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January 2017

MAGAZINE

SYDNEY SYMPHONY ORCHESTRA Chief Conductor, David Robertson Bringing it all Together André Previn’s Life in Music Australian Romantic & Classical Orchestra An Exciting New 2017 Season Celebration of fine music A Gala Event


THIS SUMMER with your SSO! CLASSICAL

Victory Lap

Music under the Moon

Mozart & Haydn in the City

Lantern Festival Celebration

Mozart and Haydn make the perfect pair in this concert showcasing Andrey Gugnin, winner of the 2016 Sydney International Piano Competition.

Tan Dun is at the helm for a night of spectacular and colourful music on the final night of the Chinese New Year. Music by Tan Dun and Bartók.

MOZART Piano Concerto No.12 in A, K414 HAYDN Symphony No.68

TAN DUN Passacaglia - Secret of Wind and Birds Australian premiere BARTÓK The Miraculous Mandarin: Suite TAN DUN Nu Shu - The Secret Songs of Women

Toby Thatcher conductor / Andrey Gugnin piano (pictured)

Tan Dun conductor / Louise Johnson harp

THU 2 FEB 7PM City Recital Hall

FRI 3 FEB 11AM

SUPPORTING PARTNER THE UNIVERSITY OF SYDNEY CONFUCIUS INSTITUTE

complimentary morning tea from 10am

SAT 11 FEB 8PM

Also see Daniil Trifonov in Recital – Mon 6 Mar, City Recital Hall

Maxim Vengerov plays Brahms Young Russians Tchaikovsky Five

Rachmaninoff Piano Concerto No.1

Brahms’s Violin Concerto is an undisputed masterpiece and is the perfect vehicle for Maxim Vengerov’s long-awaited return to the SSO. Then Chief Conductor David Robertson conducts Tchaikovsky’s Symphony No.5.

Rachmaninoff’s First Piano Concerto, written in the closing years of the Russian empire, frames a glistening, Chopin-esque slow movement with virtuoso fireworks. Rising star Daniil Trifonov makes his SSO debut.

BRAHMS Violin Concerto TCHAIKOVSKY Symphony No.5

PROKOFIEV Classical Symphony RACHMANINOFF Piano Concerto No.1 SHOSTAKOVICH Symphony No.1

David Robertson conductor / Maxim Vengerov violin (pictured)

Gustavo Gimeno conductor / Daniil Trifonov piano (pictured)

SPECIAL EVENT PREMIER PARTNER CREDIT SUISSE

APT MASTER SERIES

FRI 17 FEB 8PM

SAT 18 FEB 8PM

BOOK NOW Tickets from $39*

sydneysymphony.com 8215 4600 Mon-Fri 9am-5pm * Selected performances. Prices correct at time of publication and subject to change. Booking fees of $5-$8.95 may apply depending on method of booking. ^Additional fees may apply.

WED 1 MAR 8PM

FRI 3 MAR 8PM

SAT 4 MAR 8PM

Tickets also available at sydneyoperahouse.com 9250 7777 Mon-Sat 9am-8.30pm Sun 10am-6pm cityrecitalhall.com 8256 2222^ Mon-Fri 9am-5pm

All concerts at the Sydney Opera House unless otherwise stated

CONFUCIUS INSTITUTE


CONTENTS VOL 44 No 3

from the chair Happy New Year!

2 COVER STORY Sydney Symphony Orchestra Chief Conductor, David Robertson

For many of us, this is the season of rejuvenation and preparation for the New Year. For the Fine Music Recording Engineers, this is the editing season: preparing the Australian World Orchestra Southern Highlands Chamber Music Festival Highlights for broadcast on Thursday 9th February at 8pm.   

5 Bringing It All Together André Previn’s Life in Music 7 Australian Romantic & Classical Orchestra An exciting new 2017 season 8 Celebration Of Fine Music Gala event of the year 9 CD Review 10 Work Experience At Fine Music - Under 30’s 11 Full programming guide for JANUARY

This issue introduces our new Principal Corporate Partner Dixon Advisory whom we welcomed to our Celebration of Fine Music gala event at the Mosman Art Gallery. Frances Madden our 2017 Kruger Scholar and the Streeton Trio our Artists-in-Residence performed, as did Rebecca Gill the 2016 Kruger Scholar and Simon Tedeschi one of our Artistic Patrons. We are delighted that the Sydney Symphony Orchestra remains our Principal Arts Partner for 2017. Enjoy some pictures from our overflowing and successful fundraising evening, Celebration of Fine Music. Now from the Chair of our Programming Committee some listening highlights. Sunday Special at 3pm on the 8th pays tribute to conductor Sir Neville Marriner, who passed away on October 2nd. We are broadening the scope of our Live and Local programs at 8pm on Thursday evenings to include commercial recordings as well as Fine Music Concert Recordings.  Thus, Showcasing Australian Artists, in January includes: Cellists of The Metropolitan Orchestra (5th ), Ku-Ring-Gai Philharmonic Orchestra (12th ), Kathryn Selby (19th) and the Flinders Quartet (26th).

40 YEARS

Operetta in the Afternoon at 3pm on alternate Saturday afternoons will feature G&S Iolanthe on the 7th and Hahn’s Ciboulette on the 21st.  For the serious opera lover, the more esoteric works are featured on a Wednesday evening. Michael will be exploring Gounod after his In 1974 -Morton-Evans 2014 Conversation programs during January (Wednesdays at 1pm). Wishing you a wonderful year and much enjoyment in Fine Music. Janine Burrus Chair of Fine Music

Registered Offices & Studios: 72-76 Chandos Street, St Leonards 2065 Tel: 02 9439 4777 Fax: 02 9439 4064 Email: admin@finemusicfm.com Web: finemusicfm.com Facebook, Twitter and YouTube: finemusicfm Frequency: 102.5 Transmitter: Governor Phillip Tower, Circular Quay. ABN 64 379 540 010 Art Direction: Design Campaign - liza@designcampaign.com.au Printing: Megacolour, Unit 6, 1 Hordern Place. Camperdown, NSW, 2050 Distribution coordinator: Sissy Stewart Advertising Enquiries: sponsorship@finemusicfm.com Editor: Liza-Jane Smith Contributors: Michael Morton-Evans, Samuel Cottell, Janine Burrus, Nicky Gluch, Christina MacGuinness. Subscribe to Fine Music Magazine: visit www.finemusicfm.com or email friends@finemusicfm.com The views expressed by contributors to this magazine do not necessarily reflect or represent the views of the publisher, Fine Music 102.5. Cover image: Sydney Symphony Orchestra

FINE MUSIC 102.5 - DIRECTORS L-R: Andrew Dziedzic, David Brett , Janine Burrus (Chair), Lloyd Capps Top Row L-R: Stephen Wilson, Simon Moore, Jeannie McInnes, David James

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SYDNEY SYMPHONY ORCHESTRA CHIEF CONDUCTOR, DAVID ROBERTSON

David Robertson, Chief Conductor of the SSO Symphonies are much like Shakespeare’s plays. They appear cyclically in the repertory of orchestras and yet as oft repeated as they may be, the house will fill. In the corridors and down the stairs the remark “I love it every time” will be heard. Just as with the plays, a director will return to the text to draw out new nuances and form his/her own interpretation, so a conductor returns to the score. For David Robertson, about to embark on his 4th season as Chief Conductor of the SSO, the aim is to “become very aware of what the composer wrote and start from that. This means that the experience of preparation is both objective and subjective at the same time. It is objective because rather than using

the key of full delight…

some artefact like a recording or another performance – even a performance that I have done myself – I try to go objectively in to what is in the score and figure out why the composer has decided to write the score in the exact way she or he has done. That is inevitably subjective, but it means I am trying to engage with the work in a fresh way every single time and not take it for granted even 2

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though I may have done it a number of times before.” This method will guide Robertson’s approach to Tchaikovsky’s 5th Symphony, to be performed by the orchestra in February. A favourite with audiences for the emotional trajectory it takes from sorrow to triumph, the symphony is ripe with possibilities for discovery. What, to the audience, is experienced as a journey is coded in the score as a theme that exists in different permutations in all four movements. In musicological terms, this is known as cyclical. Then there is the harmonic progression, from the mournful E minor (in the Baroque period, known as the key of lament with a glimmer of hope) to the joy of E major (the key of full delight). But these are merely plot devices and so Robertson will dig deeper, contemplating how the instruments are paired, why Tchaikovsky instructs a crescendo for three bars but a diminuendo for three. Where this may be Robertson’s approach music historians would take a different tack. They might be fascinated by the history of the piece, that it was written in the summer of 1888, at a time when Tchaikovsky had

won favour with Tsar Alexander III and had begun to actively promote Russian music. They would wonder whether this period of somewhat stability in Tchaikovsky’s tumultuous life led him to contemplate the idea of destiny and compose a symphony about the resignation to fate. Where Robertson may give a nod to this idea, he is not bound to it for this is not the ‘truth’ of the score. As a man who does not believe in fate, Robertson is far more likely to see the symphony as more in line with “Hamlet’s speech, To be or not to be, and a question that goes all the way back to the Greeks: What do you do in a situation when things are stacked against you? The human condition is one where there’s a necessary struggle which is the struggle to live and that struggle in itself has a great quality of nobility. Whether or not you can discuss a fate as something unavoidable is only possible from a vantage point outside of the person who is undergoing the fate.” Tchaikovsky might be inclined to agree for, as the music historian would point out, the second performance of the 5th Symphony was given alongside the premiere of Tchaikovsky’s tone poem, Hamlet. Tchaikovsky’s 5th may be Robertson’s first concert with the orchestra for 2017, but


its reception. Criticism, however, was mixed for many were not ready to see the solo instrument taken off its virtuosic rostrum and infused into orchestral texture.

David Robertson and the SSO the season will be in fact be launched by Assistant Conductor Toby Thatcher with Haydn’s Symphony No. 68. Audience members lucky enough to attend both concerts will thus get to experience how the form evolved with time. As Robertson explains, “the development of the symphony through the classical period of the 1770s through 1790s in to the beginning of the 20th century has meant that the form can take on a huge number of different dramatic, lyric and even philosophical questions. The symphonies we are presenting span a very wide range of approaches to the symphony, from very concentrated to enormous and mammoth, and it’s particularly the breadth and spread of approaches that I find fascinating in this season.” As much as symphonies evolved, so did concerti and as the Haydn Symphony will be paired with a fellow classical work (a Mozart piano concerto), so the Tchaikovsky is matched with a Romantic wonder. Brahms’ Violin Concerto was written in 1878 for his good friend Joseph Joachim. Predominantly a pianist, Brahms consulted Joachim on the writing of the violin part. What is now established repertoire began its life as some jottings that travelled by post, being expanded on at one end and commented on at the other. Not all Joachim’s suggestions were taken by Brahms but his friend’s cadenza was deemed a success and remains in the work today. Performing the concerto in Sydney will be the great violinist Maxim Vengerov. As with Robertson, it will be interesting to see what Vengerov draws out of the part for this specific rendition. Injury led Vengerov to turn his hand to conducting and one wonders how seeing the orchestra from the other side has influenced Vengerov as a performer. Do his eyes fix on different aspects of the score?

As a concerto soloist, does he now relate to conductors differently? With Vengerov’s professionalism and thirst for music it can be trusted that any changes are enhancements. From his personal experience with injury, his work as a UN ambassador and a tutor at the Royal Academy (London), Vengerov easily sees the emotional power of music. He once said that music has “the power of healing because we learn something not only about music but about ourselves”. As conducting a work is as much a journey as performing it, Fine Music asked Robertson what he thinks he might learn from the Brahms Concerto. His answer is thoughtful. Whilst he agrees with Vengerov’s notion, he “thinks that what we learn is something that happens while we are engaging with the piece of music and it often comes as a surprise to us. It would be impossible for me to say what I learn from a piece of music before I’m actually engaged with that piece in that performance. Even then, the wonderful thing about music is that often times the feeling of the lesson that you learn or the thing that you perceive or the enlightenment that you have, feels quite often as though it can’t adequately be expressed in verbal language.” Brahms would certainly have agreed. So much of what he composed was inspired by an inexpressible emotional landscape. His love for Clara Schumann (Robert Schumann’s wife) inspired many of his great piano works and he wrote his Double Concerto for violin and cello to restore his friendship with Joachim. Similarly, Joachim tried to use music to make statements on Brahms’ behalf. The premiere of Brahms’ Violin Concerto was given with Beethoven’s Violin Concerto for Joachim hoped that the juxtaposition of an established work with a new one would aid

One such critic of the work was Pyotr Ilyich Tchaikovsky himself. The two men reportedly disliked each other, Tchaikovsky thinking Brahms a scoundrel and Brahms dismissive of Tchaikovsky’s composing. Wondering if there was a deeper, musical reason for their animosity, the question is put to Robertson. Whilst considering that “many composers have a very personal way of looking at music and that’s partly there to protect their own gifts,” Robertson is not too concerned with whether “Britten liked Brahms or Tchaikovsky liked Wagner as opposed to whether or not we can hear the sound world that these individual artists were able to imagine and realise so incredibly well.” Personal politics may be entertaining and spice up a program but Robertson in his wisdom is encompassed in the musical. Though if one may speculate, it seems likely that Brahms and Tchaikovsky were in fact too similar to get on and it is for that reason that their music pairs so beautifully. Joachim and Brahms, Vengerov and Robertson. Great performers and conductors make formidable pairs. Robertson is looking forward to working with Vengerov for whilst the two have crossed paths this will be their first collaboration. One wonders what they will talk about in the dressing room. Might they pontificate on the concept of fate or consider their own musical journeys? Perhaps they will be found, heads buried in the scores pondering their secrets. Or perhaps as two Jazz lovers they will have Chet Baker’s Moon Love playing in the background. It was inspired by Tchaikovsky’s 5th Symphony after all. - Nichy Gluch

EVENT Vengerov plays Brahms Tchaikovsky 5 Violin supremo Maxim Vengerov returns to Sydney in two gala concerts with Chief Conductor David Robertson and a glamorous program of Brahms and Tchaikovsky. Dates: Friday 17 February, Saturday 18 February Venue: Sydney Opera House Information: sydneysymphony.com/ production-pages/2017/concert-season/ vengerov-plays-brahms.aspx January 2017

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NOW SHOWING!

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BRINGING IT ALL TOGETHER

André Previn’s Life in Music of jazz and modernism. His music is harmonically rich, and there is a clear sense of melody, texture and lyricism. Previn composed a number of works for violinist Anne-Sophie Mutter, most strikingly the marvellous violin concerto, Anne Sophie. In the 1980s Previn composed a piano concerto for Vladimir Ashkenazy, which has jazz overtones, moments of witticism and delightful ideas mixed with fiery musical ideas, reminiscent of Prokofiev.

André Previn In a ‘world of specialisation’ there are few musicians who transcend the single road career; however there are a few exceptions. Perhaps one of the most famed examples is André Previn. Considered one of the most versatile musicians in the world, Previn is capable of navigating countless styles of music that have seen him have a career spanning five decades and excelling in every area that he pursues. A ‘complete’ musician in every sense of the word. His music career is one that many could only dream of. Film Music Career Fleeing Europe as a ten year old with his family and arriving in American, Previn soon realised he had an affinity for jazz. So, when the opportunity came to arrange a jazz tune at MGM studios he leapt at the chance. And so began his career as a pianist, arranger, and then later composer at the MGM Hollywood studios. During this time he won four Oscar Awards for his work on various films, including My Fair Lady. Previn has documented his time in Hollywood is his book, No Minor Chords: My Days in Hollywood. Conductor Realising this was not the place to do ‘serious’ music, Previn left Hollywood to pursue a career as a classical musician at age 30. In his late thirties he took a gamble and left the studio system that he had been so involved in. It was time to pursue a career, against all odds, on the classical circuit as a conductor. Previn appeared on the Morecambe and Wise Christmas special of 1977 where he was to conduct Grieg’s piano

concerto. He was introduced as “Andrew Preview”. This fast became one of the most famous musical comedy sketches in history and gave the London Symphony Orchestra mass appeal to many new audiences. During his tenure with the Pittsburgh Symphony Orchestra he hosted a television series Previn and the Pittsburgh in which he would talk to the audiences about the pieces the orchestra was performing or undertake interviews with guest musicians. Most notably was his hour long interview with jazz pianist, Oscar Peterson. During the broadcast Previn and Peterson performed a piano duet, to much acclaim. Jazz Pianist He would go on to record an instrumental version of My Fair Lady, which was the first jazz record to sell a million copies and has never been out of print. This paved the way for many more instrumental recordings of film soundtracks. Previn made several notable recordings with the David Rose orchestra, Secret Songs for Young Lovers (1959) Like Blue (1960) . They speak to Previn’s place in music, a bridge between two styles; playing jazz piano with strings. After a long break from jazz, Previn returned to the medium in the 1980s and recorded After Hours with Joe Pass and Ray Brown and since then has released a number of jazz recordings, including We Got Rhythm: The Music of George Gershwin, with bassist David Finck. Composer Previn’s composing style is deeply rooted in the idea of the Romantic tradition, with tinges

These days he spends most of his time composing. He recently said in an interview “I’m not worried about if people will be playing my pieces in many years, I’m just happy they are playing them [next] Wednesday.” His opera, A Streetcar Named Desire was commissioned by the San Fransisco Opera and was well received. A recording was released on the Deutsche Grammophon label. Previn’s Trio for piano, oboe and bassoon is a delightful tour de force, that mixes 20th century harmonies with tinges of jazz and delicate melodies. On a more local level, Previn’s piece for Wind Orchestra was recently been recorded on the debut album of the Sydney Conservatorium Wind Symphony, Celebrare features Previn’s piece No Strings Attached, a substantial contribution to the wind repertoire. This is a man who has had a turn at almost every facet of the music industry. His original music makes an important statement, a reflection of his personality and his style. It is music that appeals to all audiences, no matter their tastes. His music brings it all together. - Samuel Cottell

Samuel Cottell is a musician and is completing his PhD on the Life and Music of Tommy Tycho. A companion to this article can be found at his website samuelcottell.com/research/andreprevin January 2017

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AUSTRALIAN ROMANTIC & CLASSICAL ORCHESTRA

an exciting new 2017 season

Australian Romantic & Classical Orchestra. Image by Nick Gilbert. The Australian Romantic & Classical Orchestra (formerly orchestra seventeen88) has announced an exciting new 2017 season – along with its new ‘brand’! In the New Year, the Australian Romantic & Classical Orchestra brings to life the colours and contrasts of Classical music together with the expressive and emotional realm of Romantic music in a fabulous concert season. Performing on the exquisite and dynamic period instruments of the time, Australia’s world-class Romantic and Classical orchestra presents bold and daring programs with superlative soloists, conducted by Artistic Director Richard Gill AO and Principal Guest Conductor Benjamin Bayl.

ARCO (which also means ‘to bow’ a string instrument in Italian music terminology) burst onto Australia’s music scene in late 2013 as orchestra seventeen88 and has since performed outstanding orchestral and chamber concerts all around Australia. Featuring some of Australia’s finest international musicians and directed by legendary Australian conductor and educator Richard Gill AO, it aims ‘to inspire, educate and enlighten’ audiences. Through the combination of historical integrity and quality of musical performance, ARCO leads a rediscovery of Classical and Romantic repertoire with the beauty and clarity unique to a full period instrument orchestra. It has also made music education a focal point of its vision and the ambitious 2017 program steps this up a gear too with a series of workshops at public and private schools.

Mezzo soprano Fiona Campbell. Image by Nick Gilbert.

The excitement begins in March with the “Italian Romance” program, featuring Beethoven’s Romance for Violin (Rachael Beesley, soloist; Benjamin Bayl, conductor) and Mendelssohn’s beloved ‘Italian’ Symphony. The concerts take place at the Elisabeth Murdoch

Hall of the Melbourne Recital Centre (MRC) on Friday 24 March and the City Recital Hall, Angel Place in Sydney on Saturday 25 March (both at 7.30pm). May sees the “Unfinished Romance” series come to the same two major city venues, this time featuring Schubert’s ‘Unfinished’ Symphony and highlights from Rossini’s daring Barber of Seville. Mezzo-soprano Fiona Campbell is the featured soloist with Richard Gill conducting as the orchestra starts in Sydney’s City Recital Hall on Saturday 20 May then performs in the Elisabeth Murdoch Hall, MRC on Monday 22 May (both concerts at 7.30pm). Finally, the September “Revolutionary Romance” chamber concerts offer Mozart’s famous Clarinet Quintet (Nicole van Bruggen, soloist; Rachael Beesley director) and his exquisite Sinfonia Concertante as well as a favourite movement from Spohr’s String Sextet. Australian Romantic & Classical Orchestra: 2017 Season – March, May, September Full information and bookings: arco.org.au January 2017

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CELEBRATION OF FINE MUSIC

gala event of the year

This year, our awards night for donors was held at the Mosman Art Gallery. The evening began with wine and canapés and the opportunity to pick up a bargain at the silent auction table with the added pleasure of knowing that a purchase would support Fine Music. Once the guests were seated our Chair thanked our 2016 Artists-in-Residence, the Acacia Quartet and Bridget Bolliger. The Deputy Chair, Lloyd Capps, then introduced the Streeton Trio, our 2017 Artists-in-Residence, who performed three movements from Mendelssohn’s Piano Trio no. 1 in D minor. David Brett, our Finance Director, introduced our 2017 Principal Corporate Partner, Dixon Advisory and welcomed

their guests. Michael Field, the Chair of the Under 30s Committee, hosted the Kruger Scholars. As has become the tradition the 2016 Kruger Scholar, violinist Rebecca Gill welcomed in the 2017 Kruger winner, Frances Madden. They played a duet of “La vie en rose” arranged by Rebecca. Frances, an upcoming jazz pianist, vocalist, and composer, then asked us to shut our eyes and imagine we were in a smokey dive for her rendition of three French songs.

