Fine Music Magazine - August 2022

UT ZO N MUSIC 2022

Alexandra Flood & Konstantin Shamray

I N D E X

12. 2022 Sydney Eisteddfod Opera Scholarship Final

05. Dance Suites of the Romantic Era

Maureen Chaffey talks to Sydney Eisteddfod winners and emerging artists

Catherine Peake investigates the evolving nature of the Dance Suite

06. Harrison Birtwistle

14. FineJazz Happenings: Jazz on Wednesdays

James Nightingale reflects on the music of the late English composer

The Magic of World Jazz by Robert Vale and Xavier Bichon

08. First Person William Barton Pt.2

16. Lukas Foss: An ‘authentic genius’

Andrew Bukenya talks to Australia’s didgeridoo virtuoso

Paul Cooke looks at the music of Foss on the 100th anniversary of his birth

19. Celebration of Swing Phillip Cant reviews John Morrison’s Swing City national tour

21. Volunteer Spotlight

22. CD Reviews N O T E S

24. Program Guide F R O M

T H E

51. Composers List

E D I T O R

Part of 2MBS Fine Music Sydney’s mission is to assist and promote local talented emerging artists. We are therefore delighted to showcase the winners of the 2022 Sydney Eisteddfod Opera Scholarship Prize who are now eligible to compete for the annual 2MBS Fine Music Sydney Young Virtuoso Award. Maureen Chaffey, Fine Music Sydney Young Virtuoso Award Co-ordinator, invited the three prizewinners to share their thoughts with Fine Music Magazine readers.

One of Britain’s most celebrated contemporary classical composers, Harrison Birtwistle, died in April this year at the age of 87. James Nightingale reflects on his music, which along with fellow New Music Manchester group composers Alexander Goehr and Peter Maxwell Davies, cheekily undermined the prevailing English pastoral style of Vaughan Williams, Holst and Delius.

Also in this issue, Phillip Cant profiles musical director John Morrison, one of Australia’s leading jazz drummers, band leaders, and educators, and reviews Morrison’s Celebration of Swing big band concert currently touring the country since March 2022.

Lastly, in the the second of two interviews with Fine Music Magazine, composer and didgeridoo player William Barton talks to Andrew Bukenya about the July concerts with the Sydney Symphony Orchestra, his mother’s contribution, and his desire to welcome audiences to his musical ‘comfort zone’. david.ogilvie@finemusicsydney.com

P R O G R A M M E R S

A N D

P R E S E N T E R S

AUGUST Charles Barton, Peter Bell, David Benham, Nena Beretin, Eddie Bernasconi, Xavier Bichon, Dan Bickel, Chris Blower, David Brett, Philip Bridges, John Buchanan, Rex Burgess, Lloyd Capps, Vince Carnovale, Ian Carswell, Adam Cockburn, Angela Cockburn, Liam Collins, Steve Coleman, Paul Cooke, Brian Cornish, Di Cox, George Cruickshank, Nick Dan, Jackson Day, Nev Dorrington, Brian Drummond, Andrew Dziedzic, Deborah Evans, Rita Felton, Michael Field, Owen Fisher, Jennifer Foong, Tom Forrester-Paton, Susan Foulcher, Nina Fudala, Carole Garland, David Garrett, Robert Gilchrist, Nicky Gluch, Albert Gormley, Jeremy Hall, John Hanna, Austin Harrison, Ross Hayes, Gerald Holder, Paolo Hooke, James Hunter, Leita Hutchings, Anne Irish, Sue Jowell, Ray Levis, Krystal Li, Dave Mac, Christina MacGuinness, Linda Marr, Meg Matthews, Stephen Matthews, Sue McCreadie, Sophie McCulloch, Neil McEwan, Jeannie McInnes, Ramsay McInnes, Angus McPherson, Maureen Meers, Camille Mercep, Heather Middleton, Gail Monjo, Simon Moore, Frank Morrison, Michael Morton-Evans, Richard Munge, Gerry Myerson, James Nightingale, Barry O’Sullivan, Derek Parker, Denis Patterson, Keith Pettigrew, Peter Poole, Frank Presley, Paul Roper, Daryl Rule, Marilyn Schock, Jon Shapiro, Alex Siegers, Julie Simonds, Chloe Sinclair, Elaine Siversen, Robert Small, Garth Sundberg, Jacky Ternisien, Anna Tranter, Robert Vale, Ron Walledge, Chris Wetherall, Stephen Wilson, Glenn Winfield, Chris Winner, Orli Zahava, Tom Zelinka, Vicky Zhang.

PROGRAM SUBEDITORS Jan Akers, Di Cox, Noelene Guillemot, Elaine Siversen, Jill Wagstaff, Tony Wallace, Teresa White LIBRARIANS Jan Akers, Rex Burgess, Lynden Dziedzic, Peter Goldner, David Hilton, Sally Hunter, Phillip McGarn, Judy Miller, Susan Ping Kee, Jacky Ternisien, Ricky Yu.

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2MBS FINE MUSIC SYDNEY

ORGANISATION DETAILS 2MBS Fine Music Sydney - We are Sydney’s Fine Music Broadcaster MUSIC BROADCASTING SOCIETY OF NSW CO-OPERATIVE LIMITED Editor David Ogilvie Assistant Editor Catherine Peake

Music Broadcasting Society of New South Wales Co-Operative Ltd is registered under the Co-operatives Act 1992 (NSW); owner and operator of Australia’s first community-operated stereo FM station, 2MBS-FM now known as 2MBS Fine Music Sydney. Our mission is to be Sydney’s preferred fine music broadcaster, broadcasting classical, jazz and other fine music genres for the enjoyment and encouragement of music. Another aim is to be part of Sydney’s cultural landscape networking with musical and arts communities to support and encourage local musicians and music education and to use our technical and broadcast resources to further this aim.

Designer Lyndon Pike

Mission Statement

Digital Content Coordinators Paul Cooke, Keith Pettigrew

Goals

Guide Management Coordinators (acting) James Nightingale and Elaine Siversen

2. To promote Australian musicians and composers, with a particular focus on the young

Program Guide Formatter Peter Bell

Vice Regal Patron: Her Excellency the Honourable Margaret Beazley AC QC, Governor of New South Wales

Proofreaders Pamela Newling, Catherine Peake Contributors Xavier Bicon Andrew Bukenya Phillip Cant Maureen Chaffey Paul Cooke Leita Hutchings Pamela Newling James Nightingale Catherine Peake Robert Vale Cover Image Photography by WinkiPoP Media Design by Lyndon Pike Fine Music Studios 72-76 Chandos Street St Leonards, NSW 2065

To share the love of fine music through broadcasting 1. To be Sydney’s preferred broadcaster of classical, jazz and other fine music genres 3. To develop a sustainable financial model for the organisation.

HONORARY AND ARTISTIC PATRONS

Honorary Patron: Professor The Honourable Dame Marie Bashir AD CVO Artistic Patrons: Elena Kats-Chernin AO, Simon Tedeschi, Richard Tognetti AO, Brett Weymark OAM Emerging Artists Patron: Roger Benedict Young Composer Award 2019: Callum O'Reilly Young Virtuoso Award 2019: Justin Lu Stefan Kruger Scholar 2021: Leanne Jin Ken Weatherley Scholar 2021: Alex Siegers Artists in Residence 2021: The Sydney Cello Quartet Jazz Artist in Residence 2021: Anoesis PERSONNEL: It is important to note that apart from a small staff team, Fine Music Sydney functions through the involvement of dedicated volunteers who generously contribute their time and talents across all aspects of the radio station.

BOARD OF DIRECTORS: Chair: Michael Morton-Evans Deputy Chair: Peter Poole Secretary: Robert Gilchrist Directors: Andrew Clark, Nicky Gluch, Sue Jowell, Jayson McBride, Sue Ping Kee Appointed Directors: Bruce Hambrett, Peter Stavrianos STAFF: Director of Operations: Mona Omar Studio & Production Manager: Sophie McCulloch Operations Coordinator: Michael Guilfoyle Digital Content Producer: Lyndon Pike Bookkeeper: Miriam Ho

Postal Address 72-76 Chandos Street St Leonards, NSW 2065

TECHNICAL ADVISORS: Honorary Technical Advisor: Max Benyon Broadcast Engineer: John Shenstone Broadcast Systems Engineer: Roger Doyle Information Technology Consultant Peter Bell Recording Engineer: Jayson McBride

Phone 9439 4777 (9am–6pm)

COMMITTEE CHAIRS: Jazz: Keith Pettigrew Fundraising: Sue Jowell Library: Sue Ping Kee Presenters: Michael Field Programming: James Nightingale Technical: Peter Bell Volunteers: Sue Nicholas Finance: Peter Poole

ABN 64 379 540 010

Contents and concept of 2MBS Fine Music Sydney Copyright © 1975-2022

2mbsfinemusicsydney.com Frequency 102.5 FM Transmitter Governor Phillip Tower, Circular Quay

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Dance Suites of the Romantic Era Catherine Peake investigates the evolving nature of the Dance Suite

After a period of neglect during part of the 18th and 19th centuries, the dance suite emerged from oblivion in the late Romantic period and once more became a musical form of choice. But the term dance suite now referred to instrumental pieces grouped together to form a coherent whole in ways that were less structured and more nuanced than those of the Baroque. The composers who found a form for their ideas in the dance suite completely reimagined it, and during the 1880s and ’90s it became a very different kind of music.

Whether or not the revised dance suite could be seen as developing parallel with the art world impressionism of Monet and Manet is debatable, but there was no denying the loosening of formal strictures and softening of artistic definition in the music. Embodying the changes in harmony and form that were already underway at the time, the new dance suites became an integral part of the era’s expression and experimentation in music.

Historical Picture Archive / Alamy Stock Photo

Extracting a dance suite from a larger work and publishing it separately became a useful way of establishing it as an independent musical form. Incorporating a tone that would become recognisably Scandinavian, Grieg’s Peer Gynt suites were amongst the first of the later Romantic dance suites to appear as pieces that could stand on their own merit. Grieg had taken the two four-movement suites from his incidental music for Ibsen’s play that had premiered in 1876, and published them separately some years later, in 1888 and 1893. Being well-received then, the suites have remained so into the 21st century.

Tchaikovsky also had great success with a suite taken from a larger work, the music he wrote for the ballet The Nutcracker of 1892. Again, originally in a stage production with literature as its inspiration, the story being taken from E.T.A. Hoffmann’s The Nutcracker and the Mouse King, The Nutcracker Suite became established in its own right. Although the ballet was not initially a success it became one during the twentieth century, and the suite with its charming use of the ethereal-sounding celeste was popular from the beginning.

Dance suites were also written for solo instruments, and in one of his best-known works, Debussy wrote his Suite Bergamasque for the piano, beginning the piece in 1890 and continually revising it before its publication in 1905. The suite became particularly well-known because of its popular third movement Clair de lune. Although Debussy eschewed the name, his suite reflected a form of impressionism with its merging harmonies and tone that, taken with other pieces of the era, helped establish a musical language notably different from anything that had come before.

The dance suite had entered into the spirit of the Romantic era, but it would not be long before it transitioned again. Composers had seen its versatility, and in its next phase the dance suite would meet the evolving styles of the twentieth century, once more completely different from what had gone before but still recognisably itself.

Listen to Dance suites from the Romantic era on Monday 8 August at 1:00pm.

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Harrison Birtwistle James Nightingale reflects on the music of the late English composer

In April this year, the English composer Harrison Birtwistle died at the age of 87. His music has been ubiquitous in the English music scene since the 1970s, admired for its genuinely unique sound worlds and compelling musical logics.

Birtwistle was born in Lancashire in 1934, learning clarinet as a child. He went to the Royal Manchester School of Music where his career took a turn towards composing. Along with his fellow students Alexander Goehr and Peter Maxwell Davies, he formed the New Music Manchester group. If there was one thing which drew the three composers together it was a feeling that the Englishness of the pastoral style of much composition in that country, epitomised by the music of Ralph Vaughan Williams, was a kind of confection that needed to be undermined. Each, in their own way, would bring a grittiness to the Englishness of their music, and I do mean Englishness. Somehow, Birtwistle’s music does sound English. Famously, Birtwistle admired the austere portrayal of the windswept countryside in Gustav Holst’s Egdon Heath over other more sentimental pictures of his homeland.

Throughout his career, Birtwistle was fascinated by Greek myth and narrative. The minotaur, The cry of Anubis, The Io passion, and his most famous opera, The mask of Orpheus, are just a few of the works inspired by Hellenic legend. And like the legends themselves, Birtwistle’s music ebbs and flows as ideas form and re-form upon seemingly dissonant pedal notes that provide an unsettling canvas for the upper voices.

It has been said that Birtwistle’s music resembles a constantly passing flow of ideas and two of Birtwistle’s other pieces epitomise this. Firstly, The triumph of time is a work based upon a woodcut

by Bruegel in which Father Time, in a chariot and followed by Death, passes by seemingly oblivious villagers going about the mundane activities of their life. Birtwistle explained the inspiration for his piece as the disconnection between the ideas in the woodcut, interpreted similarly to the collection of disparate sounds that become associated in the mind of the listener. Secondly, Endless parade, a trumpet concerto of sorts, presents one new idea after another in a procession of events that compete for attention.

Birtwistle was uncompromising in his musical vision.

When commissioned to write a piece for the Last Night of the Proms in 1995, the result was Panic (the title is a pun: Pan-like and confusion) for saxophone, jazz drummer, winds, brass and percussion. It was not at all what the audience may have expected; raucous, exciting, and as far as you could get from Pomp and Circumstance. Panic was both admired and hated on its first outing.

It is hard to imagine a composer of similar character and inspiration arising again today. Birtwistle was undoubtedly a musician of his time and place.

Two programs feature Birtwistle’s music in August: New Horizons, 14 August, 8:30pm, and Music of the Night, 31 August, 10:30pm.

This kind of texture can be heard in Earth dances, Birtwistle’s symphonic masterpiece of 1987. Cycles of melody seemingly circle around each other at different speeds, much like the motions of Sun, Earth and Moon. The interchange of foreground and background within the work builds to each successive climax in what is a monumental piece of musical imagination.

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First Person William Barton Andrew Bukenya talks to Australia’s didgeridoo virtuoso

William Barton is an Indigenous didgeridoo player who grew up on a cattle station near Mt Isa in northwest Queensland, learning the didgeridoo from his uncle, Arthur Peterson, an elder of the Wannyi, Lardil and Kalkadunga people. His catalogue of achievements started at the age of 17 with an invitation to perform with the Queensland Symphony Orchestra, and continued with landmark performances with the Philharmonic Orchestras of London and Berlin and at historic events at Westminster Abbey for Commonwealth Day 2019, Anzac Cove and the Beijing Olympics. His awards include Best Original Score for a Mainstage Production at the 2018 Sydney Theatre Awards and an ARIA in 2012 for Best Classical Album – Kalkadungu: Music for Didjeridu and Orchestra.

In this, the second of two interviews with Fine Music Magazine, he talks to Andrew Bukenya about the July concerts with the Sydney Symphony Orchestra conducted by Simone Young, his mother’s contribution, and his desire to welcome audiences to his musical ‘comfort zone’.

Photo by Keith Saunders

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How does it feel when you walk out onto a stage?

It does feel amazing, and I still thank my lucky stars, as Dad used to say. But I exist in this chapter in my life as a musician and as a composer and as a human being because of mum and dad, because of our aunties and uncles, who have given me opportunities for education and so on. I perform with my mum, Auntie Delmae Barton, quite a lot. There’s always been a linear journey, it doesn’t just come from a piece of paper. So with that you have to carry that responsibility, in the appropriate way. With any collaboration I try to connect with the local mob and make sure I’m doing the right thing. I want to get it right.

Actually, because it’s on paper, if you don’t get it right, you get it right the next time. It’s about opening up the conversation, about intellectual property, about ‘oh, we can’t use those sacred melodies there, but we can use this one’.

And now you have a commission which is going to be performed with the Sydney Symphony Orchestra!

I got the commission out of a field of 50 composers, and Simone Young chose three of the 50 composers to feature in her program on 20 July where her main piece is Mahler’s Resurrection no 2.

I get to use the whole orchestra, the choir and the indigenous students’ choir with Lynn Williams, Gondwana Voices. I got the old floorboards of the Sydney Opera House, as part of this journey, as part of the music for the children and the adults to play as part of the ceremony. The piece is about life and death, but also resurrection, like hope and peace, and for that I go back to my Kalkadunga country. This is a really big moment for me, so I’m gonna try to get it right – it’s about being on par with nature and putting the last 20 years of my travel and life experience into this one eight-minute piece, Of the Earth.

In the piece I have language that I wrote when I was 15 years old, and that people have heard me sing in my other collaborations. I wanted to reintroduce it in a different arrangement at the end of the orchestra work. My Kalkadunga song. I’ve always carried it with me everywhere I went in the world since a young teenager: Kalkadunga Yurdu, Kalkadunga Marabi, Kalta Malta Na Bila Bila, Montanalli Wamba, in English, ‘Kalkadoon man, Kalkadoon woman teaching young Bila Bila’. In the night around the campfire, this is how we learn and pass on the culture in that full circle.

We keep on learning.

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Photo by Keith Saunders

You are teaching the audience. They’re not passive in this journey.

Who might be your dream collaborations in the contemporary world… Rock, pop, soul, or funk?

When I frame things sometimes I say to the audience, ‘I want to welcome you in the comfort zone and not teach you’. I want to welcome you in to learn our culture and we can walk together.

We’re a part of the engine room of change, the orchestral stage in this context, in a Western world.

Powerful stuff. It’s a sacred ground because we make it so. Talking to my brothers I said, ‘I want that smoking ceremony to be outside the Opera House as well, ‘cause it’s not just about what’s happening on the inside of that sacred space, but also what’s happening on the outside. That’s very important, then it’s holistic.

I think I’d love to do some more work with Uncle Herbie Hancock. I’ve had the privilege of playing alongside of him when James Morrison invited me to International Jazz Day in Melbourne, a few years ago. I’ve worked with Yo-Yo Ma, he was amazing. So, if I could put a supergroup together, Uncle Herbie Hancock, Yo-Yo Ma, Marcus Miller, the bass player.

Nigel Kennedy, and then of course, my mum, Auntie Delmae, and my partner Veronique. Then we need a good percussionist in there.

I’d love to talk to you about your mum, Delmae, because she’s been such a formative influence in your life and continues to be. How much of her do you hear in your music when you listen back, even if you’re not conscious of it at the time?

Looking back, if you could meet and collaborate with a composer in history, reach back in time and spend a day with that composer, who would it be?

First off, Bach. I like the melodic phrases and the fast phrases, the elements. And that translates for me as a guitarist as well. It’s that sort of vibe I like listening to. Are you familiar with Yngwie Malmsteen? He’s a guitarist, European rock shredder. I’m into that fast sort of playing as well. I think it’s cool to do a bit of shredding, but you gotta find the music in it as well, the actual interpretation. I think it’d be interesting to work with, say, Mahler, but also others like Sibelius.

How would they interpret our landscape?

That’s really great question. Having performed quite a lot with mum, I remember performing with her in the Pompidou Arts Centre in Paris. I think it was one of my pieces called Sacred Song and I just remember mum singing it, a journey, sort of mournful, but also a beautiful sort of passage in this opening section of this work. I always hear mum’s voice even if I’m performing that piece just for the quartet. It’s like a tape player in my mind. That’s really special. I feel that she’s always there with us. Mum’s a very big part of it and always has been.

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2022 Sydney Eisteddfod Opera Scholarship Final Maureen Chaffey talks to Sydney Eisteddfod winners and emerging artists 2MBS Fine Music Sydney enjoys a lasting partnership with the Sydney Eisteddfod. This includes providing opportunities for Eisteddfod finalists to vie for the annual 2MBS Fine Music Sydney Young Virtuoso Award and promoting event winners as emerging artists. Maureen Chaffey, Fine Music Sydney Young Virtuoso Award Coordinator, spoke to the 2022 Opera Scholarship Prize recipients – Nathan Bryon, baritone, Winner; Jeremy Boulton, baritone, 2nd place; and Anna Stephens, soprano, 3rd place – and invited them to share their thoughts with Fine Music Magazine readers.

Nathan, what does it mean to win the 2022 Sydney Eisteddfod Opera Scholarship?

This opportunity means a great deal. It will be an enormous help in taking my next steps overseas. When I was starting out on my journey as a young singer, I remember viewing the Opera Final as a far-off dream, and to be at a place where that has become a reality, is a huge moment for me.

How do you kick start a career hiatus after something like COVID-19?

There’s no doubt that COVID-19 has been extraordinarily difficult for all artists. One of the few silver linings about that period was how much time we had to really focus on crucial elements of this art form.

On-line tools were great to do work on languages, not to mention voice lessons, coaching, and seminars, so that we could be prepared for the time when things did begin to open up again. As young artists we work to prepare as much as possible so that we can make the most of the ‘lucky breaks’ when they come our way.

How do you create an individual, physical presence that differs from that of your competitors and co-performers?

Of course, you need to look the part on the day, though I believe it’s more crucial that you are comfortable and confident in your attire so that you can deliver the best performance you possibly can. I choose favourite colours and nice cuts. Broadly speaking, this art form is first and foremost about telling stories through beautiful singing and personally, I’m wary of losing sight of this in the hunt for the spectacle.

Photography by WinkiPoP Media

Jeremy, what do you do to prepare for a competition?

I decide on my arias months before entering as I find that knowing what I’m doing well in advance helps me to plan and get the voice doing what it needs to by competition time. Your technical prowess and emotional commitment are always under close scrutiny by adjudicators and panels – and rightly so.

How do you decide on the repertoire?

In close consultation with my teacher and coaches who say, “nobody knows your voice better than you.” With this in mind, you must harbour strong self-awareness when you choose repertoire. Know yourself, your limits and what will portray you best. My arias were broadly contrasting in style and displayed a variety of characters to demonstrate versatility and ultimately, employability.

What got you hooked on Operatic singing?

I was offered a place in the Opera Australia Regional Student Scholarship Program in Year 12. After a week rehearsing scenes and arias guided by experts, I was completely convinced that this was a viable career path. I attribute this program to giving me that final encouraging push to pursue an operatic career wholeheartedly. I’m very grateful.

Anna, what does placing in the Opera Scholarship mean?

I’ve been a finalist a few times. It’s always a fantastic experience regardless of the outcome, but I’ll admit that coming away with a placing was so exciting and rewarding! Performing at the Concourse with other talented artists and an orchestra is not an everyday opportunity. We had a great time!

With performances live streamed, how do you balance the expression of emotion while singing simultaneously to the live audience and those on the other side of the camera?

On stage or on camera, it’s still the audience. Your concentration goes into thinking about the character and digging into their emotional state. There isn’t a lot of room for extra cognitive process. The rest is muscle memory and good practice leading up to the performance.

What life skills, training and/or experience are useful?

I learned flute and piano. Learning other instruments really cemented important musical skills like sightreading, learning music quickly, musicality and emotional expression through the music, and importantly, following a conductor while playing with an orchestra and experiencing symbiosis of the whole ensemble. This expanded my breadth of musical experience to draw from when singing.

Full biographies are available at: https:// sydneyeisteddfod.com.au/assets/2022-Uploads/ eOpera-Program-.pdf

FineJazz Happenings: Jazz on Wednesdays The Magic of World Jazz by Robert Vale and Xavier Bichon Jazz On Wednesdays brings together the magic of world jazz. This is contemporary jazz, framed around European, Scandinavian, African and Middle Eastern jazz, and often inspired by traditional music of emerging cultures. Jazz On Wednesdays is two of 2MBS Fine Music Sydney’s sixteen FineJazz programs, linked by a feature album: Jazz Sketches at 12 noon with Robert Vale, and Planet Jazz at 7pm with Xavier Bichon. Each Wednesday, the feature album is at once inspiring and novel, adventurous and characteristic. August’s feature albums include a cellist from Armenia, a Norwegian drummer, the ancient oud of the Middle East, an Israeli bassist, and a brilliant young Scottish pianist/composer.

3 August New jazz has emerged in recent years from many unexpected places.

Armenia is a case in point, the home country of prominent pianists/composers Tigran Hamasyan and the Sydneybased Zela Margossian.

The music of both is often influenced by traditional Armenian elements and played in a robust fashion.

Reflecting similar influences is the relative newcomer, Armenian cellist Artyom Manukyam.

In his recent release Alone, Manukyan’s playing is often characterised by vigorous plucking of his cello, which he also uses for percussion purposes. Often, he employs over-dubs and subtly effective electronica. The album is enhanced by guest appearances of singers Gretchen Parlato and the emerging Michael Mayo.

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10 August Norwegian drummer Snorre Kirk’s sixth album Going Up has an infectious and unique swinging set from Scandinavia. It comprises original compositions that incorporate a variety of styles and inspirations from Basieinflected jazz to mid to up-tempo blues riffs. No moody Scandinavian jazz, Kirk’s retro tunes centre around good old jazz that swings hard with a calypso-type flavour. The refreshing and exciting compositions remind us that jazz would not be jazz without the sounds of Duke Ellington and Count Basie.

Kirk enlists American tenor saxophonist Stephen Riley, drawing inspiration from Lester Young with a light vibrato, crafting well-thought-out solos of melodic substance.

There is also Kirk’s long-time collaborator, tenor saxophonist Jan Harbeck. Together, they channel that old soul sound, but with strikingly viscous phrasing. The penultimate tune, named Blues Arabesque, can only be described as a worthy tribute to Duke Ellington’s Caravan.

17 August In deference to its title, the album Concerto of the Greater Sea by oud master Joseph Tawadros is not a concerto as such, but rather a raft of short pieces that includes The Greater Sea Suite. The music is entirely composed by Joseph Tawadros, who was inspired by the early 20th century Sufi poet and philosopher, Kahlil Gibran. This maintains a theme from Tawadros’ earlier album The Prophet.

The pieces are played by the quartet of Joseph Tawadros (oud), Christopher Moore (viola), James Tawadros (the percussive req) and Matt McMahon (piano). It is a seamless blending of instruments normally employed in a Middle Eastern, classical or jazz performance.

24 August Internationally acclaimed bassist extraordinaire and singer Avishai Cohen is one of the world’s greatest bassists. Since his collaboration with Chick Corea’s trio in 1997, the Israeli-born musician has earned a global rockstar-like reputation for his bass sound that joins cello-like purity to percussive drama, and for original compositions embracing American jazz, Latin music, Sephardic-Jewish folk song, orchestral works, and even pop-tinged vocals.

For his latest album Shifting Sands, Cohen has gathered young prodigies Azerbaijani pianist Elchin Shirinov and Israeli drummer Roni Kaspi. Shifting Sands includes brand new original compositions, alongside fan favourites and repertoires from Avishai’s vast musical library. Cohen’s stunning bass improvisation does leave room for his collaborators to shine, and if the new tunes add few surprises to the double bassist’s signature songbook, the playing remains jaw-dropping as ever.

31 August Scottish pianist Fergus McCreadie at age 24 has just released Forest Floor, his third album of original compositions inspired by the landscapes, culture, and history of his Scottish homeland.

As a child, McCreadie had two unsuccessful forays into learning music, first with piano and then bagpipes, before at the age of 12 being overwhelmed by the opportunities for selfexpression offered in jazz.

McCreadie’s trio was founded in 2016, and includes bassist David Bowden and drummer Stephen Henderson. All were former students of the Royal Conservatoire, Scotland. The trio has been the recipient of multiple jazz awards and has an extensive forward list of UK and European concert engagements.

