Fine Music Magazine - March 2022

Vale Bernard Haitink 1929-2021 Cesar Cui, soldier turned composer Celebrating Female Composers Live Performance Review – SIX the Musical

Northern Serenades Australian Romantic & Classical Orchestra Rachael Beesley Director & Violin

Sunday 20 March | Hills Grammar School, Kenthurst Tuesday 22 March | Newcastle City Hall Wednesday 23 March | City Recital Hall, Sydney Experience the full expressive potential of some of the most beautiful music ever composed. Exquisite repertoire for strings by Hugo Wolf, Edward Elgar and Gustav Holst are complemented in this program by a rarely heard gem

by Victor Herbert and a new arrangement of Schumann’s Fantasiestücke. Performing in Sydney, Kenthurst, Newcastle and interstate.

2022 Concert Season Northern Serenades Elgar | Holst | Schumann Wolf | Herbert 20 – 29 March

Sounds of Vienna Eybler | Schubert 29 May – 15 June

Tempestuous Skies Mozart 17– 24 August

Information & tickets arco.org.au

I N D E X

05. Thomas Tomkins – the last Elizabethan

15. FineJazz Happenings – Great jazz, great birthdays

By Susan Foulcher

March 2022 – by Keith Pettigrew and Louise Levy

06. A conductor of ‘radiant integrity’

16. Jazz Soundtrack: Antonio Sánchez

Vale Bernard Haitink 1929-2021

by Elaine Siversen

Louise Levy celebrates the energy of the Birdman soundtrack

07. Celebrating Female Composers

18. Live Performance Review – SIX the Musical

Catherine Peake looks at International Women’s Day

By Tessa Miles

12. Cesar Cui, soldier turned composer

by Michael Morton-Evans

12. Volunteer Spotlight

20. CD Reviews

N O T E S

23. Program Guide

F R O M

T H E

51. Composers List

E D I T O R

This month on 8 March, as its name implies, International Womens’ Day celebrates the achievements of women, who have been, and still are, underrepresented in most high-profile jobs and professions. This is particularly true where female composers are concerned, whether due to traditional family structures, a variety of socio-economic reasons, or simply a result of the lack of inspirational role models presented to girls contemplating which careers to pursue. Fine Music Sydney will be doing its bit to redress this imbalance by broadcasting a program featuring the music of female composers, three of whom are Australian, on 13 March.

The great Dutch conductor and violinist Bernard Haitink died in October last year, after a stellar international career spanning over 65 years as the principal conductor of several major international orchestras, including the Royal Concertgebouw, the London Philharmonic and the Chicago Symphony Orchestra. In this month’s magazine, Elaine Siversen traces the career of this brilliant multi award-winning musician, described by Jane Glover as a man of ‘radiant integrity’.

Some of the greatest colourful and pioneering individuals who have changed the course of jazz and were born this month, are featured in a series of programs. Keith Pettigrew and Louise Levy celebrate their birthdays, and thus focus on their music and their innovation. Listen out for tracks from Genn Miller, Quincy Jones, Sarah Vaughan and others on our regular programs. david.ogilvie@finemusicsydney.com

P R O G R A M M E R S

A N D

P R E S E N T E R S

MARCH Charles Barton, Peter Bell, Nena Beretin, Eddie Bernasconi, Xavier Bichon, Dan Bickel, Chris Blower, David Brett, John Buchanan, Rex Burgess, Janine Burrus, Lloyd Capps, Vince Carnovale, Andrew Clark, Adam Cockburn, Angela Cockburn, Liam Collins, Paul Cooke, Di Cox, George Cruickshank, Nick Dan, Jackson Day, Nev Dorrington, Brian Drummond, Andrew Dziedzic, Deborah Evans, Rita Felton, Michael Field, Owen Fisher, Jennifer Foong, Tom Forrester-Paton, Susan Foulcher, Nina Fudala, Carole Garland, David Garrett, Robert Gilchrist, Nicky Gluch, Joe Goddard, Albert Gormley, Jeremy Hall, John Hanna, Austin Harrison, Ross Hayes, Gerald Holder, James Hunter, Leita Hutchings, Anne Irish, Sue Jowell, Ray Levis, Krystal Li, Anne-Louise Luccarini, Dave Mac, Christina MacGuinness, Meg Matthews, Stephen Matthews, Sue McCreadie, Neil McEwan, Jeannie McInnes, Ramsay McInnes, Angus McPherson, Maureen Meers, Camille Mercep, Peter Mills, Gail Monjo, Simon Moore, Frank Morrison, Michael Morton-Evans, Richard Munge, Gail Monjo, Gerry Myerson, James Nightingale, Barry O’Sullivan, Calogero Panvino, Derek Parker, Denis Patterson, Keith Pettigrew, Peter Poole, Frank Presley, Mark Renton, Paul Roper, Marilyn Schock, Jon Shapiro, Alex Siegers, Julie Simonds, Chloe Sinclair, Elaine Siversen, Robert Small, Garth Sundberg, Jacky Ternisien, Anna Tranter, Madilina Tresca, Robert Vale, Ron Walledge, Chris Wetherall, Stephen Wilson, Glenn Winfield, Chris Winner, John Xuereb, Orli Zahava, Tom Zelinka, Vicky Zhang.

PROGRAM SUBEDITORS Jan Akers, Chris Blower, Di Cox, Elaine Siversen, Jill Wagstaff, Teresa White LIBRARIANS Jan Akers, Rex Burgess, Lynden Dziedzic, Peter Goldner, David Hilton, Sally Hunter, Phillip McGarn, Judy Miller, Susan Ping Kee, Jacky Ternisien, Tony Wallace, Ricky Yu.

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FINE MUSIC SYDNEY

ORGANISATION DETAILS Fine Music Sydney - We are Sydney’s Fine Music Broadcaster MUSIC BROADCASTING SOCIETY OF NSW CO-OPERATIVE LIMITED Editor David Ogilvie Assistant Editor Catherine Peake Designer Lyndon Pike Digital Content Coordinators Paul Cooke, Catherine Peake, Keith Pettigrew Guide Management Coordinators (acting) James Nightingale and Elaine Siversen Program Guide Formatter Peter Bell Proof Readers Pamela Newling and Catherine Peake Contributors Paul Cooke Susan Foulcher Louise Levy Tessa Miles Michael Morton-Evans Pamela Newling James Nightingale Barry O’Sullivan Catherine Peake Keith Pettigrew Elaine Siversen Cover Image Lyndon Pike Fine Music Studios 72-76 Chandos Street St Leonards, NSW 2065 Postal Address PO Box 78, St Leonards, NSW 2065 Phone 9439 4777 (9am–6pm) ABN 64 379 540 010

finemusicsydney.com Frequency 102.5 FM

Fine Music Sydney is owned and operated by the Music Broadcasting Society of New South Wales Co-operative Limited. Fine Music is a registered charitable organisation with a Charity Fundraising Number and is listed with the Register of Cultural Organisations. Fine Music Sydney is a Community Radio station and a member of the Community Broadcasting Association of Australia. Fine Music Sydney (formerly known as 2MBS and Fine Music 102.5) is Australia’s first stereo FM radio station. The station was officially opened on 1 February 1975 and we have now been on air for over 45 years. Fine Music Sydney plays an important role in encouraging emerging musicians and music lovers in their ambitions to be professional musicians or broadcasters. Fine Music Sydney is an integral part of Sydney’s cultural landscape promoting and encouraging an active live classical and jazz music scene in our community and supporting music education. The Fine Music Emerging Artist program includes: Artists in Residence, Young Composer Award, Young Virtuoso Award, Stefan Kruger Scholarship, Ken Weatherley Jazz Scholarship and our Emerging Artist Workshops and Fine Music Showcase broadcasts.

Mission Statement To share the love of fine music through broadcasting Goals 1. To be Sydney’s preferred broadcaster of classical music, jazz and other specialist music genres 2. To maintain and improve high standards in all we do 3. To promote Australian musicians and composers, with particular focus on the young 4. To provide a supportive and enjoyable work environment for volunteers and staff 5. To develop a sustainable financial model for the organisation FINE MUSIC HONORARY AND ARTISTIC PATRONS Vice Regal Patron: Her Excellency the Honourable Margaret Beazley AC QC, Governor of New South Wales Honorary Patron: Professor The Honourable Dame Marie Bashir AD CVO Artistic Patrons: Elena Kats-Chernin, Simon Tedeschi, Richard Tognetti, Brett Weymark Emerging Artists Patron: Roger Benedict Young Composer Award 2019: Callum O’Reilly Young Virtuoso Award 2019: Justinn Lu Stefan Kruger Scholar 2021: Leanne Jin Ken Weatherley Scholar 2021: Alex Siegers Artists in Residence 2021: The Sydney Cello Quartet Jazz Artist in Residence 2021: Anoesis PERSONNEL: It is important to note that apart from a small staff team, Fine Music Sydney functions through the involvement of dedicated volunteers who generously contribute their time and talents across all aspects of the radio station.

BOARD OF DIRECTORS: Chair: Michael Morton-Evans Deputy Chair: Peter Poole Secretary: Robert Gilchrist Directors: Andrew Clark, Nicky Gluch, Sue Jowell, Jayson McBride, Sue Ping Kee Appointed Directors: Bruce Hambrett, Peter Stavrianos STAFF: Acting Station Manager: Mona Omar Studio & Production Manager: Sophie McCulloch Digital Content Producer: Lyndon Pike Bookkeeper: Miriam Ho TECHNICAL ADVISORS: Honorary Technical Advisor: Max Benyon OAM Broadcast Engineer: John Shenstone Broadcast Systems Engineer: Roger Doyle Information Technology Consultant Peter Bell Recording Engineer: Jayson McBride COMMITTEE CHAIRS: Jazz: Keith Pettigrew Fundraising: Sue Jowell Library: Sue Ping Kee Presenters: Michael Field Programming: James Nightingale Technical: Peter Bell Volunteers: Sue Nicholas Finance: Peter Poole Contents and concept of Fine Music Sydney Copyright © 1975-2022

Transmitter Governor Phillip Tower, Circular Quay

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Thomas Tomkins – the last Elizabethan

By Susan Foulcher

Thomas Tomkins, born 450 years ago, is frequently called the last representative of the English Virginal School and one of the last English Madrigalists. A musical conservative, he’s even been called ‘the last Elizabethan’ as he continued working 50 years after Elizabeth’s death using archaic, largely Elizabethan, musical forms and style.

And yet he’s also been called the leading English composer of the mid-17th century, so it’s interesting to speculate as to why he clung to the musical values of the previous generation, when he clearly had a musical voice of his own.

His reputation as a madrigalist rests on the 1622 publication of his Songs of 3, 4, 5 and 6 parts – a revelatory collection of madrigals and motets representing the final flowering of the English madrigal tradition. They are inventive, with a close association between words and music, although the then-fashionable Italian influence is absent. His most famous ‘sacred madrigal’, When David Heard, was from this collection. A poignant expression of grief, it was written in response to the untimely death of Prince Henry in 1612.

The anthems are highly regarded, demonstrating his genius for vocal colour and text expression. Thomas Tomkins would have been delighted to know that this collection provided an excellent source of church music for the revitalised church choirs that followed the restoration of the English monarchy in 1660.

Until recently Tomkins’ reputation was based solely on his vocal works, especially the sacred ones, as his keyboard and viol consort music had not been published. It’s clear, though, that Tomkins’ viol music was copied and circulated by connoisseurs during his lifetime. His viol output, particularly the fantasias, shows an innate understanding of the sonority of the instruments, employing virtuosic passagework and singing melodic lines. Similarly, his prolific keyboard music demonstrates excellence in a wide variety of forms, from organ voluntaries to intricate dances and in nominees, even producing a ground-breaking keyboard duet, A Fancy for two to play (on one virginal) – one of the earliest keyboard duets composed in England.

The mid 1600s brought about profound and severe changes in England which affected the political, religious, and cultural fabric of the country, and the consequences of the upheaval were dire for Tomkins.

Organist at Worcester Cathedral since 1596, he suffered the destruction of his organ and the demise of the choral tradition under the Puritans, as well as damage to his own house. He lost his position in 1646 when cathedral services were discontinued. He also lost his two wives within the space of ten years.

When Charles I was executed in 1649, the royalistsympathising Tomkins wrote, understandably, a Sad Pavan for these distracted times. His life was in tatters.

Surely a somewhat conservative style can be forgiven when the turmoil of a life spanning the Tudor/Stuart reigns and the civil war is taken into consideration. The change and upheaval Tomkins experienced make the choice of the ‘familiar’ and ‘traditional’ musical palette all the more understandable.

It’s hardly surprising, then, that Tomkins, already in his seventies, retired and wrote largely unfashionable keyboard music that suited his own tastes. His son, Nathaniel, undertook the publication of his sacred music posthumously in 1668 under the title Musica Deo Sacra. As well as five settings of the morning and evening canticles, it contains the jewel in Tomkins’ compositional crown – his ninety-four anthems – and constitutes the largest single source of early 17th century church music.

For a program of Thomas Tomkins’ vocal and instrumental music, as well as the music of three composers who died in the year of Tomkins’ birth, tune in to Baroque and Before: 1572 Comings and Goings on Friday 4 March at 10pm.

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David Bagnall / Alamy Stock Photo

A conductor of ‘radiant integrity’ Vale Bernard Haitink 1929-2021 by Elaine Siversen

The life of Bernard Haitink encompassed 65 years as a conductor. His brilliant career ended in 2019 when, at the age of 90 years, he conducted a concert with the Netherlands Radio Philharmonic Orchestra and two concerts with the Vienna Philharmonic Orchestra, one of them being his 90th Prom Concert appearance in London.

The young Haitink’s musical influences came from the conductor of his school’s orchestra, with whom Haitink studied the violin and conducting. He continued these studies at the Amsterdam Conservatorium, then played the violin in orchestras and studied conducting with Ferdinand Leitner. In 1954, he conducted his first concert with the orchestra that was later renamed the Netherlands Radio Philharmonic Orchestra. His remarkable talent led to his swift advancement to second conductor in 1955, and, at the age of 28 years, chief conductor in 1957.

Haitink’s career prospered with an unexpected engagement at the end of 1956 when Riccardo Chailly became ill and Haitink was asked to substitute for him conducting the Concertgebouw Orchestra. Three years later, after the sudden death of Eduard van Beinum, Haitink accepted the post of first conductor of the Concertgebouw Orchestra which later led to his becoming principal conductor. Recording engagements with Philips, Decca and EMI followed, and he toured widely with the orchestra.

During his prolific concert and recording career, Haitink’s focus was on classical symphonies and major orchestral works, and he was acclaimed for his ‘riveting and meticulous interpretations’. Among his many recordings were the complete Beethoven and Brahms symphonies with the London Symphony Orchestra.

He received many music awards, among them the Gramophone Award for his 1980 recordings of Debussy orchestral works, his 1985 recording of Mozart’s opera Don Giovanni, and the 1986 and 1990 recordings of the Vaughan Williams symphonies. In addition, Echo Klassik (Germany) recognised him for his 2013 recording of Mahler’s Ninth Symphony and Mahler’s Third Symphony earned the 2018 award of Recording of the Year from BBC Music Magazine. It must be remembered that Haitink was 89 in the year of that latter award.

The Chicago Tribune music writer John von Rhein wrote that Haitink had a ‘simple, unfussy manner’ on the podium ‘with none of the histrionic gestures or leaps of other conductors’. He used his facial expressions, his eyes, and his hands to convey his musical ideas, and his instructions to the musicians were gentle. A story is told that he said to one violinist that a note should be ‘more velvety, like you are stroking a cat, unless you are allergic to cats’.

His life was filled with many conducting posts and engagements, and he was principal conductor of a great number of orchestras in Europe, the United States, and the United Kingdom. His longest tenures were with the London Philharmonic Orchestra (22 years) and the Royal Opera House Orchestra (15 years), and he was music director of the Glyndebourne Opera for ten years.

This long association with English orchestras, led to his leaving The Netherlands to reside in London where he died in October last year at the age of 92.

The conductor Jane Glover recalled Haitink’s ‘radiant integrity’ when conducting Tristan and Isolde at Covent Garden, a performance that, according to The Guardian, was rewarded with ‘an explosive ovation and an avalanche of flowers’; a fitting tribute to this consummate master of the art of conducting.

The Life of a Composer, Saturday 5 March 2022, 8:00pm

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Donald Cooper / Alamy Stock Photo

Celebrating Female Composers Catherine Peake looks at International Women’s Day

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Illustration by Lyndon Pike

With its origins in the early 20th century, International Women’s Day is aimed at celebrating the achievements of women. Gaining momentum towards the end of the century, IWD is now held on 8 March in countries all over the world. At Fine Music Sydney, a program featuring the music of female composers, three of whom are Australian, will be broadcast on 13 March.

The three Australian composers, Corrina Bonshek, Andrea Keller, and Felicity Wilcox, have different styles and interests that they express through their music. Taking inspiration from various sources, Corrina Bonshek says that her work can have a long gestation period: “Often my music is a response to powerful sights and sounds gathered up over a few years and then expressed in musical form.” With a strong interest in non-western music, she has been composer-in-residence at the Experimental Thai Music Laboratory at Burapha University in Thailand, and a visiting scholar at the Nirmita Institute for Young Composers in Cambodia. Her music has been described as ‘connecting to the essence of South-East Asian music – timelessness’.

Bonshek’s interest in meditation has led her to create ‘immersive sonic experiences’ designed for specific places, such as her installation Journey to the Centre – music for Centennial Park Labyrinth. She says, “I composed this piece for visitors to Sydney’s Centennial Park Labyrinth to listen to while walking the labyrinth. This labyrinth is a single sandstone path… that can be used as a path for walking meditation.” The piece was installed at Centennial Park Labyrinth for access by visitors and downloaded 5,000 times in its first year.

As a jazz musician, Andrea Keller is a composer, pianist and improviser, and has worked with numerous groups on a range of projects from solo to large ensemble in both jazz and western art music traditions. Besides performing, improvising and recording, Keller has received many commissions as a composer and arranger, including for The Australian Art Orchestra and the Sydney Women’s Jazz Collective, amongst others.

Eric Myers says, “Andrea Keller stretches jazz into whatever she wants … As a composer, musician and visionary, she always has. Using many of the most noble aspects of modern jazz – its curiosity, freedom and genre-inclusive nature – Keller enriches and expands the form. It is always a thrill to see where she goes next.”

Working in a broad range of genres, Felicity Wilcox (also writing under the name Felicity Fox) has composed numerous works for film, theatre, installation, and live events, many of which have won awards and ARIA and AACTA nominations. She has received commissions from groups such as The Song Company and the Australia Piano Quartet.

Talking about her piece Uncovered Ground, Wilcox says that she was ‘concerned to somehow create a dialogue between early and new music.’ Shamistha de Soysa says that “Wilcox’s writing is inventive and creates new frontiers in sound with her techniques and combinations of instruments… As she presses the ‘play’ button on the music of the future, she doesn’t hit the ‘delete’ button on music of the past. She has drawn on it for inspiration, inclusion and elaboration.”

Fine Music Sydney’s program acknowledging International Women’s Day will be broadcast on Sunday 13 March at 8:30pm in New Horizons.

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Volunteer Spotlight Alice Roberts Pamela Newling speaks with Alice Roberts, Member, Technical Committee and Board Minute Secretary In 2010 Alice returned to Sydney after working in Thailand for four years, and says she was motivated to volunteer “… just because I turned the radio on and heard 2MBS and thought I would like to volunteer there if they liked classical music like I did. I was right.”

Her other motivation was that it reminded her of family and of her home in NZ. Alice explains: “My mother was playing double bass in the NZ symphony orchestra while I was in the womb, so classical music has been part of my life since then!

I grew up with music, my mother being a musician, community conductor and teacher, and my father a singer. At the time, my mother was getting increasingly ill and she always used to tell me how much she enjoyed listening to the classical radio station. I wanted to volunteer as a I know how much comfort fine music gives to people who are alone or not well.”

As the daughter of a music teacher, Alice was always picking up instruments but then not sticking much at lessons! “I learnt piano, recorder, guitar, cello, bassoon, oboe and double bass all before I was 18! But the ones that have stuck are piano and recorder…”

Illustration by Lyndon Pike Illustration by Lyndon Pike

Alice’s busy professional life is spent as a cloud technology specialist in financial services, currently working for Macquarie Group. For Fine Music, she says: “I’m one of the behind-the-scenes people – I’ve worked on weekend reception, also the Tech Committee, but now most of my time is taken up with minute taking for the Board and AGM.”

Alice’s musical tastes are broad. “I like good music of all kinds. Baroque is always a favourite, also chamber music … and I don’t mind the great symphonies and concertos as well. I’m an opera and musicals fan. Absolutely the best thing about living in Sydney is there are (in normal times) so many concerts and performances, but also whenever I travel, I will always fit in some time for music.”

Asked to share any particularly memorable moments or performances that stay forever in her memory, Alice replies: “So Many! Had a lovely trip in 2018 to Amsterdam and saw Bach’s Christmas Oratorio with Trevor Pinnock and the Concertgebouw Orchestra on Christmas Day, followed by Handel’s Alcina on New Year’s Eve in Zurich with Cecilia Bartoli and Philippe Jaroussky.

So good. Looking forward to being able to travel again.”

When time permits, Alice likes to potter around in the garden and spend time with family who live close by. She is always looking forward to the next trip, whether it’s travelling to NZ to see family or planning an overseas trip, which almost always involves squeezing in a concert, opera or musical somewhere.

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Cesar Cui, soldier turned composer

by Michael Morton-Evans

Illustration by Lyndon Pike

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“Cui is a gifted amateur...” So wrote Tchaikovsky. “His music is not original, but graceful and elegant. It is too coquettish. It pleases at first, but it soon cloys.”

Damned with faint praise indeed, but then Tchaikovsky admitted in a later letter that he found Cui “profoundly loathsome.”

Oddly, though perhaps it was because of the influence of Balakirev, Cui concentrated on writing operas.

No starting off with a gentle sonata or two, or even a half-hour concerto. Operas it was and his first, A Prisoner in the Caucasus, was not even performed until a quarter of a century later, and then wasn’t much thought of. His second, The Mandarin’s Son, a comedy, was produced in Cui’s drawing room with him, his wife and Mussorgsky in the leading roles, and Balakirev at the piano. And there it stayed! He went on to write nine or ten more, but all of them died a speedy death.

Interestingly, apart from the very first and the last one, none of his operas were on Russian themes, despite his great advocacy of a national style.

It’s probably true to say that Cesar Cui’s name has been kept alive in musical history not so much for his compositions, but because he was one of the leaders of an all-important musical movement. That movement being, of course, The Mighty Five or The Mighty Handful as it was known. Together with Mily Balakirev, Rimsky-Korsakov, Borodin and Mussorgsky, Cui worked to create a distinct national style in classical music. The style was undeniably Russian.

There was however one exception, which resulted in Cui being responsible for breaking the glass ceiling which had hitherto prevented Russian opera being performed in France. It all began with a letter from Camille Saint-Saëns as President of the Société des Compositeurs to Cui in 1891. Saint-Saëns invited Cui, through the auspices of the Société, to join the organisation, which led to the production of his opera-comique, Le Filibuster in Paris, which had laid unperformed since its completion in 1889. Thus, Cui became the first Russian composer to have an opera premiered in Paris, which took place several years later in 1894 at the Opéra-Comique. The opera only ran for four performances but broke that glass ceiling in Paris for Russian composers.

Cesar Cui was technically French. His father was a French army officer who decided that he’d be better off staying in Russia than following the Emperor Napoleon back to France after the disastrous attack on Moscow in 1812. He settled in Lithuania, married a local girl, and taught French in the local school. He was a competent pianist and something of an amateur composer, and he made sure that his son took piano lessons. Like his father, young Cui tried his hand at compositions, but gave it up at 16 in favour of life in the military where he excelled as a student at the School of Military Engineering in St Petersburg. So good was he that over the years he rose to the rank of major-general.

HisZoonar life, however, tookStock a bitPhoto of a turn when he was GmbH / Alamy introduced to Mily Balakirev and got caught up in the avant-garde swirl around him. He became Balakirev’s disciple and in return, Balakirev encouraged Cui’s musical talent, such as it was. Cui started writing music reviews for one of the local papers, which he would sign, not with his name, but simply three asterisks. His reviews were often searing and his views on composers of the past less than polite. It didn’t take long for his name to get out and in one instance led the novelist Ivan Turgenev to say that Cui’s “empty head should be smashed in with a brick” following a particularly sacrilegious article about Mozart.

Later in his life, when he had largely faded from public view with even his friends viewing him as anachronistic, his association with early music education proponent Nadezhda Dolomanova led him to produce several childrens’ operas and similar works for young performers. These proved to be a lot more successful than his adult works.

In 1916 at the age of 81, Cui went blind, but that didn’t stop him composing. He dictated his works to a musical copyist, the works being mainly for children.

On March 13, 1918, he had a cerebral haemorrhage and died. He was initially buried at the Lutheran Cemetry in St Petersburg, but in 1939 his body was reinterred in the Tikhvin Cemetary at the Alexander Nevsky Monastery, to lie beside the other members of The Five.

As a music journalist, Cui idolised Schumann and devoted himself both to supporting native talents and to attacking what the Five perceived as dogmatic musical authority. This was mainly represented by Anton Rubinstein and the Italians who dominated the officially supported opera company in St. Petersburg, but he was not above savaging the works of his friends when he felt necessary.

An examination of Cui’s music by musicologists over the ages has determined that his style bore more in common with French composers like Gounod, or the German Schumann, than to his contemporary Russians. Certainly, his works were not as nationalistic as the other members of The Five.

Composer Focus, Tuesday 1 March 1.00pm

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FineJazz Happenings – Great jazz, great birthdays March 2022 – by Keith Pettigrew and Louise Levy Over the years, jazz has seen its fair share of colourful and pioneering individuals who have changed the course of jazz. For many, they embrace emerging musical emphases, catapulting them into new territory.

But some create entirely new concepts in musicality. How do we celebrate greatness? We can start by celebrating their birthdays, and thus focus on their music and their innovation. In March, we are relaunching our web series of Jazz Birthdays created by Louise Levy, by celebrating individual jazz greats. Listen out for tracks from these greats on our regular programs.

Glenn Miller (1 March 1904) Glenn Miller was an American big-band trombonist, arranger, composer, and bandleader in the swing era. He was the best-selling recording artist from 1939 to 1942, leading one of the best-known big bands. He scored 16 number-one records and 69 top ten hits, more than Elvis Presley or the Beatles.

Featured on Jazz Rhythm with Jeannie McInnes on Tuesday 1 March.

Aretha Franklin (25 March 1942) One of the giants of soul music, and indeed of American pop as a whole. She epitomised soul, often regarded as a symbol of Black America, although she never thought of herself as confined to one genre. Her eclectic choice of material maintained creative momentum, from gospel to Simon & Garfunkel.

Featured on Friday Jazz Session with Alex Siegers on Friday 25 March

Zakir Hussain (9 March 1951) Zakir Hussain is a classical tabla virtuoso, his consistently brilliant and exciting performances have established him as a national treasure in his own India, and gained worldwide fame. He was invited by President Obama to the International Jazz Day 2016 All-Star Global Concert.

Featured on Jazz-On-Wednesdays with Xavier Bichon (Planet Jazz) and Robert Vale (Jazz Sketches) on Wednesday 9 March

Sarah Vaughan (27 March 1924) In the 1940s, when most women singers adorned big bands as stage attractions and not legitimate jazz musicians, Sarah Vaughan elevated the vocalist’s role as equal with the jazz instrumentalist.

She was known for her dynamic vocal range, sophisticated harmonies, and horn-like phrasing over a half-decade career.

