symphony no 41 in C, K551, Jupiter (1788). Dresden State O/Colin Davis.

Philips 410 046-2 35

23

12:00 JAZZ SKETCHES with Robert Vale Focussing on contemporary jazz, often gathered from emerging cultures and Australian 13:00 IN CONVERSATION with Simon Moore Each week we meet one of the world’s great musicians, singers, composers or conductors, along with up-and-comers and some of the men and women who inÀuence the arts landscape.

20:00 AT THE OPERA From Bohemia and Moravia Prepared by Camille Mercep

THURSDAY 7 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN

Smetana, B. The bartered bride. Opera in three acts. Libretto by Karel Sabina. First performed Prague, 1866.

06:00 FINE MUSIC BREAKFAST with Simon Moore

MARENKA: Dana Burešová, sop KECAL: Jozef Benci, bass MICHA: Gustav Belaþek, bass JENIK: Tomáš Juhás, ten VASEK: Aleš Voráþek, ten BBC Singers; BBC SO/Jirí Belohlávek.

Harmonia Mundi HMC 902119.20 2:16

09:00 DIVERSIONS IN FINE MUSIC Romantics, tributes and dedications Prepared by David Brett

Vaughan Williams, R. Youth and love, from Songs of travel (1904). Bryn Terfel, bass-bar; Malcolm Martineau, pf.

DG 445 946-2 4

Haydn, J. Symphony in B Àat, Hob.I:85, Queen (c1785). Amsterdam Baroque O/Ton Koopman.

Erato 2292-45807-2 22

Marenka learns that her parents have planned a rich marriage for her, suggested by the marriage broker Kecal, who proposes Vasek, the second son of Tobias Micha. His ¿rst son had left home years before because of his stepmother and he is now presumed dead. Marenka, having promised to marry the penniless Jenik, refuses to acknowledge the contract. Vasek, shy and stuttering, has been sent to woo Marenka, whom he does not know, so she takes the opportunity to warn him that his prospective bride will lead him a dance, frightening him off. Kecal offers to buy off Jenik, who agrees to accept the money offered and renounce Marenka on condition that no one will marry Marenka except a son of Micha. Everyone blames Jenik for giving up Marenka for money and Marenka is desolate.

She signs the contract to marry Micha’s son.

Unknown to all, Jenik is Micha’s eldest son.

Eventually, Jenik’s identity is revealed. As Micha's son he is, by the terms of the contract, entitled to marry Marenka. When this becomes clear, Marenka understands his actions and embraces him.

16:00 FINE MUSIC DRIVE with Tom Forrester-Paton

22:30 MUSIC OF THE NIGHT Prepared by Dan Bickel

19:00 PLANET JAZZ with Xavier Bichon A musical journey to different parts of the world where jazz meets other musical traditions, from Africa to Europe, with a slice of Australia

Janácek, L. On the overgrown path (1901-08).

Taneyev, S. Symphony no 1 in E minor Rudolf Firkusny, pf.

(1874). Novosibirsk Academic SO/Thomas DG 449 764-2 44 Sanderling.

Dvorák, A. String quartet no 8 in E, op 80 Naxos 8.570336 34 (1876). Chilingirian Quartet.

Chandos CHAN 8755 26 12:00 JAZZ AFTER NOON Martinu, B. Piano trio no 2 in D minor (1950). with Sue Jowell Featuring swing t0o mainstream jazz with Smetana Trio.

Supraphon SU 3927-2 15 regular appearances from the Great American Songbook

14:00 18TH CENTURY BLOCKBUSTERS Prepared by James Nightingale Bach, C.P.E. Symphony in E Àat, Wq179 (1757-62). Akademie für Alte Musik.

Harmonia Mundi HMG 501711 11 Pergolesi, G. Stabat Mater (1736). Barbara Bonney, sop; Andreas Scholl, ct; Les Talens Lyriques/Christophe Rousset.

Decca 466 134-2 36 Telemann, G. Sonata in A minor for oboe and continuo, TWV41:a3. Salut! Baroque.

Salut! Baroque SAL007 7 Gluck, C. Ballo: The dance of the blessed spirits; Arioso: Che puro ciel! from Orfeo ed Euridice (1762) Iestyn Davies, ct; Arcangelo/ Jonathan Cohen.

Hyperion CDA67924 8 Mozart, W. Quartet no 1 in G minor, K478 (1785). Charmian Gadd, vn; Irina Morozova, va; Michael Goldschlager, vc; Kathryn Selby, pf.

Fine Music concert recording 25

Rossini, G. Overture to The Italian girl in Algiers (1816). Philharmonia O/Herbert von Karajan.

EMI CDM 1 66417 2 8

Beethoven, L. Trio in B Àat, op 97, Archduke (1810-11). Itzhak Perlman, vn; Lynn Harrell, vc; Vladimir Ashkenazy, pf.

EMI CDC 7 47010 2 37 Puccini, G. Che gelida manina ... O soave fanciulla, from La bohème (1896). Joseph Calleja, ten; Suisse Romande O/Marco Armiliato.

Decca 478 2720 5 Dvorák, A. String quartet no 12 in F, op 96, American (1893). Keller Quartet. apex 0927 44355 2 25 10:30 CONCERT HALL Prepared by Paul Cooke Sibelius, J. Tone poem: Tapiola, op 112 (1926). Gothenburg SO/Neeme Järvi.

BIS CD-312

19

Haydn, M. Duo concertante (1760-61).

Stephen Shingles, va; Simon Preston, org; Academy of St Martin in the Fields/Neville Marriner.

Decca 436 222-2 31

13:00 DANISH CHAMBER Prepared by Chris Blower

24

Nielsen, C. Fantasy piece (c1885). Lars Kristian Holm Brynildsen, cl; Leif Ove Andsnes, pf.

BIS CD-428

4

Fantasy pieces, op 2 (1889). Steinar Hannevold, ob; Leif Ove Andsnes, pf.

BIS CD-428

6

Kuhlau, F. Sonata in C, op 83 no 2 (1827).

Uwe Grodd, À; Matteo Napoli, pf.

Naxos 8.555346 20 Gade, N. String quartet in D, op 63 (1888).

Kontra Quartet.

BIS CD-516 23 14:00 A TALE OF FOUR CITIES Prepared by Chris Blower Lully, J-B. Overture and suite from Amadis (1684). Collegium Aureum/Reinhard Peters.

LP Harmonia Mundi HM 20322 23 Alkan, C-V. Piano concerto, op 39 (pub.

1857; orch. Klindworth). Dmitry Feofanov, pf; Razumovsky SO/Robert Stankovsky.

Naxos 8.553702 25 Chausson, E. Symphony in B Àat, op 20 (1890). Loire PO/Marc Soustrot.

Pierre Verany PV 792051 34 Karlowicz, M. Violin concerto in A, op 8 (1902). Ilya Kaler, vn; Warsaw PO/Antoni Wit. Naxos 8.572274 29 16:00 FINE MUSIC DRIVE with Peter Poole 19:00 THE NEW JAZZ STANDARD with Frank Presley A fresh perspective on modern music contributing to the standard jazz repertoire, with ¿ne jazz interpretations from the world of pop, rock, ¿lm and contemporary jazz 20:00 THE WORLD OF A SYMPHONY Felix Mendelssohn: Symphony no 1 Prepared by Brian Drummond

Mendelssohn, F. Overture in B Àat (1824).

Consortium Classicum.

DG MD+G L 3416 9 Mendelssohn, Fanny. Sonata in C minor (1824). Heather Schmidt, pf.

Naxos 8.570825 14 Mendelssohn, F. String symphony no 12 in G minor (1823). Northern CO/Nicholas Ward.

Naxos 8.553163 22 Double concerto no 1 in E (1823). Anthony Paratore, pf; Joseph Paratore, pf; RIAS Sinfonietta/Uros Lajovic.

Schwann 11088 28 Andante and rondo capriccioso in E minor, op 14 (1824). Murray Perahia, pf.

CBS MK 42401 6

Symphony no 1 in C minor, op 11 (1824).

Gewandhaus O/Kurt Masur.

Teldec 2292-44933-2 29 22:00 SONG CYCLE PLUS Prepared by Paul Cooke Dvorák, A. Ballade, op 15 (1885). Graham Wood, vn; David Bollard, pf.

Tall Poppies TP056 6 Mahler, G. Lieder eines fahrenden Gesellen (1883-85). Thomas Hampson, bar; Wolfram Rieger, pf.

Radio Nederland transcription 20 22:30 ULTIMA THULE Ambient and atmospheric music

Hyde, M. Piano concerto no 1 in E Àat minor (1934). Miriam Hyde, pf; West Australian SO/ Geoffrey Simon.

ABC 481 7995 30 Sutherland, M. Outdoor overture (1953).

Queensland SO/Patrick Thomas.

LP ABC AC 1007

4

Mayer, E. Symphony no 4 in B minor (184950; arr. Malzew). New Brandenburg PO/Stefan Malzew.

Capriccio C5339 37 12:00 A JAZZ HOUR with Barry O'Sullivan 13:00 SCHUBERT’S ROSAMUNDE String quartet, D804, completed March 1824 Prepared by Ross Hayes

FRIDAY 8 00:00 CONTEMPORARY COLLECTIVE

06:00 FINE MUSIC BREAKFAST with Stephen Gard

Schubert, F. Incidental music to Rosamunde, D797 (1824). Tasmanian SO/Sebastian LangLessing.

ABC 476 4740 23

09:00 DIVERSIONS IN FINE MUSIC Journey through history Prepared by Peter Poole

String quartet no 13 in A minor, D804 (1824).

Vienna Konzerthaus Quartet.

Westminster RC 8808678121735 37

03:00 CLASSICAL TILL DAWN

Woodcock, R. Recorder concerto no 2 in A. Dan Laurin, rec; Van Wassenaer O/Makoto Akatsu, vn & dir.

BIS CD-985 8

Prayer, D815 (1824). Elly Ameling, sop; Janet Baker, mezz; Peter Schreier, ten; Dietrich Fischer-Dieskau, bar; Gerald Moore, pf.

DG 435 596-2 11

Locke, M. Five-part things for the cornetts.

Edward Tarr Brass Ensemble.

Christophorus CHR 74562 11

16 German dances, D783 (1824). Imogen Cooper, pf.

Ottavo OTR C78923 12

Haym, N. Have mercy upon me, O God (c1700). Philippa Hyde, sop; Parley of Instruments/Peter Holman.

Chandos CHAN 0776

14:30 INTERNATIONAL WOMEN’S DAY Prepared by Chris Blower 14

Bach, J. Christian Sonata in B Àat, op 5 no 1 (pub. 1766). Diana Weston, square pf.

Wirripang Wirr 120 9

Isabella Leonarda. Trio sonata no 7 (1693).

Concerto Soave.

Ambronay AMY025 5

Caccini, F. Prologue to La liberazione di Ruggiero dall ‘isola di Alcina (pub. 1625).

Francesca Lombardi, sop; Emanuela Galli, sop; Gabriella Martellacci, cont; Elena Dauprat, L. Variations on a Scottish air, op 22. Biscuola, mezz; Raffaele Giordani, ten; Mauro Borgioni, bar; Yiannis Vassilakis, bar; Mauro Sören Hermansson, hn; Erica Goodman, hp.

BIS CD-648 10 Borgioni, bass; Allabastrina; La Pifarescha/ Elena Sartori.

Coleridge-Taylor, S. Ballade in C minor, op Glossa GCD 923902 9 73 (1907). Marianne Thorsen, vn; Ian Brown, Farrenc, L. Grand variations on a theme by pf.

Hyperion CDA67590 13 Count Gallenberg, op 25 (c1838). Jean Muller, pf; European Soloists/Christoph König.

10:30 CONCERT HALL Naxos 8.574094 14 Prepared by Jacky Ternisien Mayer, E. Sonata in E Àat. Aleksandra

Devienne, F. Sonata in B Àat, op 70 no 3 (1798-99). Peter Bree, ob; Roderick Shaw, fp.

Etcetera KTC 1084 12

Mendelssohn, Fanny. Overture (c1830).

Women's PO/JoAnn Falletta.

Koch 3 7169 2H1 11

Maslovaric, vn; Anne-Lise Longuemare, pf.

Feminae 18 25

Bonis, M. Album for the very young (1913).

Nathalia Milstein, pf.

Palazzetto Bru Zane BZ2006 13 Williams, G. Carillons (1965/73). Anthony Camden, ob; London SO/Charles Groves.

Lyrita SRCD 323 11 Younan, E. The fertile crescent (2021).

Croissants & Whiskey.

ABC ABCL0055

9

Jenkins, J. Fantasia suite. Lucinda Moon, baroque vn; Laura Moore, va da gamba; Donald Nicholson, chamber org.

ABC 481 2100 12 Wilbye, J. Cruel, behold my heavy ending; Oft have I vowed; Lady, your words do spite me.

King’s Singers.

EMI CDC 7 49265 2 10

16:00 FINE MUSIC DRIVE with Robert Gilchrist 19:00 FRIDAY JAZZ SESSION with Alex Siegers 20:00 EVENINGS WITH THE ORCHESTRA Piano concertos for the left hand, Part 1 Prepared by Elaine Siversen Korngold, E. Excerpts from The snowman (1908; orch. Zemlinsky, 1910). Peter Manning, vn; BBC PO/Matthias Bamert.

Chandos CHAN 9631 23 Zemlinsky, A. Symphonic songs, op 20 (1929). Willard White, bar; Royal Concertgebouw O/Riccardo Chailly.

Radio Nederland RCO11004

Wilbye, J. Weep, O mine eyes; Adieu, sweet Amaryllis; Lady, when I behold the roses; O wretched man (1598). Members of Consort of Musicke/Anthony Rooley.

Decca 476 7227 10

18

Purcell, H. Sonata no 6 in G minor, Ciaccona, from Ten sonatas in four parts (pub.1697).

Rachael Beesley, vn; Julia Fredersdorff, vn; Rosanne Hunt, vc; Jaqueline Ogeil, hpd, org.

Tall Poppies TP194 8 Clarke, J. Come, come along for a dance and a song (1695-96). Ruth Holton, sop; Charles Daniels, ten; Simon Birchall, bass; Parley of Instruments Choir & Baroque O/Roy Goodman.

Hyperion CDA66578 23 Suite in D (bef. 1705). Håkan Hardenberger, tpt; Simon Preston, org.

Philips 434 074-2 11

Korngold, E. Military march in B Àat (1917).

BBC PO/Matthias Bamert.

Chandos CHAN 9508 4

Dic mihi saeve puer. Suzie Le Blanc, sop; Charles Medlam, vc; John Toll, hpd.

Linn CKD 008

Incidental music to Much ado about nothing (1918). Mineria SO/Carlos Miguel Prieto.

Naxos 8.570791 16

Prince of Denmark’s march (pub. 1700); Trumpet aire (pub. 1700). David Kinsela, org.

LP Aura 821 3

Overture: Sursum corda, op 13 (1920). BBC PO/Matthias Bamert.

Chandos CHAN 9317 20

SATURDAY 9

Piano concerto in C sharp for the left hand, op 17 (1923). Marc-André Hamelin, pf; BBC Scottish SO/Osmo Vänskä.

Hyperion CDA66990 28 22:00 BAROQUE AND BEFORE John Wilbye and Jeremiah Clarke Prepared by Elaine Siversen

Wilbye, J. Ye that do live in pleasure; Draw on sweet night (1609). Sarum Consort.

Naxos 8.572582 8 Ferrabosco, A. the younger Divisions on O sacra convivium. Elizabeth Rumsey, treble viol; Susan Christie, treble viol; Catherine Upex, tenor viol; Fiona Ziegler, tenor viol; Imogen Granwal, bass viol; Joëlle Morton, bass viol.

Fine Music concert recording 7

26

00:00 CLASSIC-ALL THROUGH THE NIGHT

9

Dussek, J. Sonata in E Àat, op 44, Farewell (1800). Ian Hobson, pf.

Arabesque Z 6594 29 10:00 CENTRES OF MUSIC Finlandia Records Prepared by Paul Cooke Sibelius, J. Finlandia anthem for mixed voices; Finlandia anthem for male voices; Sing now to the Creator; Blow wind, blow gently; Fire on the island; The broken voice; My heart’s song; The dream; In memory of Albert Edefelt. Candomino Choir/Tauno Satomaa.

Finlandia FACD 918 6 17 Palmgren, S. Piano concerto no 3, op 41, Metamorphoses (1914). Matti Raekallio, pf; Turku PO/Jacques Mercier.

Finlandia 3984-28171-2 18 Byström, T. Sonata no 1, op 1 (pub. 1799).

Yoshiko Arai, vn; Izumi Tateno, pf.

Finlandia FACD 012 14 Nielsen, C. Symphony no 2, op 16, The four temperaments (1901-02). Finnish RSO/JukkaPekka Saraste.

Finlandia 8573-85574-2 32 11:30 ON PARADE University wind ensembles Prepared by Robert Small France, S. Kroger march (1998). Lawrence University Wind Ensemble/Robert Levy.

Tall Poppies TP177 3 Whitacre, E. October. Youngstown State University Symphonic Wind Ensemble/ Stephen L. Gage.

Naxos 8.570946

7

Gorb, A. Awayday (1996). University of Georgia Wind Ensemble/John P. Lynch.

Naxos 8.572231

6

Gould, M. Saint Lawrence suite (1958). Janis 06:00 SATURDAY MORNING MUSIC Porietis, tpt; William Muñoz, tpt; University of with Stephen Wilson Kansas Wind Ensemble/Scott Weiss.

Naxos 8.572629 10 09:00 WHAT'S ON IN MUSIC Our weekly guide to musical events in and 12:00 URBAN JAZZ LOUNGE around Sydney with Leita Hutchings 09:05 THE PIANO ALONE 13:00 IN A SENTIMENTAL MOOD Prepared by Jennifer Foong with Maureen Meers Dvorák, A. Dumka, op 12 no 1 (1884). Kathryn Nostalgic music and artists from the 30s, 40s Stott, pf. and 50s and occasionally beyond, in a trip Chandos CHAN 10493 4 down many memory lanes Suk, J. Love song, op 7 no 1 (1891-93). Ivan 14:00 FRENCH TRIO WITH PIANO Moravec, pf.

Supraphon 10 3895-2 131 7 Prepared by Jacky Ternisien Saint-Saëns, C. Trio in F, op 18 (1863). Marcia Smetana, B. Macbeth and the witches, op Crayford, vn; Christopher van Kampen, vc; Ian posth. (1859). Peter Schmalfuss, pf.

Thorofon CTH 2005 9 Brown, pf.

Virgin VC 7 90751 2 27

14:30 SATURDAY MATINEE Operetta in the afternoon Prepared by Elaine Siversen

17:00 SOCIETY SPOT Organ Music Society of NSW with Norbert Kelvin

Schumann, C. Sonata in G minor (1841-42).

Yoshiko Iwai, pf.

Naxos 8.553501 20

Offenbach, J. Les bavards. Operetta in two acts. Libretto by Charles Nuitter. First performed Paris, 1863.

18:00 STAGE AND SCREEN Prepared by Paul Cooke

Haydn, J. Quartet in F minor, Hob.III:35 (1772). Emerson String Quartet.

DG 471 327-2

ROLAND: Aimé Doniat, ten SARMIENTO: René Terrasson, bass BÉATRIX: Lina Dachary, mezz INÈS: Huguette Boulangeot, sop French Radio Lyric Ch & O/Marcel Couraud.

LP Erato DUE 20240 58 Seville in the 17th century. A poor poet, Roland, loves Inès who lives with her uncle Sarmiento and his talkative wife Béatrix. Roland, who is also talkative, gains entrance to the house and overwhelms Sarmiento with a Àood of chatter.

Sarmiento introduces his wife to Roland in order to keep his wife quiet. After many surprise developments, Roland wins the hand of Inès, Béatrix grows less talkative and Sarmiento pays Roland’s debts.

Overture to Orpheus in the Underworld (1858/74). City of Birmingham SO/Louis Frémaux.

EMI CDM 1 66418 2

10

Les brigands. Operetta in three acts. Libretto

by Henri Meilhac and Ludovic Halévy. First performed Paris, 1869.

DUKE OF MANTUA: Francis Rousseff, bar PRINCESS OF GRANADA: Hélène Vanura, mezz FALSCAPPA: Robert Manuel, ten DUKE’S TREASURER: Jacques Duby, ten FIORELLA: Danièle Perriers, sop Les Récréations Lyrique O/Daniel Mourruau.

LP Bourg BG 2001 48 The Duke of Mantua is to marry the Princess of Granada and her escort is to be paid three million in settlement of a debt the court of Mantua owes to the court of Granada. A band of brigands, led by Falscappa, is short of money.

They take over the inn where the two parties are to meet and pose as the innkeepers. They capture the Mantuan envoys, and disguised in their clothing, receive the Princess and her courtiers, whom they also take prisoner.

In Mantua, the Duke’s treasurer has embezzled the three million. The fake envoys arrive and the Duke recognises Falscappa’s daughter, Fiorella, who once saved his life. When Falscappa demands the money, the treasurer is evasive.

Falscappa realises that the money does not exist and becomes enraged. The real envoys from Granada arrive and the plot is revealed. Fiorella reminds the Duke of his debt to her and he allows the brigands to go free.

Ballet from Orpheus in the Underworld (1858).

Philharmonia O/Antonio de Almeida.

Philips 422 057-2 18

Hermann, B. Taxi driver: a night-piece for Mayer, E. Symphony no 6 in E (1853). orchestra (1975; arr. Palmer). Los Angeles PO/ Bremerhaven PO/Marc Niemann.

Esa-Pekka Salonen.

Hänssler Classic HC22016 Sony SK 62700 7 Salter, H. Corky; Electro-biology, from Man made monster (1941; orch. Stromberg). Slovak RSO/William Stromberg.