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Lukas Foss: An‘authentic genius’ Paul Cooke looks at the music of Lukas Foss on the 100th anniversary of his birth As I begin to write this tribute to Lukas Foss, born a century ago this month, two news articles catch my eye: an Australian novelist is accused of plagiarism; and an exhibition opens in Melbourne featuring the artist Picasso, of whom the assistant director of the Centre Pompidou in Paris says, “A genius is a sponge, not someone floating above the world.” If classical music has developed by constant reference to its past, how has Foss navigated his way?

Born in Berlin, Lukas Foss studied with Julius Goldstein and was introduced to the music of Bach (a constant inspiration), Mozart and Beethoven, before the family, fleeing Nazi Germany, moved to Paris in 1933. Here he studied composition with Noël Gallon, who had also taught the teenage Olivier Messiaen.

I don’t know what effect Gallon had on Foss, but Messiaen was later to say that Gallon “was a marvellous teacher … I learned all my counterpoint, from A to Z, with Noël Gallon … he knew how to adapt to my age and my tastes, and he treated me like his own son.”

In 1937 the family moved to the USA, where the 15-year-old Foss attended the Curtis Institute of Music in Philadelphia. Here he studied with the composer Randall Thompson, best known for his choral works, described as “a personalised blend of 16th and 17th century contrapuntal techniques with a conservative yet recognisably 20th century harmonic base”. In these early years in the USA, he also received tuition in composition from Paul Hindemith, and in conducting from Fritz Reiner and Serge Koussevitzky. In 1942 he was recognised by the New York Music Critics’ Circle for his cantata The prairie, a work which showcases both his diverse influences (Debussy, Prokofiev, Hindemith, Stravinsky and, especially, Copland) and his desire to

amalgamate them into a coherent whole. This award was followed in quick succession by a Guggenheim fellowship and a Fulbright grant.

Foss succeeded Arnold Schoenberg as professor of music at the University of California, Los Angeles in 1953. Here, having hitherto tended towards Coplandesque Americana and Stravinskian Neoclassicism, he, like Schoenberg before him, “wrestled daily with the idea of tradition, how to love it, but also how to leave it behind”. He explored aleatoric music, graphically notated music, serial music and more, and in 1957 founded the Improvisation Chamber Ensemble, where “in order to make improvised chamber music feasible … system and chance act as partners”.

From this period, Time cycle (1960) was his first composition using atonal and twelvetone devices and incorporating improvisations between the songs. The title of Phorion (1967) is a Greek word meaning ‘stolen goods’: here the Prelude from the solo violin Partita no 3 in E major by Bach is ‘stolen’, or ‘used as if no other notes were available’, but with its device of submerging into and emerging from inaudible playing and its use of electronic and amplified instruments, it is very definitely not Bach.

From about 1975 he became increasingly eclectic in his influences, with 1981’s Solo (for piano) engaging with minimalism, though more reminiscent of Bach than Glass. In general, Foss’s experimentation is allied with ‘brightness of sound, vivacious rhythm, freshness of invention, and tunefulness’. Aaron Copland spoke of his “original and stimulating compositions”; Leonard Bernstein regarded him as an ‘authentic genius’.

Lukas Foss and Friends, Sunday Special at 3:00pm on 21 August.

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Illustration by Lyndon Pike

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Celebration of Swing

Phillip Cant reviews John Morrison’s Swing City national tour

John Morrison’s big band Swing City has taken its Celebration of Swing on a national tour to more than 25 venues since March 2022, visiting most state capitals and many regional centres. The line-up features 13 leading Australian musicians plus two of Australia’s leading jazz singers, Gregg Arthur and Jackie Cooper. The concert’s music repertoire highlights the greatest Big Band hits of the 1940s, featuring the music of Glenn Miller, Harry James, Benny Goodman, Duke Ellington, Count Basie and more. Musical director John Morrison is recognised as one of Australia’s leading jazz drummers, band leaders, and educators.

Morrison has delighted audiences for more than 25 years with his humour and dedication to sounds that swing. Equally at home in a small group or big band setting, his musical facility runs the entire spectrum from traditional jazz, swing, bebop, R&B and soul to commercial jazz rock. Swing City’s 2000 album Serious Fun includes well-known favourites such as In the Mood (Glenn Miller), Sing, Sing, Sing (Louis Prima) and Caravan (Duke Ellington).

On the Celebration of Swing tour there is a mix of original and younger musicians; the playing is tight, and the interesting arrangements really showcase the band members’ individual talents. Such is the timeless nature of the music that all the pieces will be familiar. A highlight for me when I saw the show in Springwood was Caravan, with John playing brushes on paper and with just a baritone sax and clarinet opening the piece, then building to include the whole band with John back at the drum kit – a great arrangement. We also heard Fever and Summertime from Jacki Cooper, then songs made famous by Frank Sinatra and Tony Bennett from Gregg Arthur, not to mention the delightful duet Let’s Call the Whole Thing Off.

The eldest of the Morrison family, John spent much of his early musical life playing and recording with his younger brother James.

In the early years, he played many different instruments and styles, but jazz drumming was to be his calling. Over the years, he has played with many luminaries, including Eartha Kitt, Don Burrows, George Golla, and Bob Barnard.

His band Swing City was formed in 1999 for the opening of the Sydney Olympics and has since gone on to headline almost every major event and festival in Australia.

For an evening of nostalgic and unforgettable music from the greatest big bands of the 1940s, with special guest James Morrison, see Celebration of Swing at Sydney’s State Theatre in late August.

As an educator, for some 40 years, he has been the musical director for Sydney Jazz Camps, and has toured disadvantaged schools in the Northern Territory. With Jacki Cooper, he has developed the Queensland Jazz Festival that is staged in a number of locations throughout remote and urban Queensland. By measures of geography, participation, and attendance, it could be considered the largest live music festival in the world, offering the taste of jazz to remote and indigenous communities.

In 2013, he and Jacki Cooper launched the Big Band Blast Festival in Port Macquarie, an annual collaborative and non-competitive big band celebration, only interrupted by Covid.

2020 concert video: youtu.be/zV8s9awJhGo Serious Fun album: www.discogs.com/ release/6688254-John-Morrisons-Swing-CitySerious-Fun

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FOUNDERS’ STUDIO HIRE Illustration by Lyndon Pike

Are you a musician looking to record an audition for an application, or are you wanting to record your own music?

We have a studio ready for you to record in.

Find out more at 2mbsfinemusicsydney.com/foundersstudio 20

Volunteer Spotlight Brian Cornish Pamela Newling talks with Brian Cornish about how Fine Music Sydney has widened his musical horizons Brian Cornish joined Fine Music Sydney with a tentative start back in 2019/20, when Covid restrictions were in full force. Following a suggestion from long-term volunteer Christina MacGuinness, whom Brian knows through his local church choir, he welcomed the opportunity to become a regular presenter.

Brian usually presents a two or three-hour afternoon session each week. He comments: “I have broadcast over 40 programs now, still a beginner by the standards of others here, for sure. So far, I’ve found it is harder than it seems, or sounds. It’s good to have a script with more than you have time to say so you can pick what you judge to be the most interesting details, to sound a little less formal.

Thanks to the programmers who choose the music, I have learned a lot preparing these scripts. You must also keep up reasonable energy and attention levels during the program, remember what to say and whom to credit, and above all watch the timing, but generally I’ve been pleasantly surprised listening to the result afterwards.”

Explaining his love of music, Brian says: “I’ve been drawn to serious music from my teenage years, after chance hearings of some striking twentieth century pieces. In a world of disposability and obsolescence, music is one of those precious goods that has intrinsic value. It’s intended to last forever, but it needs performers, broadcasts, and audiences to be fully brought to life, and that’s where the station comes in. Also, changes in styles over time are a commentary on history. Every piece has a background that is worth understanding, though I’m careful not to overdo the details on air; there is limited time or appetite for lectures. This also ties in with my interest in history and languages. I’ve found a use for my high school French, university German and later study of Chinese (in a recent program of Chinese composers).”

Brian’s musical taste includes being open to most serious music, though he tends to favour Baroque and modern over Classical and Romantic.

Illustration by Lyndon Pike

He continues: “that said, in my chosen afternoon slots I present quite a lot of Classical and Romantic music, which has been an education! There is an under-recognised common ground between François Couperin and rhythmic experiments in contemporary music, for example. Besides, Couperin’s melodies are so beautiful.”

All volunteers have musical highlights to share. Brian says: “I vividly remember Jorge Bolet playing Liszt’s Venezia e Napoli on a Sydney tour in the 1980s and from about the same time Michele Campanella performing all of Liszt’s Transcendental Etudes, both at the Opera House. A few years later I saw the SSO at the Sydney Town Hall, performing Messiaen’s Eclairs sur l’au dela, a deeply spiritual piece that palpably touched the audience in a way rarely seen or felt.”

Brian’s other interests include the local history society, a book and record collection, some local travel, quiet times with his wife, and for the past year, adjusting to retirement. “Volunteering has greatly assisted the latter,” he says.

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Illustration by Lyndon Pike

CD REVIEWS Mozart, Dvorák, Chance Acacia Quartet Move Records MCD 626

Goethe once described Beethoven’s string quartets as resembling ‘four intelligent people conversing among themselves’. By virtue of their imaginative programming on this recent release, the Acacia Quartet allows us to be involved in conversations within but also between works, and to be introduced to a new composition by an exciting young Australian, Alice Chance. Often Mozart’s string quartets are bundled together, similarly Dvořák’s ‘American’ works. Here we have a common inspiration in Haydn but contrasting ways in which it is used. Mozart’s quartet was one of a set composed in response to

Haydn’s groundbreaking set of the previous year: the high stakes and the minor key of this quartet mean that the conversations here are rather intense. Contrast that with Dvořák’s desire to compose something that reflected his contentment visiting rural Ohio at the time: “...dear Papa Haydn kept appearing before my eyes, and that is why it all turned out so simply.” Chance’s String quartet no 2 falls somewhere in between, engaging like Dvořák with the natural world but conscious of its fragility. A highly recommended recital.

Front and Center is the eighteenth album for pianist, Florian Ross.

He composes, performs, teaches in several institutions, including the Berlin Jazz Institute, and has started his own music label.

It is thoughtful jazz; something you can listen to at any time.

Tracks range from what is gentle and good for the soul, to tracks with the brass band sound, and some that are downright funky.

And all in one CD. Echo Chamber is very chilled, and I feel that Madeleine must be very loved.

Florian describes his music on

his website as “coming from a deep synthesis of heart and mind, of feeling and intellect”, and I couldn’t agree more. The website by the way, is in both English and German to facilitate getting to know the composer and his music better, attesting to his international following. Florian performed recently at the Sydney Conservatorium of Music Jazz Festival. He has a lovely presence and, not surprisingly, this is reflected in his album.

– Paul Cooke

Front And Center

Florian Ross WDR Big Band Released by Toy Piano Records

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– Leita Hutchings

Lachlan Skipworth: Chamber Works, vol 2

Streeton Trio; Diana Doherty, oboe; Andrew Nicholson, flute; Adam Pinto, piano; Cygnus Arioso.

Arioso Cygnus CA004

West Australian Lachlan Skipworth is developing a reputation as a fine composer, able to balance a sense of adventure with an immediacy of approach that is sure to win audiences. His second volume of chamber music on the Arioso Cygnus label features performers from all over Australia, all of whom are recorded beautifully on this polished disc. Skipworth is a practitioner of the shakuhachi and although his playing is not featured in the recording, the shakuhachi is, in Light Rain, a mysterious and moving work performed by Bronwyn

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Kirkpatrick. The piece that follows, The crossing, performed

by Syzygy Ensemble, blends and mixes the sounds of the instruments with a beguiling blend of echo and delay. The highlight of the CD is the Oboe quartet, performed by Diana Doherty with the Streeton Trio, a work of colour, movement and virtuosity from start to finish.

Skipworth’s music rewards close listening, especially in such sympathetic performances and beautifully recorded tracks.

– James Nightingale

Sor, F. Six airs, from The magic flute, op 19.

Margarita Escarpa, gui.

Naxos 8.554197 11

Monday 1 August

Mozart, W. Duet, from The magic flute, K620 (1791). Wolfgang Schulz, fl; Hansjorg Schellenberger, ob.

DG 423 611-2 19

00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST with Stephen Wilson 09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1903 Prepared by Frank Morrison Alfvén, H. Swedish rhapsody no 1, op 19, Midsummer vigil (1903). Helsingborg SO/Okko Kamu.

Naxos 8.553115 13 Satie, E. Trois morceaux en forme de poire (1903). Katia Labèque, Marielle Labèque, pf.

KML 1120 15 Vaughan Williams, R. Love-sight, from The house of life (1903). Thomas Allen, bar; Geoffrey Parsons, pf.

Virgin VC 7 91105-2 6 Holst, G. Wind quintet in A flat, op 14 (1903).

Vega Wind Quintet.

LDR LDRC 1002 14 Pierné, G. Nocturne in the form of a waltz, op 40 no 2 (1903). Jean-Efflam Bavouzet, pf.

Chandos CHAN 10871 8 Taneyev, S. String quartet no 5 in A (1903).

Carpe Diem String Quartet.

Naxos 8.573010 24 10:30 CONCERT HALL Prepared by Anne Irish Mendelssohn, F. Overture and war march of the priests, from Athalie, op 74 (1845). Vienna PO/Christoph von Dohnányi.

Decca 460 239-2 14 Zelter, C. Viola concerto in E flat (1779). New Dutch Academy/Simon Murphy, va & dir.

PentaTone PTC 5186 787 24

Grétry, A-E-M. Comme un éclair, from La fausse magie. Christiane Karg, sop; Arcangelo/Jonathan Cohen.

Berlin 0300389BC

13:00 MAGICAL MUSIC Prepared by Jacky Ternisien Schubert, F. Overture to The magic harp, D644 (1820). Vienna SO/Nikolaus Harnoncourt.

Apex 0927 498132

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Glinka, M. Variations on a theme in E flat, from Mozart’s The magic flute (1822). Tatiana Loguinova, pf.

Phaedra 292026 9 Alwyn, W. Symphonic prelude: The magic island (1952). Jonathan Small, ob; Eleanor Hudson, hp; Royal Liverpool PO/David LloydJones.

Naxos 8.570144 11 Sarasate, P. de Concert fantasy on themes from Mozart’s The magic flute, op 54. Gil Shaham, vn; Akira Eguchi, pf.

DG 447 640-2 12 14:30 FROM CALIFORNIA Prepared by Derek Parker Verdi, G. Overture to The force of destiny (1862). Los Angeles PO/Zubin Mehta.

Decca 475 7470 8 Mozart, W. Flute concerto no 2 in D (1778).

Virtuosi de Los Angeles/Paul Fried, fl & dir.

Golden Tone Records GTR-009 20 Adams, J. Common tones in simple time (1980). San Francisco SO/Edo de Waart.

Nonesuch 979 144-2 21 Strauss, R. Tone poem: Thus spake Zarathustra, op 30 (1895-96). Los Angeles PO/Zubin Mehta.

Decca 475 7470 33

Jazz across the wide spectrum from early Louis to Coltrane, with plenty of Ellington and Basie, through to hard bop 20:00 STORMY MONDAY with Austin Harrison 22:00 JAZZ AFTER HOURS Late night jazz, to listen and engage, and relax

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00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Julie Simonds

16:00 FINE MUSIC DRIVE Brahms, J. Symphony no 2 in D, op 73 (1877). with David Brett Vienna PO/István Kertész.

19:00 JAZZ PULSE Decca 448 197-2 45 with Chris Wetherall 12:00 SWING SESSIONS with John Buchanan Featuring bands of the 1930s swing era and the dance bands of the 1920s taken from radio broadcasts, transcriptions and recording sessions

Tuesday 2 August

09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Brian Drummond Schumann, R. Toccata in C, op 7 (1829-32).

Freddy Kempf, pf.

BIS CD-960 6 Rachmaninov, S. Russian rhapsody in E minor (1891). Lilya Zilberstein, pf; Alexander Mogilevsky, pf.

Warner Classics 0825646235940 9 Smetana, B. Sonata in E minor for eight hands on two pianos, op 58 (1849). Martha Argerich, Lilya Zilberstein, pf; Anton Gerzenberg, Daniel Gerzenberg, pf.

EMI 7 21119 2 11 Bach, J.S. Concerto in A minor for four harpsichords and strings, BWV1065 (?1733).

Andrew Davis, hpd; Philip Ledger, hpd; Blandine Verlet, hpd; English CO/Raymond Leppard, hpd & dir.

Philips 422 497-2 10 Sonata in F minor, BWV1018 (bef. 1725).

Andrew Manze, vn; Richard Egarr, hpd.

Harmonia Mundi HMU 907250-1 19 Schubert, F. Sonata no 9 in B, D575 (1817).

András Schiff, pf.

Decca 440 307-2 25 10:30 CONCERT HALL Prepared by Steve Coleman Mendelssohn, F. Overture to A midsummer night’s dream, op 21 (1826). Bamberg SO/ Claus Peter Flor.

RCA Victor RD 87905 13 Haydn, J. Trumpet concerto in E flat, Hob. VIIe:1 (1796). Maurice André, tpt; Philharmonia O/Riccardo Muti.

EMI 1 66449 2 16 Schubert, F. Symphony no 9 in C, D944, Great C major (1825-28). Scottish CO/Charles Mackerras.

Telarc 80502 55 12:00 JAZZ RHYTHM with Jeannie McInnes An eclectic blending of agreeable rhythm and melody from the New Orleans jazz roots through to recent decades, including many Australian bands

13:00 JAZZ ABOUT TOWN with Deborah Evans A sound gig guide to what's on in Sydney's jazz scene over the coming week. A selection from jazz musicians who are About Town.

14:00 LILI’S WORLD Prepared by James Nightingale Boulanger, L. D’un matin printemps (1918).

BBC PO/Yan Pascal Tortelier.

Chandos CHAN 9745 4 Tournier, M. Étude de concert: Au matin (1913). Elinor Bennet, hp.

Nimbus NI 5441

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Handel, G. Sonata in F, HWV370 (pub. 1732).

Ingrid Seifert, vn; Charles Medlam, vc; John Toll, hpd.

EMI CDC 7 47400 2 10 Haydn, J. Keyboard trio in C, Hob.XV:27 (bef.

1797). Borodin Trio.

Chandos CHAN 8655 20 Mozart, W. String quartet no 15 in D minor, K421 (1783). Quartetto Italiano.

Decca 478 5555 27

Wednesday 3 August

Boulanger, N. - Pugno. Song cycle: Les heures claires (1909). Cyrille Dubois, ten; Tristan Raës, pf.

Aparté AP224 23

00:00 CONTEMPORARY COLLECTIVE

Vierne, L. Eros, op 37 (1916). Steve Davislim, ten; Queensland SO/Guillaume Tourniaire.

Melba MR 301123 12

06:00 FINE MUSIC BREAKFAST with Stephen Wilson

Fauré, G. Masques et bergamasques, op 112 (1918). Pierre-Alain Volondat, Patrick de Hooge, pf.

Naxos 8.553638 13 Vierne, L. Sonata, op 27 (1910). Yvan Chiffoleau, vc; Olivier Gardon, pf.

Timpani 2C2019

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Boulanger, L. Psalm 130: Out of the depths (1917). Sally Bruce-Payne, mezz; Julian Podger, ten; Monteverdi Choir; London SO/ John Eliot Gardiner.

DG 463 789-2 27

Prokofiev, S. Scythian suite, op 20 (1915).

Chicago SO/Alan Gilbert.

CSO Resound CSOR 901 801 21

03:00 CLASSICAL TILL DAWN

09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Rex Burgess Lalande, M-R. de Cantique quatrième: SaintFrançois (pub. 1687). Les Petits Chanteurs de Saint-François de Versailles/Yves Atthenont.

Jade JACD 004 12 Clementi, M. Sonata in E flat, op 14 no 3 (1786/1815). Genevieve Chinn, Allen Brings, pf.

Centaur CRC 2046 17

16:00 FINE MUSIC DRIVE with Andrew Dziedzic 19:00 THE JAZZ BEAT with Lloyd Capps Smooth small group jazz from the 50s on, and with a visit from Miles Davis each week

Giuliani, M. Six arias from verse by Metastasio, op 95 (pub. 1818). Members of Meister Consort.

Jecklin JD 624-2 16

22:00 CHAMBER SOIRÉE Prepared by Albert Gormley Bach, C.P.E. Quartet no 3 in G, Wq95 (1788).

Nicholas McGegan, fl; Catherine Mackintosh, va; Anthony Pleeth, vc; Christopher Hogwood, fp.

L’Oiseau-Lyre 433189-2 17 Brahms, J. Quintet in B minor, op 115 (1891).

Deborah de Graaff, cl; Natalie Chee, vn; Hannah Perowne, vn; Hartmut Rohde, va; Peter Hoerr, vc.

ABC 472 672-2 35

13:00 IN CONVERSATION with Simon Moore Each week we meet one of the world’s great musicians, singers, composers or conductors, along with up-and-comers and some of the men and women who influence the arts landscape. The program goes live to air so you never quite know what’s going to happen.

14:00 A CHICAGO CONCERT Prepared by Derek Parker

Cimarosa, D. Double concerto in G. Aurèle Nicolet, fl; Christiane Nicolet, fl; Stuttgart CO/ Karl Münchinger.

Decca 460 302-2 18

20:00 JUST IN with Michael Field A selection from the latest recordings to arrive at the Fine Music Library

12:00 JAZZ SKETCHES with Robert Vale Focussing on contemporary jazz, often gathered from emerging cultures and Australian

Bloch, E. Schelomo: Hebraic rhapsody (191516). Yo-Yo Ma, vc; Chicago SO/Alan Gilbert.

CSO Resound CSOR 901 801 23 Ravel, M. La valse (1921). Chicago SO/ Neeme Järvi.

Chandos CHAN 241-44

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Ives, C. Central Park in the dark (1906).

Chicago SO/Michael Tilson Thomas.

CBS MK 42381

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Glinka, M. Overture to Ruslan and Ludmila (1842). Chicago SO/Fritz Reiner.

RCA 0902661958 2 5 Beethoven, L. Symphony no 7 in A, op 92 (1811-12). Chicago SO/Carlo Maria Giulini.

EMI 5 85974 2 41 16:00 FINE MUSIC DRIVE with Tom Forrester-Paton

Benda, F. Sonata no 11 in D. Leila Schayegh, vn; Felix Knecht, vc; Václav Luks, hpd.

Glossa GCD 922507 18

19:00 PLANET JAZZ with Xavier Bichon A musical journey to different parts of the world where jazz meets other musical traditions, from Africa to Europe, with a slice of Australia

10:30 CONCERT HALL Prepared by Gerald Holder

20:00 AT THE OPERA Prepared by James Nightingale

Debussy, C. Petite suite (1886-89). Detroit SO/Paul Paray.

Mercury 478 5092 11 Bach, J.S. Violin concerto in A minor, BWV1041 (c1730). Oscar Shumsky, vn; Scottish CO/John Tunnell.

Nimbus NI 7031

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Rachmaninov, S. Symphony no 2 in E minor, op 27 (1906-07). Sydney SO/Edo de Waart.

ABC 462 012-2 56

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Handel, G. Xerxes, HWV40. Opera in three acts. First performed London, 1738.

XERXES: Carolyn Watkinson, mezz ARSAMENE: Paul Esswood, ct ROMILDA: Barbara Hendricks, sop AMASTRE: Ortrun Wenkel, cont ATALANTA: Anne-Marie Rodd, sop ARIODATE: Ulrik Cold, bass Ensemble Vocal Jean Bridier; La Grande Écurie et la Chambre du Roy/Jean-Claude Malgloire.

Sony SM3K 36941 3:01

Brothers Xerxes and Arsamene both love Romilda, who loves Arsamene. Xerxes, although betrothed to Amastre, banishes Arsamene from the kingdom. Amastre loves Xerxes and disguises herself as a young soldier to be near him. Atalanta, in love with Arsamene, attempts to ensure that Xerxes marries Romilda by suggesting that Arsamene loves only her. Xerxes pardons Arsamene, then tells Romilda’s father Ariodate that his daughter will marry royal blood. Ariodate mistakenly arranges a marriage ceremony between Arsamene and Romilda. Xerxes is furious, but finally is reconciled with Amastre.

Ponce, M. Sonata romántica; Hommage à Franz Schubert (1928). Norbert Kraft, gui.

Chandos CHAN 9033 22 10:30 CONCERT HALL Prepared by Jennifer Foong Kraus, J.M. Overture to Olympie (c1785).

English CO/Richard Bonynge.

Decca 466 434-2 6 Halvorsen, J. Fossegrimen, op 21 (1905).

Melina Mandozzi, vn; Ragnhild Hemsing, Hardanger fiddle; Bergen PO/Neeme Jarvi.

Chandos CHAN 10664 30

Svendsen, J. Zorahayda, op 11. Trondheim Mozart, W. Ch’io mi scordi di te? ... Non temer, SO/Ole Kristian Ruud. amato bene, K490 (1786). Barbara Hendricks, Virgin 5 45128 2 14 sop; José-Luis Garcia, vn; English CO/Jeffrey Nielsen, C. Symphony no 2, op 16, The four Tate. temperaments (1901-02). Danish RSO/Herbert EMI CDC 7 47122-2 10 Blomstedt.

EMI 5 74188 2 34 23:30 MUSIC OF THE NIGHT Prepared by James Nightingale

Goossens, E. The eternal rhythm, op 5 (1913). Melbourne SO/Vernon Handley.

ABC 476 763-2

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Grant, A. Night spell (2006). David Pereira, vc; Timothy Young, pf.

Tall Poppies TP222 6

13:00 VOICES IN CHAMBER Prepared by Rex Burgess Berlioz, H. Le jeune pâtre breton (1834). Joan Sutherland, sop; Barry Tuckwell, hn; Richard Bonynge, pf.

Decca 421 552-2 4

Thursday 4 August 00:00 CONTEMPORARY COLLECTIVE

Rubbra, E. Amoretti for voice and string quartet, op 43 (1935). Charles Daniels, ten; Maggini Quartet.

Naxos 8.572286 14

03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Simon Moore 09:00 DIVERSIONS IN FINE MUSIC Romance and romantics Prepared by Krystal Li Dvorák, A. Romance in F minor, op 11 (1873-79). Patrice Fontanarosa, vn; Berlin SO/ Michael Schønwandt.

EMI 5 55582 2 12 Liszt, F. Soirées de Vienne: Valse-caprice no 6 in A minor, after Schubert (1852). Leslie Howard, pf.

Hyperion CDS44378 10 Bottesini, G. Passione amorosa (1870). Le Virtuose Romantique.

Harmonia Mundi HMC905209 13 Ysaÿe, E. Sérénade in A, op 22. Alban Gerhardt, vc; Royal Flemish PO/Josep Caballé-Domenech.

Hyperion CDA67790

12:00 JAZZ AFTER NOON with Sue Jowell Featuring swing to mainstream jazz with regular appearances from the Great American Songbook

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Schubert, F. The shepherd on the rock, D965 (1828). Jennifer Bates, sop; Nigel Westlake, cl; David Bollard, pf.

Tall Poppies TP011 12 Koechlin, C. Album of Lilian, first series, op 139 (1934). Jayne West, sop; Fenwick Smith, fl; Martin Amlin, pf.

Hyperion CDA66414 20 Schumann, R. Spanische Liebeslieder, op 138 (1849). Barbara Bonney, sop; Anne Sofie von Otter, mezz; Kurt Streit, ten; Olaf Bär, bar; Helmut Deutsch, pf; Bengt Forsberg, pf.