With great pleasure the Board and volunteers of Fine Music welcomed our donors to our gala event of the year, Celebration of Fine Music.

To conclude the concert, our longstanding Artistic Patron, Simon Tedeschi,

Simon Tedeschi treated the audience to virtuosic piano playing…

treated the audience to some virtuosic piano playing. Michael Morton-Evans thanked the performers with Belle Fleur

chocolates in the shapes of musical instruments. We then left our seats to enjoy mingling over more wine and canapés. Fine Music was complimented by all on how enjoyable Celebration of Fine Music was. Our thanks go to the delivery and set up team – David Hilton, David James, and John Xuerub, and the hosts on the night, serving canapés and collecting donations (in alphabetical order) Anne Chivas, Cynthia Kaye, Di Cox, Katy Rogers-Davies, Mariko Yata, Sue Nicholas, our bar team, aptly dressed for the occasion, Jeannie McGuiness, John Stevenson, David James, our photographers Charlie Chen, and Raymond Horsey who captured the occasion for us, and the staff, Liza, Steve-Marc, Sue, and Morgan the overall manager of the event with superb attention to detail and always a smile.

John Xuerub and David James - two of the set up team

Streeton Trio, 2017 Artists-in-Residence

Frances Madden, 2017 Kruger Scholar 8

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Deputy Chair introducing Streeton Trio joining us as Artists-in-Residence


CD Review

Fritz Wunderlich – The 50 Greatest Tracks Deutsche Grammophon 479 6418

✶✶✶✶✶

To mark the 50th anniversary of the tragic early death of the German tenor Fritz Wunderlich, Deutsche Grammophon has released a 2-CD set of 50 of his greatest tracks and what a superb collection it is too. Wunderlich was just days away from his 36th birthday and weeks away from his debut at the Met in New York when he tripped over his shoelaces and fell down a flight of stairs causing injuries from which he died soon after. Considered among the finest Mozartean tenors of his day, he embraced a wide repertoire which included the works of Schubert, Bach and Mahler, all of whom are represented on these CDs. And then there are the wonderful old pot-boilers like

O Sole Mio, Granada and Mattinata. They’re all here. But in addition to all these, DG, in collaboration with Wunderlich’s widow Eva, has dug up hitherto hidden recordings, including a performance he gave at his first appearance at the Salzburg Festival in 1959 of Richard Strauss’s comic opera Die schweigsame Frau in which he sings, together with soprano Hilde Güden and legendary bass Hans Hotter, the trio Du süssester Engel! Sitting listening to all the highlights of his career is a breathtaking experience and only serves to make one realise what a great talent was so tragically taken from us. - Michael Morton-Evans

Michael Morton-Evans is on holidays over the Christmas peiod and will resume In Conversation on Wednesday the 4th of January.

Music in the tropics...

Sounds like paradise.

Festival of Chamber Music Australian

TOWNSVILLE 28/07 — 05/08/2017 Experience world-leading chamber musicians in the tropical winter warmth of Townsville, North Queensland. Enjoy exclusive performances, a friendly and informal atmosphere and nine days of memorable concerts.

AFCM.COM.AU SAVE THE DATE START PLANNING YOUR ESCAPE NOW SIGN UP TO FESTIVAL E-NEWS Artist: Jiri Barta. Image: Townsville Rockpool by Stephen Worner.

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WORK EXPERIENCE AT FINE MUSIC

Under 30’s

of the week and most agree that it is the highlight! Fine Music is a volunteer run community radio station and all our Work Experience students are very appreciative and impressed with the generosity of time and effort our volunteers put into each of their sessions. “Their passion and love of music is very evident” says Kathleen Notohamiprodjo and “this experience gave me an incredible insight into the dedication and passion put towards running the station.” Students can apply online via our website. Just click on Under 30s on the toolbar and follow the cues. Applications open in March for 2017. It is advisable to get your application and Work Experience dates in as early as possible as we have a limited number of places. This year, in the next exciting stage of the Under 30s program, we hope to run our Work Experience component from the purpose-built Fine Music Learning Centre!

Kathleen Notohamiprodjo “My week of work experience with Fine Music was so enjoyable it didn’t feel like work at all. Throughout the week I met radio presenters, vocal trainers, programmers and musicians. During the day they guided me through activities which allowed me to experience different areas of the radio station. I learnt how to use and speak into the microphone, digitally edit and create my own programs, catalogue CDs and even got to speak on air. Working at Fine Music exposed me to many new composers, pieces and genres...my time there was a very valuable experience I will never forget.” (Kathleen Notohamiprodjo, Year 10, Mount Saint Benedict’s College) This is how one student described her Work Experience at Fine Music recently. The program offers Year Ten students who play an instrument or are passionate about either classical or jazz music to sample an operational radio station based in St Leonards in North Sydney. It is a week of immersion in all the behindthe-scenes* aspects of how a classical music radio station works. It gives the students the opportunity to meet musicians, composers, 10

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audio engineers and other performance students. They also find out more about the Sydney musical scene. The program runs from May to December and is coordinated by two volunteers, Christina MacGuinness and Paul Cooke. Some of the features of the program include: • • • • • •

Editing pre-recorded programs using audio software Programming from our extensive music library Scripting and program research Presenting pre-recorded programs Administrative work Writing an article for our social media platforms, website and in-house newsletters.

The students also experience the buzz of going live-to-air. They sit in with presenters in the first part of the week, then choose their own piece of music to broadcast with one of our Breakfast presenters in the latter half. Whilst it is challenging, it one of their favourite parts

Learning Centre Opens Sunday 19 February.

Join Patrick Thomas AM MBE for the first of the 2017 Enjoy Learn Discuss Lecture Series at 2.30pm and stay on for the celebration afterwards at 4pm. Donations invited. Phone Reception on 94384777 or email reception@finemusicfm.com to book your ticket. For a full program guide of the 2017 Enjoy Learn Discuss Lecture Series visit finemusicfm.com


Sunday 1 JANUARY 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 SUNDAY MORNING MUSIC with Terry McMullen 9:00 MUSICA SACRA Prepared by Barrie Brockwell Bach, J.S. Sinfonia from Cantata, BWV146 (c1726). Christoph Lehmann, org; La Stravaganza Cologne/Andrew Manze. Denon CO-78965/6 8 Heinichen, J. Beatus vir. Jörg Dürmüller, ten; Scot Weir, ten; Musica Antiqua Cologne/ Reinhard Goebel. Archiv 447 092-2 4 Schubert, F. Magnificat in C, D486 (1816). Trine Wilsberg Lund, sop; Bettina Ranch, cont; Min Woo Lim, ten; Dominik Königer, bass; Immortal Bach Ensemble; Leipzig CO/ Morten Schuldt-Jensen. Naxos 8.572114 9 Bach, J.S. Ich ruf’ zu dir, Herr Jesu Christ, BWV639 (1713; arr. Busoni 1897-98). Leif Ove Andsnes, pf. EMI 3 41682 2 4

Albrechtsberger, J. Fugue in C for quartet (c1770). Camerata Bern/Thomas Füri. Archiv 410 599-2 6 Reicha, A. Variations. Jane Gower, bn; Madeleine Easton, vn; Alice Evans, vn; Galina Zinchenko, va; Catherine Jones, vc. Island ARS 38 091 12 Haydn, J. Symphony in C minor, Hob.I:78 (c1782). O of the Age of Enlightenment/Frans Brüggen. Decca 478 9619 21 12:00 SPEAK EASY, SWING HARD with Richard Hughes The Golden Era of jazz, as seen through the knowledge and experience of one of Australia’s leading exponents 13:00 WORLD MUSIC: Whirled Wide Showcases diverse music from cultures around the world, both traditional and modern, featuring musicians from all corners of the globe, including Australia 14:00 CLASSICAL STRING SONATAS Prepared by Gael Golla

Liszt, F. Cujus animam (1847). Christian Lindberg, tb; Gunnar Idenstam, org. BIS CD-488 7

Mozart, W. Sonata no 22 in A, K305 (1778). Joseph Szigeti, vn; Mieczyslaw Horszowski, pf. Vanguard 08 8039 74 12

Ramirez, A. Misa Criolla (1964). Los Fronterizos; Cantoria de la Basilica del Socorro/Ariel Ramirez. LP Philips PCC 619 16

Rossini, G. String sonata no 2 in A (1804). Elizabeth Wallfisch, vn; Marshall Marcus, vn; Richard Tunnicliffe, vc; Chi-chi Nwanoku, db. Hyperion CDA66595 12

10:00 THE CLASSICAL ERA Prepared by Barrie Brockwell

Paganini, N. Viola sonata. Hartmut Lindemann, va; Günther Herzfeld, pf. Tacet 21 13

Spohr, L. Overture: Das befreite Deutschland (1814). Swiss Italian O/Howard Shelley. Hyperion CDA67622 8 Donizetti, G. Sonata. Alberto Ambrosini, vn; Claudia Antonelli, hp. Naxos 8.554252 4 Cherubini, L. Marche réligieuse (1819). Philharmonia O/Riccardo Muti. EMI 5 72786 2 5 Bellini, V. Vaga luna che inargenti. Cecilia Bartoli, mezz; James Levine, pf. Decca 455 513-2 4 Bach, C.P.E. Cello concerto in A, Wq172 (c1753). Alison McGillivray, vc; English Concert/Andrew Manze. Harmonia Mundi HMU 907403 20 Beethoven, L. Sonata no 5 in C minor, op 10 no 1 (c1795-97). Paul Lewis, pf. Harmonia Mundi HMC 901909.11 20

Beethoven, L. Sonata in C, op 102 no 1 (1815). Daniel Müller-Schott, vc; Angela Hewitt, pf. Hyperion CDA67755 16 15:00 SUNDAY SPECIAL The zodiac: Composers born under Capricorn Prepared by Ron Walledge Bruch, M. Violin concerto no 1 in G minor, op 26 (1868). Janine Jansen, vn; Gewandhaus O/Riccardo Chailly. Decca 475 8328 24

Puccini, G. Vissi d’arte … Chi è … Io tenni la promessa, from Tosca (1900). Leontyne Price, sop; Giuseppe Taddei, bar; Vienna PO/ Herbert von Karajan. Decca 460 805-2 13 Poulenc, F. Suite française (1936). London Wind O/Denis Wick. ASV WHL 2067 12 Suk, J. Piano trio in C minor, op 2 (1889/9091). Smetana Trio. Supraphon SU 3810-2 15 Tippett, M. Suite from New Year (1989). Bournemouth SO/Richard Hickox. Chandos CHAN 9299 29 17:00 HOSANNA Prepared by Richard Munge Hymns: O little town of Bethlehem; Brightest and best of the sons of the morning. Choir of Wells Cathedral; Rupert Gough, org; Malcolm Archer, cond. Hyperion CDP 12103 6 Stanford, C. Villiers Magnificat for double choir in B flat (1918). Westminster Cathedral Choir/James O’ Donnell. Hyperion WCC 100 12 Gregorian chant : A solus ortis cardine. Choir of Buckfast Abbey/Philip Arkwright. Priory PRCD 1151 6 Bach, J.S. Jesu, joy of man’s desiring, BWV147 (1723). Cathedral Singers; Andrej Kouznetsov, org; Brett McKern, cond. TCS 02 6 Bainton, E. Anthem: And I saw a new heaven. David Russell, cond. 5 Hymns: O worship the Lord in the beauty of holiness; Hail to the Lord’s anointed. Neil McEwan, cond. 9 Choir of Christ Chuch St Laurence, Sydney; Peter Jewkes, org (2 above) CCSL 05 Alcock. W. Toccata. Daniel Cook, org. Priory PRCD 1008 8 18:00 NORWEGIAN CHAMBER

Balakirev, M. Islamey: oriental fantasy, op 19 no 6 (1869/1902). Julius Katchen, pf. Philips 456 856-2 7

Grieg, E. Sonata no 3 in C minor, op 45 (1887). Lydia Mordkovitch, vn; Elena Mordkovitch, pf. Chandos CHAN 9184

Chabrier, E. España (1883). Suisse Romande O/Ernest Ansermet. Decca 452 890-2 7

Sinding, C. Trio no 3 in C, op 87 (1908). András Kiss, vn; Tamás Koó, vc; Ilona Prunyi, pf. Marco Polo 8.223283 30 January 2017

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Sunday 1 JANUARY

Monday 2 JANUARY Tchaikovsky, P. Symphony no 3 in D, op 29, Polish (1875). Polish National RSO/Antoni Wit. Naxos 8.55054 48 12:00 SWING SESSIONS with John Buchanan Featuring bands of the 1930s swing era and the dance bands of the 1920s taken from radio broadcasts, transcriptions and recording sessions

Howard Shelley

Libor Pesek

19:00 SUNDAY NIGHT CONCERT Prepared by Rex Burgess

0:00 CLASSIC-ALL THROUGH THE NIGHT

Beethoven, L. Overture to Leonore, no 3, op 72a (1806). Berlin PO. DG 435617-2 15 Mozart, W. Piano concerto no 27 in B flat, K595 (1791). Maria Joäo Pires, pf; O Mozart. DG 479 0075 29

9:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1895 Prepared by Di Cox

Mussorgsky, M. St John’s night on Bald Mountain (1867; arr. Rimsky-Korsakov). Berlin PO. DG 445 238-2 13

Elgar, E. Bavarian dances 1, 2 and 3. New Zealand SO/James Judd. Naxos 8.557577 12

Strauss, R. Death and transfiguration, op 24 (1888-89). London SO. DG 429 492-2 26

Dvorák, A. Suite in A, op 98b, American (1895). Royal Liverpool PO/Libor Pesek. Virgin VC 7 90723-2 22

Claudio Abbado, cond (all above)

Sibelius, J. The swan of Tuonela, from Four legends, op 22 (1895). Philadelphia O/ Eugene Ormandy. EMI 1 66451 2 9

20:30 NEW HORIZONS Prepared by Calogero Panvino Ruders, P. Symphony no 4, An organ symphony (2010). Flemming Dreisig, org; Odense SO/Robert Minczuk. 29 Trio transcendentale (2010). Nicholas Wearne, org. 5 Bridge 9375 (2 above) Dean, R. Talking with Phil (2011). Roger Dean, pf, with computer. Tall Poppies TP225 7 Gyger, E. Out of obscurity . Zubin Kanga, pf. Move MD 3391 11 Cresswell, L. Piano concerto (2009). Stephen de Pledge, pf; New Zealand SO/ Hamish McKeich. Naxos 8.573199 30 22:00 AFTER HOURS JAZZ with Kevin Jones

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6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Robert Small

Grieg, E. Lyric pieces, op 62 (1895). Einar Steen-Nøkleberg, pf. Naxos 8.553395 16 Puccini, G. Che gelida manina, from La bohème (1895). David Hobson, ten; Tasmanian SO/Marco Guidarini. ABC 461 677-2 5 Strauss, R. Till Eulenspiegel’s merry pranks, op 28 (1895). London SO/Claudio Abbado. DG 429 492-2 15 10:30 CONCERT HALL Britten, B. Simple symphony, op 4 (1933-34). Academy of St Martin in the Fields/Neville Marriner. EMI Studio 1664422 16 Hertel, J. Concerto in E flat. Maurice André, tpt; Maurice Bourgue, ob; Württemberg CO/ Heilbronn Jörg Faerber. EMI Seraphim 569142 2 18

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

13:00 THE ARTISTRY OF DAVID REEVES, ORGANIST Prepared by Brendan Walsh Bach, J.S. Prelude and fugue in G, BWV541 (c1712-17). English Gramophone CDEGS 9804 8 Handel, G. Organ concerto no 2 in B flat, op 4 no 2 (c1735). Bodema Records BRC 179 10 Reeves, D. Organ sonata, The Graduation (c1980). English Gramophone CDECG 3486 16 Bach, J.S. Prelude and fugue in C minor, BWV549 (1703). Bodema Records BRC 179 5 Wachet auf, ruft uns die stimme, BWV645 (1748-49). Bodema Records BRC 076 Reeves, D. Tuba tune: 1, IV, V (1961). English Gramophone CDECG 4 Bach, J.S. Little prelude and fugue in B flat (1724). Bodema Records BRC 179 3 Reeves, D. Improvisation on a theme (1971). English Gramophone CDEGS 9804 5 David Reeves, org (all above) 14:00 ENLIGHTENED Prepared by Randolph Magri-Overend Glass, P. The light (1987). Bournemouth SO/ Marin Alsop. Naxos 8.559325 24 Edwards, R. The hermit of green light; Geography VI; Geography III; And no bird sings (1979/83). Elizabeth Campbell, mezz; Anthony Fogg, pf. Canberra School of Music CSM 15 14


Tuesday 3 JANUARY

Monday 2 JANUARY

0:00 CONTEMPORARY COLLECTIVE

Jommelli, N. Flute concerto in D. Carlo Ipata, fl; Auser Musici. Hyperion CDA67784 13

3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Julie Simonds

Schobert, J. Sonata in A, op 14 no 5 (pub. 1761-67). Chiara Banchini, vn; Luciano Sgrizzi, fp. Harmonia Mundi HMC 1901294 10

9:00 DIVERSIONS IN FINE MUSIC Artist of choice: Anne-Sophie Mutter Prepared by Chris Blower Sarasate, P. de Zigeunerweisen, op 20 (1878). Vienna PO/James Levine. DG 477 9730 9 Georges Prêtre Puccini, G. E lucevan le stelle, from Tosca (1900). Maria Callas, sop; Carlo Bergonzi, ten; Renato Ercolani, ten; Ugo Trama, bass; Paris National Opera Ch; Conservatoire Concert Society O/Georges Prêtre. EMI CDM 63087 2 18 Brahms, J. Warum ist das Licht gegeben dem Müseligen, from Two motets for mixed choir, op 74 no 1 (1879). La Chapelle Royale; Collegium Vocale/Philippe Herreweghe. Harmonia Mundi HMC 901122 10

Brahms, J. Violin sonata no 2 in A, op 100 (1886). Lambert Orkis, pf. DG 479 2949 21 Saint-Saens, C. Introduction and rondo capriccioso, op 28 (1863; arr Bizet). Mutter’s Virtuosi/Ye-Eun Choi. DG 479 5021 9

14:00 THE CELLO IN THE 20TH CENTURY Prepared by Albert Gormley Kodály, Z. Sonata for solo cello, op 8 (1915). Miklós Perényi, vc. Hungaroton HCD 31046 32 Britten, B. Symphony for cello and orchestra, op 68 (1963). Moscow PO/Benjamin Britten. EMI 5 62827 2 33

Ravel, M. Piece in the form of a Habanera. 3

Shostakovich, D. Cello concerto no 1 in E flat, op 107 (1959). Hugh Seenan, hn; London SO/Seiji Ozawa. Erato ECD 75485 26

Mozart, W. Beau soir.

Mstislav Rostropovitch, vc (2 above)

Massenet, J. Meditation, from Thais (1894).

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Lambert Orkis, pf (3 above) DG 479 2949

Bach, J.S. Cantata, BWV195: Dem Gerechten muss das Licht immer wieder aufgehen (c1742). Jan Patrick O’Farrell, treb; René Jacobs, alto; Harry van der Kamp, bass; Hanover Boys’ Choir; Heinz Hennig Collegium Vocale/Gustav Leonhardt. Teldec 244 193-2 19

Mendelssohn, F. Piano trio no 1 in D minor, op 49 (1839). Lyn Harrell, vc; André Previn, pf. DG 477 8001 28

Britten, B. Les illuminations, op 18 (1939). Ian Bostridge, ten; Strings of Berlin PO/Simon Rattle. EMI 5 58049 2 23

Prokofiev, S. Russian overture, op 72 (1936). USSR Ministry of Culture SO/Gennady Rozhdestvensky. Melodiya 10-00205 14

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with David Brett

Benedict, J. Piano concerto in C minor, op 45 (1850). Tasmanian SO; Howard Shelley, pf & dir. Hyperion CDA67720 26

19:00 JAZZ NICE ‘N EASY with Ken Weatherley

Sibelius, J. Symphony no 2 in D, op 43 (1901). Adelaide SO/Arvo Volmer. ABC 476 3945 43

20:00 STORMY MONDAY with Austin Harrison and Garth Sundberg

12:00 JAZZ RHYTHM with Jeannie McInnes An eclectic blending of agreeable rhythm and melody from the New Orleans jazz roots through to recent decades, including many Australian bands

22:00 THE AUSTRALIAN JAZZ SCENE with Susan Gai Dowling and Peter Nelson

Haydn, M. Symphony in F (1789). Oradea PO/Romeo Rîmbu. Olympia OCD 435 17

Anne-Sophie Mutter, vn (all above) 10:30 CONCERT HALL Prepared by Frank Morrison

13:00 FROM THE CLASSICAL ERA Prepared by Frank Morrison Abel, C. String quartet in A, op 8 no 5 (1769). Salomon Quartet. Hyperion CDA66780 12

Prokofiev, S. Concertino in G minor for cello and orchestra, op 132 (1952). Alexander Rudin, vc; NSO of Ukraine/Theodore Kuchar. Naxos 8.553624 20 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Andrew Dziedzic 19:00 THE JAZZ BEAT with Lloyd Capps Smooth small group jazz from the 50s on, and with a visit from Miles Davis each week 20:00 RECENT RELEASES with Stephen Wilson 22:00 CHAMBER SOIRÉE Prepared by Andari Anggamulia Mozart, W. Trio in E flat, K498, Kegelstatt (1786). Paul Dean, cl; Brett Dean, va; Stephen Emmerson, pf. ABC 442 363-2 18 Fibich, Z. Quintet in D for clarinet, horn, violin, cello and piano, op 42 (1893). Endymion Ensemble. ASV DCA 943 36 Boccherini, L. Quintet in E, op 13 no 5 (1771). Alexander Schneider, vn; Felix Galimir, vn; Michael Tree, va; David Soyer, vc; Lynn Harrell, vc. Vanguard OVC 8006 24 Kreutzer, C. Grand septet in E flat for clarinet, horn and string quintet, op 62. Nash Ensemble. LP CRD 1090 32 January 2017

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Wednesday 4 JANUARY 0:00 CONTEMPORARY COLLECTIVE

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Tom Forrester-Paton

3:00 CLASSICAL TILL DAWN

19:00 JAZZ STARS AND STRIPES with Peter Mitchell The stars of American jazz from bebop on, mainly small group low temperature jazz

6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Peter Kurti 9:00 DIVERSIONS IN FINE MUSIC Music of the 18th century Prepared by Stephen Wilson

Donizetti, G. Rosmonda d’Inghilterra. Opera in two acts. Libretto by Felice Romani. First performed Florence, 1837.