Marco Polo 8.225124 5 Mandel, J. Excerpts from I want to live (1958).

O/Johnny Mandel.

Ryko RCD 10743 15 Skinner, F. Son of Frankenstein (1939; orch.

Morgan). Moscow SO/William Stromberg.

Marco Polo 8.223747 26

20

38

SUNDAY 10 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC 09:00 MUSICA SACRA Prepared by Paul Cooke

19:00 EMERGENT JAZZ with Keith Pettigrew

Sullivan, A. Sing, O Heavens (1869). Choir of Keble College, Oxford; Garin Plumley, org; Mark LaÀin, cond.

Priory PRCD61 15

20:00 THE LIFE OF A COMPOSER Mel Bonis Prepared by James Nightingale

Böhm, G. Christ lag in Todesbanden. Gustav Leonhardt, org.

Sony SK 66262 5

Bonis, M. La chanson du rouet (1895).

François Dumont, pf.

Palazzetto Bru Zane BZ 2006

Leighton, K. Missa Cornelia, op 81 (1980). St Catharine’s Girls’ Choir, Cambridge; William Fairbairn, org; Edward Wickham, cond.

Resonus RES 10170 12

Élève-toi mon âme; Ave Maria. Laetitia Grimaldi, sop; Ammiel Bushakevitz, pf.

BIS CD-2546

3

6

Sonata in C sharp minor, op 64 (1904). Juliette Hurel, À; Hélène Couvert, pf.

Alpha ALPHA 573 16 Quartet no 1 in B Àat, op 69 (c1905). Mozart Piano Quartet.

MDG 643 1424-2 24 Chansons. Yann Beuron, ten; David Zobel, pf.

Palazzetto Bru Zane BZ 2006 17 Sonata, op 67 (1905). Victor Julien-Laferriére, vc; Théo Fouchenneret, pf.

Palazzetto Bru Zane BZ 2006 16 Tone poems: Le rève de Cléopâtra; Ophélie; Salomé. Toulouse Capitole NSO/Leo Hussain.

Palazetto Bru Zane BZ 2006 17 Six pieces (1930). Roberto Prosseda, Alessandra Ammeda, pf.

Palazetto Bru Zane BZ 2006

7

22:00 SATURDAY NIGHT AT HOME Prepared by James Nightingale Stölzel, G. Cantata: Seid willkommen, schöne Stunden. Dorothee Mields, sop; Elisabeth Graf, cont; Knut Schoch, ten; Ekkehard Abele, bass: Telemann Collegium, Michaelstein/ Ludger Rémy. cpo 77094-2 35

Bach, J.S. Cantata, BWV33: Allein zu dir, Herr Jesu Christ (1724). Walter Gambert, treb; René Jacobs, ct; Marius van Altena, ten; Max van Egmond, bass; Hanover Boys’ Choir; Leonhardt Consort/Gustav Leonhardt.

Teldec 2564 69943-7 21 10:00 THE CLASSICAL ERA Prepared by Gerald Holder Gluck, C. Suite from Don Juan (1761).

Rhenish CO/Jan Corazolla.

Christophorus CHE 0064-2

19

Mozart, W. Sonata no 2 in F, K280 (1775), Grigory Sokolov, pf.

DG 479 4342 22 Donizetti, G. String quartet no 11 in C (1821).

Revolutionary Drawing Room. cpo 999 279-2 17 Hummel, J. Sonata in D, op 50 (1810-14).

Marta Mazzini, À; Stefano Fiuzzi, pf.

Dynamic CDS 128 19 Beethoven, L. Symphony no 2 in D, op 36 (1801-02). Sydney SO/Eugene Goossens.

LP ABC/HMV OXLP 7620/21 33 12:00 CLASSIC JAZZ with Dave Mac

27

13:00 WORLD MUSIC Whirled Wide with Gerry Myerson 14:00 THE PIANO SONATA Sonatas of Johann Nepomuk Hummel, Part 2 Prepared by Jennifer Foong Schubert, F. Three heroic marches, D602 (1816-18). Isabel Beyer, Harvey Dagul, pf.

Four Hands Music FHMD 891 23 Czerny, C. Variations on a theme by Rode, op 33 (1830). Melvyn Tan, pf.

Onyx ONYX 4156 10 Hummel, J. Sonata no 3 in E Àat, op 13 (pub.

1805). Howard Shelley, pf.

Chandos CHAN 9807 21 15:00 SUNDAY SPECIAL Pioneer of Czech music Prepared by Anne-Louise Luccarini

Smetana, B. Sonata in E minor, op 58.

Martha Argerich, Lilya Zilberstein, pf; Anton Gerzenberg, Daniel Gerzenberg, pf.

EMI 7 21119 2 11 Symphonic poem: Wallenstein's camp, op 14 (1859). Czech PO/Karel Sejna.

Supraphon SU 1915-2 001 15

Vivaldi, A. Excerpts from Stabat Mater.

Michael Chance, ct; English Concert/Trevor Pinnock.

Archiv 453 428-2 7 Bach, J.S. Excerpts from Motet: Jesu Meine Freude, BWV227. Pygmalion/Raphaël Pichon.

Harmonia Mundi HMM 902657 12 Telemann, G. Excerpts from Cantata: Jesu meine Freude. Rheinische Kantorei; Das Kleine Konzert/Hermann Max. Capriccio 10 853 16 Lloyd Webber, A. Pie Jesu, from Requiem (1985). Barbara Bonney, sop; Choir of Uppingham School; English Sinfonia/Neil Page.

Decca 455 645-2 3 Schultz, A. Magni¿cat, op 79 (2009).

Brisbane Chamber Choir/Graeme Morton.

Tall Poppies TP239 8

18:00 CLASSICS FROM ASIA Prepared by Josh Stenberg Classics from Asia, quintessential recordings from Asian music masters 19:00 JAZZ INTERACTION with Isobel Archer

Quartet no 1 in E minor, From my life (1880).

Lindsay String Quartet.

ASV DCA 777 28

Goldmark, K. Rustic wedding symphony, op 26 (1877). Royal PO/Yondani Butt.

ASV DCA 791 48

Song of the sea (1877). Czech Philharmonic Ch/Josef Veselka.

LP Supraphon MS 112 1143 8

21:30 NEW HORIZONS Prepared by Ben Behnam

Quartet no 2 in D minor (1882-83). Lindsay String Quartet.

ASV DCA 777 17 17:00 HOSANNA Prepared by Meg Matthews Haydn, J. Hymn: Glorious things of Thee are spoken. Cantus Choro; Norman Kaye, org; Peter Chapman, cond.

Move MD 3032 3 28

Holley, A. King Street (2009). James Nightingale, sax.

Hammering Records HR 2015-2

9

Munro, I. O Traurigkeit (2020). Sue-Ellen Paulsen, vc; Tasmanian SO/Brett Kelly.

ABC 485 5303 12 23:00 JAZZ AFTER HOURS Portraits with Deborah Evans

MONDAY 11 00:00 CLASSIC-ALL THROUGH THE NIGHT

Walton, W. Excerpt from The wise virgins, after J.S. Bach (1943). City of Birmingham SO/ 06:00 FINE MUSIC BREAKFAST Louis Frémaux.

2 with Robert Small

20:00 SUNDAY NIGHT CONCERT Souvenirs of Bohemia in the form of polkas, op Prepared by Frank Morrison 12 (1859-60). András Schiff, pf.

Milhaud, D. La création du monde, op 81 Teldec 3984-21261-2 10 (1923). Ulster O/Yan Pascal Tortelier.

Chandos CHAN 9023 16 The three riders (1862); The renegade I; The renegade II. Miroslav Svejda, ten; Jindrich Dittersdorf, C. Double bass concerto no 1 in Jindrák, bar; Jaroslav Horácek, bass; Czech D (1766). Chi-Chi Nwanoku, db; Swedish CO/ Philharmonic Ch/Josef Veselka.

Paul Goodwin.

LP Supraphon MS 112 1143 16 Hyperion CDA67179 19

Vok’s aria, from The devil’s wall (1882).

Mariusz KwiecieĔ, bar; Polish RSO/àukasz Borowicz.

Harmonia Mundi HMW 906101 4

Jesse, G. Latin Àute suite (2018). Virginia Taylor, À; Simon Tedeschi, pf.

Move MCD 582 11

Grandage, I. Black dogs (2008). Dale Barltrop, vn; Francesca Hiew, vn; Stephen King, va; Sharon Grigoryan, vc; Slava Grigoryan, gui.

ABC 481 5428 16 Hindson, M. Rush (2015). Benaud Trio.

ABC 481 7164

9

Howell, R. Poly (2006). Sunwrae Ensemble/ Rae Howell.

Sunwrae 13 Howlett, M. At Triton’s call (2013). Lotte Latukefu, mezz; Louise Scott, pf.

Wirripang Wirr 058

9

09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1849 Prepared by Jacky Ternisien Nicolai, O. Overture to The merry wives of Windsor (1849). Tasmanian SO/Sebastian Lang-Lessing.

ABC 476 4621 8 Smetana, B. Sonata in E minor, op 58 (1849).

Martha Argerich, Lilya Zilberstein, pf; Anton Gerzenberg, Daniel Gerzenberg, pf.

EMI 7 21119 2 11 Schumann, R. Three romances, op 94 (1849).

Albrecht Mayer, ob; Markus Becker, pf.

Decca 478 3564 14 Adam, A. Ah! vous dirai-je, maman; Avec son petit air, from Le toréador (1849). Sumi Jo, sop; John Aler, ten; Michel Trempont, ten; Jonathon Burgess, À; Welsh National Opera O/Richard Bonynge.

Decca 458 927-2 15 Strauss, J. I Frederica polka, op 239; Alice polka op 238; Almacks quadrille, op 243 (1849) London SO/John Georgiadis.

Chandos CHAN 8739 11 Lalo, E. Piano trio no 1 in C minor, op 7 (1849). Trio Henry.

Pierre Verany PV 794031

22

10:30 CONCERT HALL Prepared by Nina Fudala Martines, M. Sinfonia in C (1770). Bay Area Women’s PO/JoAnn Falletta.

Newport Classic NCD 60102 15 Farrenc, L. Overture no 1 in E minor, op 23 (1834). European Soloists/Christoph König.

Naxos 8.574094 7

Schumann, C. Piano concerto in A minor, op 7 (1835-36). Veronica Jochum, pf; Bamberg SO/Joseph Silverstein.

Pro Arte CDD 395 21 Price, F. Symphony no 1 in E minor (1932).

Philadelphia O/Yannick Nézet-Séguin.

DG 486 20296 40

13:00 PIONEER OF CZECH MUSIC Music for the piano, Part 2 Prepared by Elaine Siversen

TUESDAY 12 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Simon Moore

Smetana, B. Czech dances I (1877-79).

Radoslav Kvapil, pf.

Unicorn-Kanchana DKP 9139

13:00 AMERICAN CHAMBER Prepared by Derek Parker

09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Paul Cooke

Furiant, from Czech dances II (1879). Ivan Moravec, pf.

Supraphon 10 3895-2 131 6

Price, F. Negro songs in counterpoint for string quartet (c1947). Catalyst Quartet.

Azica ACD-71346 13

Haydn, J. Variations in F minor, Hob.XVII:6 (1793). Angela Hewitt, pf.

Hyperion CDA67736 17

Three salon polkas, op 7 (1854). András Schiff, pf.

Teldec 3984-21261-2 12

Beach, A. Romance, op 23 (1893). trioW. Naxos 8.551438

Godard, B. Introduction and allegro, op 49 (1880). Tasmanian SO/Howard Shelley, pf & dir.

Hyperion CDA68043 12

Rondo in C for two pianos eight hands.

Martha Argerich, Lilya Zilberstein, pf; Anton Gerzenberg, Daniel Gerzenberg, pf.

EMI 7 21119 2 4

Vierne, L. Carillon de Westminster, from 24 Pièces de fantaisie (1926-27). Olivier Latry, org. naïve V 5338 7

Bagatelles and impromptus (1844). Radoslav Kvapil, pf.

Unicorn-Kanchana DKP 9139 16

12:00 SWING SESSIONS with John Buchanan

6

Barber, S. Sonata, op 6 (1932). Paul Watkins, vc; Huw Watkins, pf.

Chandos CHAN 10881 17 Copland, A. Sonata (1943). Peter Zazofsky, vn; Paul Posnak, pf.

Naxos 8.559102 19 Bloch, E. Prelude (1925). Braimah KannehMason, vn; Ayla Sahin, vn; Alinka Rowe, va; Sheku Kanneh-Mason, vc.

Decca 485 0241 5

Ranish, J. Sonata in B minor. Kenneth Smith, À; Paul Rhodes, pf.

ASV DCA 739 10

Tintner, G. Sonata in F minor (c1930). Helen Castelnuovo-Tedesco, M. Violin sonata quasi Huang, pf. una fantasia, op 56 (1929). Gran Duo Italiano. Naxos 8.570258 10 Brilliant Classics 95642 20 Mendelssohn, Fanny. Piano trio in D minor, 14:30 FRENCH ORCHESTRAL Prepared by Peter Poole Méhul, É-N. Overture to Mélidore et Phrosine (1794). Brittany O/Stefan Sanderling.

ASV DCA 1140 11

op 11 (1846-47). Kaleidoscope Chamber Collective.

Chandos CHAN 20256 23 10:30 CONCERT HALL Prepared by Theia Ng

14:00 DVORAK’S SYMPHONIES Part 1 Prepared by Ron Walledge Dvorák, A. Rhapsody in A minor, op 14 (1874).

Slovak PO/Libor Pesek.

Marco Polo HK 8.220420 18 Cello concerto in A (1865). Steven Isserlis, vc; Mahler CO/Daniel Harding.

Hyperion CDA67917 34 Smetana, B. Sárka, from My country (1875).

Vienna PO/Nikolaus Harnoncourt.

Teldec 0927-44890-2 11 Dvorák, A. Symphony no 1 in C minor, op 3, The bells of Zlonice (1865). Berlin PO/Rafael Kubelik.

DG 469 550-2 48

Gounod, C. Suite concertante in A (1886).

Roberto Prosseda, pf; Swiss Italian O/Howard Shelley.

Hyperion CDA67975 23

Mozart, W. Overture to Lucio Silla, K135 (1772). Royal Concertgebouw O/Nikolaus Harnoncourt.

Apex 0927 498132

d’Indy, V. Concerto for piano, Àute, cello and strings (1926). Jean-Jacques Wiederker CO/ Frédérick Bouaniche.

Koch 3-1065-2 H1 20

16:00 FINE MUSIC DRIVE Higdon, J. Violin concerto (2008). Hilary Hahn, vn; Royal Liverpool PO/Vasily Petrenko. with Michael Morton-Evans DG 477 8777 32 19:00 THE JAZZ BEAT Gounod, C. Ballet music from Faust (1859). with Lloyd Capps Royal Opera House O/Georg Solti.

Decca 480 0952 16 20:00 JUST IN

Milhaud, D. Symphony no 6 (1955). Toulouse Capitole O/Michel Plasson.

DG 439 939-2 29 16:00 FINE MUSIC DRIVE with Robert Gilchrist 19:00 JAZZ ABOUT TOWN with Deborah Evans 20:00 STORMY MONDAY with Austin Harrison 22:00 JAZZ AFTER HOURS with Gail Monjo

13

8

Schubert, F. Symphony no 8 in B minor, with James Nightingale D759, Un¿nished (1822). Sydney SO/Gianluigi A selection from the latest recordings to arrive Gelmetti. at the Fine Music Library Sydney Symphony SSO 200803 25 22:00 CHAMBER SOIRÉE 12:00 JAZZ RHYTHM Prepared by Gerald Holder with Jeannie McInnes Dohnányi, E. String quartet no 2 in D Àat, op 15 (1906). Kodály Quartet.

Hungaroton HCD 11853 26 Biber, H. Sonata III for violin and continuo (pub. 1681). Romanesca.

Harmonia Mundi HMU 907134.35 13 29

orphan befriended by the knight, she resolves to set Dalibor free.

Disguising herself as a boy, Milada ¿nds 13:00 IN CONVERSATION employment with Dalibor's jailer, Beneš. She with Simon Moore charms the jailer into allowing her into the Mozart, W. Sonata in E Àat, K58 (1773). dungeon where Dalibor is being held, to give Walter Barylli, vn; Paul Badura-Skoda, pf.

14:00 CHAMBER TO ENTERTAIN him his friend's violin. The knight is dreaming, Westminster RC 8808678121735 8 Prepared by Sheila Catzel and initially thinks Milada is a reincarnation of Brahms, J. Piano quartet no 1 in G minor, op Grechaninov, A. Sonata in E minor, op 113 his beloved ZdenČk. The jailer, realising that 25 (1857-61). Members of Australia Ensemble. (1927). Natalia Savinova, vc; Victor Yampolsky, he has been tricked, informs the king who Fine Music tape archive 39 pf. orders Dalibor's death. Milada, waiting outside Hyperion CDA67295 19 the prison, hears the tolling of the bell that Raff, J. Duo on themes from Wagner’s signals Dalibor's execution. She storms the WEDNESDAY 13 Lohengrin, op 63 no 3 (1853). Livia Sohn, vn; castle with her followers to rescue Dalibor. She Benjamin Loeb, pf. is wounded and dies in his arms. Dalibor stabs 00:00 CONTEMPORARY Naxos 8.570202 9 himself and is united in death with his beloved.

COLLECTIVE Farrenc, L. Sextet in C minor, op 40 (1852).

Beethoven, L. O namenlose Freude, from Kathryn Selby, pf; Omega Ensemble.

03:00 CLASSICAL TILL DAWN Fidelio, op 72 (1804-14). Charlotte Margiono, Fine Music concert recording 25 sop; Peter Seiffert, ten; CO of Europe/Nikolaus 06:00 FINE MUSIC BREAKFAST Harnoncourt.

Berwald, F. Quintet no 1 in C minor (1853). with Stephen Wilson Teldec 0630-10031- 2 4 Susan Tomes, pf; Gaudier Ensemble.

Hyperion CDA66835 23 Smetana, B. Overture to Libuse (1881).

09:00 DIVERSIONS IN FINE MUSIC Prague SO/Ondrej Lenárd.

Devienne, F. Quartet in A minor, op 66 no 1.

Rescued from the shadows apex 0927 44354 2 8 Alexis Kossenko, À; Quatuor Cambini.

Prepared by Rex Burgess MBF 1108 15 Blow, J. Ode on the death of Mr Henry Purcell 23:00 MUSIC OF THE NIGHT Haydn, J. Keyboard trio in G, Hob.XV:41.

(1695). James Bowman, ct; Michael Chance, Prepared by James Nightingale Beaux Arts Trio. ct; King’s Consort/Robert King.

Harvey, J. Body Mandala (2006). BBC 17 Helios CDH55447 22 Philips 454 098-2 Scottish SO/Ilan Volkov.

Lanzetti, S. Sonata in A, op 2 no 5 (1740).

NMC D141 13 16:00 FINE MUSIC DRIVE Francesco Galligioni, vc; Giuseppe Barutti, vc with Ross Hayes Fox, E. Quasi una fantasia (1983). Gold¿eld continuo; Roberto Loreggian, chamber org.

Ensemble.

Brilliant Classics 95525 14 19:00 PLANET JAZZ NMC D254 14 with Xavier Bichon Stamitz, C. Flute concerto in G. Jean-Pierre Matthews, D. The music of dawn, op 50 Rampal, À; Prague CO/Vaclav Neumann.

20:00 AT THE OPERA (1989-90). BBC PO/Rumon Gamba.

Supraphon SU 3648-2 19 From Bohemia and Moravia Chandos CHAN 10487 27 Bottesini, G. Passione amorosa for violin, Prepared by Camille Mercep double bass and piano (1870). Members of Le Virtuose Romantique.

THURSDAY 14 Harmonia Mundi HMC905209 13 Weber, C.M. Clarinet quintet in B Àat, op 34 (1815). Dieter Klöcker, cl; members of Consortium Classicum.

Orfeo C314 941 A 27

12:00 JAZZ SKETCHES with Robert Vale

Busoni, F. Chaconne, after Bach’s Partita in D Smetana, B. Dalibor. Opera in three acts. minor, BWV1004. Polina Leschenko, pf.

Libretto by Josef Wenzig and Ervín Špindler.

Avanti 5414706 10272 13 First performed Prague, 1868.

10:30 CONCERT HALL DALIBOR: Robert Jones, ten Prepared by Derek Parker MILADA: Pauline Tinsley, sop JITKA: April Cantelo, sop Kozeluch, L. Sinfonia in A, À la française BENEŠ: Don Garrard, bass (c1779-1787). Czech Chamber PO/Marek BBC Ch & O/Vilem Tausky. Štilec.

2:30 Naxos 8.574047 18 Gala GL 100.785 Dukas, P. The sorcerer’s apprentice (1897).

Czecho-Slovak RSO/Kenneth Jean.

Naxos 8.557930-31 11 Rubinstein, A. Piano concerto no 4 in D minor, op 70 (1864/72). Czecho-Slovak State PO/Robert Stankovsky.

Marco Polo 8.223382 34 Dittersdorf, C. Symphony in B Àat. Czech Chamber PO/Petr Chromþák.

Alto ALC 1301 19 30

Dalibor, a Czech knight, is on trial before the king for having murdered the burgrave (count) of Ploskovice in revenge for the execution of his friend, the musician ZdenČk.

At the trial the burgrave's sister, Milada, demands his execution. As Dalibor is brought in, the crowd rises in support of him and tells of his friend's capture and murder. His sentence is reduced from death to lifetime imprisonment. Milada realises that she is falling in love with Dalibor, and with Jitka, an

00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Simon Moore 09:00 DIVERSIONS IN FINE MUSIC Romantics, tributes and dedications Prepared by Elaine Siversen Dvorák, A. Overture: In nature’s realm, op 91 (1891). Czech PO/Václav Neumann.