EMI 5 55430 2 21 Villa-Lobos, H. Bachianas brasileiras no 5 (1938-45). Rowena Cowley, sop; Trisha Ayling, vc; Catherine Finnis, vc; Phillip Green, vc; Catherine Hewgill, vc; Julian Smiles, vc; Zoltán Szábó, vc; Nathan Waks, vc; David Pereira, vc.

Fine Music concert recording 11

Hahn, R. Chansons grises (1891-92). Martyn Hill, ten; Graham Johnson, pf.

Helios CDH55040 16

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14:30 LES NORMANDS Prepared by Jacky Ternisien Boïeldieu, A. Overture to The Caliph of Baghdad (1800). New Philharmonia O/ Richard Bonynge.

Decca 466 431-2

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Duphly, J. La Forqueray in F. Michèle Dévérité, hpd.

Harmonia Mundi HMM 905286.89

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Caplet, A. La cigale et la fourmi (1919). Cora Burggraaf, sop; Phyllis Ferwerda, pf.

Radio Netherlands MCCP121 4 Boïeldieu, A. Harp concerto in C (1801).

Marielle Nordmann, hp; Franz Liszt CO/JeanPierre Rampal.

Sony SK 58919 23 Caplet, A. Pour les enfants bien sages: un tas de petites choses (1901). Marylène Dosse, Annie Petit, pf.

Pantheon D 10699 10 Dupré, M. Symphony no 1 in G minor, op 25 (1928). Jeremy Filsell, org; BBC Concert O/ Barry Wordsworth.

Guild GMCD 7136 27 16:00 FINE MUSIC DRIVE with Peter Poole 19:00 THE NEW JAZZ STANDARD with Frank Presley A fresh perspective on modern music contributing to the standard jazz repertoire, with fine jazz interpretations from the world of pop, rock, film and contemporary jazz 20:00 THE WORLD OF A SYMPHONY Prepared by Di Cox Berwald, F. Overture to The Queen of Golconda (1864). Swedish RSO/Roy Goodman.

Hyperion CDA67081/2

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Mendelssohn, F. Piano trio no 1 in D minor, op 49 (1839). Trio Wanderer.

Harmonia Mundi HMC 901961 27 Schumann, R. Fantasy pieces, op 73 (1849).

Paul Meyer, cl; Éric le Sage, pf.

Denon CO-75960 11 Berlioz, H. Rêverie et caprice, op 8 (1841).

Donald Hazelwood, vn; Sydney SO/Patrick Thomas.

ABC 476 4565 9 Nielsen, C. Wind quintet, op 43 (1922).

Bergen Wind Quintet.

BIS CD-428

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Berwald, F. Symphony no 4 in E flat, Sinfonie naïve (1845). San Francisco SO/Herbert Blomstedt.

Decca 478 6787 30

22:00 THE MAGIC HORN Prepared by Elaine Siversen Beethoven, L. Sonata in F, op 17 (1800).

Richard Runnels, hn; Brachi Tilles, pf.

Move MD 3172 15 Weber, B. Horn sextet no 1 in F. Horns of Czech PO. Supraphon 11 0780-2 11

12:00 A JAZZ HOUR with Barry O'Sullivan Contemporary and modern sounds of 'now' in jazz from all corners of the globe with a focus on contemporary jazz from Australia and regular interviews with local and visiting musicians

20:00 EVENINGS WITH THE ORCHESTRA Anticipating Spring Prepared by Robert Small Debussy, C. Spring (1887). New Philharmonia O/Pierre Boulez.

Sony SM2K 68 327 16

13:00 IMAGINATIVE AUSTRALIANS Schumann, R. Symphony no 1 in B flat, op 38, Spring (1841). O Révolutionnaire et Prepared by Andrew Dziedzic 22:30 ULTIMA THULE Romantique/John Eliot Gardiner.

Carr-Boyd, A. Music for an imaginary Italian Ambient and atmospheric music Archiv 457 591-2 30 film (1985). Sydney Mandolins.

Jade JADCD 1025 9 Haydn, J. Spring, from The seasons, Friday 5 August Hob.XXI:3 (1801). Barbara Bonney, sop; Edwards, R. The heart of night (1995). Riley Anthony Rolfe Johnson, ten; Andreas Schmidt, Lee, shakuhachi; Melbourne SO/Arvo Volmer. bass; Monteverdi Choir; English Baroque ABC 476 3768 18 00:00 CONTEMPORARY Soloists/John Eliot Gardiner.

COLLECTIVE Carr-Boyd, A. Suite for Veronique (1982).

Archiv 431 818-2 29 Nicholas Parle, hpd.

03:00 CLASSICAL TILL DAWN Stravinsky, I. Ballet: The rite of Spring (1911Jade JADCD 1025 10 13). Columbia SO/Igor Stravinsky.

06:00 FINE MUSIC BREAKFAST Kats-Chernin, E. Torque (2002). James Sony SM3K 46 291-302 32 with Vicky Zhang Crabb, classical accordion; Tamara-Anna Cislowska, pf; Australian CO/Richard Tognetti. 22:00 BAROQUE AND BEFORE 09:00 DIVERSIONS IN FINE MUSIC ABC 481 6430 15 The journey to the Renaissance Something borrowed Prepared by Susan Foulcher Prepared by Elaine Siversen 14:00 FAMILY CONNECTIONS Léonin. Viderunt omnes fines terre. Red Byrd; The Dohnányi family Mozart, W. Fantasy in C minor, K475 (1785; Capella Amsterdam. arr. Grieg). Julie Adam, Daniel Herscovitch, pf. Prepared by Frank Morrison Hyperion CDA66944 8 ABC 481 0853 11 Mendelssohn, F. Overture: The Hebrides, op Pérotin Le Grand. Alleluia posui adiutorium Grieg, E. Ballade in G minor, op 24 (1875-76; 26, Fingal’s Cave (1830). Vienna PO/Christoph (c1200). Hilliard Ensemble/Paul Hillier. arr. Tveitt). Royal Scottish NO/Bjarte Engeset. von Dohnányi.

ECM 837 751-2 8 10 Naxos 8.557854 20 Decca 460 239-2 Vitry, P. de Cum statua; Douce playsence; Dohnányi, E. Variations on a Hungarian Schubert, F. Sonata in D, D384 (1816; arr.

Petre clemens; Vos quid admiramini, virgines.

Bergström). Gil Shaham, vn; Göran Söllscher, folksong, op 29 (1917). Martin Roscoe, pf.

Sequentia.

Hyperion CDA68033 11 gui.

DHM RD77095 12 DG 479 2565 15 Strauss, J. II Season quadrille, op 283 (1864).

Anon. Biance flour; J’ai grand despoir; Polish State PO/Oliver Dohnányi.

Dvorák, A. Moravian quartets, after op Untitled, from Codex Faenza (1810). Ensemble Marco Polo 8.223208 6 32 (1876, arr. Janácek). Song Company; Unicorn/Michael Posch.

Josephine Allen, pf; Roland Peelman, cond.

Dohnányi, E. American rhapsody, op 47 Naxos 8.553618 9 Fine Music concert recording 11 (1953). BBC PO/Matthias Bamert.

Machaut, G. de Messe de Notre Dame.

Chandos CHAN 9647 14 Françaix, J. Nonet after Mozart’s Quintet in Hilliard Ensemble/Paul Hillier.

E flat, K452 (1995). Sebastian Bohren, vn; Mozart, W. Oboe concerto in C, K314 (1777). Hyperion CDA66358 24 CHAARTS Chamber Artists.

Jon Mack, ob; Cleveland O/Christoph von Landini, F. Nessun ponga sperença; Giunta Sony 88985317172 24 Dohnányi. vaga bilta. Gothic Voices; Imogen Barford; Decca 466 247-2 22 medieval hp; Christopher Page, cond.

10:30 CONCERT HALL Liszt, F. Totentanz (1849). Joseph Banowetz, Hyperion CDH55289 8 Prepared by Paul Cooke pf; Slovak RSO/Oliver Dohnányi.

Loqueville, R. Puisque je suy amoureux; Williams, G. Ballads (1968). BBC SO/Baldur Naxos 8.557930-31 16 Pour mesdisans ne pour leur faulx parler; Brönnimann.

Dohnányi, E. String quartet no 1 in A, op 7 Qui ne veroit que vos deulx yeulx. Gothic BBC Music BBC MM273 17 (1899). Kodály Quartet.

Voices; Andrew Lawrence-King, medieval hp; Haydn, J. Cello concerto no 1 in C, Hob.VIIb:1 Hungaroton HCD 11853 29 Christopher Page, cond. (c1761-65). Daniel Müller-Schott, vc; Australian Hyperion CDS44253 6 CO/Richard Tognetti.

16:00 FINE MUSIC DRIVE Orfeo C 080 031 A

25

Busoni, F. Suite from Turandot, op 41 (1905/11). Hong Kong PO/Samuel Wong.

Naxos 8.555373 41

with James Hunter

19:00 FRIDAY JAZZ SESSION with Alex Siegers A focus on the current Sydney jazz scene mixed with a range of international jazz stars and an occasional guest interview

27

Andreas de Florentia. Astio non morì mai; Per la ver’onestà. Gothic Voices/Christopher Page.

Hyperion CDS44253 8 Dunstaple, J. Je languis; Puisque m’amour.

Medieval Ensemble of London/Peter Davies, Timothy Davies.

L’Oiseau-Lyre 4780023 10

Dufay, G. Nuper rosarum flores (1436); Balsamus et munda cera (1431); Vasilissa ergo gaude (1420). Huelgas Ensemble/Paul van Nevel.

Harmonia Mundi HMX 2908250.79 13

Saturday 6 August 00:00 CLASSIC-ALL THROUGH THE NIGHT

11:30 ON PARADE Music that’s band Prepared by Owen Fisher

14:30 SATURDAY MATINEE Orchestral grandeur Prepared by Paul Cooke

Fillmore, H. March: The circus bee. Tokyo Kosei Wind O. Denon 32 DG 1629 3

Bennett, W. Sterndale Overture: Parisina, op 3 (1835). London PO/Nicholas Braithwaite.

Lyrita SRCD.206 8

Rimsky-Korsakov, N. Procession of the nobles, from Mlada (arr.) Central Band of the Royal Air Force.

EMI 7 47885 2 5

Thomson, V. Excerpts from Lord Byron (1972). Martyn Hill, ten; Budapest SO/James Bolle.

Albany TROY 017-2 7

Mascagni, P. Intermezzo, from Cavalleria 06:00 SATURDAY MORNING MUSIC rusticana (arr.). Phillip McCann, cornet; Black Dyke Mills Band/Peter Parkes. with David Garrett Chandos CHAN 4502 3 09:00 WHAT'S ON IN MUSIC Rimsky-Korsakov, N. Allegro, from Trombone Our weekly guide to musical events in and concerto (arr.). Norman Law, tb; Black Dyke around Sydney Mills Band/Peter Parkes.

Chandos CHAN 4523 5 09:05 THE PIANO ALONE Prepared by Rita Felton Bach, J.S. Toccata and fugue in D minor, BWV565 (arr.). Brighouse and Rastick Band/ Schubert, F. Sonata no 14 in A minor, D784 Geoffrey Brand.

(1823). Stephen Hough, pf.

8 Hyperion CDA67027 22 Chandos CHAN 6561 Liszt, F. Spanish rhapsody (1863). Kathryn Selby, pf.

ABC 432 700-2 14 Bach, J.S. Pastoral in F, BWV590 (c1710; transcr. Whittaker). Antony Gray, pf.

ABC 476 5171 13 10:00 CENTRES OF MUSIC London in the 18th century Part 4 Prepared by Elaine Siversen Avison, C. Concerto grosso in D minor after Scarlatti (pub. 1744). Berlin Ensemble.

Schwann CD 316 015 F1 9 Shield, W. The ploughboy; The milkmaid, from The farmer (1787). Catherine Bott, sop; Joseph Cornwell, ten; Parley of Instruments/ Peter Holman.

Hyperion CDA67115 5 Marsh, J. Conversation symphony in E flat for two orchestras (1778). London Mozart Players/ Matthias Bamert.

Chandos CHAN 10458 11 Clementi, M. Piano trio in G, op 22 no 2 (pub.

1788). Trio Fauré.

Dynamic CDS 93 10 Field, J. Sonata in C minor, op 1 no 3 (pub.

1801). Miceál O'Rourke, pf.

Chandos CHAN 8787 16 Salomon, J. Romance in D (c1795). Zurich CO/Daniel Hope, vn & dir.

DG 479 8376 5 Haydn, J. Symphony in D, Hob.I:96, Miracle (1791). Les Musiciens du Louvre/Marc Minkowski. naïve V 5176 23

12:00 URBAN JAZZ LOUNGE with Leita Hutchings New, hip, fun and traditional jazz: tons of cool jazz, presented in a chilled and laid-back, lounge style 13:00 TREASURES OF THE VOICE The voice of Berlioz Prepared by Rex Burgess Berlioz, H. La captive, op 12 (1832; orch.

1848). Janet Baker, mezz; City of London Sinfonia/Richard Hickox.

Virgin VC 7 91164-2

8

Sunset, from Ireland, nine melodies after Moore, op 2 no 1 (1829). Thomas Hampson, bar; Geoffrey Parsons, pf.

EMI 5 75187 2 5 I am going to die, from The Trojans (1858).

Françoise Pollet, sop; Montpellier PO/Cyril Diederich.

Erato 2292-45025-2 7 Les nuits d'été, op 7 (1840-41). Yvonne Minton, mezz; Stuart Burrows, ten; BBC SO/ Pierre Boulez.

Sony SM3K 64 103 32 14:00 AUSTRALIAN VIOLINISTS Prepared by Elaine Siversen Bach, J.S. Sonata no 1 in B minor, BWV1014 (bef. 1725). Elizabeth Wallfisch, vn; Paul Nicholson, hpd.

Hyperion CDD22025 12 Stravinsky, I. Suite from The soldier’s tale (1918; arr. Stravinsky 1919). Dene Olding, vn; Nigel Westlake, cl; David Bollard, pf.

Fine Music concert recording 15

28

Liszt, F. Symphonic poem no 6: Mazeppa (1851). Suisse Romande O/Neeme Järvi.

Chandos CHAN 9360 17 Meale, R. Scenes from Mer de glace (1991).

Adelaide SO/David Porcelijn.

ABC 446 477-2 20 Schumann, R. Overture to Manfred, op 115 (1848-49). Tasmanian SO/Sebastian LangLessing.

ABC 476 773-6 12 Koehne, G. Three poems of Byron (1993).

Elizabeth Connell, mezz; Adelaide SO/János Fürst.

ABC 442 349-2 12 Tchaikovsky, P. Manfred symphony, op 58 (1885). London PO/Mstislav Rostropovich.

EMI 5 65709 2 1:00 17:00 SOCIETY SPOT Folk Federation of NSW 18:00 STAGE AND SCREEN True crimes Prepared by Sue Jowell Bradshaw, M. Excerpts from Bright star.

Steve Martin, Edie Brickell, voices.

Ghostlight 84501-02 12 Kander, J. Excerpts from Chicago. Chita Rivera, Gwen Verdon, Richard Gere, Renée Zellweger, Cheryl Clarke, Mary McCarty, voices.

Sony 6618 14 Sondheim, S. Excerpts from Sweeney Todd.

Paul Gemignanim, Angela Lansbury, Victor Garber, voices.

Masterworks 41695 6 Lutvak, S. Excerpts from A gentleman’s guide to love and murder. Bryce Pinkham, Jefferson Mays, Catherine Walker, voices.

Ghostlight 844820 10 Gainsbourg, S. Theme from Bonnie and Clyde. O/David Whitaker.

Warner 2737

2

Murray - Callander. Ballad of Bonnie and Clyde. Georgie Fame, voice.

CBS 3124 3

19:00 EMERGENT JAZZ with Keith Pettigrew Australian jazz of the 21st century featuring high school jazz combos, tracks from Sydney's pre-eminent jazz programs at UNSW and 'The Con' and new Australian and international jazz releases

09:00 MUSICA SACRA Prepared by Stephen Matthews

20:00 THE LIFE OF A COMPOSER Claude Debussy Prepared by Jacky Ternisien

Fischer, J. Praeludium; Magnificat. Jaroslav Tuma, org.

ARTA 425523 12

Debussy, C. Prélude à l'après-midi d'un faune (1894). Melbourne SO/Jorge Mester.

ABC 438 611-2 10 Suite bergamasque (1905). Claudio Arrau, pf.

Philips 434 626-2 24 Guiraud, E. Caprice (1884). Philippe Graffin, vn; Ulster O/Thierry Fischer.

Hyperion CDA67294 12 Debussy, C. Sonata (1915). Jean-Pierre Rampal, fl; Pierre Pasquier, alto viol; Lily Laskine, hp.

Erato 0630-13705-2 17 Vous ne savez pas où je vous ai menée ...

C’est au bord d’une fontaine; Interlude, from Pelléas et Mélisande (1902). Colette AlliotLugaz, sop; Didier Henry, ten; Montreal SO/ Charles Dutoit.

Decca 460 805-2 10 Rhapsody (1901-08). John Harle, sax; Academy of St Martin in the Fields/Neville Marriner.

EMI 5 72110 2 10 String quartet in G minor, op 10 (1893). Huon Quartet.

Virtuosi Tasmania Records 005 26 22:00 SATURDAY NIGHT AT HOME Prepared by Di Cox Carpenter, J. Suite: Adventures in a perambulator (1914). Eastman-Rochester O/ Howard Hanson.

Mercury 475 6274 27 Korngold, E. Piano trio in D, op 1 (1909).

Beaux Arts Trio.

Philips 434 072-2 33 Arensky, A. Ballet: Egyptian nights, op 50 (1900). Alexander Avramenko, vn; Vladimir Kolpashnikov, vc; Moscow SO/Dmitry Yablonsky.

Marco Polo 8.225028

Sunday 7 August

51

00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC with James Nightingale

Haydn, M. Missa Sancti Johannis Nepomuceni, MH182. Cantemus Chamber Choir; German Chamber Academy Neuss/ Werner Ehrhardt.

BIS 95885/14 19

Zelenka, J. Confitbor tibi Domine, ZWV71.

Ensemble Inegal; Prague Baroque Soloists/ Adam Viktora.

Nibiru 01652231 10 Handel, G. Coronation anthem: Zadok the priest. The Sixteen/Harry Christophers.

Coro COR16073 9 10:00 THE CLASSICAL ERA Prepared by Meg Matthews Haydn, J. Overture to Orpheus and Eurydice (1791). O of the Antipodes/Antony Walker.

Pinchgut Live PG 001 4 Polzelli, A. Trio concertante in E flat for clarinet, viola and cello, op 4 (1810). Members of Kwartet André.

Kwartet André 19 Haydn, J. The knitting girl; Cupid; The first kiss, from 12 Songs for the keyboard, bk 1 (1781). Jane Edwards, sop; Geoffrey Lancaster, fp.

ABC 465 693-2 11 Mozart, W. Oboe concerto in C, K314 (1777).

Randall Wolfgang, ob; Orpheus CO. DG 469 362-2 20 Sonata in F, K332/300K (1784). Mitsuko Uchida, pf.

Philips 468 356-2

18

Beethoven, L. Excerpts from Fidelio (1814).

Gundula Janowitz, sop; Lucia Popp, sop; Adolf Dallapozza, ten; René Kollo, ten; Manfred Jungwirth, bass; Vienna State Opera Ch; Vienna PO/Leonard Bernstein.

DG 419 436-2 36 12:00 CLASSIC JAZZ with Dave Mac The early days of jazz and ragtime as recorded during the first 30 years of the 20th century 13:00 WORLD MUSIC Whirled Wide with Gerry Myerson Showcases diverse music from cultures around the world, both traditional and modern, featuring musicians from all corners of the globe, including Australia

29

14:00 INTIMATE VOICES At sixes and sevens Part 1 Prepared by Jennifer Foong Ravel, M. Introduction and allegro for harp, flute, clarinet and string quartet (1906). Osian Ellis, hp; Melos Ensemble.

Decca 421 154-2 10 Spohr, L. String sextet, op 140 (1848).

Academy of St Martin in the Fields Chamber Ensemble.

Chandos CHAN 9424 26 Saint-Saëns, C. Septet for trumpet, strings and piano, op 65. Sinfonia da Camera/Ian Hobson, pf & dir.

Arabesque Z 6570 17 15:00 SUNDAY SPECIAL Letting the music speak for itself: remembering Radu Lupu Prepared by Paul Cooke Schubert, F. Fantasie in F minor, D940 (1828). Murray Perahia, pf; Radu Lupu, pf.

CBS MK 39511 19 Franck, C. Sonata in A (1886). Kyung Wha Chung, vn, Radu Lupu, pf.

Decca 421 154-2 27 Schumann, R. Humoreske, op 20 (1838).

Radu Lupu, pf.

Decca 440 496-2 26 Mozart, W. Quintet in E flat, K452 (1784).

George Pieterson, cl; Han de Vries, ob; Brian Pollard, bn; Vicente Zarzo, hn; Radu Lupu, pf.

Decca 414 291-2 25 Brahms, J. Intermezzo in E flat, op 117 no 1; Intermezzo in E flat minor, op 118 no 6 (1892).

Radu Lupu, pf.

Decca 417 599-2 11 17:00 HOSANNA Prepared by Stephen Matthews Hymns. Father, hear the prayer we offer; I vow to Thee my country; We sing the praise of Him who died. Choir of Wells Cathedral; Rupert Gough, org; Malcolm Archer, cond.

Hyperion CDP12101 8 Kreek, C. Psalms of David (1923). Estonian Chamber Choir/Paul Hillier.

Harmonia Mundi HMX 2908793 11 Stanford, C. Villiers A song of wisdom. Choir of St John’s College, Cambridge/Andrew Nethsinger.

Signum SIGCD 691 5 Graupner, C. Cantata: Although I am ash and muck. Klaus Mertens, bass; Academia Daniel/ Shalev Ad-El. cpo 777 644-2 11 Morley, T. Anthems: Out of the deep; Nolo mortem peccatoris. Choir of Magdalen College, Oxford/John Harper, org & dir.

Alto ALC 4001-1 7

Bach, J.C. Wo Gott der Herr nicht bei uns halt.

Stefano Molardi, org.

BIS 95803/24 2 Mozart, W. Regina coeli in C, K74d. Pamela Neuvelmans, sop; South German CO Pforzheim/Nicol Matt.

BIS 96137/8 7 18:00 THE PIANO SONATA Australian sonatas: the landscape of the keyboard Part 1 Prepared by James Nightingale Grainger, P. My robin is to the greenwood gone (1912); Spoon River (1922). Leslie Howard, pf.

ABC 481 1601 8 Kay, D. Sonata 5: Full circle (2008). Vanessa Sharman, pf.

Tall Poppies TP210 16 Williamson, M. Sonata no 3 (1958). Antony Gray, pf.

ABC 472 902-2 12 Mellos, A. Sonata (2016). Bernadette Harvey, pf.

Tall Poppies TP 251 17 19:00 SUNDAY NIGHT CONCERT Prepared by Rex Burgess Wagner, R. Prelude to Act I, from Parsifal (1878). Gewandhaus O/Andris Nelsons.

DG 483 6659 13 Hovhaness, A. Mystery of the holy martyrs, op 251 (1972). Michael Long, gui; Korean Broadcasting System SO/Vakhtang Jordania.

Soundset Recordings SR 1004 38 Roussel, A. Ballet: The spider’s feast, op 17 (1912-13). BBC PO/Yan Pascal Tortelier.

Chandos CHAN 9494 32 20:30 NEW HORIZONS Prepared by Chloe Sinclair Styles, L. Wind quintet, Shimmers (2011).

Omega Ensemble.

Fine Music concert recording 6 Houghton, P. In amber (1982/2008). Karin Schaupp, gui; Flinders Quartet.

ABC 476 4435 17 Kats-Chernin, E. The three dancers (2014).

Members of Australian World O. ABC 481 6430 23

Monday 8 August 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST with James Hunter 09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1916 Prepared by Gerald Holder Bax, A. In memoriam (1916). BBC PO/Vernon Handley.

Chandos CHAN 9715 15

Nielsen, C. Suite for string orchestra, op 1 (1888). Nordic CO/Christian Lindberg.

BIS CD-1538 14 14:30 SINGING WITH INSTRUMENTS Prepared by James Nightingale Mendelssohn, Fanny. Song in E flat (1819).

Heather Schmidt, pf.

Naxos 8.570825 7 Brahms, J. Song of destiny, op 54 (186871). Prague Philharmonic Choir; Czech PO/ Giuseppe Sinopoli.

DG 419 737-2 17

Jolivet, A. Song of Linus (1944). Manuela Delius, F. Sonata (1916). Julian Lloyd Webber, Wiesler, fl; Roland Pöntinen, pf.

BIS CD-549 10 vc; Bengt Forsberg, pf.

Philips 454 458-2 13 Sculthorpe, P. Island songs (2012). Amy Grainger, P. The warriors (1916). Philip Martin, Dickson, sax; Sydney SO/Benjamin Northey.

ABC 481 1703 18 Martin Jones, Richard McMahon, pf.

Nimbus NI 5286 20 Ben-Haim, P. Three songs without words Bartók, B. Three rondos on Slovak folk tunes (1952). Alexei Ogrintchouk, ob; Leonid (1916; arr. Dorati). Budapest SO/András Ligeti. Ogrintchouk, pf.

9 Conifer CDCF 189 9 BIS BIS-2023 Szymanowski, K. Masque, Tantris le bouffon, op 34 no 2 (1916). Martin Jones, pf.

Nimbus NI 5435/6 6

Stravinsky, I. Le chant du rossignol (1917).

Columbia SO/Robert Craft.

Sony SM3K 46 291-302 19

Debussy, C. Sonata in G minor for flute, viola and harp (1916). Osian Ellis, hp; members of the Melos Ensemble.

Decca 421 154-2 16

16:00 FINE MUSIC DRIVE with Robert Gilchrist

10:30 CONCERT HALL Prepared by Elaine Siversen Offenbach, J. Excerpts from Gaîté parisienne (1866; arr. Rosenthal 1938). Berlin RSO/Paul Strauss.

DG 477 5349 25 Spohr, L. Clarinet concerto no 4 in E minor (1828). Michael Collins, cl; Swedish CO/Robin O’Neill.

Hyperion CDA67561 25 Sibelius, J. Symphony no 5 in E flat, op 82 (1915/19). London PO/Jukka-Pekka Saraste.

LPO Live LPO - 0057 31

19:00 JAZZ PULSE with Chris Wetherall 20:00 STORMY MONDAY with Austin Harrison 22:00 JAZZ AFTER HOURS with Gail Monjo

Tuesday 9 August 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN

12:00 SWING SESSIONS with John Buchanan

06:00 FINE MUSIC BREAKFAST with Julie Simonds

13:00 DANCE SUITES Prepared by Catherine Peake

09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Rex Burgess

Schultz, A. Violin concerto, op 55 (1996).

Tchaikovsky, P. Suite from The nutcracker, op Jennifer Pike, vn; Tasmanian SO/Richard Mills.

71 (1892). National PO/Richard Bonynge.

ABC 476 4519 34 Decca 478 5616 23 22:00 JAZZ AFTER HOURS Grieg, E. Holberg suite, op 40 (1884). with Sue Jowell Tasmanian SO/Pinchas Steinberg.

Late night jazz, to listen and engage and relax LP ABC 5ABCL 8001 21 Debussy, C. Suite bergamasque (1905).

Claudio Arrau, pf.

Philips 434 626-2 24

30

Bach, J.S. Prelude and fugue no 24 in B minor, BWV869 (1722). Sviatoslav Richter, pf.