Corelli, A. Concerto grosso in G minor, op 6 no 13 (pub. 1714). Tafelmusik Baroque O/ Jean Lamon. DHM RD 77908 14

Catherine Mackintosh

Gasparini, F. Mirena e Floro o La Nana francese e Armena, Act I (1718). Kathleen van de Graaff, sop; Peter van de Graaff, bass-bar; Comic Intermezzo O. Naxos 8.570035 13

Saint-Saëns, C. Vois ma misère, hélas, from Samson et Dalila (1877). Roberto Alagna, ten; London Voices; Royal Opera House O/ Bertrand de Billy. EMI 5 57012 2 9

Castrucci, P. Concerto grosso in D, op 3 no 12 (1736). O of the Age of Enlightenment/ Catherine Mackintosh. BBC Music Vol 9 no 5 9 Geminiani, F. Ballet: The enchanted forest (c1752). Milan Angelicum O/Newell Jenkins. LP Nonesuch H-71151 31 Locatelli, P. The plaint of Ariadne, op 7 no 6 (1741). Renato Biffoli, vn; Milan Angelicum O/ Newell Jenkins. LP Nonesuch H-71151 17

Delius, F. The walk to the Paradise Garden, from A village Romeo and Juliet (1907). Royal Scottish NO/David Lloyd-Jones. Naxos 8.557143 9 14:00 IN CONVERSATION with Michael Morton-Evans Each week we meet one of the world’s great musicians, singers, composers or conductors, along with up-and-comers and some of the men and women who influence the arts landscape. The program goes live to air so you never quite know what’s going to happen.

10:30 CONCERT HALL Prepared by Gerald Holder

15:00 GOUNOD EXPLORED Part 1 Prepared by Michael Morton-Evans

Franck, C. Le chasseur maudit (1882). Arnhem PO/Roberto Benzi. Naxos 8.557930-31 16

Gounod, C. Marche militaire. Royal Australian Navy Band/Phillip Anderson. Royal Australian Navy RAN-005 4

Berlioz, H. Harold in Italy, op 16 (1834). Nobuko Imai, va; London SO/Colin Davis. Philips 442 290-2 42

Le soir (c1840-42). Yvonne Kenny, sop; Malcolm Martineau, pf. ABC 476 570-0 5

Debussy, C. La mer (1903-05). Royal Concertgebouw O/Bernard Haitink. Radio Nederland RCO12004 25 12:00 JAZZ SKETCHES with Robert Vale Jazz of many colours, some old, some new and all designed to inform and stimulate the senses 13:00 SELECTED FAVOURITES Prepared by Yvonne Laki Paganini, N. Violin concerto no 4 in D minor (1830). Salvatore Accardo, vn; London PO/ Charles Dutoit. DG 437 210 2 35 14

20:00 AT THE OPERA Prepared by Camille Mercep

Where do you wish to go? (1839). Felicity Lott, sop; Graham Johnson, pf. Hyperion CDA66801/2 4 Venise (1842). Anthony Rolfe Johnson, ten; Graham Johnson, pf. Helios CDH55217 4 Six melodies (1840). Barry Tuckwell, hn; Daniel Blumenthal, pf. Etcetera KTC 1135 26

ENRICO II: Bruce Ford, ten LEONORA DI GUIENNA: Nelly Miricioiu, sop ROSMONDA: Renée Fleming, sop GUALTIERO CLIFFORD: Alastair Miles, bass ARTURO: Diana Montague, sop Geoffrey Mitchell Choir; Philharmonia O/ David Parry. Opera Rara Orc 13 2:31 Eleanor of Aquitaine (Leonora), wife of King Henry II (Enrico) finds he has a mistress, Rosmonda, who is lodged in a tower under the protection of the young page Arturo. Leonora realizes that the page has fallen in love with this mysterious woman and suggests she will help him win her. Meanwhile Rosmonda, who has been alone in her tower for three months, is torn between love and remorse. Arturo brings news of her lover’s return, but adds that ‘concerns of the King’ keep him from her. However, permission has been given for an elderly knight to wait upon her, none other than Clifford, her father. From him Rosmonda learns her lover’s identity for the first time. Leonora appears and Clifford beseeches the Queen to take his daughter under her protection. Leonora agrees to do so, but Enrico, suspecting her malignant intentions, orders that she go back to Aquitaine the next day. Leonora, however, is determined not to be disposed of so easily. Clifford asks Rosmonda to leave with Arturo and they leave for the garden. Leonora finds her there but when Enrico and his troops appear, Leonora stabs Rosmonda. Enrico and Leonora acept that they both must accept Heaven’s blame. Ballet music from La favorita (1840). London SO/Richard Bonynge. Decca 452 767-2 9 23:00 A CLASSICAL TRIO Prepared by Marilyn Schock

O my fine rebel (1842). Stephen Varcoe, bar; Graham Johnson, pf. Hyperion CDA66248 3

Mozart, W. Piano sonata no 15 in C, K545, For beginners (1788). András Schiff, pf. Philips 456 925-2 10

Sonata in E flat, mvt 1. Christian Ivaldi, Noël Lee, pf. LP Arion ARN 336 025 6

Schubert, F. Piano trio no 2 in E flat, D929 (1827). Macquarie Trio. ABC 465 792-2 42

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM


Thursday 5 JANUARY 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Simon Moore 9:00 DIVERSIONS IN FINE MUSIC Two’s company Prepared by Michael Morton-Evans Saint-Georges, J. Sonata in E flat. Amélie Michel, fl; Sandrine Chatron, hp. Ambroisie AM 179 9 Brahms, J. Sonata no 2 in E flat, op 120 (1894). Jennifer Showalter, cl; Joel Clifft, pf. Jennifershowalter.com 1001 26 Alkan, C-V. Grand duo concertant, op 21 (c1840). Tedi Papavrami, vn; Huseyin Sermet, pf. Auvidis V 4680 22

Mario del Monaco, ten; Cesare Siepi, bass; St Cecilia Academy O/Tullio Serafin. Decca 470 280-2 8

Grandison, M. Tasmanian sparkling; Eden Valley riesling; Spring water; Pinor noir, from Cellar door (c2016). 12

Wagner, R. Forest murmurs, from Siegfried (1856-71). Philadelphia O/Eugene Ormandy. RCA Victrola VD87819 9

Pärt, A. Da pacem Domine (2004).

4

Wagner, R. Pilgrims’ chorus, from Tannhäuser (1845).

5

Verdi, G. Che piu t’arresti? Tacea la notte placida, from Il trovatore (1853). Joan Sutherland, sop; Elizabethan Sydney O/ Richard Bonynge. ABC Polygram 465 687-2 9 Leoncavallo, R. My fate is in your hands ... Then will you say why you have enslaved me, from Pagliacci (1892). Cheryl Barker, sop; William Dazeley, bar; London PO/David Parry. Chandos CHAN 3161 12 14:00 20th CENTURY WOODWIND SONATAS Prepared by Gael Golla

Prokofiev, S. Sonata in D, op 94a (1944). James Ehnes, vn; Andrew Armstrong, pf. Chandos CHAN 10787(2) 24

Hyde, M. Sonata in G minor (1962). Bridget Bolliger, fl; Andrew West, pf. Cala CACD77019 12

10:30 CONCERT HALL Prepared by Michael Morton-Evans

Bax, A. Sonata (1934). Emma Johnson, cl; Malcolm Martineau, pf. ASV DCA 891 14

Donizetti, G. Ballet music from L’Assedio di Calais (pub. 1836). Philharmonia O/Antonio de Almeida. Philips 422 844-2 9

Hindemith, P. Bassoon sonata (1938). Knut Sønstevold, bn; Eva Knardahl, pf. BIS CD-159 8

Villa-Lobos, H. Harmonica concerto (1955). Tommy Reilly, harmonica; London Sinfonietta/ David Atherton. LP Argo ZRG 905 18

Milhaud, D. Sonata, op 47 (1918). Emmanuel Pahud, fl; François Meyer, ob; Paul Meyer, cl; Eric Le Sage, pf. EMI 5 57948 2 18

Grainger, P. Youthful suite (1899/1940-45). Sydney SO/John Hopkins. ABC 476 595-7 26

15:00 CLASSICAL ERA SELECTIONS Prepared by Frank Morrison

Saint-Saëns, C. Symphony no 1 in E flat, op 2 (1853). French National RO/Jean Martinon. Brilliant Classics 94360 31 12:00 JAZZ, PURE AND SIMPLE with Maureen Meers Covering the many aspects of jazz from Swing to Mainstream, with the Great American Songbook making regular appearances 13:00 OPERA IN CONCERT Prepared by Giovanna Grech Suppé, F. Overture to Poet and peasant (1846). Vienna PO/Zubin Mehta. CBS MK 44932 10 Offenbach, J. Au mont Ida trois déesses, from La belle Hélène (1864). Roberto Alagna, ten; Royal Opera House O/Richard Armstrong. EMI 5 56117 2 3 Boito, A. L’altra notte in fondo al mare, from Mephistopheles (1868). Renata Tebaldi, sop;

Dittersdorf, C. Double bass concerto in E flat (1780). Philharmonie PHIL 06020 17 Wesley, S. Dixit Dominus (1800). Choir of Gonville and Caius College, Cambridge/ Geoffrey Webber. ASV GAU 157 7 Cherubini, L. Symphony in D (1815). London SO/Charles Mackerras. Carlton Classics 15656 91372 30 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Debbie Scholem 19:00 THE NEW JAZZ STANDARD with Frank Presley 20:00 SHOWCASING AUSTRALIAN ARTISTS Part 1: Cellists of the Metropolitan Orchestra Prepared by Elaine Siversen Handel, G. Passacaglia (pub. 1720).

5

Ravel, M. Pavane for a dead princess (1899).

5

Tavares, G. Ladainha.

10

Metallica. Nothing else matters.

5

ABBA Mamma mia.

3

Cellists of Metropolitan O (all above) Fine Music concert recording 2MBS Tape Archive (2 above) Part 2: Archival MBS: from the archives

German Baroque

Telemann, G. Sonata in D. Belinda Manwaring, vc; Kathryn Lambert, pf. 8 Bach, J.S. Jesu meine Freude, BWV227 (1723). Sydney Chamber Choir; Winsome Evans, org; Hans-Dieter Michatz, cond. 18 21:30 RACHMANINOV INTERLUDE Prepared by Madilina Tresca Rachmaninov, S. Prelude in A, op 32 no 9 (1910). Peter Katin, pf. Olympia OCD 110 3 Rhapsody on a theme of Paganini, op 43 (1934). Peter Jablonski, pf; Royal PO/ Vladimir Ashkenazy. Decca 436 239-2 23 22:00 DIFFERING PATHS OF THE 20TH CENTURY Prepared by Calogero Panvino Falla, M. de The three-cornered hat (1919). Colette Boky, sop; Montréal SO/Charles Dutoit. Decca 466 128-2 38 Stravinsky, I. The wedding (1923). Mildred Allen, sop; Regina Sarfaty, mezz; Loren Driscoll, ten; Robert Oliver, bass; American Concert Choir; Samuel Barber, pf; Aaron Copland, pf; Lukas Foss, pf; Roger Sessions, pf; Columbia Percussion Ensemble/Igor Stravinsky. Sony SM3K 46 291-302 25 Ravel, M. L’enfant et les sortilèges (192025). Barbara Kilduff, sop; Anne-Marie Rodde, sop; Young-Hee Kim, sop; Jeanne Piland, mezz; Carolyn Watkinson, mezz; Joke de Vin, mezz; Nico van de Meel, ten; David Wilson-Johnson, bar; Lieuwe Visser, bass; Netherlands Chamber Choir; Boys’ Choir of St Bavo Cathedral, Haarlem; Royal Concertgebouw O/Charles Dutoit. Radio Nederland RCO 08005 44 Stravinsky, I. Pater noster (1926). Choir of Westminster Cathedral; City of London Sinfonia/James O’Donnell. Hyperion CDA66437 2 January 2017

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Friday 6 JANUARY 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Janine Burrus 9:00 DIVERSIONS IN FINE MUSIC Strings plus one Prepared by Jennifer Foong Stanford, C. Villiers Fantasy for horn quintet in A minor (1922). Stephen Stirling, hn; RTÉ Vanbrugh Quartet. Hyperion CDA67434 12 Spohr, L. Quintet no 6 in E minor, op 129 (1847). Sándor Papp, va; Haydn Quartet, Budapest. Naxos 8.555967 29 Webern, A. Movement for string trio, op posth. Members of Emerson String Quartet. DG 445 828-2 2 Boccherini, L. Quintet in E flat, op 45 no 5 (1797). Sarah Francis, ob; Allegri String Quartet. Decca 433 173-2 13 Dussek, J. Quintet in F minor, op 41 (1799). Nepomuk Fortepiano Quintet. Brilliant Classics 94377 24 10:30 CONCERT HALL Prepared by Chris Blower Adam, A. Overture to Giralda (1850). New Philharmonia O/Richard Bonynge. Decca 466 431-2 8 Grieg, E. Holberg suite, op 40 (1884; orch. 1885). Israel CO/Yoav Talmi. Chandos CHAN 8593 22 Shostakovich, D. Piano concerto no 2 in F, op 102 (1957). Cristina Ortiz, pf; Bournemouth SO/Paavo Berglund. Brilliant Classics 9412 20 Beethoven, L. Symphony no 2 in D, op 36 (1801-02). Vienna PO/Simon Rattle. EMI 5 57448 2 32 12:00 A JAZZ HOUR with Barry O’Sullivan 13:00 ENLIGHTENED Prepared by Randolph Magri-Overend Glass, P. The light (1987). Bournemouth SO/ Marin Alsop. Naxos 8.559325 24 Edwards, R. The hermit of green light; Geography VI; Geography III; And no bird sings (1979/83). Elizabeth Campbell, mezz; Anthony Fogg, pf. Canberra School of Music CSM 15 14 16

Puccini, G. E lucevan le stelle, from Tosca (1900). Maria Callas, sop; Carlo Bergonzi, ten; Renato Ercolani, ten; Ugo Trama, bass; Paris National Opera Ch; Conservatoire Concert Society O/Georges Prêtre. EMI CDM 63087 2 18 Brahms, J. Warum ist das Licht gegeben dem Müseligen, from Two motets for mixed choir, op 74 no 1 (1879). La Chapelle Royale; Collegium Vocale/Philippe Herreweghe. Harmonia Mundi HMC 901122 10

Dvorák, A. Cello concerto in B minor, op 104 (1895). Steven Isserlis, vc; Mahler CO/Daniel Harding. Hyperion CDA67917 39 Berlioz, H. Summer nights, op 7 (1840-41). Elly Ameling, sop; Atlanta SO/Robert Shaw. Telarc 80084 31 22:00 BAROQUE AND BEFORE Pastoral Pageantry: 150 yeas of Il Pastor Fido Prepared by Susan Bell

Bach, J.S. Cantata, BWV195: Dem Gerechten muss das Licht immer wieder aufgehen (c1742). Jan Patrick O’Farell, treb; René Jacobs, alto; Harry van der Kamp, bass; Hanover Boys’ Choir; Heinz Hennig Collegium Vocale; Leonhardt Consort/ Gustave Leonhardt. Teldec 244 193-2 19

Caccini, G. Amarilli mia bella (1601). Lavinina Bertotti, sop; Kate Clarke, baroque fl; Nicholas Parle, hpd. Fine Music Concert Recording 2

Britten, B. Les illuminations, op 18 (1939). Ian Bostridge, ten; Strings of Berlin PO/Simon Rattle. EMI 5 58049 2 23

Gesualdo, C. Tirsi morir volea; Frenò Tirsi il desio. Delitiae Musicae/Marco Longhini. Naxos 8.570548 6

Marenzio, L. Tirsi morir volea, from Primo libro di madrigali a cinque voci (1580). La Compagnia del Madrigale. Glossa GCD 922802 6

15:00 SAINT-SAËNS AND THE CONCERTO Prepared by Chris Blower

Bach, J.S. Pastorella, BWV590. John O’Donnell, org. Tall Poppies TP166 12

Berwald, F. Duo in D minor (1858). Tobias Ringborg, vn; Åke Lundin, pf. Naxos 8.554286 18

Marenzio, L. Baci soavi e cari (pub.1591). La Compagnia del Madrigale Glossa GCD 922804 17

Brahms, J. Vor dem Fenster, op 14 no 1 (1858); Der Schmeid, op 19 no 4 (1858). Margaret Price, sop; James Lockhart, pf. Orfeo C 058 831 A 5

Attrib. Vivaldi, A. Sonata no 6 in G minor, RV58, from Il pastor fido (pub. 1737). Michala Petri, rec; George Malcolm, hpd. Philips 476 7072 8

Saint-Saëns, C. Violin concerto no 2 in C, op 58 (1858). Philippe Graffin, vn; BBC Scottish SO/Martyn Brabbins. Hyperion CDA67074 31 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Brendan Walsh 19:00 FRIDAY JAZZ SESSION with Sally Cameron Focus on the current Sydney jazz scene mixed with a range of international jazz stars and a weekly a cappella item 20:00 THE ROMANTIC CENTURY Prepared by Robert Small Suk, J. Summer impressions, op 22b (1902). Neil Immerman, pf. Meridian CDE 84317 13 Mendelssohn, F. Excerpts from A midsummer night’s dream, op 21 (1826); op 61 (1841). Bavarian RSO/Rafael Kubelik. DG 439 411-2 27

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Monteverdi, C. Cruda Amarilli; O Mirtillo; M’è più dolce il penar; Dorinda, ah, dirò mia (pub. 1605). Delitiae Musicae/Marco Longhini. Naxos 8.555311 14 Lully, J-B. Excerpts from Acis et Galatée (1674). Les Musiciens du Louvre/Marc Minkowski. Archiv 453 497-2 10 India, S. d’ Pastor Fido IV, ix, parts 1 to 5, from Silvio and Dorinda (pub. 1624). Caterina Trogu Röhrich, sop; Roberta Invernizzi, sop; Roberto Balconi, ct; Giann Paolo Fagotto, ten; Giuseppi Zambon, ten; Antonio Abete, bass; I Febi Armonici/Alan Curtis. Symphonia SY 93S25 17 Handel, G. Excerpts from Overture to Il pastor fido, HWV8a (1712). English Concert/ Trevor Pinnock. Archiv 479 1932 12


Saturday 7 JANUARY Poulenc, F. Double concerto in D minor (1932). Sylviane Deferne, pf; Pascal Rogé, pf; Philharmonia O/Charles Dutoit. Decca 436 546-2 18 15:00 OPERETTA IN THE AFTERNOON Prepared by Elaine Siversen Sullivan, A. Iolanthe. Operetta in two acts. Libretto by W.S. Gilbert. First performed London, 1882.