Featured on Classic Jazz with Dave Mac on Sunday 27 March

Quincy Jones (14 March 1933) Quincy Jones is an American multi-instrumentalist, songwriter, composer, arranger, film and television producer, and record producer. His career spans over 60 years in the entertainment industry with a record 80 Grammy Award nominations, 28 Grammys, and a Grammy Legend Award in 1992.

Featured on Jazz Pulse with Chris Wetherall on Monday 14 March.

Astrud Gilberto (29 March 1904) She was known as ‘The Girl from Ipanema’ and often referred to as ‘The Queen of Bossa-Nova’ with roots firmly planted in Brazilian music. Her music was a combination of the sensual rhythms of Brazil and American pop and jazz.

Featured on The Jazz Beat with Lloyd Capps on Tuesday 29 March.

Nat King Cole (17 March 1919) Nat King Cole was one of the most popular singers ever.

Cole has a rare blend of technical musical knowledge and sheer performing artistry topped off with an abundance of showmanship. He turned out nearly 700 songs, all the while remaining a gentle, tolerant and gracious human being.

Featured on the New Jazz Standard with Frank Presley on Thursday 17 March

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Illustration by Lyndon Pike

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Jazz Soundtrack: Antonio Sánchez Louise Levy celebrates the energy of the Birdman soundtrack In the past on a Saturday night, people went out; others had a special occasion, and some stayed home with families, friends, or partner, or all the above. Nowadays, on a Saturday night, life has changed. I watch movies.

Movies that I haven’t seen or movies that I have but would like to see again. Interesting, alternative, spellbinding, funny, something that makes me feel and think. And soundtracks make a huge impact on the story.

I became curious about Sánchez, the energy, and the vibrancy he creates. He first studied a degree in classic piano at the National Conservatory of Music in Mexico, then travelled to Boston, Massachusetts, to study jazz at Berklee College of Music. He graduated Magna Cum Laude and obtained a scholarship for a master’s degree in jazz improvisation at New England Conservatory of Music.

One Saturday night, I watched Birdman or (The Unexpected Virtue of Ignorance) at home, having first seen it in a theatre. The film won the Academy Award for Best Picture, along with Best Director, Best Original Screenplay, and Best Cinematography from a total of nine nominations. Reasons why I wanted to see the movie again.

In 1999, Sánchez moved to New York and in 2007 released his first solo album, Migration. It included several of today’s renowned jazz musicians such as Pat Metheny, Chris Potter and David Sánchez. When reviewing the album, the website All About Jazz called it “One of the best debuts of 2007”.

This time after watching the movie, I wondered why there was no Academy Award for Best Original Score, as the jazz soundtrack was pivotal to the story, so I went looking online and found a note from the award committee explaining the decision. Contrary to Rule 15 of the 87th Academy Awards, the film ‘had contained over a half an hour of non-original (mostly classical) music’. To me, that was a harsh judgment.

I searched for the composer and found jazz drummer Antonio Sánchez, who had said at the time: “It was a scary proposition (to score the movie) because I had no point of reference of how to achieve this. There’s no other movie I know that has a score like this.” This was the first time Sánchez had worked on a film, nevertheless after receiving the script, he composed ‘rhythmic themes for each of the characters’.

While Sánchez didn’t receive an Academy Award, he was nominated for the Golden Globe Award for the Best Original Score, and the BAFTA Award for Best Film Music. He also won the Critics’ Choice Movie Award for Best Score, and the Satellite Award for Best Original Score.

Sánchez continues to compose solo albums including Three Times Three (2015), Channels of Energy (2018) and the Grammy-nominated Bad Hombre (2017). His most recent solo album is Line in the Sand (2019). Sánchez composed this album as a thoughtful, evolutionary tale where jazz explores the journey of immigrants, the brutality of the police and the politics of protest.

Apart from his own solo recording projects, he works with other artists. Early in his career, he began working with Pat Metheny Group and in 2003 they won a Grammy Award for Best Contemporary Jazz Album, Speaking of Now. Sánchez is a busy musician. In the last two years he has played with Thana Alexa, Ona (2020), and received a Grammy Nomination. Other projects include the album Trio Grande (2020) which Sánchez had worked on with Will Vinson and Grad Hekselman, plus a studio album Only Now (2021) composed by Igor Busman, with Evgeniy Pobozhiy (guitar), and Sánchez’s drumming!

So much energy!

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Illustration by Lyndon Pike

Collection Christophel / Alamy Stock Photo

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Live Performance Review: SIX the Musical

By Tessa Miles

Henry VIII is known for establishing the Church of England and for his tumultuous love life, which is why the story of his six wives makes for the perfect musical. From the brainchild of English writing duo Toby Marlow and Lucy Moss, SIX is currently playing at the Sydney Opera House until April and is a fun, upbeat and spectacular show, from the incredible costumes to the toe-tapping music and empowering story.

Each wife appears on stage to claim that they were Henry’s best wife through the device of a pop concert or singing competition. Each tries to upstage the following Queen with hard-hitting songs and stories of how they overcame the adversity and trauma of being Henry’s wife: divorce, beheading, death, divorce, beheading, and survival.

SIX is 80 minutes of pure entertainment from an ensemble cast of just six women: Phoenix Jackson Mendosa as Catherine of Aragon, Kala Gare as Anne Boleyn, Loren Hunter as Jane Seymour, Kiana Daniele as Anne of Cleves, Chelsea Dawson as Katherine Howard, and Vidya Mankan as Catherine Parr. Each girl is enjoyable to watch, bringing cheekiness to their characters, and all look like they are having a wickedly enjoyable time on stage. They are backed up by an allfemale on-stage band known as the Ladies in Waiting, who add energy and fun to the performances.

Taking inspiration from today’s female pop stars such as Beyonce, Lady Gaga and Ariana Grande, the show celebrates and empowers women and joins a growing list of musicals that showcase people of all colours, cultures, sexualities, shapes, and sizes. It will make you leave the Opera House wanting to experience it all over again. If you expect to come to SIX to see a classical musical show about a prominent historical figure, you will be surprised to find modern and contemporary pop culture references which answer the question, ‘what would historical figures do with a smartphone and Tinder?’

SIX originally opened in Sydney in January 2020 and successfully sold out its entire Sydney season before having to cancel the remainder of the Australian tour because of Covid. While the show is quite new, it had an exceptional reception thanks in part to social media, and now has several productions worldwide including in London’s West End, Broadway in New York, provincial UK cities, and even on cruise ships.

Get in quickly if you want to see it, as much of the Sydney run has already sold out. It’s thoroughly entertaining with a great spin on a familiar story reclaimed by the women it is about.

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James D Morgan/Getty Images

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CD REVIEWS Somnambience Jeremy Sawkins Bandcamp

Jeremy Sawkins’ fifth release as a leader has delivered an album that doesn’t require too much analysis. Being a solo project on nylon-string guitar, it features some beautiful melodies and chords in counterpoint, very minimal improvisation, and a lot of space to create a very pleasing musical ambiance.

The album contains several tributes to The Great American Songbook, two outstanding original compositions, Drift and Dom’s Norfolk, plus Naima, a jazz classic by John Coltrane. Capturing a melodic style, the adept guitarist takes us on a sonic journey with his inventive rubato approach to the music, forging an

identity all his own. At times the results are purely magical. His shimmering interpretation of the old warhorse tune, The Sound of Music, almost brings a tear to the eye, and his flawless deliverance of the Henri Mancini composition, Moon River, is perfectly constructed for the 3.00 am sleep war to be won. This is a personal, intimate, and deeply touching solo guitar recording that activates the listeners’ imagination. It also stimulates with a soft, quiet, and fragile sonic satisfaction, ultimately providing the abundance of musical pleasure. Highly recommended.

– Barry O’Sullivan

Hendrik Andriessen: Miroir de Peine, orchestral music & concertos Netherlands Radio Chamber Orchestra Brilliant Classics 96015

This double CD features music by a lesser-known Dutch composer, Hendrik Andriessen, who had a brother and two sons who were also composers, one of the sons being much more famous than any of the others. Andriessen had a long career as an organist and composer and this recording is a welcome introduction to his orchestral music. Featuring the Netherlands Radio Chamber Orchestra with a couple of conductors and many soloists, the collection paints a picture of a composer who had a strong idea of his own sound world, one that inhabited the late Romantic and neo-classical

styles with gentle grace. The conductors include David Porcelijn, who will be very familiar to Australian audiences, and the soprano soloist, Roberta Alexander, brings a beautiful ease to the sound of the title track, Miroir de Peine. This recording highlights the musical depth of the Netherlands in the 20th century through its portrait of a composer who is peripheral to trends of world music but integral to the modern musical history of Holland.

— James Nightingale

J. S. Bach Piano Transcriptions from Russia and the U.S.S.R. Nadia Koudasheva koudasheva.com

Nadia Koudasheva is a young Russianborn Australian pianist, musicologist and teacher. She studied at Sydney Conservatorium of Music, where she completed a Bachelor of Music (Performance), followed by a Doctor of Musical Arts. She has researched, and here performs, piano transcriptions of Bach’s music by Russian and Soviet musicians, the earliest of whom is Ivan Cherlitsky, whose first set of Bach transcriptions was published in 1844-45.

Other transcriptions include those by Rachmaninov’s cousin Alexander Siloti (from Sonata for Solo Violin no 2), Samuil Feinberg (from Organ Sonata no 5) and Tatiana Nikolaeva (Toccata and Fugue in

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D Minor). I found this album a worthy complement to Antony Gray’s set of Bach transcriptions, which concentrates on transcriptions from Britain and Western Europe, together with a few pieces that could be regarded as original works.

On the few occasions the same Bach piece was chosen in each collection, I thought that the Russian transcriptions and Koudasheva’s performances were just as impressive, with Nikolaeva’s transcription of the Toccata and Fugue, for example, seeming more magisterial than the better-known Reger. Highly recommended.

— Paul Cooke

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Tuesday 1 March 00:00 CONTEMPORARY COLLECTIVE

Cui, C. Suite concertante, op 25 (1884).

Takako Nishizaki, vn; Hong Kong PO/Kenneth Schermerhorn.

LP Marco Polo 6.220308 21

03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Gerald Holder Bach, J.S. Prelude and fugue in B, BWV890, from The well-tempered clavier (c1740). Glen Wilson, hpd.

Teldec 2292-44934-2 7 Ravel, M. Trio in A minor (1914). Rotraud Schneider, vn; Anthea Scott-Mitchell, vc; Daniel Herscovitch, pf.

Fine Music concert recording 25 Hyde, M. Fantasy-romantic (1938-39). Miriam Hyde, pf; Strathfield SO/Solomon Bard.

Fine Music tape archive 11 Satie, E. Gymnopédie no 1, from Trois gymnopédies (1888). Stephanie McCallum, pf.

ABC 476 4991 3 Bach, J.S. Prelude and fugue in A flat, BWV536 (c1708-17). Hans Fagius, org.

BIS CD-343/44

22:00 CHAMBER SOIRÉE Prepared by Albert Gormley

13:00 COMPOSER FOCUS Part 9 César Cui Prepared by Michael Morton-Evans

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Locke, M. Suite no 4. Paul Nicholson, spinet; Fretwork.

Virgin 5 45142 2 7 Schubert, F. Impromptu in F minor, D935 no 1 (1827); Impromptu in C minor, D899 no 1 (1827). Lili Kraus, pf.

Vanguard 08 4068 71 18 10:30 CONCERT HALL Prepared by Elaine Siversen

Orientale, from Kaleidoscope, op 50 no 9 (1893). Gregor Piatigorsky, vc; Ralph Berkowitz, pf.

Naxos 8.111069

3

Fair Spring, op 66 no 4. Ludmila Kuznetsova, mezz; Russian State SO/Valery Polyansky.

Chandos CHAN 10201 9 Scherzos, op 82: no 1 in C; no 2 in F; no 3 in C minor (pub. 1910). Russian State SO/Valery Polyansky.

Chandos CHAN 10201 19 14:00 TALES FROM SPAIN Prepared by Elaine Siversen Gluck, C. Suite from Don Juan (1761).

Rhenish CO/Jan Corazolla.

Christophorus CHE 0064-2

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Strauss, R. Don Juan, tone poem after Nikolaus Lenau, op 20 (1888). Berlin PO/ Riccardo Muti.

Philips 422 399-2 19 Steiner, M. Medley from The adventures of Don Juan (1948). National PO/Charles Gerhardt.

RCA GD80912 10 Massenet, J. Ballet music from Le Cid (1885).

Academy of St Martin in the Fields/Neville Marriner.

Brilliant Classics 94355 20 Strauss, R. Tone poem: Don Quixote, op 35 (1897). Ulrich Koch, va; Mstislav Rostropovich, vc; Berlin PO/Herbert von Karajan.

EMI 5 65701 2 44

Poulenc, F. Sextet (1932-39). Philippe Bernold, fl; Olivier Doise, ob; Ronald van Spaendonck, cl; Laurent Lefèvre, bn; Hervé Joulain, hn; Alexandre Tharaud, pf.

Naxos 8.553611 17 Shostakovich, D. String quartet no 8 in C minor, op 110 (1960). Borodin Quartet.

Decca 478 8205 24 Alkan, C-V. Trio in G minor, op 30 (1840).

Dong-Suk Kang, vn; Yvan Chiffoleau, vc; Olivier Gardon, pf.

Timpani IC 1013 21 Haydn, J. String quartet in G, Hob.III:81 (1799). Alban Berg Quartet.

EMI 5 57474 2

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Weber, C.M. Quintet in B flat, op 34 (1815).

Nigel Westlake, cl; Dene Olding, vn; Dimity Hall, vn; Irina Morozova, va; Julian Smiles, vc.

Fine Music concert recording 26

Wednesday 2 March 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Stephen Wilson 09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Rex Burgess Blow, J. Ode on the death of Mr Henry Purcell (1695). James, Bowman, ct; Michael Chance, ct; King’s Consort/Robert King.

Helios CDH55447 22

Glazunov, A. Ballet: Chopiniana, op 46 (1893). German SO/Vladimir Ashkenazy.

Decca 460 019-2 21

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Andrew Dziedzic

Giuliani, M. Qual mesto gemito, after Rossini’s Semiramide. Konrad Hünteler, fl; Reinbert Evers, gui.

Pantheon D 14 112 6

Mendelssohn, F. Double concerto in D minor (1823). Gidon Kremer, vn/Martha Argerich, pf; Orpheus CO. DG 427 338-2 37

19:00 THE JAZZ BEAT with Lloyd Capps Smooth small group jazz from the 50s on, and with a visit from Miles Davis each week

Crusell, B. Clarinet concerto no 2 in F minor, op 5 (1808). Per Billman, cl; Uppsala CO/ Gérard Korsten.

Naxos 8.554144 23

20:00 JUST IN with Michael Field A selection from the latest recordings to arrive at the Fine Music Library

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Kodály, Z. Suite from Háry János, op 15 (1927). Chicago SO/Neeme Järvi.

Chandos CHAN 8877 25 12:00 JAZZ RHYTHM with Jeannie McInnes An eclectic blending of agreeable rhythm and melody from the New Orleans jazz roots through to recent decades, including many Australian bands

Hume, T. The pashion for musicke; Sir Christopher Hattons choice, from Music for viols, lute and voice, vol 2. Les Voix Humaines.

Naxos 8.554127

Jadin, H. String quartet, op 2 no 1 (1796).

Rasumovsky Quartet.

ASV GAU 151 18

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10:30 CONCERT HALL Prepared by Derek Parker

20:00 AT THE OPERA Prepared by Peter Poole

Borodin, A. Overture to Prince Igor (1887; reconstr. Glazunov). London SO/Georg Solti.

Decca 455 632-2 11

Puccini, G. Madama Butterfly. Opera in three acts. Libretto by Luigi Illica and Giuseppe Giacosa. First performed Milan, 1904.

Napoleão, Alfredo. Piano concerto no 2 in E flat minor, op 31 (c1889). Artur Pizarro, pf; BBC NO of Wales/Martyn Brabbins.

Hyperion CDA67984 37

LIEUTENANT PINKERTON: Jay Hunter Morris, ten MADAMA BUTTERFLY: Cheryl Barker, sop SUZUKI: Ingrid Silvenus, mezz GORO: Graeme MacFarlane, ten PRINCE YAMADORI: Angus Wood, ten KATE PINKERTON: Julie Edwardson, mezz Opera Australia Ch; Australian Opera and Ballet O/Patrick Summers.

ABC 476 101-0 2:11

Saint-Saëns, C. Symphony no 3 in C minor, op 78, Organ (1886). Marcel Dupré, org; Detroit SO/Paul Paray.

Mercury 478 8388 34 12:00 JAZZ SKETCHES with Robert Vale Focussing on contemporary jazz, often gathered from emerging cultures and Australian sources

Lieutenant Pinkerton of the US Navy becomes engaged to the geisha Butterfly during a visit to Japan. Butterfly, believing in her marriage to Pinkerton, is abandoned by her family and takes care of their child with her maid Suzuki.

13:00 IN CONVERSATION Three years later, the marriage broker Goro with Simon Moore wants to introduce her to a Prince. Butterfly is Each week we meet one of the world’s great musicians, singers, composers or conductors, not interested, insisting that she is married to Pinkerton and waits excitedly for him. When along with up-and-comers and some of the his ship arrives in the harbour. Pinkerton men and women who influence the arts landscape. The program goes live to air so you brings a wife and wants to take the child to America. Butterfly resists but then promises never quite know what’s going to happen. they can return later for the child. She then kills herself with her father’s sword.

14:00 THE ART OF ETHEL SMYTH Prepared by Stephen Wilson Musetta’s waltz song, from La bohème (1896).

Smyth, E. The march of the women (1911).

Eiddwen Harrhy, sop; Plymouth Festival Ch & O/Philip Brunelle.

Virgin VC 7 91188-2 3

Serenade in D (1890). BBC PO/Odaline de la Martinez.

Chandos CHAN 9449 35 String quartet in E minor (1902-12). Mannheim String Quartet. cpo 999 352-2 42 Concerto for violin, horn and orchestra (1926).

Sophie Langdon, vn; Richard Watkins, hn; BBC PO/Odaline de la Martinez.

Chandos CHAN 9449 28 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Tom Forrester-Paton 19:00 PLANET JAZZ with Xavier Bichon A musical journey to different parts of the world where jazz meets other musical traditions, from Africa to Europe, with a slice of Australia

Amelia Farrugia, sop; BBC SO/Alexander Briger.

Decca 987 5237

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22:30 MUSIC OF THE NIGHT Prepared by Chloe Sinclair Muhly, N. No uncertain terms (2017). Omega Ensemble/Gordon Hamilton.

ABC 481 8617 15 Copland, A. Nocturne (1926). Paul Meyer, cl; Eric Le Sage, pf.

Denon CO-18016 8 Glass, P. The canyon (1988). Atlanta SO/ Robert Shaw.

Sony SMK87978 17 Muhly, N. Set me as a seal upon thine heart.

Jesus College Cambridge Combined Choirs; Benjamin Morris, pf; Mark Williams, cond.

Signum SIGCD370 4 Rouse, C. Cello concerto (1992-93). Yo-Yo Ma, vc; Philadelphia O/David Zinman.

Sony SK 66299 29 Muhly, N. By all means (2004). Omega Ensemble/Gordon Hamilton.

ABC 481 8617

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Thursday 3 March 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Simon Moore 09:00 DIVERSIONS IN FINE MUSIC The instruments: Brass Prepared by Anabela Pina Morgan, R. Count your blessings (arr.

Graham). Phillip McCann, cornet; Simon Lindley, org.

Chandos CHAN 4521

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Eberlin, J. Der verlorene Sohn. Monica Groop, mezz; Christian Lindberg, tb; Olof Larsson, vc; Björn Gäfvert, org.

BIS CD-548

8

Phalèse, P. Dance suite. Edward Tarr Brass Ensemble.

Christophorus CHR 74562 7 Loeillet of London, J.B. Sonata in C. Joachim Schäfer, piccolo tpt; Bratislava Chamber Soloists/Anton Popovic.

Christophorus CHE 0205-2

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Beethoven, L. Quintet in E flat for three horns, oboe and bassoon (?1793; arr. Zellner 1862).

European CO Wind Soloists.

ASV COE 807 15 Panufnik, A. Concerto in modo antico (1951/55). Igor Cechoco, tpt; Polish CO/ Mariusz Smolij.

Naxos 8.570032

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Mozart, W. Trio in E flat, K498, Kegelstatt (1786; arr. Livius). Anneke Scott, hn; Ironwood.

ABC 481 1244 20 10:30 CONCERT HALL Prepared by Gerald Holder Chaminade, C. Callirhoe suite, op 37 (1888).

Sydney SO/Joseph Post.

LP ABC RRCS 1472 6 Reger, M. Violin concerto in A, op 101 (190708). Tanja Becker-Bender, vn; Berlin Concert O/Lothar Zagrosek.

Hyperion CDA67892 57 Mozart, W. Symphony no 21 in A, K134 (1772). Amsterdam Baroque O/Ton Koopman.

Erato 2292-45544-2 20

12:00 JAZZ AFTER NOON with Sue Jowell Featuring swing to mainstream jazz with regular appearances from the Great American Songbook 13:00 WIND COMBINATIONS Prepared by Elaine Siversen Barsanti, F. Concerto grosso in D, op 3 no 4 (1743). Zdenek Tylsar, hn; Bedrich Tylsar, hn; Frantisek Thuri, hpd; Dvorák CO/Libor Pesek.

Supraphon 10 3907-2 11 Myslivecek, J. Wind octet no 1 in E flat.

Harmoniemusik of London.

Virgin 5 61368 2

15

Mendelssohn, F. Concert piece no 1 in F minor, op 113 (1833). Alan Hacker, cl; Lesley Schatzberger, bshn; Richard Burnett, pf.

Amon Ra SAR 38 8 Bach, J. Christian Sinfonia concertante in C. Richard Adeney, fl; Peter Graeme, ob; Emmanuel Hurwitz, vn; Keith Harvey, vc; English CO/Richard Bonynge.

ABC 475 070-2 22 Stravinsky, I. Suite from The soldier's tale (1918). William Blount, cl; Frank Morelli, bn; Chris Gecker, cornet; Michael Powell, tb; Rolfe Schulte, vn; John Feeney, db; Gordon Gottlieb, perc.

MusicMasters 01612-67152-2 25 14:30 MOUNTAIN MUSIC Prepared by Derek Parker Liszt, F. Symphonic poem no 1: What is heard on the mountain (1848-49/50/54). New Zealand SO/Michael Halász.

Naxos 8.557846 29 Franck, C. Symphonic poem: What you hear on the mountain (1846). Belgian RTO/Alfred Walter.

Schwann 311 105 H1 22 d’Indy, V. Summer day on the mountain, op 61 (1905). Iceland SO/Rumon Gamba.

Chandos CHAN 10464 31 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Peter Poole 19:00 THE NEW JAZZ STANDARD with Frank Presley A fresh perspective on modern music contributing to the standard jazz repertoire, with fine jazz interpretations from the world of pop, rock, film and contemporary jazz

20:00 THE WORLD OF A SYMPHONY Prepared by Paul Cooke Haydn, M. Sancti Dei (1777); Christus factus est (1761). St Jacob’s Chamber Choir/Gary Graden.

BIS CD-859 5 Bruckner, A. Christus factus est (1884). Choir of St Bride's Church/Robert Jones.

Naxos 8.550956 5 Beethoven, L. Adagio sostenuto, from Sonata no 29 in B flat, op 106, Hammerklavier (181718). Paul Lewis, pf.

Harmonia Mundi HMC 90190315 19 Spohr, L. Quintet in C minor, op 52 (1820).

John Wion, fl; Arthur Bloom, cl; Donald MacCourt, bn; Howard Howard, hn; Mary Louise Boehm, pf.

LP Turnabout TV-S 34506 28 Bruckner, A. Symphony no 6 in A (1879-81).

Royal Concertgebouw O/Bernard Haitink.

Philips 442 040-2 54 22:00 SWEDISH COMPOSERS Prepared by James Nightingale Söderlundh, L. Soave (1947). Bengt Forsberg, pf.

Acoustica ACCD-1016

3

Bottesini, G. Duo concertante on Bellini’s I Puritani (1851). Moray Welsh, vc; Thomas Martin, db; London SO/Franco Petracchi.

Naxos 8.570398 14 Giuliani, M. Potpourri from Rossini’s Tancredi, op 76 (pub. 1817). Mikael Helasvuo, fl; Jukka Savijoki, gui.

BIS CD-413 14 Liszt, F. Waltz, from Gounod's Faust (1859; transcr. 1861). Polina Leschenko, pf.

Avanti 5414706 10272 9 Glinka, M. Serenade on themes from Donizetti’s opera, Anna Bolena (1832).

Alexander Petrov, bn; Igor Makarov, hn; Andrei Kevorkov, va; Erik Pozdeev, vc; Rustem Gabdulin, db; Natalia Tsekhovskaya, hp; Leonid Ogrinchuk, pf.

Olympia MKM 76 20 10:30 CONCERT HALL Prepared by James Nightingale Bax, A. Tone poem: Tintagel (1917-19). Royal Scottish NO/David Lloyd-Jones.

Naxos 8.578017-18 15 Hummel, J. Piano concerto no 2 in C, op 44 (c1816). Pavol Kovác, pf; Bratislava Chamber Ensemble/Vlastimil Horák.

Koch Schwann 311 120 42

Andrée, E. Piano quartet in A minor (1865).

Thorunn Osk Marinosdottir, va; Trio Nordica.

IMCD 113 23

Vine, C. Symphony no 3 (1990). Sydney SO/ Stuart Challender.

ABC 476 717-9 26

22:30 ULTIMA THULE Ambient and atmospheric music

12:00 A JAZZ HOUR with Barry O'Sullivan Contemporary and modern sounds of 'now' in jazz from all corners of the globe with a focus on contemporary jazz from Australia and regular interviews with local and visiting musicians

Friday 4 March 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN

13:00 BEETHOVEN IN CHAMBER Prepared by Derek Parker

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Vicky Zhang

Beethoven, L. Serenade in D for flute, violin and viola, op 25 (1801). Israel Flute Ensemble.

CDI 18809 24

09:00 DIVERSIONS IN FINE MUSIC Something borrowed Prepared by Chris Blower

String quartet no 11 in F minor, op 95, Serious (1810). Borodin String Quartet.

Virgin VC 7 90713-2

Danzi, F. Fantasy for clarinet and orchestra on Là ci darem la mano, from Mozart’s Don Giovanni (1787). Andreas Ottensamer, cl; Potsdam Chamber Academy.

Decca 481 4711 10 Wallace, V. Fantasie brillante on themes from Verdi’s La traviata (pub. 1856). Rosemary Tuck, pf.

Naxos 8.572774 12

25

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Sonata no 9 in A, op 47, Kreutzer (1801-02).

Richard Tognetti, vn; Erin Helyard, pf.

ABC 481 9075 38

14:30 ON THE WING Prepared by Stephen Wilson Mendelssohn, F. On wings of song (arr.

Boustead). Kiri Te Kanawa, sop; Choir of St Paul’s Cathedral; Thelma Owen, hp; English CO/Barry Rose.

Decca 478 6419 3 Carr-Boyd, A. Flying west (2014).

Thoroughbass.

Wirripang Wirr 066

11

Respighi, O. Suite: The birds (1927).

Australian CO/Christopher Lyndon-Gee. Omega OCD 1007

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Verdi, G. Fly, my thoughts, on gilded wings, from Nabucco. Queensland Opera Ch & O/ Johannes Fritzsch.

ABC 480 7518 5 Handel, G. Organ concerto no 13 in F, HWV295, The cuckoo and the nightingale (1739). Warwick Dunham, org; Cove O/ Alexander Briger.

Fine Music concert recording 13 Rossini, G. Overture to The thieving magpie (1817). Tasmanian SO/Ola Rudner.