Olympia OCD 536B 15 Debussy, C. Jeux (1912-13). Jean-Efflam Bavouzet, pf; François-Frédéric Guy, pf.

Chandos CHAN 10863 17

Chopin, F. Ballade no 1 in G minor, op 23 (1831-42). Murray Perahia, pf.

Sony SX4K 63380 9 Glinka, M. Trio pathétique in D minor (1832).

Deborah de Graaff, cl; Lorelei Dowling, bn; Peter Sagar, pf.

Fine Music concert recording 15

20:00 JUST IN with James Nightingale A selection from the latest recordings to arrive at the Fine Music Library 22:00 CHAMBER SOIRÉE Prepared by Di Cox

Bach, C.P.E. Trio sonata in E minor for two Prokofiev, S. Sonata no 9 in C, op 103 (1947). violins and continuo, Wq155 (c1747). London Sviatoslav Richter, pf.

Baroque/Charles Medlam.

Divox CDX-25252/3-2 25 Harmonia Mundi HMA1951511 15 Haydn, J. Nocturne no 1 in C for winds and strings, Hob.II:25 (c1790). Members of Haydn Sinfonietta/Manfred Huss.

BIS CD-1796/98 15

10:30 CONCERT HALL Prepared by Derek Parker Cimarosa, D. Overture to Il matrimonio segreto (1792). Royal Scottish NO/Lance Friedel.

Naxos 8.573418

7

Walton, W. Violin concerto (1938-39). Lydia Mordkovitch, vn; London PO/Jan LathamKoenig.

Chandos CHAN 9073 34 Dukas, P. Symphony in C (1896). Cincinnati SO/Jésus López-Cobos.

Telarc CD-80515 41 12:00 JAZZ RHYTHM with Jeannie McInnes 13:00 JAZZ ABOUT TOWN with Deborah Evans 14:00 FRENCH CHAMBER Prepared by Derek Parker Ravel, M. String quartet in F (1903). Alban Berg Quartet.

EMI 5 67551 2 29 Fauré, G. Sonata no 1 in A, op 13 (1876).

Marina Marsden, vn; David Miller, pf.

Fine Music concert recording 24 Debussy, C. Piano trio in G (1880). Florestan Trio.

Hyperion CDA67114 20 Saint-Saëns, C. Sonata no 1 in C minor, op 32 (1872). David Berlin, vc; Benjamin Martin, pf.

ABC 485 5165 20 Poulenc, F. Sextet (1932-39). Philippe Bernold, fl; Olivier Doise, ob; Ronald van Spaendonck, cl; Laurent Lefèvre, bn; Hervé Joulain, hn; Alexandre Tharaud, pf.

Naxos 8.553611 17 16:00 FINE MUSIC DRIVE with Michael Morton-Evans 19:00 THE JAZZ BEAT with Lloyd Capps

Ries, F. Sonata in B flat, op 16 no 2 (1806).

Eric Grossman, vn; Susan Kagan, pf.

Naxos 8.573717 21 Vinci, L. Taci o di morte, from Il Medo.

Terry Wey, ct; Bach Consort Vienna/Rubén Dubrovsky.

DHM 88985410502 8 Avison, C. Concerto no 6 in D (pub. 1744).

Tasmanian Symphony Chamber Players/ Geoffrey Lancaster.

ABC 456 667-2 13 10:30 CONCERT HALL Prepared by Jacky Ternisien

Schumann, R. Piano trio no 1 in D minor, op 63 (1847). Borodin Trio.

Chandos CHAN 8832/3 35

Mendelssohn, F. Overture: Calm sea and prosperous voyage, op 27 (1828). Slovak PO/ Oliver Dohnányi.

Naxos 8.578269-70 14

Reger, M. Serenade in D, op 77a (1904).

Peter-Lukas Graf, fl; Sandor Vegh, vn; Rainer Moog, va.

Claves CD 50-8104 20

Brouwer, L. Concerto de Toronto. John Williams, gui; London Sinfonietta/Steven Mercurio.

Sony SK 63173 33

Svendsen, J. String quartet in A minor, op 1 (1865). Kontra Quartet.

BIS CD-753 26

d’Indy, V. Symphonie italienne in A minor.

Iceland SO/Rumon Gamba.

Chandos CHAN 10660 37

Wednesday 10 August 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Stephen Wilson 09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Anabela Pina

12:00 JAZZ SKETCHES with Robert Vale 13:00 IN CONVERSATION with Simon Moore 14:00 QUEENSLAND CALLING Part 2 Prepared by Ron Walledge Vaughan Williams, R. Overture to Aristophanic suite, The wasps (1909).

Queensland SO/Patrick Thomas.

ABC 476 4565

10

Fantasia on a theme by Thomas Tallis Corrette, M. Concerto comique no 25, Les (1910/19). Queensland SO/Patrick Thomas. sauvages et la Fürstemberg (1732-60). Musica ABC 472 984-2 15 Antiqua Cologne/Reinhard Goebel, vn & dir.

Bruch, M. Romance in F, op 85 (pub. 1911).

Archiv 415 298-2 9 Patricia Pollett, va; Queensland PO/Werner Boehm, T. Three duos of Mendelssohn Andreas Albert. and Lachner. Jean-Pierre Rampal, fl; Claudi Tall Poppies TP084 9 Arimany, fl; John Steele Ritter, pf.

Sculthorpe, P. Kakadu (2003). Alexa Murray, Delos DE 3212 7 cora; William Barton, did; Queensland SO/ Dencke, J. Meine Seele erhebet den Herrn; Michael Christie.

Gesegnet bist du, sein Volk; Mein Herz ABC 481 1293 16 dichtet ein feines Lied. Sharon Baker, sop; Grieg, E. Piano concerto in A minor, op 16 Cynthia Sieden, sop; Boston Baroque/Martin (1868). Simon Tedeschi, pf; Queensland SO/ Pearlman.

Richard Bonynge.

Telarc 80482 5 ABC 481 011-7 31 Hoffmeister, F. Double bass concerto in D. Hill, A. Symphony no 3 in B minor, Australia Edicson Ruiz, db; Teresa Carreño Youth SO of (1951). Queensland SO/Wilfred Lehmann.

Venezuela/Christian Vásquez.

Marco Polo 8.223537 27 Philharmonie PHIL 06020 15

31

16:00 FINE MUSIC DRIVE with Ross Hayes 19:00 PLANET JAZZ with Xavier Bichon 20:00 AT THE OPERA Prepared by Elaine Siversen Mozart, W. Idomeneo, K366. Opera in three acts. Libretto by Giambattista Varesco. First performed Munich, 1781.

IDOMENEO, King of Crete: Mark Tucker, ten IDAMANTE, his son: Fiona Campbell, cont NEPTUNE’S MESSENGER: Didier Frédéric, bass ILIA, Trojan princess: Martene Grimson, sop ELECTRA, princess of Argos: Penelope Mills, sop HIGH PRIEST OF NEPTUNE: Brett Wymark, ten Cantillation; O of the Antipodes/Antony Walker.

ABC 476 6250 2:41 Idomeneo, King of Crete, saved from a shipwreck, has promised Neptune to sacrifice the first person he meets. It is his son Idamante. Idomeneo is advised he could substitute the sacrifice if Idamante is exiled.

Idomeneo arrives to farewell his son before his ship sails to Greece. During a powerful storm a large serpent rises from the waves and Idomeneo, recognising Neptune's messenger, offers his own life to the god. Although Ilia, a captured Trojan princess, secretly loves Idamante, she has always rejected him.

Returning to the palace, Idamante tells Ilia he must fight the serpent that is destroying the villages along the coast. Ilia confesses her love. Idomeneo sends his son to escort the princess Electra to her home in Argos but the monster that ravages the land, prevents the embarkation. Idamante kills the serpent.

Idomeneo confesses his vow and agrees to the sacrifice of his son. Idamante arrives dressed in sacrificial robes ready to die. Ilia begs to be allowed to take his place. The High Priest of Neptune proclaims that love has triumphed, so Neptune no longer requires Idamante’s death. Idomeneo must resign his crown to Idamante and Ilia as the new rulers of Crete.

Purcell, H. Thy hand, Belinda ... When I am laid in earth, from Dido and Aeneas, Z626 (1689). Fiona Campbell, mezz; O of the Antipodes/Antony Walker.

ABC 480 5629 5

23:00 MUSIC OF THE NIGHT Prepared by Dan Bickel

10:30 CONCERT HALL Prepared by Dan Bickel

Theodorakis, M. Love dance, from Three pieces from Carnival, suite-ballet.

Philharmonia O/Charles Dutoit.

Decca 475 6130

Respighi, O. Brazilian impressions (1928).

West Australian SO/Jorge Mester.

ABC 442 348-2 20

7

Cretan concertino (2005, arr. Samprovalakis).

Theodore Kerkezos, sax; Thessaloniki State SO/Myron Michailidis.

Naxos 8.557992 11 Skalkottas, N. Five Greek dances (1937).

Camerata of St John's.

Camerata of St John's CSJ 1001 12 Concertino (arr. Samprovalakis1939).

Theodore Kerkezos, sax; Thessaloniki State SO/Myron Michailidis.

Naxos 8.557992 12 Hadjidakis, M. Dream of urban children; The postman. Agnes Baltsa, mezz; Kostas Papadopoulos, bouzouki; Athens Experimental O/Stavros Xarhakos.

DG 419 236-2 10

Thursday 11 August 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Simon Moore 09:00 DIVERSIONS IN FINE MUSIC Romance and romantics Prepared by James Nightingale Verdi, G. Overture to La forza del destino (1862). State of Mexico SO/Enrique Bátiz.

ASV DCA 856 8 Beethoven, L. An die Hoffnung, op 94 (1813).

Dietrich Fischer-Dieskau, bar; Gerald Moore, pf.

Orfeo C 140501 A 8 Humperdinck, E. String quartet in C (1920).

Tonhalle Quartet.

LP Schwann VMS 1016 15 Viardot, Pauline. Havanaise; Hai Lui! Cecilia Bartoli, mezz; Jean-Yves Thibaudet, pf.

Decca 455 981-2 9 Liszt, F. Liebesträume nos 1, 2 and 3 (184549). Marilyn Meier, pf.

Mala-Daki MAM 29464 16 Brahms, J. Piano trio no 3 in C minor, op 101 (1886). Borodin Trio.

Chandos CHAN 8335 24

32

Sibelius, J. Violin concerto in D minor, op 47 (1903; rev. 1905). Shlomo Mintz, vn; Berlin PO/James Levine.

DG 419 618-2 32 Mozart, W. Symphony no 29 in A, K201 (1774). Academy of Ancient Music/Jaap Schröder, Christopher Hogwood.

L’Oiseau-Lyre 417 841-2

31

12:00 JAZZ AFTER NOON with Sue Jowell 13:00 ARTSOUND: LATITUDE 37 Magnum opus: The opus 5 of Corelli Prepared by Paul Cooke Recorded by Tim Lamble for ArtSound, Canberra Corelli, A. Violin sonata in D, op 5 no 1 (pub.

1700). Latitude 37.

ArtSound recording 12 Violin sonata in E minor, op 5 no 8 (pub.

1700; transcr. for viola da gamba). Latitude 37.

ArtSound recording 11 Violin sonata in C, op 5 no 3 (pub. 1700).

Latitude 37.

ArtSound recording 13 Violin sonata in D minor, op 5 no 12, La Follia (pub. 1700). Latitude 37.

ArtSound recording 12 Filler: Albinoni, T. Sonata no 2 (1711).

Graham Ashton, tpt; Irish CO/Ian Watson.

Virgin VJ 7 91563-2 4 14:00 ORGAN AND FRIENDS Prepared by Jacky Ternisien Holst, G. Duet (1895). Alain Trudel, tb; Patrick Wedd, org.

Naxos 8.553716

9

Fauré, G. Cantique de Jean Racine, op 11 (1865). Bo Yuan, db; Louis Robilliard, org; Ravel Quartet.

EMI 5 56728 2 5 Elgar, E. Triumphal march, from Caractacus, op 35 (1898). June Nixon, org.

Walsingham WAL 8002-2 9 Handel, G. Organ concerto in G minor, HWV289 (1735-36). Paul Nicholson, org; Brandenburg Consort/Roy Goodman.

Hyperion CDA67291/92 16 Dupré, M. Quartet, op 52 (c1956). Timothy Durbin, vn; Jennifer Rende, va; Clyde Beavers, vc; Bruce Neswick, org.

Naxos 8.554378 14

15:00 ONLY STRINGS Prepared by Derek Parker

Friday 12 August

Elgar, E. Introduction and allegro for strings, op 47 (1905). English CO/Julian Lloyd Webber.

00:00 CONTEMPORARY Naxos 8.573250 14 COLLECTIVE Sculthorpe, P. Sonata for strings no 2 (1988).

03:00 CLASSICAL TILL DAWN Australian CO/Richard Tognetti.

ABC 481 1293 13 06:00 FINE MUSIC BREAKFAST Roussel, A. Sinfonietta for string orchestra with Vicky Zhang (1934). Tapiola Sinfonietta/Paavo Järvi.

BIS CD-630 8 09:00 DIVERSIONS IN FINE MUSIC Something borrowed Respighi, O. Ancient airs and dances, suite Prepared by Rita Felton no 3 (1932). Australian CO/Christopher Lyndon-Gee. Omega OCD 1007

17

16:00 FINE MUSIC DRIVE with Marilyn Schock 19:00 THE NEW JAZZ STANDARD with Frank Presley 20:00 THE WORLD OF A SYMPHONY Prepared by Brian Drummond Wagner, R. The ride of the Valkyries (185456). Berlin PO/Klaus Tennstedt.

EMI 9 73399 2 5 Saint-Saëns, C. Agnus Dei, from Mass, op 4 (1857). Flemish Radio Choir; François SaintYves, org; Brussels PO of Flanders/Hervé Niquet.

Glossa GCD 922210 4 Schumann, R. Fairytale pictures, op 132 (1853). Marina Marsden, vn; Justine Marsden, va; Robert Chamberlain, pf.

Fine Music concert recording 15 Saint-Saëns, C. Piano quartet in E (1853).

Quatuor Élyséen.

Arion ARN 68242 21 Liszt, F. Symphonic poem no 9: Hungaria (1854). London PO/Bernard Haitink.

Philips 438 754-2 23 Saint-Saëns, C. Symphony in F, Urbs Roma (1856). French Radio TO/Jean Martinon.

Brilliant Classics 94360 41 22:00 THE MAGIC HORN Prepared by Elaine Siversen Spontini, G. Divertimento. Sören Hermansson, hn; Erica Goodman, hp.

BIS CD-648

5

Mozart, W. Divertimento in B flat, K439b no 3 (c1783). Gilles Thomé, bshn; Gili Rinot, bshn; Lorenzo Coppola, bshn.

Pierre Verany PV795021 21 22:30 ULTIMA THULE

Britten, B. Variations and fugue on a theme of Purcell, op 34, The young person's guide to the orchestra (1946). English SO/William Boughton.

Nimbus NI 7017 17 Bizet, G. Suite from Carmen (1873-74; arr.

Pepe Romero). Los Romeros.

Philips 412 609-2 21 Prokofiev, S. Sonata, op 56 (1932; arr.

D. Oistrakh). Eleonora Turovsky, vn; Yuli Turovsky, vc.

Chandos CHAN 8652

15

Tchaikovsky, P. Suite from The Queen of Spades (1890; arr. Lindberg). Christian Lindberg, tb; Roland Pöntinen, pf.

BIS CD-478 17 Rossini, G. Overture to La gazza ladra (1817; arr. Carulli). Debra Wendells Cross, fl; Robert Alemany, cl; JoAnn Falletta, gui.

Virginia Arts Festival VA901 10 10:30 CONCERT HALL Prepared by Di Cox Mozart, W. A musical joke, K522 (1787). Jan Opsitos, vn; Zdenek Tylsar, hn; Bedrich Tylsar, hn; Dvorák CO/Libor Pesek.

Supraphon 10 3907-2 23 Dohnányi, E. Variations on a nursery theme, op 25 (1915). Howard Shelley, pf; BBC PO/ Matthias Bamert.

Chandos CHAN 9733 25 Schumann, R. Symphony no 3 in E flat, op 97, Rhenish (1850). Royal Concertgebouw O/ Ferdinand Leitner.

Radio Nederland RCO 06004 35 12:00 A JAZZ HOUR with Barry O'Sullivan 13:00 FOCUS ON RICHARD TOGNETTI Prepared by Jacky Ternisien Handel, G. Overture and dances, from Alcina, HWV34 (1735). Australian CO/Richard Tognetti, vn & dir.

ABC 481 7430 11

33

Tognetti, R. Prelude; On high, from the film, Mountain (2017). Australian CO/Richard Tognetti, vn & dir.

ABC 481 5781 7 Mendelssohn, F. String symphony no 9 in C, Swiss (1823). Members of Australian CO/ Richard Tognetti.

Sony SK 57484 26 Grieg, E. The mountain thrall, op 32 (1878).

Teddy Tahu Rhodes, bar; Australian CO/ Richard Tognetti.

ABC 476 102-6 7 Müller, A. Seven variations on Là ci darem la mano, op 7 no 1. Richard Tognetti, vn; Erin Helyard, pf.

ABC 481 8192 8 Boccherini, L. Piano quintet in C, op 57 no 6, La ritarata notturno di Madrid (1797). Richard Tognetti, vn; Lorna Cumming, vn; Colin Cornish, va; Cameron Retchford, vc; Geoffrey Lancaster, fp.

Fine Music concert recording 22 14:30 DEBORAH’S CLARINET Prepared by Chris Blower Carmichael, J. Fête champêtre, op 131 (1959). Deborah de Graaff, cl; Len Vorster, pf.

Fine Music concert recording 9 Powning, G. Morning (1984); Infant sorrow (1984); The sick rose (1984). Lauris Elms, cont; Deborah de Graaff, cl.

LP MBS 10 4 Farrenc, L. Trio in E flat, op 44 (1854-56).

Deborah de Graaff, cl; Georg Pedersen, vc; Natalia Sheludiakova, pf.

Fine Music concert recording 27 Mozart, W. Parto ma tu ben mio, meco ritorna in pace, from La clemenza di Tito, K621 (1791). Deborah de Graaff, cl.

Fine Music concert recording 6 Brahms, J. Quintet in B minor, op 115 (1891).

Deborah de Graaff, cl; Natalie Chee, vn; Hannah Perowne, vn; Hartmut Rohde, va; Peter Hoerr, vc.

ABC 472 672-2 35 16:00 FINE MUSIC DRIVE with Julie Simonds 19:00 FRIDAY JAZZ SESSION with Alex Siegers 20:00 EVENINGS WITH THE ORCHESTRA Masters of the podium Chabrier, E. Suite pastorale (1888). Suisse Romande O/Ernest Ansermet.

Decca 452 890-2 21

Ibert, J. Divertissement (1930). City of Birmingham SO/Louis Frémaux.

EMI 5 66010 2

14

Hovhaness, A. Prayer of Saint Gregory, op 62b (1946). John Wallace, tpt; Royal Scottish Academy of Music and Drama Wind O/Keith Brion.

Naxos 8.559207 4

09:05 THE PIANO ALONE Prepared by Anne Irish

Ravel, M. Suite from Mother Goose (1908-11).

Montreal SO/Charles Dutoit.

Decca 478 5616 28

Mendelssohn, Fanny. Three melodies for piano nos 1, 2 and 5 (1847). Irene Barbuceanu, pf.

Schwann 3-1589-2

Berlioz, H. La captive, op 12 (1832). Catherine Robbin, mezz; Lyon Opera O/John Eliot Gardiner.

Apex 0927 49583 2 8

Beethoven, L. Sonata no 14 in C sharp minor, op 27 no 2, Moonlight (1801). Alfred Brendel, pf.

Brilliant Classics 94272 16

Franck, C. Symphony in D minor (1887-88).

Czech PO/John Barbirolli.

Supraphon 11 0613-2011 38

Schumann, R. Forest scenes, op 82 (184849). Wilhelm Kempff, pf.

DG 435 045-2 23

22:00 BAROQUE AND BEFORE German suites Prepared by Andrew Dziedzic

10:00 CENTRES OF MUSIC Curtis School of Music Philadelphia Part 1 Prepared by Jennifer Foong

Schein, J. Suite no 16 in A minor, from Banchetto musicale (pub. 1617). Hespèrion XX/Jordi Savall.

Erato 5 62028 2 11

Bernstein, L. Symphonic suite from On the waterfront (1955). New York PO/Leonard Bernstein.

CBS MYK 44773 20

Bach, J.S. Suite no 5 in C minor, BWV1011 (c1721). David Pereira, vc.

Tall Poppies TP017 29

Hofmann, J. Kaleidescope, op 40 no 4. Shura Cherkassky, pf.

Decca 433 654-2 5

Pachelbel, J. Suite in G. Jean-François Paillard CO/Jean-François Paillard.

Erato 4509-98475-2

Stokowski, L. Traditional Slavic Christmas music (1933). Bournemouth SO/José Serebrier.

Naxos 8.578305 3

Beethoven, L. Sonata no 2 in A, op 12 no 2 (1797-98). Richard Tognetti, vn; Geoffrey Lancaster, fp.

Fine Music concert recording 14

Thompson, R. Alleluia (1940). Schola Cantorum of Oxford/James Burton.

Hyperion CDA67679

14:30 SATURDAY MATINEE Operetta in the afternoon Prepared by Elaine Siversen

Froberger, J. Suite no 19 in C minor.

Christophe Rousset, hpd.

Harmonia Mundi HMC 901372

7

10

Graupner, C. Ouverture-suite in G minor for two transverse flutes, strings and basso continuo, GWV470. L’Arpa Festante/Rien Voskuilen, hpd & dir.

Accent ACC 24350 24 Bach, J.S. Air, from Orchestral suite no 3, BWV1068 (c1731; arr. Maisky). Mischa Maisky, vc; Daria Hovora, pf.

DG 439 863-2 4 Fasch, J. Suite in D minor. Capella Savaria Baroque O/Mary Térey-Smith.

Naxos 8.570326 24

Saturday 13 August 00:00 CLASSIC-ALL THROUGH THE NIGHT

9

6

Debussy, C. The sunken cathedral, from Preludes bk 2 (1910; orch. Stokowski). New Philharmonia O/Leopold Stokowski.

Decca 4783691 7 Liszt, F. Liebesträum no 3 in A flat, S541 (c1850). Jorge Bolet, pf.

Decca 478 5644

5

Barber, S. Medea’s meditation and dance of vengeance, op 32a (1955). Detroit SO/Neeme Järvi.

Chandos CHAN 9908 13 Bernstein, L. Chichester Psalms (1965) Vienna Boys’ Choir; Israel PO/Leonard Bernstein.

DG 415 965-2

19

11:30 ON PARADE Sacred and profane music for bands 06:00 SATURDAY MORNING MUSIC Prepared by Robert Small with Stephen Wilson Reed, A. El camino real. Royal Australian Navy Band/Andrew Stokes.

09:00 WHAT'S ON IN MUSIC Royal Australian Navy RAN-004 11 Our weekly guide to musical events in and around Sydney

Grainger, P. Irish tune from County Derry (1911). Sydney Defence Wind O/Howard Ward.

Fine Music concert recording 5

34

Thompson, R. Allelujah (1940). Turtle Creek Chorale; Dallas Wind Symphony/Timothy Seelig.

Reference Recordings RR-49CD 6 12:00 URBAN JAZZ LOUNGE with Leita Hutchings 13:00 IN A SENTIMENTAL MOOD with Maureen Meers Nostalgic music and artists from the 30s, 40s and 50s and occasionally beyond, in a trip down many memory lanes 14:00 AUSTRALIAN VIOLINISTS Prepared by Elaine Siversen Wieniawski, H. Variations in A on an original theme, op 15 (1854). Ray Chen, vn; Noreen Polera, pf.

Sony 88697808122 12

Strauss, J. II A night in Venice. Operetta in three acts. Libretto by Friedrich Zell (Camillo Walzel) and Richard Genée, after Le Château Trompette by Eugène Corman and Richard Genée. First performed Berlin, October 1883.

DUKE GUIDO: Nicolai Gedda, ten DELAQUA: Karl Donch, bar BARBARA: Hanna Ludwig, sop BARBARA: Hannah Norbert, voice CIBOLETTA: Emmy Loose, sop CARAMELLO: Erich Kunz, bar ENRICO: Anton Diffring, voice ANNINA: Elisabeth Schwarzkopf, sop PAPPACODA: Peter Klein, bar Philharmonia Ch & O/Otto Ackermann.

LP EMI/WRC R 05386 1:18 Guido, Duke of Urbino, is arranging a lavish reception at the Ducal Palace in Venice.

The invited senators are anxious about the Duke’s amorous intentions towards their wives. The ageing Delaqua arranges for his beautiful young wife, Barbara, to visit her aunt in Murano. He will take his cook, Ciboletta, to the reception. His barber, Caramello overhears the plan and, knowing that the Duke is particularly keen to meet Barbara, he secures the use of a gondola to take Barbara to the Ducal Palace. Instead of visiting her

aunt, Barbara intends to go to the masked carnival with her lover, Enrico. She arranges for a friend, Annina, to take her place in the gondola.

Annina is annoyed to find that her own sweetheart, Caramello, is part of the plot so she decides that she will enjoy herself at the reception. When Delaqua arrives with his make-believe wife, Caramello tells the Duke that she really is the cook, Ciboletta.

The Duke decides to keep up the pretence and acts seductively towards both women while Caramello and Pappacoda, Ciboletta’s sweetheart, have to watch as they wait at table.

At midnight, the Duke and his guests go into St Mark’s Square to watch the carnival. Delacqua discovers Barbara with Enrico. She tells her husband that she was rescued by Enrico after being abducted. The Duke restores Annina to Caramello, urges him to marry her, and appoints him as the steward of his household.

In that way, he will have Annina around to indulge in some flirtation. He goes off in search of more amorous adventures.

Hasse, J. Yes, you will have the gondola, from Venetian songs. Julianne Baird, sop; Nancy Hadden, fl; Erin Headley, bass viol; Malcolm Proud, hpd.

CRD 3488 4 Sullivan, A. Masquerade, from The merchant of Venice (1871). Emmanuel Lawler, ten; RTE Concert O/Andrew Penny.

Marco Polo 8.223461 23 Stolz, R. Excerpts from When little violets bloom (1932). Melitta Muszely, sop; Hedy Fassler, sop; Rudolf Schock, ten; Ferry Gruber, ten; Vienna Volksoper Ch & O/Robert Stolz.

Eurodisc 258 367 25 17:00 SOCIETY SPOT Organ Music Society of NSW with John Hanna 18:00 STAGE AND SCREEN Prepared by Maureen Meers Leigh, M. Excerpts from Man of La Mancha (1965). Richard Kiley, Joan Diener, Robert Rounseville, voices.

Decca 01215 93872 18 Henderson, R. Excerpts from Good news (1947). June Allyson, Peter Lawford, Mel Tormé, John McCracken, voices.

Rhino 060 349 777 320 13 Rodgers, R. Excerpts from South Pacific (1949). Mary Martin, Ezio Pinza, voices.

Columbia Masterworks MM 850 19

20:00 THE LIFE OF A COMPOSER Michael Haydn Prepared by James Nightingale Haydn, M. Horn concerto in D (c1770). Barry Tuckwell, hn; Academy of St Martin in the Fields/Neville Marriner.

Decca 436 222-2 14 Haydn, J. Sonata no 16 in D, Hob.XVI:14 (1762). Geoffrey Lancaster, fp.