Supraphon SU 4058-2 15 Stuck, J-B. The reconciled lover (1706). Taryn Fiebig, sop; Ensemble Battistin.

ABC 476 594-1 12 Ysaÿe, E. Sonata in G, op 27 no 5 (1924).

Oscar Shumsky, vn.

Nimbus NI 7715 9

Brahms, J. Alto rhapsody, op 53 (1869).

Jessye Norman, sop; Choral Arts Society of Philadelphia; Philadelphia O/Riccardo Muti.

Philips 426 253-2 12

15:00 IN A ROMANTIC MOOD Prepared by Phil Vendy Lekeu, G. Larghetto (1892). Isabelle Veyrier, vc; Ensemble Musique Oblique.

Harmonia Mundi 1901 455 9

Poulenc, F. Sonata, To the memory of Sergei Proko¿ev (1962). Gareth Hulse, ob; Ian Brown, Rubinstein, A. Nocturne, op 11 no 2 (1854). pf.

Nobuko Imai, va; Roland Pöntinen, pf.

Hyperion CDA67255/6 13 BIS CD-358 7 Thalberg, S. Memories of Beethoven, grand Gounod, C. Six melodies (1840). Peter fantasy on Symphony no 7, op 39 (c1835).

Damm, hn; Peter Rösel, pf.

Francesco Nicolosi, pf.

Berlin Classics 0012882BC 7 Naxos 8.553701 17 Foerster, J. Piano trio no 1 in F minor, op 8 (1883). Janácek Trio.

10:30 CONCERT HALL Supraphon SU4079-2 30 Prepared by Noelene Guillemot Bizet, G. Suite no 1 from L'arlésienne (1872).

Philharmonia O/Herbert von Karajan.

EMI CDM 1 66424 2 17

16:00 FINE MUSIC DRIVE with Marilyn Schock

Brahms, J. Double concerto in A minor, op 102 (1887). David Oistrakh, vn; Mstislav Rostropovich, vc; Cleveland O/George Szell.

EMI 5 65701 2 34

19:00 THE NEW JAZZ STANDARD with Frank Presley

Haydn, J. Symphony in D, Hob.I:31, Hornsignal (c1765). Academy of Ancient Music/Christopher Hogwood.

L’Oiseau-Lyre 430 082-2

32

12:00 JAZZ AFTER NOON with Sue Jowell 13:00 FINNISH CHAMBER Prepared by Chris Blower Crusell, B. Quartet no 1 in E Àat, op 2 (1803).

Thea King, cl; members of Allegri String Quartet.

Hyperion CDA66077 20

20:00 THE WORLD OF A SYMPHONY Dmitri Shostakovich: Symphony no 8 Prepared by Paolo Hooke Khachaturian, A. Symphony no 2 in E minor, mvt 1 (1943 version). Royal Scottish O/Neeme Järvi.

Chandos CHAN 8945 16 Shostakovich, D. Piano quintet in E minor, op 57 (1940). Elisabeth Leonskaja, pf; Borodin Quartet.

Teldec 4509-98414-2 34 Symphony no 8 in C minor, op 65. Leningrad PO/Yevgeny Mravinsky.

BBC Legends BBCL 4002-2 1:00

Sibelius, J. Quartet in D minor, Voces Intimae, 22:00 SONG CYCLE PLUS op 56 (1908-09). Gabrieli String Quartet.

Chandos CHAN 8742 34 Prepared by Paul Cooke Honnoré, L. Morceau de concert (1890).

14:00 FROM THE BASS CLEF Lawrence Power, va; Simon Crawford-Phillips, Prepared by Rose Granam-Hilliard pf.

Paganini, N. Bravura variations on Dal tuo Hyperion CDA68165 7 stellato soglio, from Rossini’s Moses, op 24 Fauré, G. La bonne chanson (1892-94).

(1818-19; arr. Karr). Gary Karr, db; Berlin RSO/ Elizabeth Campbell, mezz; David Miller, pf.

Uros Lajovic.

Fine Music concert recording 19 LP Schwann VMS 2063 10 22:30 ULTIMA THULE Bottesini, G. Double bass concerto no 2 in B minor (pub. 1950). Ludwig Streicher, db; Munich CO/Hans Stadlmair.

Teldec 2292-42452-2 ME 16 Kozeluch, L. Sinfonia concertante in E Àat. Siegfried Goethel, tpt; Walter Meuter, db; Akashi Ochi, mand; Werner Genuit, pf; Consortium Classicum; Academy of St Martin in the Fields/Iona Brown.

EMI CDM 7 69389 2 28

FRIDAY 15

09:00 DIVERSIONS IN FINE MUSIC Journey through history Prepared by Paul Cooke Dittersdorf, C. Sinfonia in A (1780s). Lisbon Metropolitan O/Álvaro Cassuto.

Naxos 8.570198 13 Danzi, F. Wind quintet in G minor, op 56 no 2 (1821). Farkas Quintet Amsterdam.

Radio Nederland MCCP124 13 Bennett, W. Sterndale Overture: The May queen (1844). London PO/Nicholas Braithwaite.

Lyrita SRCD 206

6

Rubinstein, A. Akrostichon no 1, op 37 (c1856). Joseph Banowetz, pf.

Naxos 8.570942

19

Grainger, P. Four settings from Songs of the North. Martyn Hill, ten; Penelope Thwaites, pf.

Chandos CHAN 9610 10 Frankel, B. Quintet, op 28 (1956). Paul Dean, cl; Australian String Quartet. cpo 999 384-2 18 10:30 CONCERT HALL Prepared by Jennifer Foong Cimarosa, D. Overture to I due baroni di Rocca Azzura (1783). Haydn Philharmonia/ Ezio Rojatti.

Nuova Era 6726 11 Hiller, F. Piano concerto no 2 in F sharp minor, op 69 (1843). Tasmanian SO/Howard Shelley, pf & dir.

Hyperion CDA67655 20 Massenet, J. Suite no 1, op 13 (1865). Hong Kong PO/Kenneth Jean.

Naxos 8.555986 24 Mendelssohn, F. Symphony no 5 in D minor, op 107, Reformation (1832). Gewandhaus O/ Kurt Masur.

Teldec 2292-44933-2 26 12:00 A JAZZ HOUR with Barry O'Sullivan 13:00 SCHUBERT’S DEATH AND THE MAIDEN String quartet, D810, completed March 1824 Prepared by Ross Hayes

FRIDAY 15 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Troy Fil

Schubert, F. Abendstern, D806 (1824).

Anthony Rolfe Johnson, ten; Graham Johnson, pf.

Hyperion CDJ 33006

3

AuÀösung, D807 (1824). Dietrich FischerDieskau, bar; Gerald Moore, pf.

DG 477 5765

3 31

String quartet no 14 in D minor, D810, Death and the maiden (1824). Vienna Konzerthaus Quartet.

Westminster RC 8808678121735 39 Gondelfahrer, D808 (1824). Janet Baker, mezz; Gerald Moore, pf.

EMI CDM 5 65009 2

2

Der Gondelfahrer, D809 (1824). Die Singphoniker. cpo 999 397-2

3

Ciurlionis, M. In the forest (1900). Slovak PO/ Juozas Domarkas.

Marco Polo 8.223323 15 Bax, A. The happy forest (1914-21). Ulster O/ Bryden Thomson.

Chandos CHAN 8307 10

Bach, J.S. Chorale: O Mensch, bewein dein Sür de gross, BWV622 (1713-14). Martin Gester, org.

Tempéraments TEM 316020 4

Lilburn, D. Tone poem: Forest (1936). New Zealand SO/James Judd.

Naxos 8.557697 16

Gesualdo, C. Psalm 51: Miserere mei, Deus (1611). Hilliard Ensemble.

ECM 843 867-2 9

Sibelius, J. Tone poem: Tapiola, op 112 Sonata in A minor, D821, Arpeggione (1824).

(1926). San Francisco SO/Herbert Blomstedt.

Mstislav Rostropovich, vc; Benjamin Britten, pf. Decca 478 6787 19 Decca 443 575-2 28 22:00 BAROQUE AND BEFORE Wanderers Nachtlied II, D768 (1824). Heinrich How doth the city sit solitary ...

Schlusnus, bar; Sebastian Peschko, pf.

Nimbus NI 7883 2 Cavalieri, E. del Hierusalem, convertere ad Dominum tuum (1599). Le Poème 14:30 CLEOPATRA AND THE Harmonique/Vincent Dumestre, theorbo & dir.

ROMANS Alpha 011 1 Prepared by Jacky Ternisien Tinctoris, J. Aleph: Quomodo sedet sola Ireland, J. Themes from Julius Caesar (1942; arr. Bush). London PO/Adrian Boult.

Lyrita SRCD.240 7

civitas (c1506). Orlando Consort.

Metronome MET CD 1015

10

Couperin, F. Vau: et egressus est a ¿lia Sion Schmitt, F. Suite no 2 from Incidental music to omnis decor eius (1713-17). Emma Kirby, sop; Shakespeare’s Antony and Cleopatra, op 69b Jane Ryan, bass viol; Christopher Hogwood, (1920). Buffalo PO/JoAnn Falletta. org.

Naxos 8.573521 24 L’Oiseau-Lyre 444 169-2 12 Schumann, R. Julius Caesar, overture to Shakespeare’s play, op 128 (1851). Polish National RSO/Johannes Wildner.

Naxos 8.550608 10

Zelenka, J. Sinfonia, from Gesù al Calvario, ZWV62 (1735). Das Kleine Konzert/Hermann Max. Capriccio 10 887/88 3

Castelnuovo-Tedesco, M. Overture to Antony and Cleopatra, op 134 (1947). West Australian SO/Andrew Penny.

Naxos 8.572500 18

Victoria, T. de Heth: Cogitavit Dominus dissipare murum ¿liæ Sion; Lamed: Matribus suis dixerunt: Ubi est triticum et vinum? (1585).

La Colombina/Josep Cabre, bar & dir.

Glossa GCD 922002 9

Berlioz, H. The death of Cleopatra (1829).

Rosamund Illing, sop; Melbourne SO/Heribert Esser.

ABC 434 898-2 23 16:00 FINE MUSIC DRIVE with James Hunter 19:00 FRIDAY JAZZ SESSION with Alex Siegers 20:00 EVENINGS WITH THE ORCHESTRA In the forest Prepared by Dan Bickel Wagner, R. Forest murmurs, from Siegfried (1856-71). Philadelphia O/Eugene Ormandy.

RCA Victrola VD87819 9 Glazunov, A. The forest, fantasy, op 19 (1887). Moscow SO/Alexander Anissimov.

Naxos 8.554293 21 Vaughan Williams, R. In Windsor Forest (1931). Bournemouth Symphony Ch; Bournemouth Sinfonietta/Norman Del Mar. EMI CDC 7 49738 2 18 32

(1548). Brabant Ensemble/Stephen Rice.

Hyperion CDA 67696 12

Charpentier, M-A. Aleph: Ego vir videns paupertatem meam in virga indignationis ejus, H136 (c1678). Sandrine Piau, sop; Ian Honeyman, ten; Peter Harvey, bass; Il Seminario Musicale/Gérard Lesne, ct & dir.

Virgin VC 5 45075-2 19 Handel, G. Sonata, from Brockes Passion, HWV48 (1718). Capella Savaria/Nicholas McGegan, hpd & dir.

Brilliant Classics 92003 4

SATURDAY 16 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SATURDAY MORNING MUSIC with David Garrett 09:00 WHAT'S ON IN MUSIC Our weekly guide to musical events in and around Sydney 09:05 THE PIANO ALONE Prepared by Jacky Ternisien Bach, C.P.E. Sonata in A minor, Wq57 no 2 (1770); March in G, BWVAnh124 (bef. 1725).

Marc-André Hamelin, pf.

Hyperion CDA68381/2 11 Alkan, C-V. Sonatine, op 61 (1861). MarcAndré Hamelin, pf.

Hyperion CDA20794 18 Haydn, J. Sonata no 59 in E Àat, Hob.XVI:49 (1789-90). Marc-André Hamelin, pf.

Hyperion CDA67710 20 10:00 CENTRES OF MUSIC Cleveland Institute of Music, Part 2 Prepared by Jennifer Foong Liszt, F. Two concert études, S145 (1863).

Daniil Trifonov, pf.

DG 479 5529 7 Bloch, E. Suite hébraïque (1951). Donald Weilerstein, vn; Vivian Hornik Weilerstein, pf.

Arabesque Z 6605 11

Babin, V. Hillandale waltzes. Murray Khouri, cl; Rosemary Barnes, pf.

10 Lassus, O. de Heth: Misericordiæ Domini quia Portrait Continuum CCD 1014 non sumus consumpti (1585). Pro Cantione ProkoÀev, S. Romeo and Juliet before Antiqua/Bruno Turner. departure, from Romeo and Juliet, op 64 Hyperion CDA 66321/22 7 (1935-36; transcr. Babayan). Martha Argerich, Zelenka, J. Aleph: Quomodo obscuratum est pf; Sergei Babayan, pf.

DG 479 9854 9 8 aurum, ZWV53 no 6 (1722). Jaap Schröder, vn; Hans Rudolf Stalder, chalumeau; Walter Saint-Georges, J. Symphonie concertante Stiftner, bn; Brian Franklin, violone; Joseph in G, op 13 (1782). Miriam Fried, vn; Jaime Pelrine, lute, theorbo; Gottfried Bach, org; Laredo, vn; London SO/Paul Freeman.

René Jacobs, ct & dir.

LP CBS SBR 235692 15 Harmonia Mundi GD 77112 12 Dohnányi, E. Piano quintet in C minor, op 1 Phinot, D. Incipit oratio Jeremiæ prophetæ: Recordare, Domine, quid acciderit nobis, à 8

(1895). Cleveland Quartet; Barry Snyder, pf.

Pro Arte CDD 238 28

11:30 ON PARADE Music that’s band Prepared by Owen Fisher

17:00 SOCIETY SPOT Classical Guitar Society with Sue McCreadie

Sousa, J.P. Intaglio waltzes. Allentown Band/ Ronald Demkee.

AMP 20059 8

18:00 STAGE AND SCREEN Prepared by Anabela Pina

Nero, P. The hot canary. Cory Band/Robert Childs.

Doyen DOY CD 264 3 Grainger, P. Shepherd’s hey. Massed bands of Fodens Motor Works, Fairey Aviation, Morris Motors/Harry Mortimer.

Decca 452 939-2 2 Lennon - McCartney. Hey, Jude. Parramatta City Band.

Soundwarp 4 Smetana, B. Dance of the comedians, from The bartered bride. Allentown Band/Ronald Demkee.

AMP 2G 102 6 12:00 URBAN JAZZ LOUNGE with Leita Hutchings

Beethoven, L. Septet in E Àat for winds and strings, op 20 (1799-1800). Vienna Symphony Chamber Musicians.

Schwann CD 311 050 H1 40

KnopÁer, M. Excerpts from The princess bride. Guy Fletcher, Mark KnopÀer, voices; Unknown O. Warner Bros 25610-2 13 Preisner, Z. Excerpts from When a man loves a woman. Sinfonia Varsovia/Wojciech Michniewski.

Hollywood Records HR-61606-2 11 Howard, J.N. Excerpts from Dying young.

Kenny G, sax; James Newton Howard, pf; Greater Los Angeles O/Marty Paich.

Arista 18692-2 13 Pike, N. Excerpts from Return to me. Joey Gian, voice; O/Nicholas Pike.

RCA Victor 09026-63680-2 16 19:00 EMERGENT JAZZ with Keith Pettigrew

13:00 HISTORIC RECORDINGS Earl Wild Prepared by Paul Cooke Handel, G. Air and variations, HWV43, The harmonious blacksmith (pub. 1720; arr. Wild).

Earl Wild, pf.

Sony SK 62036 4

20:00 THE LIFE OF A COMPOSER Samuel Barber Prepared by Paul Cooke Barber, S. Agnus Dei, op 11 (1967).

Cantillation/Antony Walker.

ABC 465 824-2

8

Violin concerto, op 17 (1939-40). Hilary Hahn, Steiner, M. Symphonie moderne from the ¿lm, vn; Saint Paul CO/Hugh Wolff.

Four wives (1939). Earl Wild, pf; National PO/ Sony SK89029 23 Charles Gerhardt.

RCA GD80136 8 Knoxville: Summer of 1915, op 24 (1947). Julia Bullock, sop; Philharmonia O/Christian Rief.

Wild, E. Seven virtuoso études based on Nonesuch 0 75597 92817 6 15 songs by George Gershwin (1976). Earl Wild, Sonata in E À at, op 26 (1949).

Eric Parkin, pf. pf.

20 Philips 456 991-2 18 Chandos CHAN 9177 Despite and still, op 41 (1968-69).

Thomas Rachmaninov, S. Piano concerto no 4 in G Hampson, bar; John Browning, pf. minor, op 40 (1926/41). Earl Wild, pf; Royal DG 435 867-2 11 PO/Jascha Horenstein.

Chandos CHAN 6605

23

14:00 FRENCH TRIO WITH PIANO Prepared by Jacky Ternisien Farrenc, L. Trio in E Àat, op 44 (1854-56).

Deborah de Graaff, cl; Georg Pedersen, vc; Natalia Sheludiakova, pf.

Fine Music concert recording 27 14:30 SATURDAY MATINEE At the ballet Prepared by Elaine Siversen Davis, C. Ballet: Aladdin (1995-2000).

Malaysian PO/Carl Davis.

Naxos 8.557898-99

2:06

Symphony no 2, op 19 (1944/47). Royal Scottish NO/Marin Alsop.

Naxos 8.559024

31

22:00 SATURDAY NIGHT AT HOME Prepared by Helen Milthorpe Saint-Saëns, C. Piano concerto no 4 in C minor, op 44 (1875). Stephen Hough, pf; City of Birmingham SO/Sakari Oramo.

Hyperion CDA67331/2 25 Scarlatti, A. Silentio, auri volanti (c1697).

Vivien Hamilton, sop; Chacona/Rosalind Halton.

ABC 461 687-2 18

Clementi, M. Symphony no 3 in G, WoO34, Vine, C. Ballet: The silver rose (1997). Michael Great National. Philharmonia O/Francesco Kieran Harvey, pf; Sydney SO/Edo de Waart. d’Avalos.

ABC 480 6403 9 ASV DCS 247 30

SUNDAY 17 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC with Robert Small 09:00 MUSICA SACRA Prepared by Robert Small Pachelbel, J. Magni¿cat in C. King’s Singers; Charivari Agréable/Kah-Ming Ng. Signum SIGCD198 20 Holst, I. Three Psalms (1943). Choir of Clare College, Cambridge; Dmitri Ensemble/Graham Ross.

Harmonia Mundi HMU 907576 16 Handel, G. Gloria (c1707). Josie Ryan, sop; Concertato/Timothy Chung.

Fine Music concert recording 16 Shelley, B. Agnus, from Messe sans regretz (1997). Choir of St James' Church, Sydney/ Warren Trevelyan-Jones.

St James’ Church SJKS002 2 10:00 THE CLASSICAL ERA Prepared by Frank Morrison Carvalho, J. de Sousa Overture to L’amore industrioso (1769). Algarve O/Alvaro Cassuto.

Naxos 8.557207 9 Crusell, B. Concertino in B Àat (1829). Klaus Thunemann, bn; Academy of St Martin in the Fields/Neville Marriner.

Philips 446 096-2 18 Kozeluch, L. Sonata no 21 in E Àat, op 17 no 3 (1785). Kemp English, fp.

Grand Piano GP647 15 Arriaga, J. String quartet no 1 in D minor (1824). Camerata Boccherini.

Naxos 8.557628 23 Schubert, F. Am Meer, from Schwanengesang, D957 (1828). Bryn Terfel, bass-bar; Malcolm Martineau, pf.

Marquis 81257 2 5 Mendelssohn, F. String symphony no 11 in F (1823). Northern CO/Nicholas Ward.

Naxos 8.553163 38 12:00 CLASSIC JAZZ with Dave Mac 13:00 WORLD MUSIC Whirled Wide with Ian Carswell 33

14:00 THE PIANO SONATA Sonatas of Johann Nepomuk Hummel, Part 3 Prepared by Jennifer Foong

Stanford, C. Villiers Blessed are those that are unde¿led in the way. Cambridge Singers/ John Rutter.

Collegium COLCD 302A 3

Pleyel, I. Sonata in G (c1787-88). Masha Dimitrieva, pf.

Gramola 98816 10

Psalm. No 126, When the Lord turned again.

Choir of Salisbury Cathedral; John Challenger, org; David Halls, cond.

Priory PRCD 1150 2

Schubert, F. Klavierstücke, D946 (1828).

András Schiff, pf.

Philips 456 925-2 24 Hummel, J. Sonata no 3 in F minor, op 20 (c1807). Hae-won Chang, pf.

Naxos 8.553296 22 15:00 SUNDAY SPECIAL Missa solis Prepared by James Nightingale Edwards, R. Dawn mantras (2005). Jane Sheldon, sop; Sydney Children’s Choir; Cantillation; Jim Franklin, shakuhachi; Rixon Thomas, cora; Matthew Doyle, did; Ian Cleworth, perc; Brian Nixon, perc; Lyn Williams, cond.

ABC 481 1909 7 Kats-Chernin, E. Sunshine journal (2011).

Members of Australian World O. ABC 481 6430 18

Stanford, C. Villiers The souls of the just are in the hand of God, op 38. Choir of St Paul’s Cathedral, London/Andrew Carwood.

Decca 483 1531 4

Psalm. No 130, Out of the deep have I called unto Thee. Choir of St John’s College, Cambridge; John Scott, org; George Guest, cond.