ABC 476 259-9 10

Heuberger, R. Im Chambre séparée, from The opera ball (1898). Richard Tauber, ten; Odeon Artists’ O/Frieder Weissmann.

EMI CDH 7 69787-2 3 Vienna, city of my dreams (1916). Richard Tauber, ten; O/Ernst Hauke.

EMI CDH 7 69787-2 3 22:00 BAROQUE AND BEFORE 1572 comings and goings Prepared by Susan Foulcher

Mozart, W. Sonata no 5 in G, K283 (1775).

Glenn Gould, pf.

CBS M2YK 45612 7 2

Goudimel, C. Psalms: no 137, Sitting at the waters’ bank; no 40, After constantly waiting.

Ensemble Clément Janequin/Dominique Visse.

Harmonia Mundi HMC 901672 7 Psalm 67: God be gentle and favourable to us (1554). Huelgas Ensemble/Paul Van Nevel.

DHM 88985411762 5 Tye, C. In nomines, no 14 Reporte; no 20, Crye. Rose Consort of Viols.

Naxos 8.554284 4

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with James Hunter

Western wind Mass. Tallis Scholars/Peter Phillips.

Gimell CDGIM 027 27

20:00 EVENINGS WITH THE ORCHESTRA The magic of Vienna Prepared by Robert Small Haydn, J. Symphony in G, Hob.I:8, Le soir (c1761). La Petite Bande/Sigiswald Kuijken.

Accent ACC 24272 24 Beethoven, L. Violin concerto in D, op 61 (1806). Richard Tognetti, vn; Australian CO/ Anthony Halstead.

ABC 465 425-2 42 Schubert, F. Symphony no 8 in B minor, D759, Unfinished (1822). Vienna SO/Nikolaus Harnoncourt.

Apex 0927 498132 28

Tomkins, T. In nominee for three viols. Rose Consort of Viols; Timothy Roberts, org.

Naxos 8.550602 13 Barafostus' dreame. Sophie Yates, virginal.

Chandos CHAN 0574 6 Jubilate; Magnificat, from Third or Great Service (pub. 1668). Tallis Scholars/Peter Phillips.

Gimell CDGIM 024 14 Organ voluntary in D; A sad pavan for these distracted times; Pavan and galliard. Laurence Cummings, org.

Naxos 8.553794 10 When David heard; O praise the Lord (pub.

1622). Stile Antico.

Harmonia Mundi HMU 807554 9 Above the stars; For two to play; Thou art my king, O God. Red Byrd; Timothy Roberts, hpd; John Bryan, hpd; Rose Consort of Viols.

Naxos 8.550602 10

Strauss, J. II Tales from the Vienna Woods, op 325 (1868). Queensland SO/Vladimir Ponkin.

ABC 432 250-2 12

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06:00 SATURDAY MORNING MUSIC with Peter Bell

09:05 THE PIANO ALONE Prepared by Rita Felton

A NNI V ERSA RY

Rautavaara, E. Cantus arcticus, concerto for birds and orchestra, op 61 (1972). Lahti SO/ Osmo Vänskä.

BIS CD-1038 17

19:00 FRIDAY JAZZ SESSION with Alex Siegers A focus on the current Sydney jazz scene mixed with a range of international jazz stars and an occasional guest interview

00:00 CLASSIC-ALL THROUGH THE NIGHT

09:00 WHAT'S ON IN MUSIC Our weekly guide to musical events in and around Sydney

450th

Certon, P. Psalm 32: O blessed one.

Ensemble Clément Janequin/Dominique Visse.

Harmonia Mundi HMC 901672

Saturday 5 March

Fauré, G. Ballade, op 19 (1881). David Stanhope, pf.

Tall Poppies TP184

14

Schumann, R. Symphonic studies, op 13 (1834-37). Wilhelm Kempff, pf.

DG 435 045-2 26 10:00 CENTRES OF MUSIC The court of Frederick II of Prussia Part 1 Prepared by Elaine Siversen Frederick II. Flute concerto no 3 in C. Patrick Gallois, fl; Carl Philipp Emanuel Bach CO/ Peter Schreier.

DG 439 895-2 15 Bach, C.P.E. Sonata in F sharp minor, Wq52 no 4 (1744). Danny Driver, pf.

Hyperion CDA67908 17 Müthel, J. Sonata in D for flute and basso continuo. Manfredo Zimmermann, transverse fl; Christophe Coin, vc; Aline Parker, hpd.

LP Orpheus ORP 0 702 12 Graun, J. Trio sonata in F for two violins and basso continuo. Les Amis de Philippe. cpo 999 623-2 9 Agricola, J. Six songs from Collection of the newest songs (1756). Ulrike Hofbauer, sop; L’Arcadia.

Guild GMCD 7806 6 Graun, C. Horn concerto in D. Barry Tuckwell, hn; Academy of St Martin in the Fields/Iona Brown.

Decca 417 406-2 9 Bach, C.P.E. Symphony in E minor, Wq178, Fandango (pub. 1759). Akademie für Alte Musik.

Harmonia Mundi HMG 501711 11

11:30 ON PARADE Music that’s band Prepared by Owen Fisher

14:30 SATURDAY MATINEE Orchestral grandeur Prepared by Anne Irish

Caplet, A. À la française; À l’espagnole, from Deux divertissements (1924). Alice Giles, hp.

Tall Poppies TP213 10

Trad. Greensleeves (arr. Langford). Black Dyke Mills Band/Peter Parkes.

LP RCA PL 25025

Arriaga, J. Symphony in D minor (1824). La Capella Reial de Catalunya; Le Concert des Nations/Jordi Savall.

Astrée E 8532 29

Cinq ballades françaises (1919). Claudette Leblanc, sop; Boaz Sharon, pf.

Unicorn-Kanchana DKP 9142 13

3

Legrand, M. Sweet gingerbread man. Cory Band/Denzil Stephens.

LP EMI 054-06-301 3 Beethoven, L. Themes from Symphony no 5.

Manchester (CWS) Band/Alex Mortimer.

Fontana STL 5480 10 Sousa, J.P. Liberty Bell. Phillip Jones Brass Ensemble.

Decca 410-290-2 4 Paganini, N. Moto perpetuo. Robert Childs, euphonium; Nicholas Childs, euphonium; Black Dyke Mills Band/Roy Newsome.

Chandos CHAN 8571 2 12:00 URBAN JAZZ LOUNGE with Leita Hutchings New, hip, fun and traditional jazz: tons of cool jazz, presented in a chilled and laid-back, lounge style 13:00 TREASURES OF THE VOICE Prepared by Rex Burgess Wagner, R. Die Frist ist um, from The flying Dutchman (1841). Hans Hotter, bass; Bavarian State O/Heinrich Hollreiser.

DG 479 1241 9 In fernem Land, from Lohengrin (1848).

Plácido Domingo, ten; Royal PO/Edward Downes.

Sony 88697526902

6

Sarasate, P. de Carmen fantasy, op 25 (c1883). Gil Shaham, vn; Castilla y León SO/ Alejandro Posada.

Canary CC07 12 Rodrigo, J. Concierto de Aranjuez (1939).

John Williams, gui; English CO/Daniel Barenboim.

CBS M2YK 45610 22 Albéniz, I. Iberia (1905; orch. Breiner).

Moscow SO/Igor Golovschin.

Naxos 8.553023 1:17 17:00 SOCIETY SPOT Folk Federation of NSW with Gerry Myerson 18:00 STAGE AND SCREEN Prepared by Maureen Meers Bock, J. Excerpts from Fiddler on the roof (1964). Zero Mostel, Maria Karnilova, Beatrice Arthur, voices.

RCA RCD1-7060 19 Various. Excerpts from Les miserables (Schönberg, 1980); Aspects of love (Lloyd Webber, 1989); Blood brothers (Russell, 1983). Michael Ball, voice.

Polygram 533892-2 12 Coleman, C. Excerpts from Sweet charity.

Gwen Verdon, John McMartins, Helen Gallagher, voices.

Columbia/Sony SK 60960 20

Chausson, E. Poème, op 25 (1896). Philippe Graffin, vn; Pascal Devoyon, pf; Chilingirian Quartet.

Hyperion CDA67028 15

7

BIS CD-184

Five pieces, from Pour les enfants bien sages: un tas de petites choses (1901).

Marylène Dosse, Annie Petit, pf.

Pantheon D 10699

10

Quintet for piano and winds (1898). Claire Désert, pf; Moraguès Quintet.

Le Chant du Monde LDC 2781116 26 22:00 SATURDAY NIGHT AT HOME Prepared by Chris Blower Offenbach, J. Ballet: The butterfly (1860).

London SO/Richard Bonynge.

LP Decca SXL 6588 55

Winterstüme wichen, from Die Walküre (1876).

Eva Maria Westbrook, sop; Jonas Kaufman, ten; Metropolitan Opera Ch & O/James Levine.

19:00 EMERGENT JAZZ DG 479 0638 14 with Keith Pettigrew Morgenlich leuchtend, from The Mastersingers Australian jazz of the 21st century featuring of Nuremburg Act III (1866-67). Set Svanholm, high school jazz combos, tracks from Sydney's ten; San Francisco Opera O/Gaetano Merola. pre-eminent jazz programs at UNSW and 'The Naxos 8.110143 4 Con' and new Australian and international jazz releases Prelude and Liebestod, from Tristan and Isolde (1857-59). Marilyn Richardson, sop; 20:00 THE LIFE OF A COMPOSER Queensland SO/Werner Andreas Albert.

ABC 426 999-2 17 André Caplet Prepared by Jacky Ternisien 14:00 FRENCH VIOLIN Caplet, A. Rêverie et petite valse (1905).

Prepared by James Nightingale Robert Aitken, fl; Robin McCabe, pf.

Farrenc, L. Concertante variations on a Swiss tune, op 20 (1835). Daniele Orlando, vn; Linda Di Carlo, pf.

Brilliant Classics 95922 11

Epiphany (1923). Jean Decroos, vc; Royal Concertgebouw O/Jean Fournet.

Radio Nederland RCO 06004 22

Debussy, C. Children's corner (1908; arr.

Caplet). Ulster O/Yan Pascal Tortelier.

Chandos CHAN 8756 17

Clementi, M. Sonata in C, op 6 no 1 (1779).

Genevieve Chinn, Allen Brings, pf.

Centaur CRC 2046 16 Stanford, C. Villiers Symphony no 3 in F minor, op 28, Irish (1887). Bournemouth SO/ David Lloyd-Jones.

Naxos 8.570355 43

Sunday 6 March 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC 09:00 MUSICA SACRA Prepared by Stephen Matthews Haydn, J. Mass no 11 in D minor, Nelson Mass. Choir of New College, Oxford; New Century Baroque O/Edward Higginbottom.

Novum NCR1385 49 Homilius, G. Rejoice in the Lamb. Stuttgart Chamber Choir/Frieder Bernius.

Carus 83.210 4 10:00 THE CLASSICAL ERA Prepared by Meg Matthews Haydn, J. Overture to La vera costanza.

Lausanne CO/Antal Dorati.

Philips 423 424-2

6

Boccherini, L. Guitar quintet no 4 in D, Fandango (1798). Europa Galante.

Virgin 5 45606-2

20

Mozart, W. Sinfonia in G, New Lambach (1767-69). L’Orfeo Baroque O/Michi Gaigg. cpo 999 942-2 21

27

Bach, C.P.E. Concerto in B flat for oboe, strings and basso continuo (1765). Burkhard Glaetzner, ob; New Bach Collegium Musicum Leipzig.

Capriccio 10069 24

Biber, H. Passacaglia in G minor (c1675).

Elizabeth Wallfisch, vn.

Hyperion CDA67238 9

Beethoven, L. Resignation, WoO149; Zärtliche Liebe, WoO128; Adelaïde, op 46 (c1795). Peter Schreier, ten; Walter Obertz, pf.

Berlin Classics BC 2082-2 12

15

Symphony no 2 in D, op 36 (1802). London Classical Players/Roger Norrington.

EMI 7 47698 2 25 12:00 CLASSIC JAZZ with Dave Mac Early and traditional jazz

Bach, J.S. Passacaglia and fugue in C minor, BWV582 (c1708-12). Peter Hurford, org.

EMI 5 65028 2 15 Brahms, J. Symphony no 4 in E minor, op 98 (1885). Vienna PO/Carlos Kleiber.

DG 477 5324 40 17:00 HOSANNA Prepared by Richard Munge

13:00 WORLD MUSIC Whirled Wide with Anna Tranter Showcases diverse music from cultures around the world, both traditional and modern, featuring musicians from all corners of the globe, including Australia 14:00 INTIMATE VOICES Part 1 Three Italian threes Prepared by Rex Burgess Clementi, M. Piano trio, op 22 no 2 (pub.

1788). Trio Fauré.

Dynamic CDS 93 10 Paganini, N. Trio in D (1833). Jean-Jacques Kantorow, vn; Mari Fujiwara, vc; Anthea Gifford, gui.

Denon CO 77069 21 Castelnuovo-Tedesco, M. Piano trio no 2 in G minor, op 70 (1932). Ensemble Italiano.

Brilliant Classics 96007 23 15:00 SUNDAY SPECIAL Passacaglia: passion and precision Prepared by Paul Cooke Monteverdi, C. Lamento della Ninfa (pub.

1638; arr. Krenek). Caroline Stein, sop; RIAS Chamber Choir; Philip Mayers, pf; HansChristoph Rademann, cond.

Harmonia Mundi HMC 902049 6 Clarke, R. Passacaglia on an old English tune (1943). Patricia McCarty, va; Virginia Eskin, pf.

Northeastern NR 212 CD 5 Frescobaldi, G. Aria di passacaglia (arr.

Lislevand, Walser-Breuss, Johnsen). Rolf Lislevand, lute; Concerto Stella Matutina.

Sony G010003871434P

Wolpe, S. Passacaglia (1936). Geoffrey Douglas Madge, pf. cpo 999 055-2

7

Atterberg, K. Ballade and passacaglia, op 38 (1927-35). Love Derwinger, pf: Hanover Radio PO/Ari Rasilainen. cpo 999 732-2 10

Hymns. I bind unto myself today; All my hope on God is founded. Choir of Westminster Abbey; Robert Quinney, org; James O’Donnell, cond.

Hyperion CDA 68013 9 Psalms. No 129: Many a time have they fought against me; no 130: Out of the deep.

Choir of Salisbury Cathedral; John Challenger, org; David Halls, cond.

Priory PRCD 1150 5 Stanford, C. Villiers Te Deum in C. Choir of Ely Cathedral; Jeremy Filsell, org; Paul Trepte, cond.

Heritage HTGCD 219 8 Blow, J. Lord, who shall dwell in thy tabernacle. Choir of Winchester Cathedral; Parley of Instruments/David Hill.

Hyperion CDD22055 9 Hymns. Be still, for the presence of the Lord; The day thou gavest Lord is ended; When I survey the wondrous cross. Aled Jones, ten; Choir of King’s College Cambridge.

BBC/UCJ 982 797-3 10 Howells, H. Rhapsody, op 17 no 3. John Challenger, org.

Priory PRCD 1118

8

18:00 SMALL FORCES Prepared by Rita Felton

Handel, G. Sonata in D for violin and basso continuo, HWV371. Academy of St Martin in the Fields Chamber Ensemble.

Philips 412 603-2 12 19:00 SUNDAY NIGHT CONCERT Prepared by Rex Burgess Britten, B. Variations on a theme of Frank Bridge, op 10 (1937). Australian CO/John Harding.

Fine Music tape archive 26 Ravel, M. Piano concerto in G (1931). JeanYves Thibaudet, pf; Montreal SO/Charles Dutoit.

Decca 452 448-2 23 Chausson, E. Symphony in B flat, op 20 (1889-90). BBC PO/Yan Pascal Tortelier.

Chandos CHAN 9650 33 20:30 NEW HORIZONS Prepared by Angus McPherson Edwards, R. Oboe concerto, Bird spirit dreaming (2002). Diana Doherty, ob; Melbourne SO/Arvo Volmer.

ABC 476 3768

18

Holley, A. Opal wings (2007). Members of Sydney Consort.

Sydney Consort SC004 10 Ford, A. Eight Australian birds discover the music of the 20th Century (1989). Elpis Liossatos, pf.

Tall Poppies TP143 4 Tanaka, K. Night bird (1996). Gerard McChrystal, alto sax; Karen Tanaka, elec.

First Hand Records FHR13 8 Yoshimatsu, T. Saxophone concerto, op 59, Cyber-bird (1993). Nobuya Sugawa, sax; BBC PO/Sachio Fujioka.

Chandos CHAN 9737 23 Messiaen, O. Stained glass window and birds (1986). Netherlands Wind Ensemble.

Chandos CHAN 9301/2 9 Sciarrino, S. Fauno che fischia a un merlo (1980). Claudio Ortensi, fl; Anna Pasetti, hp.

Brilliant Classics 95925 6

Beethoven, L. Sextet in E flat for two horns and string quartet, op 81b (1795). Gerd Seifert, 22:00 JAZZ AFTER HOURS hn; Manfred Klier, hn; Drolc Quartet.

DG 439 852-2 17 with Sue Jowell Late night jazz, to listen and engage and relax Martinu, B. Quartet (1947). Joel Marangella, ob; Charmian Gadd, vn; Alexander Ivashkin, vc; Kathryn Selby, pf.

Naxos 8.553916 12 Carulli, F. Fantasy in G on themes from Bellini's Il pirata, op 337. Jean-Pierre Rampal, fl; Alexandre Lagoya, gui.

CBS MK 42130 11

28

13:00 LOUISE JOHNSON AND FRIENDS Prepared by Elaine Siversen

Monday 7 March

20:00 STORMY MONDAY with Austin Harrison

Hasselmans, A. The spring, op 44; Song of May, op 40; Gondoliera, op 39. Louise Johnson, hp.

Artworks AW017 11

00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with James Hunter 09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1859 Prepared by Dan Bickel Meyerbeer, G. Dieu! Comme cette nuit est lente... Ombre légère, from Dinorah (1859).

Joan Sutherland, sop; London SO/Richard Bonynge.

Decca 475 6302 8 Munier, C. Serenata napoletana. Raffaele La Ragione, mand; Giacomo Ferrari, pf.

Brilliant Classics 95096 6 Gottschalk, L. Symphony no 1, A night in the tropics (1859). Utah SO/Maurice Abravanel.

Vanguard OVC 4051 19 Alkan, C-V. Une fusée: introduction et impromptu, op 55 (1859). Stephanie McCallum, pf.

Toccata TOCC 0157

8

Bruch, M. Sanctus, op 35 no 2 (1859).

Aleksandra Baranska, sop; Cracow Philharmonic Ch & O/Roland Bader.

Koch Schwann 3-1253-2

10

10:30 CONCERT HALL Prepared by Rex Burgess Wagenaar, J. Overture: Cyrano de Bergerac, op 23 (1905). Royal Concertgebouw O/ Riccardo Chailly.

Decca 425 833-2 14 Fauré, G. The birth of Venus, op 29. Sara Macliver, sop; Jenny Duck-Chong, mezz; Paul McMahon, ten; Teddy Tahu Rhodes, bar; Cantillation; Sinfonia Australis/Antony Walker.

ABC 481 2646 24 Walton, W. Symphony no 1 in B flat minor (1931-35). London PO/Bryden Thomson.

Chandos CHAN 8862 45 12:00 SWING SESSIONS with John Buchanan Featuring bands of the 1930s swing era and the dance bands of the 1920s taken from radio broadcasts, transcriptions and recording sessions

22:00 JAZZ AFTER HOURS Late night jazz, to listen and engage, and relax

Tuesday 8 March

Martin, F. Petite symphonie concertante (1945). Louise Johnson, hp; Colin Forbes, hpd; 00:00 CONTEMPORARY Joyce Hutchinson, pf; Sydney SO/Willem van COLLECTIVE Otterloo.

LP RCA VRL1 0122 20 03:00 CLASSICAL TILL DAWN Fauré, G. In prayer (1889). Tim DuFore, bar; Louise Johnson, hp.

MBS 40 3 Poulenc, F. To his guitar (1935). Tim DuFore, bar; Louise Johnson, hp.

MBS 40 3 Castelnuovo-Tedesco, M. High mountains; Come and you will see. Tim DuFore, bar; Louise Johnson, hp.

MBS 40 4 Ravel, M. Introduction and allegro for harp, flute, clarinet and string quartet (1905). Louise Johnson, hp; Australia Ensemble.

Fine Music tape archive 10 Mozart, W. Double concerto in C, K299 (1778). Jane Rutter, fl; Louise Johnson, hp; Sydney Bach O/Richard Bonynge.

ABC 476 6475 29 14:30 CLASSICS FROM CLEVELAND Prepared by Derek Parker Strauss, R. Till Eulenspiegel’s merry pranks, op 28 (1895). Cleveland O/Vladimir Ashkenazy.

Decca 425 112-2 14 Stravinsky, I. Ballet: Game of cards (193536). Cleveland O/Igor Stravinsky.

Sony SM3K 46 291-302 23 Tchaikovsky, P. Variations on a rococo theme, op 33 (1876). Lynn Harrell, vc; Cleveland O/Lorin Maazel.

Decca 480 6617

17

Rimsky-Korsakov, N. Suite from The golden cockerel (1909). Cleveland O/Lorin Maazel.

Decca 478 2826 27 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Nicky Gluch 19:00 JAZZ PULSE with Chris Wetherall Jazz across the wide spectrum from early Louis to Coltrane, with plenty of Ellington and Basie, through to hard bop

29

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Rex Burgess Bach, J.S. Prelude and fugue in E flat minor, BWV853, from The well-tempered clavier (1722). Glen Wilson, hpd.

Teldec 244 918-2 10 Loeillet de Gant, J.B. Sonata in C. Crispin Corte, fl; Alasdair Vickers, vn; Benjamin Bayl, org.

Knox 1 8 Mozart, W. Sonata in F, K533/494 (1788; arr. Grieg 1907). Julie Adam, pf; Daniel Herscovitch, pf.

ABC 481 0853 19 Janácek, L. Capriccio for piano left hand and seven wind instruments (1926). Rudolf Firkusny, pf; Members of the Bavarian RSO/ Rafael Kubelik.

DG 449 764-2 19 Brahms, J. Four ballades, op 10 (1854).

Cédric Tiberghien, pf.

Harmonia Mundi HMX 2908401.08

24

10:30 CONCERT HALL Prepared by Rita Felton Barber, S. Adagio for strings, op 11a (1936).

Australian CO/Richard Tognetti.

Sony SK 48252 9 Mozart, W. Oboe concerto in C, K314 (1777).

Anthony Camden, ob; Queensland PO/Chitaru Asahina.

Walsingham WAL 8038-2CD 23 Bruckner, A. Symphony no 1 in C minor (1866/91). Lucerne FO/Claudio Abbado.

Accentus Music ACC30274 50 12:00 JAZZ RHYTHM with Jeannie McInnes

13:00 INSPIRED BY VICTOR HUGO Prepared by Jacky Ternisien

22:00 CHAMBER SOIRÉE Prepared by Frank Morrison

Mendelssohn, F. Overture: Ruy Blas, op 95 (1839). Bamberg SO/Claus Peter Flor.

RCA Victor RD 87905 8

Schubert, F. String trio in B flat, D581 (1817).

Members of L'Archibudelli.

Sony SK 53982 21

Barret, R. Fantasy on Donizetti's Lucrezia Borgia (arr. Price). Bert Lucarelli, ob; Manhattan String Quartet.

Price-Less D 21062 10 Gounod, C. Melodies based on Victor Hugo poems (1857-85). Felicity Lott, sop; Graham Johnson, pf.

Harmonia Mundi HMC 901138 11 Drigo, R. Pas de deux, from La Esmeralda (1886). London SO/Richard Bonynge.

Decca 452 771-2 10 Thalberg, S. Fantasy on Donizetti's Lucrezia Borgia. Francesco Nicolosi, pf.

Marco Polo 8.223365 12 Verdi, G. La donna è mobile, from Rigoletto (1851). Andrea Bocelli, ten; Israel PO/Zubin Mehta.

Decca 478 7732 2 Bassi, L. Fantasy on themes from Verdi’s Rigoletto (1885). Seunghee Lee, cl; Arlene Shrut, pf.

Summit Records DCD 276 13 Schönberg, C-M. Suite from Les misérables (1980). O/Richard Hayman.

Naxos 8.578039-40 11 14:30 HAZARDS OF CYCLING Prepared by Stephen Wilson Pereira, D. Fantasia on Daisy, Daisy after Dacre’s A bicycle built for two (c2015). David Pereira, vc; Rachel Scott, vc. www.bachinthedark.com 7 Chausson, E. Poème de l'amour et de la mer, op 19 (1882). Lauris Elms, cont; Sydney SO/ Robert Pikler.

ABC 446 279-2 25 Elgar, E. Symphony no 1 in A flat, op 55 (1907-08). London SO/Charles Mackerras.

Argo 430 835-2 50 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Michael Morton-Evans 19:00 THE JAZZ BEAT with Lloyd Capps 20:00 JUST IN with Robert Small A selection from the latest recordings to arrive at the Fine Music Library

Jommelli, N. Se mai senti spirarti sul volto, from La clemenza di Tito (1753). Filippo Mineccia, ct; Nereydas/Javier Ulises Illán.

Pan Classics PC 10352 11

10:30 CONCERT HALL Mozart, W. Quartet no 2 in E flat, K493 (1786). Prepared by Jennifer Foong Isaac Stern, vn; Milton Katims, va; Mischa Sibelius, J. Overture in E (1891). Gothenburg Schneider, vc; Eugene Istomin, pf.

SO/Neeme Järvi.

Sony SM2K 64516 26 BIS CD-472 11 Lachner, F. Wind quintet no 2 in E flat (1829).

Strauss, R. Piano concerto for left hand Vienna-Berlin Ensemble.

(1925). Tatyana Nikolayeva, pf; State RTV DG 423 591-2 24 Philharmonic SO/Gennady Rozhdestvensky.

Copland, A. Sextet for clarinet, piano and Praga PRD 250 316 25 string quartet (1937). Wonkak Kim, cl; EunSchmidt, F. Symphony no 2 in E flat (1913).

Hee, pf; members of enhake.

Chicago SO/Neeme Järvi.

Naxos 8.559692 15 Chandos CHAN 8779 47 Berwald, F. Grand septet in B flat for winds 12:00 JAZZ SKETCHES and strings. Mikael Björk, db; members of Arion Wind Quintet; members of Schein String with Robert Vale Quartet.

13:00 IN CONVERSATION Naxos 8.553714 23 with Simon Moore

Wednesday 9 March 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Stephen Wilson 09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Anabela Pina Hidalgo, J. Esperar, sentir, morir. Mina Kanaridis, voice; Australian Brandenburg O/ Paul Dyer.

ABC 476 3828 4 Garcia de Zéspedes, J. The night invites us.

Anders Miolin, gui.

BIS SACD 2026 5 Massonneau, L. Quartet in F (c1798). Paul Goodwin, ob; Terzetto.

Harmonia Mundi HMU 907220 14 Platti, G. Sonata in G (transcr. Rousseau).

Peter Clinch, sax; Margaret Schofield, pf.

LP Move MS 3041 10 Zimmermann, A. Double bass concerto in D (c1779). Edicson Ruiz, db; Teresa Carreño Youth SO of Venezuela/Christian Vásquez.

Philharmonie PHIL 06020 22 Just, J. Sonata no 2 in F, op 13 (pub. 1781).

Philip Swanton, fp; Camerata Classica.

Walsingham WAL 80422 12

30

14:00 WEST AUSTRALIAN SYMPHONY ORCHESTRA Part 2 Prepared by Ron Walledge Handel, G. Arrival of the Queen of Sheba, from Solomon, HWV67 (1749). West Australian SO/David Measham.