Charles Dutoit. 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 SATURDAY MORNING MUSIC with Stephen Wilson 9:00 WHAT’S ON IN MUSIC Our weekly guide to musical events in and around Sydney 9:05 ORCHESTRAS AROUND THE WORLD I Musici de Montréal Prepared by Frank Morrison Mozart, W. Divertimento in F, K138 (1772). Chandos CHAN 9045 13 Schubert, F. Five German dances and seven trios with coda, D90 (1813). Chandos CHAN 8928 16 Stravinsky, I. Concerto in D for strings (1946). Chandos CHAN 8515 13 Tchaikovsky, P. Album for children, op 39 (1878; arr. Dubinsky, Turovsky). Chandos CHAN 9098 34 I Musici de Montréal/Yuli Turovsky (all above) 10:30 SMALL FORCES Ravel, M. Introduction and allegro (1906). Erella Talmi, fl; Avigail Arnheim, cl; Rimma Kaminkovsky, vn; Robert Mozes, vn; Yuval Kaminkovsky, va; Yoram Alperin, vc; Alice Giles, hp. PWK Classics PWK 1141 10 Raff, J. Cavatina (1859). Andreas Trio. Divox CDX 29104 5 Vanhal, J. Divertimento in G. Gottfried Langenstein, hn; John Stobart, hn; Rainer Mehne, vn; Chaim Solothurski, va; Klaus Stoll, db; Gerhard Dzwiza, db. Signum SIG X 45-00 14 Fauré, G. Après un rêve (1865; arr. Casals). William de Rosa, vc; Mariko Anraku, hp. EMI Classics 5 85710 2 3

Beethoven, L. Sonata in A, op 12 no 2 (179798). Takako Nishizaki, vn; Jenö Jandó, pf. Naxos 8.550284 17 11:30 ON PARADE Music that’s band Prepared by Owen Fisher Lloyd Webber, W. Memory, from Cats. Desford Colliery Band/Frank Renton. EMI 7243-5-21450 5 Bach, J.S. Air on the G string. Bodmin Town Band/Nicholas Childs. EMI 7243-5-21449 4 Paganini, N. Moto perpetuo. Robert Childs, euphonium; Nicholas Childs, euphonium; Besses o’ th’ Barn Band/Roy Newsome. Chandos CHAN 571 2 Waldteufel, E. Waltz: Estudiantina. Allentown Band/Ronald Demkee. AMP 99207 7 Tchaikovsky, P. Marche slave. Sellers Engineering Band/Phillip McCann. Chandos CHAN 4527 7 12:00 URBAN JAZZ LOUNGE with Leita Hutchings 13:00 ON THIS DAY Prepared by Chris Blower Poulenc, F. Les biches (1923). Ulster O/Yan Pascal Tortelier. Chandos CHAN 9023 20 Stamitz, C. Clarinet concerto no 11 in E flat. Sabine Meyer, cl; Academy of St Martin in the Fields/Iona Brown. EMI CDC 7 54842 2 18 Carulli, F. Double concerto in G. Jean-Pierre Rampal, fl; Alexandre Lagoya, gui; Franz Liszt CO/János Rolla. CBS MK 42130 22 Mozart, W. Sinfonia concertante no 2 in E flat, K364 (1779). Josef Suk, va; Academy of St Martin in the Fields/Iona Brown. Decca 411 613-2 31

IOLANTHE: Ann Drummond-Grant, cont STREPHON: Alan Styler, bar PHYLLIS: Margaret Mitchell, sop LORD CHANCELLOR: Martyn Green, bar FAIRY QUEEN: Ella Halman, cont D’Oyly Carte Opera Ch & O/Isidore Godfrey. LP Decca ACLA 1129 1:27 The fairy, Iolanthe, marries a mortal, although this is forbidden by fairy law. She bears a son, Strephon and 25 years later, she visits him on Earth. Strephon wants to marry Phyllis, a Ward of Chancery. All the members of the House of Peers also want to marry Phyllis. When Phyllis sees Strephon hugging a young woman (not knowing that it is his mother (as immortal fairies all appear young) she assumes the worst and sets off a climactic confrontation between the peers and the fairies.Although Iolanthe is not allowed by fairy law to contact her husband, she appeals to him, as he is now the Lord Chancellor, on behalf of her son that he be allowed to marry Phyllis. Her punishment from the Fairy Queen is execution. Meanwhile, the other fairies have become strongly attracted to the Peers and the Peers to the fairies so she would have to execute all of them. The Lord Chancellor suggests a law change that all fairies should marry mortals and the Peers happily go off to Fairyland with their chosen fairies. Incidental music to Shakespeare’s Henry VIII (1877). Emmanuel Lawler, ten; RTE Concert O/ Andrew Penny. Marco Polo 8.223461 19 Cantata: On shore and sea (1871). Sally Silver, sop; Nico Darmanin, ten; The John Powell Singers; Victoria O Northwest/Richard Bonynge. Dutton CDLX 7310 28 17:30 STAGING MUSIC with Angela Cockburn Horsepower, part 1 18:00 SOCIETY SPOT Folk Federation of NSW 19:00 THE MAGIC OF STAGE AND SCREEN with Annabelle Drumm January 2017

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Saturday 7 JANUARY 20:00 INFLUENCES AND CONNECTIONS Edward Elgar Prepared by Katy Rogers-Davies Hummel, J. Oberon’s magic horn, op 116 (1829). Christopher Hinterhuber, pf; Gävle SO/Uwe Grodd. Naxos 8.557845 19 Elgar, E. From the Bavarian Highlands, op 27 (1896). Bournemouth Symphony Ch; Bournemouth Sinfonietta/Norman Del Mar. EMI CDC 7 49738-2 24 Parry, H. I was glad: Anthem for the coronation of King Edward VII (1902; orch. Gordon Jacob). Waynflete Singers; Choir of Winchester Cathedral; Timothy ByramWigfield, org; Bournemouth SO/David Hill. Decca 478 2826 7 Wagner, R. Prelude to Act I, from Parsifal (1882). Philadelphia O/Christian Thielemann. DG 479 1120 14 Elgar, E. Praise to his name; Take me away, from The dream of Gerontius, op 38 (1900). Felicity Palmer, mezz; Arthur Davies, ten; London SO/Richard Hickox. Chandos CHAN 10568(2) 5 Delibes, L. Suite from Coppélia (1876). Philharmonia O/Robert Irving. EMI 1 66446 2 22 Vaughan Williams, R. Fantasia on a theme by Thomas Tallis (1910). Australian CO; ACO Collective/Richard Tognetti. aco.com.au 2007-2009 16

Sunday 8 JANUARY 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 SUNDAY MORNING MUSIC with Robert Small 9:00 MUSICA SACRA Prepared by Francis Frank Geremia, G. Missa oro defunctis. Camerata Polifonica Siciliana/Douglas Bostock. Scandinavian Classic 220542-205 17 Hummel, J. Mass in D, op 111 (1808). Collegium Musicum 90/Richard Hickox. Chandos CHAN 0681 38 10:00 THE CLASSICAL ERA Prepared by Di Cox Beethoven, L. Mödlinger dances, WoO17 nos 1-8 (1819). Eduard Melkus Ensemble. Archiv 439 964-2 14 Carulli, F. Guitar concerto in E minor, op 140, Petit concerto de Société (pub. 1820). Pepe Romero, gui; Academy of St Martin in the Fields/Iona Brown. Decca 478 5669 16 Reicha, A. Quintet in F, op 107 (1821-26). Sarah Francis, ob; Allegri String Quartet. Hyperion CDA66143 24 Field, J. Nocturnes: no 1 in E flat; no 2 in C minor; no 3 in A flat (1812). Míceál O’Rourke, pf. Chandos CHAN 8719/20 14

22:00 SATURDAY NIGHT AT HOME Prepared by Rex Burgess

Mozart, W. Concert aria: Ch’io mi scordi di te? .... Non temer, amato bene, K505 (1790). Joan Carden, sop; John Winther, pf; O of Sydney/John Harding. ABC 446 276-2 11

Telemann, G. Overture in E flat. Collegium Instrumentale Brugense/Patrick Peire. Brilliant Classics 94104 14

Hummel, J. Piano trio no 1 in E flat, op 12 (c1803). Borodin Trio. Chandos CHAN 9529 21

Fauré, G. Masques et bergamasques, op 112 (1919). Australian CO/Christopher Hogwood. Fine Music Tape Archive 14

Benda, G. Sinfonia no 1 in D. Prague CO/ Christian Benda. Naxos 8.553408 10

Beethoven, L. Trio in B flat, op 97, Archduke (1810-11). Itzhak Perlman, vn; Lynn Harrell, vc; Vladimir Ashkenazy, pf. EMI CDC 7 47010-2 37 Mayr, S. Cantata for the death of Beethoven (1827). Talia Or, sop; Altin Piriù, ten; Nikolay Borchev, bass; Simon Mayr Choir; Ingolstadt Georgian CO/Franz Hauk. Naxos 8.557958 15 Grieg, E. Symphonic dances, op 64 (1898). Academy of St Martin in the Fields/Neville Marriner. hänssler 98.128 31

12:00 CLASSIC JAZZ AND RAGTIME with John Buchanan The early days of jazz and ragtime as recorded during the first 30 years of the 20th century 13:00 WORLD MUSIC: Whirled Wide 14:00 ROMANTIC PIANO Prepared by Marilyn Schock Granados, E. Escenas románticos. Thomas Rajna, pf. CRD 3322 26 Skryabin, A. Nine mazurkas, op 25 (189899). Beatrice Long, pf. Naxos 8.553600 28

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15:00 SUNDAY SPECIAL Neville Marriner: A tribute Rossini, G. Overture to The thieving magpie (1817). Academy of St Martin in the Fields. Philips 473 967-2 10 Suk, J. Serenade in E flat for strings, op 6 (1892). Los Angeles CO. Decca 466 459-2 24 Vivaldi, A. Bassoon concerto in B flat, RV504. John Miller, bn; St Mary’s Chamber Players. Pro Arte CDD 273 12 Britten, B. Simple symphony, op 4 (1933-34). Academy of St Martin in the Fields. EMI 1 66442 2 16 Mozart, W. Cantata: Davide Penitente, K469 (1785). Margaret Marshall, sop; Iris Vermillion, mezz; Hans-Peter Blochwitz, ten; South German Radio Choir; Stuttgart RSO. Philips 420 952-2 45 Neville Marriner, cond (all above) 17:00 HOSANNA Prepared by Jeremy Hall Hymn: As with gladness. Choir of Trinity College, Cambridge/Richard Marlow. Conifer 75605517542/2 2 Attwood, T. O God, who by the leading of a star. Musica Sacra/Indra Hughes. Atoll ACD207 4 Hymn: From the eastern mountains. Choir of Wells Cathedral; Rupert Gough, org; Malcolm Archer, cond. Hyperion CDP12103 3 Elgar, E. Give unto the Lord. Choir of St John’s College, Cambridge; Jonathan Vaughn, org; Christopher Robinson, cond. Naxos 8.557288 8 Hymn: Songs of thankfulness and praise. Choir of Trinity College, Cambridge; Andrew Lamb, org; Richard Marlow, org. Sony 88697573572 4 Rogier, P. Verbum caro. Magnificat; His Majestys Sagbutts and Cornetts/Philip Cave. Hyperion CKD348 5 Gabrieli, G. Jubilate Deo. Westminster Cathedral Choir/James O’Donnell. Hyperion CDA66850 5 Warlock, P. Bethlehem Down. Cornelius, P. The three kings (arr. Atkins). 7 Voces 8 (2 above) Signum SIGCD291 Stopford, P. The Coventry carol. Ecclesium Choir/Philip Stopford. Priory PRCD 1019 4 Hymn: O worship the Lord in the beauty of holiness. Choir of Christ Church, St Laurence; Peter Jewkes, org; Neil McEwan, org. 4 Bach, J.S. Choral prelude: In dir ist Freude, BWV615. Marie-Claire Alain, org. Erato Disques 2564 69902-8 3


Sunday 8 JANUARY 18:00 CHAMBER INTERLUDE Prepared by Chris Blower Finzi, G. Five bagatelles, op 23 (1938-43). Gervase de Peyer, cl; Gwenneth Pryor, pf. Chandos CHAN 8549 14 Giuliani, M. Gran pot-pourri, op 126 (pub. 1817). Mikael Helasvuo, fl; Jukka Savijoki, gui. BIS CD-413 12 Ponchielli, A. Capriccio (1868). John Anderson, ob; Gordon Back, pf. ASV WHL 2100 11

Monday 9 JANUARY 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with James Hunter 9:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1701 Prepared by Francis Frank Caldara, A. Cantata: La forriera del giorno (pub. 1701-02). Wren Baroque Soloists/ Martin Elliott. Unicorn-Kanchana DKP(CD)9130 9

Haydn, J. String quartet in B flat, Hob.III:40 (1781). Quarteto Casals. Harmonia Mundi HMX 2962022.23 16

Lonati, C. Sonata no 7 in G minor (1701). Schola Cantorum Basiliensis. LP EMI 1C 065-99 760 12

19:00 SUNDAY NIGHT CONCERT Prepared by Frank Morrison

Valentini, Giuseppe. Sinfonia à tre for Christmas, op 1 no 12 (pub. 1701). Northwest CO/Alun Francis. Helios CDH88028 10

Brahms, J. Variations on a theme by Haydn, op 56a, St Anthoni chorale (1873). Hallé O/ James Loughran. EMI CDM 1 66425 2 19 Medtner, N. Piano concerto no 1 in C minor, op 33 (1918). Geoffrey Tozer, pf; London PO/ Neeme Järvi. Chandos CHAN 9039 33 Mozart, W. Symphony no 39 in E flat, K543 (1788). Royal Concertgebouw O/Nikolaus Harnoncourt. Teldec 9031-77596-2 30 20:30 NEW HORIZONS Prepared by James Nightingale Bray, C. At the speed of stillness (2012). Aldeburgh World O/Mark Elder. NMC D202 11 Muntendorf, B. Durchhören (2010). Calefax Reed Quintet. Col Legno WWE 1CD 40411 9 Rihm, W. Lichtes spiel: Ein sommerstück (2009). Anne-Sophie Mutter, vn; New York Philharmonic/Michael Francis. DG 477 9359 17 Kelly, N. Untitled (moths) (2014). Michael Kieran Harvey, pf. Move MD 3397 13 Kuusisto, J. Play III (2008). Meta4. BIS BIS-2192 11 Zaimont, J. Stillness (2004). Slovak NSO/ Kirk Trevor. Naxos 8.559619 20 22:00 AFTER HOURS JAZZ with Kevin Jones

Marais, M. Les folies d’Espagne (pub. 1701). William Hunt, bass viol; Purcell Quartet. Hyperion CDA67035 16 Dieupart, C. Recorder suite in G (pub. 1701). Frans Brüggen, rec; Nikolaus Harnoncourt, va da gamba; Gustav Leonhardt, hpd. LP Telefunken SMA 25073 14 Muffat, G. Concerto XII in G, Propitia sydera (pub. 1701). Musica Aeterna/Peter Zajicek. Naxos 8.555743 18 10:30 CONCERT HALL Prepared by Derek Parker Lambert, C. The Rio Grande (1927). Sally Burgess, mezz; Opera North Ch; Jack Gibbons, pf; English Northern Philharmonia/ David Lloyd-Jones. Hyperion CDA66565 14 Tartini, G. Cello concerto in A (c1740). Mstislav Rostropovich, vc; Collegium Musicum Zürich/Paul Sacher. DG 479 2561 15 Lambert, C. Piano concerto. Jonathan Plowright, pf; English Northern Philharmonia/ David Lloyd-Jones. Hyperion CDA67545 17 Dvorák, A. Symphony no 8 in G, op 88 (1889). Czech PO/Jirí Belohlávek. Decca 478 6757 38

Wagner, R. Prelude to Act I of Tristan and Isolde (1857-59). Los Angeles PO/Erich Leinsdorf. Sheffield 10052-2-G 11 Villa-Lobos, H. Five preludes (1940). Marcelo Kayath, gui. IMP PCD 853 21 Handel, G. Overture and ballet music from Alcina, HWV34 (1735). Academy of St Martin in the Fields/Neville Marriner. Decca 480 1388 21 Verdi, G. Prelude to Act III, La traviata (1853). La Scala PO/Riccardo Muti. Sony SBK 89738 4 Beethoven, L. Overture to Leonore, op 72a no 3 (1806). Bavarian RSO/Colin Davis. CBS MDK 44790 16 Mozart, W. Overture to The magic flute, K620 (1791). Australian Opera and Ballet O/ Richard Bonynge. ABC 434 140-2 7 Wagner, R. Overture to Rienzi (1838-40). Cleveland O/George Szell. CBS M2YK 46466 13 15:00 BAROQUE INSTRUMENTAL Prepared by Phil Vendy Porretti, D. Sonata in D. Josep Bassal, vc; Wolfgang Lehner, vc. Naxos 8.557795 19 Weiss, S. Suite in G minor. Lutz Kirchhof, lute. Sony S2K 48391 18 Benda, F. Sonata no 14 in E flat. HansJoachim Berg, baroque vn; Naoko Akutagawa, hpd. Naxos 8.572307 15 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with David Brett 19:00 JAZZ NICE ‘N EASY with Ken Weatherley 20:00 STORMY MONDAY with Austin Harrison and Garth Sundberg 22:00 THE AUSTRALIAN JAZZ SCENE with Susan Gai Dowling and Peter Nelson

12:00 SWING SESSIONS with John Buchanan 13:00 OVERTURES AND PRELUDES Prepared by Randoph Magri-Overend Rossini, G. Overture to Semiramide (1823). Philharmonia O/Carlo Maria Giulini. EMI 5 62802 2 13

January 2017

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Tuesday 10 JANUARY

Yevgeny Svetlanov

Christopher Seaman

0:00 CONTEMPORARY COLLECTIVE

Elgar, E. Symphony no 1 in A flat (1907-08). London PO/Georg Solti. Decca 421387-2 49

3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Julie Simonds 9:00 DIVERSIONS IN FINE MUSIC Artist of choice: Heinrich Schiff Prepared by Di Cox Vivaldi, A. Sonata in B flat, RV45. Jaap ter Linden, vc; Ton Koopman, hpd. Philips 434 124-2 12 Beethoven, L. Cello sonata no 3 in A, op 69 (1807-08). Till Fellner, pf. Philips 462 601-2 27 Haydn, J. Cello concerto no 1 in C, Hob. VIIb:1 (c1761-65). Academy of St Martin in the Fields/Neville Marriner. Philips 420 923-2 23 Rachmaninov, S. Vocalise, op 34 no 14 (1915). Elisabeth Leonskaja, pf. Philips 412 732-2 6 Strauss, R. Romance in F (1883). Gewandhaus O/Kurt Masur. Philips 426 262-2 9 Heinrich Schiff, vc (all above) 10:30 CONCERT HALL Prepared by Paul Hopwood Balakirev, M. Overture on three Russian themes (1858-1881). Philharmonia O/ Yevgeny Svetlanov. Hyperion CDA66586 9 Bach, J. Christian Bassoon concerto in B flat. Daniel Smith, bn; English CO/Philip Ledger. ASV CDQS 6177 22 20

12:00 JAZZ RHYTHM with Jeannie McInnes 13:00 LEGENDARY SINGERS with Randolph Magri-Overend 14:00 CLASSICAL JUKEBOX Prepared by Randolph Magri-Overend Dukas, P. The sorcerer’s apprentice (189697). Melbourne SO/Christopher Seaman. ABC 476 4621 12 Debussy, C. Prélude à l’après-midi d’un faune (1894). St Cecilia Academy O/Leonard Bernstein. DG 429 728-2 12 Ravel, M. La valse (1921). Martha Argerich, pf; Nelson Freire, pf. DG 477 8570 12 Duparc, H. Chanson triste (1868/1902); L’invitation au voyage (1870); La vie antérieure (1884); Phydilé (1882). Barbara Hendricks, sop; Lyon Opera O/John Eliot Gardiner. EMI CDC 7 49689 2 17

19:00 THE JAZZ BEAT with Lloyd Capps 20:00 RECENT RELEASES with David Ogilvie 22:00 CHAMBER SOIRÉE Prepared by Rex Burgess Shostakovich, D. Trio no 1 in C minor, op 8 (1923). Vienna Piano Trio. Nimbus NI 5572 13 Turina, J. String quartet, op 4, De la guitarra (1910). Quartet Sine Nomine. Claves 50-9320 30 Hahn, R. Piano quintet in F minor (1921). Alexandre Tharaud, pf; Quatuor Parisii. Auvidis V 4848 26 Rorem, N. Book of hours (1975). Fenwick Smith, fl; Ann Hobson Pilot, hp. Naxos 8.559674 18 Françaix, J. Clarinet quintet (1977). Richard Hosford, cl; members of the Gaudier Ensemble. Hyperion CDA67036 24

Massenet, J. Le carillon (1892). National PO/ Richard Bonynge. Decca 478 4749 37 Saint-Saëns, C. Algerian suite, op 60 (187980). Monte Carlo PO/David Robertson. Auvidis V 4688 20 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Derek Parker 18:00 SYDNEY SYMPHONY 2017 Produced by Andrew Bukenya

What’s on in concerts during the next month

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Owen Fisher has been a volunteer at Fine Music FM 102.5 for 41 years. Congratulations Owen!


Wednesday 11 JANUARY 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Peter Kurti 9:00 DIVERSIONS IN FINE MUSIC Music of the 18th century Prepared by Andari Anggamulia Stamitz, J. Symphony in E flat, op 11 no 3 (pub. 1758). New Zealand CO/Donald Armstrong. Naxos 8.553194 17 Holzbauer, I. Es ist geschrieben ... Ihr Rosenstunden, from Günther von Schwarzburg (1777). Mojca Erdmann, sop; La Cetra Barockorchester Basel/Andrea Marcon. DG 477 8979 7 Toeschi, C. Violin concerto in D. Saar Radio CO/Karl Ristenpart. EMI CDZ 25 2240 2 12 Richter, F. Praeludium in C. Aapo Häkkinen, hpd. Naxos 8.572030 4 Cannabich, C. Flute quintet in G, op 7 no 4 (1768-69). Camerata Cologne. cpo 999 544-2 13 Beck, F. Sinfonia in E flat, op 2 no 4. Thirteen Strings CO/Kevin Mallon. Naxos 8.573323 10 Stamitz, C. Clarinet concerto no 3 in B flat. Sabine Meyer, cl; Academy of St Martin in the Fields/Iona Brown. EMI CDC 7 54842 2 14

Cherubini, L. Sonata no 2 (1804). Barry Tuckwell, hn; Academy of St Martin in the Fields/Neville Marriner. EMI 5 69395 2 7 Bach, J. Christian Sonata in E flat (1762; arr. Marie Claire Alain). John Foster, tpt; David Drury, org. ABC 476 639-8 8 Danzi, F. Sonata in E flat, op 28 (1805). Michael Thompson, hn; Philip Fowke, pf. Naxos 8.553570 23 14:00 IN CONVERSATION with Michael Morton-Evans 15:00 GOUNOD EXPLORED Part 2 Prepared by Michael Morton-Evans Gounod, C. Absence; Come, the grass is green. Gérard Souzay, bar; Dalton Baldwin, pf. LP HMV ASD 3083 4 Gloria; Credo, from Mass no 2 in G (1846). Chorale du Brassus; François Margot, org; André Charlet, cond. Claves 50-9326 15 O ma lyre immortelle, from Sapho (1851). Elizabeth Whitehouse, sop; O Victoria/ Richard Bonynge. Melba MR 301 104 5 Sérénade (1857). Alice Coote, mezz; Graham Johnson, pf. Hyperion CDA67962 4

10:30 CONCERT HALL Prepared by Denis Patterson

Symphonies: no 1 in D, mvts 3 and 4 (1855); no 2 in E flat, mvt 3 (1856). Sinfonia Finlandia/Patrick Gallois. Naxos 8.557463 24

Rossini, G. Overture to William Tell (1829). Tasmanian SO/Ola Rudner. ABC 481 0616 12

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with James Hunter

Piazzolla, A. The four seasons of Buenos Aires (1970; arr. Desyatnikov). Tianwa Yang, vn; Nashville SO/Giancarlo Guerrero. Naxos 8.572271 28 Dvorák, A. Symphony no. 4 in D minor, op 13 (1874). Czech PO/Jirí Belohlávek. Decca 478 6757 40 12:00 JAZZ SKETCHES with Robert Vale 13:00 CLASSICAL BRASS SONATAS Prepared by Gael Golla Beethoven, L. Sonata in F, op 17 (1800). Wolfgang Tomboeck, hn; Madoka Inui, pf. Naxos 8.557471 14

The Florentine merchant Simone returns home to find his wife Bianca with Prince Guido. Pretending not to care, he banters with the lovers, who gradually reveal their scorn for Simone and affection for each other. As Guido prepares to leave, Simone challenges him to a sword fight and kills him, winning back Bianca’s admiration. Wolf-Ferrari, E. Susanna’s secret. Intermezzo in one act. Libretto by Enriso Golisciani. First performed Munich, 1909. SUSANNA: Dora Rodriques, sop COUNT GIL: Marc Canturri, bar Royal Liverpool PO/Vasily Petrenko. Avie AV2193 47 Count Gil suspects his wife, Susanna, of having an affair after he smells tobacco smoke in the house; he does not smoke and neither does Susanna nor the servant, Sante. She admits to having a secret, but refuses to tell him what it is. He eventually catches her with a cigarette. They forgive each other and swear eternal love while smoking together. Overture to The backward woman (1939). Royal PO/José Serebrier. ASV DCA 861 8 Suite from The jewels of the Madonna (1911). BBC PO/Gianandrea Noseda. Chandos CHAN 10511 17 22:30 STRING SONATAS 20th century Prepared by Gael Golla Ravel, M. Violin sonata (1927). Tasmin Little, vn; Piers Lane, pf. EMI 5 73115 2 18 Castelnuovo-Tedesco, M. Sonata, op 77, Homage to Boccerini (1934). Julian Bream, gui. EMI 5 55362 2 19

19:00 JAZZ STARS AND STRIPES with Peter Mitchell

Hindemith, P. Viola sonata, op 11 no 4 (1919). Heinrich Koll, va; Madoka Inui, pf. Naxos 8.557606 16

20:00 AT THE OPERA Double bill Prepared by Angela Cockburn

Shostakovich, D. Cello sonata in D minor no 2, op 40 (1934). Truls Mørk, vc; Lars Vogt, pf. Virgin 5 45274 2 28

Zemlinsky, A. A Florentine tragedy, op 16. Opera in one act. Libretto by Oscar Wilde; translated by Meyerfield. First performed Stuttgart, 1917. GUIDO BARDI: Albert Dohmen, bar SIMONE: Heinz Kruse, ten BIANCA: Iris Vermillion, mezz Royal Concertgebouw O/Riccardo Chailly. Decca 455 112-2 54

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Thursday 12 JANUARY 19:00 THE NEW JAZZ STANDARD with Frank Presley 20:00 SHOWCASING AUSTRALIAN ARTISTS Orchestral landscapes Recorded by Greg Ghavalas for FINE MUSIC on 27 August 2016 at St Ives Uniting Church Sculthorpe, P. Sun music III (1967).