Decca 452 941-2 3 Stanford, C. Villiers Magni¿cat for double choir, op 164. Choir of Westminster Cathedral/ James O’Donnell.

Hyperion WCC100 12 Hymn. Love divine, all loves excelling. Choir of St Paul’s Cathedral, London; John Scott, org; Barry Rose, cond.

Guild GMCD 7106 3 34

Reich, S. Different trains (1988). Kronos Quartet.

Nonesuch 979 176-2

27

Finsterer, M. Nyx (1996). Pittsburgh New Music Ensemble.

ABC ABCL 0026D 12 Andres, T. Everything happens so much (2016). Boston SO/Andris Nelsons.

Naxos 8.559874 12

The Lord is my shepherd (1886). Choir of New College, Oxford/Edward Higginbottom.

CRD 3507 8

Higdon, J. Soprano saxophone concerto (2006). Carrie Koffman, sax; Hartt School Wind Ensemble/Glen Adsit.

Naxos 8.572889 16

Hymn. There is a green hill far away. Geoffrey Shaw, bass; Choir of St Paul’s Cathedral, London; Christopher Dearnley, org; John Scott, cond.

Helios CDH 55036 3

Adès, T. Lieux retrouvés: Les eaux, la montagne, les champs et la ville (2009).

Steven Isserlis, vc; Thomas Adès, pf.

Hyperion CDA67948

Bach, J.S. Have mercy, my God, BWV721.

James Lancelot, org.

Priory PRCD 1179 4 18:00 COMPOSER FOCUS César Cui Prepared by Michael Morton-Evans

Sculthorpe, P. Songs of sea and sky Cui, C. Concert suite, op 25 (1884). Takako (1987/88). Nigel Westlake, cl; David Bollard, pf. Nishizaki, vn; Hong Kong PO/Kenneth Tall Poppies TP004 16 Schermerhorn.

21 Adams, J. Shaker loops (1978/83). Ensemble LP Marco Polo 6.220308 Modern/Sian Edwards.

Orientale, from Kaleidoscope, op 50 no BMG 09026 68674 2 28 9 (1893) Gregor Piatigorsky, vc; Ralph Berkowitz, pf.

Westlake, N. Missa solis: Requiem for Naxos 8.111069 3 Eli (2010). Liam Crisanti, treb; Melbourne Symphony Ch & O/Nigel Westlake.

Fair spring, op 66 no 4. Ludmila Kuznetsova, ABC 476 5057 41 mezz; Russian State SO/Valery Polyansky.

Chandos CHAN 10201 9 17:00 HOSANNA Three scherzos, op 82 (pub. 1910). Russian Prepared by Richard Munge State SO/Valery Polyansky.

Chandos CHAN 10201 19 Hymn. I bind unto myself today. Choir of Wells Cathedral; Rupert Gough, org; Malcolm Archer, cond.

Hyperion CDP 12103 6

21:30 NEW HORIZONS Prepared by Anne-Louise Luccarini

17

23:00 JAZZ AFTER HOURS Portraits with Maddy Monjo

MONDAY 18 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST with James Hunter 09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1925 Prepared by Paul Cooke Rodrigo, J. Song and dance (1925). Artur Pizarro, pf.

Naxos 8.557923 7 Marx, J. Idylle Concertino on the pastoral fourth (1925). Bochum SO/Steven Sloane.

Naxos 8.573831 15

19:00 JAZZ INTERACTION with Isobel Archer

Pijper, W. Sonata (1925). Felicia van den End, À; Daria van den Bercken, pf.

Radio Nederland MCCP123 10

20:00 SUNDAY NIGHT CONCERT Prepared by Chris Blower

Poulenc, F. Napoli (1925). Pascal Rogé, pf.

Decca 460 329-2 11

Bach, J.S. Passacaglia and fugue in C minor, BWV582 (c1708-12; transcr. Stokowski).

Sydney SO/Robert Pikler.

Chandos CHAN 6532 13

Hanson, H. The lament for Beowulf, op 25 (1925). Eastman School of Music Ch; Eastman-Rochester O/Howard Hanson.

Mercury 478 5092

Schubert, F. Sonata in A minor, D821, Arpeggione (1824; orch. Davidson). Patricia Pollett, va; Queensland PO/Werner Andreas Albert.

Tall Poppies TP084 27

Sibelius, J. Five country dances, op 106 (1925). Nils-Erik Sparf, vn; Bengt Forsberg, pf.

BIS CD-625 19

Albéniz, I. Suite española, op 47 (1886; orch. Frühbeck de Burgos). Mexico State SO/ Enrique Bátiz.

ASV DCA 888 42

18

10:30 CONCERT HALL Prepared by Jacky Ternisien Harty, H. A comedy overture (1906). Ulster O/ Takuo Yuasa.

Naxos 8.557731 13

Scharwenka, X. Piano concerto no 1 in B Àat minor, op 32 (1876). Marc-André Hamelin, pf; BBC Scottish SO/Michael Stern.

Hyperion CDA67508 28 Roussel, A. Symphony no 1, op 7, Forest poem (1908). Paris O/Christoph Eschenbach.

Ondine ODE 1092-2 42 12:00 SWING SESSIONS with John Buchanan

TUESDAY 19 00:00 CONTEMPORARY COLLECTIVE

06:00 FINE MUSIC BREAKFAST with Robert Small 09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Frank Morrison

Skipworth, L. Quartet (2020). Diana Doherty, ob; Streeton Trio.

Cygnus Arioso CA004 15

Bach, C.P.E. Fantasia in B Àat, Wq61 no 3 (1785-86). Gustav Leonhardt, clvd.

Pro Arte D 248 7

Stanhope, P. Quartet no 3, From the Dussek, J. Trio sonata in B Àat for piano, Kimberley (2014-15). Australian String Quartet. violin and cello, op 24 no 3 (1793). Trio 1790.

ABC ABCL 0034 20 cpo 999 583-2 15 Hill, M. Trio (1916). Goetz Richter, vn; Mina Skryabin, A. Fantasy (1893; arr.

Choh, vc; Jeanell Carrigan, pf.

Rozhdestvensky). Viktoria Postnikova, Wirripang Wirr 112 23 pf; The Hague Residency O/Gennady

Wesley-Smith, M. Snark-hunting (1984).

Members of Australia Ensemble.

Tall Poppies TP200 17 14:30 THE 18TH CENTURY ORCHESTRA Prepared by Derek Parker Holzbauer, I. Overture to Günther von Schwarzburg (1777). Freiburg Baroque O/ Gottfried von der Goltz.

DG 486 3502 6 Wilms, J. Sinfonia concertante in C (1814).

Harmonie Universelle/Andreas Spering.

Accent ACC 24391 17 Stamitz, J. Symphony in D, op 3 no 2 (pub.

1757). New Zealand CO/Donald Armstrong.

Naxos 8.553194 10 Saint-Georges, J. Violin concerto in A, op 5 no 2 (1775). Rachel Barton Pine, vn; Encore CO of the Chicago Youth SO/Daniel Hege.

Cedille Records CDR90000214 24 Wranitzky, P. Symphony in D, op 36 (1799).

London Mozart Players/Matthias Bamert.

Chandos CHAN 9916 22 16:00 FINE MUSIC DRIVE with Michael Field

Rozhdestvensky.

Chandos CHAN 9728

9

Busoni, F. Finnish melodies (1888). Hector Moreno, Norberto Capelli, pf.

Dynamic CDS 96 11 Meyer, L. Second piece, from The country organists manual. Pierre P¿ster, org.

Arion ARN 68069 8 Messiaen, O. Three melodies (1930).

Frederica von Stade, mezz; Martin Katz, pf.

BMG 09026 62711 2 6

Scènes de ballet (1906). Robin Ruys, pf.

Fine Music concert recording

13

14:30 INSPIRED BY PAINTINGS Prepared by Jacky Ternisien Respighi, O. Three Botticelli pictures (1927).

London SO/Charles Mackerras.

Carlton Classics 15656 91372 20 Stravinsky, I. No word from Tom, from The rake’s progress (1951). Diana Damrau, sop; Munich RSO/Dan Ettinger.

Virgin 5 193132 2 9 Granados, E. La maja de Goya, from Tonadillas en un estilo antiguo (arr. Llobet).

Karin Schaupp, gui.

ABC 476 226-9 5 Liszt, F. Symphonic poem no 11, Battle of the Huns (1857). London PO/Bernard Haitink.

Philips 438 754-2 15 Granados, E. Coloquio en la reja, from Goyescas (pub. 1911). Alicia de Larrocha, pf.

Decca 433 920-2 11 Rachmaninov, S. The Isle of the Dead, op 29 (1909). Sydney SO/Vladimir Ashkenazy.

Exton EXCL-00018 20

Bloch, E. Sonata (1935). István Kassai, pf.

Marco Polo 8.223289 24

16:00 FINE MUSIC DRIVE with Andrew Dziedzic

10:30 CONCERT HALL Prepared by Gerald Holder

19:00 THE JAZZ BEAT with Lloyd Capps

Kodály, Z. Theatre overture (1927). BBC PO/ Yan Pascal Tortelier.

Chandos CHAN 9811 15

20:00 JUST IN with Charles Barton A selection from the latest recordings to arrive at the Fine Music Library

Spohr, L. Clarinet concerto no 3 in F minor (1821). Karl Leister, cl; Stuttgart RSO/Rafael Frühbeck de Burgos.

Orfeo C 088 201 A 28 Gounod, C. Symphony no 2 in E Àat (1856).

Sinfonia Finlandia/Patrick Gallois.

Naxos 8.557463 40 12:00 JAZZ RHYTHM with Jeannie McInnes

19:00 JAZZ ABOUT TOWN with Deborah Evans

13:00 A COLERIDGE-TAYLOR COLLECTION Prepared by George Nevin

20:00 STORMY MONDAY with Austin Harrison

Coleridge-Taylor, S. Petite suite de concert, op 77 (1910). RTÉ Concert O/Adrian Leaper.

Marco Polo 8.223516 16

22:00 JAZZ AFTER HOURS with Eddie Bernasconi

26

Nonet in F minor for piano, strings and wind, op 2, Gradus ad Parnassum (c1893).

Kaleidoscope Chamber Collective.

Chandos CHAN 20242 26

03:00 CLASSICAL TILL DAWN

13:00 AUSTRALIAN CHAMBER Prepared by James Nightingale

Wells, J. Sati (2016; arr. Wells 2022). Sally Walker, À; Emily Granger, hp.

Avie AV2626 6

Piano quintet in G minor, op 1 (1893).

Members of Nash Ensemble.

Hyperion CDA67590

22:00 CHAMBER SOIRÉE Charles Villiers Stanford Prepared by Paul Cooke

Stanford, C. Villiers Quartet no 1 in F, op 15 (1879). David Adams, va; Gould Piano Trio.

Naxos 8.573388 30 Sonata, op 129 (1911). Robert Plane, cl; Benjamin Frith, pf.

Naxos 8.570416

19

String quintet no 1 in F, op 85 (1903). Garth Knox, va; RTÉ Vanbrugh Quartet.

Hyperion CDA67505 27 35

Caoine, a lament, op 54 no 1 (1894). Paul Barritt, vn; Catherine Edwards, pf.

Hyperion CDA67024

7

Strauss, R. The Marschallin’s monologue, from Der Rosenkavalier Act I (1911). Lucia Popp, sop; Bamberg SO/Horst Stein.

Eurodisc 258938 8

14:00 STANFORD AND THE SYMPHONY Prepared by Chris Blower

Serenade, nonet in F for winds and strings, op 95 (1905). Capricorn.

Hyperion CDA66291 29

WEDNESDAY 20 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Stephen Wilson 09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Jennifer Foong RuÀnatscha, J. Overture from Incidental music to Schiller's play The bride of Messina (c1850). BBC PO/Gianandrea Noseda.

Chandos CHAN 10665 14 Tomásek, V. Eclogue in E, op 51 no 5. Pavel Stepán, pf.

LP Supraphon 1 11 1488 7

Joachim, J. In memoriam H. von Kleist, op 13. Stuttgart RSO/Meir Minsky.

Naxos 8.554733 10 Reinecke, C. Prelude to Act V, from King Manfred, op 93 (1866). Rhenish PO/Alfred Walter.

Naxos 8.555397 5 Kiel, F. Three romances for viola and piano, op 69. Zaslav Duo. Music & Arts 1087(2) 8 Parry, H. Bridal march, The birds (1883).

London SO/Adrian Boult.

Lyrita SRCD 220

5

Schumann, R. Papillons, op 2 (1829-31).

Cristina Ortiz, pf.

IMP PCD 899 15 Brahms, J. Sonata in E Àat, op 120 no 2 (1894). Alan Hacker, cl; Richard Burnett, pf.

Amon Ra SAR 37 19

Ciardi, C. La carneval russe. Karl-Bernhard Sebon, À; Berlin RSO/Uros Lajovic.

Schwann 11608 7

Stanford, C. Villiers Symphony no 4 in F, op 31 (1889). Ulster O/Vernon Handley.

Chandos CHAN 8884 44

Pixis, J. Grand sonata, op 35. Jean-Louis Capezzali, ob; Chia Chou, pf.

Pierre Verany PV794101 21

16:00 FINE MUSIC DRIVE with Tom Forrester-Paton

Blasco de Nebra, M. Sonata in E minor, op 1 no 6 (c1780). Javier Perianes, pf.

Harmonia Mundi HMC 902046 7 David, Félicien. Quartet no 2 in A (c1869).

Julien Chauvin, vn; Karine Crocquenoy, vn; Pierre-Éric Nimylowycz, va; Atsushi Sakaï, vc.

Ambroisie AM206 24 10:30 CONCERT HALL Prepared by Michael Field Ciurlionis, M. In the forest (1900). Slovak PO/ Juozas Domarkas.

Marco Polo 8.223323 15 Mozart, W. Piano concerto no 20 in D minor, K466 (1785). Ian Munro, pf; Willoughby SO/ Nicholas Milton.

Fine Music concert recording 30 Strauss, R. Symphony-suite from Ariadne auf Naxos (1912, arr. Ochoa 2010). Buffalo PO/ JoAnn Falletta.

Naxos 8.573460 39 12:00 JAZZ SKETCHES with Robert Vale 13:00 IN CONVERSATION with Simon Moore 36

19:00 PLANET JAZZ with Xavier Bichon 20:00 AT THE OPERA From Bohemia and Moravia Prepared by Elaine Siversen Janácek, L. The cunning little vixen. Opera in three acts. First performed Brno, 1924.

GAMEKEEPER: Dalibor Jedliþká, bass VIXEN/YOUNG VIXEN: Lucia Popp, sop FOX: Eva Randová, sop Vienna State Opera Ch; Bratislava Children’s Choir; Vienna PO/Charles Mackerras.

Decca 417 129-2 1:29 The gamekeeper catches the vixen in the wood and takes her home. Rejecting the advances of the family dog, she tries to rouse the hens to revolution, then kills them and escapes. Now notorious, she is spotted by villagers walking home from the pub, but evades the gamekeeper's gun. She meets a fox and has a litter of cubs, before being shot by a poacher. Returning to the clearing where he ¿rst caught the vixen, the gamekeeper sees one of her cubs and is reminded of the great cycle of life.

Handel, G. Vinto è l'amor, from Ottone, HWV15 (1723); O, had I Jubal’s lyre, from Joshua (1748). Lucia Popp, sop; English CO/ Georg Fischer.

EMI CDM 7 69546 2 7 22:30 MUSIC OF THE NIGHT Prepared by Paul Cooke McDowall, C. The moon dances (2003). Anna Noakes, À; Caroline Palmer, pf.

Dutton Epoch CDLX7210 15 Sibelius, J. Two serenades, op 69 (1912).

Anne-Sophie Mutter, vn; Staatskapelle Dresden/André Previn.

DG 447 895-2 13 Reyk, B. van Light for the ¿rst time (2017).

Ensemble Offspring; pre-recorded sound/ Claire Edwardes.

Ensembleoffspring.com 784927 459812 11 Bridge, F. Isabella (1907). BBC NO of Wales/ Richard Hickox.

Chandos CHAN 10729(6) X 18 Thompson, B. Quartet no 2, From darkness into light (2002). Apollo Saxophone Quartet.

Celestial Harmonies 13263-2 26

THURSDAY 21 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Simon Moore 09:00 DIVERSIONS IN FINE MUSIC Romantics, tributes and dedications Prepared by James Nightingale Berlioz, H. Dance of the will-o’-the-wisps, from The damnation of Faust, op 24 (1854-56).

Berlin PO/Herbert von Karajan.

DG 474 617-2 6 Polignac, A. de Chant d’amour; Jardin du roi; Ne me regarde pas. Laetitia Grimaldi, sop; Ammiel Bushakevitz, pf.

BIS CD-2546 11 Haydn, J. Keyboard trio in D minor, Hob. XV:23 (1795). Beaux Arts Trio.

Philips 454 098-2 20 Strauss, R. Romance in F (1883). Mischa Maisky, vc; Pavel Gililov, pf.

DG 477 7465 11 Debussy, C. Deux arabesques (1888).

Kathryn Stott, pf.

Conifer CDCF 148

8

d’Indy, V. String sextet in B Àat (1927).

François Mereaux, va, Michel Poulet, vc; Quatuor Joachim.

Calliope CAL 3891.2 22 10:30 CONCERT HALL Prepared by Anne Irish Gade, N. Overture: Echoes from Ossian, op 1 (1840). Danish National RSO/Dmitri Kitaienko.

Chandos CHAN 9422 15 Mendelssohn, F. Double concerto in D minor (1823). Gidon Kremer, vn; Martha Argerich, pf; Orpheus CO. DG 427 338-2 37 Schubert, F. Symphony no 5 in B Àat, D485 (1816). Australian CO/Charles Mackerras.

Omega OCD 1005 31 12:00 JAZZ AFTER NOON with Sue Jowell 13:00 WORLD POETRY DAY Prepared by Chris Blower Holst, G. Overture: Walt Whitman, op 7 (1899). Munich SO/Douglas Bostock.

Classico CLASS 284

7

Britten, B. Six settings of W.H. Auden (193741). James Geer, ten; Robin Tritschler, ten; Benjamin Hullett, ten; Malcolm Martineau, pf.

Decca 478 5364 14 Barber, S. Music for a scene from Shelley, op 7 (1935). Detroit SO/Neeme Järvi.

Chandos CHAN 9908 10 Beach, A. Three Browning songs, op 44 (1899-1900). Stacey Alleaume, sop; Erica Kennedy, vn; Amir Farid, pf.

Move MCD 613

7

MacDowell, E. Six idylls after Goethe, op 28 (pub. 1887). James Barbagallo, pf.

Marco Polo 8.223632 12 14:00 DVORÁK: PIANO AND STRINGS Prepared by Elaine Siversen Dvorák, A. Slavonic dance in F, op 46 no 4, Sousedská (1878). Duo Crommelynck, pf.

Claves CD 50-9107 6 String sextet in A, op 48 (1878). Josef Kluson, va; Michal Kanka, vc; Panocha Quartet.

Supraphon 11 1461-2 131 33 Theme and variations in A Àat, op 36 (1877).

William Howard, pf.

Chandos CHAN 9044 15 15:00 BY THE SHORE Prepared by Noelene Guillemot Grainger, P. Molly on the shore (1907). Light Music Society O/Vivian Dunn.

EMI CDM 7 63520 2 4

Charles Dutoit.

Decca 478 3691

23

Satie, E. The dreamy ¿sh (1901). Jean-Yves Thibaudet, pf.

Decca 470 290-2 5

FRIDAY 22 00:00 CONTEMPORARY COLLECTIVE

Dvorák, A. Symphonic poem: The water goblin, op 107 (1896). Scottish NO/Neeme Järvi.

Chandos CHAN 8552 21

03:00 CLASSICAL TILL DAWN

16:00 FINE MUSIC DRIVE with Marilyn Schock

09:00 DIVERSIONS IN FINE MUSIC Journey through history Prepared by Jennifer Foong

19:00 THE NEW JAZZ STANDARD with Frank Presley

Scarlatti, D. Concerto grosso no 7 in G minor (arr. Avison; 1744). Academy of St Martin in the Fields/Neville Marriner.

Philips 438 806-2 12

20:00 THE WORLD OF A SYMPHONY Franz Schubert: Symphony no 8 Prepared by Rex Burgess

06:00 FINE MUSIC BREAKFAST with Stephen Gard

Lully, J-B. The war, from Alceste Act III (1674).

Felicity Palmer, sop; Anne-Marie Rodde, sop; Bruce Brewer, ten; François Loup, ten; Max Beethoven, L. Overture to The consecration van Egmond, bass; Marc Vento, bass; Chorale of the house, op 124 (1822). Berlin PO/Herbert Raphael Pasquet; La Grande Écurie et la von Karajan.

Chambre du Roy/Jean-Claude Malgloire.

DG 445 112-2 10 LP CBS SBR 235828 6 Weber, C.M. Concert piece in F minor, op 79 Telemann, G. Sonata in C minor, from (1821). Peter Rösel, pf; Staatskapelle Dresden/ Essercizii musici (pub. 1739-40). Owen Herbert Blomstedt.

Watkins, rec; Geoffrey Burgess, ob; Kate Brilliant Classics 99935 17 Morgan, vc; Tamara Rozek, hpd.

Mendelssohn, F. Violin concerto in D minor Fine Music concert recording 11 (1822). Gidon Kremer, vn; Orpheus CO. Wranitzky, A. String sextet in G. Ensemble DG 427 338-2 22 Cordia.

Rossini, G. Sinfonia, from Semiramide (1823). Brilliant Classics 94168 24 London SO/Ion Marin.

Puccini, G. Preludio sinfonico (1876). Berlin DG 437 813-2 11 RSO/Riccardo Chailly.