ABC 438 192-2 3 Dohnányi, E. Ruralia hungarica, op 32b (1924). West Australian SO/Jorge Mester.

ABC 438 197-2 24 Strauss, R. Metamorphoses (1945). West Australian SO/Simone Young.

ABC 476 6811 28 Bernstein, L. Overture to Candide (1956).

West Australian SO/Benjamin Northey.

ABC 481 7378 5 Goossens, E. Oboe concerto, op 45 (1927).

Joel Marangella, ob; West Australian SO/ Vernon Handley.

ABC 476 763-2 12 Brahms, J. Symphony no 2 in D, op 73 (1877).

West Australian SO/Asher Fisch.

ABC 481 4413 36 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Ross Hayes 19:00 PLANET JAZZ with Xavier Bichon

20:00 AT THE OPERA Prepared by James Nightingale

Thursday 10 March

Vinci, L. Didone abbandonata. Opera in three acts. Libretto by Pietro Trapassi. First performed Rome, 1726. Arr. Handel with additional music. First performed London, 1737.

00:00 CONTEMPORARY COLLECTIVE

DIDO: Robin Johannsen, sop AENEAS: Olivia Vermeulen, mezz JARBAS: Antonio Giovannini, ct Lautten Compagney/Wolfgang Katschner.

DHM 88985415082 2:37

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Simon Moore

In Carthage, Dido has fallen in love with the Trojan exile Aeneas, who has arrived in Africa on his way to Italy. Dido sees that Aeneas is torn in two directions: his love for her and the quest given to him by his dying father. At the same time, Dido is being wooed by the neighbouring king, Jarbas, who threatens war when his suit is declined. After Jarbas has attempted to kill Aeneas, Dido sentences Jarbas to death. Seeing the trouble that is brewing for Dido, Aeneas is reluctant to depart. He counsels her to pardon Jarbas, as executing him will bring the wrath of many African kingdoms upon her. Foremost in Dido’s mind, however, is to convince Aeneas to stay. When he declares his intention to leave, she gives him an ultimatum. He must choose for her: marriage to Jarbas or death.

As Aeneas leaves the city, Jarbas’ forces overwhelm its defenders. Jarbas repeats his offer of marriage, which Dido again refuses.

Abandoned, amidst the burning ruins of Carthage, Dido resigns herself to die.

Chi temea Giove regnante, from Farnace (1724). Cecilia Bartoli, mezz; Il Giardino Armonico/Giovanni Antonini.

Decca 478 1521

6

23:00 MUSIC OF THE NIGHT Prepared by James Nightingale Glanville-Hicks, P. Three gymnopédies (1934). Sydney SO/Myer Fredman.

ABC 442 374-2

9

Luytens, E. Five impromptus, op 116 (1977).

Martin Jones, pf.

Resonus RES10291 10 Harrison, S. A hidden light (2003). Rusne Mataityté, vn; Sergejus Okrusko, pf.

NMC D125 10 Gubaidulina, S. The light at the end (2003).

Leipzig Gewandhaus O/Andris Nelsons.

DG 486 1457 24

03:00 CLASSICAL TILL DAWN

09:00 DIVERSIONS IN FINE MUSIC The instruments: Brass Prepared by Paul Cooke Scheidt, S. Battle suite. Peter Walmsley, tpt; Catherine Walmsley, tpt; Louise Balletti, hn; Justin Kearin, tb; Matthew Walmsley, tuba.

Fine Music tape archive 9 Brahms, J. Four songs for women's choir, two horns and harp, op 17 (1860). RIAS Chamber Choir; Stefan Jezierski, hn; Manfred Klier, hn; Marie-Pierre Langlamet, hp; Marcus Creed, cond.

Harmonia Mundi HMC 901592 15 Castello, D. Sonata no 12 (1629). Christian Lindberg, tb; members of Australian CO. BIS CD-1688 8 Mahler, G. Symphony no 3 in D minor, mvt 3 (1893-96). Paul Goodchild, posthorn; Sydney SO/Vladimir Ashkenazy.

Sydney Symphony SSO 201101 19 Grainger, P. Random round (1912-14; transcr.

Hammond). Joel Brennan, tpt; Don Immel, tb; Ken Murray, gui.

Tall Poppies TP237 7 Janácek, L. Capriccio for piano left hand and seven wind instruments (1928). Matthew van Emmerik, tenor tuba; Mark Kruger, pf; Australian Chamber Brass/Fabian Russell.

Summit DCD 539 20 10:30 CONCERT HALL Prepared by David Brett Stenhammar, W. Symphonic overture: Excelsior! op 13 (1896). Gothenburg SO/ Neeme Järvi.

DG 445 857-2 13 Alfvén, H. Swedish rhapsody no 1, op 19, Midsummer vigil (1903). Stockholm PO/ Neeme Järvi.

BIS CD-385 14 Larsson, L-E. Violin concerto. Leo Berlin, vn; Stockholm PO/Stig Westerberg.

Swedish Society SCD 1056 26 Berwald, F. Symphony no 2 in D, Sinfonie capricieuse (1842). Malmö SO/Sixten Ehrling.

BIS CD-795/796 28

31

12:00 JAZZ AFTER NOON with Sue Jowell 13:00 ARTSOUND: NATIONAL CAPITAL ORCHESTRA Prepared by Paul Cooke Recorded by Tim Lamble for ArtSound, Canberra Berlioz, H. Harold in Italy, op 16 (1834). Lucy Carrigy-Ryan, va; National Capital O/Leonard Weiss.

ArtSound recording 46 Clavijo, D. Images of obsession: 0-2-3-6 (2019). National Capital O/Leonard Weiss.

ArtSound recording 10 Respighi, O. Symphonic poem: Pines of Rome (1924). National Capital O/Leonard Weiss.

ArtSound recording 21 Filler: Berlioz, H. Minuet of the will o' the wisps, from The damnation of Faust, op 24 (1845-46). Melbourne SO/Jorge Mester.

ABC 438 611-2 6 14:30 THE PARIS SYMPHONIES Part 5 Prepared by Jacky Ternisien Saint-Georges, J. Symphony no 1 in G, op 11 no 1 (bef. 1780). London SO/Paul Freeman.

LP CBS SBR 235692 14 Haydn, J. Divertimento in G/C (1766). Péter Pongrácz, ob; Bertalan Hock, ob; András Medveczky, hn; Deszö Mesterházy, hn; Tibor Fülemile, bn; András Nagy, bn.

Hungaroton HRC 155 10 Songs, Hob.XXVIa (1781): no 1, Du strickende Mädchen; no 2, Cupido; no 3, Der erste Kuss; no 4, Eine sehr gewöhnliche Geschichte, no 5, Die Verlassene. Elly Ameling, sop; Jörg Demus, fp.

Brilliant Classics 93768 12 Sonata no 48 in C, Hob.XVI:35 (1780). MarcAndré Hamelin, pf.

Hyperion CDA67710 19 Symphony in C, Hob.I:82, Bear (1786).

Academy of St Martin in the Fields/Neville Marriner.

Philips 438 727-2 24 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Marilyn Schock 19:00 THE NEW JAZZ STANDARD with Frank Presley

20:00 THE WORLD OF A SYMPHONY Prepared by Di Cox Dukas, P. The sorcerer's apprentice (1897).

Philadelphia O/Eugene Ormandy.

Sony SBK 46 329 10 Roussel, A. Sérénade, op 30 (1925). Czech Nonet.

Praga Da Camera PRD 350 018 16 Debussy, C. Two arabesques (1888-91).

Richard Stoltzman, cl; Nancy Allen, hp.

RCA RD 60198

8

Borodin, A. Petite suite (1885). Vladimir Sofronitzky, pf.

Brilliant Classics 9241 23 Smetana, B. String quartet no 1 in E minor, From my life (1880). Takács Quartet.

Decca 476 2802 26 Lalo, E. Symphony in G minor (1885-86).

French National RO/Thomas Beecham.

EMI 5 62948 2 27 22:00 FEATURING IAN MUNRO Prepared by James Nightingale

Tchaikovsky, P. Pot-pourri on themes from the opera Pan Voyevoda (1869). Viktoria Postnikova, pf.

Erato 2292-45968-2 14 Vaughan Williams, R. Three preludes on Welsh hymn tunes (1940-41). Nash Ensemble.

Hyperion CDA67381/2 16 Paganini, N. Introduction and variations on Di tanti palpiti, from Rossini’s Tancredi (1819).

Livia Sohn, vn; Benjamin Loeb, pf.

Naxos 8.570202 11 Godowsky, L. Passacaglia, after Schubert (1927). David Stanhope, pf.

Tall Poppies TP135 18 10:30 CONCERT HALL Prepared by James Nightingale Lumsdaine, D. Shoalhaven (1983). West Australian SO/Albert Rosen.

ABC 481 1210 12 Hyde, M. Piano concerto no 1 in E flat minor (1934). Miriam Hyde, pf; West Australian SO/ Geoffrey Simon.

ABC 481 7995 30

Ghandar, A. Reflections (1996). Ian Munro, pf. Beethoven, L. Symphony no 6 in F, op 68, Tall Poppies TP145 7 Pastoral (1808). Academy of Ancient Music/ Christopher Hogwood.

Piston, W. Quintet (1949). James Buswell, L’Oiseau-Lyre 421 416-2 40 vn; Anthony Gault, vn; Theodore Kuchar, va; Judith Glyde, vc; Ian Munro, pf.

12:00 A JAZZ HOUR Naxos 8.559071 19 with Barry O'Sullivan 22:30 ULTIMA THULE

Friday 11 March 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Vicky Zhang 09:00 DIVERSIONS IN FINE MUSIC Something borrowed Prepared by Elaine Siversen Beethoven, L. Variations on Mozart’s Là ci darem la mano, WoO28 (c1796). Marilyn Zupnik, ob; Kathryn Greenbank, ob; Elizabeth Starr, cora.

ASV QS 6192 9

13:00 WINDS IN THE CHAMBER Prepared by Gerald Holder Czerny, C. Andante and polacca (1848).

Jean-Jacques Justafré, hn; François-René Duchable, pf.

Pierre Verany PV793091 12 Allworth, R. Five preludes (1993). Michael Scott, fl; Josef Hanic, ob; Gabor Reeves, cl; Tony Buddle, hn; Gordon Skinner, bn; Paul Hooper, mand.

Jade JADCD 1051 6 Duvernoy, F. Nocturne no 2. Sören Hermansson, hn; Erica Goodman, hp.

BIS CD-648

7

Spohr, L. Quintet in C minor, op 52 (1820).

John Wion, fl; Arthur Bloom, cl; Donald MacCourt, bn; Howard Howard, hn; Mary Louise Boehm, pf.

LP Turnabout TV-S 34506 28

Drouet, L. Introduction and variations on an English theme (1815-19). Marc Grauwels, fl; Catherine Michel, hp.

Marco Polo 8.220441 11

14:00 MERMEN AND MERMAIDS Prepared by Stephen Wilson Farrar, E. The forsaken merman, op 20.

Philharmonia O/Alasdair Mitchell.

Chandos CHAN 9586

28

Lindpaintner, P. The shepherd and the mermaid. Elen Xanthoudakis, sop; Jason Xanthoudakis, cl; Clemens Leske, pf.

Move MCD 472

7

Dixon, J. Mermaids, op 25 (2006). Bourbaki Ensemble/David Angell.

Wirripang Wirr 033 16 Rimsky-Korsakov, N. Cantata: The mermaid of Switez, op 44 (1897). Elena Mitrakova, sop; Dmitri Kortchak, ten; Moscow Academy of Choral Art Ch; Moscow SO/Vladimir Ziva.

Brilliant Classics 94495 16 Zemlinsky, A. The mermaid, orchestral fantasy after Andersen (c1903). Buffalo PO/ JoAnn Falletta. www.bpo.org 43 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Robert Gilchrist 19:00 FRIDAY JAZZ SESSION with Alex Siegers 20:00 EVENINGS WITH THE ORCHESTRA Prepared by Chris Blower Mussorgsky, M. St John’s night on Bald Mountain (1869-72; orch. Stokowski 1922).

Bournemouth SO/José Serebrier.

Naxos 8.557645 9 Finzi, G. Dies natalis (1925-39). James Gilchrist, ten; Bournemouth SO/David Hill.

Naxos 8.570417 26 Nielsen, C. Clarinet concerto, op 57 (1928).

Kevin Banks, cl; Bournemouth SO/Kees Bakels.

Naxos 8.554189 25 Simpson, R. Symphony no 9 (1987).

Bournemouth SO/Vernon Handley.

Hyperion CDA66299

50

22:00 BAROQUE AND BEFORE The violin evolves Prepared by Andrew Dziedzic Bertali, A. Sonata in D minor for two violins, viola da gamba and bassoon. Ensemble Echo du Danube/Christian Zincke.

Naxos 8.557679 9 Biber, H. Sonata XV, The crowning of the blessed Virgin Mary, from Mystery sonatas (c1676). Reinhard Goebel, vn; Phoebe Carrai, vc; Andreas Spering, hpd.

Archiv 431 656-2 10

32

Locatelli, P. Violin concerto in D, op 3 no 1, from The art of the violin (pub. 1733). Elizabeth Wallfisch, vn; Raglan Baroque Players/ Nicholas Kraemer.

Hyperion CDS44391/3 17 Bach, J.S. Chaconne, from Partita no 2 in D minor, BWV1004 (1720). Sophie Rowell, vn.

Fine Music concert recording 15 Vivaldi, A. Concerto grosso in A minor, RV522, from L’estro armonico (pub. 1711).

Australian Brandenburg O/Paul Dyer.

ABC 434 720-2 10

10:00 CENTRES OF MUSIC Sydney: composers and musicians Prepared by Rita Felton

14:30 SATURDAY MATINEE Operetta in the afternoon Prepared by Anne-Louise Luccarini

Wagner, R. Prelude to Tristan and Isolde (1857-59). Sydney SO/Charles Mackerras.

ABC 476 644-0 11

Offenbach, J. The Grand Duchess of Gerolstein. Operetta in three acts. Libretto

by Henri Meilhac and Ludovic Halévy. First performed Paris, 1867.

Kats-Chernin, E. Eliza aria, from Wild swans (2002). Christine Draeger, picc; Jocelyn Edey Fazzone, pf.

Australian Institute of Music www.aim.com.au3

Jolivet, A. Harp concerto, op 25 (1952). Alice Giles, hp; Adelaide SO/David Porcelijn.

Tartini, G. Violin sonata in G minor, Devil’s trill ABC 454 506-2 18 (pub. 1734). Locatelli Trio.

Mendelssohn, F. String symphony no 9 in Hyperion CDA66430 15 C, Swiss (1823). Members of Australian CO/ Albinoni, T. Violin concerto in C, op 10 no 3 (1736). Collegium Musicum 90/Simon Standage.

Chandos CHAN 0769 8 Heinichen, J. Double concerto in E minor.

Laurence Dean, fl; Thomas Albert, vn; Fiori Musicali; Bremen Baroque O/Thomas Albert. cpo 999 637-2 9 Telemann, G. Concerto in A minor for recorder, oboe and violin. Chandos Baroque Players.

Hyperion CDA66195 10

Richard Tognetti.

Sony SK 57484

26

Sculthorpe, P. Piano concerto (1982).

Anthony Fogg, pf; Melbourne SO/Myer Fredman.

ABC 426 483-2

22

11:30 ON PARADE Remembering Stephen Sondheim Prepared by Robert Small Sondheim, S. Send in the clowns. Sellers Engineering Brass Band.

Soho SOHOCD051-2 4 Bernstein, L. Symphonic dances from West Side Story (1961; transcr. Lavender 2007).

Lone Star Wind O/Eugene Migliaro Corporon.

Naxos 8.572837 23

Saturday 12 March 00:00 CLASSIC-ALL THROUGH THE NIGHT

12:00 URBAN JAZZ LOUNGE 06:00 SATURDAY MORNING MUSIC with Leita Hutchings with Stephen Wilson 13:00 IN A SENTIMENTAL MOOD with Maureen Meers 09:00 WHAT'S ON IN MUSIC Nostalgic music and artists from the 30s, 40s Our weekly guide to musical events in and and 50s and occasionally beyond, in a trip around Sydney down many memory lanes 09:05 THE PIANO ALONE 14:00 CHAMBER GEMS Prepared by Jennifer Foong Prepared by Jacky Ternisien Bach, J.S. Suite from Bach’s Partita in E for violin, BWV1006 (1720; transcr. Rachmaninov; pub. 1933). Daniil Trifonov, pf.

DG 483 5335 4 8 Arensky, A. Prélude, op 53 no 1 (1901).

Stephen Coombs, pf.

Hyperion CDA67066

4

Shostakovich, D. Three fantastic dances, op 5 (1922). Tatiana Nikolayeva, pf.

Hyperion CDA66620 4 Tchaikovsky, P. Grand sonata in G, op 37 (1878). Mikhail Pletnev, pf.

Gramzapis GCD 00005 32

Spohr, L. Variations on Je suis encore dans mon printemps, op 36 (1807). Mary Anderson, hp.

Tara Hall TH 1995 7 Bach, J.S. Concerto in D, after Vivaldi, BWV972 (1713-14). Alison Balsom, tpt; Colm Carey, org.

Warner 0 19162 2 8 Chopin, F. Introduction and polonaise brillante in C, op 3 (1829; transcr. Trio Chausson). Trio Chausson.

Mirare MIR 089 9

33

GRAND DUCHESS: Huguette Tourangeau, mezz PRINCE PAUL: Richard Stilwell, ten BARON PUCK: Douglas Perry, bass FRITZ: John Walker, ten GENERAL BOUM: Donald Gramm, bar WANDA: Susan Belling, sop BARON GROG: Jack Davidson, bass Sante Fé Opera Ch & O/John Crosby.

Gala GL 100.552 2:12 In 1720, the charming 20-year-old Grand Duchess of Gerolstein has, however, been brought up to have her own way and is a veritable tyrant. She is unhappy because she has been betrothed to the foppish Prince Paul so Baron Puck generates a war to amuse her. She decides to review her troops and, in doing so, falls desperately in love with the handsome soldier Fritz. The Duchess immediately makes him a corporal, then a sergeant, lieutenant and captain. Finally, to spite General Boum who commands the army, she makes Fritz commander-in-chief and sends him to conquer the enemy.

Fritz, with the help of 300,000 bottles of wine, wins the battle easily by making the whole opposing army drunk. The delighted Duchess finds herself more enamoured of him than ever but he shows that he prefers his sweetheart, Wanda, and he displeases the Duchess by asking permission to marry Wanda. Infuriated, the Duchess conspires to assassinate Fritz upon his return from the wedding ceremony. She changes her mind as she is now involved in a new affair with Baron Grog but, on realising that he has a wife and four children, she decides to marry her original betrothed, Prince Paul. Fritz is stripped of his military ranks but he can now leave the army, return to Wanda, and become a village schoolmaster.

17:00 SOCIETY SPOT Organ Music Society of NSW with John Hanna 18:00 STAGE AND SCREEN Prepared by Sue Jowell Warren, H. Excerpts from 42nd Street (1980).

Jerry Orbach, voice; Cast.

Hallmark 704702 15 Edens, R. Excerpts from For me and my gal (1942). Judy Garland, Mickey Rooney, Gene Kelly, voices.

Sony 638552 18

Brown, N. Excerpts from Singin’ in the rain (1983). Debbie Reynolds, sop; Gene Kelly, Donald O’Connor, voices.

Turner Classics 8 52226 2 17 19:00 EMERGENT JAZZ with Keith Pettigrew 20:00 THE LIFE OF A COMPOSER Einojuhani Rautavaara Prepared by James Nightingale Rautavaara, E. Pelimannit, op 1 (1952).

Tapiola Sinfonietta/Jean-Jacques Kantorow.

BIS CD-910 7 Two preludes and fugues (1955). David Pereira, vc; Ian Munro, pf.

Tall Poppies TP156

9

Ave Maria, gratia plena (1957). Latvian Radio Choir/Sigvards Klava.

Ondine ODE 1223-2 5 Cantus arcticus, concerto for birds and orchestra, op 61 (1972). Lahti SO/Osmo Vänskä.

BIS CD-1038

17

String quintet, Unknown heaven (1997). JanErik Gustafsson, vc; Jean Sibelius Quartet.

Ondine ODE 909-2 25 Four songs, from Rasputin (2012). Helsinki Music Centre Choir; Helsinki PO/John Storgards.

Ondine ODE 1274-2 11 Symphony no 7, Angel of light (1994-95). Lahti SO/Osmo Vänskä.

BIS CD-1038 34 22:00 SATURDAY NIGHT AT HOME Prepared by James Nightingale Bach, C.P.E. Quartet in D minor, wq 94.

Nevermind.

Alpha Classics ALPHA 759

19

Grieg, E. Holberg suite, op 40 (1884).

Australian CO/Richard Tognetti.

Sony SK 53356

19

Beethoven, L. Sonata no 12 in A flat, op 26, Marcia funèbre (1801). Paul Lewis, pf.

Harmonia Mundi HMC 901906.08 21 Bartók, B. Ballet: The wooden prince, op 13 (1921-24). Philharmonia O/Neeme Järvi.

Chandos CHAN8895 54

Sunday 13 March 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC with Vicky Zhang 09:00 MUSICA SACRA Prepared by Jacky Ternisien

14:00 INTIMATE VOICES Part 2 Three French Threes Prepared by Rex Burgess Alkan, C-V. Trio in G minor, op 30 (c1840).

Trio Alkan.

Brilliant Classics 95568 21 Koechlin, C. Trio, op 92 (1924). Tatjana Ruhland, fl, Dirk Altmann, cl; Libor Sima, bn.

SWR Music SWR19047 11

Dupré, M. Trio, op 55 (c1958). Timothy Durbin, vn; Clyde Beavers, vc; Bruce Neswick, org.

Charpentier, M-A. Messe pour les Trépassés.

Naxos 8.554378 21 Gulbenkian Foundation of Lisbon Choir & SO/ Michel Corboz.

15:00 SUNDAY SPECIAL Erato 4509-97238-2 49 Schubert: Revisiting some masterpieces Couperin, F. Plein jeu; Fugue sur la trompette; Prepared by Elaine Siversen Récit de cromhorne; Plein jeu, from Messe Schubert, F. String quartet movement in C pour les couvents. Douglas Lawrence, org. minor, D703, Quartettsatz (1820). Goldner Move MD 3224 6 String Quartet.

Fine Music concert recording 10 10:00 THE CLASSICAL ERA Mignon’s songs from Wilhelm Meister, D877 Prepared by Peter Poole (1815). Lauris Elms, cont; Len Vorster, pf.

Richter, F. Trumpet concerto in D (c1760).

Screenthemes ST5003 16 Håkan Hardenberger, tpt; London PO/Elgar Fantasia in F minor, D940 (1828). Murray Howarth.

Philips 426 311-2 14 Perahia, Radu Lupu, pf.

CBS MK 39511 19 Mozart, W. Sonata in B flat, K8 (1763-64).

Rastlose Liebe, D138 (1815); Heidenröslein, Pinchas Zukerman, vn; Marc Neikrug, pf.

RCA RD 60447 10 D257 (1815); Die Forelle, D550 (1817-20); Geheimes, D719 (1821); Der Musensohn, Bach, J. Christian Symphony in D, op 3 no 1 D764 (1822); An Sylvia, D891 (1826). Olaf Bär, (1765). Australian Brandenburg O/Paul Dyer. bar; Geoffrey Parsons, pf.

Fine Music tape archive 777 064-2 12 EMI CDC 7 54773 2 12 Philidor, F-A. Overture to The sorcerer (1764).

Nachtgesang im Walde, D913 (1827). Utrecht Prague CO/Christian Benda.

Vocal Soloists; Ward Assmann, hn; Jaap van Naxos 8.557593/94 9 Wershoven, hn; Sofie Hohmann, hn; Anke Benda, G. Harpsichord concerto in G (bef.

Jansen, hn; Udo Reinemann, cond.

1766). Antonin Novák, vn; Vojtech Jouza, Globe CD GLO 5021 7 vn; Karel Spelina, va; Frantisek Sláma, vc; String quartet in G, D887 (1826). Melos Frantisek Posta, db; Josef Hála, hpd.

Quartet.

Supraphon 11 1001-2 20 DG 419 879-2 46 Wagenseil, G. Sonata no 6 in G (1764).

17:00 HOSANNA Vienna Piccolo Concerto/Roberto Sensi.

Accent ACC 24242 16 Hymn. There’s a wideness in God’s mercy.

Choir of Wells Cathedral; Rupert Gough, org; Boccherini, L. Sonata no 5 in G. Steven Malcolm Archer, cond.

Isserlis, vc; Maggie Cole, hpd.

4 Virgin VC 7 90805-2 8 Hyperion CDP12105 Stamitz, C. Symphony in C, op 24 no 1 (1765). Howells, H. Magnificat; Nunc dimittis, from Collegium regale. Choir of Trinity College, New Dutch Academy/Simon Murphy.

PentaTone PTC 5186 365 15 Cambridge; Eleanor Kornas, org; Stephen Layton, cond.

12:00 CLASSIC JAZZ Hyperion CDA68015 9 with Dave Mac Finzi, G. Lo, the full, final sacrifice, op 26.

Choir of St John’s College, Cambridge; 13:00 WORLD MUSIC Christopher Whitton, org; Christopher Whirled Wide Robinson, cond. with Carole Garland Naxos 8.555792 14

34

Byrd, W. Agnus Dei, from Mass for four voices. Choir of Winchester Cathedral/David Hill.

Decca 467 611-2 4 Pärt, A. The beatitudes. Vasari Singers; John Keys, org; Jeremy Backhouse, cond.

EMI 5 72815 2 7

Keller, A. Love in solitude (2017). Ensemble Offspring. www.ensembleoffspring.com 16 Gubaidulina, S. Silence (1991). Members of Telesto Trio.

Telesto Trio 20

22:00 JAZZ AFTER HOURS Howells, H. O Jesus I have promised. Choir of with Deborah Evans Wells Cathedral; Rupert Gough, org; Malcolm Archer, cond.

Monday 14 March Hyperion CDP12105 3 Dupré, M. Cortège et litanie. David Drury, org.

ABC 481 8202 6 18:00 SMALL FORCES Prepared by Frank Morrison Fibich, Z. Piano trio in F minor (1872).

Smetana Trio.

Supraphon SU 3927-2

16

Holst, G. Quintet in A flat, op 14 (1903). Vega Wind Quintet.

LDR LDRC 1002 14 Haydn, J. String quartet in C, Hob.III:72 (1793). Takács Quartet.

Hyperion CDA 67781

22

19:00 SUNDAY NIGHT CONCERT Prepared by Anabela Pina Giuliani, M. Guitar concerto no 1 in A, op 30 (1808). Pepe Romero, gui; Academy of St Martin in the Fields/Neville Marriner.

Philips 454 262-2 23 Roman, J. Suite in G minor, Sjukmans Musiquen (1727-28). National Museum CO/ Claude Génetay.

Musica Sveciae PRCD 9047 25 Doppler, F. Fantaisie: Airs valaques. Claudi Arimany, fl; Murcia Region SO/Virginia Martínez.

Capriccio C5301 12 Dittersdorf, C. Symphony in D, The fall of Phaëton (pub. 1767). Failoni O/Hanspeter Gmür.

Naxos 8.553368 23 20:30 NEW HORIZONS Prepared by Paul Cooke Bonshek, C. Dreams of the earth I (2018).

Ady Ensemble/Adrian Head.

Navona NV6334 9 Brouwer, M. Shattered glass (2007). Blue Streak Ensemble.

Naxos 8.559763 14 Wilcox, F. Uncovered ground (2015).

Ironwood; Ensemble Offspring.

Move MD3456

12

00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Robert Small 09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1923 Prepared by Michael Morton-Evans Madetoja, L. Comedy overture, op 53 (1923).