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Sibelius, J. Violin concerto in D minor, op 47 (1903). Josephine Chung, vn. 34 Brahms, J. Syphony no 3 in F, op 90 (1883).

Daniel Barenboim 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Simon Moore 9:00 DIVERSIONS IN FINE MUSIC Two’s company Prepared by Rebecca Zhong Giuliani, M. Sonata in C. Dieter Klöcker, cl; Sonja Prunnbauer, gui. Dabringhaus Grimm MD&G L 3319 15

Chabrier, E. Larghetto for horn and orchestra (1875). Ronald Janezic, hn; Vienna PO/John Eliot Gardiner. DG 447 751-2 10 Alkan, C-V. Introduction, variations and finale in D minor for right hand, from Trois grandes études, op 76 (c1838). Ronald Smith, pf. Arabesque Z 6604 23

Telemann, G. Double concerto in A minor. Clas Pehrsson, rec; Olof Larsson, bass viol; Drottningholm Baroque Ensemble. BIS CD-617 14

Saint-Saëns, C. The lyre and the harp, op 57 (1879). Françoise Pollet, sop; Hélène Perraguin, mezz; Daniel Galvez-Vallejo, ten; Didier Henri, bass; Îl-de-France Victoria Regional Choir & NO/Jacques Mercier. Adés 204222 49

Petrini, F. Duo in E flat, op 30 (c1793). JeanPierre Rampal, fl; Marielle Nordmann, hp. Sony SK 44552 10

14:30 CELLO IN 20TH CENTURY CHAMBER Prepared by Gael Golla

Stamitz, C. Sinfonia concertante in D (178082). Isaac Stern, vn; Pinchas Zukerman, va; English CO/Daniel Barenboim. Sony SM2K 66 472 21

Ibert, J. Trio (1937-42). Kees Hülsmann, vn; Marien van Staalen, vc; Ernestine Stoop, hp. Olympia OCD 469 16

Grainger, P. Suite: In a nutshell (1916). Leslie Howard, pf; David Stanhope, pf. ABC 481 1601 18 10:30 CONCERT HALL Prepared by Rex Burgess Rimsky-Korsakov, N. Suite from The tale of Tsar Saltan (1899). Queensland SO/Vladimir Verbitsky. ABC 438 880-2 22 Martinu, B. Piano concerto no 3 (194748). Josef Pálenícek, pf; Czech PO/Václav Neumann. Supraphon 11 9374-2 031 CDB 30 Enescu, G. Symphony no 1 in E flat, op 13 (1905). Monte Carlo PO/Lawrence Foster. EMI CDC 7 54763 2 31 12:00 JAZZ, PURE AND SIMPLE with Maureen Meers 22

13:00 THREE FRENCH ROMANTICS Prepared by Rex Burgess

Villa-Lobos, H. The jet whistle (1950). William Bennett, fl; Charles Tunnell, vc. Hyperion CDA66295 11 Piazzolla, A. Café 1930, from Histoire du tango (1986). Yo-Yo Ma, vc; Nestor Marconi, ban. Sony SK 63122 8 Ravel, M. Introduction and allegro (1906). Carol Wincenc, fl; David Campbell, cl; Peter Carter, vn; David Roth, vn; Keith Lovell, va; Bruno Schrecker, vc; Vanessa McKeand, hp; Edmon Colomer, cond. Virgin VC 7 90721-2 10 Rachmaninov, S. Cello sonata in G minor, op 19 (1901). Truls Mørk, vc; Jean-Yves Thibaudet, pf. Virgin 5 45119 2 36 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Marilyn Schock

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

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Ku-ring-gai PO/Sadaharu Muramatsu. 21:30 BAROQUE INTERLUDE Prepared by Elaine Siversen Falconieri, A. Dances, from Il primo libro di canzone (pub. 1650). Broken Consort. 8 Veracini, F. Largo (arr. Corti). Thomas Jones, vn; Rachel Valler, pf. 5 Roman, J. Sonata (1727). Marais Project 12 Fine Music concert recordings (3 above) 22:00 DIFFERING PATHS OF THE 20TH CENTURY Prepared by Melissa Evans Saint-Saëns, C. Prelude and tableaux 1 to 5, from music for the film, L’assassination de duc Guise (1908). USSR Ministry of Culture SO/Gennady Rozhdestvensky. LP Melodiya C10-20459 -009 18 Easdale, B. Suite from Black Narcissus (1947). BBC National Ch & O of Wales/ Rumon Gamba. Chandos CHAN 10636 14 Steiner, M. Medley from the film, The fountainhead (1949). National PO/Charles Gerhardt. RCA GD80136 8 Williams, J. Theme from Schindler’s List. City of Prague PO/Paul Bateman. ABC 534 3879 4 Schnittke, A. Soundtrack, from The glass harmonica (1968). Berlin RSO/Frank Strobel. Capriccio C7196 21 Vangelis. Chariots of fire theme (1981). London PO/David Parry. LPO Live LPO - 0063 3 Shostakovich, D. Suite from The gadfly, op 97a (1955). USSR Cinema SO/Emin Khachaturian. EMI CDB 7 62578 2 42


Friday 13 JANUARY 12:00 A JAZZ HOUR with Barry O’Sullivan 13:00 A FRIDAY THE 13TH FLING Prepared by Randolph Magri-Overend Lloyd Webber, A. Suite from The phantom of the opera (1986). O/Richard Hayman. Naxos 8.578039-40 12 Mussorgsky, M. St John’s night on Bald Mountain (1867; arr. Rimsky-Korsakov). Berlin PO/Claudio Abbado. DG 445 238-2 13 Valery Gergiev 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Janine Burrus 9:00 DIVERSIONS IN FINE MUSIC Strings plus one Prepared by Frank Morrison Neukomm, S. Quintet in B flat for clarinet, two violins, viola and cello, op 8 (c1804). Divertimento Salzburg. Claves 50-8703 27 Schubert, F. String trio in B flat, D471 (1816). Grumiaux Trio. Philips 438 700-2 8 Boccherini, L. String quintet in B minor, op 27 no 6 (1779). La Magnifica Comunità. Brilliant Classics 94386 12 Mozart, W. String trio in B flat, K266 (1777). Members of Academy of St Martin in the Fields Chamber Ensemble. Philips 422 513-2 9 Bartók, B. String quartet no 4 (1928). Takács Quartet. Decca 476 280-2 23 10:30 CONCERT HALL Prepared by Giovanna Grech Balakirev, M. Overture on Russian folk themes (1858). Tasmanian SO/Shalom Ronly-Riklis. ABC 838 903-2 8 Enescu, G. Suite no 3 in D, op 27, Villageoise (1937-38). Philharmonia Moldova/ Alexandru Lascae. Ottavo OTR C49240 29 Bruckner, A. Symphony in D minor (1869). Chicago SO/Daniel Barenboim. DG 437 250-2 46

Herrmann, B. Concerto macabre (1941). Martin Roscoe, pf; BBC PO/Rumon Gamba. Chandos CHAN 10577 11 Gounod, C. Funeral march of a marionette (1872). Detroit SO/Paul Paray. Mercury 434 332-2 3 Berlioz, H. Excerpts from The damnation of Faust, op 24 (1845). Rotterdam PO/Valery Gergiev. Radio Netherlands Worldwide RPHO2008-1 12

Borodin, A. Polovtsian dances, from Prince Igor (1887). Sydney Philharmonia Motet and Symphonic Choirs; Sydney Philharmonia O/ Antony Walker. ABC 476 3521 14 Balakirev, M. Overture, from King Lear, music to the tragedy by Shakespeare (1861). USSR SO/Yevgeny Svetlanov. Melodiya MELCD 1001877 12 Mussorgsky, M. St John’s night on Bald Mountain (1867; arr. Rimsky-Korsakov). Berlin PO/Claudio Abbado. DG 445 238-2 13 Rimsky-Korsakov, N. Symphony no 1 in E minor, op 1 (1865/84). Philharmonia O/ Yondani Butt. ASV DC DCA 1024 30 22:00 BAROQUE AND BEFORE Prepared by Andrew Dziedzic Fayrfax, R. Aeternae laudis lilium. The Sixteen/Harry Christophers. Hyperion CDS44401/10 11

Symphonie fantastique, op 14 (1830). Chicago SO/Claudio Abbado. DG 410 895-2 54

Taverner, J. In nomine. Rose Consort of Viols. Naxos 8.554284 2

15:00 AN HOUR WITH TCHAIKOVSKY Prepared by Georgina Giannikopoulos

Missa O Michael; Quemadmodum a 6. Fretwork. 42

Pas de deux, from The nutcracker (1892). London SO/Richard Bonynge. Decca 452 767-2 8

Mundy, W. O Lord, the maker of all things. 3

Tchaikovsky, P. Piano concerto no 2 in G, op 44 (1880). Daniel Dodds, vn; Catherine Hewgill, vc; Garrick Ohlsson, pf; Sydney SO/ Vladimir Ashkenazy. Sydney Symphony SSO201301 47 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Lloyd Capps 19:00 FRIDAY JAZZ SESSION with Sally Cameron 20:00 THE ROMANTIC CENTURY Prepared by Katy Rogers-Davies

Ah helpless wretch. Christopher Royall, ct; Paul Nicholson, org. 6 The Sixteen/Harry Christophers (4 above) Hyperion CDS44401/10 Sheppard, J. Media vita, from The Baldwin partbooks I (pub.1591). Contrapunctus/Owen Rees. Signum SIGCD408 23 Cornysh, W. Gaude Virgo, mater Christi; Salve Regina. Cardinall’s Musick/Andrew Carwood. ASV GAU 164 20

Balakirev, M. Overture on Russian folk themes (1858). Tasmanian SO/Shalom Ronly-Riklis. ABC 838 903-2 8 Cui, C. A feast in time of plague (1901). Tatiana Sharova, sop; Ludmila Kuznetsova, mezz; Alexei Martinov, ten; Andrei Baturkin, bar; Dmitri Stepanovich, bass; Russian State SO/ Valery Polyansky. Chandos CHAN 10201 32

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Saturday 14 JANUARY The minstrel boy; The gentle maiden; Men of Harlech (arr. Langford). 11 John Foster Black Dyke Mills Band; Geoffrey Brand, cond; Roy Newsome, cond (all above) Chandos CHAN 6515 12:00 URBAN JAZZ LOUNGE with Leita Hutchings 13:00 IN A SENTIMENTAL MOOD with Maureen Meers Nostalgic music and artists from the 30s, 40s and 50s and occasionally beyond, in a trip down many memory lanes Jorge Mester 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 SATURDAY MORNING MUSIC with David Garrett 9:00 WHAT’S ON IN MUSIC Our weekly guide to musical events in and around Sydney 9:05 ORCHESTRAS AROUND THE WORLD Montreal Symphony Orchestra Prepared by Randolph Magri-Overend Ravel, M. Introduction and danse religieuse, from Daphnis and Chloe, part 1 (1911). Decca 458 605-2 8 Theodorakis, M. Zorbas suite-ballet. Ioanna Forti, sop. Decca 475 6130 34 Berlioz, H. Three scenes from Romeo et Juliet, op 17 (1839). Decca 425 001-2 40 Montreal Symphony Ch & O/Charles Dutoit (all above)

Beethoven, L. Trio in B flat, op 11 (1797). James Campbell, cl; Yuli Turovsky, vc; Luba Edlina, pf. Chandos CHAN 8655 24 Arriaga, J. String quartet no 1 in D minor (1821-22). Chilingirian Quartet. CRD 33123 30 11:30 ON PARADE Prepared by Robert Small

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Benjamin, A. North American square dance (1951). Symphony Nova Scotia/Georg Tintner. CBC Enterprises 2-5088 12 Bennett, Robert. Suite of old American dances (1949). Lone Star Wind O/Eugene Migliaro Corporon. Naxos 8.570968 19 Copland, A. Old American songs, set 1 (1950). Thomas Hampson, bar; St Paul CO/ Hugh Wolff. Teldec 9031-77310-2 12 Gould, M. American symphonette no 2 (1939). Leon Rapier, tpt; Louisville O/Jorge Mester. Albany Records TROY 013-14 10 15:00 PEER GYNT Prepared by Chris Blower Grieg, E. Incidental music to Peer Gynt, op 23 (1874-75). Malmö Chamber Choir & SO/ Bjarte Engeset. Naxos 8.570871-72 1:40 Sinding, C. Seven caprices, op 44 (1898). Helge Antoni, pf. Etcetera KTC 1047 18

10:30 SMALL FORCES Prepared by Paul Hopwood

Trad. Fantasy on British sea songs (arr. Langford).

14:00 AMERICAN SONGS AND DANCES Prepared by Elaine Siversen

Holter, I. Violin concerto in A, op 22 (c1915). Ragin Wenk-Wolff, vn; Royal PO/Per Dreier. NKFCD 50020-2 23 17:30 THE VOICES, THE ROLES with Angela Cockburn Seduced sopranos 18:00 SOCIETY SPOT Organ Music Society of Sydney Prepared by Andrew Grahame 19:00 THE MAGIC OF STAGE AND SCREEN Prepared by Maureen Meers

6

Parry, H. Jerusalem (1916; arr. Langford). 2

Ellis, V. Excerpts from Bless the bride (1947). Lizbeth Webb, Georges Guétary, voices. Sepia 1124 18

Trad. Drink to me only; The British Grenadiers (arr. Langford).

Porter, C. Another opening, another show. Annabelle Hill, voice. 2

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FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

Kander, J. Willkommen. Joel Grey, voice. 5 Herman, J. Mame. Charles Braswell, voice. 6 Sony SK 53541 (3 above) Porter, C. Excerpts from Anything goes (1934). Patti LuPone, Howard McGillin, Rex Everhart, voices. RCA Victor 7769-2 RC 18 20:00 INFLUENCES AND CONNECTIONS Carl Maria von Weber Prepared by Rex Burgess Weber, C.M. Overture to Euryanthe (1823). Staatskapelle Dresden/Marek Janowski. Berlin Classics 0300249BC 9 Vogler, G. Sinfonia: La scala (1799). National Museum CO/Claude Génetay. Musica Sveciae MSCD 407 21 Weber, C.M. Clarinet quintet in B flat, op 34 (1811-15). Omega Ensemble. Fine Music Concert Recording 26 Haydn, M. Divertimento in E flat (1790). Divertimento Salzburg. Claves 50-8703 25 Weber, C.M. Ocean, thou mighty monster, from Oberon (1826). Gundula Janowitz, sop; German Opera O/Ferdinand Leitner. Decca 467 910-2 9 Mendelssohn, F. Piano concerto no 1 in G minor, op 25 (1831). Stephen Hough, pf; City of Birmingham SO/Lawrence Foster. Hyperion CDA66969 19 22:00 SATURDAY NIGHT AT HOME A night at the ballet Prepared by Elaine Siversen Lord Berners. Wedding bouquet, ballet with chorus (1936). RTE Chamber Choir and Sinfonietta/Kenneth Alwyn. Marco Polo 8.223716 33 Martinu, B. Suite no 2 from the ballet Spalicek (1931-33/40). Brno State PO/Jirí Waldhans. LP Supraphon 1 10 1129 25 Glazunov, A. Ballet: Les ruses de l’amour, op 61 (1900). Mikhail Chernyakhobsky, vn; Victor Simon, vc; USSR RSO/Algis Ziuraitis. Melodiya MA 3010 55


Sunday 15 JANUARY Shostakovich, D. Piano concerto no 2 in F, op 102 (1957). Cristina Ortiz, pf; Bournemouth SO/Paavo Berglund. Brilliant Classics 9412 18 Handel, G. Recorder sonata in F, HWV369. Dan Lauren, rec; Hidemi Suzuki, vc; Masaaki Suzuki, hpd. BIS CD-955 7 Bach, W.F. Symphony in F, F67, Dissonance (1755-58). Akademie für Alte Musik Berlin/ Stephan Mai. Harmonia Mundi HMX 2908601.30 15 Charles Mackerras 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 SUNDAY MORNING MUSIC with Terry McMullen 9:00 MUSICA SACRA Prepared by Rex Burgess Bach, C.P.E. Heilig! Heilig! (c1776). Netherlands Chamber Choir; Amsterdam Baroque O/Ton Koopman. Radio Netherlands

Hertel, J. Double concerto in E flat. Maurice Bourge, ob; Maurice André, tpt; Württemberg CO/Jörg Faerber. EMI CMS 7 69880-2 18 Haydn, J. Symphony in B, Hob.I:46 (1772). English Concert/Trevor Pinnock. Archiv 429 756-2 18

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Muffat, G. Missa in labore requies (1690). Cantus Cölln; Concerto Palatino/Konrad Junghänel. Harmonia Mundi HMC 901667 41 Mendelssohn, F. Psalm 42: Wie der Hirsch schreit, op 42 (1837). Chamber Choir of Europe; Würrtembergische Philharmonie Reutlingen/Nicol Matt. Brilliant Classics 94412 5 10:00 THE CLASSICAL ERA Prepared by Sheila Catzel

12:00 SPEAK EASY, SWING HARD with Richard Hughes 13:00 WORLD MUSIC: Whirled Wide 14:00 FROM THE CLASSICAL ERA Prepared by Frank Morrison Violin concerto no 4 in B flat (c1772). Elizabeth Wallfisch, vn; Brandenburg O/Roy Goodman. Hyperion CDA66840 17 Field, J. Fantasie sur l’air de Martini (c1811). Míceál O’Rourke, pf. Chandos CHAN 9315 11

Dittersdorf, C. Divertimento in D. Viennese String Trio. Calig CAL 50876 9

Salieri, A. Triple concerto in D (c1770). Heinz Holliger, ob; Thomas Demenga, vc; Camerata Bern/Thomas Füri, vn & dir. Archiv 410 599-2 25

Pokorny, F. Horn concerto in D. Hermann Baumann, hn; Academy of St Martin in the Fields/Iona Brown. Philips 422 346-2 16

15:00 SUNDAY SPECIAL Master key: F major Prepared by James Nightingale

Bach, J. Christian Concerted symphony in E flat. Colin Lawson, cl; Michael Harris, cl; Parley of Instruments/Peter Holman. Helios CDH55261 16 Wagenseil, G. Symphony in B flat (c1764). L’Orfeo Baroque O/Michi Gaig. cpo 999 450-2 16 Schobert, J. Quartet in F minor, op 7 no 2 (1764). Chiara Banchini, vn; Véronique Méjean, vn; Philipp Bosbach, vc; Luciano Sgrizzi, fp. Harmonia Mundi HMC 1901294 13

Bach, J.S. Prelude and fugue in F, BWV856 (1722). Richard Egarr, hpd. Harmonia Mundi HMU 907431 3 Mozart, W. Divertimento no 13 in F, K253 (1776). Wind Soloists of the CO of Europe. Teldec 2292-46472-2 13 Chopin, F. Prelude in F, op 28 no 23 (1839). Ian Holtham, pf. Move MD 3336 1 Ravel, M. Quartet in F (1902-03). Australian String Quartet. ABC 434 721-2 28