Tall Poppies TP208 13 Haydn, M. String quintet in G (1773).

L'Archibudelli.

Sony SK 53987 Mozart, W. Serenade no 6 in D, K239, Serenata notturna (1776). II Giardino Armonico/Giovanni Antonini.

Alpha ALPHA 686

25

10:00 THE CLASSICAL ERA Prepared by Rex Burgess

13

Bach, C.P.E. Double concerto in E flat, Wq47 (1788). Tini Mathot, fp; Amsterdam Baroque O/ Ton Koopman, hpd & dir.

Erato ECD 75396 18

Haydn, M. Abendlied; Rundgesang. Die Singphoniker. cpo 999 333-2

7

Symphony no 16 in A. Slovak CO/Bohdan Warchal. cpo 999 154-2 18 Missa sub titulo Sancti Leopoldi (1805).

Hanover Girls Choir; Il Gioco col Suono/ Gudron Schröfel.

Carus 83.355

19

22:00 SATURDAY NIGHT AT HOME Prepared by James Nightingale Maconchy, E. Music for strings (1983).

London PO/Barry Wordsworth.

Lyrita SRCD 288

18

Greenbaum, S. Sonata (2013). VineyGrinberg Piano Duo. ABC 481 4591

21

Pierné, G. Quintet in E minor, op 41 (1917).

Piers Lane, pf; Goldner String Quartet.

Hyperion CDA68036 40 Schumann, R. Symphony no 2 in C, op 61 (1845-46). Hanover Band/Roy Goodman.

RCA 09026 61931 2 35

Sunday 14 August 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC with Peter Poole 09:00 MUSICA SACRA Prepared by Jacky Ternisien Haydn, J. Te Deum in C, Hob.XXIIIc:2 (bef.

1765). Collegium Musicum 90/Richard Hickox.

Chandos CHAN 0633 8

19:00 EMERGENT JAZZ with Keith Pettigrew

35

Berlioz, H. Te Deum, op 22 (1849). Francisco Araiza, ten; London Symphony Ch; London Philharmonic Choir; Wooburn Singers; St Alban's School Choir; Haberdashers' Aske's School Choir; Southend Boys' Choir; Desborough School Choir; Choir of Forest School, Winnersh; Choirboys of High Wycombe Parish Church; Martin Haselböck, org; European Community Youth O/Claudio Abbado.

DG 410 696-2 47

Gluck, C. Excerpts from Paride ed Elena (1770). Arnold Schönberg Choir; Austrian Radio Choir; Cologne Radio Choir; Vienna RSO/Lothar Zagrosek.

Orfeo MP2001 25 Arriaga, J. String quartet no 3 in E flat (182122). Chilingirian Quartet.

CRD 33123 29 Mozart, W. Symphony no 36 in C, K425, Linz (1783). Prague PO/Jirí Belohlávek.

Harmonia Mundi HMC 901891 39 12:00 CLASSIC JAZZ with Dave Mac 13:00 WORLD MUSIC Whirled Wide with Anna Tranter 14:00 INTIMATE VOICES At sixes and sevens Part 2 Prepared by Jennifer Foong Berwald, F. Grand septet in B flat for winds and strings. Gaudier Ensemble.

Hyperion CDA66834 22 Tchaikovsky, P. String sextet in D minor, op 70, Souvenir de Florence (1890/91-92). Yuri Bashmet, va; Natalia Gutman, vc; Borodin String Quartet.

EMI 7 49775 2 34 15:00 SUNDAY SPECIAL Fine Music Showcase A program of live recordings made in the Founders' Studio at Fine Music Sydney by local jazz and classical musicians 17:00 HOSANNA Prepared by Meg Matthews Hymn. Let all mortal flesh keep silence. Choir of St John’s College Cambridge; George Guest, org.

Decca B0006647-02 3

Be Thou my vision. Choir of Paisley Abbey; Alexander Anderson, org; George McPhee, cond.

Decca B0006647-02 2 Duruflé, M. Pie Jesu; In Paradisum, from Requiem, op 9. Sarah Turvey, sop; Choir of Christ Church St Laurence; Peter Jewkes, org; Neil McEwan, cond.

Walsingham WAL 8004 6

Scharwenka, X. Sonata in D minor, op 2 (1869). Lydia Mordkovitch, vn; Seta Tanyel, pf.

Collins 14482 21

20:30 NEW HORIZONS Remembering Harrison Birtwistle Prepared by Paul Cooke Birtwistle, H. Endless parade (1986-87).

Philippe Schartz, tpt; Chris Stock, vibraphone; BBC NO of Wales/Jac van Steen.

Chandos CHAN 10562 18

The gleam (2003). Choir of King’s College Cambridge/Stephen Cleobury.

6 Fauré, G. Ave Maria, op 67 no 2 (1894); Maria, EMI 5 58070 2 Mater gratiae, op 47 no 2 (1888); Cantique de Silbury air (1977). Sydney Alpha Ensemble/ Jean Racine (1865; orch. Rutter). Cambridge David Stanhope.

Singers, members of the City of London ABC 465 651-2 15 Sinfonia, John Scott, org; John Rutter, cond.

Three Latin motets, from The last supper Collegium COLCD 109 9 (1999). BBC Singers/Nicholas Kok. Hassler, H. Exsultate Deo; Veni Sancte Signum SIGCD365 10 Spiritus; Hodie completi sunt dies Satie, E. Gymnopédie no 1 (1888). Stephanie Pentecostes, from Sacri concentus (1612).

McCallum, pf.

Currende/Erik van Nevel.

ABC 461 798-2 3 Etcetera KTC 1409 9 Birtwistle, H. The triumph of time (1972).

Franck, C. Mulier ecce filius tuus, from The Philharmonia O/Elgar Howarth. seven words of Christ at the Cross. Edith Collins 13872 30 Wiens, sop; Raimundo Mettre, ten; Thomas Pfeiffer, bar; Ivo Ingram, bass; Schwäbisch 22:00 JAZZ AFTER HOURS Gmünd Philharmonic Ch & O/Hubert Beck. 7 with Deborah Evans Vaughan Williams, R. Te Deum. Choir of Christ Church St Laurence/Neil McEwan.

Monday 15 August CCSL 06 7 Shelley, B. Praise the Lord, from Psalm 147.

Choir of St James, King St, Sydney/Warren Trevalyan Jones.

SKJS 005 3 18:00 THE PIANO SONATA Australian sonatas: the landscape of the keyboard Part 2 Prepared by James Nightingale Benjamin, A. Pastorale, arioso and finale (1948). Ian Munro, pf.

Tall Poppies TP 105 13 Kats-Chernin, E. Sonata lost and found (1998). Lisa Moore, pf.

Tall Poppies TP147 22 Holland, D. Sonata (1952). Ronan Apcar, pf. www.ronanapcar.com 20210615 19 19:00 SUNDAY NIGHT CONCERT Prepared by Dan Bickel Mozart, W. Piano concerto no 20 in D minor, K466 (1785). Mitsuko Uchida, pf; English CO/ Jeffrey Tate.

Philips 475 7306 34 Liszt, F. A Dante symphony (1857). Berlin Radio Women’s Choir; Berlin PO/Daniel Barenboim.

Teldec 9031-77340-2 50

00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST with Robert Small 09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1869 Prepared by Derek Parker Strauss, J. II Waltz: Wine, women and song, op 333 (1869). Slovak RSO/Ondrej Lenárd.

Naxos 8.578041-42 6 Godard, B. Fragments poetiques, op 13 (1869). Eliane Reyes, pf.

Grand Piano GP684

11

Volkmann, R. Serenade no 1 in C, op 62 (1869). German Chamber Academy Neuss/ Johannes Goritzki. cpo 999 159-2 8 Balakirev, M. Islamey: oriental fantasy, op 19 no 6 (1869/1902). Andrei Gavrilov, pf.

Philips 456 787-2 8

10:30 CONCERT HALL Prepared by Jacky Ternisien Goldmark, K. Overture to Sappho, op 44 (1893). Bamberg SO/Fabrice Bollon. cpo CPO 555 160-2 19 Ponchielli, A. Dance of the hours, from La Gioconda (1876). Berlin PO/Herbert von Karajan.

DG 474 617-2 11 Prokofiev, S. Piano concerto no 4 in B flat, op 53 (1931). Boris Berman, pf; Royal Concertgebouw O/Neeme Järvi.

Chandos CHAN 10522(2) 24 Arriaga, J. Symphony in D minor (1824). Le Concert des Nations; La Capella Reial de Catalunya/Jordi Savall.

Astrée E 8532 29 12:00 SWING SESSIONS with John Buchanan 13:00 FEATURING JULIAN BREAM Prepared by Paul Cooke Dowland, J. The frog galliard; Goe nightly cares (1612); Come again (1597, arr. Eyck); Lachrimae pavin (pb. 1604); Can she excuse (1597). Julian Bream Consort.

RCA RD87801 16 Paganini, N. Grand sonata in A, op 39 (180304; transcr. Bream). Julian Bream, gui.

EMI 5 55362 2 21 Britten, B. Folk song arrangements (1942).

Peter Pears, ten; Julian Bream, gui.

Newton 8802095 14 Albéniz, I. Beneath the palm tree, from Spanish songs op 232 no 2 (transcr. Llobet); Evocation, from Iberia (transcr. Llobet). Julian Bream, gui; John Williams, gui.

RCA 09026 614522 11 Villa-Lobos, H. Guitar concerto (1951). Julian Bream, gui; London SO/André Previn.

RCA 6525-2-RG 18 14:30 FROM NEW ZEALAND Prepared by Derek Parker Daverne, G. Overture: Highbury Grove (1968).

New Zealand SO/William Southgate.

RCA VPCD 0841 12

Brahms, J. Alto rhapsody, op 53 (1869). Janet Copland, A. Suite from Billy the Kid (1938).

Baker, mezz; London Symphony Ch; City of New Zealand SO/James Judd.

London Sinfonia/Richard Hickox.

21 Virgin VC 7 91123-2 14 Naxos 8.559106 Liszt, F. Symphonic poem no 8: Heroïde Liszt, F. Tarentelle di bravura, from Auber's funèbre (1849-50/54-56) New Zealand SO/ Masaniello (1869). Leslie Howard, pf.

Hyperion CDS44544 11 Michael Halász.

Naxos 8.557847 23

36

Gershwin, G. Porgy and Bess, symphonic picture (1934-35; arr. Robert Russell Bennett).

New Zealand SO/James Judd.

Naxos 8.559107 25 16:00 FINE MUSIC DRIVE with Michael Field

12:00 JAZZ RHYTHM with Jeannie McInnes

06:00 FINE MUSIC BREAKFAST with Stephen Wilson

13:00 JAZZ ABOUT TOWN with Deborah Evans

09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Jennifer Foong

14:00 CHAMBER IN AUSTRALIA Prepared by James Nightingale

19:00 JAZZ PULSE with Chris Wetherall

Beethoven, L. Piano trio in D, op 70 no 1 (1808). Seraphim Trio.

ABC 481 1980 26

20:00 STORMY MONDAY with Austin Harrison

Nielsen, C. Wind quintet in E, op 43 (1922).

Canberra Wind Soloists.

ABC 456 357-2 23

22:00 JAZZ AFTER HOURS with Eddie Bernasconi

Farrenc, L. Cello sonata in B flat, op 46 (1857). David Berlin, vc; Benjamin Martin, pf.

ABC 485 5165 23

Tuesday 16 August

03:00 CLASSICAL TILL DAWN

Brahms, J. String sextet in B flat, op 18 (1858-60). Charmian Gadd, vn; Jonathan Mui, vn; Paul Silverthorne, va; Glenn Donnelley, va; Georg Pedersen, vc; Christopher Mui, vc.

Fine Music Concert Recording 8.573207 39

06:00 FINE MUSIC BREAKFAST with Julie Simonds

16:00 FINE MUSIC DRIVE with Andrew Dziedzic

09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Elaine Siversen

19:00 THE JAZZ BEAT with Lloyd Capps

00:00 CONTEMPORARY COLLECTIVE

Clementi, M. Capriccio in E minor, op 47 no 1 (1821). Ian Hobson, pf.

Arabesque Z 6595 19 Royer, J-N-P. La marche des Scythes, from Pièces de clavecin, bk 1 (pub. 1746). Monika Kornel, hpd.

Sydney Consort SC001 7 Handel, G. Organ concerto in G minor.

Douglas Lawrence, bamboo org; Manila CO/ Bernhard Emmer.

Move MD 3136 17 Kreutzer, C. Trio. Hans Rudolf Stalder, cl; Walter Stiftner, bn; Rolf Junghanns, fp.

Jecklin 587-2 22 Debussy, C. Images, series 1 (1905/08). Noël Lee, pf.

Auvidis V 4440 15 10:30 CONCERT HALL Prepared by Frank Morrison Kodály, Z. Summer evening (1929-30).

Philharmonia Hungarica/Antal Dorati.

Decca 443 006-2

17

Hubay, J. Violin concerto no 2 in E, op 90 (1900). Hagai Shaham, vn; BBC Scottish SO/ Martyn Brabbins.

Hyperion CDA67498 25 Czerny, C. Symphony no 2 in D, op 781.

Brandenburg State O, Frankfurt/Nikos Athinäos.

Christophorus CHE 0140-2

20:00 JUST IN with Charles Barton A selection from the latest recordings to arrive at the Fine Music Library 22:00 CHAMBER SOIRÉE Prepared by Gerald Holder

Strozzi, B. Udite, amanti (1651). Anne Sofie von Otter, mezz; Anders Ericson, lute, theorbo.

Archiv 00289 477 5114 7 Caccini, F. Laudate Dominum. Benjamin Thorn, rec; Wayne Madden, spinet.

Move MD 3219

3

Isabella Leonarda. Ave suavis dilectio (1676).

Maria Christina Kiehr, sop; Concerto Soave.

Ambronay AMY025 8 Sirmen, M. String quartet no 2 in B flat. Erato Quartet Basle. cpo 999 679-2 12 Strozzi, B. Lamento. Ensemble Incantato. cpo 999 533-2 16 Jacquet de la Guerre, E-C. Sonata VI in A (1707). Lina Tur Bonet, baroque vn; Patxi Montero, bass viol; Kenneth Weiss, hpd.

Pan Classics PC 10380 16 10:30 CONCERT HALL Prepared by Michael Field Mendelssohn, F. Overture: Ruy Blas, op 95 (1839). Bamberg SO/Claus Peter Flor.

RCA Victor RD 87905 8

Skryabin, A. Piano concerto in F sharp minor, Haydn, J. Quartet in D minor, Hob.III:76, Fifths op 20 (1896). Roger Woodward, pf; Sydney (1799). Emerson String Quartet.

SO/Edo de Waart.

DG 471 327-2 23 ABC 465 671-2 26 Sammartini, G. Recorder concerto in F. Anna Alfvén, H. Symphony no 4, op 39, From Stegmann, rec; Ensemble Odyssée. the outermost Skerries (1919). Arndis Halla, Pan Classics PC 10386 12 sop; Johann Valdimarsson, ten; Sigrün Berwald, F. Trio no 3 in D minor (1851).

András Kiss, vn; Csaba Onczay, vc; Ilona Prunyi, pf.

Naxos 8.555001 23 Beethoven, L. Trio in C, op 87 (1795).

Guy Henderson, ob; Claire Fox, ob; Peter Newberry, cora.

LP ABC R. 02424 21 Dvorák, A. String quartet no 14 in A flat, op 105 (1895). Barylli Quartet.

Westminster RC 8808678121735 34

Wednesday 17 August 00:00 CONTEMPORARY COLLECTIVE

41

Martines, M. Sinfonia in C (1770). Bay Area Women’s PO/JoAnn Falletta.

Newport Classic NCD 60102 15

03:00 CLASSICAL TILL DAWN

37

Edvaldsdóttir, vn, Richard Talkowsky, vc; Kristian Stevenson, cora; Iceland SO/Niklas Willén.

Naxos 8.557284 48 12:00 JAZZ SKETCHES with Robert Vale 13:00 IN CONVERSATION with Simon Moore 14:00 FROM AMSTERDAM Prepared by Jacky Ternisien

Tchaikovsky, P. Overture: 1812, op 49 (1880).

Concertgebouw O/Bernard Haitink.

Decca 478 5867 16 Skryabin, A. The poem of ecstasy, op 54 (1908). Royal Concertgebouw O/Antal Dorati.

Radio Nederland RCO 08005 20

Mozart, W. Prenderò quel brunettino; Ei partte. Senti! from Così fan tutte, K588 (1790).

Charlotte Margiono, sop; Dolores Ziegler, sop; Royal Concertgebouw O/Nikolaus Harnoncourt.

Teldec 0630-10031- 2 12 Prokofiev, S. Piano concerto no 1 in D flat, op 10 (1912). Boris Berman, pf; Royal Concertgebouw O/Neeme Järvi.

Chandos CHAN 10522(2) 16 Ravel, M. La valse (1920). Royal Concertgebouw O/Bernard Haitink.

Decca 478 4740

13

Lalo, E. Symphonie espagnole, op 21 (1875).

Sarah Chang, vn; Royal Concertgebouw O/ Charles Dutoit.

EMI 5 55292 2 33 16:00 FINE MUSIC DRIVE with Tom Forrester-Paton 19:00 PLANET JAZZ with Xavier Bichon 20:00 AT THE OPERA Prepared by Camille Mercep

23:00 MUSIC OF THE NIGHT Students of Nadia Boulanger Prepared by Paul Cooke Warren, E. Intermezzo, from The legend of King Arthur (1939). Royal Scottish NO/Ronald Corp.

Dutton Epoch CDLX 7235 5 Talma, L. The ambient air (1983). Daniel Pailthorpe, fl; Gabrielle Lester, vn; Judith Herbert, vc; Diana Ambache, pf.

Naxos 8.559236 14 Diamond, D. Adagio, from Symphony no 11 (1991). Seattle SO/Gerard Schwarz.

Delos DE 3189 15 Glass, P. Suite from Dracula (1998). Carducci String Quartet.

Naxos 8.559766 19

Thursday 18 August 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN

Chandos CHAN 8981/2

12

Berlioz, H. Marguerite’s romance, from Eight scenes from Faust, op 1 (1829). Susan Graham, sop; Montreal Symphony Choir & O/ Charles Dutoit.

Decca 475 097-2 10 Hasselmans, A. Romance, op 6. Floraleda Sacchi, hp.

Brilliant Classics 94625 6 Tchaikovsky, P. Romeo and Juliet, fantasy overture (1869/79/80). London SO/Antal Dorati.

Mercury 478 5092 19 Farrenc, L. Wind sextet in C minor, op 40 (1852). Éric le Sage, pf; Les Vents Français.

Warner Classics 0825646231850 24 10:30 CONCERT HALL Prepared by James Nightingale Klami, U. Suomenlinna, op 30 (1940). Helsinki PO/Leif Segerstam.

Ondine ODE 1112-2 12

38

Bowen, Y. Symphony no 2 in E minor, op 31 (1909). BBC PO/Andrew Davis.

Chandos CHAN 10670 43 12:00 JAZZ AFTER NOON with Sue Jowell 13:00 EARLY BENJAMIN BRITTEN Prepared by Rex Burgess Britten, B. An American overture (1941). BBC PO/Richard Hickox.

Chandos CHAN 9487 11 A simple symphony, op 4 (1933-34). I Musici de Montréal/Yuli Turovsky.

Chandos CHAN 8817 18 Piano concerto, op 13 (1938). Gillian Lin, pf; Melbourne SO/John Hopkins.

Chandos CHAN 6580 34

Chausson, E. King Arthur. Opera in three 06:00 FINE MUSIC BREAKFAST acts. Libretto by the composer. First performed with Simon Moore Brussels, 1903.

09:00 DIVERSIONS IN FINE MUSIC ARTHUR: Gino Quilico, bar Romance and romantics LANCELOT: Gösta Winbergh, ten Prepared by Jacky Ternisien GUINEVERE: Teresa Zylis-Gara, sop MORDRED: René Massis, bar Svendsen, J. Romeo and Juliet fantasia, op MERLIN: Gilles Cachemaille, bass-bar 18 (1876). Bergen PO/Neeme Järvi.

Radio France Ch; New Philarmonia O/Armin Chandos CHAN 10693 10 Jordan.

Gaubert, P. Romance (1908); Romance Erato 22292-45407-2 2:43 (1905). Susan Milan, fl; Ian Brown, pf.

King Arthur has returned to Camelot from the victory over the Saxons. He praises the Knights of the Round Table, in particular his trusted knight Lancelot. Lancelot is in love with the queen, Guinevere, and she with him. They meet secretly but are spied on by Mordred. Lancelot and Guinevere make their escape, but not before Lancelot has wounded Mordred in a fight. Mordred survives and immediately goes to the king to tell him about the lovers. Arthur consults with the magician Merlin, who predicts the downfall of the Round Table. Arthur pursues Lancelot and challenges him to a fight in which Lancelot is mortally wounded. Lancelot throws away his weapons and refuses to continue to fight his king. Arthur forgives him. Meanwhile, Guinevere fearing Lancelot's imminent death, strangles herself with her own hair.

Schumann, R. Violin concerto in D minor (1853). Joshua Bell, vn; Cleveland O/Christoph von Dohnányi.

Decca 444 811-2 28

Variations and fugue on a theme of Purcell, op 34,The young person's guide to the orchestra (1946). Philharmonia O/Carlo Maria Giulini.

EMI CZS 7 67723 2 19 14:30 ESPAÑA Prepared by Jacky Ternisien Arriaga, J. Overture to Nonetto, op 1 (c1817).

Le Concert des Nations/Jordi Savall.

Astrée E 8532 8 Albéniz, I. Suite: España, op 165 (pub. 1890).

Ray Lemond, pf.

Fine Music concert recording 17 Rodrigo, J. Adagio for wind instruments (1966). Joanna G’froerer, fl; members of Asturias SO/Maximiano Valdés.

Naxos 8.557801

10

Milán, L. Fantasia X; Fantasia III; Fantasia XVIII; Fantasia VII. Christopher Wilson, vihuela.

Naxos 8.553523 10 Falla, M. de Seven Spanish folk songs.

Marilyn Horne, sop; Martin Katz, pf.

Decca 466 128-2

14

Tórroba, F. Moreno Concierto ibérico. Los Romeros; Academy of St Martin in the Fields/ Neville Mariner.

Decca 478 5669 21 16:00 FINE MUSIC DRIVE with Sue Jowell 19:00 THE NEW JAZZ STANDARD with Frank Presley

20:00 THE WORLD OF A SYMPHONY Prepared by James Nightingale

Kreisler - Reinhardt. Presto fight (arr.

Janoska). The Philharmonics.

DG 481 0276

Farrenc, L. Sextet in C minor for piano and wind quintet (1852). Kathryn Selby, pf; Omega Ensemble.

Fine Music concert recording 25

Reicha, A. 18 Variations and a fantasy in G on Mozart’s Se vuol ballare, op 51 (1804).

Geoffrey Collins, fl; Dene Olding, vn; Julian Smiles, vc.

Fine Music concert recording 16

Reicha, A. Grande sonate in C (c1805). Ivan Ilić, pf.

Chandos CHAN 10950 27

6

Sarasate, P. de Carmen fantasy, op 25 (c1883). Gil Shaham, vn; Castille and León Adam, A. Avec son petit air, from Le toréador SO/Alejandro Posada.

12 (1849). Sumi Jo, sop; Welsh National Opera O/ Canary CC07 Richard Bonynge.

Bublé, M. Home (2005; arr. L’Estrange). King’s Decca 458 927-2 8 Singers.

Signum SIGCD192 4 Schumann, C. Pièce fugitive, op 15 no 3 (1845). Helene Boschi, pf.

Calliope CAL 9211

6

Berlioz, H. The burning flame of love, from The damnation of Faust, op 24 (1845-46).

Yvonne Minton, mezz; Paris O/Daniel Barenboim.

ABC 470 241-2 10 Farrenc, L. Symphony no 3 in G minor, op 36 (1847). Solistes Européens, Luxembourg/ Christoph König.

Naxos 8.573706 34 22:00 THE MAGIC HORN Prepared by Elaine Siversen

Fauré, G. Sonata no 1 in A, op 13 (1875-76; transcr. Ma). Yo-Yo Ma, vc; Kathryn Stott, pf.

Sony SK 87287 25 10:30 CONCERT HALL Prepared by Anne Irish Bizet, G. Suite from Carmen (1873-74). SBS Youth O/Matthew Krel.

YME 1 10

Mendelssohn, F. Double concerto in D minor (1823). Gidon Kremer, vn; Martha Argerich, pf; Orpheus CO. DG 427 338-2 37

Beethoven, L. Symphony no 6 in F, op Dauprat, L. Variations on a Scottish air, op 22. 68, Pastoral (1808). Berlin PO/Herbert von Sören Hermansson, hn; Erica Goodman, hp.

Karajan.

BIS CD-648 10 DG 429 039-2 36 Czerny, C. Fantasy no 1, from Three brilliant fantasies after Schubert, op 339 (1836). Barry Tuckwell, hn; Daniel Blumenthal, pf.

Etcetera KTC1121 16 22:30 ULTIMA THULE

Friday 19 August 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Vicky Zhang 09:00 DIVERSIONS IN FINE MUSIC Something borrowed Prepared by Rosalind Vaughan Bach, J.S. Brandenburg concerto no 2 in F, BWV1047 (1720; arr.). Amsterdam Guitar Trio.

Newton 8802093 12 Schubert, F. Gretchen am Spinnrade, D118 (1814, arr. Liszt). Yuja Wang, pf.

DG 479 005-2 4

12:00 A JAZZ HOUR with Barry O'Sullivan

Rossini, G. Overture to Semiramide (1823).

Prague Sinfonia O/Christian Benda.

Naxos 8.570933 12 Benda, F. Flute concerto in E minor.

Jean-Pierre Rampal, fl; Prague CO/Milan Munclinger.

Supraphon SU 3648-2 23 9

Benda, J.G. Violin concerto in G. Josef Suk, vn; Suk CO/Christian Benda.

Naxos 8.553902 10 Benda, G. Sinfonia no 9 in A. Prague CO/ Christian Benda.

Naxos 8.553409 12 The memory (c1780). Emma Kirkby, sop; Timothy Roberts, fp.

Hyperion CDA66649

39

Martin, F. Piano concerto no 1 (1933-34).

Sebastian Benda, pf; Swiss-Italian RO/ Christian Benda.

ASV DCA 1082 21 15:00 THREE TO GET READY Prepared by Stephen Gard Mercadante, S. Trio in F. Andreas Noack, fl; Gian-Luca Petrucci, fl d’amore; Philip Körner, vc.

Brilliant Classics 96152 18 Kreutzer, C. Trio. Hans Rudolf Stalder, cl; Elmar Schmid, cl; Dorothea Jappe, va.

Jecklin 587-2 22 Glinka, M. Trio pathétique in D minor (1832).

Moscow Rachmaninov Trio.

Hyperion CDA67216 14 16:00 FINE MUSIC DRIVE with James Hunter 19:00 FRIDAY JAZZ SESSION with Alex Siegers 20:00 EVENINGS WITH THE ORCHESTRA Featuring Jésus López-Cobos Prepared by Rex Burgess Respighi, O. Brazilian impressions (1927).

Cincinnati SO/Jésus López-Cobos.

Telarc CD-80356 19 Villa-Lobos, H. Bachianas brasileiras no 8 (1944). Cincinnati SO/Jésus López-Cobos.

Telarc CD-80393 26

13:00 FAMILY CONNECTIONS The Benda family: Georg, Franz, Johann Georg and descendants Prepared by Frank Morrison

Benda, G. Sonata in F. Tessa Birnie, pf.