Iceland SO/Petri Sakari.

Chandos CHAN 9036 8 Malipiero, G. String quartet no 2, Stornelli e ballate (1923). Orpheus String Quartet.

ASV DCD 457 15 Bowen, Y. Sonata no 5 in F minor, op 72 (pub.

1923). Stephen Hough, pf.

Hyperion CDA66838 22 Holst, G. Fugal concerto, op 40 no 2 (1923).

William Bennett, fl; Peter Graeme, ob; English CO/Imogen Holst.

Lyrita SRCD 223 8 Medtner, N. Sonata tragica in C minor, op 39 no 5 (1918-20). Nikolai Demidenko, pf.

Hyperion CDA66636 12 Bloch, E. Eight pieces from Enfantines (1923).

István Kassai, pf.

Marco Polo 8.223288 13 10:30 CONCERT HALL Prepared by Dan Bickel Rimsky-Korsakov, N. Night on Mount Triglav, from Mlada (1872). Moscow SO/Igor Golovschin.

Naxos 8.553789 34 Herbert, V. Cello concerto no 2 in E minor, op 30 (1894). Yo-Yo Ma, vc; New York PO/Kurt Masur.

Sony SK 67173 21 Mozart, W. Symphony no 33 in B flat, K319 (1779). Concertgebouw O/Nikolaus Harnoncourt.

Teldec 8.42817 26

Bingham, J. First light (2001). BBC Symphony 12:00 SWING SESSIONS Ch; Fine Arts Brass/Stephen Jackson. with John Buchanan Naxos 8.570346 10

35

13:00 IT’S A JOKE Prepared by Jacky Ternisien Strauss, J. II Practical joke polka, op 17 (1846). CSSR State PO/Alfred Walter.

Marco Polo 8.223203

3

Haydn, J. String quartet in E flat, Hob.III:38, The joke (1781). Quarteto Casals.

Harmonia Mundi HMX 2962022.23 18 Clementi, M. The black joke with 21 variations, Wo10. Howard Shelley, pf.

Hyperion CDA 67850

14

Mozart, W. Divertimento in D, K522, A musical joke. Robert Johnson, hn; Casey Rippon, hn; Marina Marsden, vn; Shuti Huang, vn; Jennifer Curl, va; Andrew Raciti, db.

Fine Music concert recording 18 14:00 LISTEN TO THE BIRDS Prepared by Elaine Siversen Vaughan Williams, R. The lark ascending (1914/20). Nigel Kennedy, vn; City of Birmingham SO/Simon Rattle.

EMI 5 62813 2 18 Tchaikovsky, P. Do you not hear the nightingale? (1869; compl. & orch. Taneyev).

Suzanne Murphy, sop; Keith Lewis, ten; Scottish NO/Neeme Järvi.

Chandos CHAN 8476 13 Haydn, J. String quartet in C, Hob.III:39, The bird (1781). Australian String Quartet.

Fine Music concert recording 18 Stravinsky, I. Ballet: The firebird (1910).

London SO/Antal Dorati.

Mercury 470 643-2

41

Holbrooke, J. Poem for orchestra no 1: The raven, op 25 (1900). Czecho-Slovak RSO, Bratislava/Adrian Leaper.

Marco Polo 8.223446 19 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Michael Field 19:00 JAZZ PULSE with Chris Wetherall 20:00 STORMY MONDAY with Austin Harrison 22:00 JAZZ AFTER HOURS with Gail Monjo

Tuesday 15 March 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Elaine Siversen

12:00 JAZZ RHYTHM with Jeannie McInnes

22:00 CHAMBER SOIRÉE Prepared by Rex Burgess

13:00 COMPOSER FOCUS Part 10 John Williams Prepared by Michael Morton-Evans

Dieupart, C. Suite VI in G minor. Walter van Hauwe, rec; Catherine Finnis, bass viol; Robert Clancy, theorbo.

Fine Music concert recording 12

Williams, J. Music from Jane Eyre (1971).

Boston Pops O/John Williams.

Philips 420 946-2 13 Hymn to the fallen, from Saving Private Ryan (1998). Royal Scottish NO/Frédéric Talgorn.

Sony 88697161052 7 Suite from Close encounters of the third kind (1977). Los Angeles PO/Zubin Mehta.

Decca 475 7470 13

Liszt, F. Hungarian rhapsody no 1 in E (c1847Flying theme, from E.T. (1982). City of Prague 85). Leslie Howard, pf.

Hyperion CDS44533 15 PO/Paul Bateman.

Sony 88697161052 4 Mendelssohn, F. Capriccio brillant in B Main theme, from Seven years in Tibet (1997). minor, op 22 (1832). Cyprien Katsaris, pf; Yo-Yo Ma, vc; Studio O/John Williams.

Gewandhaus O/Kurt Masur.

7 Teldec 242 430-2 11 Sony 88697290382 Main theme, from Star Wars IV: A new hope Soler, A. Sonata no 45 in G (pub. 1796).

(1977). City of Prague PO/Nic Raine.

Jacques Ogg, hpd.

5 Globe GLO 5060 4 Sony 88697161052 Mozart, W. Sonata in B flat, K570 (1789). Emil Gilels, pf.

Testament SBT 1089 18 Bach, J.S. Fantasy and fugue in A minor, BWV904 (c1725). Gustav Leonhardt, clvd.

Philips 422 349-2 8

14:00 AFTERNOON CONCERT Prepared by Ron Walledge Vaughan Williams, R. Overture to The wasps, Aristophanic suite (1909). Academy of St Martin in the Fields/Neville Marriner.

Decca 442 8341 9

Franck, C. Pièce héroïque in B minor (1878).

Fernando Germani, org.

EMI 5 69328 2 10

Falla, M. de Ballet: Love the magician (1915). Gloria Lane, mezz; BBC SO/Leopold Stokowski.

24 Grainger, P. The warriors II, from Room music BBC BBCL 4005-2 (1916). Penelope Thwaites, John Lavender, pf. Wagner, R. Siegfried idyll (1870). Berlin PO/ Pearl SHE 9623 13 James Levine.

DG 469 804-2 18 10:30 CONCERT HALL Saint-Saëns, C. Cello concerto no 1 in A Prepared by Paul Cooke minor, op 33 (1872). János Starker, vc; London Mozart, W. Four interludes, from Thamos King SO/Antal Dorati. of Egypt, K345 (1773-76). London SO/Peter Mercury 432 010-2 19 Maag.

Decca 466 500-2 18 Beethoven, L. Symphony no 7 in A, op 92 (1811-12). Vienna PO/Karl Böhm.

Halvorsen, J. Fossegrimen, op 21 (1905).

DG 479 1949 38 Ragnhild Hemsing, Hardanger fiddle; Melina Mandozzi, vn; Bergen PO/Neeme Jarvi.

16:00 FINE MUSIC DRIVE Chandos CHAN 10664 30 including Arts Calendar at 5.00pm Rudorff, E. Symphony no 3 in B minor, op 50 with Andrew Dziedzic (1911). Bochum SO/Frank Beermann.

19:00 THE JAZZ BEAT cpo 777 458-2 35 with Lloyd Capps 20:00 JUST IN with Charles Barton A selection from the latest recordings to arrive at the Fine Music Library

36

Bach, J.S. Sonata in G, BWV1038 (1732-35).

Jean-Pierre Rampal, fl; Isaac Stern, vn; Leslie Parnas, vc; John Steele Ritter, hpd.

Sony SMK 64 509 8 Koechlin, C. Sonata, op 58 (1911-16).

Alexander Ott, ob; Hans-Georg Gaydoul, pf.

SWR Music SWR19047 28 Dohnányi, E. Sextet in C for clarinet, horn, piano and string trio, op 37 (1935). Endymion Ensemble.

ASV DCA 943 30 Shostakovich, D. Sonata, op 147 (1975).

Nobuko Imai, va; Roland Pöntinen, pf.

BIS CD-358 33

Wednesday 16 March 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Stephen Wilson 09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Jennifer Foong Weber, B. Variations in F. Meyrick Alexander, bn; John Wallace, tpt; Philharmonia O/ Christopher Warren-Green.

Nimbus NI 7016 11 Pfeiffer, J. Lute concerto in B flat. Batzdorfer Hofkapelle.

Accent ACC 24218 14 Benda, G. Cantata: Cephalus und Aurore.

Emma Kirkby, sop; Timothy Roberts, fp.

Hyperion CDA66649 9 Dollé, C. Trio sonata in G minor for two violins and basso continuo, op 1 no 6 (1737). London Baroque.

BIS CD-1855 10 Stanley, J. Concerto grosso in G, op 2 no 3 (pub. 1742). Parley of Instruments/Roy Goodman.

Hyperion CDA66338 9 Pixis, J. Trio no 3 in B minor, op 95. Leonore Piano Trio.

Hyperion CDA68207 25

10:30 CONCERT HALL Prepared by Michael Field

20:00 AT THE OPERA Prepared by Camille Mercep

Schumann, R. Overture to Manfred, op 115 (1848-49). Tasmanian SO/Sebastian LangLessing.

ABC 476 773-6 12

Wagner, R. Lohengrin. Opera in three acts.

Libretto by the composer. First performed Weimar, 1850.

Haydn, J. Organ concerto no 2 in C, Hob.XIV:8 (c1750). Gábor Lehotka, org; Budapest Strings.

Hungaroton HCD 31175

12

Elgar, E. Symphony no 2 in E flat, op 63 (1911). Hallé O/James Loughran.

ASV QS 6087 58

Holst, G. Quintet in A flat, op 14 (1903).

Keith Bragg, fl; Christopher O'Neal, ob; Julian Farrell, cl; Richard Skinner, bn; Christopher Blake, hn.

Chandos CHAN 9077 15

FRIEDRICH VON TELRAMUND: Siegmund Nimsgern, bar ELSA VON BRABANT: Jessye Norman, sop ORTRUD: Eva Randová, mezz LOHENGRIN: Plácido Domingo, ten Vienna State Opera Ch & O/Georg Solti.

Decca 478 3707 3:43

Count Telramund accuses Elsa of murdering her brother. Elsa prays a knight will come 12:00 JAZZ SKETCHES to her defence and a boat drawn by a swan with Robert Vale appears. The knight in the prow will defend Elsa on condition that she never asks his 13:00 IN CONVERSATION name or origin. When Elsa and the knight with Simon Moore marry, Ortrud dares her to ask her husband’s name and Elsa succumbs. Telramund and 14:00 ORIENTAL INFLUENCE armed men break into the bridal room and Prepared by Stephen Wilson Glazunov, A. Oriental rhapsody, op 29 (1889). the knight kills him. He then tells Elsa he is Lohengrin from Montsalvat; he must leave Moscow SO/Igor Golovchin.

Naxos 8.553512 27 her because she has asked the forbidden question. The boat appears and the swan Rachmaninov, S. Oriental dance, op 2 turns into her brother. Lohengrin sails away as no 2 (1892). Alexander Ivashkin, vc; Ingrid Elsa falls dead in her brother’s arms.

Wahlberg, pf.

Manu MANU 1426 6 Granados, E. Suite orientale (1888-89).

Barcelona SO/Pablo González.

Naxos 8.573265

Thursday 17 March

16

Caccini, G. Dalla porta d'oriente. Nadia Piave, sop; Jennifer Eriksson, va da gamba; Raymond Harvey, hpd.

Fine Music tape archive 4 Godard, B. Oriental symphony, op 84 (1884).

Royal Scottish NO/Martin Yates.

Dutton CDLX 7274 28 Balakirev, M. Islamey, oriental fantasy (1869/1902). John Chen, pf.

Kawai 2004 0911

9

10:30 CONCERT HALL Prepared by Peter Poole Chadwick, G. Symphonic poem: Tam O'Shanter (1915). Czech State PO/José Serebrier.

Reference Recordings RR-64

Gottschalk, L. Symphony no 2, À Montevideo (1868-69; ed. Rosenberg). Hot Springs Festival SO/Richard Rosenberg.

Naxos 8.559320 11 Symphony no 1, A night in the tropics (1859; reconstr. ed. Rosenberg). Hot Springs Festival SO/Richard Rosenberg.

Naxos 8.559320 16 12:00 JAZZ AFTER NOON with Sue Jowell

03:00 CLASSICAL TILL DAWN

13:00 A BUNCH OF FIVES Prepared by Derek Parker

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Simon Moore 09:00 DIVERSIONS IN FINE MUSIC The instruments: Brass Prepared by Jennifer Foong Moscheles, I. Introduction and Rondeau écossais, op 63. Christoph Moinian, hn; Caroline Weichert, pf.

Koch Schwann 3-1178-2

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Tom Forrester-Paton

Tartini, G. Concerto in D (arr. Wallace, Wright). Alison Balsom, tpt; Scottish Ensemble/Jonathan Morton.

Warner 4 56094 2

8

10

David, Ferdinand. Trombone concertino, op 4 (1837). Christian Lindberg, tb; Bamberg SO/ Leif Segerstam.

BIS CD-378 17 Poulenc, F. Sonata (1922/45). Hervé Joulain, hn; Guy Touvron, tpt; Jacques Mauger, tb.

Naxos 8.553613 9

37

19

Dvorák, A. Violin concerto in A minor, op 53 (1879). Anne-Sophie Mutter, vn; Berlin PO/ Manfred Honeck.

DG 479 1060 34

00:00 CONTEMPORARY COLLECTIVE

Holst, G. Oriental suite, Beni Mora (1909-10).

Royal Scottish NO/David Lloyd-Jones.

Naxos 8.553696 17

19:00 PLANET JAZZ with Xavier Bichon

Glinka, M. Septet in E flat (1823). Alexander Koreshkov, ob; Alexander Petrov, bn; Igor Makarov, hn; Alexei Bruni, vn; Mikhail Moshkunov, vn; Erik Pozdeev, vc; Rustem Gabdulin, db.

Olympia MKM 76 20

Telemann, G. Concerto no 5 in B minor, TWV42 (pub. 1734). Hans-Dieter Michatz, rec; Monika Kornel, hpd.

Move MCD 576 11 Corelli, A. Sonata in D minor, op 5 no 12, Follia (1700). Andrew Manze, vn; Richard Egarr, hpd.

Harmonia Mundi HMX 2907541.45 12 Mozart, W. Piano concerto no 5 in D, K175 (1773). Mitsuko Uchida, pf; English CO/ Jeffrey Tate.

Philips 475 7306 22 Beethoven, L. Symphony no 5 in C minor, op 67 (1807-08). CO of Europe/Nikolaus Harnoncourt.

Teldec 2292-46452-2 37 14:30 ITALIAN COMPOSERS Prepared by James Nightingale Respighi, O. The sunset (1914). Magdalena Kozená, mezz; Henschel Quartet.

DG 471 581-2 15 Malipiero, G. String quartet no 4 (1934).

Orpheus String Quartet.

ASV CD DCD 457

14

Alfano, F. Four Neapolitan dances, op 8.

Orazio Maione, pf.

Naxos 8.573754 11 Respighi, O. Fantasia slava (1903). Geoffrey Tozer, pf; BBC PO/Edward Downes.

Chandos CHAN 9311 10

Friday 18 March 00:00 CONTEMPORARY COLLECTIVE

Casella, A. Toccata (1904). Sandro Ivo Bartoli, 03:00 CLASSICAL TILL DAWN pf.

06:00 FINE MUSIC BREAKFAST ASV DCA 1023 6 including Arts Calendar at 7.30am Pizzetti, I. Rondo veneziano (1929). BBC with Vicky Zhang Scottish SO/Osmo Vänskä.

Hyperion CDH55329 24 09:00 DIVERSIONS IN FINE MUSIC Something borrowed 16:00 FINE MUSIC DRIVE Prepared by Di Cox including Arts Calendar at 5.00pm Halvorsen, J. Bergensiana, rococo variations with Sue Jowell on an old melody from Bergen. Bergen PO/ Karsten Andersen.

19:00 THE NEW JAZZ STANDARD NKFCD 50013-2 10 with Frank Presley

13:00 MUSIC OF TRANSFIGURATION Prepared by Rex Burgess Roussel, A. Résurrection, symphonic prelude (1903). Rhineland Palatinate State PO/Pierre Stoll.

Cybelia CY 801 11 Kokkonen, J. Metamorphosis for 12 strings and harpsichord, Durch einen Spiegel (1976-77). Jukka Tiensuu, hpd; Lahti SO/Ulf Söderblom.

BIS CD-528 19 Schoenberg, A. Transfigured night, op 4 (1899). Walter Trampler, va; Yo-Yo Ma, vc; Juilliard String Quartet.

Sony SMK 62019 29

Strauss, R. Death and transfiguration, op 24 (1888-89). Cleveland O/George Szell.

24 Saint-Saëns, C. Danse macabre, op 40 (1874; Sony SBK 53511 20:00 THE WORLD OF A arr. Liszt, then Horowitz). Tony Lee, pf.

14:30 BEETHOVEN’S STUDENT SYMPHONY Move MCD 560 9 AND FRIEND Prepared by James Nightingale Respighi, O. Chaconne for violin, organ and Prepared by Elaine Siversen Rossini, G. Overture to Sinfonia di Bologna strings, after Tomaso Vitali (1908). Ingolf Ries, F. Sonata in B flat, op 47. Susan Kagan, (1808). Academy of St Martin in the Fields/ Turban, vn; English CO/Marcello Viotti. pf; Vassily Primakov, pf.

Neville Marriner.

Claves CD 50-9017 14 Naxos 8.573063 14 Philips 473 967-2 6 Gershwin, G. Fantasy on Porgy and Bess for Sonata in C, op 20 (c1810). Klaus Storck, vc; Reicha, A. Clarinet quintet in B flat, op 89 piano trio, (1935;arr. Bunch. Eroica Trio.

Alfons Kontarsky, pf. (c1809). Ensemble Carl Stamitz.

EMI 5 07351 2 9 15 LP Telefunken 6.42813 19 Pierre Verany PV 789101 23 Shostakovich, D. Five pieces for two violins Fantasy no 11, op 133 no 2 (c1825). PeterBeethoven, L. Sonata no 3 in A, op 69 (1808). and piano (arr. Atovmian). Sabine Meyer, cl; Lukas Graf, fl; Zsuzsanna Sirokay, pf.

David Pereira, vc; Ian Munro, pf.

Members of Alliage Quintet.

Jecklin 577-2 10 Fine Music concert recording 27 Sony 88875190972 9 Grand variations on Rule Britannia, op 116 Hummel, J. Adagio and rondo in A, alla Bach, J.S. Suite no 3 in C, BWV1009 (1817). Christopher Hinterhuber, pf; Royal polacca. James Ehnes, vn; London Mozart (c1720, arr. Schumann). Francesco Dillon, vc; Liverpool PO/Uwe Grodd.

Players/Howard Shelley.

Emanuele Torquati, pf.

Naxos 8.570440 16 Chandos CHAN 10255 11 Brilliant Classics 94328 22 Sextet in G minor, op 142 (1814). Dieter Méhul, É-N. Vainement Pharaon dans sa Klöcker, cl; Karl Hartmann, bn; Nury 10:30 CONCERT HALL reconnaissance, from Joseph, Act I (1807).

Guarnaschelli, hn; Wolfgang Güttler, db; Prepared by Anne Irish Roberto Alagna, ten; Royal Opera House O/ Bertrand de Billy.

Sibelius, J. Finlandia, op 26 no 7 (1899-1900). Edward Witsenburg, hp; Werner Genuit, pf.

Schwann CD 310 001 H1 20 EMI 5 57012 2 6 Scottish NO/Alexander Gibson.

7 Reicha, A. Symphony in F (1808). Beethoven Chandos CHAN 6508 16:00 FINE MUSIC DRIVE Academie/Jan Caeyers.

Beethoven, L. Piano concerto no 1 in C, including Arts Calendar at 5.00pm Audivis-Valois V 4834 36 op 15 (1797). Daniel Barenboim, pf; New with James Hunter Philharmonia O/Otto Klemperer.

22:00 AUSTRALIAN DUSK Philips 456 721-2 39 19:00 FRIDAY JAZZ SESSION Prepared by James Nightingale Dvorák, A. Symphony no 7 in D minor, op 70 with Alex Siegers Barton, W. Birdsong at dusk. William Barton, (1885). Sydney SO/Charles Mackerras.

20:00 EVENINGS WITH THE voice, did; Kurilpa String Quartet.

Sydney Symphony SSO 200705 36 ORCHESTRA ABC 481 0962 12 The Buffalo Philharmonic Orchestra 12:00 A JAZZ HOUR Edwards, R. Piano trio (1999). Apollo Trio.

Prepared by Rex Burgess ABC 481 7683 14 with Barry O'Sullivan Kodály, Z. Dances of Galánta (1933). Buffalo 22:30 ULTIMA THULE PO/JoAnn Falletta. www.bpo.org 17 Suk, J. Pohádka, a fairy tale, op 16 (18991900). Buffalo PO/JoAnn Falletta.

Naxos 8.572323 31

38

Copland, A. Suite from The red pony (1948).

Buffalo PO/JoAnn Falletta.

Naxos 8.559240 24 Corigliano, J. Violin concerto, The red violin (2003). Michael Ludwig, vn; Buffalo PO/JoAnn Falletta.

Naxos 8.559671 39 22:00 BAROQUE AND BEFORE Italian virtuoso musicians Prepared by Elaine Siversen Uccellini, M. Sonata IX for two violins, from Book 7 (pub. 1660). Arcadian Academy.

Harmonia Mundi HMU 907066 8 Aria sopra la Bergamesca (1642). Greg Dikmans, rec; Lucinda Moon, vn; Simon Martin-Ellis, gui.

Move MD 3260

4

Geminiani, F. Ballet: The enchanted forest (c1752). Milan Angelicum O/Newell Jenkins.

LP Nonesuch H-71151 31 Sonata in C, op 5 no 3 (pub. 1746). Heinrich Schiff, vc; Jaap ter Linden, vc continuo; Ton Koopman, hpd.

Philips 434 124-2 10 Matteis, N. Musica grave; Andamento malinconico; Fantasia in B flat; Allemanda facile; Scaramuccia (pub. 1676). Elizabeth Wallfisch, vn.

Hyperion CDA67238 9 Suite in E minor, from Ayres for violin, fourth part (pub. 1685). Cynthia O’Brien, vn; Ruth Wilkinson, bass viol; Paul Thom, hpd.

LP Larrikin LRF 069 14 Frescobaldi, G. Toccata decima (1637). Bob van Asperen, hpd.

Teldec 2292-43544-2 5 Messa della Domenica, from Fiori musicali (pub. 1635). Schola Gregoriana Sciptoria; Fabiano Ruin, baroque tb; Roberto Loreggian, org; Nicola M. Bellinazzo, cond.

Brilliant Classics 94111 23

Saturday 19 March 00:00 CLASSIC-ALL THROUGH THE NIGHT

09:05 THE PIANO ALONE Prepared by Anne Irish Bach, J.S. Toccata and fugue in D minor, BWV565 (bef. 1708; transcr. Busoni). Nikolai Demidenko, pf.

Hyperion CDA66566 10 Debussy, C. Suite: Children’s corner (190608). Roger Woodward, pf.

ABC 481 1742 17 Beethoven, L. Sonata no 8 in C minor, op 13, Pathétique (1798). Claudio Arrau, pf.

Philips 420 153-2 21 10:00 CENTRES OF MUSIC Leipzig Conservatory Part 3 Prepared by Jennifer Foong Sullivan, A. Overture to Patience (1881).

Royal Ballet Sinfonia/Andrew Penny.

Naxos 8.554165

5

Reinecke, C. Duets, op 12 (1847). Edith Mathis, sop; Hidenori Komatsu, bar; Cord Garben, pf. cpo 999 262-2

6

Hill, A. String quartet no 11 in D minor (1935).

Australian String Quartet.

Marco Polo 8.223746 18

Mendelssohn, F. Theme of slow movement, from Violin concerto. Phillip McCann, cornet; Black Dyke Mills Band/Peter Parkes.

Chandos CHAN 4502 4 Mascagni, P. Intermezzo, from Cavalleria rusticana. Phillip McCann, cornet; Sellers Engineering Band/RoyNewsome.

Chandos CHAN 4503 5 12:00 URBAN JAZZ LOUNGE with Leita Hutchings 13:00 TREASURES OF THE VOICE Prepared by Paul Cooke Le Gallienne, D. Three Shakespeare settings (1943-46). Merlyn Quaife, sop; Michael Kieran Harvey, pf.

Tall Poppies TP155 8 Cheetham, D. Excerpts from Eumeralla, a war requiem for peace (2019). Deborah Cheetham, sop; Linda Barcan, mezz; Don Bemrose, bar; Consort of Melbourne; Dhungala Children’s Choir; Melbourne Ch & SO/Benjamin Northey.

ABC 481 9111 6

Bruch, M. Adagio appassionato, op 57 (1890).

Salvatore Accardo, vn; Gewandhaus O/Kurt Masur.

Philips 462 164-2 10

Sculthorpe, P. The stars turn (1970). Marilyn Richardson, sop; Christine Draeger, fl; Roslyn Dunlop, cl; Fiona Ziegler, vn; Susan Blake, vc; Daryl Pratt, perc; David Miller, pf.

Vox Australis VAST018-2 6

Schubert, F. Sehnsucht, D636 (c1821).

Matthias Goerne, bar; Elisabeth Leonskaja, pf.

Harmonia Mundi HMC 901988 4

Stanhope, P. Three geography songs (1997).

Sydney Chamber Choir/Paul Stanhope.

ABC 476 3870 14

Smyth, E. The march of the women (1911).

Eiddwen Harrhy, sop; Plymouth Festival Ch & O/Philip Brunelle.

Virgin VC 7 91188-2 3

Kelly, F. Songs of love and loss (1901; arr.

Latham, Kelly). Christine Wilson, mezz; Andrew Goodwin, ten; Tasmanian SO/ Benjamin Northey.

ABC 481 8890 18

Holst, G. Ballet music from The perfect fool, op 39 (1918-22). London PO/Adrian Boult.

Belart 461 3542 11 Bach, J.S. Pastorale, from Christmas oratorio, BWV248 (transcr. Lucas). Wilhelm Backhaus, pf.

Naxos 8.110658 5 Busoni, F. Fantasia after Bach's, BV253 (1909). Igor Levit, pf.

Sony 88985424452 15

06:00 SATURDAY MORNING MUSIC 11:30 ON PARADE Music that’s band with David Garrett Prepared by Owen Fisher 09:00 WHAT'S ON IN MUSIC Meacham, F. American patrol. Tokyo Kosei Our weekly guide to musical events in and Wind O. around Sydney Denon 32 CG 1629 4 Carmichael, H. Stardust. Central Band of the Royal Air Force.

EMI 7-47885 5 Hymn. Nearer my God to Thee. Allentown Band/Ronald Demkee.

AMP 89111 5

39

14:00 NIGHT SONG AND FLOWERS Prepared by James Nightingale Sculthorpe, P. Night song (1995). Trio Melbourne.

Move MD 3378

7

Edwards, R. Mantras and night flowers (1985-2001). Bernadette Harvey, pf.

Tall Poppies TP220

19

14:30 SATURDAY MATINEE At the ballet Prepared by Paul Cooke Ravel, M. Ballet: Daphnis and Chlöe (1912).

Bordeaux Opera Ch; Bordeaux Aquitaine NO/ Laurent Petitgirard.

Naxos 8.570075 59 Schmitt, F. La tragédie de Salomé, op 50 (1907). Detroit SO/Paul Paray.

Mercury 478 5092 27

Satie, E. Ballet réaliste: Parade (1916-17).

Utah SO/Maurice Abravanel.

Vanguard OVC 4030 14 Lambert, C. Ballet in two tableaux: Romeo and Juliet (1924-25). English Northern Philharmonia/David Lloyd-Jones.