Haydn, J. Symphony on F, Hob.I:89 (1787) Vienna CO/Ernst Märzendorfer. Music Heritage Society OR H-201-249 20 17:00 HOSANNA Prepared by Meg Matthews Hymns: Be thou my vision; City of God; Through all the changing scenes of life. Choir of St Mary’s Episcopal Cathedral, Edinburgh; Peter Blackhouse, org; Dennis Townhill, cond. Priory PRCD 376 9 Anon. Gregorian chants: Rorate coeli desuper; Haec dies. Singers of St Laurence/ Neil McEwan. ABC 476 5106 5 Pergolesi, G. Fac ut portem; Inflammatus et accensus; Quando corpus, from Stabat Mater. Emma Kirkby, sop; James Bowman, ct; Academy of Ancient Music/Christopher Hogwood. L’oiseau-Lyre 425 692-2 10 Poulenc, F. Gloria (1959). Sylvia Greenberg, sop; Choirs of Radio Suisse Romande and Pro Arte Lausanne; Suisse Romande O/ Jésus López-Cobos. Decca/Eloquence 476 2947 25 Kodály, Z. Psalm 114, from the Geneva Psalter. Decca 466 902-2 3 Bruhns, N. Prelude no 3 in E minor. Argo 460-185-2 4 Gillian Weir, org (2 above) 18:00 THE BRENDEL LEGACY Prepared by Meg Matthews Mozart, W. Rondo in A minor, K511 (1787). Decca 478 9042 10 Piano concerto no 20 in D minor, K466 (1785). Scottish CO/Charles Mackerras. Decca 478 9026 30 Schubert, F. Impromptus: no 1 in C minor; no 2 in E flat, D899. Decca 478 9095 14 Alfred Brendel, pf (all above) January 2017

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Sunday 15 JANUARY 19:00 SUNDAY NIGHT CONCERT Elgar, E. Introduction and allegro for strings, op 47 (1904-05). Royal PO/Barry Wordsworth. Tring TRP 037 15 Vieuxtemps, H. Cello concerto no 1 in A minor, op 46 (1877; rev. Stegemann). Heinrich Schiff, vc; Stuttgart RSO/Neville Marriner. EMI Classics 5 756 39 2 27 Dvorák, A. Symphony no 5 in F, op 76 (1875). Slovak PO/Stephen Gunzenhauser. Naxos 8.550270 40 20:30 NEW HORIZONS Prepared by Nev Dorrington Jenkins, K. Adiemus: Cantus insolitus (2000). Miriam Stockley, voice; London PO. Virgin 24384 04282 9 Gerrard, L. Soundtracks: Man on fire; Son of God (2004). Varese Sarabande 28 HOB 8 15 Ichi; Vespers (2008). Michael Edwards, voice. JVC IEY6NF2 20 Lisa Gerrard, voice (2 above) Newman, T. Soundtrack: American beauty (2000). Geffen 3XACV 18 Vangelis. Rosetta; Elegy (2016). Vangelis. Decca 5700631 8 Gerrard, L. See the sun; On an ocean (2007). Lisa Gerrard. 4AD CAD 2701 7 O’Hearn, P. Adagio, from Fantasy for a gentleman (2006). Patrick O’Hearn. RCA 89YAX 6 22:00 AFTER HOURS JAZZ with Kevin Jones

MUSIC TRIVIA

with Michael Morton-Evans 1. Who wrote the 1884 Holberg Suite? 2. Name two composers who wrote operas entitled La Bohème? 3. Which name is missing from this list of French composers known as Les Six? Auric, Durey, Honegger, Milhaud and Tailleferre. 4. In which town in America did the Jitterbug originate? Answers on page 42. 26

Monday 16 JANUARY 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Robert Small 9:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1952 Prepared by Brian Drummond Arnold, M. The sound barrier, rhapsody for orchestra, op 38 (1952). London SO/Richard Hickox. Chandos CHAN 9100 8 Martinu, B. Sonata no 3 (1952). Paul Watkins, vc; Huw Watkins, pf. Chandos CHAN 10602 18 Hyde, M. Trio (1952). Christine Draeger, fl; Josef Hanic, ob; James Muir, pf. Walsingham 2WAL8036-2 8 Glanville-Hicks, P. Sonata (1952). Marshall McGuire, hp. Tall Poppies TP071 10 Ben-Haim, P. Serenade (1952). Noam Buchman, fl; members of Israel String Quartet. Music in Israel MII-CD-20 14 Poulenc, F. Sonata (1952-53). Alexandre Tharaud, pf; François Chaplin, pf. Naxos 8.553613 21 10:30 CONCERT HALL Prepared by Michael Morton-Evans Parry, H. Overture to an unwritten tragedy (1894). English Northern Philharmonia/David Lloyd-Jones. Hyperion CDA66515 11 Copland, A. Estrabillo (1971); Paisaje Mexicano (1959); Danza de Jalisco (1959), from Three Latin American sketches. New Philharmonia O/Aaron Copland. CBS MK 42429 11 Monn, M. Cello concerto in G minor. Jacqueline du Pré, vc; London SO/John Barbirolli. EMI CZS 5 68132 2 23 Berlioz, H. Harold in Italy, op 16 (1834). Antoine Tamestit, va; Les Musiciens du Louvre, Grenoble/Marc Minkowski. naïve V 5266 39 12:00 SWING SESSIONS with John Buchanan 13:00 CLASSICAL ERA SELECTIONS Prepared by Frank Morrison Haydn, J. Symphony in G, Hob.I:27 (c1757). Philharmonia Hungarica/Antal Dorati. Decca 425 905-2 11 Viotti, G. Violin concerto no 5 in C (pub. 1782-83). Symphonia Perusina/Franco Mezzena, vn & dir. Dynamic CDS 680 (238) 19

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

Schubert, F. String quartet in E flat, D87 (c1813). Artis Quartett. Sony SK 66720 23 14:00 GIOCOSO Prepared by Brian Drummond Rodrigo, J. Sonata giocosa (1970). Jérémy Jouve, gui. Naxos 8.557597 11 Mendelssohn, F. Serenade and allegro giocoso in B minor, op 43. Stephen Hough, pf; City of Birmingham SO/Lawrence Foster. Hyperion CDA66969 13 14:30 HARK, HARK THE HARP Prepared by Rex Burgess Paisiello, G. Harp concerto in A. Jasna Corrado Merlak, hp; European Union CO/ Dmitri Demetriades. Helios CDH55035 12 Machaut, G. de Quand je ne voy. Rogers Covey-Crump, ten; Andrew Lawrence-King, medieval hp; Christopher Page, lute. Hyperion CDA66588 5 Roussel, A. Impromptu, op 21 (1919). Markus Klinko, hp. EMI CDC 7 54467 2 6 Ravel, M. Introduction and allegro (1905). Zoltán Gyöngyössy, fl; Béla Kovács, cl; Eva Maros, hp; Kodály Quartet. Naxos 8.550249 10 Berlioz, H. Le montagnard exilé (1823). Francoise Pollet, sop; Anne Sofie von Otter, mezz; Christine Mühlbach, hp. DG 435 860 2 7 Andriessen, H. Variations on a theme by Couperin (1944). Paul Verhey, fl; Ernestine Stoop, hp; Netherlands Radio CO/David Porcelijn. NM Classics 92023 16 Milhaud, D. Harp concerto, op 323 (1953). Frédérique Cambreling, hp; Lyon Opera O/ Kent Nagano. Erato 2292-45820-2 22 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Michael Field 19:00 JAZZ NICE ‘N EASY with Ken Weatherley 20:00 STORMY MONDAY with Austin Harrison and Garth Sundberg 22:00 THE AUSTRALIAN JAZZ SCENE with Susan Gai Dowling and Peter Nelson


Tuesday 17 JANUARY 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Julie Simonds 9:00 DIVERSIONS IN FINE MUSIC Artist of choice: Patricia Pollett Prepared by Elaine Siversen Bruch, M. Romance in F, op 85 (pub. 1911). Queensland PO/Werner Andreas Albert. Tall Poppies TP084 9 Edwards, R. Enyato II (1993-94). Tall Poppies TP126 9 Sculthorpe, P. Sonata (1960). Michael Askill, perc. Tall Poppies TP098 10 Schubert, F. Sonata in A minor, D821, Arpeggione (1824; orch. Davidson). Queensland PO/Werner Andreas Albert. Tall Poppies TP084 27 Sabin, N. Postcards from France (1991). Philippa Robinson, cl. Tall Poppies TP162 7 Schultz, A. Duo variations (1990). Colin Spiers, pf. Tall Poppies TP098 18 Patricia Pollett, va (all above) 10:30 CONCERT HALL Prepared by Denis Patterson Weber, C.M. Overture to Peter Schmoll (1803). Berlin PO/Herbert Von Karajan. DG 419 070-2 10 Grieg, E. Two elegiac melodies, op 34 (1881). Gothenburg SO/Neeme Järvi. DG 478 5182 8 Saint-Saëns, C. Piano concerto no 3 in E flat, op 29 (1869). Stephen Hough, pf; City of Birmingham SO/Sakari Oramo. Hyperion CDA67331/2 26 Borodin, A. Symphony no 1 in E flat (186267). Bolshoi Theatre Symphonic O/Mark Ermler. Brilliant Classics 94410 37 12:00 JAZZ RHYTHM with Jeannie McInnes 13:00 O SOLE MIO Prepared by Randolph Magri-Overend Sibelius, J. Nightride and sunrise, op 55

(1909). Royal Stockholm PO/Paavo Järvi. Virgin 5 45213 2 15

Symposium. Brilliant Classics 94330 10

Sculthorpe, P. Sun music III (1967). Adelaide SO/David Porcelijn. ABC 465 270-2 12

Goldberg, J. Trio sonata in C for two violins and basso continuo. London Baroque. BIS BIS-1995 11

Maxwell Davies, P. An Orkney wedding, with sunrise (1985). Max Hobart, vn; Nancy Crutcher Tunnicliffe, bagpipes; Boston Pops O/John Williams. Philips 420 946-2 14

Reinecke, C. Fantasy pieces for viola and piano, op 43. Zaslav Duo. Music & Arts 1087(2) 13

Mussorgsky, M. Sunless, song cycle (1874; arr. Svetlanov). Galina Vishnevskaya, sop; USSR SO/Yevgeny Svetlanov. Melodiya SUCD 10-00178 20 Haydn, J. Quartet no 63 in B flat, Hob.III:78, Sunrise. Kodály Quartet. Naxos 8.550129 23

Farrenc, L. Piano quintet no 2 in E, op 31 (1840). Quintetto Bottesini. Brilliant Classics 94815 31 Korngold, E. Trio in D, op 1 (1911). Röhn Trio. Calig CAL 50 905 24 Vaughan Williams, R. String quartet no 2 in A minor (1942-43). Maggini Quartet. Naxos 8.555300 22

Koehne, G. Suite from ballet, Once around the sun. Queensland PO/Stephen Barlow. Tall Poppies TP115 24 15:00 BAROQUE WOODWIND SONATAS Prepared by Gael Golla Handel, G. Sonata in A minor, HWV362. Clas Pehrsson, rec; Cecilia Peijel, gui. BIS CD-135 9 Telemann, G. Trio sonata in C minor. Peter Bree, ob; Hans Dusowa, va; Dries Munnik, vc; Christian Lambour, hpd. Etcetera KTC 1083 9 Sammartini, G. Sonata in D minor. Parnassus Avenue. BIS CD-945 8 Telemann, G. Sonata in E minor. Matthew Wilkie, bn; Kees Boersma, db; Neal Peres da Costa, hpd. Melba MR 301124 8 Bach, J.S. Oboe sonata in G minor, BWV1030b (1736-37). Diana Doherty, ob; Linda Kent, hpd. ABC 476 3673 18 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Andrew Dziedzic 19:00 THE JAZZ BEAT with Lloyd Capps 20:00 RECENT RELEASES with Charles Barton 22:00 CHAMBER SOIRÉE Prepared by Sheila Catzel Telemann, G. Tuesday, from Scherzi melodichi (pub. 1734). Ensemble

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Wednesday 18 JANUARY 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Peter Kurti 9:00 DIVERSIONS IN FINE MUSIC Composers of the 18th century Prepared by Jennifer Foong Rameau, J-P. Overture to Naïs (1749). Les Talens Lyriques/Christophe Rousset. Ambroisie AM 167 4 Morel, J. Chaconne en trio. Marais Project. Move MCD 424 6 Guillemain, L-G. Sonata in A, op 1 no 4 (pub. 1734). Simon Standage, vn; Lars Ulrik Mortensen, hpd. Chandos CHAN 0531 13 Soler, A. Sonata in E (arr. Yepes). Narciso Yepes, gui. DG 469 649-2 7 Favart, C. Pauvre nise!, from La bohémienne (1755). Sandrine Piau, sop; Les Paladins/ Jerome Correas. naïve OP 30532 3 Marais, M. Suite in G minor (1725). Marais Project. Move MCD 424 12 Leclair, J-M. Violin sonata in G (pub. 1723). Fabio Biondi, vn; Maurizio Naddio, vc; Pascal Monteilhet, lute; Rinaldo Alessandrini, hpd. Arcana A 39 21 Guignon, J-P. Sonata in D, op 4 no 2 (c1740). London Baroque. BIS CD-1855 13 10:30 CONCERT HALL Prepared by Michael Field Vaughan Williams, R. Serenade to music (1939) Pearl Berridge, sop; Elaine Blighton, sop; Janet Delpratt, sop; Marilyn Richardson, sop; Lauris Elms, mezz; Ruth Gurner, mezz; Helen McKinnon, mezz; Suzanne McLeod, mezz; Ronald Dowd, ten; Gerald English, ten; Raymond McDonald, ten; David Parker, ten; Lyall Bevan, bass; Robert Dawe, bass; Graham McIntosh, bass; Donald Shanks, bass; Sydney SO/Patrick Thomas. ABC 476 4565 12 Schumann, R. Violin concerto in D minor (1853). Joshua Bell, vn; Cleveland O/ Christoph von Dohnányi. Decca 444 811-2 28 Wordsworth, W. Symphony no 2 in D, op 34 (1947-48). London PO/Nicholas Braithwaite. Lyrita SRCD 207 44 12:00 JAZZ SKETCHES with Robert Vale 28

13:00 BAROQUE STRING SONATAS Prepared by Gael Golla Corelli, A. Sonata in D, op 5 no 1 (1700). Chiara Banchini, vn; Kathy Gohl, vc; Luciano Contini, theorbo; Jesper Christensen, hpd. Harmonia Mundi 901307 11 Bach, J.S. Sonata in D, BWV1028 (c1720). Paul Tortelier, vc; Robert Veyron-Lacroix, hpd. Elatus (Warner) 0927-46717-2 16 Albinoni, T. Sonata no 3 in A. Ensemble 415/ Chiara Banchini. ICD ZZT090202 9 Vivaldi, A. Sonata no 1 in C, RV3 (1712). Fabio Biondi, vn; Maurizio Naddeo, vc; Paolo Pandolfo, db; Rolf Lislevand, lute, gui; Rinaldo Alessandrini, hpd. Arcana A 4 16 14:00 IN CONVERSATION with Michael Morton-Evans 15:00 GOUNOD EXPLORED Part 3 Prepared by Michael Morton-Evans Gounod, C. Ave Maria (1853). Kiri Te Kanawa, sop; Peter Averi, org. Decca 430 325-2 3 Credo, from Messe solenelle de Sainte Cécile (1855). Pilar Lorengar, sop; Heinz Hoppe, ten; Franz Crass, bass; René Duclos Choir; O of the Society of Concerts of the Conservatory. EMI 5 74565 2 11 Avant de quitter ces lieux, from Faust (1859). Peter Mattei, bar; Royal Stockholm PO/ Lawrence Renes. BIS SACD 1749 3 Soldiers’ chorus (1859). Ambrosian Opera Ch; London SO/Richard Bonynge. Decca 440 844-2 3 Jewel song (1859). Joan Sutherland, sop; Royal Opera House Ch & O/Francesco Molinari-Pradelli. LP EMI DTS 571/72 5 Ballet music from Faust (1859). Royal Opera House O/Georg Solti. Decca 476 2724 16 Faibless de la race humaine! from La reine de Saba (1862). Rolando Villazón, ten; PO of Radio France/Evelino Pidò. Virgin 5 45719 2 5 Waltz, from La reine de Saba (1894). London SO/Richard Bonynge. Decca 466 431-2 5 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Tom Forrester-Paton 19:00 JAZZ STARS AND STRIPES with Peter Mitchell 20:00 AT THE OPERA Prepared by Elaine Siversen Puccini, G. La rondine (1916). Opera in three acts. Libretto by Willner & Reichert. First performed Monte Carlo, 1917.

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MAGDA: Kiri Te Kanawa, sop RAMBALDO: Leo Nucci, bar PRUNIER: David Rendall, ten RUGGERO: Placido Domingo, ten LISETTE: Mariana Nicolesco, sop Ambrosian Opera Ch; London SO/Lorin Maazel. CBS M2K 37852 1:41 Rambalo and Magda, his mistress, are entertaining friends including Prunier, the poet, at Magda’s luxurious house in Paris. Magda talks of the days when, as an innocent girl in Bullier’s café, she met a man she can never forget. Rambaldo brings in a young man, Ruggero, who has just arrived in Paris. Prunier tells everyone’s fortune and says that Magda, like a swallow, will migrate far away from Paris to find love. After the party Magda and her maid, Lisette, change clothes. Magda dresses as a grisette and goes with Lisette, dressed as her mistress, to Bullier’s café. Magda sees Ruggero and, reminded of the past, falls in love with him. Magda tells Rambaldo that she has found love and is leaving for Nice with Ruggero. Eventually Magda realises that Ruggero’s mother would never understand her past and sadly decides that they must part. She returns to Paris, leaving forever the love of her life. Crisantemi (1890). Naxos 8.573108 6 22:00 ON HOLIDAY Prepared by Derek Parker Glière, R. Overture: Holiday at Ferghana, op 75 (1941). BBC PO/Vassily Sinaisky. Chandos CHAN 9518 9 Goossens, E. Five impressions of a holiday, op 7 (1914). Darling Downs Trio. LP Grevillea GRV 2400 15 Britten, B. Holiday diary, op 5 (1934). Stephen Hough, pf. Virgin VC 7 91203-2 17 Carter, E. Holiday overtures (1944/61). Mark Wait, pf; Nashville SO/Kenneth Schermerhorn. Naxos 8.559151 10 23:00 MADE IN AMERICA Prepared by Frank Morrison Griffes, C. Poem (1918). Sharon Bezaly, fl; Hague Resident O/Neeme Järvi. BIS BIS-1679 10 Ives, C. The camp meeting (1912). Roberta Alexander, sop; Tan Crone, pf. Etcetera KTC 1068 4 Beach, A. Trio, op 150 (1920). Elizabeth Layton, vn; Naomi Butterworth, vc; Diana Ambache, pf. Chandos CHAN 9752 15 Ives, C. Symphony no 3 (1901-04). New Philharmonia O/Harold Farberman. Vanguard 08 9098 71 23


Thursday 19 JANUARY 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Simon Moore 9:00 DIVERSIONS IN FINE MUSIC Two’s company Prepared by Michael Morton-Evans Schubert, F. Sonata no 2 in A minor, D385 (1816). Isaac Stern, vn; Daniel Barenboim, pf. Sony SM2K 64528 23 Bottesini, G. Gran duetto no 2 (1880). Ernö Sebestyén, va; Wolfgang Güttler, db. Schwann 311 042 H1 18 Dvorák, A. Sonatina in G, op 100 (1893). James Galway, fl; Phillip Moll, pf. RCA RD 87802 20 Mozart, W. String duo no 2 in B flat, K424 (1783). Gidon Kremer, vn; Kim Kashkashian, va. DG 415 483-2 24 10:30 CONCERT HALL Prepared by Paul Hopwood Brahms, J. Tragic overture, op 81 (1880/81). Vienna PO/Leonard Bernstein. DG 410 084-2 14 Bach, C.P.E. Flute concerto in A minor, Wq166 (c1750). Konrad Hünteler, fl; Amsterdam Baroque O/Ton Koopman. Erato ECD 75536 23 Beethoven, L. Symphony no 6 in F, op 68, Pastoral (1808). CO of Europe/Nikolaus Harnoncourt. Teldec 2292-46452-2 44 12:00 JAZZ, PURE AND SIMPLE with Maureen Meers 13:00 LOST IN THE CROWD Prepared by Denis Patterson

14:30 PASTORALE Prepared by Phil Vendy Taffanel, P. Andante pastoral (pub. 1907). Paula Robison, fl; Samuel Sanders, pf. Vanguard OVC 4058 5 Saint-Saëns, C. Pastorale (1855). Victoria de los Angeles, sop; Elisabeth Schwarzkopf, sop; Dietrich Fischer-Dieskau, bar; Gerald Moore, pf. EMI CMS 5 65061 2 2 Honegger, A. Pastorale d’été (1920). Bournemouth Sinfonietta/Tamás Vásáry. Chandos CHAN 8993 8 Bach, J.S. Pastorale in F, BWV590 (bef. 1727). E. Power Biggs, org. CBS MYK 44722 10 15:00 ORIGINS Prepared by Randolph Magri-Overend Sibelius, J. The origin of fire, op 32 (1902/10). Tommi Hakala, bar; YL Male Voice Choir; Lahti SO/Osmo Vänskä. BIS CD-1906/08 9 Schubert, F. Variations on an original theme, D968a (c1824). Jenö Jandó, Zsuzsa Kollár, pf. Naxos 8.554513 10 Stravinsky, I. Scherzo à la Russe, original jazz band version (1944). O of St Luke’s/Robert Craft. Naxos 8.557505 4 Elgar, E. Variations on an original theme, op 36, Enigma (1899). Sydney SO/Vladimir Ashkenazy. Exton EXCL-00029 30 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Sue Jowell 19:00 THE NEW JAZZ STANDARD with Frank Presley