Kuhlau, F. Concertino in F minor, op 45 Decca 410 007-2 9 (1821). Ib Lanzky-Otto, hn; Frøydis Ree Mendelssohn, Fanny. Piano quartet in A Àat Wekre, hn; Odense SO/Othmar Maga.

(1822). Kaleidoscope Chamber Collective.

Unicorn-Kanchana DKPCD 9110 23 Chandos CHAN 20256 18 Schubert, F. Symphony no 8 in B minor, D759, Un¿nished (1822). Scottish CO/Charles 10:30 CONCERT HALL Mackerras.

Prepared by Michael Field Telarc 80502 24 Respighi, O. Metamorphoseon, theme and 22:00 SONG CYCLE PLUS Prepared by Paul Cooke

variations (1930). Philharmonia O/Geoffrey Simon.

LP Chandos ABRD 1142 25

Casella, A. War music (1915). Hector Moreno, Salieri, A. Triple concerto in D (c1770). Heinz Norberto Capelli, pf.

Holliger, ob; Thomas Demenga, vc; Camerata Dynamic CDS 96 11 Bern/Thomas Füri, vn & dir.

Respighi, O. The sunset (1914). Magdalena Archiv 410 599-2 25 Kozená, mezz; Henschel Quartet.

Roussel, A. Symphony no 1, op 7, The poem DG 471 581-2 15 of the forest (1904-06). Rhineland Palatinate State PO/Leif Segerstam.

22:30 ULTIMA THULE Cybelia CY 801 32 12:00 A JAZZ HOUR with Barry O'Sullivan

Debussy, C. La mer (1903-05). Montreal SO/ 37

20:00 EVENINGS WITH THE ORCHESTRA Italian orchestras and conductors Prepared by Chris Blower

Stanford, C. Villiers Three songs from The Spanish gypsy, op 1. Stephen Varcoe, bar; Clifford Benson, pf.

Hyperion CDA67123 5 Sailing at dawn, from Songs of the Àeet, op 117; The ¿ght; The night went down, from The revenge: a ballad of the Àeet; Drakes drum, from Songs of the sea, op 91. Gerald Finley, bar; BBC National Ch & O of Wales/Richard Hickox.

Chandos CHSA 5043 19 To the soul; Joy!, shipmate joy!, from Songs of faith, op 97; The compleat virtuoso; The absent barber, from Nonsense rhymes.

Roderick Williams, bar; Andrew West, pf.

Somm Sommcd 0627 11 The bluebird. Cambridge Singers; City of London Sinfonia/John Rutter.

Collegium CSCD 500

Cantata, BWV1: Wie schön leuchtet der Morgenstern (1725). Kurt Equiluz, ten; Max van Egmond, bass; Vienna Boys' Choir; Ch Viennensis; Concentus Musicus Vienna/ Nikolaus Harnoncourt.

Teldec 2564 69943-7 25

19:00 FRIDAY JAZZ SESSION with Alex Siegers

13:00 CHARLES VILLIERS STANFORD Music for the voice Prepared by Stephen Matthews

4

Pater noster; Te Deum in B Àat. Winchester Cathedral Choir; Stephen Farr, org; David Hill, cond.

Hyperion CDA 66964 11 14:00 SOME OF STANFORD’S STUDENTS Prepared by Paul Cooke

Wagenaar, J. Overture: Cyrano de Bergerac, op 23 (1905). Royal Concertgebouw O/ Riccardo Chailly.

Decca 425 833-2 14 Veracini, F. Overture no 2 in F (c1716).

Accademia I Filarmonici/Alberto Martini.

Naxos 8.553412

22

Mozart, W. Piano concerto no 20 in D minor, K466 (1785). Maria Joäo Pires, pf; O Mozart/ Claudio Abbado.

DG 479 0075 31 Brahms, J. Symphony no 4 in E minor, op 98 (1885). Royal Concertgebouw O/Carlo Maria Giulini.

Radio Nederland RCO 08005 43

09:05 THE PIANO ALONE Prepared by Rita Felton

Mendelssohn, F. Variations sérieuses in D minor, op 54 (1841). Kathryn Selby, pf.

ABC 432 700-2 13

Gastoldi, G. Missa, Ne timeas Maria. Gruppo Vocale Ars Cantica; Riccardo Doni, org; / Marco Berrini, cond.

Sarx SX 001-2 35

Mozart, W. Sonata no 12 in F, K332 (1783).

Geoffrey Lancaster, fp.

Tall Poppies TP022 25

Praetorius, M. Wie schön leuchtet der Morgenstern. Choir of Westminster Cathedral, Parley of Instruments/David Hill.

Hyperion CDA 66200 3

Kuhnau, J. Cantata: Wie schön leuchtet der Morgenstern. Soloists; King's Consort/Robert King.

Hyperion CDA67059 14

Benjamin, A. Piano concertino (1927). Lamar Crowson, pf; London SO/Arthur Benjamin.

Everest EVC 9029 15

Biber, H. Rosary sonata no 1, The annunciation (c1676). John Holloway, vn; Tragicomedia.

Virgin VCD 7 90838-2

16:00 FINE MUSIC DRIVE with Lloyd Capps 38

09:00 WHAT'S ON IN MUSIC Our weekly guide to musical events in and around Sydney

Victoria, T. de Motet: Ne timeas Maria.

Gruppo Vocale Ars Cantica/Marco Berrini.

Sarx SX 001-2 3

Gurney, I. The cloths of heaven; In Flanders; Epitaph; Sleep. Christopher Saunders, ten; Stefan Cassomenos, pf.

Master Performers MP 020 11

Bainton, E. Quartet in A (1915). Austral String Quartet.

LP ABC/Festival FC 30802 26

06:00 SATURDAY MORNING MUSIC with Stephen Wilson

Schumann, R. Theme and variations in E Àat, Ghost variations, WoO24 (1854). Igor Levit, pf.

Sony 88985424452 11

Clarke, Rebecca. Sonata (1918). Paul Coletti, va; Leslie Howard, pf.

Hyperion CDA66687 21

Howells, H. In green ways (1915). Yvonne Kenny, sop; London SO/Richard Hickox.

Chandos CHAN 9557 18

00:00 CLASSIC-ALL THROUGH THE NIGHT

22:00 BAROQUE AND BEFORE For the Feast of the Annunciation Prepared by Charles Barton

Bach, J.S. Chorale prelude: Wie schön leuchtet uns der Morgenstern, BWV739. John O’Donnell, org.

Tall Poppies TP166 4

Goossens, E. Nature poems, op 25 (1919).

Antony Gray, pf.

ABC 476 763-6 17

SATURDAY 23

10:00 CENTRES OF MUSIC The Saxon court at Dresden, 17th-18th C, Part 2 Prepared by Elaine Siversen Schütz, H. Tue wohl deinem Knechte, dass ich lebe, SWV483; Zeige mir, Herr, den Weg deiner Rechte, SWV484, from Schwanengesang (pub. 1671). Collegium Vocale Gent; Concerto Palatino/Phillippe Herreweghe.

Harmonia Mundi HMC 901895.96 11 Nauwach, J. Jetztund kömpt die Nacht herbey; Ach Liebste, lass uns eilen (1627).

Andreas Scholl, ct; Alix Verzier, vc; Karl Ernst Schröder, lute; Markus Märkl, hpd.

Harmonia Mundi HMG 501505 7

6

Quantz, J. Double Àute concerto in G. Jed Buxtehude, D. Chorale fantasia on Wie schön Wentz, À; Marion Moonen, À; Musica ad leuchtet der Morgenstern. David Rumsey, org. Rhenum/Florian Deuter.

15 LP Davan LCDS 1001 6 Vanguard 99040 Heinichen, J. Alma Mater redemptoris (1726).

Bach, J.S. Chorale prelude: Wie schön Axel Köhler, ct; Musica Antiqua Cologne/ leuchtet der Morgenstern, BWV763. Hans Reinhard Goebel.

Fagius, org.

8 BIS CD-439 4 Archiv 447 092-2 Zelenka, J. Sinfonia in A minor à 8 concertante (1723). Camerata Bern.

Archiv 469 842-2

24

Bach, W.F. Harpsichord concerto in A minor (c1733). Il Convito/Maude Gratton, hpd & dir.

Mirare MIR 162 14

18:00 STAGE AND SCREEN Remembering Jim Parker Prepared by Paul Cooke

Weber, C.M. Clarinet quintet in B Àat, op 34 (1811-15). Members of Omega Ensemble.

Fine Music concert recording 26

11:30 ON PARADE Prepared by Michael Morton-Evans

Parker, J. Excerpts from The House of Eliott.

O/Jim Parker.

Soundtrack Music Records 7 89841 2 24

Franck, C. Symphonic poem: Le chasseur maudit (1883). Christian Ivaldi, pf; Noel Lee, pf.

Arion CDS 128 15

Excerpts from The history of Tom Jones, a foundling. Pro Arte O of London/Jim Parker.

BBC Worldwide Music OCD 012 17

Bruch, M. Violin concerto no 1 in G minor, op 26 (1868). Gil Shaham, vn; Philharmonia O/ Giuseppe Sinopoli.

DG 427-656-2 25

ProkoÀev, S. Dance, from Romeo and Juliet, op 64 (1935-36; arr. Kreines). Chicago SO brass/Dale Clevenger.

CSO-Resound CSOR 901 1101 2 Langford, G. Sinfonietta. John Foster Black Dyke Mills Band/Roy Newsome.

Chandos CHAN 4533 10 Fucik, J. Overture to Marinarella, op 215.

Royal Australian Navy Band/Phillip Anderson.

Royal Australian Navy RAN-005 13 12:00 URBAN JAZZ LOUNGE with Leita Hutchings 13:00 IN A SENTIMENTAL MOOD with Maureen Meers Nostalgic music and artists from the 30s, 40s and 50s and occasionally beyond, in a trip down many memory lanes

Excerpts from Midsomer murders; Theme from Midsomer murders. Celia Sheen, theremin; Instrumental Ensemble.

SilvaScreen SILCD 1476 14 19:00 EMERGENT JAZZ with Keith Pettigrew

SUNDAY 24

20:00 THE LIFE OF A COMPOSER Enrique Granados Prepared by Jennifer Foong Granados, E. Andaluza, from 12 Spanish dances, op 37 (1892-1900; arr.). Xavier de Maistre, hp; Lucero Tena, castanets.

Sony 88985450452 3

14:00 FRENCH TRIO WITH PIANO Prepared by Jacky Ternisien

Zapateado, from Six pieces based on Spanish folk songs. Alicia de Larrocha, pf.

Decca 433 920-2 5

Lalo, E. Trio no 3 in A minor, op 26 (1880).

Barbican Piano Trio.

ASV DCA 899 27

Piano trio, op 50 (1894). Beaux Arts Trio.

Philips 446 684-2 25

14:30 SATURDAY MATINEE Choral masterworks Prepared by Chris Blower Bach, J.S. Cantata, BWV182: Himmelskönig sei willkommen (1714). Paul Esswood, alto; Kurt Equiluz, ten; Robert Holl, bass; Tölz Boys' Choir; Concentus Musicus Vienna/Nikolaus Harnoncourt.

Teldec 2564 69943-7 31 Hadley, P. Lenten cantata (1962). John Mark Ainsley, ten; Donald Sweeney, bass; Choir of Gonville and Caius College, Cambridge; Richard Hill, org; Geoffrey Webber, cond.

ASV DCA 881 19

Eight poetic waltzes (1887). Benjamin Grosvenor, pf.

Decca 478 5334

Massenet, J. Ballet music from Le Cid (1885).

Israel PO/Jean Martinon.

Decca 476 2742 18

11

La maja de Goya, from Tonadillas al estilo antiguo, (1911; arr. Llobet). Karin Schaupp, gui.

ABC 476 3338 5 Allegro de concierto, op 46 (1903). Douglas Riva, pf.

Naxos 8.554628 8 Falla, M. de Asturiana, from Seven Spanish popular songs (1915). Victoria de los Angeles, sop; Gonzalo Soriano, pf.

EMI CMS 5 65061 2 3

00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC with Peter Poole 09:00 MUSICA SACRA Prepared by Jacky Ternisien Fayrfax, R. Magni¿cat regale. Ars Nova Copenhagen/Paul Hillier.

Dacapo 8.226056

13

Zipoli, D. Gloria, from Mass San Ignacio. Ex Cathedra/Jeffrey Skidmore.

Hyperion CDA67380 10 Mozart, W. Mass no 6 in C, K167, Trinitatis (1773). Leipzig Radio Choir; MichaelChristfried Winkler, org; Leipzig RSO/Herbert Kegel.

Philips 422 264-2 32 10:00 THE CLASSICAL ERA Prepared by Di Cox Rossini, G. Overture to William Tell (1829).

Tasmanian SO/Ola Rudner.

ABC 481 0616 12

Granados, E. Improvisation, Reverie (1916).

Enrique Granados, reproducing pf.

Fonè 90 F 14 CD 4

Bach, C.P.E. Double concerto in E Àat, Wq47 (1788). Neal Peres da Costa, fp; Australian Haydn Ensemble/Erin Helyard, hpd & dir.

Fine Music concert recording 19

Liliana, a lyric poem (1911-21; arr. Casals).

Barcelona SO/Pablo González.

Naxos 8.573265 17

Pleyel, I. Quintet in C, Nocturne (1788).

Australian Haydn Ensemble/Skye McIntosh.

Fine Music concert recording 23

El fandango de candil; Quejas o la maja y el ruiseñor; El amor y la muerte, from Goyescas Bruckner, A. Mass in F minor (1867-68). Juliet (pub. 1911). Alicia de Larrocha, pf.

Booth, sop; Jean Rigby, mezz; John Mark Decca 433 920-2 24 Ainsley, ten; Gwynne Howell, bass; Corydon 22:00 SATURDAY NIGHT AT HOME Singers & O/Matthew Best.

Hyperion CDA66599 59 Prepared by Di Cox Schumann, R. Carnaval, op 9 (1834-45; arr.

17:00 SOCIETY SPOT Glazunov and others). Suisse Romande O/ Sydney Schubert Society Ernest Ansermet. with Ross Hayes Decca 480 0038 27

Onslow, G. Piano trio in D, op 14 no 3 (pub.

1818). Trio Cascades. cpo 777 232-2 20

Handel, G. Chandos anthem no 8: O come let us sing unto the Lord, HWV253 (1717-18).

Susan Gritton, sop; Iestyn Davies, ct; Thomas Hobbs, ten; Choir of Trinity College; O of the Age of Enlightenment/Stephen Layton.

Hyperion CDA67926 31

Haydn, J. Quartet in C, Hob.III:39, Bird (1781).

Australian String Quartet.

Fine Music concert recording 18 Hummel, J. Trumpet concerto in E (1803).

Håkan Hardenberger, tpt; Academy of St Martin in the Fields/Neville Marriner.

Philips 420 203-2 18 39

Cruci¿xion. Choir of Guildford Cathedral/Barry Rose.

Warner Classics 5757582 4

12:00 CLASSIC JAZZ with Dave Mac 13:00 WORLD MUSIC Whirled Wide with Orli Zahava

Hymn. All glory, laud and honour. Choir of King’s College, Cambridge; Richard Farnes, org; Stephen Cleobury, cond.

Decca 4522522 4

14:00 THE PIANO SONATA Sonatas of Johann Nepomuk Hummel, Part 4 Prepared by Jennifer Foong Haydn, J. Variations in F minor, Hob.XVII:6 (1793). Angela Hewitt, pf.

Hyperion CDA67736 17 Mozart, W. Fantasia in C minor, K396 (1782; compl. Stadler). Stephen Hough, pf.

Hyperion CDA67598 9 Hummel, J. Sonata no 5 in F sharp minor, op 81 (1819). Pavel Gililov, pf.

Orfeo C 252 931 A 29 15:00 SUNDAY SPECIAL Charles Villiers Stanford: 1852-1924 Prepared by Chris Blower

Gibbons, O. Hosanna to the Son of David.

Oxford Camerata/Jeremy Summerly.

Naxos 8.553130 3 Bairstow, E. The lamentation. Choir of Jesus College, Cambridge; Benjamin Morris, org; Mark Williams, cond.

Signum SIGCD 409 9 Plainchant. Ubi caritas et amor. Choir of Trinity College, Melbourne/Michael Leighton Jones.

ABC 28948169702 3 Briggs, D. Ubi caritas et amor. Choir of Trinity College, Melbourne/Michael Leighton Jones.

ABC 28948169702 3 Nardone, P. I give you a new commandment.

Choir of Trinity College, Melbourne; John O’Donnell, org; Michael Leighton Jones, cond.

ABC 28948169702 4

Stanford, C. Villiers A welcome march, op 87 Caldara, A. Cruci¿xus à16 voci. The Sixteen/ (1903). Ulster O/Howard Shelley.

Harry Christophers.

Hyperion CDA68283 5 Coro COR16053 5 Te Deum; Jubilate; Magni¿cat; Nunc dimittis, Tallis, T. Salvator mundi, salva nos II. Tallis from Service in B Àat, op 10 (1879). Choir of Scholars/Peter Phillips.

Westminster Abbey; Robert Quinney, org; Gimell GIM006 3 James O’Donnell, cond.

Trad. Were you there? (arr. Lloyd). Bede Hyperion CDA67770 17 Singers/David Hill.

Postlude, op 105 nos 2 and 3. Christopher Dearnley, org.

Motette 10911 8 Fantasy in A minor (1922). Stephen Stirling, hn; RTÉ Vanbrugh Quartet.

Hyperion CDA67434 12 Brahms, J. Song of destiny, op 54 (186871). Monteverdi Choir; O Révolutionnaire et Romantique/John Eliot Gardiner.

Sol Deo Gloria SDG 702 16 Hurlstone, W. Sonata in F (1891). Peter Musson, bn; Stephen Emerson, pf.

Continuum CCD 1079

17

Stanford, C. Villiers Prince Madoc’s farewell (1893); The fairy loch, op 77 no 2 (1901); The chieftain of Tyrconnell (1892). Christopher Maltman, bar; BBC Scottish SO/Martyn Brabbins.

Hyperion CDA67065 12 Clarinet concerto in A minor, op 80 (1904).

Janet Hilton, cl; Ulster O/Vernon Handley.

Chandos CHAN 8991 19 17:00 HOSANNA Prepared by Jeremy Hall Stainer, J. God so loved the world, from The 40

Priory B000L 2134T4

5

Hymn. When I survey the wondrous cross.

Choir of King’s College, Cambridge; Richard Farnes, org; Stephen Cleobury, cond.

Decca 452 2522 3

19:00 JAZZ INTERACTION with Eddie Bernasconi 20:00 SUNDAY NIGHT CONCERT Prepared by Rex Burgess Beethoven, L. Overture no 3 to Leonore, op 72a (1806). New York PO/Leonard Bernstein.

CBS MK 42222 13 Piano concerto no 4 in G, op 58 (1806).

Jayson Gillham, pf; Adelaide SO/Nicholas Carter.

ABC 481 8533 35 Symphony no 4 in B Àat, op 60 (1806). Vienna PO/Andris Nelsons.

DG 483 7071 9 34 21:30 NEW HORIZONS Prepared by James Nightingale Edwards, R. The harp and the moon (2008).

Emily Granger, hp.

Avie AV2495 7 Skipworth, L. Oboe quartet (2020). Diana Doherty, ob; Streeton Trio.

Cygnus Arioso CA004 15 Mazzoli, M. Still life with avalanche (2008).

Eighth Blackbird.

Cedille CDR 90000133 9 Lang, D. Just (after song of songs) (2014). Trio Mediaeval; Garth Knox, va; Agnès Vesterman, vc; Sylvain Lemetre, perc.

Louth Contemporary Music LCMS 1502 13 Higdon, J. Trio (2003). Anne Akiko Meyers, vn; Alisa Weilerstein, vc; Adam Neiman, pf.

Naxos 8.559298 13 Gubaidulina, S. The light of the end (2003).

Gewandhaus O/Andris Nelsons.

DG 486 1457 24

23:00 JAZZ AFTER HOURS Portraits Bach, J.S. Fantasia on Valet will ich dir geben, with Isobel Archer BWV735. Marie-Claire Alain, org.

Erato 2564699028 4 18:00 INTIMATE AND ROMANTIC Prepared by Derek Parker Mendelssohn, Fanny. Piano quartet in A Àat (1822). Kaleidoscope Chamber Collective.

Chandos CHAN 20256 18 Chopin, F. Nocturne in F sharp minor, op 48 no 2 (1841). Maria João Pires, pf.

DG 477 8445 7 Glinka, M. Trio pathétique in D minor (1832).

Sarah Watts, cl; Laurence Perkins, bn; Martin, Roscoe, pf.

Hyperion CDA68263 15 Debussy, C. Petite suite (1886-89). VineyGrinberg Piano Duo. ABC 481 7789 13

MONDAY 25 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST with Robert Small 09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1909 Prepared by Gerald Holder Ponce, M. Scherzino (1909; arr. Zarate).

Leslie Enlow, gui; Carlo Pezzimenti, gui.

ASV DCA 1053

4

Rachmaninov, S. The Isle of the Dead, op 29 (1909). Royal PO/Enrique Bátiz.

Naxos 8.557930-31 23

Webern, A. Five movements for string quartet, Finzi, G. Let us garlands bring, op 18. op 5 (1909). LaSalle Quartet.

Roderick Williams, bar; Iain Burnside, pf.

DG 479 1976 11 Naxos 8.557644 15 Busoni, F. Fantasie after J.S. Bach (1909).

Geoffrey Tozer, pf.

Chandos CHAN 9394 10

Ferguson, H. Sonata no 2, op 10 (1946).

Oliver Lewis, vn; Jeremy Filsell, pf.

Guild GMCD 7120 16

Vierne, L. Rhapsody, op 25 (1909). Pascale Zanlonghi, hp.