Walsingham 3WAL80432

Boccherini, L. Sonata in C minor. Christian Benda, vc; Sebastian Benda. fp.

Naxos 8.554324 16

3

Ginastera, A. Harp concerto, op 25 (1956).

Vera Badings, hp; Royal Concertgebouw O/ Jésus López-Cobos.

Radio Nederland RCO 06004 24 Dukas, P. Symphony in C (1896). Cincinnati SO/Jésus López-Cobos.

Telarc CD-80515 41 22:00 BAROQUE AND BEFORE Myths and legends Prepared by Elaine Siversen Purcell, H. The masque of Cupid and Psyche, from Timon of Athens (1694). Musicians of the Globe/Philip Pickett.

Philips 446 218-2 24 Handel, G. Suite from Florindo and Daphne, HWV336, 352 (1705-06). Frank de Bruine, ob; Parley of Instruments/Peter Holman.

Hyperion CDA67053 16 Montéclair, M. de Ariadne and Bacchus (1728). Fiona Campbell, mezz; Ensemble Battistin.

ABC 476 594-1 15

Monteverdi, C. Lasciate mi morire: Lamento d’Arianna, from Arianna (1608). Anne Sofie von Otter, mezz; Drottningholm Baroque Ensemble.

Proprius PRCD 9008 C 4 Locatelli, P. Concerto grosso in E flat, op 7 no 6, Il pianto d’Arianna (pub. 1741). Enrico Onofri, vn; Il Giardino Armonico/Giovanni Antonini. naïve OP 30399 18 Clérambault, L-N. Cantata: Orphée (c1727).

Sandrine Piau, sop; Les Solistes du Concert Spirituel.

Naxos 8.553744 17 Schenck, J. Sonata no 10 in G, from The Nymphs of the Rhine, op 8 (c1700). Susie Napper, bass viol; Margaret Little, bass viol.

Naxos 8.554415 14

Saturday 20 August

Bach, J.S. Es ist vollbracht, from St John Passion, BWV245 (1724; transcr. Stokowski).

Bournemouth SO/José Serebrier.

Naxos 8.557883 9 Holst, G. Choral fantasia, op 51 (1930). Lynne Dawson, sop; Guildford Choral Society; John Birch, org; Royal PO/Hilary Davan Wetton.

Hyperion CDA66660 18 Vaughan Williams, R. Two hymn preludes (1936). London SO/Bryden Thomson.

Chandos CHAN 9262 8 Debussy, C. La damoiselle élue (1887-88).

Montserrat Caballé, sop; Janet Coster, mezz; Ambrosian Ladies Ch; Symphonica of London/ Wyn Morris.

IMP PCD 1037 22 11:30 ON PARADE Music that’s band Prepared by Owen Fisher Trad. The Irish washerwoman (arr.). Black Dyke Mills Band with four trombone soloists/ Roy Newsome.

Chandos CHAN 4533 3

00:00 CLASSIC-ALL THROUGH THE NIGHT

Elgar, E. March: Pomp and circumstance, 06:00 SATURDAY MORNING MUSIC op 39 no 1 (arr.) Black Dyke Mills Band/Roy with David Garrett Newsome.

Chandos CHAN 4534 6 09:00 WHAT'S ON IN MUSIC Tchaikovsky, P. Overture: 1812 (arr.).

Allentown Band/Ronald Demkee.

AMP 94141

Our weekly guide to musical events in and around Sydney 09:05 THE PIANO ALONE Prepared by Jennifer Foong

Handel, G. Suite no 8 in F minor, HWV433 (1720). Angela Hewitt, pf.

Hyperion CDA67736 13 Fauré, G. Nocturne no 8 in D flat, op 84 (1902). Kathryn Stott, pf.

Hyperion CDA66911/4

3

Glinka, M. Brilliant variations in A on a theme

by Donizetti (1831). Victor Ryabchikov, pf.

BIS CD-980 11 Hanson, R. Sonata, op 12 (1938-40/63). Igor Hmelnitsky, pf.

LP M7 MLF.196 22 10:00 CENTRES OF MUSIC Three Choirs Festival Part 2: Between the wars Prepared by Paul Cooke Sumsion, H. Allegretto (1955). David Cook, org.

Priory PRCD 1093 3 Kodály, Z. Psalmus hungaricus, op 13 (1923).

William McAlpine, ten; London Philharmonia Choir & O/Georg Solti.

Decca 478 3706 19

12

Puccini, G. O mio babbino caro, from Gianni Schicchi (arr.). Michael Colburn, euphonium; American Serenade Band/Henry Charles Smith.

Summit DCD 150 2 Scheidt, S. Galliard battaglia. Summit Brass.

Summit DCD 138 2 12:00 URBAN JAZZ LOUNGE with Leita Hutchings

Mendelssohn, Fanny. Cantata: Job (1831).

Sydney University Graduate Chamber Choir & O/Christopher Bowen.

SUGC recording 11 14:00 AUSTRALIAN VIOLINISTS Prepared by Elaine Siversen Vivaldi, A. Sonata in E flat for two violins and continuo, RV65. Rachael Beesley, vn; Julia Fredersdorff, vn; Tim Blomfield, vc; Monika Kornel, org.

Salut Baroque SAL006 9 Janácek, L. Sonata (1914/21). David Saffir, vn; Albert Landa, pf.

Fine Music tape archive 18 14:30 SATURDAY MATINEE At the ballet Prepared by James Nightingale Messager, A. Ballet: The two pigeons (1886).

Welsh National Opera O/Richard Bonynge.

Decca 476 2448 1:03 Tcherepnin, N. Ballet: Le pavillon d’Armide, fantastic ballet (1906). Moscow SO/Henry Shek.

Naxos 8.573657 1:07 Sibelius, J. Ballet scene (1891). Gothenburg SO/Neeme Järvi.

BIS CD-472 8 17:00 SOCIETY SPOT Classical Guitar Society with Darryl Rule 18:00 STAGE AND SCREEN Adapted Romance Prepared by Angela Cockburn Yeston, M. Excerpts from Nine (1982).

Jonathan Pryce, Elaine Paige, Ann Crumb, Anita Dobson, Meg Johnson, Liliane Montevecchio, voices; Ch & O/Timothy Higgs.

Ter-Orbis MUSC N36 19

Flaherty, S. Excerpts from Once on this island (1990). P.P. Arnold, Lorna Brown, Sharon D. Clarke, Clive Rowe, voices; Original London Cast/Richard Balcombe.

Schumann, C. Lieder aus Jucunde, op 23 nos Ter-Orbis MUSC N46 16 1-6 (1853). Geraldine McGreevy, sop; Graham Schmidt, H. Excerpts from The fantasticks Johnson, pf.

(1960). Graham Bickley, Alexander Hanson, Hyperion CDJ33106 15 Catherine Porter, Brian Greene, Matt Mendelssohn, F. Infelice (1843). Cecilia Zimmerman, voices; National SO/Martin Bartoli, mezz; Maxim Vengerov, vn; O La Yates.

Scintilla/Ádám Fischer.

Ter-Orbis MUSC N60 16 Decca 475 9077 12 Saint-Saëns, C. Four excerpts from Mélodies 19:00 EMERGENT JAZZ with Keith Pettigrew persanes, op 26. François le Roux, bar; 13:00 TREASURES OF THE VOICE Vocal music of the Romantic Era Prepared by Paul Cooke

Graham Johnson, pf.

Hyperion CDA66856

13

40

Mozart, W. Mass in C, K317, Coronation (1779). Emma Kirkby, sop; Catherine Robbin, cont; John Mark Ainsley, ten; Michael George, Prokofiev, S. Autumn, op 8 (1910/15). Scottish bass; Alistair Ross, org; Choir of Winchester Cathedral; Winchester College Quiristers; NO/Neeme Järvi.

Chandos CHAN 8806 7 Academy of Ancient Music/Christopher Hogwood.

Sonata no 3 in A minor, op 28 (1907/17). Emil Decca 478 3640 25 Gilels, pf.

Philips 456 796-2 8 10:00 THE CLASSICAL ERA 20:00 THE LIFE OF A COMPOSER Sergei Prokofiev Prepared by Frank Morrison

Gallon, N. Récit et allegro (1938). Keith Robinson, bn; Gerard Willems, pf.

Fine Music concert recording

5

Thompson, R. The pasture; Stopping by woods on a snowy evening, from Frostiana (1959). Turtle Creek Chorale; Dallas Wind Symphony/Timothy Seelig.

Reference Recordings RR-49CD 7 Foss, L. Three American pieces (1944). Itzhak Perlman, vn; Boston SO/Seiji Ozawa.

EMI 5 55360 2 12

Overture on Hebrew themes, op 34 (1919/34).

James Campbell, cl; Eleonora Turovsky, vn; Rivka Golani, va; Borodin Trio.

Chandos CHAN 8924 10

Prepared by Frank Morrison

String quartet no 1 in B minor, op 50 (1930).

Chilingirian Quartet.

Chandos CHAN 8929 23

Haydn, J. Horn concerto no 1 in D, Hob.VIId:3 (1762). Hermann Baumann, hn; Academy of St Foss, L. Song of anguish (1953). James Maddalena, bar; Berlin RSO/Gerard Schwarz.

Martin in the Fields/Iona Brown.

21 Philips 422 346-2 16 Naxos 8.559438 Bernstein, L. Symphony no 2, The age of Arriaga, J. String quartet no 1 in D minor anxiety (1947-49/65). Lukas Foss, pf; Israel (1821-22). Chilingirian Quartet.

CRD 33123 30 PO/Leonard Bernstein.

DG 415 964-2 35 Mozart, W. Abendempfindung an Laura, K523 Foss, L. Solo (1981).

Scott Dunn, pf.

(1787). Peter Schreier, ten; András Schiff, pf.

13 Decca 430514-2 6 Naxos 8.559179

Suite from Lieutenant Kijé, op 60 (1934).

Montreal SO/Charles Dutoit.

Decca 430506-2

20

Russian folk songs, op 104 (1944). Lucia Popp, sop; Geoffrey Parsons, pf.

Orfeo C 363 941 B

7

Symphony no 7 in C sharp minor, op 131 (1951-52). Czech PO/Zdenék Kosler.

Supraphon SU 4093-2 35 22:00 SATURDAY NIGHT AT HOME Prepared by Elaine Siversen

Rossini, G. Variations in F (1810). European CO Per Musica/Julian Reynolds.

Globe GLO 6014 10

Krommer, F. Quartet in B flat, op 46 no 1 (1804) Eckart Hübner, bn; Johannes Lüthy, va; Steuart Eaton, va: Reinhard Latzko, vc. cpo CPO 999 297-2 20

Vorisek, J. Symphony in D, op 24 (1823).

Stravinsky, I. Suite italienne (1933; arr.

Scottish CO/Charles Mackerras.

Dushkin). Sophie Rowell, vn; Julian Smiles, vc; Hyperion CDA66800 27 Kathryn Selby, pf.

Fine Music concert recording 17 12:00 CLASSIC JAZZ with Dave Mac Mendelssohn, F. Symphony no 4 in A, op 90, Italian (1833). Vienna PO/Christoph von 13:00 WORLD MUSIC Dohnányi.

Decca 460 239-2 26 Whirled Wide with Carole Garland Liszt, F. Venice and Naples (first set) (1840).

Leslie Howard, pf.

14:00 INTIMATE VOICES Hyperion CDS44561 24 At sixes and sevens Part 3 Berlioz, H. Harold in Italy (1834; transcr. Liszt Prepared by Jennifer Foong c1836). Hartmut Lindemann, va; Geoffrey Boccherini, L. String sextet in F, op 23 no Tozer, pf.

6, G459 (1776). Mayumi Seiler vn; Iris Juda, Fine Music concert recording 45 vn; Diemut Poppen, va; Werner Dickel, va; Richard Lester vc; Howard Penny, vc.

Brilliant Classics 94386 16

Sunday 21 August

00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC with Robert Small

Beethoven, L. Septet in E flat for winds and strings, op 20 (1799-1800). Nash Ensemble.

Virgin VC 7 91137-2 40 15:00 SUNDAY SPECIAL Lukas Foss and friends Prepared by Paul Cooke

09:00 MUSICA SACRA Prepared by Elaine Siversen Bach, J.S. Cantata, BWV66: Be joyful, ye hearts (1724). Barbara Schlick, sop; Kai Wessel, alto; James Taylor, ten; Peter Kooy, bass; Collegium Vocale/Philippe Herreweghe.

Harmonia Mundi HMC 901513 30

Foss, L. Introduction; Andante; Allegretto, from Four two-part inventions (1938). Scott Dunn, pf.

Naxos 8.559179 5

41

Copland, A. Cuban dance (1945). James Tocco, pf; Lukas Foss, pf.

Pro Arte CDD 183 7

17:00 HOSANNA Prepared by Richard Munge Hymn. The king of love my shepherd is.

Choirs of Saint Paul’s Parish, Washington, DC; Bruce Newswick, org; Jeffrey Smith, cond.

Pro Organo CD 7090 7 Psalms. No 114: When Israel came out of Egypt; No 145: I will magnify Thee, O God. Choir of York Minster; John Scott Whiteley, org; Philip Moore, cond.

Priory PRCD 5013 8 Stopford, P. Magnificat; Nunc dimittis. Choir of Truro Cathedral/Christopher Gray.

Regent REGCD400 7 Ireland, J. Anthem: Greater love hath no man.

Choir of St Clement Danes, London; Paul Brough, org; Peter Long, cond.

CRC 1223-2 6 Stanford, C. Villiers Anthem: Beati quorum via. Choir of St Clement Danes, London/Peter Long.

CRC 1223-2 4 Howells, H. Anthem: Like as a hart. Choir of Lincoln Cathedral/Colin Walsh.

Priory PRCD 454 6 Hymns. O praise ye the Lord; O Thou who camest from above; Praise to the Lord, the Almighty. Choir of Westminster Abbey; Robert Quinney, org; James O’Donnell, cond.

Hyperion CDA 68013 8 Stainer, J. Prelude and fughetta. Siegfried Franke, org.

Sound for sense SPC 0699 6

18:00 THE PIANO SONATA Australian sonatas: The landscape of the keyboard Part 3 Prepared by James Nightingale Hutchens, F. By the river (1947). TamaraAnna Cislowska, pf.

Artworks AW023 4 Hanson, R. Sonata, op 12 (1938-40/63).

Michael Kieran Harvey, pf.

Move MD 3397 18 Ghandar, A. Garden with birds (1998-99). Ian Munro, pf.

Tall Poppies TP145 10 Hyde, M. Sonata in G minor (1941-44). Miriam Hyde, pf.

Canberra School of Music CSM:16 22 19:00 SUNDAY NIGHT CONCERT Prepared by Anabela Pina Zimmermann, A. Double bass concerto in D (c1779). Edicson Ruiz, db; Teresa Carreño Youth SO of Venezuela/Christian Vásquez.

Philharmonie PHIL 06020 22 Kozeluch, L. Clarinet concerto in E flat (bef.

1790). Emma Johnson, cl; Royal PO/Günther Herbig.

ASV DCA 763 22 Massenet, J. Ballet music from the opera Cendrillon (1899). Academy of St Martin in the Fields/Neville Marriner.

Brilliant Classics 94355 21 Granados, E. Suite orientale (1888-89).

Barcelona SO/Pablo González.

Naxos 8.573265

16

20:30 NEW HORIZONS Prepared by Nev Dorrington Zawadski, S. Altair. Sebastian Zawadski, pf; Budapest SO. Private recording 43 Roedelius - Story. 4 Hands. Hans Joachim Roedelius, Tim Story, pf.

Erased Tapes Records ERTP 146 43 22:00 JAZZ AFTER HOURS with Deborah Evans

Monday 22 August 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST with James Hunter

09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1856 Prepared by Di Cox Glinka, M. Waltz-fantasy (1856). Armenian PO/Loris Tjeknavorian.

ASV DCA 1075 9 Lalo, E. Sonata (1856). Valentin Radutiu, vc; Per Rundberg, pf.

Hänssler 98.654 25 Massé, V. Carnaval de Venise, from La Reine topaze (1856). Sumi Jo, sop; English CO/ Richard Bonynge.

ABC 480 5514 6 Meyerbeer, G. Torch dance no 3 in C minor, from Dances for Prussian royal weddings (1856). Hanover Radio PO/Michail Jurowski. cpo 999 168-2 13 Bruch, M. String quartet in C minor, op 9 (1856). Isos Quartet.

Schwann 3-6486-2 25 10:30 CONCERT HALL Prepared by Elaine Siversen Enescu, G. Rumanian rhapsody in A, op 11 no 1 (1901). SBS Youth O/Matthew Krel.

YME 1 12 Reinecke, C. Violin concerto no 2 in G minor, op 141 (1877). Ingolf Turban, vn; Berne SO/ Johannes Moesus. cpo 7777 105-2 34 Reicha, A. Symphony in F (1808). Beethoven Academy O/Jan Caeyers.

Audivis-Valois V 4834 36 12:00 SWING SESSIONS with John Buchanan 13:00 SERENADES Prepared by Andrew Dziedzic Mozart, W. Serenade no 12 in C minor, K388 (1782-83). Sydney Wind Soloists.

LP RCA VRL1 0166 20

Elgar, E. Serenade in E minor for strings, op 20 (1892). Soloists of Australia/Ronald Thomas.

Chandos CHAN 6526 11 15:00 A SHARED MOMENT Prepared by James Nightingale Martinu, B. Serenada no 2 (1932). Kenneth Sillito, vn; Malcolm Latchem, vn; Robert Smissens, va.

Chandos CHAN 8771 6 Medtner, N. Sonata romantica in B flat minor, op 53 no 1 (1932). Geoffrey Tozer, pf.

Chandos CHAN 9691 24 Prokofiev, S. String quartet no 1 in B minor, op 50 (1931). Pavel Haas Quartet.

Supraphon SU 3957-2 24 16:00 FINE MUSIC DRIVE with Stephen Wilson 19:00 JAZZ PULSE with Chris Wetherall 20:00 STORMY MONDAY with Austin Harrison 22:00 JAZZ AFTER HOURS with Gail Monjo

Tuesday 23 August 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Frank Morrison Stravinsky, I. Three movements from Petrushka (1911/47). Katia Labeque, pf; Marielle Labeque, pf.

Philips 420 822-2

15

Tchaikovsky, P. Serenade in C for strings, op 48 (1880). Australian CO/Carl Pini.

Omega OCD 1010 29

Muffat, G. Passacaglia in G minor, from Apparatus musico-organisticus (1690).

Andreas Staier, hpd.

Harmonia Mundi HMC 902143

8

Gounod, C. Sérénade (1857). Yvonne Kenny, sop; Malcolm Martineau, pf.

ABC 476 4991 4

Bax, A. Sonata (1934). Emma Johnson, cl; Malcolm Martineau, pf.

ASV DCA 891 14

Jolivet, A. Serenade (1945). Emma Scholl, fl; Shefali Pryor, ob; Matthew Ockendon, bn; Euan Harvey, hn; David Rowden, cl & dir.

Fine Music concert recording 18

Chopin, F. Grande polonaise, op 22 (1834).

Alfred Brendel, pf.

Vanguard OVC 4023 9

Britten, B. Serenade for tenor, horn and strings, op 31 (1943). Peter Pears, ten; Barry Tuckwell, hn; London SO/Benjamin Britten.

ABC 480 7301 24

Joncières, V. de Hungarian serenade. Jane Rutter, fl; David Mibus, pf.

ABC 481 0307 3

42

Vivaldi, A. Organ concerto in G minor, RV578, from L’Estro armonico, op 3 (pub. 1711; transcr. de Lasala). Pastór de Lasala, org.

Fine Music concert recording 9

Beethoven, L. Piano trio in C minor, op 1 no 3 Krommer, F. Oboe quintet no 1 in C. Nancy Ambrose King, ob; Solomia Soroka, vn; Eva (1792-95). Beaux Arts Trio.

Philips 438 948-2 23 Stern, va; Joseph Kam, va; Natalia Khoma, vc.

Naxos 8.557669 27 10:30 CONCERT HALL Bach, J.S. Sonata in E minor, BWV1030 Prepared by Paul Cooke (1730s). Matthew Wilkie, bn; Kees Boersma, Kats-Chernin, E. Mythic (2004). Tasmanian db; Neal Peres da Costa, hpd.

SO/Ola Rudner.

Melba MR 301124 18 ABC 481 6430 11 Hough, S. Trio: What happens to the tears?

Vanhal, J. Violin concerto in G, (bef. 1772).

(2008). Michael Hasel, picc; Marion Reinhard, Takako Nishizaki, vn; Cologne CO/Helmut dbn; Stephen Hough, pf.

Müller-Brühl.

BIS BIS-CD-1952 14 Naxos 8.557815 27 Martinu, B. Nonet for wind quintet, string trio Bax, A. Symphony no 3 (1929). Royal Scottish and double bass (1959). Dartington Ensemble.

NO/David Lloyd-Jones.

Hyperion CDD22039 17 Naxos 8.553608 44

Wednesday 24 August

12:00 JAZZ RHYTHM with Jeannie McInnes 13:00 JAZZ ABOUT TOWN with Deborah Evans

00:00 CONTEMPORARY COLLECTIVE

14:00 ENGLISH CHAMBER Prepared by Derek Parker

03:00 CLASSICAL TILL DAWN

Bliss, A. Sonata. Martin Outram, va; Julian Rolton, pf.

Naxos 8.555931 24 Parry, H. Partita in D minor (1877-86).

Benjamin Nabarro, vn; Tim Horton, pf.

Hyperion CDA68243

16

Britten, B. Quartet no 2 in C, op 36 (1945).

Amadeus String Quartet.

Decca 478 5364 28 Ireland, J. Fantasy sonata in E flat (1943).

Emma Johnson, cl; Malcolm Martineau, pf.

ASV DCA 891 14 Elgar, E. Quartet in E minor, op 83 (1918).

Brodsky String Quartet.

ASV DCA 526 27 16:00 FINE MUSIC DRIVE with Michael Morton-Evans 19:00 THE JAZZ BEAT with Lloyd Capps 20:00 JUST IN with David Garrett A selection from the latest recordings to arrive at the Fine Music Library 22:00 CHAMBER SOIRÉE Prepared by Rex Burgess Roussel, A. Serenade for flute, string trio and harp, op 30 (1925). Mirage Quintet.

Naxos 8.570444 16 Koechlin, C. Les confidences d’un joueur de clarinette, op 141 (1934). Dirk Altmann, cl; Sibylle Mahn Haas, hn; Gunther Tueffel, va.

SWR Music SWR19047CD 18

06:00 FINE MUSIC BREAKFAST with Stephen Wilson 09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Jacky Ternisien Gassmann, F. Overture to L’amore artigiano (1767). English CO/Richard Bonynge.

Decca 466 434-2 7

Westlake, N. Invocations: concerto for bass clarinet and chamber orchestra (1994). Nigel Westlake, cl; Alison Lazaroff-Somssich, vn; Tasmanian SO/David Porcelijn.

ABC 462 017-2 21 Beethoven, L. Symphony no 3 in E flat, op 55, Eroica (1803). Vienna PO/Simon Rattle.

EMI 5 57445 2 50 12:00 JAZZ SKETCHES with Robert Vale 13:00 IN CONVERSATION with Simon Moore 14:00 QUEENSLAND CALLING Part 3 Prepared by Ron Walledge Mills, R. Seaside dances (1989). Queensland SO/Richard Mills.

ABC 432 251-2 24 Benjamin, A. Ballade for string orchestra (1947). Queensland SO/Christopher LyndonGee. Marco Polo 8.223764 15 Delius, F. A walk to the Paradise Garden, from A village Romeo and Juliet (1907).

Queensland SO/Wilfred Lehmann.

ABC 476 6955 9 Bruckner, A. Symphony no 7 in E (1881-83).

Queensland SO/Muhai Tang.

ABC 456 664-2 1:01

Kerll, J. Suite in A minor. John O’Donnell, hpd. 16:00 FINE MUSIC DRIVE Tall Poppies TP 121 9 with Robert Gilchrist Assmayer, I. Wind octet in E flat. Consortium Classicum.

Schwann 310 002 H1 18

19:00 PLANET JAZZ with Xavier Bichon

20:00 AT THE OPERA Holzbauer, I. Double concerto in E flat.

Prepared by Camille Mercep Wilfred Engel, va; Philipp Bosbach, vc; Capella Verdi, G. A masked ball. Opera in three acts.

Clementina/Helmut Müller-Brühl.

LP Philips 9502 067 14 Libretto by Antonio Somma. First performed Rome, 1859.

Reutter, G. the Younger Alma Redemptoris RICCARDO: Carlo Bergonzi, ten no 5 (ed. Raum). Monica Groop, mezz; AMELIA: Birgit Nilsson, sop Christian Lindberg, tb; Ann Wallström, vn; RENATO: Cornell MacNeil, bar Marit Bergman, vn; Olof Larsson, vc; Björn ULRICA: Giulietta Simionato, mezz Gäfvert, org.

BIS CD-548 10 Academy of St Cecilia Ch &O/Georg Solti.

Decca 478 3705 2:07 Weigl, J. Concertino. Hans Wolfgang Dünschede, fl; Günter Zorn, ob; Dieter Klöcker, Riccardo, Governor of Boston, plans a masked ball. He is in love with Amelia, wife of his cl; Karl Hartmann, bn; Wolfgang Güttler, db; friend, Renato. Amelia struggles against her Edward Witsenburg, hp.

Schwann 310 001 H1 20 attraction to him. On the advice of Ulrica, a fortune teller, she goes at midnight to pick a 10:30 CONCERT HALL herb that will calm her infatuation. Riccardo Prepared by James Nightingale surprises the veiled Amelia and they confess their love. Renato warns Riccardo that plotters Koechlin, C. Vers la voûte étoilée, op 129 want to assassinate him and Riccardo flees, (1929-33, orch. 1939). Stuttgart RSO/Heinz asking Renato to escort the veiled woman but Holliger.

SWR Music SWR19046CD 13 not discover her identity. In a struggle with the assassins, Amelia’s veil is torn off. Renato,

43

Zandonai, R. No, Smaragdi, no!, from Francesca da Rimini (1914). Renata Tebaldi, sop; Franco Corelli, ten; Les Choeurs Léman; Suisse Romande O/Anton Guadagno.

18 Prelude from The force of destiny (1862). Milan Decca 467 918-2 Giuseppe Verdi SO/Riccardo Chailly.

10:30 CONCERT HALL Decca 473 767-2 3 Prepared by Frank Morrison La vergine degli angeli, from The force of Khachaturian, A. Triumphal poem (1947). destiny. Barbara Frittoli, sop; Turin Reggio BBC PO/Fedor Gluschenko.

Theatre Ch & O/Gianandrea Noseda.

Chandos CHAN 9321 18 Chandos CHAN 10659 4 Taubert, W. Piano concerto no 2 in A, op 189 22:30 MUSIC OF THE NIGHT (c1874). Tasmanian SO/Howard Shelley, pf & Prepared by Chloe Sinclair dir.

24 Piston, W. String quartet no 1 (1933). Portland Hyperion CDA67765 believing the worst, joins the conspirators and kills Riccardo at the masked ball. With his dying words, the Governor declares that Amelia is innocent.

String Quartet.

Northeastern NR 9001

19

Edwards, R. Marimba dances (1982). Michael Askill, mar.

Southern Cross SCCD 1021 10 Vasks, P. Cello concerto (1993-94). Marko Ylönen, vc; Tampere PO/John Storgårds.

Ondine ODE 1086-5 35

Ives, C. Symphony no 1 (1895-98). Detroit SO/Neeme Järvi.