Dussek, J. Concert duo, op 73 (1813). Masumi Nagasawa, hp; Richard Egarr, fp. Etcetera KTC1436 23

20:00 SHOWCASING AUSTRALIAN ARTISTS Kathryn Selby Prepared by Chris Blower

Crusell, B. Bassoon concertino in B flat (1829). Karen Geoghegan, bn; BBC PO/ Gianandrea Noseda. Chandos CHAN 10613 17

Bruch, M. Eight pieces, nos 2, 5 and 6, op 83 (1910). Catherine McCorkill, cl; Julian Smiles, vc. Fine Music concert recording 12

Bliss, A. Sonata. Martin Outram, va; Julian Rolton, pf. Naxos 8.555931 24

Schubert, F. Fantasy in C, D760, Wanderer (c1823). ABC 432 700-2 23

Danzi, F. Bassoon concerto in C. Albrecht Holder, bn; New Brandenberg PO/Nicolás Pasquet. Naxos 8.554273 16

Martinu, B. Quartet (1947). Joel Marangella, ob; Charmian Gadd, vn; Alexander Ivashkin, vc. Naxos 8.553916 12

Dvorák, A. Piano trio no 4 in E minor, op 90, Dumky (1891). Sophie Rowell, vn; Julian Smiles, vc. Fine Music concert recording 34 Kathryn Selby, pf (all above) 21:30 PAUL VERLAINE IN SONG Prepared by Gael Golla Debussy, C. Fêtes galantes set 1 (1891). Frederica von Stade, mezz; Martin Katz, pf. BMG Classics 09026 62711 2 8 Chausson, E. La chanson bien douce, op 34 no 1 (1898). Chris Pedro Trakas, bar; Graham Johnson, pf. Hyperion CDA67321/2 3 Delius, F. Chanson d’automne (1911). Yvonne Kenny, sop; Piers Lane, pf. Hyperion CDA67594 2 Faure, G. Cinq mélodies de Venise, op 58 (1891). Gérard Souzay, bar; Dalton Baldwin, pf. Philips 420 775-2 12 22:00 DIFFERING PATHS OF THE 20TH CENTURY Prepared by Robert Small Leigh, W. A midsummer night’s dream (1936). London PO/Nicholas Braithwaite. Lyrita SRCD 289 14 Sibelius, J. Violin concerto in D minor, op 47 (1904). Adele Anthony, vn; Adelaide SO/Arvo Volmer. Canary Classics CC09 32 Hanson, R. Sonata, op 12 (1938-40/63). Igor Hmelnitsky, pf. LP M7 MLF196 22 Colgrass, M. Winds of Nagual (1985). Ohio State University Wind Symphony/Russel Mikkelson. Naxos 8.570244 25 Whitacre, E. Three songs of faith. Eric Whitacre Singers/Eric Whitacre. Decca 478 3640 13

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Friday 20 JANUARY 0:00 CONTEMPORARY COLLECTIVE

Williamson, M. Paris, from Travel diaries. Antony Gray, pf. ABC 472 902-2 10

3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Janine Burrus 9:00 DIVERSIONS IN FINE MUSIC Strings plus one Prepared by Stephen Matthews Fasch, J. Trio in E minor for oboe and strings. Epoca Barocca. cpo 777 204-2 11 Beethoven, L. Piano trio, op 1 no 1. Pinchas Zukerman, vn; Jacqueline du Pré, vc; Daniel Barenboim, pf. EMI 5 74447 2 28 Mozart, W. Flute quartet in D, K285. Nash Ensemble. Virgin Classics 7243 5 61448 2 8 14 Crusell, B. Quartet no 3 in D, op 7. Henk de Graaf, cl; Daniel String Quartet. Brilliant Classics 94219 25 10:30 CONCERT HALL Prepared by Giovanna Grech Grieg, E. Lyric suite, op 54 (1889-91). Gothenburg SO/Neeme Järvi. DG 478 5182 19 Chopin, F. Piano concerto no 2 in F minor, op 21 (1830). Daniel Barenboim, pf; Staatskapelle Berlin/Andris Nelsons. DG 477 9520 32 Schubert, F. Symphony no 5 in B flat, D485 (1816). Northern Sinfonia/Heinrich Schiff. Chandos CHAN 9136 27 12:00 A JAZZ HOUR with Barry O’Sullivan 13:00 PATRICK THOMAS PRESENTS Australian songs for soprano Sutherland, M. Piping down the valleys wild (1957); Silence beautiful voice (1913); The night wind (1914); O mistress mine (1940). 7 Allen, G. Young and old; The yew tree; Sappho’s loneliness; The rock (1930).

6

Sutherland, M. Midnight; Winter kestrel; The old prison (1967). 8 Lisa Harper-Brown, sop; David Wickham, pf (all above) Stone Records 5060 192780390 13:30 A TRIP TO PARIS Prepared by Gael Golla Mozart, W. Symphony no 31 in D, K297, Paris (1778). English Sinfonia/Charles Groves. IMP PCD 892 19 30

Offenbach, J. Nous entrons dans cette demeure, from La vie parisienne (1866). Anne Sofie von Otter, sop; Gilles Ragon, ten; Jean-Christophe Henry, ten; Laurent Naouri, bar; Les Musiciens du Louvre/Marc Minkowski. DG 471 501-2 6 Piazzolla, A. Goodbye Paris (1955). Macquarie Trio. ABC 980 678-0 3 Ibert, J. Paris, symphonic suite (1930). Montreal SO/Charles Dutoit. Decca 440 332-2 13 Kern, J. The last time I saw Paris, from Lady be good (1941). Thomas Hampson, bar; London Sinfonietta Ch & O/John McGlinn. EMI 5 72550 2 4 Debussy, C. Ballade of the women of Paris (1910). Stéphane Degout, bar; Hélène Lucas, pf. naïve V 5209 2 Gershwin, G. An American in Paris (1928). James Thomson, tpt; Montreal SO/Charles Dutoit. Decca 425 111-2 19 15:00 SAINT-SAËNS AND THE CONCERTO Prepared by Chris Blower Godard, B. Introduction and allegro, op 49 (1880). Tasmanian SO/Howard Shelley. Hyperion CDA68043 12 Fauré, G. Nocturne in B, op 33 no 2; Barcarolle no 1 in A minor, op 26 (1880). Jean-Claude Pennetier, pf. Mirare MIR 100 11 Saint-Saëns, C. Violin concerto no 3 in B minor, op 61 (1880). Gil Shaham, vn; New York PO/Giuseppe Sinopoli. DG 429 786-2 31 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Brendan Walsh 19:00 FRIDAY JAZZ SESSION with Sally Cameron 20:00 THE ROMANTIC CENTURY Prepared by Frank Morrison Chadwick, G. Overture: Melpemone (1887). Nashville SO/Kenneth Schermerhorn. Naxos 8.559117 15 Foote, A. Piano trio no 1 in C minor, op 5 (1882-84). Arden Trio. Marco Polo 8.225117 32

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Rimsky-Korsakov, N. Overture on Russian themes, op 28 (1866/80). Moscow SO/Igor Golovschin. Naxos 8.553858 14 Tchaikovsky, P. Trio in A minor, op 50 (188182). Itzhak Perlman, vn; Lynn Harrell, vc; Vladimir Ashkenazy, pf. EMI 7 49775 2 49 22:00 BAROQUE AND BEFORE Prepared by Elaine Siversen Part 1: After Vivaldi Bach, J.S. Concerto in C, BWV594, after Vivaldi’s RV208 (c1714). Christopher Herrick, org. Hyperion CDA66813 19 Corrette, M. Psalm 148: Laudate Dominum, after Vivaldi’s Spring concerto (pub. 1766). Margaret Dixon-McIvor, sop; Anson Austin, ten; Grahame Tier, bass; Sydney Philharmonia Motet Choir; John Harding, vn; Australian CO/Peter Seymour. Fine Music Concert Recording 20 Part 2: The glory of Venice: Antonio Vivaldi Vivaldi, A. Concerto in G for two mandolins and strings, RV532 (c1730). James Tyler, mand; Robyn Jeffrey, mand; English Concert/ Trevor Pinnock. DG 478 5187 10 Nel profondo cieco mondo, from Orlando Furioso, RV728 (1727). Marilyn Horne, mezz; I Solisti Veneti/Claudio Scimone. Erato 0630-13819-9 4 Sonata no 5 in E minor, RV40 (pub. c1740). Anthony Pleeth, vc; Robert Woolley, hpd. ASV CD GAD 201 12 Gloria in D, RV589. Elizabeth Vaughan, sop; Janet Baker, cont; Choir of King’s College, Cambridge; Roger Lord, ob; Kenneth Heath, vc; Andrew Davis, hpd; John Langdon, org; Academy of St Martin in the Fields/David Willcocks. Decca 458 623-1 29 Concerto in C for two oboes, two clarinets and strings, RV560. Christopher Hooker, ob; Helen McQueen, ob; Ruth McDowall, cl; David Rix, cl; City of London Sinfonia/ Nicholas Kraemer. Naxos 8.553204 10


Saturday 21 JANUARY 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 SATURDAY MORNING MUSIC with Stephen Wilson 9:00 WHAT’S ON IN MUSIC Our weekly guide to musical events in and around Sydney 9:05 ORCHESTRAS AROUND THE WORLD Royal Concertgebouw Orchestra Prepared by Andari Anggamulia Mozart, W. Overture to Lucio Silla, K135 (1772). Nikolaus Harnoncourt, cond. Apex 0927 498132 8 Beethoven, L. Piano concerto no 3 in C minor, op 37 (c1800). Murray Perahia, pf; Bernard Haitink, cond. CBS MK 39814 35 Mendelssohn, F. Symphony no 3 in A minor, op 56, Scottish (1842). Bruno Maderna, cond. Radio Netherlands RCO 05001 38 Royal Concertgebouw O (all above) 10:30 SMALL FORCES Prepared by Francis Frank Veracini, F. Sonata in F, op 1 no 12 (pub. 1721). Anna McDonald, vn; Tommie Andersson, theorbo; Erin Helyard, hpd. Artworks AW024 22 Bononcini, G. Già la stagion d’amore (pub. 1721). Gérard Lesne, ct; Il Seminario Musicale. Virgin VC 5 45000 2 9 Telemann, G. Duetto no 1 in B flat. Clas Pehrsson, rec; Dan Laurin, rec. BIS CD-335 10 Vivaldi, A. Trio sonata in D minor, variations on La folia, RV63 (pub. 1705). Purcell Quartet. Hyperion CDA67035 9 11:30 ON PARADE Music that’s band Prepared by Owen Fisher Lehár, F. You are my heart’s delight. Steve Reisteter, tpt; Allentown Band/Ronald Demkee. AMP 20194 3 Rimsky-Korsakov, N. Andante cantabile, from Trombone concerto. Norman Law, tb; Black Dyke Mills Band/Peter Parkes. Chandos CHAN 4523 3 Trad. Londonderry air. Cory Band. Doyen DOY 195 3 Arban, J-B. Carnival of Venice. Grimethorpe Colliery Band. GRIM 2015 3

Horner, J. For the love of a princess, from Braveheart. Yorkshire Building Society Band/ David King. AMP 20194 4 12:00 URBAN JAZZ LOUNGE with Leita Hutchings 13:00 SATURDAY POT-POURRI with Randolph Magri-Overend 15:00 OPERETTA IN THE AFTERNOON Prepared by Derek Parker Hahn, R. Ciboulette. Operetta in three acts and four tableaux. Libretto by Robert de Flers and Francis de Croisset. First performed Paris, 1923. ZÉNOBIE: Colette Alliot-Lugaz, sop ANTONIN: Nicolai Gedda, ten CIBOULETTE: Mady Mesplé, sop DUPARQUE: José van Dam, bar Ensemble Choral Jean Laforge; Monte-Carlo PO/Cyril Diederich. EMI 5 66159 2 1:54 In Paris in 1867, the courtesan Zénobie, the mascot of the hussars, is flirting with the rich Antonin de Mourmelon who is in love with her. Ciboulette arrives at the market place, Les Halles, and consults a fortuneteller who says she will find love under a cabbage. Ciboulette returns to her uncle’s farm and is introduced to Antonin. Although she has eight suitors, she is delighted because he was asleep under a cabbage. The hussars arrive with Zénobie. Ciboulette, realising that she loves Antonin, locks him in the cellar but he escapes and runs after the courtesan. Duparquet, the controller of Les Halles, offers to introduce Ciboulette to the director of the Opéra Comique who will make her a star.Antonin, who has broken up with Zénobie, regrets the loss of Ciboulette and decides to kill himself. While he and Duparquet are having a drink, Ciboulette appears, so beautifully dressed that Antonin fails to recognise her. However, Duparquet introduces her as his new star, and Antonin and Ciboulette fall into each other’s arms. L’heure exquise, from Chansons grises (1887-90); Les etoiles, from Douze rondels (1898-99). Alice Coote, mezz; Graham Johnson, pf. Hyperion CDA67962 5 To Chloris, the loved one. David Hobson, ten; David McSkimming, pf. ABC 476 528-2 7

Robert Childs, cond (2 above)

When this cheeky chap, from Brummel. Patricia Petibon, sop; Lyon Opera O/Yves Abel. Decca 475 090-2 3

Leidzen, E. The Invincible Army. International Staff Band of the Salvation Army. Doyen DOY 221 3

17:30 STAGING MUSIC with Angela Cockburn Horsepower, part 2

18:00 SOCIETY SPOT Classical Guitar Society with Darryl Rule 19:00 THE MAGIC OF STAGE AND SCREEN with Sue Jowell 20:00 INFLUENCES AND CONNECTIONS Geminiani Prepared by Brian Drummond Geminiani, F. Trio sonata in D, from Treatise of good taste in the art of musick, op 1 (1716/29). Bell’arte Antiqua. ASV GAU 199 4 Corelli, A. Sonata in A minor, op 3 no 5 (pub. 1689). London Baroque. Harmonia Mundi HMC 901342/43 5 Geminiani, F. Concerto grosso in G, after Corelli op 5 no 5 (c1716). Academy of Ancient Music/Andrew Manze. Harmonia Mundi HMU 907261.62 9 Scarlatti, A. Overture to Il giardino di rose (1707). New Philharmonia O/Raymond Leppard. Philips 446 569-2 5 Barsanti, F. Sonata in C, op 1 no 2 (pub. 1724). Parnassus Avenue. BIS CD-945 10 Handel, G. Organ concerto no 9 in B flat, HWV308 (1751). Paul Nicholson, org; Brandenburg Consort/Roy Goodman. Hyperion CDA 67291/92 17 Avison, C. Sonata in C minor/major for harpsichord, two violins and cello, op 5 no 2 (1756). London Baroque. Amon Ra CD SAR 14 8 Rameau, J-P. Suite from Les Indes galantes. O of La Chapelle Royale/Philippe Herreweghe. Harmonia Mundi HMP390808 15 Geminiani, F. Ballet: The enchanted forest (c1752). Milan Angelicum O/Newell Jenkins. LP Nonesuch H-71151 31 22:00 SATURDAY NIGHT AT HOME Smetana, B. String quartet no 1 in E minor, From my life (1876). Melos Quartet, Stuttgart. Mediaphon 25 407-77 27 Haydn, J. Oboe concerto in C, Hob.VIIg:C1 (1780-90). Herbert Krepel, ob; Camerata Romana/Alberto Lizzio. CLG CLG 7101 24 Muffat, G. Sonata V in G (pub. 1682). Tasmanian Symphony Chamber Players/ Geoffrey Lancaster. ABC Classics 456 667-2 21 Brahms, J. Piano quartet in G minor, op 25 (1861; orch. Schoenberg 1937). Sydney SO/ Edo de Waart. ABC 454 515-2 42 January 2017

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Sunday 22 JANUARY 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 SUNDAY MORNING MUSIC with David Garrett 9:00 MUSICA SACRA Prepared by Elaine Siversen Verdi, G. Te Deum, from Four sacred pieces (pub. 1898). Elena Filipova, sop; Hungarian State Opera Choir and O/Pier Giorgio Morandi. Naxos 8.550944-45 16 Duruflé, M. Four motets on Gregorian themes, op 10 (1960). Azuoliukas Male Choir/ Vytautas Miskinis. Jade 28667-2 10 Salieri, A. Emperor Mass in D (1788). St Florian Boys’ Choir; Anton Gansberger, org; Leonding SO/Uwe Christian Harrer. Koch 3-1288-2 H1 28 10:00 THE CLASSICAL ERA Prepared by Frank Morrison Rossini, G. String sonata no 5 in E flat (c1804). I Musici. Newton 8802041 15 Eberl, A. Piano trio in A minor, op 10 no 1. Pleyel Trio. Christophorus CHE 0131-2 20 Sor, F. Divertissement no 2, op 61. Robert Kubica, gui; Wilma van Berkel, gui. Naxos 8.553418 4

Choi, Soo Yeon. Flamenco fantasy (1997). Soo Yeon Choi, pf; Michael Taylor, pf. Jade JADCD 1078 5 15:00 SUNDAY SPECIAL Dedications Prepared by Elaine Siversen Schumann, R. Dedication, op 25 no 1 (1840). Teddy Tahu Rhodes, bass bar; Sharon Kimmorley, pf. ABC 4764861 2 Haydn, J. Trio in D, Hob.XV:24 (1795). London Fortepiano Trio. Hyperion CDA66297 18 Beethoven, L. Sonata no 32 in C minor, op 111 (1821-22). Gerard Willems, pf. ABC 465 077-2 28 Mendelssohn, F. Violin concerto in E minor, op 64 (1844). Gil Shaham, vn; Philharmonia O/Giuseppe Sinopoli. DG 427 656-2 30 Bowen, C. Songs of the heart (2011). Robert Alexander, narr; Sydney University Graduate Choir and O/Christopher Bowen. SUGC concert recording 31

York Collegium/James Litton. Linn CKD 152 8 18:00 THE BRENDEL LEGACY Prepared by Meg Matthews Mozart, W. Piano concerto no 6 in B flat, K238 (1776). Academy of St Martin in the Fields/Neville Marriner. Decca 478 9030 21 Schubert, F. 12 German dances, D790. Decca 478 9096 11 Sonata no 4 in A minor, D537 (1817). Decca 478 9090 22 Alfred Brendel, pf (all above) 19:00 SUNDAY NIGHT CONCERT Prepared by Stephen Matthews Vanhal, J. Sinfonia in C. Nicolaus Esterhazy Sinfonia/Uwe Grodd. Naxos 8.554341 11 Vivaldi, A. Oboe concerto in E minor. L’arte dell’Arco/Frederico Guglielmo. Brilliant Classics 94654 10 Mozart, W. Serenade, K203. MozartEnsemble, Amsterdam/Frans Brüggen. Seon 88725463962 15 Brahms, J. Symphony no 1 in E minor, op 68 (1855-76). Royal Concertgebouw O/Bernard Haitink. 44

17:00 HOSANNA Prepared by Stephen Matthews

Abel, C. String quartet in A, op 8 no 5 (1769). Salomon Quartet. Hyperion CDA66780 12

20:30 NEW HORIZONS Prepared by Andari Anggamulia

Hymn: As with gladness men of old. Choir of King’s College, Cambridge/Stephen Cleobury. KGS 10014 11

Saariaho, K. Four instants (2003). Karita Mattila, sop; Martin Katz, pf. Ondine ODE 1100-5 22

Kraus, J.M. Sinfonia in E flat (c1784). National Museum CO/Claude Génetay. Musica Sveciae MSCD 407 20

Hymns: Be still my soul; For the beauty of the earth. Choir of Uppingham School/Neil Page. Decca B0006647-02 8

Paganini, N. Violin concerto no 1 in D, op 6 (1817-18). Salvatore Accardo, vn; London PO/Charles Dutoit. DG 437 210 2 38

Mendelssohn, F. Excerpts rom St Paul. Kammerchor Stuttgart; Deutsche Kammerphilharmonie, Bremen/Frieder Bernius. Carus 83.021 10

Kuusisto, J. Leika for symphony orchestra, op 24 (2010). Elina Vähälä, vn; Lahti SO/ Jaakko Kuusisto. BIS BIS-2020 12

12:00 CLASSIC JAZZ AND RAGTIME with John Buchanan 13:00 WORLD MUSIC: Whirled Wide 14:00 OLÉ TO FLAMENCO Prepared by Ross Hayes Palomo, L. The Flamenco stage. Pepe Romero, gui, Seville RSO/Rafael Frühbeck de Burgos. Naxos 8.557135 7 Martin, F. Fantasy on flamenco rhythms (1973). Julie Adam, pf. ABC 476 260-1 13 Trad. Repiqueteos flamencos (arr. Peña). Paco Peña, gui. Decca 480 3913 3 32

Tórroba, F. Moreno Concierto en Flamenco (1962). Renata Tarragó, gui; Madrid Concerts O/Jésus Arrámbari. LP Erato/WRC S/4744 24

Bach, J.S. All they from Sheba shall come; All things according to God’s will. Bach Collegium Japan/Masaaki Suzuki. BIS 1951 8 Mendelssohn, F. Excerpt from Christus. Kammerchor Stuttgart; Deutsche Kammerphilharmonie, Bremen/Frieder Bernius. Carus 83.021 7 Eccard, J. When to the temple Mary went, from Oxford church anthems. Norddeutscher Kammerchor/Maria Jurgensen. MDG 902 1694-6 3 Haydn, M. Excerpts from Mass for the feast of the Innocents. American Boychoir; New

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

Lindberg, M. Mano a mano (2004). Timo Korhonen, gui. Ondine ODE 1091-2 17 Aho, K. Solo X for french horn (2010). MarieLuise Neunecker, hn; Antje Weithaas, vn; Silke Avenhaus, pf. BIS SACD1859 8 Rautavaara, E. Percussion concerto: Incantations (2008). Colin Currie, perc; Helsinki PO/John Storgårds. Ondine ODE 1178-2 24 22:00 AFTER HOURS JAZZ with Kevin Jones


Monday 23 JANUARY 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with James Hunter 9:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1874 Prepared by Derek Parker Strauss, J. II Overture to Die Fledermaus (1874). Staatskapelle Dresden/Rudolf Kempe. Berlin Classics 0300249BC 8 Grieg, E. Solveig’s song, from Peer Gynt, op 23 (1874-75). Nance Grant, sop; Geoffrey

Mahler, G. Symphony no 1 in D, Titan (1888/93/96-98). Bavarian RSO/Rafael Kubelik. DG 477 8825 50 12:00 SWING SESSIONS with John Buchanan 13:00 FRENCH ROMANTICS Prepared by Marilyn Schock Satie, E. Je te veux (1900). Stephanie McCallum, pf. ABC 481 0773 5 Ravel, M. Sonata in G (1923-27). Jennifer Pike, vn; Martin Roscoe, pf.