Timpani 2C2019 11

Peerson, M. The fall of the leaf. Christopher Kite, virginals.

Hyperion CDA66067 2

Foerster, J. Wind quintet in F, op 95 (1909).

Fodor Quintet.

Ottavo OTR C69031 20

Finzi, G. The fall of the leaf, op 20 (1929).

Northern Sinfonia/Richard Hickox.

EMI 7 64721 2 11

10:30 CONCERT HALL Prepared by Jennifer Foong

Ferguson, H. Adagio, from The dream of the Rood, op 19 (1958-59). Anne Dawson, sop; London Symphony Ch & O/Richard Hickox.

Chandos CHAN 9082 7

Cimarosa, D. Overture to I due baroni di Rocca Azzura (1783). Haydn Philharmonia/ Ezio Rojatti.

Nuova Era 6726 11

Finzi, G. Cello concerto in A minor, op 40 (1951-52). Tim Hugh, vc; Northern Sinfonia/ Howard Grif¿ths.

Hiller, F. Piano concerto no 2 in F sharp minor, Naxos 8.555766 37 op 69 (1843). Tasmanian SO/Howard Shelley, 16:00 FINE MUSIC DRIVE pf & dir.

Hyperion CDA67655 20 with Stephen Wilson Massenet, J. Suite no 1, op 13 (1865). Hong Kong PO/Kenneth Jean.

Naxos 8.555986 24

19:00 JAZZ ABOUT TOWN with Deborah Evans

Mendelssohn, F. Symphony no 5 in D minor, op 107, Reformation (1832). Gewandhaus O/ Kurt Masur.

Teldec 2292-44933-2 26

20:00 STORMY MONDAY with Austin Harrison

12:00 SWING SESSIONS with John Buchanan 13:00 MUSIC FOR COR ANGLAIS Adapted from other sources Prepared by Ron Walledge

22:00 JAZZ AFTER HOURS with Gail Monjo

TUESDAY 26 00:00 CONTEMPORARY COLLECTIVE

Bach, J.S. Cor anglais concerto, from Cantata, BWV54 (1714; arr. Tarkmann).

English Concert/Albrecht Mayer, cora & dir.

Decca 478 1517 10

03:00 CLASSICAL TILL DAWN

Beethoven, L. Sonata in F, op 17 (1800; arr.

Oguey). Alexander Oguey, cora; Neal Peres da Costa, pf.

ABC 481 7026 17

09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Rex Burgess

06:00 FINE MUSIC BREAKFAST with Julie Simonds

Bach, J.S. Partita no 3 in A minor, BWV827 (1725-31). Rosalyn Tureck, pf.

Vaughan Williams, R. Six studies in English 21 folksong (1926; arr. Stanton for cor anglais and Philips 456 976-2 string quartet). Artaria.

Busoni, F. Toccata (1921). Geoffrey Tozer, pf.

Artaria recording 8 Chandos CHAN 9394 10 Schumann, R. Sonata in A minor, op 105 Couperin, F. Le Parnasse ou L’Apothéose de (1851; arr. Oguey). Alexander Oguey, cora; Corelli (1724). Marco Gaggini, hpd; Gian Luca Neal Peres da Costa, pf.

Rovelli, hpd.

ABC 481 7026 20 Brilliant Classics 95752 13 14:00 FINZI AND FERGUSON Prepared by Paul Cooke Ferguson, H. Octet for winds and strings, op 4 (1933). Nash Ensemble.

Hyperion CDA66192 21

Ravel, M. Tzigane (1922-4). Tasmin Little, vn; Piers Lane, pf.

EMI 5 73115 2 11 Hahn, R. Quintet in F sharp minor (1921).

Alexandre Tharaud, pf; Quatuor Parisii.

Auvidis V 4848 26

10:30 CONCERT HALL Prepared by Frank Morrison Kodály, Z. Dances of Galánta (1933).

Hungarian State SO/Ádám Fischer.

Nimbus NI 5284

17

Bach, J. Christian Bassoon concerto in B Àat.

Daniel Smith, bn; English CO/Philip Ledger.

ASV QS 6177 22 Herzogenberg, H. Symphony no 1 in C minor, op 50 (1885). North German Radio PO/Frank Beermann. cpo 777 122-2 42 12:00 JAZZ RHYTHM with Jeannie McInnes 13:00 FINE MUSIC NOTES with Iris Zeng Highlights of Fine Music on air for March 14:00 DVORÁK’S SYMPHONIES Part 2 Prepared by Ron Walledge Smetana, B. Overture and dances from The bartered bride (1866). London SO/Geoffrey Simon.

LP Chandos ABRD 1149 24 Dvorák, A. Seven interludes (1867). Russian PO/Dmitry Yablonsky.

Naxos 8.557352 23 Liszt, F. Hungarian rhapsody no 3 in D (1846-47; orch. 1854-58 Liszt, F. Doppler).

Staatskapelle Weimar/Arthur Fagen.

Naxos 8.570230 9 Dvorák, A. Symphony no 2 in B Àat, op 4 (1865). Czech PO/Libor Pesek.

Virgin 5 45127 2 55 16:00 FINE MUSIC DRIVE with Michael Morton-Evans 19:00 THE JAZZ BEAT with Lloyd Capps 20:00 JUST IN with David Garrett A selection from the latest recordings to arrive at the Fine Music Library 22:00 CHAMBER SOIRÉE Prepared by Anne-Louise Luccarini Enescu, G. Octet in C, op 7 (1900). Voces String Quartet; Euterpe String Quartet.

Marco Polo 8.223147 41 Spohr, L. Nonet for strings and winds, op 31 (1813). Consortium Classicum/Dieter Klöcker.

Orfeo C 155 871 A 28 Mozart, W. String duo no 1 in G, K423 (1783).

Gidon Kremer, vn; Kim Kashkashian, va.

DG 415 483-2 17 41

Beethoven, L. Quintet in E Àat for piano and winds, op 16 (1796). Robert Levin, fp; Academy of Ancient Music Chamber Ensemble.

Decca 455 994-2 27

WEDNESDAY 27

Debussy, C. La mer, three symphonic sketches (1903-05). Vienna PO/Gustavo Dudamel.

DG 476 4717 25 12:00 JAZZ SKETCHES with Robert Vale 13:00 IN CONVERSATION with Simon Moore

00:00 CONTEMPORARY COLLECTIVE

14:00 DOUBLE TROUBLE Prepared by Chris Blower

03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Stephen Wilson 09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by James Nightingale Barsanti, F. Concerto grosso in D, op 3 no 4 (1743). Zdenek Tylsar,hn; Bedrich Tylsar, hn; Frantisek Thuri, hpd; Dvorák CO/Libor Pesek.

Supraphon 10 3907-2 11 Taverner, J. In pace, in idipsum. The Sixteen/ Harry Christophers.

Hyperion CDS44401/10 6 Herzogenberg, H. Variations on a theme of J. Brahms, op 23 (1875). Duo Nadàn.

Brilliant Classics 95647 13

Bach, J. Christian Sinfonia in E for double orchestra, op 18 no 5 (c1781). Failoni O/ Hanspeter Gmür.

Naxos 8. 553367 15 Maconchy, E. Symphony for double string orchestra (1953). London SO/Vernon Handley.

Lyrita SRCD 288 22 Vaughan Williams, R. Fantasia on a theme

by Thomas Tallis (1910/19). Queensland SO/ Patrick Thomas.

ABC 472 984-2 15 Martinu, B. Concerto for double string orchestra, piano and timpani (1938). Vláclav Mazácek, timp; Jaroslav Saroun, pf; Czech PO/Jirí Belohlávek.

Chandos CHAN 8950 22

Assandra, C. Duo seraphim (1608). Maria Christina Kiehr, sop; Concerto Soave.

Ambronay AMY025 4

Kerry, G. Nocturne for double chamber orchestra (1995). Tasmanian SO/David Porcelijn.

ABC 476 226-8

Gade, N. Trio movement in B Àat (1839).

Sophie Rowell, vn; Julian Smiles, vc: Kathryn Selby, pf.

Fine Music concert recording 11

Tippett, M. Concerto for double string orchestra (1938-39). Scottish CO/Michael Tippett.

Virgin VC 7 90701-2 25

Brillon de Jouy, A. Sonata no 2 in B Àat (c1760-70). Nicolas Horvath, pf.

Grand Piano GP872-73

16:00 FINE MUSIC DRIVE with David Brett

9

Witt, F. Septet in F for winds and strings, op 62. Consortium Classicum. cpo 777 486-2 24

11

19:00 PLANET JAZZ with Xavier Bichon

A political prisoner, the nobleman Alexander Petrovich Goryanchikov, arrives at a Siberian prison camp and is Àogged after being interrogated by the Commandant. The prisoners have found an eagle with a broken wing and begin to tease it. They admire its de¿ance and decide to look after it. As various prisoners relate the crimes that have brought them to Siberia, Goryantchikov is dragged in, near death, after his Àogging.

After recovering, Goryanchikov befriends a young Tartar, Alyeya, and teaches him to read and write. A prisoner, resentful of Goryanchikov having the means to buy tea, attacks him, but Alyeya gets injured during the scufÀe. In the prison hospital, Luka dies from tuberculosis and Shishkov recognises him as Filka who had boasted in their village that he had dishonoured Shishkov’s wife. Although this was a lie, Shishkov murdered his wife.

Other prisoners recount their crimes.

The Commandant informs Goryanchikov that he has been pardoned and apologises for the Àogging. As Goryanchikov is freed, the prisoners release the eagle whose wing has now fully healed. The guard orders them back to work.

Nursery rhymes (1925/27). Song Company; Hans-Dieter Michatz, rec, À; Lisa Keaton, À; Lawrence Dobell, cl; Phililp Arkinstall, cl; Peter Moore, bn; Natasha Woodley, bn; Brian Nixon, perc; Jean-Bernard Marie, pf.

Fine Music concert recording 15 22:00 MUSIC OF THE NIGHT Prepared by James Nightingale Vasks, P. Episodes and perpetual singing (1985). Trio Palladio.

Ondine ODE 1343-2 28 Kos, B. Fatamorgana (2004). Ensemble Offspring. www.ensembleoffspring.com

16

10:30 CONCERT HALL Prepared by Derek Parker

20:00 AT THE OPERA From Bohemia and Moravia Prepared by Elaine Siversen

Gubaidulina, S. Quintet (1957). Kai Vogler, vn; Mira Wang, vn; Ulrich Eichenauer, va; Peter Bruns, vc; Rieko Aizawa, pf.

BiS CD-898 31

Beethoven, L. Overture to Egmont, op 84 (1809-10). Simon Bolívar SO of Venezuela/ Gustavo Dudamel.

DG 479 0250 9

Janácek, L. From the house of the dead.

Opera in three acts. Libretto by the composer after Fyodor Dostoesky’s novel. First performed, Brno, 1930.

Harvey, J. Wheel of emptiness (1997). Ictus/ Georges Octors.

Cypres CYP5604 14

Romero, A. Fuga con pajarillo, from Suite for strings no 1. Simón Bolívar Youth O of Venezuela/Gustavo Dudamel.

DG 477 7457 7

GORYANCHIKOV: Dalibor Jedliþka, bass COMMANDANT: Antonin Švorc, bar ALYEYA: Jaroslava Janská, sop SHISHKOV: Václav Zitek, bar LUKA/FILKA: JiĜi Zahradniþ, ten Vienna State Opera Ch and O/Charles Mackerras.

Decca 430 375-2 1:31

Rachmaninov, S. Piano concerto no 3 in D minor, op 30 (1909). Yuja Wang, pf; Simón Bolívar SO of Venezuela/Gustavo Dudamel.

DG 479 1304 41

42

Eötvös, P. Alle vittime senza nome (2016).

Frankfurt RSO/Peter Eötvös.

BMC CD 284 24

Berwald, F. Quartet in A minor (1849). Frydén String Quartet.

Caprice CAP 21334 20

THURSDAY 28 00:00 CONTEMPORARY COLLECTIVE

14:00 INSPIRED BY CARNIVALS Prepared by Jacky Ternisien

03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Simon Moore

Berlioz, H. Overture: Roman carnival, op 9 (1844). Sydney SO/Willem van Otterloo.

ABC 442 377-2 9

09:00 DIVERSIONS IN FINE MUSIC Romantics, tributes and dedications Prepared by Jacky Ternisien

Arnold, M. Carnival of the animals, op 72 (1960). Royal PO/Vernon Handley.

Sony 88875181702

9

Verdi, G. Fantasy on A masked ball (arr.

Genin). Patrick Gallois, À; Fabrice Pierre, hp; Richard Friedman, vn; London FO/Ross Pople.

DG 445 822-2 12

Rossini, G. Un enterrement en carnaval (1857-68). Marco Sollini, pf.

Chandos CHAN 10520

9

Granados, E. Three Spanish dances (18921900). Alicia de Larrocha, pf.

Decca 414 557-2 12

Rimsky-Korsakov, N. Carnival procession chorus, from The Snow Maiden (1898).

Bolshoi Ch & SO/Alexander Lazarev.

Erato 4509-91723-2 5

Campra, A. Cantata: Énée et Didon (pub.

1714). Les Arts Florissants/William Christie.

Harmonia Mundi HMA 1901316/18 15

Chandos CHAN 10413

Minkus, L. The kingdom of the shades, from La bayadère (1877). London SO/Richard Bonynge.

Decca 478 4746 12 Ravel, M. Le tombeau de Couperin (1913-17).

Harold Gombert, ob; New York PO/Pierre Boulez.

Sony SMK 45962 17 Mozart, W. Divertimento in D, K136 (1772; arr.

Kain). Guitar Trek.

ABC 432 698-2 12 10:30 CONCERT HALL Prepared by Rita Felton Berlioz, H. Overture: King Lear, op 4 (1831).

Polish State PO/Kenneth Jean.

Naxos 8.550231 15 Szymanowski, K. Violin concerto no 2, op 61 (1933). Wanda Wilkomirska, vn; Warsaw National PO/Witold Rowicki.

Muza PNCD 064 22 Mendelssohn, F. Symphony no 3 in A minor, op 56, Scottish (1842). O of the Eighteenth Century/Frans Brüggen.

Glossa GCD 921117 46 12:00 JAZZ AFTER NOON with Sue Jowell

Wirén, D. Piano trio no 1, op 6 (c1927).

Stockholm Arts Trio.

BIS CD-582

15

Sjögren, E. Sonata no 4 in E minor, op 47 (1904-06). Tobias Ringborg, vn; Anders Kilström, pf.

Caprice CAP 21714 19

Ravel, M. Piano concerto in D (1931). Alicia de Larrocha, pf; London PO/Lawrence Foster.

Decca 478 6966 19 Canteloube, J. Bailèro, from Songs of the Auvergne, series 1 (1923-30). Kiri Te Kanawa, sop; English CO/Jeffrey Tate.

Decca 478 6419 7 d’Indy, V. Symphony no 3, op 73, De bello gallico (1916-18). Strasbourg PO/Theodor Guschlbauer.

Auvidis V4686 34 22:00 SONG CYCLE PLUS Prepared by Paul Cooke

Vaughan Williams, R. Romance. Matthew Smetana, B. Prague carnival (1883). BBC PO/ Jones, va; Michael Hampton, pf.

Naxos 8.572579 5 Gianandrea Noseda.

6

Paganini, N. Variations on The carnival of Venice (1829). Franco Mezzena, vn; Adriano Sebastiani, gui.

Dynamic CDS 03 13

Gurney, I. Ludlow and Teme (1920). Adrian Thompson, ten; Iain Burnside, pf; Delmé String Quartet.

Hyperion CDA66385 21 22:30 ULTIMA THULE

15:00 WINDS AND STRINGS Prepared by James Nightingale Ligeti, G. Six bagatelles for wind quintet (1953). Members of Omega Ensemble.

Fine Music concert recording

12

Fuga, S. Sonata no 3 (1989). Sergio Lamberto, vn; Giacomo Fuga, pf.

Naxos 8.573142

21

Nyman, M. String quartet no 2 (1988).

Balanescu Quartet.

Argo 433 093-2

22

FRIDAY 29 00:00 CLASSIC-ALL THROUGH THE NIGHT

16:00 FINE MUSIC DRIVE with Sue Jowell 19:00 THE NEW JAZZ STANDARD with Frank Presley 20:00 THE WORLD OF A SYMPHONY Vincent d’Indy: Symphony no 3 Prepared by David Brett Berlioz, H. Love scene, from Romeo and Juliet, op 17 (1839). Polish State PO/Kenneth Jean.

Naxos 8.550231 16

13:00 SWEDISH CHAMBER Prepared by Chris Blower

Wagner, R. Siegfried’s Rhine journey, from Twilight of the gods (1869-74). Sydney SO/ Charles Mackerras.

ABC 476 644-0 13

Franck, C. Prelude, fugue and variationS, op 18 (1862). Hans Fagius, org; Mats Jansson, pf.

BIS CD-551 10 d’Indy, V. Chanson, op 19 (1884). Lawrence Power, va; BBC NO of Wales/Thierry Fischer.

Hyperion CDA67690 7

06:00 FINE MUSIC BREAKFAST with Troy Fil 09:00 DIVERSIONS IN FINE MUSIC A Good Friday Journey through history Prepared by Elaine Siversen Palestrina, G. da Stabat Mater à 8.

Cantillation/Antony Walker.

ABC 476 5055

11

Biber, H. Rosary sonata no 10, The Cruci¿xion (c1676). Julia Schröder, baroque vn; Lautten Compagney.

DHM 88985344082 9 Bach, J.S. Sad Passiontide is here once more, BWV450; Jesus mine, what agony assails you, BWV487, from Schemelli’s songbook (pub. 1736). Peter Schreier, ten; Karl Richter, org.

LP Archiv 2533458 8 Janitsch, J. Sonata da camera in G minor for Àute, violin, viola and continuo, op 4 no 21, Passionsquartett. Members of Tempesta di Mare.

Chandos CHAN 0820 18 43

Mozart, W. Motet, Ave Verum Corpus in D, K618 (1791). Sydney Philharmonia Choir; Sydney SO/Stuart Challender.

ABC 476 595-7 4 Liszt, F. Air du Stabat Mater, from Two transcriptions after Rossini, S553 (1847).

Leslie Howard, pf.

Hyperion CDS44554

6

Stainer, J. Excerpts from The Cruci¿xion (1887). Richard Lewis, ten; Owen Brannigan, bass; Choir of St John’s College, Cambridge; Brian Runnett, org; George Guest, cond.

Decca 478 3640 21 10:30 CONCERT HALL Prepared by Jacky Ternisien Rott, H. Pastoral prelude in F (1880).

Gürzenich O/Christopher Ward.

Capriccio C5408

14

Rodrigo, J. Concierto pastoral (1977). Patrick Gallois, À; Philharmonia O/Ion Marin.

DG 435767-2 24 Beethoven, L. Symphony no 6 in F, op 68, Pastoral (1808). CO of Europe/Nikolaus Harnoncourt.

Teldec 2292-46452-2 44 12:00 A JAZZ HOUR with Barry O'Sullivan 13:00 ST JOHN PASSION First performance on Good Friday, 7 April 1724 Prepared by Tom Forrester-Paton

300th

Telemann, G. Cantata for the ¿rst day of Easter, Klaus Mertens, bar; Il Concertino Cologne.

Brilliant Classics 94104 11 Haydn, J. The seven last words of Christ on the cross, Hob.XX:1a (1787). Paris Orchestral Ensemble/Armin Jordan.

Fnac Music 592195 53 Bach, J.S. St John Passion, BWV245 (1724).

St John Passion Part 1.

32

St John Passion Part 2.

1:13

Elizabeth Watts, sop; Sarah Connolly, cont; James Gilchrist, ten; Andrew Kennedy, ten; Ashley Riches, bar; Matthew Rose, bass; Christopher Purves, bass; Academy of Ancient Music & Choir/Richard Egarr, hpd & dir.

ABC 481 0850 1:45

19:00 FRIDAY JAZZ SESSION with Alex Siegers 44

Schubert, F. Three piano pieces, D946 (1828). Imogen Cooper, pf.

BBC Radio 3 AV 2156

Gibbons, O. Hosanna to the Son of David; I am the Resurrection and the Life (c17th C).

Stile Antico.

Harmonia Mundi HMU 807555 7

Tall Poppies TP181

11

Tanner, P. Home by eleven. Mix’T Trio.

Tall Poppies TP245

5

Chandos Records CHAN 0617

Hovhaness, A. Grand ¿nal processional, from Symphony no 20, op 223, Three journeys to a holy mountain (1968). Ohio State Concert Band/Keith Brion.

Delos DE 3158 7

24

10:00 CENTRES OF MUSIC Britten, B. Young Apollo, op 16 (1939). Nikolai Tall Poppies record label, Part 4 Lugansky, pf; Hallé O/Kent Nagano, Prepared by James Nightingale Apex 2564 673917 7 Schumann, R. Album for the young, op 68 no Bridge, F. Enter Spring (1926-27). Hallé O/ 22 (1848). Geoffrey Tozer, pf.

Mark Elder.

Tall Poppies TP001 2 Hallé HLL 7528 21 Sutherland, M. Sonata (1949). Nigel Mahler, G. Songs from Des knaben Westlake, cl; David Bollard, pf.

Wunderhorn (1892-93). Dietrich Henschel, bar; Tall Poppies TP004 8 Hallé O/Kent Nagano.

Apex 2564 67538-9 27 Benjamin, A. Pastorale, arioso and ¿nale (1948). Ian Munro, pf.

Elgar, E. Symphony no 2 in E Àat, op 63 Tall Poppies TP105 13 (1911). Hallé O/James Loughran.

ASV QS 6087 58 Rzewski, F. To the earth (1985). Claire Edwardes, perc.