Hyperion CDA67545 30 17:00 SOCIETY SPOT Classical Guitar Society with Sue McCreadie

Ballet music from Moses and Pharaoh (1827).

Monte Carlo National Opera O/Antonio de Almeida.

Philips 422 843-2 21 Tarantella napoletana: La danza, Gia la luna è in mezzo al mare, from Les soirées musicales (1830-35; arr. Sadin). Rolando Villazón, ten; Maggio Musicale Fiorentino O/Marco Armiliato.

DG 479 4959 3

18:00 STAGE AND SCREEN School romance Prepared by Angela Cockburn Wilson, S. Excerpts from The boyfriend (1953). Jane Wellman, Simon Green, Anna Quayle, Derek Waring, Bob Newent, Rosemary Ashe, Peter Baylis, Paddy O’Neil, voices; Chris Walker, cond.

TER-Orbis MUSC N11 19 Rodgers, R. Excerpts from On your toes (1936). Lara Teeter, Natalia Makarova, Dina Merrill, voices; 1983 revival cast; John Mauceri, cond.

TER-Orbis MUSC N34 15 Casey - Jacobs. Excerpts from Grease (1971; arr. Yates). John Barrowman, Shona Lindsay, Clare Burt, Lara Marland, Mark Winter, voices; cast; Martin Yates, cond.

TER-Orbis MUSC N23 14 19:00 EMERGENT JAZZ with Keith Pettigrew 20:00 THE LIFE OF A COMPOSER Gioachino Rossini Prepared by Jennifer Foong Rossini, G. Overture to Demetrio e Polibio (1812). Academy of St Martin in the Fields/ Neville Marriner.

Philips 473 967-2 7 Comic duet for two cats (1816). Elisabeth Schwarzkopt, sop; Victoria de los Angeles, sop; Gerald Moore, pf.

LP HMV/WRC R 02333 4 Nacqui all’affanno, from Cinderella (1817).

Cecilia Bartoli, mezz; Bologna Comunale Theatre Ch & O/Riccardo Chailly.

Decca 473 380-2 7 Overture to The thieving magpie (1817).

National PO/Riccardo Chailly.

Decca 400 049-2

Serbami ognor si fido, from Semiramide (1823). Joan Sutherland, sop; Marilyn Horn, mezz; London SO/Richard Bonynge.

Decca 448 594-2 8

Bolero tartare, from Péchés de vieillesse vol VIII, Album de château (1857-68). Alessandro Marangoni, pf.

Naxos 8.572608-09 10 Castelnuovo-Tedesco, M. Figaro, concert paraphrase on Largo al factotum, from Rossini’s The barber of Seville (1943).

Raphaela Gromes, vc; Julian Riem, pf.

Sony 88985413032 6

00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC with Robert Small 09:00 MUSICA SACRA Prepared by Robert Small Charpentier, M-A. Un oratorio de Noel: In nativitatem Domini canticum (c1687). Les Arts Florissants/William Christie.

Harmonia Mundi HMC 905130 29 Gabrieli, A. O magnum mysterium (pub.

1587). James Bowman, ct; King's Consort/ Robert King.

Hyperion KING 3 3 Couperin, F Jerusalem, convertere, from Première leçon de Ténèbres (c1713). James Bowman, ct; King's Consort/Robert King.

Hyperion KING 3 3

Rossini, G. La calunnia è un venticello, from The barber of Seville (1816). Bryn Terfel, bassbar; Swedish RSO/Paul Daniel.

DG 477 8091 3

Poulenc, F. Exceprts from Gloria (1959).

Françoise Pollet, sop; Radio France Ch; French NO/Charles Dutoit.

Decca 478 3640 18

Una voce poco fà, from The barber of Seville (1816; arr. Schottstädt). Sabine Meyer, cl; Zurich Opera O/Franz Welser-Möst.

EMI 5 56137 2 6

10:00 THE CLASSICAL ERA Prepared by Di Cox

22:00 SATURDAY NIGHT AT HOME Children’s stories for everyone Prepared by Elaine Siversen Mills, R. Ballet: Snugglepot and Cuddlepie (c1987). Queensland SO/Richard Mills.

ABC 422 933-2 40 Lanchbery, J. Excerpts from The tales of Beatrix Potter (1970). Royal Opera House O/ John Lanchbery.

EMI 7 54537 2 33 Zemlinsky, A. The mermaid, symphonic poem after Hans Christian Anderson (1903).

New Zealand SO/James Judd.

Naxos 8.570240 41

Boïeldieu, A. Overture to Le calife de Bagdad (1800). New Philharmonia O/Richard Bonynge.

Decca 440 844-2 8 Albrechtsberger, J. Double concerto in F (1771). Fritz Mayr, jew's hp; Dieter Kirsch, mandora; Munich CO/Hans Stadlmair.

Orfeo C 035 821 A 18 Clementi, M. Sonata in F sharp minor, op 25 no 5 (pub. 1790). Maria Tipo, pf.

EMI 7 54766 2 15 Dittersdorf, C. Symphony in C, The four ages of the world (pub. 1767). Failoni O/Hanspeter Gmür.

Naxos 8.553368 17 Weber, C.M. Theme and variations concertante, from Silvana, op 33 (1810).

Sabine Meyer, cl; Zurich Opera O/Franz Welser-Möst.

EMI 5 56137 2

12

Beethoven, L. Adelaïde, op 46 (1794-95).

Peter Schreier, ten; András Schiff, pf.

Decca 444 817-2 6

9

Tanti affetti, from La donna del lago (1819).

Montserrat Caballé, sop; Radio France Lyric O/Gian-Franco Masini.

Rodolphe RCP 32455 5 String sonata no 3 in C (c1804). I Musici.

Newton 8802041

Sunday 20 March

Mozart, W. Sinfonia concertante no 2 in E flat, K364 (1779). Sigiswald Kuijken, va; La Petite Bande/Ryo Terakado, vn & dir.

Denon CO-78837 30

11

40

12:00 CLASSIC JAZZ with Dave Mac 13:00 WORLD MUSIC Whirled Wide with Orli Zahava 14:00 INTIMATE VOICES Part 3 Three German threes Prepared by Rex Burgess

17:00 HOSANNA Prepared by Stephen Matthews

20:30 NEW HORIZONS Prepared by Nev Dorrington

Hymns. Holy Father, God of might; I bind unto myself today. Choir of Trinity College, University of Melbourne/Michael Leighton Jones.

ABC 476 5682 10

Belov, A. Piano works vol 1 (2018). Anton Belov, pf.

Private recording 31

Psalm. No 139: O Lord thou hast searched me out. Choir of St John’s College, Cambridge/ Telemann, G. Trio in E flat, from Table music, George Guest.

7 part 1 (1733). Anne Schuman, vn; Julia Bishop, Decca 483 1290 vn; Robert Glenton, vc.

Zelenka, J. Kyrie, from Missa omnium Naxos 8.553725 15 sanctorum. Stuttgart Chamber Choir; Tafelmusik/Frieder Bernius.

Weber, C.M. Trio in G minor, op 63 (1819).

Sony 8895439412-9 7 Geoffrey Collins, fl; David Pereira, vc; David Bollard, pf.

Haydn, M. Motets: Salve Regina; Stella coelli.

Fine Music concert recording 19 Vienna Chamber Choir; Robert Kovács, org; Johannes Prinz, cond.

Gal, H. Trio, op 97 (1950). Shelley Levy, cl; Carus 83.354 5 Joanne Green, vn; Pavel Timofeyevsky, pf.

Toccata Classics TOCC 0377 20 Tallis, T. Magnificat. Choir of York Minster/ Robert Sharpe.

15:00 SUNDAY SPECIAL Regent REGCD544 10 Masters of their time Bach, J.S. Cantata, BWV54: Widerstehe doch Prepared by James Nightingale der Sünde. Holland Boys’ Choir/Pieter Jan Bach, C.P.E. Symphony in E flat, Wq179 Leusink.

(1757-62). Akademie für Alte Musik.

Brilliant 94365/39 12 Harmonia Mundi HMG 501711 11 18:00 SMALL FORCES Fantasia in C minor, Probestück, Wq63 no 6.

Prepared by Anne Irish Colin Tilney, clvd.

Archiv 453 168-2 6 Rachmaninov, S. Trio no 1 in G minor, Élégïaque (1892). Zsolt-Tihamér Visontay, vn; Haydn, J. Capriccio in G, Hob. XVII:1. Jenö Mats Lidström, vc; Vladimir Ashkenazy, pf.

Jandó, pf.

13 Naxos 8.553972 7 Decca 478 5346 Schubert, F. Sonata in A minor, D821, Arpeggione (1824). Mstislav Rostropovich, vc; 22 Benjamin Britten, pf.

28 Symphony in E, Hob.I:12, Acide (1763). Vienna Decca 443 575-2 Mahler, G. Quartet in A minor. Sascha Maisky, Haydn Sinfonietta/Manfred Huss.

BIS SACD-1815 17 vn; Lyda Chen, va; Mischa Maisky, vc; Lily Mozart, W. Fantasia in D minor, K397 (c1782). Maisky, pf.

EMI 7 21119 2 13 Tamara-Anna Cislowska, pf.

String quartet in C, op 20 no 2 (1772).

Schuppanzigh Quartet.

Accent ACC 24223

MBS 42CD

6

Bach, C.P.E. Keyboard concerto in G, Wq43 no 5, Hamburg (1772). Andreas Staier, hpd; Freiburg Baroque O/Petra Müllejans.

Harmonia Mundi HMC 902083.84 13 Bach, J. Christian Ch’io parta, from Temistocle (1772). Philippe Jaroussky, ct; Le Cercle de l’Harmonie/Jérémie Rhorer.

Virgin 5099969456404 5 Mozart, W. Piano concerto no 5 in D, K175 (1773). Ronald Brautigam, fp; Cologne Academy/Michael Alexander Willens.

BIS BIS-2084 19

19:00 SUNDAY NIGHT CONCERT Prepared by Stephen Wilson Mahler, G. Suite from orchestral works of J.S. Bach (1909). Royal Concertgebouw O/ Riccardo Chailly.

Decca 475 514-2 19 Moscheles, I. Piano concerto no 4 in E, op 64 (1823). Tasmanian SO/Howard Shelley, pf & dir.

Hyperion CDA67430 26 Delius, F. Florida suite (1887). English SO/ William Boughton.

Nimbus NI 5450/3 37

41

Sanfilippo, B. Tangible (2021) Bruno Sanfilippo, pf.

AD21 AD 123

33

Schuster, O. Miramis (2021). Oskar Schuster, pf.

Recordjet 05202001 9 Totland, O. Companion (2021). Otto Totland, pf.

Sonic Pieces 032 12 22:00 JAZZ AFTER HOURS with Deborah Evans

Monday 21 March 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with James Hunter 09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1822 Prepared by Jacky Ternisien Fesca, F. Overture to Omar and Leila, op 28 (1822). North German Radio PO/Frank Beermann. cpo 999 889-2 9 Vorísek, J. Fantasia, op 12 (1822). Radoslav Kvapil, pf.

Unicorn-Kanchana DKP(CD)9145 11 Crusell, B. Divertimento in C, op 9 (1822).

Jouko Teikari, ob; Olavi Pälli, vn; Hannele Segerstam, vn; Pentti Mikkonen, va; Risto Poutanen, vc.

Finlandia FACD 012 10 Hummel, J. Rondo brillant in B flat, op 98 (1822). London Mozart Players/Howard Shelley, pf & dir.

Chandos CHAN 10216 16 Glinka, M. Variations on a theme by Mozart (1822). Natalia Shameyeva, hp.

Le Chant du Monde LDC 288 068 5 Schubert, F. Consecration of the day, D763 (1822). Elly Ameling, sop; Janet Baker, mezz; Peter Schreier, ten; Dietrich Fischer-Dieskau, bar; Gerald Moore, pf.

DG 435 596-2 5 Mendelssohn, F. Clarinet quintet in C minor (1822; arr. Baermann). Dieter Klöcker, cl; Members of Consortium Classicum.

Orfeo C314 941 A 22

10:30 CONCERT HALL Prepared by Paul Cooke Gossec, F-J. Symphony in D for large orchestra, op 13 no 3, La chasse (1774/86).

Concerto Köln/Werner Ehrhardt.

Capriccio C8019 15 Brouwer, L. Concerto de Toronto. John Williams, gui; London Sinfonietta/Steven Mercurio.

Sony SK 63173 33 Smyth, E. Serenade in D (1890). BBC PO/ Odaline de la Martínez.

Chandos CHAN 9449 35 12:00 SWING SESSIONS with John Buchanan

00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Michael Morton-Evans Brahms, J. 16 Waltzes, op 39 (1865). Duo Crommelynck, pf four hands.

Claves 50-8710 17

13:00 CEREMONIAL PROGRESS Prepared by Derek Parker Copland, A. Ceremonial fanfare (1969).

Summit Brass/Carl Topilow.

Pro Arte CDD 318

Tuesday 22 March

4

Mouquet, J. La flûte de Pan, op 15 (1904).

Sara Ligas, fl; Luca Nurchis, pf.

Brilliant Classics 95505 17

Vivaldi, A. Concerto in C, RV178. Monika Bridge, F. The pageant of London (1911). BBC Kornel, hpd; Diana Weston, hpd.

Michatz-Kornel 20100323 11 NO of Wales/Richard Hickox.

Chandos CHAN 10729(6) X 15 Martucci, G. Theme with variations in E flat, op 58. Nelson Goerner, pf; Rusudan Alavidze, Howells, H. King's herald, from Pageantry pf.

(1937). London SO/Richard Hickox.

13 Chandos CHAN 9410 4 EMI 7 21119 2 Delerue, G. Ceremonial (1976). Christopher Bowers-Broadbent, org; London Gabrieli Brass Ensemble/Christopher Larkin.

Hyperion CDA66275 9

Kats-Chernin, E. Re-inventions after J.S. Bach (1720-23; transcr. 2004). Alicia Crossley, rec; Diana Weston, hpd.

Thoroughbass 20130731 23

Moore, D. Pageant of P.T. Barnum (1924).

Eastman-Rochester O/Howard Hanson.

Mercury 475 6274 18

10:30 CONCERT HALL Prepared by Rex Burgess

14:00 BUSONI BLOCKBUSTER Prepared by Dan Bickel Busoni, F. Suite from Turandot, op 41 (1905/11). Hong Kong PO/Samuel Wong.

Naxos 8.555373 41 Piano concerto, op 39 (1904). Members of BBC Singers; Peter Donohoe, pf; BBC SO/ Mark Elder.

EMI 7 49996 2 1:14 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with David Brett 19:00 JAZZ PULSE with Chris Wetherall 20:00 STORMY MONDAY with Austin Harrison 22:00 JAZZ AFTER HOURS with Eddie Bernasconi

Vivaldi, A. Clarae stellae, scintillate, RV625.

Andreas Scholl, ct; Australian Brandenburg O/ Paul Dyer.

ABC 466 964-2 12 Platti, G. Oboe concerto in G minor. Anthony Camden, ob; City of London Sinfonia/Nicholas Ward.

Naxos 8.554772 13 14:00 THE ARTISTRY OF VLADIMIR ASHKENAZY Prepared by Frank Morrison Bach, J.S. Suite no 1 in D minor, BWV812, French (c1722). Vladimir Ashkenazy, pf.

Decca 483 2150 14 Prokofiev, S. The ugly duckling, op 18.

Elisabeth Söderström, sop; Vladimir Ashkenazy, pf.

Decca 476 2511

12

Bartók, B. Piano concerto no 1 (1926).

Vladimir Ashkenazy, pf; London PO/Georg Solti.

Decca 478 3706 23 Skryabin, A. Sonata no 1, op 6 (1892).

Vladimir Ashkenazy, pf.

Decca 414 353-2

21

Beethoven, L. Trio in B flat, op 97, Archduke (1810-11). Itzhak Perlman, vn; Lynn Harrell, vc; Vladimir Ashkenazy, pf.

EMI CDC 7 47010-2 37 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Michael Morton-Evans

19:00 THE JAZZ BEAT Vladigerov, P. Bulgarian suite, op 21 (1927).

Bulgarian National RSO/Alexander Vladigerov. with Lloyd Capps Capriccio C8053 24 20:00 JUST IN Tubin, E. Double bass concerto (1948). Håkan with David Garrett Ehrén, db; Gothenburg SO/Neeme Järvi.

A selection from the latest recordings to arrive BIS CD-337 18 at the Fine Music Library Strauss, R. Aus Italien, symphonic fantasy, op 22:00 CHAMBER SOIRÉE 16 (1886). Scottish NO/Neeme Järvi.

Prepared by Gerald Holder Chandos CHAN 8744 41 Mendelssohn, F. Clarinet quintet in C minor 12:00 JAZZ RHYTHM (1822; arr. Baermann). Dieter Klöcker, cl; with Jeannie McInnes members of Consortium Classicum.

Orfeo C314 941 A 22 13:00 ITALIAN BAROQUE Bridge, F. String quartet no 2 in G minor Prepared by James Nightingale (1915). Delmé String Quartet.

Veracini, F. Overture no 3 in B flat (c1716).

Chandos CHAN 8426 25 Accademia I Filarmonici/Alberto Martini.

Naxos 8.553412 13 Albéniz, I. Preludio; Oriental; Bajo la palmera; Córdoba, from Songs of Spain, op 232 (1896; Graziani, C. Sonata in B flat, for cello and transcr.). Pro Arte Guitar Trio. continuo, op 3 no 3. Antonio Meneses, vc; ASV WHL 2061 22 Gustavo Tavares, vc; Rosana Lanzelotte, hpd.

Sanctus SCS 002/3 15 Mozart, W. Divertimento in D, K334 (1779). Robert Johnson, hn; Ben Jacks, hn; Hazelwood Quartet.

Fine Music concert recording 42

42

14:00 WEST AUSTRALIAN SYMPHONY ORCHESTRA Part 3 Prepared by Ron Walledge

Wednesday 23 March 00:00 CONTEMPORARY COLLECTIVE

Castelnuovo-Tedesco, M. Overture: The taming of the shrew, op 61 (1930). West Australian SO/Andrew Penny.

Naxos 8.572500 9

03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Stephen Wilson 09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Brian Drummond Boyce, W. Symphony no 8 in D minor (pub.

1760). English Concert/Trevor Pinnock.

Archiv 419 631-2 10 Hall, H. Yes, my Aminta, 'tis too true (169596). Ruth Holton, sop; Simon Birchall, bass; Parley of Instruments Baroque O/Peter Holman.

Hyperion CDA66578 12 Corbett, W. Alla Romana, from Le bizzarie universali, op 8 (pub. 1728). European Community Baroque O/Roy Goodman.

Channel CCS 1391 11

Bernstein, L. Symphonic suite from On the waterfront (1955). West Australian SO/ Benjamin Northey.

ABC 481 7378 19 Respighi, O. Pines of Rome (1924). West Australian SO/Jorge Mester.

ABC 442 348-2 23 Dvorák, A. Suite in A, op 98b, American (1894-95). West Australian SO/Vernon Handley.

ABC 456 359-2 21 Beethoven, L. Piano concerto no 3 in C minor, op 37 (c1800). Roger Woodward, pf; West Australian SO/Albert Rosen.

ABC 481 1322 35 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Lloyd Capps

Marsh, J. Symphony no 8 in G (1778). London 19:00 PLANET JAZZ Mozart Players/Matthias Bamert.

Chandos CHAN 10458 10 with Xavier Bichon Dragonetti, D. Andante and rondo. Ludwig Streicher, db; Munich CO/Hans Stadlmair.

Teldec 2292-42452-2 10 Portugal, M. Overture to Il duca di Foix.

Algarve O/Alvaro Cassuto.

Naxos 8.557207

5

Holzbauer, I. Quintet no 2 in B flat for fortepiano, flute, violin, viola and violoncello.

Camerata Cologne. cpo 999 580-2 20 10:30 CONCERT HALL Prepared by Frank Morrison

20:00 AT THE OPERA Prepared by Elaine Siversen Verdi, G. The force of destiny. Opera in four acts. Libretto by Francesco Maria Piave. First performed St Petersburg, 1862.

DONNA LEONORA: Leontyne Price, sop MARQUIS DI CALATRAVA: Kurt Moll, bass DON ALVARO: Plácido Domingo, ten DON CARLO: Sherrill Milnes, bar PADRE GUARDIANO: Bonaldo Giaiotti, bass John Alldis Choir; London SO/James Levine.

RCA RCD3-1864 2:51

Leonora, daughter of the Marquis di Calatrava, is in love with Alvaro, but her father refuses to consent to their marriage. Alvaro accidentally kills the Marquis who curses Leonora with his Ravel, M. Piano concerto in G (1929-31). dying breath. Pursued by her brother Carlo, Julius Katchen, pf; London SO/István Kertész. the lovers flee but become separated. Leonora Philips 456 859-2 22 enters a monastery to spend the rest of her Herzogenberg, H. Symphony no 1 in C minor, days in penance in a cave. Alvaro joins the op 50 (1885). North German Radio PO/Frank army and becomes a friend of Carlo.

Beermann.

When Alvaro is injured in battle and believes cpo 777 122-2 42 he is dying, he entrusts his private papers to Carlo who finds Leonora’s portrait among 12:00 JAZZ SKETCHES them. Alvaro recovers and is challenged to with Robert Vale a duel by Carlo. When Alvaro injures Carlo, he enters a monastery near Leonora's cave.

13:00 IN CONVERSATION Carlo pursues him, they fight and Alvaro fatally with Simon Moore wounds Carlo. Seeking help from the hermit in the cave, Alvaro finds Leonora who rushes Goldmark, K. Overture: Sakuntala, op 13 (1865). Royal PO/Yondani Butt.

ASV DCA 791 18

43

to her brother. Before dying, the vengeful Carlo stabs and mortally wounds her. Padre Guardiano, who has sought out the duelists, urges Alvaro to cease his cursing against fate and humble himself before God. The suicidal Alvaro obeys the Padre.

Return victorious, from Aïda (1871). Leontyne Price, sop; Rome Opera Theatre Ch & O/ Georg Solti.

ABC 480 5996 8 Puccini, G. O soave fanciulla from La bohème (1897). Montserrat Caballé, sop; Plácido Domingo, ten; Sherrill Milnes, bar; London PO/Georg Solti.

Sony 88875123122 4 Bizet, G. Au fond du temple saint, from The pearl fishers (1863). Plácido Domingo, ten; Sherrill Milnes, bar; London SO/Anton Guadagno.

Sony 88875123122 6 23:30 MUSIC OF THE NIGHT Prepared by James Nightingale Hirschfelder, D. A fire begins. Riley Lee, shakuhachi; Enigma Quartet.

ABC 481 7998 Greenbaum, S. Sonata (2015). Joel Brennan, tpt; Konrad Olszewski, pf.

Lyrebird LB061116

5

21

Thursday 24 March 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Simon Moore 09:00 DIVERSIONS IN FINE MUSIC The instruments: Brass Prepared by James Nightingale Gershwin, G. Suite from Porgy and Bess (1935; arr. Gale). Center City Brass Quintet.

Chandos CHAN 4554 21 Grainger, P. Random round (1912-14; transcr.

Hammond). Three.

Tall Poppies TP237 7 Tchaikovsky, P. Suite from The Queen of Spades (1890; arr. Lindberg). Christian Lindberg, tb; Roland Pöntinen, pf.

BIS CD-478 17 Riisager, K. Concertino for trumpet and strings, op 29 (1933). Håkan Hardenberger, tpt; Helsingborg SO/Thomas Dausgaard.

Dacapo 6.220584 11

Scheidt, S. Canzona on the French song Est-ce Mars? His Majesty’s Sagbutts and Cornetts; Timothy Roberts, org.

Hyperion CDA66847

6

Mozart, W. Horn quintet in E flat, K407 (1782).

Robert Johnson, hn; Susan Collins, vn; Tony Gault, va; Roger Benedict, va; Catherine Hewgill, vc.

Fine Music concert recording 17 10:30 CONCERT HALL Prepared by Rex Burgess Respighi, O. Chaconne for violin, organ and strings, after Tomaso Vitali (1908). Ingolf Turban, vn; English CO/Marcello Viotti.

Claves 50-9017 14 Ravel, M. Suite no 2 from Daphnis et Chloé (1905). London SO/Charles Mackerras.

Centaur CRC 2090 16 Strauss, R. Four symphonic interludes, from Intermezzo op 72 (1924). Melbourne SO/ Andrew Davis.

ABC 481 2425 22 Beethoven, L. Symphony no 4 in B flat, op 60 (1806). Tasmanian SO/David Porcelijn.

ABC 461 918-2 29 12:00 JAZZ AFTER NOON with Sue Jowell 13:00 GERMAN COMPOSERS Prepared by James Nightingale Hindemith, P. Symphonic metamorphoses on themes of Carl Maria von Weber (1943).

Philharmonia O/Neeme Järvi.

Chandos CHAN 8766 20 Dohnányi, E. Variations on a Hungarian folksong, op 29 (1917). Martin Roscoe, pf.

Hyperion CDA68033 11 Reger, M. Serenade in D, op 77a (1904).

Peter-Lukas Graf, fl; Sandor Vegh, vn; Rainer Moog, va.

Claves 50-8104 20 Braunfels, W. Sinfonia brevis, op 69 (1948).

Rhineland-Pfalz State PO/Gregor Bühl.

Capriccio C5354 31 14:30 THE PARIS SYMPHONIES Part 6 Prepared by Jacky Ternisien

Symphony in D, Hob.I:86 (1786). Academy of St Martin in the Fields/Neville Marriner.

Philips 438 727-2 27 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Marilyn Schock

00:00 CONTEMPORARY COLLECTIVE

19:00 THE NEW JAZZ STANDARD with Frank Presley 20:00 THE WORLD OF A SYMPHONY Prepared by David Brett Tchaikovsky, P. Piano concerto no 3 in E flat, op 75 (1892-93). Konstantin Scherbakov, pf; Russian PO/Dmitry Yablonsky.

Naxos 8.557257 16 Rimsky-Korsakov, N. The sea and Sinbad’s ship, from Scheherazade, symphonic suite after 1001 Nights, op 35 (1888). Seattle SO/ Gerard Schwarz.

Naxos 8.578269-70 11 Glazunov, A. Concert waltz no 1 in D, op 47 (1893). Suisse Romande O/Ernest Ansermet.

Decca 480 0038 8

03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Vicky Zhang 09:00 DIVERSIONS IN FINE MUSIC Something borrowed Prepared by Stephen Wilson Bach, J.S. Prelude and fugue in E flat, BWV552, St Anne (pub. 1739; orch.

Schoenberg 1929). BBC PO/Leonard Slatkin.

Chandos CHAN 9835 15 Rossini, G. Sinfonia to L’italiana in Algieri (1813; arr. Safhill 2006). Aquarelle Guitar Quartet.

Chandos CHAN 10928 8 Beethoven, L. String quartet in F, after Piano sonata in E, op 14 no 1 (1802). Kodály Quartet.

Naxos 8.554592 12

Tchaikovsky, P. Suite from The nutcracker, op Liszt, F. Swan song and march, from Erkel’s 71a (1892; arr. Economou). Martha Argerich, Hunyadi László. Leslie Howard, pf. pf; Nicholas Economou, pf.

11 DG 449 816-2 21 Hyperion CDS44542 Glazunov, A. Elegy in G minor, op 44 (1893). Respighi, O. Pastorale, after Tartini (1908).

Ingolf Turban, vn; English CO/Marcello Viotti.

Nobuko Imai, va; Roland Pöntinen, pf.

12 BIS CD-358 6 Claves CD 50-9017 Tchaikovsky, P. Symphony no 6 in B minor, op 74, Pathétique (1893). Russian Federation State SO/Yevgeny Svetlanov.