Chandos CHAN 9053 40 12:00 JAZZ AFTER NOON with Sue Jowell 13:00 MOZART IN CHAMBER Prepared by Derek Parker

Hannan, M. Cloudcatcher 1 (2016). VineyGrinberg Piano Duo. Wirripang Wirr 089 14

Mozart, W. Sonata no 29 in B flat, K454 (1784). Igor Oistrakh, vn; Natalia Zertsalova, pf.

Melodiya MA 13689 21

Thursday 25 August

Clarinet quintet in A, K581 (1789). Gervase de Peyer, cl; Amadeus Quartet.

DG 437 137-2 33

00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Simon Moore 09:00 DIVERSIONS IN FINE MUSIC Romance and romantics Prepared by Chris Blower Wolf-Ferrari, E. Overture and intermezzo from Doctor Cupid (1913). BBC PO/ Gianandrea Noseda.

Chandos CHAN 10511 14 Schumann, C. Romance in C, op 3 (1833).

Veronica Jochum, pf.

Pro Arte CDD 396 9 Shankar, R. Morning love (1976). Jean-Pierre Rampal, fl; Ravi Shankar, sitar; Kamala Chakravarti, tanpura; Alla Rakha, tabla.

Warner Classics 5 86555 2 12

14:00 FROM NORMANDY Prepared by Jacky Ternisien Honegger, A. Concerto da camera (1949). I Musici de Montréal/Yuli Turovsky.

Chandos CHAN 8632 18 Corrette, M. Sonata in D, from Les délices de la solitude, op 20 no 6 (c1739). Mark Caudle, vc; Paul Nicholson, hpd.

Amon Ra CD-SAR 57 11 Boïeldieu, A. Harp concerto in C (1801).

Marielle Nordmann, hp; Franz Liszt CO/JeanPierre Rampal.

Sony SK 58919 23 Satie, E. Aperçus désagréables (1906-12); Ballet réaliste: Parade (1917; arr.). Pascal Rogé, Jean-Philippe Collard, pf.

Decca 455 401-2 16

Brossard, S. de Dialogue of a repentant soul with God. Chantal Santon Jeffery, sop; Jeffrey Thompson, ct; La Rêveuse/Benjamin Perrot.

15 Schumann, R. Three romances, op 94 (1849). Mirare MIR 125 Paul Meyer, cl; Éric le Sage, pf.

Caplet, A. Quintet for flute, oboe, clarinet, Denon CO-75960 13 bassoon and piano (1899). Éric le Sage, pf; Mozart, W. Duet, from The marriage of Figaro, Les Vents Français.

Warner Classics 0825646231850 25 K492 (1786). Wolfgang Schulz, fl; Hansjorg Schellenberger, ob.

DG 423 611-2 13

44

16:00 FINE MUSIC DRIVE with Marilyn Schock 19:00 THE NEW JAZZ STANDARD with Frank Presley 20:00 THE WORLD OF A SYMPHONY Prepared by David Brett Hovhaness, A. Khrimian hairig, op 49 (194448). Lars Ranch, tpt; Berlin RSO/Gerard Schwarz.

Naxos 8.559294 8 Sibelius, J. Violin concerto in D minor, op 47 (1904). Adele Anthony, vn; Adelaide SO/Arvo Volmer.

Canary Classics CC09 32 Bernstein, L. Symphonic suite, from On the waterfront (1955). West Australian SO/ Benjamin Northey.

ABC 481 7378 19 Hovhaness, A. Concerto for two pianos and orchestra (1954). Martin Berkofsky, pf; Atakan Sari, pf; Globalis SO/Konstantin Kremets.

Black Box BBM1103 21 Hanson, H. Summer seascape no 2 (1965).

Adriana Linares, va; Philadelphia Virtuosi CO/ Daniel Spalding.

Naxos 8.559251 8 Hovhaness, A. Symphony no 2, op 132, Mysterious mountain (1955). Royal Liverpool PO/Gerard Schwarz.

Telarc CD-80604 20 22:00 THE MAGIC HORN Prepared by Elaine Siversen Rossini, G. Prelude, theme and variations (1857). Simone Baroncini, hn; Victoria Terekiev, pf.

Nuova Era 7100/01 11 Nicolai, O. Duo horn sonata no 1 in F (1848).

Roger Montgomery, hn; Christopher Larkin, hn.

Hyperion CDA67119 16 22:30 ULTIMA THULE

Friday 26 August 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Vicky Zhang

09:00 DIVERSIONS IN FINE MUSIC Something borrowed Prepared by Gerald Holder Vivaldi, A. Double concerto in G, RV532 (arr. Malipiero). Slava Grigoryan, gui; Leonard Grigoryan, gui; Tasmanian SO/Benjamin Northey.

ABC 480 6461 12 Granados, E. Valses poéticos (1887; arr.

McFadden). Jeffrey McFadden, gui.

Naxos 8.553401 11

Salieri, A. Concerto in C for flute, oboe and orchestra (1774; arr.). Geoffrey Collins, fl; David Nuttall, ob; Dene Olding, vn; Dimity Hall, vn; Irena Morozova, va; David Pereira, vc; Dorith Herskovits, db; Paul Dyer, hpd.

Fine Music concert recording 19 14:30 GERMAN COMPOSERS OF THE 1930s Prepared by James Nightingale

Dohnányi, E. Symphonic minutes, op 36 (1933). West Australian SO/Jorge Mester.

Beethoven, L. Excerpts from Fidelio (1804/14; ABC 438 197-2 13 transcr. Sedlak). Melbourne Windpower/ Hindemith, P. Sonata no 3 in B flat (1936). Ivo Richard Runnels.

Janssen, pf.

Move MD 3110 17 Globe GLO 5113 19 Wagner, R. Overture to Tannhäuser (1842; Strauss, R. Traumlicht, op 123 no 2 (1935). arr. Liszt 1848). Leslie Howard, pf.

King’s Singers.

Hyperion CDS44548 18 Signum SIGCD147 6 Kats-Chernin, E. Re-inventions, based on Gieseking, W. Sonatine in E minor (1935). Ali two-part inventions of J.S. Bach (1720-23; Goldsmith, fl; Miles Graber, pf. transcr. 2004). Alicia Crossley, rec; Diana Titanic Ti-281 15 Weston, hpd.

Thoroughbass 20130731 23 Berg, A. Violin concerto, To the memory of an angel (1935). Gil Shaham, vn; Staatskapelle 10:30 CONCERT HALL Dresden/David Robertson.

Prepared by Michael Field Canary Classics CC12 27 Milhaud, D. Suite provençale, op 152b (1936).

Detroit SO/Neeme Järvi.

Chandos CHAN 9072 14

16:00 FINE MUSIC DRIVE with Lloyd Capps

Corigliano, J. Oboe concerto (1975). Humbert 19:00 FRIDAY JAZZ SESSION with Alex Siegers Lucarelli, ob; American SO/Kazuyoshi Akiyama.

20:00 EVENINGS WITH THE RCA GD60395 26 ORCHESTRA Brahms, J. Symphony no 4 in E minor, op 98 A night at the ballet (1884-85). Royal Concertgebouw O/Herbert Prepared by Peter Poole Blomstedt.

Walton, W. Ballet: The wise virgins, after J.S. Radio Nederland RCO12004 41 Bach (1943). Concert Arts O/Robert Irving.

EMI 5 65911 2 21 12:00 A JAZZ HOUR with Barry O'Sullivan Holst, G. Ballet music from The perfect fool, op 39 (1918-22). London PO/Adrian Boult.

13:00 GEOFFREY’S FLUTE Decca 440 318-2 11 Prepared by Chris Blower Easdale, B. Ballet from The red shoes (1948).

Weber, C.M. Trio in G minor, op 63 (1819).

Cynthia Millar, ondes martenot; BBC NO of Geoffrey Collins, fl; David Pereira, vc; David Wales/Rumon Gamba.

Bollard, pf.

Chandos CHAN 10636 16 Fine Music concert recording 19 Vaughan Williams, R. Ballet: Old King Cole Boyd, A. Cloudy Mountain (1981). Geoffrey (1923). London PO/Adrian Boult.

Collins, fl; Nicholas Routley, pf.

Belart 461 3542 19 Fine Music tape archive 8 Coates, E. Ballet: The enchanted garden Reicha, A. 18 Variations and a fantasy in G (1946). London PO/Barry Wordsworth. on Mozart’s Se vuol ballare, op 51 (1804).

Lyrita SRCD.213 21 Geoffrey Collins, fl; Dene Olding, vn; Julian Lambert, C. Ballet: Pomona (1926). English Smiles, vc.

Fine Music concert recording 16 CO/Norman Del Mar. Lyrita SRCD.215 21 Bach, J.S. Overture no 2 in B minor, BWV1067 (1738-39). Geoffrey Collins, fl; Australian CO/Nicholas Kraemer.

Fine Music tape archive 18

45

22:00 BAROQUE AND BEFORE John Blow and the less prominent Prepared by Robert Gilchrist Henry VIII. En vray amour; Pastime with good company; Four consort pieces. Musica Antiqua of London.

Amon Ra CD-SAR 51 13 Clarke, J. Come, come along for a dance and a song (1695-96). Ruth Holton, sop; Charles Daniels, ten; Simon Birchall, bass; Parley of Instruments Baroque Choir & O/Roy Goodman.

Hyperion CDA66578 23 Dieupart, C. Suite no 1 in A; Suite no 2 in D (1701). Ruth Wilkinson, flûte à voix; Linda Kent, hpd.

Move MD 3161 24 Blow, J. Ode on the death of Mr Henry Purcell (1695). James, Bowman, ct; Michael Chance, ct; King’s Consort/Robert King.

Helios CDH55447 22 Eccles, J. Suite: Made for the Queen's coronation (1702). Mark Bennett, tpt; Members of Parley of Instruments/Peter Holman.

Hyperion CDA66817 12 Humfrey, P. Lift up your heads. Drew Minter, ct; Rogers Covey-Crump, ten; Choir of Clare College, Cambridge; Romanesca/Nicholas McGegan.

Harmonia Mundi HMU 907053 7 Gibbons, C. Above the stars my Saviour dwells. Philippa Hyde, sop; Charmian Bedford, sop; Academy of Ancient Music Choir; Alastair Ross, org; Academy of Ancient Music/Richard Egarr.

Harmonia Mundi HMU 807551 6

Saturday 27 August 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SATURDAY MORNING MUSIC with Stephen Wilson 09:00 WHAT'S ON IN MUSIC Our weekly guide to musical events in and around Sydney 09:05 THE PIANO ALONE Prepared by Krystal Li Albéniz, I. Azulejos (1909; compl. Granados).

Guillermo González, pf.

Naxos 8.570553 10 Mozart, W. Adagio in B minor, K540 (1788).

Mitsuko Uchida, pf.

Philips 456 982-2 11

Turina, J. Romantic sonata on a Spanish theme (1909). Jordi Masó, pf.

Naxos 8.557438 28 10:00 CENTRES OF MUSIC Ferrara and the d’Este Court Prepared by Susan Foulcher Dufay, G. Ballad: It is fitting to extol and honour all princes of great renown (1430s).

Diabolus in Musica/Antoine Guerber.

Alpha 116 7 Martini, J. Salve Regina. Clerks’ Group; Edward Wickham, cond.

ASV Gau 171

12

Obrecht, J. Christe de si dedero; Ik draghe de mutse clutse (arr. Wallace). Frank Wallace, vihuela.

Centaur CRC 2109 4 Josquin Desprez. Missa Hercules dux Ferrariae. Hilliard Ensemble; Paul Hillier.

EMI CDC 7 49960 2 27 d’Este, S. Angelus Domini descendit (pub.

1543). Musica Secreta/Laurie Stras, Deborah Roberts.

Obsidian CD717 12 Dowland, J. Lady Hunsdon's puffe; A fancy.

Christopher Wilson, lute.

Virgin VC 7 91216-2 4 Marenzio, L. Excerpts from Madrigals à 5 bk 1 (1580). La Compagnia del Madrigale.

Glossa GCD 922802 6 Gesualdo, C. Excerpts from Madrigals à 5 bk 6. Collegium Vocale Gent/Philippe Herreweghe.

Outhere Music LPH024

8

11:30 ON PARADE Prepared by Peter Poole Webb, J. MacArthur Park (arr. Catherall).

Grimethorpe Colliery Band/Gary Cutt.

Chandos CHAN 4552

6

Wagner, R. Prelude to Act III of Lohengrin (arr. Wright). Grimethorpe Colliery Band/Peter Parkes.

Chandos CHAN 4552 4 Chabrier, E. Marche joyeuse (arr. Langford).

Grimethorpe Colliery Band/Peter Parkes.

Chandos CHAN 4542 3 Rodgers, R. Slaughter on 10th Avenue (arr.

Smith). Grimethorpe Colliery Band/Gary Cutt.

Chandos CHAN 4552 7 Rachmaninov, S. Variation 18, from Rhapsody on a theme of Paganini (arr. Snell).

Nigel Fielding, cornet; Grimethorpe Colliery Band/ Peter Parkes.

Chandos CHAN 4552 3

12:00 URBAN JAZZ LOUNGE with Leita Hutchings 13:00 IN A SENTIMENTAL MOOD with Maureen Meers Nostalgic music and artists from the 30s, 40s and 50s and occasionally beyond, in a trip down many memory lanes 14:00 AUSTRALIAN VIOLINISTS Prepared by Elaine Siversen Schubert, F. Allegro, from Trio in B flat, D471 (1816; arr.). Fiona Ziegler, vn; Léone Ziegler, vn, Pierce Emery, vc.

Fine Music concert recording 6 Grieg, E. Sonata no 2 in G, op 13 (1867).

Marina Marsden, vn; Robert Chamberlain, pf.

Fine Music concert recording 20 14:30 SATURDAY MATINEE Choral masterworks: After the fall Myslivecek, J. Oratorio: Adamo ed Eva, (1771). Roberta Mameli, sop; Alice Rossi, sop; Luciana Mancini, mezz; Valerio Contaldo, ten; Il Gardellino/Peter van Heyghen.

Passecaille PAS 1053 2:09 Symphony in C (c1788-80). Concerto Cologne/Werner Ehrhardt.

Archiv 477 6418

7

17:00 SOCIETY SPOT Sydney Schubert Society with Ross Hayes 18:00 STAGE AND SCREEN Prepared by Anabela Pina Jones, T. Excerpts from the film The last of the Mohicans (1992). O/Daniel A. Carlin.

Polydor 517 497-2 10 Horner, J. Excerpts from the film The devil’s own (1997). O/James Horner.

Beyond Music TBCD 1204 9 Excerpts from the film Braveheart (1995).

London SO/James Horner.

London 448 295-2 18 Shore, H. Excerpts from the film The Lord of the Rings: The return of the King (2003). Annie Lennox, voice; O/Howard Shore.

Reprise/WMG Soundtracks 9362485212 16 19:00 EMERGENT JAZZ with Keith Pettigrew 20:00 THE LIFE OF A COMPOSER Mikhail Glinka Prepared by Jennifer Foong Glinka, M. Spanish overture no 2: Memory of a summer night in Madrid (1851). Armenian PO/Loris Tjeknavorian.

ASV DCA 1075 10

46

Septet in E flat (1823). Alexander Koreshkov, ob; Alexander Petrov, bn; Igor Makarov, hn; Alexei Bruni, vn; Mikhail Moshkunov, vn; Erik Pozdeev, vc; Rustem Gabdulin, db.

Olympia MKM 76 20 Divertimento on themes from Bellini's La sonnambula (1832). Bolshoi TO Soloists/ Alexander Lazarev.

Le Chant du Monde LDC 288 068 13 Capriccio on Russian themes (1834). Joan Yarbrough, pf; Robert Cowan, pf.

Pantheon D 07183 9 Overture to Ruslan and Ludmila (1842).

Bolshoi TO/Yevgeny Svetlanov.

Melodiya MEL CD10011824

5

Wizard's march, from Ruslan and Ludmila (1842; arr. Liszt). Vladimir Leyetchkiss, pf.

Centaur CRC 2088 5 Tchaikovsky, P. Pezzo capriccioso in B minor, op 62 (1887). Mstislav Rostropovich, vc; USSR State SO/Gennady Rozhdestvensky.

Brilliant Classics 9240 7 Glinka, M. Venetian night (1832). Anthony Rolfe Johnson, ten; Graham Johnson, pf.

Helios CDH55217 2 Cracovienne, from Ivan Susanin (1836).

USSR SO/Yevgeny Svetlanov.

Melodiya SUCD 10-00166

5

Final chorus, from A life for the Tsar (1836).

Bolshoi Ch & SO/Alexander Lazarev.

Erato 4509-91723-2 4 Trio pathétique in D minor (1832). Sarah Watts, cl; Laurence Perkins, bn; Martin Roscoe, pf.

Hyperion CDA68263 Kamarinskaya fantasy (1848; orch. 1860).

Suisse Romande O/Ernest Ansermet.

Decca 480 0038

15

7

22:00 SATURDAY NIGHT AT HOME Prepared by Rex Burgess Handel, G. Music for the royal fireworks, HWV351 (1749). Cove O/Alexander Briger.

Fine Music concert recording 20 Poulenc, F. Concerto in G minor for organ, strings and timpani (1938). Simon Preston, org; Adelaide SO/Nicholas Braithwaite.

ABC 432 529-2 22 Grieg, E. Sonata no 2 in G, op 13 (1867).

Vadim Repin, vn; Nikolai Lugansky, pf.

DG 477 8794 19 Beethoven, L. 33 Variations on a waltz by Diabelli, op 120 (1822-23). Luisa GuembesBuchanan, pf.

Del Aguila DA 55306 52

14:00 INTIMATE VOICES At sixes and sevens Part 4 Prepared by Jennifer Foong

Sunday 28 August

Danzi, F. Sextet in E for two horns and string quartet, op 15 (pub. 1803). Consortium Classicum.

Orfeo C 674 081 A 23

00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC 09:00 MUSICA SACRA Prepared by Robert Small Ahle, J. The glorious day is here; Magnificat à 8. Midori Suzuki, sop; Yoshikazu Mera, ct; Gerd Turk, ten; Stephen Schreckenberger, bass; Bach Collegium, Japan; Concerto Palatino/Masaaki Suzuki.

BIS CD-821 18 Vivaldi, A. Nisi Dominus (c1712). James Bowman, ct; Academy of Ancient Music/ Christopher Hogwood.

L’Oiseau-Lyre 414 329-2 21 Howells, H. Magnificat; Nunc dimittis, from St Paul’s Service (1951). Choir of Trinity College, Cambridge; Simon Bland, org; Stephen Layton, cond.

Hyperion CDA67914 12 10:00 THE CLASSICAL ERA Prepared by Di Cox Cherubini, L. Overture to Medea (1797).

Tuscan O/Donato Renzetti.

Europa 350-221

7

Dittersdorf, C. Harp concerto in A (c1779).

Jana Bousková, hp; South West German CO, Pforzheim/Vladislav Czarnecki.

Brilliant Classics 99512 19

Mendelssohn, F. Piano sextet in D, op 110 (1824). Andra Darzins, va; Wolfgang Wagner, db; Bartholdy Piano Quartet.

Naxos 8.550966 31 15:00 SUNDAY SPECIAL A proliferation of Scarlatti Prepared by James Nightingale Scarlatti, D. Sonatas: in D, Kk14; in D minor, Kk141 (1728). Nicholas Parle, hpd.

Tall Poppies TP057 9

Wood, C. O Thou, the central orb. Choir of St Paul’s Cathedral; Andrew Lucas, org; John Scott, cond.

Hyperion CDA66678 5 Fauré, G. Messe basse. Cambridge Singers; John Scott, org; John Rutter, cond.

Collegium CSCD520 10 Handl, J. Pater noster. Choir of St James’ Church, Sydney/Warren Trevelyan-Jones.

St James o9alb02161413 5 Tabakova, D. Magnificat, from Truro canticles.

Choir of Truro Cathedral; Joseph Wicks, org; Christopher Gray, cond.

Regent REGCD530 7 Hymn. How shall I sing that majesty. Choir of Wells Cathedral; Rupert Gough, org; Malcolm Archer, cond.

Hyperion CDP12101 4

Avison, C. Concerto grosso no 12 in D, after Domenico Scarlatti (1744). Tafelmusik Baroque 18:00 THE PIANO SONATA O/Jean Lamon, vn & dir.

Australian sonatas: the landscape of the SM5000 SMCD5061 15 keyboard Part 4 Prepared by James Nightingale Paderewski, I. Caprice in G in the manner of Scarlatti, op 14 (1887-88). Karol Radziwonowicz, pf.

Harmonia Mundi LCD 2781073/75 3

Edwards, R. Sonata (2011). Bernadette Harvey, pf.

Tall Poppies TP220

Casella, A. Scarlattiana, op 44 (1926). Martin Roscoe, pf; BBC PO/Gianandrea Noseda.

Chandos CHAN 10605 27

Sculthorpe, P. Night pieces (1970-71). Ian Munro, pf.

Tall Poppies TP058 7

Hamelin, M-A. Study no 6 in D minor, Exercise for piano, homage to D. Scarlatti (1992). Marc-André Hamelin, pf.

Hyperion CDA67789 4

Eotvos, M. Sonata (2016). Bernadette Harvey, pf.

Tall Poppies TP058 17

Kats-Chernin, E. Cadences, deviations and Scarlatti (1995). Sydney Alpha Ensemble/ Hummel, J. Septet no 2 in C for winds, strings David Stanhope. and piano, op 114, Military (1829). Capricorn.

ABC 456 468-2 14 Hyperion CDA66396 31 Sciarrino, S. Canzoniere da Scarlatti (2002).

Arriaga, J. String quartet no 1 in D minor Xasax.

(1821-22). Chilingirian Quartet.

Zig Zag ZZT 031001 25 CRD 33123 30 Scarlatti, D. Sonatas: in E, Kk206; in A, Schubert, F. Erlkönig, D328 (1815). Werner Kk212. Murray Perahia, pf.

Hollweg, ten; Roman Ortner, pf.

Sony SK 62785 9 Teldec 8.44058 4 17:00 HOSANNA Haydn, M. Flute concerto in D (1765-68).

István-Zsolt Nagy, fl; Austro-Hungarian Haydn Hymn. Christ triumphant, ever reigning.

O/Ádám Fischer.

Choir of Wells Cathedral; Rupert Gough, org; Nimbus NI 5392 19 Malcolm Archer, cond.

Hyperion CDP12101 3 12:00 CLASSIC JAZZ Howells, H. Te Deum, from Collegium regale. with Dave Mac Choir of Trinity College, Cambridge; Owain Park, org; Stephen Layton, cond.

13:00 WORLD MUSIC Hyperion CDA68105 9 Whirled Wide with Orli Zahava Tomkins, T. Almighty God, the fountain of all wisdom. Oxford Camerata/Jeremy Summerly.

Naxos 8.553794 7

47

11

Vine, C. Sonata no 1 (1990). Michael Kieran Harvey, pf.

ABC 461 723-2 16 19:00 SUNDAY NIGHT CONCERT Prepared by Dan Bickel Rachmaninov, S. Symphonic poem: The Isle of the Dead, op 29 (1909). Sydney SO/ Vladimir Ashkenazy.

Exton EXCL-00018 20 Haydn, J. Horn concerto no 1 in D, Hob.VIId:3 (1762). Hermann Baumann, hn; Academy of St Martin in the Fields/Iona Brown.

Philips 422 346-2 16 Dvorák, A. Symphony no 1 in C minor, op 3, The bells of Zlonice (1865). Berlin PO/Rafael Kubelik.

DG 469 550-2 48 20:30 NEW HORIZONS Prepared by James Nightingale Thorvaldsdottir, A. Metacosmos (2017).

Iceland SO/Daniel Bjarnason.

Sono Luminus DSL-92237 13 Gordon, C. Thought bubbles (2021). Louise Johnson, hp.

Magic Fire Music MFM 007 7

Finsterer, M. Catch (1992). Sydney Alpha Ensemble.

ABC 476 176-0 7 Abrahamsen, H. Schnee, ten canons for nine instruments (2008). Lapland CO/John Storgards.

Da Capo 6.220585 54 22:00 JAZZ AFTER HOURS with Deborah Evans

Monday 29 August 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST with Robert Small 09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1790 Prepared by Anabela Pina Mozart, W. Rivolgete a lui lo sguardo; Il cor vi dono, from Così fan tutte, K588 (1790).

Matthew Rose, bar; Arcangelo/Jonathan Cohen.

Hyperion CDA68078 10 Devienne, F. Trio IV in F (c1790). Sara Ligas, fl; Salavatore Rea, va; Vladimiro Atzeni, vc.

Brilliant Classics 95686 11 Clementi, M. Sonata in A, op 25 no 4 (1790).

Howard Shelley, pf.

Hyperion CDA67738 14 Marsh, J. Symphony no 7 in E flat, La chasse (1790). London Mozart Players/Matthias Bamert.

Chandos CHAN 10458 10 Schulz, J. Der Mond ist aufgegangen (1790).

Bettina Pahn, sop; Joachim Held, lute.

Hänssler 98.284 4 Haydn, J. String quartet in B flat, Hob.III:67 (1790). Vienna Konzerthaus Quartet.

Westminster RC 8808678121735 23

12:00 SWING SESSIONS with John Buchanan 13:00 THREE TO GET READY Prepared by Stephen Gard Bach, C.P.E. Trio sonata in D minor, Wq160 (c1756). Members of London Baroque/Charles Medlam.

Harmonia Mundi HMA1951511 8 Devienne, F. Trio V in G (c1790). Sara Ligas, fl; Salavatore Rea, va; Vladimiro Atzeni, vc.

Brilliant Classics 95686 13 Beethoven, L. Trio in B flat, Wo039 (1812).

Niki Vasilakis, vn; Emma-Jane Murphy, vc; Kathryn Selby, pf.

Fine Music concert recording 5 Molino, F. Grand trio concertant in E minor/G major, op 30, for flute, viola and guitar.

Sérénade à trois. cpo 777 448-2 17 Bach, J.C.F. Trio sonata in F for violin, viola and fortepiano. Members of London Baroque.

BIS CD-1995 10 14:00 INTROSPECTION Prepared by James Nightingale Westlake, N. Piano trio (2003). Macquarie Trio.

Tall Poppies TP187 21 Prokofiev, S. Pensées, op 62 (1933-34).

Roger Woodward, pf.

ABC 426 806-2 14 Nielsen, C. Sleep, op 18 (1903-04). Danish National Radio Ch & SO/Leif Segerstam.

Chandos CHAN 8853 19 15:00 A FOCUS ON BARTÓK Prepared by Derek Parker Bartók, B. Rumanian folk dances (1915; arr.

Flinders Quartet). Flinders Quartet.

Fine Music concert recording 12 Piano concerto no 3 (1945). Zoltán Kocsis, pf; Budapest FO/Iván Fischer.

Philips 416 831-2 23

Cherubini, L. D’un dolce ardor la face, for Suite from The miraculous mandarin, op 19 Salieri’s La grotta di Trofonio (1790). Maria Grazia Schiavo, sop; Auser Musici/Carlo Ipata. (1927). Melbourne SO/Edward Gardner.

19 Hyperion CDA67893 5 Chandos CHSA 5130 10:30 CONCERT HALL Prepared by Rex Burgess

16:00 FINE MUSIC DRIVE with Julie Simonds

Vaughan Williams, R. Aristophanic suite: The wasps (1909). Bournemouth Sinfonietta/ Norman Del Mar. EMI CDM 5 65130 2 25

19:00 JAZZ PULSE with Chris Wetherall

Delius, F. Violin concerto (1916; ed.