22:00 BAROQUE AND BEFORE Tall Poppies TP223 9 Music for Easter Kats-Chernin, E. Still life (2001). Patricia Prepared by Glenys Eddy Pollett, va; Stephen Emmerson, pf.

Mozart, W. Quartet no 19 in C, K465 (1785).

Visit to the Sepulchre (c1200). Mina Kanarides, Australian String Quartet. sop; Song Company/Roland Peelman.

Tall Poppies TP087 31 Song Company 44 11:30 ON PARADE Palestrina, G. da Lamentations and Prepared by Paul Cooke Responsories (16th C). Musica Contexta.

38

Victoria, T. de Excerpts, from Lamentations for Holy Saturday (c1540). The Sixteen/Harry Christophers.

Collins 15182 20

A NNI V ERSA RY

16:00 FINE MUSIC HOLIDAY with Peter Poole

20:00 EVENINGS WITH THE ORCHESTRA With the Hallé Orchestra Prepared by Derek Parker

SATURDAY 30 00:00 CLASSIC-ALL THROUGH THE NIGHT

Ives, C. Fugue in C (1896; transcr. Sinclair).

The President’s Own United States Marine Band/Timothy Foley.

Naxos 8.570559 7 Simpson, R. Volcano, symphonic study for brass band (1978). John Foster Black Dyke Mills Band/Peter Parkes.

Chandos CHAN 4522 11

06:00 SATURDAY MORNING MUSIC 12:00 URBAN JAZZ LOUNGE with Peter Bell with Leita Hutchings 09:00 WHAT'S ON IN MUSIC Our weekly guide to musical events in and around Sydney 09:05 THE PIANO ALONE Prepared by Gerald Holder Mozart, W. Allegro and andante in F minor, K608 (1791). Imogen Cooper, Anne Queffélec, pf.

Ottavo OTR C129242 9 Brahms, J. Fantasy, op 116 nos 1 to 5 (1892).

Imogen Cooper, pf.

Ottavo OTR C39027 16

13:00 VENICE THROUGH ENGLISH EYES Prepared by Paul Cooke Sullivan, A. Masquerade, from The merchant of Venice (1871). Emmanuel Lawler, ten; RTÉ Concert O/Andrew Penny.

Marco Polo 8.223461 23 Head, M. Three songs of Venice (1976).

Catherine Wyn-Rogers, mezz; Christopher Glynn, pf.

Hyperion CDA67899 11

Alwyn, W. Overture: The Moor of Venice (1956; arr. Wright). Williams Fairey Band/Bryan Hurdley.

Chandos CHAN 4547 10 Dench, C. Sulle scale delle Fenice (1986-89).

Laura Chislett, À.

Vox Australis VAST 007-2 11 Britten, B. String quartet no 3, op 94 (1975).

Belcea Quartet.

EMI 5 57968 2 26 14:30 SATURDAY MATINEE Operetta in the afternoon Prepared by Angela Cockburn Sullivan, A. The gondoliers. Operetta in two acts. Libretto by W.S. Gilbert. First performed London, 1889.

Casilda ¿nds that she is already married to the man she loves and the two gondoliers surrender their crown to Luiz and, although a little disappointed that neither will be a king, they can return happily to Venice with their wives.

Schumann, C. Evening in Venice, from Three songs on poems by Geibel (1848). Heidelberg Madrigal Choir/Gerald Kegelmann.

Bayer BR 100 041CD 6 Porter, C. We open in Venice, from Kiss me Kate (1948). Julie Lee Goodwin, sop; Kerrie Anne Greenland, mezz; Caleb Vine, ten; Rob Mallett, bar; Sydney Philharmonia Festival Ch & O/Brett Weymark.

Fine Music concert recording 2

DUKE OF PLAZA-TORO: John Reed, bar DUCHESS OF PLAZA-TORO: Gillian Knight, cont CASILDA: Jennifer Toye, sop DON ALHAMBRA: Kenneth Sandford, bass LUIZ: Jeffrey Skitch, ten MARCO PALMIERI: Thomas Round, ten GIUSEPPE PALMIERI: Alan Style, bar TESSA: Joyce Wright, mezz GIANETTA: Mary Sansom, sop D’Oyly Carte Opera Company Ch; New SO/ Isidore Godfrey.

Decca 425 177-2 2:09

17:00 CLASS ACT Sydney schools in concert Prepared by Stephen Gard Recordings from Sydney schools submitted to the station and curated for your enjoyment

The Duke and Duchess of Plaza-Toro arrive in Venice from Spain with their daughter Casilda who, as a baby, was married to the son and heir of the King of Barataria. The infant prince was taken by Don Alhambra to Venice and, as the King has died, the hidden prince is now king. Casilda is now the reigning queen of Barataria but she is secretly in love with Luiz, their drummer. Don Alhambra explains that the prince was raised by the gondolier, Baptisto Palmieri, a drunkard, who eventually forgot which boy was his own son and which boy was the prince. The two boys, Marco and Giuseppe, are now gondoliers. They have just married Tessa and Gianetta respectively. Don Alhambra informs them that one of them is the King of Barataria, but no one knows which.

The gondoliers agree to go to Barataria at once, acting as one individual until the actual king is identi¿ed. Don Alhambra neglects to mention that the King is married to Casilda.

In Barataria, Don Alhambra breaks the news that one of the gondoliers had married Casilda when they were babies and therefore is an unintentional bigamist. The Duke and Duchess of Plaza-Toro arrive with Casilda and Luiz.

Don Alhambra ¿nds the nurse who cared for the young prince. She happens to be Luiz's mother. She hid the prince and gave Don Alhambra her own son instead. Thus, the king is neither Marco nor Giuseppe, but Luiz.

15

18:00 STAGE AND SCREEN Prepared by Jacky Ternisien Various. Excerpts from A clockwork orange.

Various performers.

Warner Bros 927 256-2 21 Lloyd Webber, A. Excerpts from Evita.

Madonna, Antonio Banderas, voices.

Warner Bros 9362-46346-2

Morricone, E. Excerpts from Once upon a time in the West (1968). Cinema Italiano soloists & O. Recording Arts 5X056 18

Harold in Italy, op 16 (1834). Antoine Tamestit, va; Les Musiciens du Louvre/Marc Minkowski. naïve V 5266 39 22:00 SATURDAY NIGHT AT HOME Lamentations of Jeremiah for Tenebrae Prepared by Peter Poole

300th

A NNI V ERSA RY Kuhnau, J. Sonata VI, La tombe di Giacob, from Musicalische Vorstellung einiger biblischer Historien (pub. 1700). John Butt, hpd.

Harmonia Mundi HMU 907133 13 Mozart, W. Divertimento no 15 in B Àat, K287, Lodron night music (1777). Camerata Bern.

Novalis 150 040-2 35 Schoenberg, A. Trans¿gured night, op 4 (1899). English CO/Daniel Barenboim.

EMI 5 65079 2 31 Heinichen, J. Lamentations of the prophet Jeremiah (1724). Axel Köhler, ct; Jörg Dürmüller, ten; Raimond Nolte, bass; Musica Antiqua Cologne/Reinhard Goebel.

Archiv 447 092-2 35

SUNDAY 31 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC with James Nightingale 09:00 MUSICA SACRA Prepared by Elaine Siversen

19:00 EMERGENT JAZZ with Keith Pettigrew 20:00 THE LIFE OF A COMPOSER Hector Berlioz Prepared by Jacky Ternisien

Schütz, H. Surrexit Pastor bonus. Dresden Cathedral Choir; Capella Fidicinia; Hans Otto, org; Rudolph Mauersberger, cond.

LP Eurodisc 80625 PK 6

Berlioz, H. Overture: Les Francs-juges, op 3 (1827-28). Montreal SO/Charles Dutoit.

Decca 452 480-2 12

Charpentier, M-A. Chant joyeux du temps de Pâques. Le Concert Spirituel/Hervé Niquet.

Naxos 8.554453 13

La mort de Sardanapale (1830). Daniel Galvez Vallejo, ten; Northern Region Choir; Lille NO/ Jean-Claude Casadesus.

Harmonia Mundi HMC 901542 6

Bach, J.S. Cantata, BWV4: Christ lag in Todesbanden (1707). TodesbandenStaatlichen Music School Choir; Maria Jung, org; Bach FO 1950/Fritz Lehmann.

Archiv 479 1045 25

Reicha, A. Quintet in E Àat, op 88 no 2 (181117). Academia Wind Quintet of Prague.

Hyperion CDD22006 16 Berlioz, H. Excerpts from Symphonie fantastique, op 14 (1830; trancrs. Liszt).

François-René Duchâble, pf.

EMI 5 72356 2

14

The death of Cleopatra (1829). Anne Pashley, sop; St Anthony Singers; English CO/Colin Davis.

Decca 443 461-2 22

Franck, C. Alleluia, from Choeur de Pâques.

Boys of King’s College Choir, Cambridge/ Stephen Cleobury.

EMI 5 57896 2 10 10:00 THE CLASSICAL ERA Prepared by Peter Poole Boccherini, L. Quintet no 4 in G, Fandango.

Richard Savino, gui; Peter Mund, castanets; Artaria Quartet.

Harmonia Mundi HMU 907026 21 45

Haydn, J. String quartet in E Àat, Hob.III:64 (1790). Vienna Konzerthaus Quartet.

Westminster RC 8808678121735 22 Fasch, C. Triple concerto in E. John Anderson, ob; John Wallace, tpt; Peter Thomas, vn; Philharmonia O/Christopher Warren-Green.

Nimbus NI 7016 15 Dussek, J. Duo concertant in E Àat, op 72 (1811). Masumi Nagasawa, hp; Richard Egarr, fp.

Etcetera KTC1436 21 Gossec, F-J. Symphony in F, op 12 no 6 (pub. 1769). London Mozart Players/Matthias Bamert.

Chandos CHAN 9661 15

Bach, J.S. Osteroratorium, BWV249. Stuttgart Chamber Choir; Stuttgart Baroque O/Frieder Bernius.

Carus 83.212 40 Handel, G. The Heaven of the Messiah, from Messiah. Radio Community Chest Choir; Sydney Messiah O/Tim Chung.

Radio Community Chest HM2015 13 17:00 HOSANNA Prepared by Neil McEwan Byrd, W. Motet: Haec dies (pub. 1591). Choir of Trinity College, University of Melbourne/ Michael Leighton Jones.

ABC 472 310-2 3

Anon. Resurrexit: Gregorian chant Mode IV. Choir of Christ Church St Laurence; Peter Mozart, W. Mass no 12 in C, K258, Spaur Jewkes, org; Neil McEwan, cond.

(1776). Regina Schudel, sop; Ulla Groenewold, CCSL CD06 4 cont; Peter Maus, ten; Berthold Possemeyer, bass; RIAS Chamber Choir & Sinfonietta/Uwe Beethoven, L. Gloria and Credo, from Mass in C, op 86 (1807). Hanne-Lore Kuhse, sop; Gronostay.

LP Schwann AMS 3544 16 Annelies Burmeister, cont; Peter Schreier, ten; Theo Adam, bass; Robert Köbler, org; MDR 12:00 CLASSIC JAZZ Choir, Leipzig; Gewandhaus O/Herbert Kegel. with Dave Mac Teldec 8.41286 22 13:00 WORLD MUSIC Whirled Wide with Carole Garland 14:00 THE PIANO SONATA Sonatas of Johann Nepomuk Hummel, Part 5: Sonata no 6 composed March, 1824 Prepared by Jennifer Foong

Onslow, G. Toccata in C, op 6 (1811). Howard Shelley, pf.

Hyperion CDA 67947 4 Reicha, A. Harmonie no 20, from Practische Beispiele (1803). Ivan Iliü, pf.

Chandos CHAN 10950 9 Weber, C.M. Eight variations on the Air de ballet from Castore e Polluce, op 5 (1804).

Alexander Paley, pf.

Naxos 8.550990 10 Hummel, J. Sonata no 6 in D, op 106 (1824).

Ian Hobson, pf.

Arabesque Z 6564 29 15:00 EASTER SUNDAY SPECIAL Prepared by Stephen Matthews Haydn, M. Responsories for Easter Saturday.

Purcell Choir; members of Orfeo O/György Vashegyi.

Brilliant Classics 95885/18 19 Zelenka, J. Missa Paschalis. Ensemble Inégal; Prague Baroque Soloists/Adam Viktora.

Nibiru 01582231 46

37

Gesangbuch, M. The day of Resurrection.

Choir of King’s College Cambridge; Peter Marley, org; Stephen Cleobury, cond.

Decca (complete Argo recordings) 2 Howells, H. Magni¿cat: Collegium regale.

Choir of King’s College Cambridge; Peter Marley, org; Stephen Cleobury, cond.

Decca (complete Argo recordings) 5

Yun, I. The visitor of the idyll (1993). Susan Fröhlich, rec. orlando records OR0040 6 Bruckner, A. Vexilla regis (1892). Quartet New Generation.

Genuin GEN 89143 6 Moravec, P. Mortal Àesh (2008). Quartet New Generation.

Genuin 89143 5 Denner, K. engrave V (2017). Susan Fröhlich, rec. orlando records OR0040 8 Childs, M.E. Parterre (2011). Quartet New Generation.

Genuin GEN 12249 8 Shostakovich, D. Fugue no 1 in C minor, from 24 Preludes and fugues, op 87 (1950-51; arr.).

Quartet New Generation.

Genuin GEN 12249 3 Bach, J.S. Contrapunctus IX à 4 alla duodecima, BWV1080. Quartet New Generation.

Genuin GEN 12249

3

19:00 JAZZ INTERACTION with Isobel Archer 20:00 SUNDAY NIGHT CONCERT Prepared by Paul Cooke Rameau, J-P. Suite from Les Indes galantes.

O of La Chapelle Royale/Philippe Herreweghe.

Harmonia Mundi HMP390808 15

Poulenc, F. Concerto in G minor for organ, strings and timpani (1938). Simon Preston, Trad. Now the green blade riseth (arr. Lindley). org; Adelaide SO/Nicholas Braithwaite.

Choir of Christ Church St Laurence; Jeremy ABC 432 529-2 22 Woodside, org; David Russell, cond.

CCSL CD06 3 Dvorák, A. Symphony no 6 in D, op 60 (1880).

London SO/István Kertész.

Victoria, T. de Regina coeli laetare. The Decca 417 598-2 46 Sixteen/Harry Christophers.

Collins 15012 3 21:30 NEW HORIZONS Pitts, A. Thou wast present as on this day (in The modern concerto Prepared by Robert Small the tomb) (c2008 rev. 2011). Song Company; Antony Pitts, dir. www.song.company 1EMIIT

2

Bertali, A. Sonata à 13. Les Cornets Noirs/ Johannes Strobl.

Audite 97.539 4 18:00 SYDNEY SOCIETY OF RECORDER PLAYERS Spotlight on Susanne Fröhlich and Quartet New Generation Prepared by Susan Foulcher Ferrabosco, A. the younger Fantasia.

Quartet New Generation. edition zeitklang ez-24026

5

Mensingh, M. Wicked (2001). Quartet New Generation. edition zeitklang ez-24026 5

Glass, P. Piano concerto no 3 (2017). Alexey Botvinov, pf; New Century CO/Daniel Hope.

DG 486 4128 35 Terracini, P. Concerto for brass (2003/10).

Sydney Brass/Paul Terracini.

Tall Poppies TP224 14 MacMillan, J. Oboe concerto (2010). Britten Sinfonia/Nicholas Daniel, ob & dir.

Harmonia Mundi HMU 807573 24 Perry, W. Latin ophicleide, from Brass from the past: Ophicleide concerto (2012). Nick Byrne, ophicleide; RTÉ NSO of Ireland/Paul Phillips.

Naxos 8.573105 8 23:00 JAZZ AFTER HOURS Portraits with Deborah Evans

The following composers have works of at least five minutes on the March dates listed Adam, A. Adams, J. Adès, T. Albéniz, I. Albinoni, T. Alkan, C-V. Alwyn, W. Andres, T. Arlen, H. Arne, T. Arnold, M. Arriaga, J.

1803-1856 b1947 b1971 1860-1909 1671-1751 1813-1888 1905-1985 b1985 1905-1986 1710-1778 1921-2006 1806-1826

11 17 17 17 2 3,7,16 30 17 2 1 28 17

Babin, V. 1908-1972 16 Bach, C.P.E. 1714-1788 6,16,19,24 Bach, J. Christian 1735-1782 2,8,26,27 Bach, J.S. 1685-1750 1,2,3,5,10,17,22,23,25,26,29,31 Bach, W.F. 1710-1784 23 Bainton, E. 1880-1956 22 Bairstow, E. 1874-1946 24 Barber, S. 1910-1981 11,16,21 Barret, R. b1959 1 Barsanti, F. 1690-1772 27 Bax, A. 1883-1953 15 Beach, A. 1867-1944 11,21 Beethoven, L. 1770-1827 2,7,10,16,21,24,25,26,27,29,31 Benjamin, A. 1893-1960 22,30 Bennett, W. Sterndale 1816-1875 15 Berlioz, H. 1803-1869 15,21,28,30 Bernstein, L. 1918-1990 5 Berwald, F. 1796-1868 13,28 Biber, H. 1644-1704 12,22,29 Bingham, J. b1952 3 Bizet, G. 1838-1875 14 Blasco de Nebra, M. 1750-1784 20 Bloch, E. 1880-1959 16,19 Blow, J. 1649-1708 13 Boccherini, L. 1743-1805 1,31 Böhm, G. 1661-1733 10 Boïeldieu, A. 1775-1834 4 Bonis, M. 1858-1937 8,9 Bottesini, G. 1821-1889 13,14 Brahms, J. 18331897 4,12,14,20,22,24,30 Bridge, F. 1879-1941 20,29 Brillon de Jouy, A. 1724-1824 27 Britten, B. 1913-1976 5,21,29,30 Bruch, M. 1838-1920 3,23 Bruckner, A. 1824-1896 23,31 Busoni, F. 1866-1924 13,19,25,26 Buxtehude, D. 1637-1707 22 Byström, T. 1772-1839 9 Caccini, F. 1587-1640 8 Campagnoli, B. 1751-1827 1 Campra, A. 1660-1744 28 Canteloube, J. 1879-1957 2,28 Capelli, G. 1648-1726 1 Carvalho, J. de Sousa 1745-1798 17 Casella, A. 1883-1947 21 Castelnuovo-Tedesco, M. 1895-1968 11,15 Chaminade, C. 1857-1944 1 Charody, C. b1984 4 Charpentier, M-A. 1643-1704 3,15,31 Chausson, E. 1855-1899 7 Childs, M.E. b1957 31 Chopin, F. 1810-1849 24 Ciardi, C. 1818-1877 20 Cimarosa, D. 1749-1801 15,25 Ciurlionis, M. 1875-1911 15,20 Clarke, J. 1674-1707 8 Clarke, Rebecca. 1886-1979 22 Clementi, M. 1752-1832 16 Coleridge-Taylor, S. 1875-1912 8,19 Copland, A. 1900-1990 11 Corrette, M. 1707-1795 5 Couperin, F. 1668-1733 15,26 Crusell, B. 1775-1838 14,17 Cui, C. 1835-1918 17 Czerny, C. 1791-1857 3,5,10 Danzi, F. Dauprat, L. David, Félicien.

1763-1826 1781-1861 1810-1876

Ch & O: Chorus & Orchestra CO: Chamber Orchestra FO: Fesঞval Orchestra NO: Naঞonal Orchestra NSO: Naঞonal Symphony Orchestra PO: Philharmonic Orchestra RO: Radio Orchestra RSO: Radio Symphony

3,15 8 5,20

Davis, C. Debussy, C. Demantius, C. Dench, C. Denner, K. Devienne, F. Dittersdorf, C. Dohnányi, E. Donizetti, G. Downes, A. Dukas, P. Dussek, J. Dvorák, A.

Hindson, M. Holley, A. Holst, G. Holst, I. Holzbauer, I. Honnoré, L. Hovhaness, A. Howard, J.N. Howell, R. Howells, H. Howlett, M. Hummel, J.

d’Indy, V.

b1936 16 1862-1918 1,5,21,24,27 1567-1643 6 b1953 30 b1986 31 1759-1803 8,13 1739-1799 4,10,13,15 1877-1960 12,16 1797-1848 10 1950-2023 3 1865-1935 13 1760-1812 9,19,31 1841-1904 4,6,7,12,14,21,26,31 1851-1931 11,21,28

Edwards, R. Elgar, E. Enescu, G. Eötvös, P.

b1943 1857-1934 1881-1955 b1944

Ibert, J. 1890-1962 Ireland, J. 1879-1962 Isabella Leonarda. 1620-1704 Ives, C. 1874-1954

1,2 15 8 30

1854-1928 1708-1763 1592-1678 b1955 1831-1907

6,20,27 29 8 10 3,20

17,24 29 26 27

Farrenc, L. 1804-1875 8,11,13,16 Fasch, C. 1736-1800 31 Fauré, G. 1845-1924 14 Fayrfax, R. 1464-1521 24 Ferguson, H. 1908-1999 25 Ferrabosco, A. the younger c1575-1628 8 Fibich, Z. 1850-1900 4 Finsterer, M. b1962 17 Finzi, G. 1901-1956 25 Foerster, J. 1859-1951 3,14,25 Fox, E. b1936 13 Franck, C. 1822-1890 23,28,31 Frankel, B. 1906-1973 15 Fucik, J. 1872-1916 23 Fuga, S. 1906-1994 28 Gade, N. Gastoldi, G. Geminiani, F. Gershwin, G. Gesualdo, C. Gibbons, O. Glass, P. Glazunov, A. Glière, R. Glinka, M. Gluck, C. Godard, B. Goehr, A. Goldmark, K. Goossens, E. Gorb, A. Gossec, F-J. Gottschalk, L. Gould, M. Gounod, C. Grainger, P. Granados, E. Grandage, I. Grechaninov, A. Grieg, E. Gubaidulina, S. Guillemain, L-G. Gurney, I.