Emergo Classics EC 3624-2 46 22:00 FEATURING ANTONY GRAY Prepared by James Nightingale Poulenc, F. Five impromptus (1918/39).

Antony Gray, pf.

ABC 481 1835

7

Carmichael, J. Piano quartet, Sea changes.

Belinda McFarlane, vn; Morgan Goff, va; Matthew Lee, vc; Antony Gray, pf.

ABC 476 156-1 19 22:30 ULTIMA THULE

Saint-Georges, J. Violin concerto in G, op 8. Takako Nishizaki, vn; Cologne CO/Helmut Müller Brühl.

Naxos 8.555040 22

Tawadros, Joseph. Remember (orch.

Tawadros, Tognetti). Christopher Moore, va; Joseph Tawadros, oud; Matt McMahon, pf; James Tawadros, req, bendir; Australian CO/ Richard Tognetti.

ABC 476 4745 9 Rossini, G. Quartet no 1 in F (c1804; arr. Berr, Zachert). Canberra Wind Soloists.

ABC 434 718-2 11 10:30 CONCERT HALL Prepared by Michael Field Macens, E. The space between the stars (2018). Sydney SO/Jessica Cottis.

ABC 481 9111 13 Tchaikovsky, P. Piano concerto no 2 in G, op 44 (1879). Emil Gilels, pf; USSR SO/Yevgeny Svetlanov.

Melodiya 74321170832 39 Vaughan Williams, R. Symphony no 8 in D minor (1956). London SO/Bryden Thomson.

Chandos CHAN 8828 30

Haydn, J. Harpsichord concerto in G, Hob.XVIII:4 (bef. 1781). Ton Koopman, hpd; Amsterdam Baroque O. Philips 446 542-2 19 Piano trio in B flat, Hob.XV:8 (1785). Bartolozzi Trio.

Naxos 8.573128 13

Friday 25 March

12:00 A JAZZ HOUR with Barry O'Sullivan

44

13:00 MAINLY FOR CHILDREN Prepared by Jacky Ternisien Fauré, G. Impromptus: no 1 in E flat, op 25 (1881); no 4 in D flat, op 91 (1906). Kathryn Stott, pf.

Hyperion CDA66911/4 9 Debussy, C. Suite: Children’s corner (190608). Roger Woodward, pf.

ABC 481 1742 17 Chaminade, C. Excerpts from Album des enfants, op 123, 126. Peter Jacobs, pf.

Hyperion CDA66846 11 Bartók, B. For the children, Vol 1 (1908-09).

Lily Kraus, pf.

Vanguard 08 9100 71 17 14:00 THE POETS AND THE ARTIST Prepared by Elaine Siversen Liszt, F. Symphonic poem no 2: Tasso, lamento e trionfo (1849). London SO/Leon Botstein.

Telarc CD-80613 21 Mendelssohn, F. Ruy Blas, overture to Victor Hugo’s play, op 95 (1839; transcr.). Edwin H. Lemare, org.

OEHMS Classics OC 840 8 Auric, G. Suite from Ruy Blas (1947). Slovak RSO/Adriano.

Marco Polo 8.225066 29 Ives, C. Overture: Robert Browning (1908-12).

Nashville SO/Kenneth Schermerhorn.

Naxos 8.559076 25 Hindemith, P. Symphony, Mathis der Maler (1935). Berlin PO/Herbert von Karajan.

EMI CDM 7 69242-2 27

Tchaikovsky, P. In bloody battle, on the field of honour, from Mazeppa (1884).

Sergei Larin, ten; Philharmonia O/Gennady Rozhdestvensky.

Chandos CHAN 9603 9 Enescu, G. Symphony no 2 in A, op 17 (191214). BBC PO/Gennady Rozhdestvensky.

Chandos CHAN 9537 58 22:00 BAROQUE AND BEFORE The dazzling age of Bohemian Baroque Prepared by Robert Gilchrist Biber, H. Balletti in C (c1690). Friedemann Immer Trumpet Consort.

Harmonia Mundi RD 77027 10 Stamitz, J. Trumpet concerto in D (reconstr.

Boustead). Håkan Hardenberger, tpt; Academy of St Martin in the Fields/Neville Marriner.

Philips 420 203-2 16 Zelenka, J. Simphonie in A minor à 8 concertante (1723). Neu-Eröffnete O/Jürgen Sonnentheil. cpo 999 629-2 25 Jacob, Gunther. Missa Dei Filii, op 2 (pub.

1725). Hana Blaziková, sop; Barbara Sojková, sop; Petra Noskaiová, mezz; Sylva Cmugrová, cont; Hasn El Dunia, ten; Ondrej Smid, ten; Tomás Král, ten; Jaromir Nosek, bass; Capella Regia Prague/Robert Hugo.

Supraphon SU 3971-2 47 Benda, F. Sonata no 23 in C minor. Leila Schayegh, vn; Felix Knecht, vc; Václav Luks, fp.

Glossa GCD 922507 13

Saturday 26 March

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Robert Gilchrist

00:00 CLASSIC-ALL THROUGH THE NIGHT

19:00 FRIDAY JAZZ SESSION with Alex Siegers

06:00 SATURDAY MORNING MUSIC with Stephen Wilson

20:00 EVENINGS WITH THE ORCHESTRA Conducted by Gennady Rozhdestvensky Prepared by Paul Cooke

09:00 WHAT'S ON IN MUSIC Our weekly guide to musical events in and around Sydney

Riisager, K. Overture: Erasmus Montanus, op 1 (1920). Danish National RSO/Gennady Rozhdestvensky.

Chandos CHAN 9432 13 Skryabin, A. Piano concerto in F sharp minor, op 20 (1896). Viktoria Postnikova, pf; The Hague Residency O/Gennady Rozhdestvensky.

Chandos CHAN 9728

09:05 THE PIANO ALONE Prepared by Frank Morrison Haydn, J. Keyboard sonata no 58 in C, Hob.XVI:48 (1789). Vladimir Horowitz, pf.

CBS MK 45572 12 Mendelssohn, F. Songs without words bk 6, op 67 (1843-45). Daniel Barenboim, pf.

DG 453 061-2 13

31

Schubert, F. Sonata in A minor, D537 (1817).

Alfred Brendel, pf.

Philips 410 605-2 23

45

10:00 CENTRES OF MUSIC Romantic composers of St Petersburg Prepared by Paul Cooke Ewald, V. Brass quintet no 1 in B flat minor, op 5 (1902). Center City Brass Quintet.

Chandos CHAN 10017 13 Mussorgsky, M. Two excerpts from Khovanschina (1872-80). Minneapolis SO/ Antal Dorati.

Mercury 478 5092 11 Myaskovsky, N. String quartet no 3 in D minor, op 33 no 3 (1911/30). Taneyev Quartet.

Northern Flowers NFPMA 98005 27 Rimsky-Korsakov, N. Symphony no 1 in E minor, op 1 (1865/84). Philharmonia O/ Yondani Butt.

ASV DC DCA 1024 30 11:30 ON PARADE Prepared by Michael Morton-Evans Elgar, E. Nimrod, from Enigma variations, op 36 (1898-99). Band of the Coldstream Guards/Graham Jones.

Decca 2765916 4 Pezel, J. Dance suite. Edward Tarr Brass Ensemble.

Christophorus CHR 74562

7

Strauss, R. Festival music for the city of Vienna (1943). Summit Brass/Carl Topilow.

Pro Arte CDD 318 11 Lutoslawski, W. Mini overture (1982). Urban Agnas, tpt; Joakim Agnas tpt; Anna Axelsson, hn; Jonas Bylund, tb; Lennart Nord, tuba.

BIS CD-544 3 12:00 URBAN JAZZ LOUNGE with Leita Hutchings 13:00 IN A SENTIMENTAL MOOD with Maureen Meers Nostalgic music and artists from the 30s, 40s and 50s and occasionally beyond, in a trip down many memory lanes 14:00 FEATURING THE FLUTE Prepared by Paul Cooke Gifford, H. Fantasy (1958). Laura Chislett, fl; Stephanie McCallum, pf.

ABC 446 738-2 7 Salieri, A. Concerto in C (1774). Geoffrey Collins, fl; David Nuttall, ob; Dene Olding, vn; Dimity Hall, vn; Irena Morozova, va; David Pereira, vc; Dorith Herskovits, db; Paul Dyer, hpd.

Fine Music Concert Recording 19

14:30 SATURDAY MATINEE Choral masterworks Prepared by Elaine Siversen Telemann, G. Hamburg Admiralty music, TVWV24:1 (1723). Mieke van der Sluis, sop; Graham Pushee, ten; Rufus Müller, ten; Klaus Mertens, bass; David Thomas, bass; Michael Schopper, bass; Alsfeld Vocal Ensemble; Bremen Baroque O/Wolfgang Helbich. cpo 999 373-2 1:38 Thunder ode (1756-60). Patrizia Kwella, sop; Catherine Denley, cont; Mark Tucker, ten; Stephen Roberts, bass; Michael George, bass; Collegium Musicum 90/Richard Hickox.

Chandos CHAN 0548 40 17:00 SOCIETY SPOT Sydney Schubert Society with Ross Hayes 18:00 STAGE AND SCREEN Prepared by Paul Cooke Wirén, D. Romantic suite from The merchant of Venice, op 22 (1945). Jan Bengtson, fl; Dala Sinfonietta/Stefan Karpe.

Nosag CD 041 11 Blomdahl, K-B. Adagio, from The wakeful night (1945). Sarah Lindloff, fl; Swedish CO/ Petter Sundkvist.

Naxos 8.553715 6 Nordgren, E. Waiting women, from The Bergman suites (1952). Slovak RSO/Adriano.

Naxos 8.573370 12 Schnittke, A. Suite from Rikki-tikki-tavi (1976; arr. Strobel). Berlin RSO/Frank Strobel.

Capriccio C7196 24

22:00 SATURDAY NIGHT AT HOME Prepared by Rex Burgess Bach, J.S. Overture no 1 in C, BWV1066 (bef. 1724). La Stravaganza Cologne/Andrew Manze, Denon CO-78965/6 27 Geminiani, F. Ballet: The enchanted forest (c1752). Milan Angelicum O/Newell Jenkins.

LP Nonesuch H-71151 31

André, J. Quartet in E flat, op 54 (1799). Anne Menzies, cl; Donald Hazelwood, vn; Peter Pfuhl, va; Patricia Mendelow, vc.

Fine Music concert recording 16 Holzbauer, I. Symphony in E flat, op 3 no 1.

L’Orfeo Baroque O/Michi Gaigg. cpo 999 585-2 22 12:00 CLASSIC JAZZ with Dave Mac

Hummel, J. Septet no 2 in C for winds, strings 13:00 WORLD MUSIC and piano, op 114, Military (1829). Capricorn.

Hyperion CDA66396 31 Whirled Wide with Gerry Myerson Brahms, J. Six piano pieces, op 118 (1892).

Radu Lupu, pf.

Decca 478 5609

23

Sunday 27 March

Glinka, M. Piano trio pathétique in D minor (1832). Borodin Trio.

Chandos CHAN 8477 18

00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC with David Garrett 09:00 MUSICA SACRA Prepared by Paul Cooke Cardoso, M. Sitivit anima mea (pub. 1648).

Choir of Westminster Cathedral; Sally Jackson, dulcian; Celia Harper, hp; Iain Simcock, org; James O'Donnell, cond.

Hyperion CDA66512 4 Nielsen, C. Three motets, op 55 (1929).

Camerata Chamber Choir/Per Enevold.

BIS CD-131

14:00 INTIMATE VOICES Part 4 Three Russian threes Prepared by Rex Burgess

16

Pott, F. Agnus Dei, from Mass for eight parts (2011) Commotio/Matthew Berry.

Naxos 8.572739 13

Borodin, A. Piano trio in D (1850). Moscow Trio.

Brilliant Classics 94410 22 Shostakovich, D. Trio no 1 in C minor, op 8 (1923). Susie Park, vn; Timo-Veikko Valve, vc; Kathryn Selby, pf.

Fine Music concert recording 14 15:00 SUNDAY SPECIAL Sondheim and his influences Prepared by Sue Jowell and Paul Cooke Sondheim, S. They ask me why I believe in you (1956). Stephen Sondheim, pf; Herbie Hancock, pf.

Sony SK 66566 6

Bernstein, L. Quintet, from West Side story (1957). Marni Nixon, sop; Jim Bryant, Rita 19:00 EMERGENT JAZZ Moreno, Russ Tamblyn, George Chakiris, with Keith Pettigrew voices; O/Johnny Green.

Tallis, T. Lamentations of Jeremiah I and II 20:00 THE LIFE OF A COMPOSER 3 (ed. Brett). Choir of King’s College, Cambridge/ Columbia 4676606 2 Gustav Mahler Stephen Cleobury.

Somewhere, from West Side story (1957).

Prepared by Paul Cooke Decca 478 3640 20 Marilyn Horne, mezz; O/Leonard Bernstein.

Mahler, G. Quartet in A minor. Sascha Maisky, Decca 476 1223 3 10:00 THE CLASSICAL ERA vn; Lyda Chen, va; Mischa Maisky, vc; Lily Styne, J. Together, wherever we go; You gotta Prepared by Jacky Ternisien Maisky, pf. get a gimmick, from Gypsy (1959). Bernadette EMI 7 21119 2 13 Albrechtsberger, J. Harp concerto in C. Peters, voice.

Jana Bousková, hp; South West German CO, Angel 7243-5-83858-2-3 Ich bin der Welt abhanden gekommen (1901; 9 Pforzheim/Vladislav Czarnecki. arr. Holten 2010). Johan Reuter, bar; Flemish Brilliant Classics 99512 19 Rachmaninov, S. Piano concerto no 2 in C Radio Choir/Bo Holten. minor, op 18, mvt 1 (1901). Roger Woodward, Dacapo 8.226062 8 Witt, F. Quartet in E flat for horn, violin, viola pf; Sydney SO/Charles Dutoit. and cello. Consortium Classicum.

Suite from orchestral works by J.S. Bach ABC 481 1322 10 cpo 777 486-2 14 (1910). Berlin RSO/Jésus López-Cobos.

Sondheim, S. Anyone can whistle, from Schwann CD 11637 24 Hasse, J. Salve Regina in E flat (1767).

Anyone can whistle (1964). Lee Remick, voice.

Barbara Bonney, sop; Bernarda Fink, mezz; Das Lied von der Erde (1908-09). Janet Baker, Columbia 92899 4 mezz; James King, ten; Royal Concertgebouw Musica Antiqua Cologne/Reinhard Goebel.

The ladies who lunch, from Company (1970).

DG 453 435-2 15 O/Bernard Haitink.

Elaine Stritch, voice.

Aguado, D. Adagio, op 2 no 1; Polonaise, op Philips 432 279-2 1:06 Masterworks Broadway 41695 2 5 2 no 2; Introduction and rondo, op 2 no 3 (pub.

1825). Julian Bream, gui.

RCA RCD1 4549 21

46

I’m still here, from Follies (1971). Elaine Paige, voice.

PS Classics PS-1105 6 Satie, E. Gymnopédies nos 1 and 3 (1888; orch. Debussy). Orpheus CO. DG 449 186-2 6 Sondheim, S. Not while I’m around, from Sweeney Todd (1979). Ken Jennings, Angela Lansbury, voices.

Masterworks Broadway 41692 2 4 No-one is alone, from Into the woods (1987).

Chip Zien, voice.

Walt Disney 2076392 4 Unworthy of your love, from Assassins (1990).

Greg Germann, Annie Golden, voices.

Masterworks Broadway 88875180322 4 Montsalvatge, X. Three negro songs, from Five negro songs (1945). Elizabeth Campbell, mezz; David Miller, pf.

Fine Music concert recording 5 Sondheim, S. Another hundred people; Getting married today, from Company (1970).

Pamela Myers, Beth Howland, Steve Elmore, Teri Ralston, voices.

Masterworks Broadway 41695 2 7 Giants in the sky, from Into the woods (1986).

Daniel Huttlestone, voice.

Walt Disney 2076392 2 Stravinsky, I. Symphony of Psalms, mvt 3 (1929). Suisse Romande Chamber Choir; Lausanne Pro Arte Choir; Brassus Choral Society; Suisse Romande O/Neeme Järvi.

Chandos CHAN 9240 11 Sondheim, S. Opening doors, from Merrily we roll along (1981). Colin Donnell, Lin-Manuel Miranda, voices.

PS Classics PS-1208 7 Impossible; Pretty little picture, from A funny thing happened on the way to the forum (1962). Zero Mostel, Jack Gilford, voices.

Angel 647702 2 5 17:00 HOSANNA Prepared by Meg Matthews

Bach, J.S. Peter's denial; Erbarme dich, mein Gott, from St Matthew Passion, BWV244 (1729). Sophie Harmsen, cont; Stuttgart Chamber Choir; Stuttgart Baroque O/Frieder Bernius.

Carus 83.285 11 Haydn, J. Te Deum in C. English Concert Choir; Nicholas Parle, org; Trevor Pinnock, cond.

Archiv 423 097-2 8 Rheinberger, J. Abendlied, op 69, (1855); Hymn after Psalm 84, op 35 (1865). Stuttgart Chamber Choir/Frieder Bernius.

Carus 83.113 68.113 9 18:00 SMALL FORCES Prepared by Rex Burgess Bach, J.S. Sonata in A, BWV1032 (c1736).

Vernon Hill, fl; Roger Heagney, hpd.

Move MD 3118 14 Schubert, F. The shepherd on the rock, D965 (1828). Jennifer Bates, sop; Nigel Westlake, cl; David Bollard, pf.

Tall Poppies TP011 12 Beethoven, L. Grosse Fuge in B flat, op 133 (1825-26). Lindsay String Quartet.

ASV DCS 403 16 Piazzolla, A. Tango suite (1984; arr. Assad).

Yo-Yo Ma, vc; Sergio Assad, gui; Odair Assad, gui.

Sony SK 63122 10 19:00 SUNDAY NIGHT CONCERT Prepared by Frank Morrison Glazunov, A. Fantasy: The sea, op 28 (1889).

USSR RSO/Gennady Provatorov.

Melodiya MA 3010 16 Stamitz, C. Clarinet concerto no 7 in E flat, Darmstädter no 1 (c1770). Andreas Ottensamer, cl; Potsdam Chamber Academy.

Decca 481 4711 20 Sibelius, J. Symphony no 2 in D, op 43 (1901). Pittsburgh SO/Lorin Maazel.

Sony SK 53268

Hymns. Glorious things of you are spoken; By your kingly power; Immortal, invisible. Cantus Choro; Norman Kaye, org; Peter Chapman, cond.

Move MD 3032 6

20:30 NEW HORIZONS Prepared by James Nightingale

Vivaldi, A. Salve Regina, mvt 3. Michael Chance, ct; English Concert/Trevor Pinnock.

Archiv 453 428-2 4

Schmidt, H. Silver tides (2008). Heather Schmidt, pf.

Centrediscs CMCCD 19613

Telemann, G. Cantata for second Sunday in Lent, TVWV 1:313 (1725). Jan van Elsacker, ten; Eduard Wesley, ob; Hans Knut Sveen, hpd, org; Bergen Barokk.

Toccata Classics TOCC 0180 9

47

Torke, M. Jasper (1998-2001). Royal Scottish NO/Marin Alsop.

Naxos 8.559167 12

7

Bresnick, M. Everything must go (2007).

Prism Saxophone Quartet.

Albany TROY1184 13 Ligeti, G. With pipes, drums, fiddles (2000).

Katalin Karolyi, mezz; Amadinda Percussion Group.

Teldec 8573-87631-2 12

47

Bowler, L. Salutem (2014). Marsyas Trio.

NMC D248 17 Finsterer, M. Lake ice, missed tales 1 (2013).

Kees Boersma, db; Sydney SO/Jessica Cottis.

ABC 481 9111 19 22:00 JAZZ AFTER HOURS with Deborah Evans

Monday 28 March 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Robert Small 09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1872 Prepared by Frank Morrison Saint-Saëns, C. Sonata in C minor, op 32 (1872). Mats Lidström, vc; Bengt Forsberg, pf.

Hyperion CDA67095 22 Fibich, Z. Piano trio in F minor (1872).

Smetana Trio.

Supraphon SU 3927-2

16

Bizet, G. Suite no 2 from L’Arlésienne (1872).

Cleveland O/Lorin Maazel.

Decca 480 6620 16 Mussorgsky, M. The beetle, from The nursery (1872). Aage Haughland, bass; Poul Rosenbaum, pf.

Chandos CHAN 9336-8 2 Raff, J. String octet in C, op 176 (1872).

Academy of St Martin in the Fields Chamber Ensemble.

Chandos CHAN 8790 24 10:30 CONCERT HALL Prepared by Jacky Ternisien Mendelssohn, F. Overture: Calm sea and prosperous voyage, op 27 (1828) Slovak PO/ Oliver Dohnányi.

Naxos 8.578269-70 14 Boccherini, L. Symphony no 21 in C, op 37 no 1 (1786). London FO/Ross Pople.

Hyperion CDA66904 14 Ravel, M. Rhapsodie espagnole (1907).

Melbourne SO/Hiroyuki Iwaki.

ABC 434 715-2

15

Chopin, F. Piano concerto no 1 in E minor, op 11 (1830). German SO/Vladimir Ashkenazy, pf & dir.

Decca 460 019-2 39

12:00 SWING SESSIONS with John Buchanan

Tuesday 29 March

13:00 SHAKESPEARIANA Prepared by Rex Burgess Castelnuovo-Tedesco, M. Overture: The merchant of Venice, op 76 (1933). West Australian SO/Andrew Penny.

Naxos 8.572501 15 Fauré, G. Incidental music from Shylock, op 57 (1889). Benjamin Bruns, ten; Basle SO/Ivor Bolton.

Sony 19075818582 17 Wirén, D. Romantic suite from The merchant of Venice, op 22 (1945). Jan Bengtson, fl; Dala Sinfonietta/Stefan Karpe.

Nosag CD 041 11 Martin, F. Songs of Ariel, from Shakespeare’s The tempest (1950). Carol Platt, sop; Laura Inman, sop; Cassandra Ewer, sop; Phoenix Bach Choir/Charles Bruffy.

Chandos CHSA 5031 11 Sibelius, J. Suite no 1 from The tempest, op 109 no 2 (1925). Danish National RSO/Leif Segerstam.

Chandos CHAN 8943 25 14:30 VERSATILITY OF MARTINU Prepared by Derek Parker Martinu, B. Promenades (1939). Members of Feinstein Ensemble.

Naxos 8.553459 8 Rhapsody-concerto (1952). Mikahil Zemtsov, va; Estonian NSO/Neeme Järvi.

Chandos CHAN 10885 20 Trio no 2, H238 (1934). Lendvai String Trio.

Stone Records 5060192780079 17 Variations on a Slovak theme (1959). Paul Watkins, vc; Huw Watkins, pf.

Chandos CHAN 10602 9 Symphony no 5 (1946). BBC SO/Jirí Belohlávek.

Onyx 4061 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Stephen Wilson 19:00 JAZZ PULSE with Chris Wetherall 20:00 STORMY MONDAY with Austin Harrison 22:00 JAZZ AFTER HOURS with Gail Monjo

13:00 WIND COMBINATIONS Prepared by Elaine Siversen

28

Lazzari, F. Sonata in D à 6 (c1700). Crispian Steele-Perkins, tpt; Alison Balsom, tpt; Parley of Instruments/Peter Holman, org & dir.

Hyperion CDA67359 6

00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN

Bruckner, A. Libera me (1854). Corydon Singers; Olga Hegedus, vc; Thomas Martin, db; John Scott, org; English CO Wind Ensemble/Matthew Best.

Hyperion CDA66177 9

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Peter Poole Schumann, R. Papillons, op 2 (1829-31).

Andrei Gavrilov, pf.

Philips 456 787-2 15 Schobert, J. Sonata in D minor, op 14 no 4 (pub. 1761-67). Chiara Banchini, vn; Luciano Sgrizzi, fp.

Harmonia Mundi HMC 901294 12 Wolf-Ferrari, E. Serenata (1936). Marc Canturri, ba; Anna Tilbrook, pf.

Avie AV2193

10

Clementi, M. Monferrina, op 49 nos 1-12 (c1820). Richard Burnett, fp.

Amon Ra CD-SAR 8 23 Wolf-Ferrari, E. Piano trio no 1 in D, op 5 (1896). Ilona Then-Bergh, vn; Gerhard Zank, vc; Michael Schäfer, pf.

MD+G L 3310/11 32 Granados, E. Goyescas: Pt II, op 11 (1911).

Christina Ortiz, pf.

Brilliant Classics 9255 20 10:30 CONCERT HALL Prepared by Rex Burgess Cherubini, L. Overture to Lodoïska (1791).

Zurich CO/Howard Griffiths. cpo 999 5212 11

Crusell, B. Sinfonia concertante in B flat, op 3 (1808). Anna-Maija Korsimaa-Hursti, cl; László Hara, bn; Ib Lanzky-Otto, hn; Tapiola Sinfonietta/Osmo Vänskä.

BIS CD-495 28 Mozart, W. Duet, from The magic flute, K620.

Wolfgang Schulz, fl; Hausjorg Schellenberger, ob.

DG 423 611-2 19 Schickele, P. The musical sacrifice, by P.D.Q. Bach, with introduction and closing. Peter Schickele, narr; Susan Palma, fl, picc; Stephen Taylor, ob; Lauren Goldstein, bn; Early Anderson, tb; Michael Willens, contrabass; Gerald Tarack, vn.

Telarc CD-80376 18 14:30 BRAHMS’S DOUBLE CONCERTO Prepared by Paul Cooke Viotti, G. Violin concerto no 22 in A minor (c1792-97). Elizabeth Wallfisch, vn; Brandenburg O/Roy Goodman.

Hyperion CDA66840 28 Joachim, J. Variations for viola and piano, op 10 (pub. 1860). Zaslav Duo. Music & Arts CD-1087(2) 22

Brahms, J. Double concerto, in A minor, op 102 (1887). Sara Trobäck Hesselink, vn; Claes Gunnarsson, vc; Gothenburg SO/Neeme Schmitt, F. Suite no 1 from Incidental music to Järvi.

Shakespeare’s Antony and Cleopatra, op 69a Chandos CHAN 10564 33 (1920). Buffalo PO/JoAnn Falletta.

Naxos 8.573521 22 16:00 FINE MUSIC DRIVE Mozart, W. Oboe concerto in C, K314 (1777). including Arts Calendar at 5.00pm with Peter Poole Jon Mack, ob; Cleveland O/Christoph von Dohnányi.

Decca 466 247-2

22

Myaskovsky, N. Sinfonietta in B minor, op 32 no 2 (1928-29). USSR Academic SO/Vladimir Verbitsky.

Olympia OCD 105 27 12:00 JAZZ RHYTHM with Jeannie McInnes

48

19:00 THE JAZZ BEAT with Lloyd Capps 20:00 JUST IN with James Nightingale A selection from the latest recordings to arrive at the Fine Music Library

22:00 CHAMBER SOIRÉE Prepared by Di Cox Grieg, E. Cello sonata, op 36 (1883). Duo Hayashi.

Fonè 87 F 01-13 28 Ries, F. Trio in B flat, op 28. Jürgen Demmler, cl; Markus Tillier, vc; Peter Grabinger, pf.

Naxos 8.553389 23 Berwald, F. String quartet no 2 in A minor (1849). Yggdrasil Quartet.

BIS CD-759 22 Schubert, F. Introduction and variations on Trockne Blumen, D802 (1824). Robert Aitken, fl; Robin McCabe, pf.

BIS CD-183 20 Debussy, C. Suite bergamasque (1890-1905; arr. E. Grigoryan). Slava Grigoryan, gui; Leonard Grigoryan, gui.