Beecham). Tasmin Little, vn; Welsh National Opera O/Charles Mackerras.

Argo 433 704-2 24 Bliss, A. A colour symphony (1921/32). BBC Welsh SO/Barry Wordsworth.

Nimbus NI 5294 33

20:00 STORMY MONDAY with Austin Harrison 22:00 JAZZ AFTER HOURS with Gail Monjo

48

Tuesday 30 August 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Peter Poole Bach, C.P.E. Double concerto in E flat, Wq47 (1788). Neal Peres da Costa, fp; Australian Haydn Ensemble/Erin Helyard, hpd & dir.

Fine Music concert recording 19 Haydn, J. Sonata no 32 in G minor, Hob.XVI:44 (c1770). Geoffrey Lancaster, fp.

Tall Poppies TP201 16 Bach, J.S. Vom Himmel hoch, da komm, BWV769 (c1747). André Isoir, org.

Caliope CAL 3716/7 10 Beethoven, L. Piano trio in D, op 70 no 1 (1808). Seraphim Trio.

ABC 481 1980 26 Prokofiev, S. Excerpts from Visions fugitives, op 22 (1915-17). Emil Gilels, pf.

Philips 456 796-2 9 10:30 CONCERT HALL Prepared by Elaine Siversen Fasch, J. Suite in D minor. Capella Savaria Baroque O/Mary Térey-Smith.

Naxos 8.570326 24 Bach, C.P.E. Cello concerto in A, Wq172 (c1753). Alison McGillivray, vc; English Concert/Andrew Manze.

Harmonia Mundi HMU 907403 20 Mendelssohn, F. Symphony no 3 in A minor, op 56, Scottish (1842). Gewandhaus O/Kurt Masur.

Teldec 243 463-2 38 12:00 JAZZ RHYTHM with Jeannie McInnes 13:00 JAZZ ABOUT TOWN with Deborah Evans 14:00 THE ELEMENTS Prepared by Rex Burgess Berlioz, H. Royal hunt and storm, from The Trojans (1856-58). New York PO/Pierre Boulez.

Sony SM3K 64 103 9 Alkan, C-V. Étude in E flat, op 35 no 7, The fire in the neighbouring village (pub. 1847).

Stephanie McCallum, pf.

Tall Poppies TP055 10

Wagner, R. Magic fire music, from The Valkyrie (1853-54; arr. Stokowski).

Bournemouth SO/José Serebrier.

Naxos 8.570293

06:00 FINE MUSIC BREAKFAST with Stephen Wilson 8

Boyd, A. Red sun, chill wind (1980). Geoffrey Collins, fl; David Miller, pf.

Tall Poppies TP127 7 Debussy, C. La mer: Three symphonic sketches (1903-05). Sydney SO/Gianluigi Gelmetti.

ABC 476 595-7 24 Sibelius, J. The song of the earth, op 93 (1919). Dominante Choir; Lahti SO/Osmo Vänskä.

BIS CD-1906/08 14 Schultz, A. The meaning of water (2006).

Seven Harp Ensemble.

Tall Poppies TP204 8 Rebel, J-F. The elements (1737). Akademie für Alte Musik.

Harmonia Mundi HMC 902061 28 16:00 FINE MUSIC DRIVE with Peter Poole 19:00 THE JAZZ BEAT with Lloyd Capps 20:00 JUST IN with Robert Small A selection from the latest recordings to arrive at the Fine Music Library 22:00 CHAMBER SOIRÉE Prepared by Paul Cooke Rameau, J-P. Concert no 2 in G/G minor (pub. 1741). Ryo Terakado, vn; Kaori Uemura, va da gamba; Christophe Rousset, hpd.

Harmonia Mundi HMC 901418 20 Franck, C. Sonata in A (1886; transcr.

Langevin). Robert Langevin, fl; Jonathan Feldman, pf.

Avie AV2213 28 Dvorák, A. String quintet in E flat, op 97, American (1893). Anna Deeva, va; Keller Quartet. apex 0927 44355 2 31 Marsalis, W. Suite: A fiddler’s tale (1998).

Wynton Marsalis, tpt; Members of Chamber Music Society of Lincoln Center.

Sony SK 60979 32

Wednesday 31 August 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN

09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Paul Cooke Purcell, D. Sonata in D minor. David Munrow, rec; Oliver Brookes, bass viol; Christopher Hogwood, hpd.

Decca 440 079-2 6 Danzi, F. Symphony in D minor, op 19 (1796).

Kurpfälz CO Ludwigshafen-Mannheim/KlausPeter Hahn.

Mediaphon MED 72.103 18 Jacquet de la Guerre, E-C. Sonata VI in A (1707). Lina Tur Bonet, baroque vn; Patxi Montero, bass viol; Kenneth Weiss, hpd.

Pan Classics PC 10380 16 Prince Louis Ferdinand. Andante and variations, op 4. Horst Göbel, pf; members of Joachim Quartet.

LP Thorofon MTH 222 14 Hall, H. Yes, my Aminta, 'tis too true (169596). Ruth Holton, sop; Simon Birchall, bass; Parley of Instruments Baroque O/Peter Holman.

Hyperion CDA66578 12 Hagen, B. Lute concerto in A. Hopkinson Smith, lute; Chiara Banchini, vn; David Plantier, vn; David Courvoisier, va; Roel Dieltiens, vc.

Astrée E 8641 14 10:30 CONCERT HALL Prepared by Frank Morrison Glazunov, A. Fantasy: The sea, op 28 (1889).

USSR RSO/Gennady Provatorov.

Melodiya MA 3010 16 Nielsen, C. Flute concerto (1926). Toke Lund Christiansen, fl; Danish National RSO/Michael Schønwandt.

Chandos CHAN 8894 18 Berlioz, H. Symphonie fantastique, op 14 (1830). Sydney SO/Willem van Otterloo.

ABC 476 595-7 49 12:00 JAZZ SKETCHES with Robert Vale 13:00 IN CONVERSATION with Simon Moore 14:00 COMPOSERS OF LONGEVITY Prepared by Jacky Ternisien Brian, H. Comedy overture: Doctor Merryheart (1911-12). RTÉ NSO/Adrian Leaper.

Naxos 8.572014

49

16

Ropartz, J. Sonatine. Laura Chislett, fl; David Miller, pf.

Walsingham WAL 8018-2 16 Segovia, A. Excerpts from Canciones populares de distintos paises. Eliot Fisk, gui.

MusicMasters 01612-67174-2 13 Sibelius, J. Five songs, op 38 (1902-04). Tom Krause, bar; Irwin Gage, pf.

Decca 476 1725 18 Reincken, J. Sonata in A minor for two violins, viola da gamba and continuo (pub. 1687).

Musica Antiqua Cologne.

Archiv 437 089-2 15 Widor, C-M. Airs de ballet, op 4 (1868). Paul Rickard-Ford, pf.

RIAX RICA-2881 14 Tailleferre, G. Concertino (1927). Gillian Benet, hp; Women's PO/JoAnn Falletta.

Koch 3 7169 2H1 16 16:00 FINE MUSIC DRIVE with Michael Field 19:00 PLANET JAZZ with Xavier Bichon 20:00 AT THE OPERA Opera oscura: a revolutionary double bill Méhul, É-N. Stratonice. Opera comique in one act. Libretto by François Benoit Hoffman. First performed Paris, 1792.

ANTIOCHUS: Yann Beuron, ten STRATONICE: Patricia Petibon, sop ERASISTRATE: Karl Daymond, bar SELEUCUS: Étienne Lescroart, ten Corona Coloniensis; Cappella Coloniensis/ William Christie.

Erato 0630-12714-1 1:05 Antiochus, son of King Seleucus, is deeply melancholy. He wishes to marry Stratonice but keeps it secret as he knows his father will not agree. His father enlists the help of a doctor, Erasistrate. His diagnosis is that Antiochus’ illness is of the soul and not the body and, when the doctor mentions love as the probable cause, Antiochus becomes agitated. He is about to give Erasistrate further details but holds back when he sees Seleucus approaching. Separately, Stratonice arrives and the doctor observes an increased pulse rate. Concealing this from Seleucus, the doctor reports that only the gods can save his son. Amidst prayers, Antiochus asks the gods to let him die.

Seleucus departs and Stratonice is left alone with Antiochus. He is about to declare his love for her but is interrupted by the return of the doctor, who counsels caution. After the lovers leave, the doctor prays to Venus for assistance and comes up with a strategy.

When Seleucus returns, the doctor says that it

is his own wife with whom Antiochus is in love.

Seleucus offers the doctor money to arrange a divorce. Hypothetically, the doctor then asks Seleucus what he would do if it were his own fiancée that Antiochus desired. Realising what is happening, Seleucus summons the lovers and, assuring himself of their fidelity, gives his blessing to their marriage.

Calicantus; I Barocchisti/Diego Fasolis.

Chandos CHAN 0727 1:13

The opera celebrates and represents a victory in 1792 by the French army against counterrevolutionary Prussian-led forces at Grand Pré (now Grandpré), in northern France, and opens with the Prussians having retreated to the other side of a river. Soldiers and citizens Gossec, F-J. Le triomphe de la République ou celebrate around the Tree of Liberty but their Le Camp de Grand Pré. Opera (divertissement joy is short lived; an announcement reveals lyrique) in one act. Libretto by Marie-Joseph that the truce has been broken and that the Chénier. First performed Paris, 1793.

French must prepare to resume battle. Women and children wait anxiously as they hear LAURETTE: Salomé Haller, sop GODDESS OF LIBERTY: Antonella Balducci, cries of battle but are cheered when they see the Prussians taking to the river to flee. The sop French soldiers return triumphant and invoke AIDE-DE-CAMP: Guillemette Laurens, mezz the spirit of Liberty, who descends on a cloud THOMAS: Makato Sukurada, ten together with the spirits of the Arts and of GENERAL: Claudio Danuser, bar Abundance. The common people of various OLD MAN: Philippe Huttenlocher, bass nations, personified through their popular MAYOR: Arnaud Mazzorati, bass songs and dances, come to pay Liberty Choir of Swiss Radio, Lugano; Coro homage.

2MBS Fine Music Sydney CD library. Photograph by Lyndon Pike

50

22:30 MUSIC OF THE NIGHT Remembering Harrison Birtwhistle Prepared by James Nightingale Holst, G. Egdon Heath, op 47 (1927). Royal Scottish NO/David Lloyd-Jones.

Naxos 8.553696 13 Birtwistle, H. The moth requiem (2012).

Philippa Davies, fl; Lucy Wakeford, hp; Helen Tunstall, hp; Hugh Webb, hp; BBC Singers; Nash Ensemble/Nicholas Kok. Signum SIGCD368 19 Trio (2010). Lisa Batiashvili, vn; Adrian Brendel, vc; Till Fellner, pf.

ECM New Series 2253 476 5050

16

Earth dances (1986). Cleveland O/Christoph von Dohnányi.

Decca 468 804-2 37

The following composers have works of at least five minutes on the August dates listed Abrahamsen, H. b1952 28 Adam, A. 1803-1856 18 Adams, J. b1947 1 Ahle, J. 1625-1673 28 Albéniz, I. 1860-1909 15,18,27 Alfvén, H. 1872-1960 1,17 Alkan, C-V. 1813-1888 30 Alwyn, W. 1905-1985 1 Andreas de Florentia.fl 1375-c1415 5 Arensky, A. 1861-1906 6 Arriaga, J. 1806-1826 14,15,18,21,28 Assmayer, I. 1790-1862 24 Avison, C. 1709-1770 6,10,28 Bach, C.P.E. 1714-1788 2,9,14,29,30 Bach, J.C.F. 1732-1795 29 Bach, J.S. 1685-1750 2,3,6,9,12,19,20,21,23,26,30 Balakirev, M. 1837-1910 15 Barber, S. 1910-1981 13 Bartók, B. 1881-1945 8,29 Bax, A. 1883-1953 8,23 Beethoven, L. 1770-1827 3,4,7,1 1,13,16,19,21,23,24,26,27,29,30 Ben-Haim, P. 1897-1984 8 Benda, F. 1709-1786 3,19 Benda, G. 1722-1795 19 Benda, J.G. 1713-1752 19 Benjamin, A. 1893-1960 14,24 Bennett, W. Sterndale 1816-1875 6 Berg, A. 1885-1935 26 Berlioz, H. 1803-1869 4,6,12,14,18,20,30,31 Bernstein, L. 1918-1990 13,21,25 Berwald, F. 1796-1868 4,14,16 Birtwistle, H. 1934-2022 14,31 Bizet, G. 1838-1875 12,19 Bliss, A. 1891-1975 23,29 Bloch, E. 1880-1959 3 Blow, J. 1649-1708 26 Boccherini, L. 1743-1805 12,19,21 Boehm, T. 1794-1881 10 Boïeldieu, A. 1775-1834 4,25 Bottesini, G. 1821-1889 4 Boulanger, L. 1893-1918 2 Bowen, Y. 1884-1961 18 Boyd, A. b1946 26,30 Bradshaw, M.b1983 6 Brahms, J. 1833-1897 1,2,7,8,11,12,15,16,26 Brian, H. 1876-1972 31 Britten, B. 1913-1976 12,15,18,22,23 Brossard, S. de 1655-1730 25 Brouwer, L. b1939 10 Bruch, M. 1838-1920 10,22 Bruckner, A. 1824-1896 24 Busoni, F. 1866-1924 5 Caplet, A. 1878-1925 4,25 Carmichael, J.b1930 12 Carpenter, J. 1876-1951 6 Carr-Boyd, A.b1938 5 Casella, A. 1883-1947 28 Chabrier, E. 1841-1894 12 Chausson, E. 1855-1899 17 Cherubini, L. 1760-1842 28,29 Chopin, F. 1810-1849 9,23 Cimarosa, D. 1749-1801 3,9 Clarke, J. 1674-1707 26 Clementi, M. 1752-1832 3,6,16,29 Clérambault, L-N. 1676-1749 19 Coates, E. 1886-1957 26 Copland, A. 1900-1990 15,21 Corelli, A. 1653-1713 11 Corigliano, J. b1938 26 Corrette, M. 1707-1795 10,25 Czerny, C. 1791-1857 16,18 d’Este, S. d’Indy, V. Danzi, F. Dauprat, L. Daverne, G. Debussy, C.

1515-1575 27 1851-1931 10 1763-1826 28,31 1781-1861 18 b1939 15 1862-1918 3,5,6,8,9,13,16,20,30 Delius, F. 1862-1934 8,24,29 Dencke, J. 1725-1795 10 Devienne, F. 1759-1803 29

Ch & O: Chorus & Orchestra CO: Chamber Orchestra FO: Festival Orchestra NO: National Orchestra NSO: National Symphony Orchestra PO: Philharmonic Orchestra RO: Radio Orchestra RSO: Radio Symphony

Diamond, D. 1915-2005 17 Dieupart, C. c1667-c1740 26 Dittersdorf, C. 1739-1799 28 Dohnányi, E. 1877-1960 5,12,26 Dowland, J. c1563-1626 15 Dufay, G. c1397-1474 5,27 Dukas, P. 1865-1935 9,19 Dunstaple, J. c1390-1453 5 Duphly, J. 1715-1789 4 Dupré, M. 1886-1971 4,11 Duruflé, M. 1902-1986 14 Dvorák, A. 1841-1904 4,5,16,28,30 Easdale, B. Eccles, J. Edwards, R. Elgar, E. Enescu, G. Eotvos, M.

1909-1995 26 c1668-1735 26 b1943 5,24,28 1857-1934 11,20,22,23 1881-1955 22 b1984 28

Falla, M. de Farrenc, L. Fasch, J. Fauré, G.

1876-1946 18 1804-1875 12,16,18 1688-1758 12,30 1845-1924 2,9,11,14,19,28 Field, J. 1782-1837 6 Finsterer, M. b1962 28 Fischer, J. 1646-1717 7 Flaherty, S. b1960 20 Foss, L. 1922-2009 21 Françaix, J. 1912-1997 5 Franck, C. 1822-1890 7,12,14,30 Froberger, J. 1616-1667 12 Gallon, N. 1891-1966 21 Gassmann, F. 1729-1774 24 Gaubert, P. 1879-1941 18 Gershwin, G. 1898-1937 15 Gesualdo, C. c1561-1613 27 Ghandar, A. b1943 21 Gibbons, C. 1615-1676 26 Gieseking, W. 1895-1956 26 Ginastera, A. 1916-1983 19 Giuliani, M. 1781-1829 3 Glass, P. b1937 17 Glazunov, A. 1865-1936 31 Glinka, M. 1804-1857 1,3,9,19,20,22,27 Gluck, C. 1714-1787 14 Godard, B. 1849-1895 15 Goldmark, K. 1830-1915 15 Goossens, E. 1893-1962 3 Gordon, C. 20th C 28 Gossec, F-J. 1734-1829 31 Grainger, P. 1882-1961 7,8 Granados, E. 1867-1916 21,26 Grant, A. b 20th C 3 Graupner, C. 1683-1760 7,12 Greenbaum, S.b1966 13 Grétry, A-E-M. 1741-1813 1 Grieg, E. 1843-1907 5,8,10,12,27 Guiraud, E. 1837-1892 6 Hadjidakis, M. 1925-1994 10 Hagen, B. c1720-1787 31 Hahn, R. 1875-1947 4 Hall, H. c1656-1707 31 Halvorsen, J. 1864-1935 4 Handel, G. 1685-1759 2,3,7,11,12,16,19,20,27 Hannan, M. b1949 24 Hanson, H. 1896-1981 25 Hanson, R. 1913-1976 20,21 Hasselmans, A. 1845-1912 18 Hassler, H. 1562-1612 14 Haydn, J. 1732-1809 2,5,6,7,9,13,14,16,21,28,29,30 Haydn, M. 1737-1806 7,13,28 Henderson, R. 1896-1970 13 Henry VIII. 1491-1547 26 Hill, A. 1870-1960 10 Hindemith, P. 1895-1963 26 Hoffmeister, F. 1754-1812 10 Holland, D. 1913-2000 14 Holst, G. 1874-1934 1,11,20,26,31 Holzbauer, I. 1711-1783 24 Honegger, A. 1892-1955 25 Horner, J. 1953-2015 27 Hough, S. b1961 23

Orchestra RTO: Radio & Television Orchestra RTV SO: Radio and Television Symphony Orchestra SO: Symphony Orchestra TO: Theatre Orchestra alto: male alto ban: bandoneon

Houghton, P. 1954-2017 7 Hovhaness, A. 1911-2000 7,25 Howells, H. 1892-1983 21,28 Hubay, J. 1858-1937 16 Humfrey, P. 1647-1674 26 Hummel, J. 1778-1837 28 Humperdinck, E. 1854-1921 11 Hyde, M. 1913-2005 21 Ibert, J. 1890-1962 12 Ireland, J. 1879-1962 21,23 Isabella Leonarda. 1620-1704 17 Ives, C. 1874-1954 3,25 Jacquet de la Guerre, E-C. c1666-1729 17,31 Janácek, L. 1854-1928 20 Jolivet, A. 1905-1974 8,22 Jones, T. b1949 27 Josquin Desprez. c1450-1521 27 Kander, J. b1927 6 Kats-Chernin, E. b1957 5,7,14,23,26,28 Kay, D. b1933 7 Kerll, J. 1627-1693 24 Khachaturian, A. 1903-1978 25 Klami, U. 1900-1961 18 Kodály, Z. 1882-1967 16,20 Koechlin, C. 1867-1950 4,23,24 Koehne, G. b1956 6 Korngold, E. 1897-1957 6 Kozeluch, L. 1747-1818 21 Kraus, J.M. 1756-1792 4 Kreek, C. 1889-1962 7 Kreutzer, C. 1780-1849 16,19 Krommer, F. 1759-1831 21,23 Lalande, M-R. de 1657-1726 3 Lalo, E. 1823-1892 17,22 Lambert, C. 1905-1951 26 Landini, F. c1325-1397 5 Leigh, M. 1928-2014 13 Léonin. fl c1163-1190 5 Liszt, F. 1811-1886 4,5,6,11,14,15,20 Locatelli, P. 1695-1764 19 Loqueville, R. d1418 5 Lutvak, S. b1959 6 Machaut, G. de c1300-1377 5 Maconchy, E. 1907-1994 13 Marenzio, L. 1553-1599 27 Marsalis, W. b1961 30 Marsh, J. 1752-1828 6,29 Martin, F. 1890-1974 19 Martines, M. 1744-1812 17 Martini, J. 1741-1816 27 Martinu, B. 1890-1959 22,23 Massé, V. 1822-1884 22 Massenet, J. 1842-1912 21 Meale, R. 1932-2009 6 Medtner, N. 1880-1951 22 Méhul, É-N. 1763-1817 31 Mellos, A. b 20th C 7 Mendelssohn, F. 1809-1847 1,2,4,5,10,12,17,19,20,28,30 Mendelssohn, Fanny. 1805-1847 8,13,20 Mercadante, S. 1795-1870 19 Messager, A. 1853-1929 20 Meyerbeer, G. 1791-1864 22 Milán, L.c1500-c1561 18 Milhaud, D. 1892-1974 26 Mills, R. b1949 24 Molino, F. 1775-1847 29 Montéclair, M. de 1667-1737 19 Morley, T. c1558-1602 7 Mozart, W. 1756-1791 1,2,3,5,7 ,10,11,12,13,14,17,21,22,25,27,29 Muffat, G. 1653-1704 23 Müller, A. 1767-1817 12 Myslivecek, J. 1737-1781 27 Nicolai, O. Nielsen, C.

1810-1849 25 1865-1931 4,8,16,29,31

Offenbach, J. 1880 8

bar: baritone bshn: basset horn bass: bass bn: bassoon bass bar: bass baritone cl: clarinet clvd: clavichord cont: contralto cora: cor anglais ct: counter-tenor

1819-

Pachelbel, J. 1653-1706 12 Paganini, N. 1782-1840 15 Parry, H. 1848-1918 23 Pérotin Le Grand. c1160-c1225 5 Pierné, G. 1863-1937 1,13 Piston, W. 1894-1976 24 Polzelli, A. 1783-1855 7 Ponce, M. 1882-1948 4 Ponchielli, A. 1834-1886 15 Poulenc, F. 1899-1963 9,27 Prince Louis Ferdinand. 1772-1806 31 Prokofiev, S. 1891-1953 3,9,12,15,17,20,22,29,30 Purcell, D. c1660-1717 31 Purcell, H. 1659-1695 19 Rachmaninov, S. 1873-1943 2,3,28 Rameau, J-P. 1683-1764 30 Ravel, M. 1875-1937 3,7,9,12,17 Rebel, J-F. 1666-1747 30 Reed, A. 1921-2005 13 Reger, M. 1873-1916 9 Reicha, A. 1770-1836 18,19,22,26 Reincken, J. 1623-1722 31 Reinecke, C. 1824-1910 22 Respighi, O. 1879-1936 11,19 Reutter, G. the Younger 1708-1772 24 Ries, F. 1784-1838 10 Rodgers, R. 1902-1979 13,27 Rodrigo, J. 1901-1999 18 Ropartz, J. 1864-1955 31 Rossini, G. 1792-1868 12,19,21,25 Roussel, A. 1869-1937 7,11,23 Royer, J-N-P. c1705-1755 16 Rubbra, E. 1901-1986 4 Saint-Saëns, C. 1835-1921 7,9,11,20 Salieri, A. 1750-1825 26 Sammartini, G. 1693-1750 16 Sarasate, P. de 1844-1908 1,19 Satie, E. 1866-1925 1,25 Scarlatti, D. 1685-1757 28 Scharwenka, X. 1850-1924 15 Schein, J. 1586-1630 12 Schenck, J. 1660-1712 19 Schmidt, H. b1975 20 Schubert, F. 1797-1828 1,2,4,5,6,7,27 Schultz, A. b1960 7,30 Schumann, C. 1819-1896 18,20,25 Schumann, R. 1810-1856 2,4,5,6,7,9,11,12,13,18,25 Sciarrino, S. b1947 28 Sculthorpe, P. 1929-2014 8,10,11,28 Segovia, A. 1893-1987 31 Shankar, R. 1920-2012 25 Shore, H. b1946 27 Sibelius, J. 1865-1957 8,11,20,25,30,31 Sirmen, M. 1745-1818 17 Skalkottas, N. 1904-1949 10 Skryabin, A. 1872-1915 17 Smetana, B. 1824-1884 2 Sondheim, S. 1930-2021 6 Sor, F. 1778-1839 1 Spohr, L. 1784-1859 7,8 Spontini, G. 1774-1851 11 Stainer, J. 1840-1901 21 Stolz, R. 1880-1975 13 Stopford, P. b1977 21 Strauss, J. II 1825-1899 5,13,15 Strauss, R. 1864-1949 1,26 Stravinsky, I. 1882-1971 5,6,8,20,23 Strozzi, B. 1619-1677 17 Styles, L. b 20th C 7 Sullivan, A. 1842-1900 13 Svendsen, J. 1840-1911 4,9,18 Szymanowski, K. 1882-1937 8

Thorvaldsdottir, A. b1977 28 Tognetti, R. b1965 12 Tomkins, T. 1572-1656 28 Tórroba, F. Moreno 1891-1982 18 Turina, J. 1882-1949 27 Vanhal, J. 1739-1813 23 Vasks, P. b1946 24 Vaughan Williams, R. 1872-1958 1,10,14,20,26,29 Verdi, G. 1813-1901 1,11,24 Viardot, Pauline. 1821-1910 11 Vierne, L. 1870-1937 2 Villa-Lobos, H. 1887-1959 4,15,19 Vinci, L. c1696-1730 10 Vine, C. b1954 28 Vitry, P. de 1291-1361 5 Vivaldi, A. 1678-1741 20,23,26,28 Volkmann, R. 1815-1883 15 Vorisek, J. 1791-1825 21 Wagner, R. 1813-1883 7,11,26,30 Walton, W. 1902-1983 9,26 Warren, E. 1900-1991 17 Webb, J. b1946 27 Weber, B. 1766-1842 4 Weber, C.M. 1786-1826 26 Weigl, J. 1776-1846 24 Westlake, N. b1958 24,29 Widor, C-M. 1844-1937 31 Wieniawski, H. 1835-188013 Williams, G. 1906-1977 5 Williamson, M. 1931-2003 7 Wolf-Ferrari, E. 1876-1948 25 Yeston, M. Ysaÿe, E.

b1945 20 1858-1931 4

Zandonai, R. 1883-1944 25 Zawadski, S. b1991 21 Zelenka, J. 1679-1745 7 Zelter, C. 1758-1832 1 Zimmermann,A. c1741-1781 21

Tabakova, D. b1980 28 Tailleferre, G. 1892-1983 31 Talma, L. 1906-1996 17 Taneyev, S. 1856-1915 1 Taubert, W. 1811-1891 25 Tchaikovsky, P. 1840-1893 6,8,12,14,17,18,20,22,27 Tcherepnin, N. 1873-1945 20 Theodorakis, M. 1925-2021 10 Thompson, R. 1899-1984 13,21 Thomson, V. 1896-1989 6

db: double bass dbn: double bassoon did: didjeridu elec: electronic fl: flute fp: fortepiano gui: guitar hn: french horn hp: harp hpd: harpsichord

mand: mandolin mar: marimba mezz: mezzo-soprano narr: narrator ob: oboe org: organ perc: percussion pf: piano picc: piccolo rec: recorder

sax: saxophone sop: soprano tb: trombone ten: tenor timp: timpani tpt: trumpet treb: treble voice va: viola vc: cello vn: violin

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