1817-1890 7,21,27 c1550-1622 22 1687-1762 1 1898-1937 2 c1561-1613 15 1583-1625 29 b1937 31 1865-1936 15 1875-1956 3 1804-1857 2,24 1714-1787 6,10 1849-1895 12 b1932 3 1830-1915 10 1893-1962 22 b1958 9 1734-1829 31 1829-1869 2 1913-1996 2,9 1818-1893 11,12,14,19 1882-1961 15 1867-1916 19,23,28 b1970 10 1864-1956 13 1843-1907 1,5 b1931 24,27 1705-1770 2 1890-1937 22,28

1899-1973 23 1875-1947 26 1685-1759 1,2,17,20,23,31 Hanson, H. 1896-1981 18 Harrison, S. b1965 3 Harty, H. 1879-1941 18 Harvey, J. 1939-2012 13,27 Haydn, J. 1732-1809 2,5,6,9,12,13,16,21,24,29,31 Haydn, M. 1737-1806 3,7,31 Haym, N. 1678-1729 8 Head, M. 1900-1976 30 Heinichen, J. 1683-1729 23,30 Hermann, B. 1911-1975 9 Herz, H. 1803-1888 3 Herzogenberg, H. 1843-1900 26,27 Higdon, J. b1962 3,12,17,24 Hill, M. 1889-1986 18 Hiller, F. 1811-1885 15,25 Hadley, P. Hahn, R. Handel, G.

Orchestra RTO: Radio & Television Orchestra RTV SO: Radio and Television Symphony Orchestra SO: Symphony Orchestra TO: Theatre Orchestra alto: male alto ban: bandoneon

Hurlstone, W. Hyde, M.

Janácek, L. Janitsch, J. Jenkins, J. Jesse, G. Joachim, J.

b1968 10 b1954 10 1874-1934 21 1907-1984 17 1711-1783 18 1859-1901?

14 1911-2000 30 b1951 16 b1979 10 1892-1983 22,31 b1931 10 1778-1837 3,10,17,24,31 1876-1906 24 1913-2005 8

Kalliwoda, J. 1801-1866 3 Karlowicz, M. 1876-1909 4,7 Kats-Chernin, E. b1957 17,30 Kerry, G. b1954 27 Khachaturian, A. 1903-1978 14 Kiel, F. 1821-1885 20 Kilar, W. 1932-2013 4 Knopfler, M. b1949 16 Kodály, Z. 1882-1967 19,26 Koechlin, C. 1867-1950 2 Korngold, E. 1897-1957 8 Kos, B. b1934 27 Kozeluch, L. 1747-1818 13,14,17 Kuhlau, F. 1786-1832 7,21 Kuhnau, J. 1660-1722 22,30 Lalo, E. 1823-1892 11,23 Lang, D. b1957 24 Langford, G. 1930-2017 23 Lanzetti, S. 1710-1780 13 Lassus, O. de 1532-1594 15 Leclair, J-M. 1697-1764 5 Leighton, K. 1929-1988 10 Lekeu, G. 1870-1894 14 Ligeti, G. 1923-2006 28 Lilburn, D. 1915-2001 15 Liszt, F. 1811-1886 16,19,26,29 Lloyd Webber, A. b1948 30 Locke, M. c1621-1677 1,8 Lorenzani, P. 1640-1713 3 Lully, J-B. 1632-1687 7,22 MacDowell, E. 1860-1908 21 MacMillan, J. b1959 31 Maconchy, E. 1907-1994 27 Magnard, A. 1865-1914 1 Mahler, G. 1860-1911 4,7,29 Mandel, J. 1925-2020 9 Martines, M. 1744-1812 11 Martinu, B. 1890-1959 6,27 Marx, J. 1882-1964 18 Massenet, J. 1842-1912 4,15,23,25 Matthews, D. b1943 13 Mayer, E. 1812-1883 8,9 Mazzoli, M. b1980 24 McDowall, C. b1951 20 Méhul, É-N. 1763-1817 11 Mendelssohn, F. 1809-1847 5,7,15,17,21,23,25,28 Mendelssohn, Fanny.

1805-1847 7,8,12,22,24 Mensingh, M. b1975 31 Messiaen, O. 1908-1992 19 Meyer, G. b1979 2 Meyer, L. 1807-1869 19 Milhaud, D. 1892-1974 10,11 Minkus, L. 1826-1917 28 Moravec, P. b1957 31 Morricone, E. 1928-2020 30 Mozart, W. 1756-1791 2,3,5,6,10,12,20,22,23,24,26,28,30,31

bar: baritone bshn: basset horn bass: bass bn: bassoon bass bar: bass baritone cl: clarinet clvd: clavichord cont: contralto cora: cor anglais ct: counter-tenor

Munro, I.

b1963

10

Nauwach, J. Nicolai, O. Nielsen, C. Novák, V. Nyman, M.

c1595-c1630 1810-1849 1865-1931 1870-1949 b1944

23 11 7,9 4 28

Offenbach, J. 1819-1880 Onslow, G. 1784-1853

9 24

Pachelbel, J. 1653-1706 17 Paderewski, I. 1860-1941 4 Paganini, N. 1782-1840 14,28 Palestrina, G. da c1525-1594 29 Palmgren, S. 1878-1951 9 Parker, J. 1934-2023 23 Parry, H. 1848-1918 5,20 Peñalosa, F. de c1470-1528 3 Pergolesi, G. 1710-1736 6 Perry, W. b1930 31 Phinot, D. 15 Pijper, W. 1894-1947 18 Pike, N. b1955 16 Pixis, J. 1788-1874 20 Platti, G. 1700-1763 6 Pleyel, I. 1757-1831 17,24 Polignac, A. de 1876-1962 21 Poole, A. c1629-1692 6 Poulenc, F. 1899-1963 1,14,18,31 Preisner, Z. 1798-1848 16 Price, F. 1887-1953 11 Prokofiev, S. 1891-1953 16 Puccini, G. 1858-1924 22 Purcell, H. 1659-1695 1,3,8 Quantz, J.

1697-1773

23

Rachmaninov, S. 1873-1943 5,16,19,25,27 Raff, J. 1822-1882 13 Rameau, J-P. 1683-1764 31 Ranish, J. 1692-1777 12 Ravel, M. 1875-1937 1,26,28 Reich, S. b1936 17 Reicha, A. 1770-1836 5,30,31 Reser, H. 1896-1965 2 Respighi, O. 1879-1936 19,21,22 Reyk, B. van b1978 20 Ries, F. 1784-1838 3 Rimsky-Korsakov, N. 1844-1908 6 Rodrigo, J. 1901-1999 18,29 Romaniello, L. 1860-1916 1 Romero, A. 1928-2007 27 Rossini, G. 1792-1868 7,21,24,28 Rott, H. 1858-1884 29 Roussel, A. 1869-1937 18,22 Rubinstein, A. 1829-1894 13,14,15 Rufinatscha, J. 1812-1893 20 Rzewski, F. 1938-2021 30 Saint-Georges, J. 1745-1799 16,18 Saint-Saëns, C. 1835-1921 9,16 Salieri, A. 1750-1825 22 Sarasate, P. de 1844-1908 4 Satie, E. 1866-1925 1,21 Scarlatti, A. 1659-1725 16 Scarlatti, D. 1685-1757 22 Scharwenka, X. 1850-1924 18 Scheidt, S. 1587-1654 6 Schelling, E. 1876-1939 4 Schmitt, F. 1870-1958 15 Schoenberg, A. 1874-1951 2,30 Schubert, F. 1797-1828 1,8,10,12,15,17,21,30 Schulhoff, E. 1894-1942 3 Schultz, A. b1960 10 Schumann, C. 1819-1896 9,11,30 Schumann, R. 1810-1856 2,11,15,20,23,25 Schütz, H. 1585-1672 23,31 Sculthorpe, P. 1929-2014 17 Shostakovich, D. 1906-1975 14 Sibelius, J. 1865-1957 6,7,9,14,15,18,20 Simpson, R. 1921-1997 30 Sjögren, E. 1853-1918 28 Skinner, F. 1897-1968 9

db: double bass dbn: double bassoon did: didjeridu elec: electronic fl: flute fp: fortepiano gui: guitar hn: french horn hp: harp hpd: harpsichord

Skipworth, L. b1982 18,24 Skryabin, A. 1872-1915 19 Smetana, B. 1824-1884 2,3,5,6,9,10,11,12,13,16,26,28 Sor, F. 1778-1839 6 Sousa, J.P. 1854-1932 16 Spohr, L. 1784-1859 19,26 Stainer, J. 1840-1901 29 Stamitz, C. 1745-1801 1,13 Stamitz, J. 1717-1757 18 Stanford, C. Villiers 1852-1924 17,19,20,22,24 Stanhope, P. b1969 18 Steiner, M. 1888-1971 16 Stölzel, G. 1690-1749 9 Strauss, J. I 1804-1849 11 Strauss, R. 1864-1949 20,21 Stravinsky, I. 1882-1971 5,19 Stuck, J-B. 1680-1755 14 Suk, J. 1874-1935 9 Sullivan, A. 1842-1900 10,30 Suppé, F. 1819-1895 1 Sutherland, M. 1897-1984 30 Szymanowski, K. 1882-1937 4,28 Taneyev, S. Taverner, J. Telemann, G. Terracini, P. Thalberg, S. Thompson, B. Tinctoris, J. Tintner, G. Tippett, M. Tomásek, V.

1856-1915 7 c1490-1545 27 1681-1767 6,10,22,29 b1957 31 1812-1871 14 b1944 20 c1435-1511?

15 1917-1999 12 1905-1998 27 1774-1850 20

Vasks, P. b1946 27 Vaughan Williams, R. 1872-1958 15,25,27 Veracini, F. 1690-1768 22 Verdi, G. 1813-1901 28 Victoria, T. de 1548-1611 15,29 Vierne, L. 1870-1937 12,25 Vine, C. b1954 16 Vivaldi, A. 1678-1741 1,10 Wagenaar, J. 1862-1941 22 Wagner, R. 1813-1883 15,28 Weber, C.M. 1786-1826 12,21,23,31 Webern, A. 1883-1945 25 Wells, J. b1974 18 Wesley-Smith, M. 1945-2019 18 Westlake, N. b1958 17 Whitacre, E. b1970 9 Wilbye, J. 1574-1638 8 Wild, E. 1915-2010 16 Williams, G. 1906-1977 8 Wilms, J. 1772-1847 18 Wirén, D. 1905-1986 28 Witt, F. 1770-1836 27 Woodcock, R. c1690-1728 8 Wranitzky, A. 1761-1820 22 Wranitzky, P. 1756-1808 18 Younan, E. Ysaÿe, E. Yun, I.

b1994 1858-1931 1917-1995

Zelenka, J. Zemlinsky, A. Zimmermann, A. Zipoli, D.

1679-1745 15,23,31 1871-1942 8 c1741-1781 6 1688-1726 24

mand: mandolin mar: marimba mezz: mezzo-soprano narr: narrator ob: oboe org: organ perc: percussion pf: piano picc: piccolo rec: recorder

8 14 31

sax: saxophone sop: soprano tb: trombone ten: tenor ঞmp: ঞmpani tpt: trumpet treb: treble voice va: viola vc: cello vn: violin 47

A Lasting Legacy Make your final act an overture – leave a bequest to 2MBS Fine Music Sydney in your Will.

Over the years, bequests have made an enormous contribution to ensuring our continued operation and development.

Help maintain that so future generations can enjoy the great music we all love and hold dear.

See our website 2mbsfinemusicsydney.com/bequests for more information or contact our Bequest Manager if you would like to discuss your options.

Our People Editor David Ogilvie Assistant Editor Catherine Peake Designer David James Junior Designer Iris Zeng

Guide Management Coordinators James Nigh ngale Elaine Siversen Program Guide Forma er Peter Bell Proofreaders Catherine Peake Laurie Smith Tony Wallace

Contributors Rex Burgess Paul Cooke Paolo Hooke Michael Morton-Evans Barry O’Sullivan Keith Pe grew Ken Raphael Laurie Smith

PROGRAMMERS AND PRESENTERS MARCH: Jack Anthony, Charles Barton, Ben Behnam, Peter Bell, David Benham, Nena Bere n, Eddie Bernasconi, Xavier Bichon, Dan Bickel, Chris Blower, Veronica Bondarew, David Bre , Lily Bryant, John Buchanan, Rex Burgess, Clay Caplice, Lloyd Capps, Vince Carnovale, Ian Carswell, Sheila Catzel, Angela Cockburn, Adam Cockburn, Liam Collins, Paul Cooke, Brian Cornish, George Cruickshank, Nick Dan, Brian Drummond, Andrew Dziedzic, Deborah Evans, Rita Felton, Michael Field, Troy Fil, Owen Fisher, Jennifer Foong, Tom Forrester-Paton, Susan Foulcher, Nina Fudala, Stephen Gard, Carole Garland, David Garre , Robert Gilchrist, Albert Gormley, Rose Granam-Hilliard, Noelene Guillemot, Jeremy Hall, Aus n Harrison Ross Hayes, Jill Hickson, Gerald Holder, Paolo Hooke, Stephen Howard, James Hunter, Leita Hutchings, Anne Irish, Sue Jowell, Norbert Kelvin, Jules Laurent, Ray Levis, Anne-Louise Luccarini, Dave Mac, Chris na Macguinness, Linda Marr, Meg Ma hews, Stephen Ma hews, Sue McCreadie, Neil McEwan, Jeannie McInnes, Ramsay McInnes, Maureen Meers, Camille Mercep, Helen Milthorpe, Gail Monjo, Maddy Monjo, Simon Moore, Mary Moran, Frank Morrison, Michael Morton-Evans, Richard Munge, Gerry Myerson, George Nevin, Theia Ng, James Nigh ngale, Barry O’Sullivan, Derek Parker, Keith Pe grew, Anabela Pina, Peter Poole, Frank Presley, James Ranieri, Marilyn Schock, Alex Siegers, Julie Simonds, Elaine Siversen, Robert Small, Josh Stenberg, Garth Sundberg, Jacky Ternisien, Robert Vale, Phil Vendy, Ron Walledge, Stephen Wilson, Glenn Winfield, Toby Wong, Orli Zahava, Iris Zeng, Claire Yang Zhong PROGRAM SUBEDITORS Jan Akers, Di Cox, Noelene Guillemot, Elaine Siversen, Jill Wagstaff, Tony Wallace, Teresa White.

LIBRARIANS Jan Akers, Rex Burgess, Lynden Dziedzic, Peter Goldner, Sal Greco, Phillip McGarn, Judy Miller, Susan Ping Kee, Jacky Ternisien, Ricky Yu.

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Vice Regal Patron: Her Excellency the Honourable Margaret Beazley AC KC, Governor of New South Wales Honorary Patron: Professor The Honourable Dame Marie Bashir AD CVO

COMMITTEE CHAIRS: Chair: Simon Moore OAM; Secretary: Pamela Newling; Deputy Chair: Michael Field AM, Deborah Evans, Neil McEwan AM, Mary Moran, Robert Small, John Xuereb

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2024 EMERGING ARTISTS: Ar sts in Residence: Outback Brass and Mosaic (Jazz); Ken Weatherley Jazz Scholar: Lauren White; Stefan Kruger Scholar: Cassandra Doyle; Young Virtuoso: Teresa Yang

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49

2MBS Fine Music Sydney Patrons Fine Music Honour Roll (bequests received) Ms Nancy Kathleen Muir Bell, Mr Hubert Thomas Brown, Mr Ronald Walter Burgess, Dr Alison Burrell, Ms Patricia, Mary Conder, Mr Paul de Leuil, Ms Jean Priscilla Deck, Ms Hazel Alice Dunstan, Mr Heinz Georg Gager, Ms Rose Gibb, Mr Trevor Jarvie, Mr David Henry James, Ms Angelika Lange, Ms Valerie Bre Morris, Ms Margaret Helen Ralph, Mr John Selby, Mr Ronald Tinslay, Mr Simon Peter Paul Van Den Beld, Mrs Rose Varga, Mr Philip Magennis Weate, Mr Kenneth John William Weatherley, Mr Colin Webb, Mr Barry Willoughby Fine Music Circle (known future bequests) Mr Geoffrey Anderson, Mr David Bell, Mr David Bre , Mrs Halina Bre , Mr Rex Burgess, Mr Lloyd Capps, Ms Marilyn Endlein, Mr Robin Gandevia, Mr Bruce Graham, Mrs Valerie Haynes, Mr James Hunter, Mr David James, Mrs Sue Jowell, Ms Maureen Meers, Mr Glenn Morrison, Mr Desmond Mulholland, Mr Derek Parker, Dr Neil Radford, Ms Elaine Siversen, Mr Bruce Smith, Mr Anthony Tenney, Mr Ron Walledge Titanium Patrons ($50,000 +) Mr Michael Ahrens, Mr Max Benyon OAM, Mr Roger Doyle, Dr Jennifer Foong, Family Frank Founda on, Prof Clive Kessler, Anonymous: 0 Plaঞnum Patrons ($25,000-$49,999) Mr Robert Albert AO, Mr David Brown, Mrs Dorothy Cur s, Ms Jill Hickson AM, Mr Roger Howard-Smith, The Garre Riggleman Trust, Mr Ron Walledge, Mr Cameron Williams, Anonymous: 2 Diamond Patron ($10,000-$24,999) Mr David Bre , Dr Janice Hirshorn, Dr Thomas Karplus, Mr Colin Pren ce, Mr James Roberts, Anonymous: 1 Ruby Patron ($5,000-$9,999) The Belalberi Founda on Pty Limited, Mr Roger Chapman, Mr Noel Craven, Jus ce David Davies SC, Mr Peter Kur , Mr Charles McMonnies, Anonymous: 3 Emerald Patron ($2,500-$4,999) Mrs Barbara Brady, Mr Ian de Jersey, Assoc Prof Winsome Evans OAM, Mr Tom and Mrs Sherry Gregory, Mr Doug Keech, Mr Peter S nson, Ms Wendy Trevor Jones, Mr Richard Wilkins, Anonymous: 2

Gold Patron ($1,000-$2,499) Dr Anne Amigo, Mrs Susan Berger, Mrs Mary Jo Capps AM, Ms Alison Carmine, Mr Michael Chesterman, Mr James Cox, Mr Paul Espie, Emeritus Prof Michael Field AM MD, Dr Chris ne Furedy, Mr Robert Gilchrist, Mr Michael Guilfoyle, Ms Sophie Landa, Ms Anne e Lemercier, Mr Ian Lloyd, Mr Kevin and Mrs Deidre McCann, Mr Ray McDonald, Ms Jeannie McInnes, Mrs Judith McKernan, Ms Nola Ne heim, Ms Mona Omar, Mr Trevor Parkin, Mr Andrew Pa erson, Ms Susan Ping Kee, Dr William Poate, Dr Oscar Stanley, Mr John Stevenson, Jus ce Anthony Whealy KC, Mr Stephen Wilson, Anonymous: 15 Silver Patron ($500-$999) Ms Brigi e Beck, Mrs Halina Bre , Ms Meredith Brooks, Mrs Alexandra Buchner, Ms Joan Childs, Mr Robert Clark, Mrs Kate Dixon, Hon John Dunford KC, Mr John Fairfax AO, Mr David Farr, Dr David Gorman, Mr John Hearne, Mr William Hoekstra, Ms Jann Howard, Mrs Roslyn Keech, Dr Carolyn Lowry OAM, Mr Melvyn Madigan, Mr Michael Marchbank, Mr Michael Morton-Evans OAM, Mr Peter Poole, Mr Paul Roper, Mr David Routley, Mrs Catherine Ruff, Mr Anthony Strachan, Dr Duff Watkins, Mr Ronald Wilkins, Anonymous: 30 Bronze Patron ($250-$499) Ms Jacqui Axford, Ms Jane Barnes, Ms Ruth Bernard, Mrs Sally Bertram, Mr John Boden, Mr Colin Boston, Mr Hank Brisbane, Hon John Bryson KC, Ms Ruth Campbell, Mr Lloyd Capps, Mrs Sheila Catzel, Ms Wendy Cobcro , Mr Dom Co am, Mr Francis Crumplin BMath(Hons), Mr Peter Dexter AM, Mr Hugo Ferguson, Mrs Mary Finn, Mrs Jocelyn Hacke , Mr Les Hay, Dr Jonathan Hillman, Ms Ailsa Hocking, Mr James Hunter, Ms Ruth Jeremy, Mr Thomas Jones, Ms Cynthia Kaye, Mrs Alison King, Mr Peter Klineberg, Mr Ian Knop AM, Mr Ian Lansdown, Mr Glenn Leembruggen, Mr Geoffrey Magney, Mr Colin Manoy, Mr Hunter McEwen, Mrs Shirley McEwin, Ms Alison Meldrum, Dr Andrew Mi erdorfer, Mr Simon Moore OAM, Mr Raymond Newell, Ms Chris na Pender, Mr Ian Pont, Mr Joseph Rooney, Dr Peter Shea, Dr William Smith, Ms Mei Wah So, Mrs Elizabeth Terracini, Mr Alastair Wilson, Mr Clive Woodworth, Mr Alex and Mrs Amely Zaininger, Anonymous: 53

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MAR NEWCASTLE WOLLONGONG CANBERRA SYDNEY ORANGE

SUPER BLOOM

A CAPTIVATING JOURNEY INSPIRED BY NATURE’S MIRACLES Music by Hildegard von Bingen, Gesualdo, Michael Whiticker, Rebecca Saunders, Katherine Balch and a new work by Jane Sheldon. Jane Sheldon, Guest Director

the.song.company/superbloom