ABC 476 6088 17

Wednesday 30 March 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Stephen Wilson 09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Frank Morrison Bonporti, F. Serenata in A, op 12 no 6 (aft.

1727). Luigi Mangiocavallo, vn; Claudio Ronco, vc; Marco Mencoboni, hpd.

Nuova Era 6939 12 Charpentier, M-A. Sur la naissance de Notre Seigneur Jesus Christ (1683-85). Les Arts Florissants/William Christie.

Harmonia Mundi HMC 905130 19

Krommer, F. Quartet in B flat, op 46 no 1 (1804). Eckart Hübner, bn; Johannes Lüthy, va; Steuart Eaton, va: Reinhard Latzko, vc. cpo 999 297-2 20 10:30 CONCERT HALL Prepared by Elaine Siversen Tchaikovsky, P. Suite no 4 in G, op 61, Mozartiana (1887). John Doig, vn; Scottish CO/José Serebrier.

ASV DCA 719 25 Shostakovich, D. Symphony no 4 in C minor, op 43 (1936). Royal Concertgebouw O/Kyrill Kondrashin.

Radio Nederland RCO 06004 58 12:00 JAZZ SKETCHES with Robert Vale 13:00 IN CONVERSATION with Simon Moore 14:00 CONNECTIONS TO FRANCE Auber, D-F-E. Overture to Marco Spada (1857). New Philharmonia O/Richard Bonynge.

Decca 482 7730 9 Delius, F. In a summer garden (1908). Welsh National Opera O/Charles Mackerras.

Argo 430 202-2 14 Stravinsky, I. Wind octet (1923). European Soloists Ensemble/Vladimir Ashkenazy.

Decca 473 810-2 14 Ravel, M. Shéhérazade, fairy overture (1898).

Minnesota O/Eiji Oue. Reference RR-79CD 12 Franck, C. Cello sonata in A (1886; transcr.

Yo-Yo Ma). Yo-Yo Ma, vc; Kathryn Stott, pf.

Sony SK 87287 27 Saint-Saëns, C. Incidental music to La foi, op 130. Toulouse Capitole O/Michel Plasson.

EMI 5 55584 2 33

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm Franceschini, P. Sonata à 7 with two trumpets with Michael Field (1680). David Staff, tpt; Mark Bennett, tpt; St 19:00 PLANET JAZZ James's Baroque Players/Ivor Bolton.

Teldec 4509-91192-2 7 with Xavier Bichon Gluck, C. O toi qui prolongeas mes jours, from 20:00 AT THE OPERA Iphigénie en Tauride (1779). Renata Scotto, Myslivecek, J. Medonte, Re di Epiro. Opera sop; Budapest SO/Charles Rosekrans.

Hungaroton HCD 31116 5 in three acts. Libretto by Giovanni di Gamerra.

First performed Rome, 1780.

Schobert, J. Menuet in E flat (pub.1761-67; ARSACE: Susanne Bernhard, sop transcr. Godowsky). Konstantin Scherbakov, KING MEDONTE: Thomas Allen, ten pf.

Marco Polo 8.223795 7 PRINCESS SELENE: Juanita Lascarro, sop EVANDRO: Stephanie Elliott, sop Wölfl, J. Septet in D for winds and double ZELINDA: Lorina Castellano, sop bass (1800). Consortium Classicum.

L’Arte del Mondo/Werner Ehrhardt.

Schwann CD 310 002 H1 9 Harmonia Mundi 88697 86124 2 2:16

49

Arsace, a military commander in the service of King Medonte of Epirus (in present day Greece), learns that the King will marry Princess Selene, who is about to arrive from her native Argos. Arsace is dismayed, as he was once in love with her, and confides in his friend Evandro, the captain of the royal guard. During the welcome parade for Selene, Medonte sees that Arsace is hanging back and, asking why, learns about his previous association with her. Selene assures Medonte that her fidelity is not at risk, but Medonte is not so sure, justifiably, as Arsace and Selene secretly declare that they are still in love.

Zelinda who accompanied Selene from Argos, urges Medonte to expose the affair by subterfuge but he takes them captive and they confess. Arsace escapes and attempts to free Selene, but is recaptured. At Selene's urging, Evandro agrees to help his friend.

Medonte proposes to withdraw Selene's punishment if she will marry him immediately, but she turns him down. Meanwhile, unrest breaks out in Epirus, enabling Evandro to free Arsace. Medonte strikes back, imprisoning the lovers again.

Evandro liberates them again and Medonte, with his soldiers now in open revolt, challenges Arsace to a wrestling match.

Arsace wins, sparing Medonte's life and allowing him to retain the kingdom as Arsace and Selene return to Argos for the married life that awaits them.

Introduction to La Passione di nostro Signore Gesù Cristo (1770-81). Das Neue O/ Christoph Spering.

Capriccio 71 025/26 4 22:30 MUSIC OF THE NIGHT Prepared by Paul Cooke Prokofiev, S. Pensées, op 62 (1933-34).

Roger Woodward, pf.

ABC 426 806-2 14 Hosokawa, T. Lotus under the moonlight concerto, Homage to Mozart (2006). Momo Kodama, pf; Royal Scottish NO/Jun Märkl.

Naxos 8.573239 21 Sutherland, M. Sonata (1938-42). Margery Smith, sax; Daniel Herscovich, pf.

Tall Poppies TP132 12 Ginastera, A. Panambí, op 1 (1937). London SO/Gisèle Ben-Dor. Naxos 8.557582 39

Onslow, G. Piano trio in D, op 14 no 3 (pub.

1818). Trio Cascades. cpo 777 232-2 20

Thursday 31 March

Pleyel, I. Sonata in G for four hands, B5203 (1789-90). Wolfgang Brunner, Leonore von Stauss, fp.

Profil Medien PH18087 10

00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Simon Moore

Gossec, F-J. Symphony in F, op 12 no 6 (pub.1769). London Mozart Players/Matthias Bamert.

Chandos CHAN 9661 15

09:00 DIVERSIONS IN FINE MUSIC The instruments: Percussion Prepared by James Nightingale

14:00 A CONCERT IN MELBOURNE Prepared by Jacky Ternisien

Rameau, J-P. Overture to Zaïs (1748). Les Musiciens du Louvre/Marc Minkowski.

Archiv 479 1045 6 Beethoven, L. Wellington’s victory, op 91 (1813). Czecho-Slovak RSO/Ondrej Lenard.

Naxos 8.570154-55 15 Cage, J. Amores (1943). Colin Piper, pf; Synergy.

ABC 442 350-2

10

Corea, C. Children’s songs, nos 6, 8, 9, 1.

Robin Michael, pf; Colin Currie, vibraphone.

EMI 5 72267 2 9 Grenfell, M. Stings and wings (2021). Claire Edwardes, marimba.

Move MD 3459 10 Veldhuis, J. ter Goldrush. Safri Duo, perc.

Chandos CHAN 9482 13 Brophy, G. Beautiful birds (2019). Ensemble Offspring.

ABC 481 9361 15 10:30 CONCERT HALL Prepared by Frank Morrison Glinka, M. Dances in Naina's castle, from Ruslan and Ludmila (1842). USSR SO/ Yevgeny Svetlanov.

Melodiya SUCD 10-00166 15 Mozart, W. Violin concerto no 4 in D, K218 (1775). Isaac Stern, vn; English CO/Alexander Schneider.

Sony SM3K 66 475 26

Dvorák, A. Overture: Carnival, op 92 (1891).

Melbourne SO/Tadaaki Otaka.

ABC 476 4598 10

Stowe, sop; Matthew Spring, gui.

CCL CDG1138

6

Ives, C. Three places in New England (191029). Royal Concertgebouw O/John Adams.

Radio Nederland RCO11004 18 Mahler, G. Funeral rites (1888). Danish National RSO/Leif Segerstam.

Chandos CHAN 8956/7

29

Copland, A. Suite: Appalachian Spring (194344). Melbourne SO/Benjamin Northey.

ABC 481 0863 25 Ives, C. Symphony no 3, The camp meeting (1903-04). Eastman-Rochester O/Howard Hanson.

Mercury 478 5092 21

22:00 A MUSICAL MYSTERY Weber, C.M. Concertino in C. Geoffrey Payne, Prepared by James Nightingale tpt; members of Melbourne SO/Michael Boyd, A. Angklung (1974). Roger Smalley, pf.

Halász.

Tall Poppies TP060 9 ABC 982 697-6 8 A little feather on the breath of God (2002/13).

Donizetti, G. Sa misère est si grande, from Lamorna Nightingale, fl; Jocelyn Fazzone, pf.

Dom Sébastien (1838). Heather Begg, mezz; Fluteworthy 4 Anson Austin, ten; Melbourne SO/Richard As I crossed a bridge of dreams (1975). Ars Bonynge.

Nova Copenhagen/Paul Hillier.

ABC 481 1873 5 Ars Nova 6.220597 11 Auber, D-F-E. Dès l’enfance, from Le 22:30 ULTIMA THULE serment/Fra Diavolo (1830/32). Angela Denning, sop; Melbourne SO/Richard Bonynge.

ABC 481 1873 8 Mendelssohn, F. Violin concerto no 2 in E minor, op 64 (1844). Lu Siqing, vn; Melbourne SO/John Marcus.

ABC 481 6757 27 Goossens, E. Kaleidoscope, op 18 (1933).

Melbourne SO/Andrew Davis.

Chandos CHSA 5119 10 Variations on Cadet Rousselle (1930).

Melbourne SO/Andrew Davis.

Chandos CHSA 5119

4

Mussorgsky, M. Pictures at an exhibition (1874; orch. Ravel 1922). Melbourne SO/ Markus Stenz.

ABC 465 681-2 36

Stenhammar, W. Symphony no 2 in G minor, 16:00 FINE MUSIC DRIVE op 34 (1911-15). Gothenburg SO/Neeme Järvi. including Arts Calendar at 5.00pm DG 445 857-2 42 with David Brett 12:00 JAZZ AFTER NOON with Sue Jowell

19:00 THE NEW JAZZ STANDARD with Frank Presley

13:00 FRENCH CLASSICAL COMPOSERS Prepared by James Nightingale

20:00 THE WORLD OF A SYMPHONY Prepared by David Brett

Gretry, A-E-M. Il va venir ... Pardonne, o mon judge, from Silvain (1770). Christiane Karg, sop; Arcangelo/Jonathan Cohen.

Berlin 0300389BC 5

Ives, C. Variations on America (c1891; orch.

Schuman). Los Angeles PO/Zubin Mehta.

Decca 475 7470 7 Foster, S. Old folks at home (1851). Sara

50

The following composers have works of at least five minutes on the March dates listed

Agricola, J. 1720-1774 5 Aguado, D. 1784-1849 27 Albéniz, I. 1860-1909 5,22 Albinoni, T. 1671-1751 11 Albrechtsberger, J. 1736-1809 20,27 Alfano, F. 1875-1954 17 Alfvén, H. 1872-1960 10 Alkan, C-V. 1813-1888 1,7,13 Allworth, R. 1943-2017 11 André, J. 1775-1842 27 Andrée, E. 1841-1929 3 Arriaga, J. 1806-1826 5 Atterberg, K. 1887-1974 6 Auber, D-F-E. 1782-1871 30,31 Auric, G. 1899-1983 25

Cherubini, L. 1760-1842 29 Chopin, F. 1810-1849 12,28 Clarke, R. 1886-1979 6 Clavijo, D. b1983 10 Clementi, M. 1752-1832 5,6,14,20,29 Coleman, C. 1605-c1664 5 Copland, A. 1900-1990 2,8,18,31 Corbett, W. c1675-1748 23 Corea, C. 1941-2021 31 Corelli, A. 1653-1713 17 Corigliano, J. b1938 18 Couperin, F. 1668-1733 13 Crusell, B. 1775-1838 2,21,29 Cui, C. 1835-1918 1 Czerny, C. 1791-1857 11

Bach, C.P.E. 1714-1788 5,6,12,20 Bach, J. Christian 1735-1782 3,13,20 Bach, J.S. 1685-1750 1,6,8, 11,12,15,18,19,20,22,25,26,27 Balakirev, M. 1837-1910 16 Barber, S. 1910-1981 8 Barret, R. b1959 8 Barsanti, F. 1690-1772 3 Bartók, B. 1881-1945 12,22,25 Barton, W. b1981 17 Bassi, L. 1833-1871 8 Bax, A. 1883-1953 4 Beethoven, L. 1770-1827 3,4,5,6,11, 12,15,17,18,19,20,22,23,24,25,27,31 Belov, A. b20thC 20 Benda, F. 1709-1786 25 Benda, G. 1722-1795 13,16 Berlioz, H. 1803-1869 10 Bernstein, L. 1918-1990 12,23 Bertali, A. 1605-1669 11 Berwald, F. 1796-1868 8,10,29 Biber, H. 1644-1704 6,11,25 Bingham, J. b1952 13 Bizet, G. 1838-1875 23,28 Bloch, E. 1880-1959 14 Blomdahl, K-B. 1916-1968 26 Blow, J. 1649-1708 2,6 Boccherini, L. 1743-1805 6,13,28 Bock, J. b1928 5 Boïeldieu, A. 1775-1834 20 Bonporti, F. 1672-1749 30 Bonshek, C. b1977 13 Borodin, A. 1833-1887 2,10,27 Bottesini, G. 1821-1889 4 Bowen, Y. 1884-1961 14 Bowler, L. b1986 27 Boyce, W. 1711-1779 23 Boyd, A. b1946 31 Brahms, J. 1833-1897 6,8,9,10,22,26,29 Braunfels, W.1882-1954 24 Bresnick, M. b1946 27 Bridge, F. 1879-1941 21,22 Britten, B. 1913-1976 6 Brophy, G. b1953 31 Brouwer, L. b1939 21 Brouwer, M. b1940 13 Brown, N. 1896-1964 12 Bruch, M. 1838-1920 7,19 Bruckner, A. 1824-1896 3,8,29 Busoni, F. 1866-1924 19,21

d’Indy, V. 1851-1931 3 Danzi, F. 1763-1826 4 David, Ferdinand. 1810-1873 17 Debussy, C. 1862-1918 5,10,19,25,29 Delerue, G. 20th C 21 Delius, F. 1862-1934 20,30 Dieupart, C. c1667-c1740 15 Dittersdorf, C. 1739-1799 13,20 Dixon, J. 20th C 11 Dohnányi, E. 1877-1960 9,15,24 Dollé, C. fl c1735-1755 16 Doppler, F. 1821-1883 13 Dragonetti, D. 1763-1846 23 Drigo, R. 1846-1930 8 Drouet, L. 1792-1873 11 Dukas, P. 1865-1935 10 Dupré, M. 1886-1971 13 Duvernoy, F. 1766-1838 11 Dvorák, A. 1841-1904 17,18,23,31

Cage, J. 1912-1992 31 Caplet, A. 1878-1925 5 Carmichael, H. 1899-1981 19 Carmichael, J. b1930 24 Carr-Boyd, A. b1938 4 Carulli, F. 1770-1841 6 Casella, A. 1883-1947 17 Casey - Jacobs.

19 Castello, D. 1590-1658 10 Castelnuovo-Tedesco, M. 1895-1968 6,19,23,28 Chadwick, G. 1854-1931 17 Chaminade, C. 1857-1944 3,25 Charpentier, M-A. 1643-1704 13,20,30 Chausson, E. 1855-1899 5,6,8 Cheetham, D.b1964 19

Eberlin, J. Edens, R. Edwards, R. Elgar, E. Enescu, G. Ewald, V.

1702-1762 1905-1970 b1943 1857-1934 1881-1955 1860-1935

3 12 6,17,19 8,16 25 26

Falla, M. de 1876-1946 15 Farrar, E. 1885-1918 11 Farrenc, L. 1804-1875 5 Fauré, G. 1845-1924 5,7,25,28 Fesca, F. 1789-1826 21 Fibich, Z. 1850-1900 13,28 Finsterer, M. b1962 27 Finzi, G. 1901-1956 11,13 Foster, S. 1826-1864 31 Franceschini, P. c1650-1680 30 Franck, C. 1822-1890 3,15,30 Frederick II. 1712-1786 5 Frescobaldi, G. 1583-1643 6,18 Gal, H. 1890-1987 20 Garcia de Zéspedes, J. 1619-1678 9 Geminiani, F. 1687-1762 18,26 Gershwin, G. 1898-1937 18,24 Ghandar, A. b1943 10 Gifford, H. b1935 26 Ginastera, A. 1916-1983 30 Giuliani, M. 1781-1829 2,4,13 Glanville-Hicks, P. 1912-1990 9 Glass, P. b1937 2 Glazunov, A. 1865-1936 1,16,24,27 Glinka, M. 1804-1857 4,17,27,31 Gluck, C. 1714-1787 1 Godard, B. 1849-1895 16 Godowsky, L. 1870-1938 11 Goldmark, K. 1830-1915 23 Goossens, E. 1893-1962 9,31 Gossec, F-J. 1734-1829 21,31 Gottschalk, L. 1829-1869 7,17 Goudimel, C. 1514-1572 4 Gounod, C. 1818-1893 8 Grainger, P. 1882-1961 10,15,24 Granados, E. 1867-1916 16,29 Graun, C. 1704-1759 5 Graun, J. 1702-1771 5 Graziani, C. d1787 22 Greenbaum, S. b1966 23 Grenfell, M. b1969 31

Gretry, A-E-M. 1741-1813 31 Grieg, E. 1843-1907 12,29 Gubaidulina, S. b1931 9,13 Hall, H. c1656-1707 23 Halvorsen, J. 1864-1935 15,18 Handel, G. 1685-1759 4,6 Harrison, S. b1965 9 Hasse, J. 1699-1783 27 Hasselmans, A. 1845-1912 7 Haydn, J. 1732-1809 1,4,6,10,13,14,16,20,24,26,27 Haydn, M. 1737-1806 3,20 Heinichen, J. 1683-1729 11 Herbert, V. 1859-1924 14 Herzogenberg, H. 1843-1900 23 Hill, A. 1870-1960 19 Hindemith, P. 1895-1963 24,25 Hirschfelder, D. b1959 23 Holbrooke, J. 1878-1958 14 Holley, A. b1954 6 Holst, G. 1874-1934 13,14,16,17,19 Holzbauer, I. 1711-1783 23,27 Hosokawa, T.b1955 30 Howells, H. 1892-1983 6,13 Hume, T. c1569-1645 2 Hummel, J. 1778-1837 4,17,21,26 Hyde, M. 1913-2005 1,11 Ives, C.

Napoleão, Alfredo. 1852-1917 2 Nielsen, C. 1865-1931 11,27 Nordgren, E. 1913-1992 26 Offenbach, J. 1819-1880 5,12 Onslow, G. 1784-1853 31 Paganini, N. 1782-1840 Panufnik, A. 1914-1991 Pärt, A. b1935 Pereira, D. b1953 Pezel, J. 1639-1704 Pfeiffer, J. 1697-1761 Phalèse, P. 1510-1573 Philidor, F-A. 1726-1795 Piazzolla, A. 1921-1992 Piston, W. 1894-1976 Pixis, J. 1788-1874 Pizzetti, I. 1880-1968 Platti, G. 1700-1763 Pleyel, I. 1757-1831 Pott, F. b1957 Poulenc, F. 1899-1963 Prokofiev, S. 1891-1953 Puccini, G. 1858-1924

6,11 3 13 8 26 16 3 13 27 10 16 17 9,22 31 27 1,17,20,24 22,30 2

Jacob, Gunther. 1685-1734 25 Jadin, H. 1769-1802 2 Janácek, L. 1854-1928 8,10 Joachim, J. 1831-1907 29 Jolivet, A. 1905-1974 12 Jommelli, N. 1714-1774 9 Just, J. c1750-1791 9 Kats-Chernin, E. b1957 22 Keller, A. b1973 13 Kelly, F. 1881-1916 19 Kodály, Z. 1882-1967 1,18 Koechlin, C. 1867-1950 13,15 Kokkonen, J. 1921-1996 18 Krommer, F. 1759-1831 30 Lachner, F. 1803-1890 8 Lalo, E. 1823-1892 10 Lambert, C. 1905-1951 19 Lanchbery, J. 1923-2003 19 Larsson, L-E. 1908-1986 10 Lazzari, F. 1678-1754 29 Le Gallienne, D. 1915-1963 19 Ligeti, G. 1923-2006 27 Lindpaintner, P. 1791-1856 11 Liszt, F. 1811-1886 3,4,15,25 Locatelli, P. 1695-1764 11 Locke, M. c1621-1677 1 Loeillet de Gant, J.B. 1688-c1720 8 Loeillet of London, J.B. 1680-1730 3 Lumsdaine, D. b1931 11 Luytens, E. 1906-1983 9

Rachmaninov, S. 1873-1943 16,20,27 Raff, J. 1822-1882 28 Rameau, J-P. 1683-1764 31 Rautavaara, E. 1928-2016 4,12 Ravel, M. 1875-1937 1,6,7,19,23,24,28,30 Reger, M. 1873-1916 3,24 Reicha, A. 1770-1836 17 Reinecke, C. 1824-1910 19 Respighi, O. 1879-1936 4,10,17,18,23,24,25 Rheinberger, J. 1839-1901 27 Richter, F. 1709-1789 13 Ries, F. 1784-1838 18,29 Riisager, K. 1897-1974 24,25 Rimsky-Korsakov, N.1844-1908 7,11,14,24,26 Rodgers, R. 1902-1979 19 Rodrigo, J. 1901-1999 5 Roman, J. 1694-1758 13 Rossini, G. 1792-1868 4,17,19,25 Rouse, C. b1949 2 Roussel, A. 1869-1937 10,18 Rudorff, E. 1840-1916 15

Macens, E. b1991 25 Madetoja, L. 1887-1947 14 Mahler, G. 18601911 10,20,26,31 Malipiero, G. 1882-1973 14,17 Marsh, J. 1752-1828 23 Martin, F. 1890-1974 7,28 Martinu, B. 1890-1959 6,28 Martucci, G. 1856-1909 22 Massenet, J. 1842-1912 1 Massonneau, L. 1766-1848 9 Matteis, N. d c1707 18 Medtner, N. 1880-1951 14 Méhul, É-N. 1763-1817 17 Mendelssohn, F. 1809-1847 1,3,8,12,15,21,22,25,26,28,31 Messiaen, O. 1908-1992 6 Meyerbeer, G. 1791-1864 7 Mills, R. b1949 19 Monteverdi, C. 1567-1643 6 Montsalvatge, X. 1912-2002 27 Moore, D. 1893-1969 21

Saint-Georges, J. 1745-1799 10,24 Saint-Saëns, C. 1835-1921 2,15,18,28,30 Salieri, A. 1750-1825 26 Sanfilippo, B. b1965 20 Sarasate, P. de 1844-1908 5 Satie, E. 1866-1925 19,27 Scheidt, S. 1587-1654 10,24 Schickele, P. b1935 29 Schmidt, F. 1874-1939 9 Schmidt, H. b1975 27 Schmitt, F. 1870-1958 19,29 Schnittke, A. 1934-1998 26 Schobert, J. 1740-1767 29,30 Schoenberg, A. 1874-1951 18 Schönberg, C-M. b1944 8 Schubert, F. 1797-1828 1,4,8,13,20,21,26,27,29 Schumann, R. 1810-1856 5,16,29 Schuster, O. 20th C 20 Sciarrino, S. b1947 6 Sculthorpe, P. 1929-2014 12,19

Key Ch & O: Chorus & Orchestra CO: Chamber Orchestra FO: Festival Orchestra NO: National Orchestra NSO: National Symphony Orchestra PO: Philharmonic Orchestra RO: Radio Orchestra RSO: Radio Symphony

1874-1954 25,31

Moscheles, I. 1794-1870 17,20 Mouquet, J. 1867-1946 22 Mozart, W. 1756-1791 3,5,6, 7,8,13,14,15,17,20,22,24,29,31 Muhly, N. b1981 2 Munier, C. 1859-1911 7 Mussorgsky, M. 1839-1881 11,26,31 Müthel, J. 1728-1788 5 Myaskovsky, N. 1881-1950 26,29 Myslivecek, J. 1737-1781 3,30

Shostakovich, D. 1906-1975 1,15,18,27,30 Sibelius, J. 1865-1957 9,18,27,28 Simpson, R. 1921-1997 11 Skryabin, A. 1872-1915 22,25 Smetana, B. 1824-1884 10 Smyth, E. 1858-1944 2,21 Sondheim, S. 1930- 2021 27 Spohr, L. 1784-1859 3,11,12 Stamitz, C. 1745-1801 13,27 Stamitz, J. 1717-1757 25 Stanford, C. Villiers 1852-1924 5,6 Stanhope, P. b1969 19 Stanley, J. 1712-1786 16 Steiner, M. 1888-1971 1 Stenhammar, W. 1871-1927 10,31 Strauss, J. II 1825-1899 4 Strauss, R. 1864-1949 1,7,9,18,22,24,26 Stravinsky, I. 1882-1971 3,7,14,27,30 Styne, J. 1905-1994 27 Suk, J. 1874-1935 18 Sullivan, A. 1842-1900 19 Sutherland, M. 1897-1984 30 Tallis, T. c1505-1585 20,27 Tanaka, K. b1961 6 Tartini, G. 1692-1770 11,17 Tawadros, Joseph. b1983 25 Tchaikovsky, P. 1840-1893 7,11,12,14,24,25,30 Telemann, G. 1681-1767 11,17,20,26,27 Thalberg, S. 1812-1871 8 Tomkins, T. 1572-1656 4 Torke, M. b1961 27 Totland, O. b1979 20 Tubin, E. 1905-1982 22 Tye, C. c1505-c1572 4 Uccellini, M. c1603-1680 18 Vaughan Williams, R. 1872-1958 11,14,15,25 Veldhuis, J. ter b1951 31 Veracini, F. 1690-1768 22 Verdi, G. 1813-1901 23 Vinci, L. c1696-1730 9 Vine, C. b1954 4 Viotti, G. 1755-1824 29 Vivaldi, A. 1678-1741 11,22 Vladigerov, P. 1899-1976 22 Vorísek, J. 1791-1825 21 Wagenaar, J. 1862-1941 7 Wagenseil, G. 1715-1777 13 Wagner, R. 1813-1883 5,12,15,16 Wallace, V. 1812-1865 4 Walton, W. 1902-1983 7 Warren, H. 1893-1981 12 Weber, B. 1766-1842 16 Weber, C.M. 1786-1826 1,20,31 Wilcox, F. b20thC 13 Williams, J. b1932 15 Wilson, S. 1924-2014 19 Wirén, D. 1905-1986 26,28 Witt, F. 1770-1836 27 Wolf-Ferrari, E. 1876-1948 29 Wölfl, J. 1773-1812 30 Wolpe, S. 1902-1972 6 Yoshimatsu, T. b1953

Zelenka, J. 1679-1745 20,25 Zemlinsky, A. 1871-1942 11,19 Zimmermann, A. c1741-1781 9

Music duration is shown after the record and citation Orchestra RTO: Radio & Television Orchestra RTV SO: Radio and Television Symphony Orchestra SO: Symphony Orchestra TO: Theatre Orchestra alto: male alto ban: bandoneon

bar: baritone bshn: basset horn bass: bass bn: bassoon bass bar: bass baritone cl: clarinet clvd: clavichord cont: contralto cora: cor anglais ct: counter-tenor

db: double bass dbn: double bassoon did: didjeridu elec: electronic fl: flute fp: fortepiano gui: guitar hn: french horn hp: harp hpd: harpsichord

mand: mandolin mar: marimba mezz: mezzo-soprano narr: narrator ob: oboe org: organ perc: percussion pf: piano picc: piccolo rec: recorder

6

sax: saxophone sop: soprano tb: trombone ten: tenor timp: timpani tpt: trumpet treb: treble voice va: viola vc: cello vn: violin