Parsons, pf.

Chandos CHAN 10667 18

Melba MR301135-36 5

Ravel, M. Sonatine (1905). Jean-Philippe

Saint-Saëns, C. Danse macabre, op 40 (1874). Detroit SO/Paul Paray. Mercury 478 5092 7 Verdi, G. Libera me, from Requiem mass (1874). Joan Sutherland, sop; Marilyn Horne, mezz; Luciano Pavarotti, ten; Martti Talvela, bass; Vienna State Opera Ch; Vienna PO/ Georg Solti. Decca 478 3640 14 Mussorgsky, M. Pictures at an exhibition

Collard, pf. EMI 5 72376 2 11 Fauré, G. Sonata no 2 in G minor, op 117 (1918). Alban Gerhardt, vc; Cecile Licad, pf. Hyperion CDA67872 18 14:00 MOONLIGHT BECOMES YOU! Prepared by Randolph Magri-Overend Lord Berners. Luna Park, fantastic ballet in one act (1930). RTE Sinfonietta/Kenneth Alwyn.

(1874). Steven Osborne, pf.

Marco Polo 8.223716 16

Hyperion CDA67896 36

Schumann, R. Mondnacht, from Liederkreis,

Strauss, J. II Trinke, Liebchen, trinke schnell, from Die Fledermaus (1874). Gundula Janowitz, sop; Waldemar Kmentt, ten; Erich Kunz, bar; Vienna PO/Karl Böhm. Decca 467 407-2 11 10:30 CONCERT HALL Prepared by Derek Parker Haydn, J. Overture to Die Feuersbrunst, Hob.XXIXa:4 (c1773-79). Haydn Sinfonietta, Vienna/Manfred Huss. Schwann 3-1723-2 8 Mozart, W. Double concerto in E flat,

op 39 (1840). Barbara Bonney, sop; Vladimir Ashkenazy, pf. Decca 476 2649 4 Puccini, G. Gira la cote! ... Perché tarda la luna ... Lá sui monti dell’est, from Turandot (1920-24; compl. Alfano 1926). Vienna State Opera Ch; Vienna Boys’ Choir; Vienna PO/ Herbert von Karajan. DG 410 645-2 8 Debussy, C. Clair de lune, from

Kenneth Alwyn Dvorák, A. Lied an den Mond, from Rusalka, op 114 (1900). Lucia Popp, sop; Geoffrey Parsons, pf. Orfeo C 363 941 B 6 Beethoven, L. Sonata no 14 in C sharp minor, op 27 no 2, Moonlight (1801). Gerard Willems, pf. ABC 465 077-2 16 Allworth, R. Suite for piano: in moonlight (2005). Sally Mays, pf. Jade JADCD 1111 17 Strauss, R. Moonlight music, from Capriccio, op 85 (1942). Lucia Popp, sop; Walter Zeh, bar; Bamberg SO/Horst Stein. Eurodisc 258938 23 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Stephen Wilson 19:00 JAZZ NICE ‘N EASY with Ken Weatherley 20:00 STORMY MONDAY with Austin Harrison and Garth Sundberg 22:00 THE AUSTRALIAN JAZZ SCENE with Susan Gai Dowling and Peter Nelson

Bergamasque suite (1905). Simon Tedeschi, pf; Kevin Hunt, pf. ABC 275 2052 7

K365/316a (1779). Imogen Cooper, pf; Alfred

Coates, E. The man in the moon, from The

Brendel, pf; Academy of St Martin in the

mill o’ dreams (1914). Richard Edgar-Wilson,

Fields/Neville Marriner.

ten; Eugene Astik pf.

Philips 476 209-5 PM3 25

Marco Polo 8.223806 2

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Tuesday 24 JANUARY

Albrecht Mayer

Theodore Kuchar 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Julie Simonds 9:00 DIVERSIONS IN FINE MUSIC Artist of choice: Albrecht Mayer Prepared by Jennifer Foong Bach, J.S. Oboe d’amore concerto, from Cantata, BWV209 (c1734; arr. Tarkmann). English Concert/Albrecht Mayer, ob d’amore & dir. Decca 478 1517 19 Schumann, R. Three romances, op 94 (1849). Albrecht Mayer, ob. 14 Steinmetz, H. Liebesruf eines Faun. Albrecht Mayer, cora. 6 Herzogenberg, H. Trio, op 61 (1889). Albrecht Mayer, ob; Marie-Luise Neunecker, hn. 22 Markus Becker, pf (3 above) Decca 478 3564 Bach, J.S. Oboe concerto, from Cantatas, BWV105, 170 and 49 (1723-26; arr. Tarkmann). English Concert/Albrecht Mayer, ob & dir. Decca 478 1517 18 10:30 CONCERT HALL Prepared by Michael Field Rachmaninov, S. Capriccio on gypsy themes, op 12 (1894). Queensland SO/ Vladimir Verbitsky. ABC 476 3510 20 Spohr, L. Violin concerto no 10 in A, op 62 (1810). Ulf Hoelscher, vn; Berlin RSO/ Christian Frölich. cpo 999 232-2 24 34

Tchaikovsky, P. Symphony no 4 in F minor, op 36 (1877). Philharmonia O/Riccardo Muti. EMI CZS 7 673 18-2 40 12:00 JAZZ RHYTHM with Jeannie McInnes 13:00 ROMANTIC STRING SONATAS Prepared by Gael Golla Brahms, J. Sonata in F minor, op 120 no 1 (1894). Josef Kluson, va; Sachiko Kayahara, pf. Harmonia Mundi HMCD 90 22 Schumann, R. Sonata no 1 in A minor, op 105 (1851; arr. Grützmacher from Violin sonata). Francesco Dillon, vc; Emanuele Torquati, pf. Brilliant Classics 94328 18 Diabelli, A. Sonata in F, op 29. Eduardo Fernandez, gui. Decca 414 160-2 13 Franck, C. Violin sonata in A (1886). Gil Shaham, vn; Gerhard Oppitz, pf. DG 429 729-2 28 14:30 FROM THE 1890s Prepared by Frank Morrison Busoni, F. Concert piece in D minor, op 31a (1890). Jean-François Antonioli, pf; Lausanne CO/Lawrence Foster. Claves 50-8806 20 Dvorák, A. String quartet no 12 in F, op 96, American (1893). Guarneri Quartet. RCA RD 86263 24 Kalinnikov, Vasily. Symphony no 1 in G minor (1895). Ukraine NSO/Theodore Kuchar. Naxos 8.553417 39 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Derek Parker 19:00 THE JAZZ BEAT with Lloyd Capps

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

20:00 RECENT RELEASES with David Garrett 22:00 CHAMBER SOIRÉE Beethoven, L. Trio in E flat, WoO38 (179091). Stuttgart Piano Trio. Naxos 8.550947 14 Rameau, J-P. Cinquième concert, from Pièces de clavecin en concert (pub. 1741). Elisabeth Parry, fl; Kenneth Mitchell, vn; Alison Crum, va da gamba; Alan Cuckston, hpd. Naxos 8.550464 13 Schumann, R. Adagio and allegro, op 70 (1849). Maria Kliegel, vc; Kristin Merscher, pf. Naxos 8.550654 10 Haydn, J. Divertimento no 1 in B flat. Stuttgart Wind Quintet. Mediaphon 25407-179 10 Loeillet de Gant, J.B. Sonata in G. Miroslav Kejmar, tpt; Ferdinand Klinda, org. Point Classics 2672872 10 Reger, M. Sonata no 2 in D minor. Jörg Metzger, vc; Rosel Molzer, pf. Onyx Classix 66622 21 Mendelssohn, F. Octet in E flat, op 20 (1825). London FO Ensemble/Ross Pople. Arte Nova 74321 34037 2 34


Wednesday 25 JANUARY 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Peter Kurti 9:00 DIVERSIONS IN FINE MUSIC Composers of the 18th century Prepared by Rex Burgess Roman, J. Oboe concerto in B flat Helén Jahren, ob; Musica Vitae/Wojciech Rajski. BIS CD-460 17 Wesström, A. Armida overture. Nordic CO/ Christian Lindberg. BIS CD-1538 8 Bellman, C. From Fredmans epistlar and sänger (1790-91; arr Andersson). Pascal Herrington, ten; Marais Project Fine Music concert recording 10 Wikmanson, J. String quartet no 2 in E minor, op 2 (pub. 1801). Chilingirian Quartet. CRD 33123 21 Roman, J. Suite in G minor, Sjukmans Musiquen (1727-28). National Museum CO/ Claude Génetay. Musica Sveciae PRCD 9047 25 10:30 CONCERT HALL Prepared by Sheila Catzel Grétry, A-E-M. Overture to Le magnifique (1773). English CO/Richard Bonynge. Decca 466 434-2 10 Dvorák, A. Violin concerto in A minor, op 53 (1879). Shlomo Mintz, vn; Berlin PO/James Levine. DG 419 618-2 36

14:00 IN CONVERSATION with Michael Morton-Evans 15:00 GOUNOD EXPLORED Part 4 Prepared by Michael Morton-Evans Gounod, C. Le ciel rayonne, l’oiseau chante, from Mireille (1864). Reneé Fleming, sop; Mariinsky TO/Valery Gergiev. Decca 475 8070 4 Mon coeur est plein d’un noir souci (1864). Roberto Alagna, ten; Royal Opera House O/ Bertrand de Billy. EMI 5 57012 2 4 Ariette: Ah! Je veux vivre dans le rêve, from Romeo and Juliet (1867). Natalie Dessay, sop; Toulouse Capitole O/Michel Plasson. Virgin 363332 2 9 4 Ah, lève-toi, soleil! from Romeo and Juliet (1867). Jussi Björling, ten; O/Nils Grevillius. Naxos 8.110722 3 Nuit resplendissante, from Cinq-Mars (1877). Magdalena Kozená, mezz; Musciens du Louvre Choir; Mahler CO/Marc Minkowski. DG 479 2557 5 Marche funèbre d’une marionnette (1872). BBC PO/Yan Pascal Tortelier. Chandos CHAN 9765 4 Que me dis-tu? from Le tribut de Zamora (1881). Elizabeth Whitehouse, sop; O Victoria/Richard Bonynge. Melba MR 301 104 5 Danse grècque, from Le tribute de Zamora (1881). London SO/Richard Bonynge. Decca 466 431-2 2

Glazunov, A. Symphony no 7 in F, op 77 (1902). USSR Ministry of Culture O/Gennady Rozhdestvensky. Olympia OCD 100 35

Little symphony in B flat (1885). Athena Ensemble. Chandos CHAN 6543 20

12:00 JAZZ SKETCHES with Robert Vale

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Trisha McDonald

13:00 ROMANTIC PIANO Prepared by Marilyn Schock Granados, E. Poetic waltzes (1887). Douglas Riva, pf. Naxos 8.554629 15 Chabrier, E. Pièces pittoresques (1880). Kathryn Stott, pf. Unicorn-Kanchana DKP 9158 40

19:00 JAZZ STARS AND STRIPES with Peter Mitchell 20:00 AT THE OPERA Prepared by Elaine Siversen Gluck, C. Orfeo ed Euridice. Opera in three acts. Libretto by Ranieri de’ Calzabigi. First performed Vienna, 1762.

EURIDICE: Nancy Argenta, sop ORFEO: Michael Chance, ct AMORE: Stefan Beckerbauer, treb Stuttgart Chamber Choir; Tafelmusik/Frieder Bernius. Sony SX2K 48040 1:23 The grieving Orfeo resolves to go to Hades to find his deceased wife, Euridice. The god, Amor, appears and announces that the other gods, moved by Orfeo’s grief, have decided to allow him to bring Euridice back on condition that he does not look at her until they have returned. At the entrance to Hades, the Furies bar Orfeo’s way but he calms them by playing his lyre and singing an eloquent song of his grief. They relent and allow Orfeo to pass into the Underworld. In the Elysian Fields, the Blessed Spirits dance and the Shades bring in his veiled wife. On the journey to the upper world, Euridice becomes agitated because Orfeo will not look at her and fears that he no longer loves her. Unable to resist her anguished pleas, Orfeo turns and as he embraces her, she dies once more. Overcome with grief, Orfeo plans to take his own life. Amor appears saying that because Orfeo has passed the test of faith and constancy, Euridice is restored to life. Suite from Don Juan (1761). Rhenish CO/Jan Corazolla. Christophorus CHE 0064-2 19 22:00 WITH STRINGS ATTACHED Prepared by Randolph Magri-Overend Piazzolla, A. Aconagua, concerto for bandoneon, string orchestra and percussion (1979). James Crabb, accordion; Benjamin Martin, pf; Australian CO/Richard Tognetti. Chandos CHAN 10163 24 Tchaikovsky, P. Serenade in C for strings, op 48 (1880). London PO/Vladimir Jurowski. LPO LPO-2009AUS 32 Rota, N. Concerto for strings (1964-65). Accademia Bizantina/Carlo Chiarappa. Denon CO-78916 15 Elgar, E. Introduction and allegro for strings, op 47 (1904-05). BBC SO/Andrew Davis. Teldec 9031-73279-2 15 Villa-Lobos, H. String quartet no 2 (1915). Danubius Quartet. Marco Polo 8.223394 22

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Thursday 26 JANUARY 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Simon Moore 9:00 DIVERSIONS IN FINE MUSIC Two’s company Prepared by Elaine Siversen Marais, M. Suite in G, from Premier livre (pub. 1686). Daniel Yeadon, viole de gamba; Jennifer Eriksson, viole da gamba; Tommie Andersson, theorbo. Fine Music concert recording 18 Danzi, F. Sinfonia concertante in B flat, op 41 (1814). Paul Meyer, cl; Franz Liszt CO/JeanPierre Rampal. Denon CO-78911 20 Damase, J-M. Sonatine for two harps. Lipman Harp Duo. Harmonious Resonance HR20130313 15 Martin, F. Études nos 1 and 3 (1956). Julie Adam, pf; Christine Logan, pf. ABC 476 260-1 7 Falla, M. de Nana, from Suite of popular Spanish songs (1914). Friedemann Eichhorn, violin; Thomas Müller-Pering, guitar. Hänssler 98.508 20 10:30 CONCERT HALL Prepared by Emyr Evans Quilter, R. A children’s overture (1911). Slovak RSO/Adrian Leaper. Naxos 8.570575/76 11 Vaughan Williams, R. Toward the unknown region (1906). City of Birmingham Symphony Ch & O/Norman del Mar. Varèse-Sarabande VCD47248 12 Saint-Saëns, C. Cello concerto no 1 in A minor, op 33 (1872). Jacqueline du Pré, vc; New Philharmonia O/Daniel Barenboim. EMI CZS 5 68132 2 19 Bantock, G. A Hebridean symphony (1915). Royal PO/Vernon Handley. Hyperion CDA66450 35 12:00 JAZZ, PURE AND SIMPLE with Maureen Meers 13:00 BEAT THE BEAT! Prepared by Mariko Yata Anderson, L. The syncopated clock. Eastman-Rochester Pops O/Frederick Fennell. Mercury 475 6942 2 Edwards, R. Marimba dances (1982). Michael Askill, mar. Tall Poppies TP051 10 36

Varèse, E. Ionisation (1929-31). Los Angeles Percussion Ensemble/William Kraft. Decca 478 2826 5 Trad. Australian medley (1989; arr. Chia). Joan Chia, carillon. Move MD 3182 5 Cleworth, I. The gathering, part 2 (2005). Riley Lee, shakuhachi; Ian Cleworth, taiko set, chinese cymbals, gongs, almglocken; Kerryn Joyce, taiko set, chinese cymbals, rin; Kevin Man, odaiko, metalophone, chinese cymbals, crotale; Anton Lock, taiko set. New World 641 8 Mozart, W. Ein Mädchen oder Weibchen, from The magic flute, K620 (1791). Bryn Terfel, bass-bar; Duncan Williams, glockenspiel. DG 477 6686 4

20:00 SHOWCASING AUSTRALIAN ARTISTS Flinders Quartet Prepared by James Nightingale Mozart, W. Flute quartet no 3 in C, K285b (1777). Genevieve Lacey, rec. www.flindersquartet.com 16 Munro, I. Divertissement sur le nom d’Erik Satie (2006). Dmitry Onishchenko, pf. Fine Music concert recording 20 Rigney, S. The garden of forking paths (2001). Slava Grigoryan, gui. ABC 476 227-1 14 Sibelius, J. String quartet no 2 in A minor (1889). ABC 481 1982 30 Flinders Quartet (all above)

Tórroba, F. Moreno Sonatina trianera for four guitars and castanets. Angelita Romero, castanets; Los Romeros. Philips 412 609-2 8

21:30 EUROPEAN MUSICAL ROUNDABOUT Hamburg Prepared by Francis Frank

Brahms, J. Intermezzo in A, op 118 no 2 (1892). Peter Donohoe, pf. EMI CDC 7499342 6

Lortzing, A. Vater, Mutter, Schwester, Brüder, from Undine (1845). 3

Schwantner, J. Percussion concerto (1994). Christopher Lamb, perc; Nashville SO/ Giancarlo Guerrero. Naxos 8.559678 28 14:30 EARLY 20TH CENTURY Prepared by Frank Morrison Sinding, C. Trio no 3 in C, op 87 (1908). András Kiss, vn; Tamás Koó, vc; Ilona Prunyi, pf. Marco Polo 8.223283 30 Canteloube, J. Baïlèro, from Songs of the Auvergne (1923-30) Frederica von Stade, sop; Mormon Tabernacle Choir; Utah SO/ Joseph Silverstein. Decca 436 284-2 7 Dukas, P. Villanelle (1906). Barry Tuckwell, hn; Daniel Blumenthal, pf. Etcetera KTC 1135 6 Arensky, A. Six pieces, op 53 (1901). Adam Neiman, pf. Naxos 8.572233 16 Glazunov, A. Violin concerto in A minor, op 82 (1904-05). Anne-Sophie Mutter, vn; National SO/Mstislav Rostropovich. Erato ECD 75506 20 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Marilyn Schock 19:00 THE NEW JAZZ STANDARD with Frank Presley

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

Weber, C.M. Nein, länger trag’ ich nicht die Qualen … Durch die Wälder, durch die Auen, from Der Freischütz, op 77 (1817-21). 7 Rudolf Schock, ten; North German RSO/ Wilhelm Schüchter (2 above) Acanta 43 553 Rubinstein, A. Ballet music from The demon (1875). Hamburg SO/Heribert Beissel. LP Turnabout TV-S 34577 13 22:00 DIFFERING PATHS OF THE 20TH CENTURY Prepared by Rex Burgess Ruyneman, D. Hieroglyphen (1906). Hague Residency O/Ernest Bour. Olympia OCD 504 6 Nielsen, C. Clarinet concerto, op 57 (1928). Kevin Banks, cl; Bournemouth SO/Kees Bakels. Naxos 8.554189 25 Bruk, F. Sonata for kantele (1986). Paivii Sopanen, kantele. Teosto FBCD 1993 29 Rautavaara, E. Rubáiyát (2015). Gerald Finley, bass-bar; Helsinki PO/John Storgards. Ondine ODE 1274-2 18 Holmboe, V. Symphony no 8, op 56, Sinfonia boreale (1951). Aarhus SO/Owain Arwel Hughes. BIS CD-618 34


Friday 27 JANUARY 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN

Butterley, N. Flower in the crannied wall (1980). ABC 476 294-0 4

6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Janine Burrus

Vaughan Williams, R. Bushes and briars (1903). ABC 476 6906 3

9:00 DIVERSIONS IN FINE MUSIC Strings plus one Prepared by Emyr Evans

Choir of Trinity College, Melbourne/Michael Leighton Jones (2 above)

Arensky, A. Quintet in D, op 51 (1900). Goldner String Quartet/Piers Lane, pf. Hyperion CDA67965 24 Elgar, E. Serenade in E minor for string orchestra, op 20 (1892). BBC SO/Andrew Davis. Teldec 9031-73279-2 12 Brahms, J. Quintet in F minor, op 34 (186164). Clifford Curzon, pf; Amadeus String Quartet. BBC BBCL 4009-2 43 10:30 CONCERT HALL Prepared by Rex Burgess Strauss, R. Thus spake Zarathustra, op 30 (1895-96). Los Angeles PO/Zubin Mehta. Decca 475 7470 33 Arnold, M. Guitar concerto, op 67 (1959). Eduardo Fernandez, gui; English CO/Barry Wordsworth. Decca 468 803-2 22 Martinu, B. Symphony no 6, Fantaisies symphoniques (1951-53). Royal Concertgebouw O/Wolfgang Sawallisch. Radio Nederland RCO 08005 27 12:00 A JAZZ HOUR with Barry O’Sullivan

Williamson, R. Flower of Scotland. Cantillation/Brett Weymark. ABC 4762876 1 14:00 THEME AND VARIATIONS Prepared by Randolph Magri-Overend Schmidt, F. Variations on a Hussar’s song (1931). London PO/Franz Welser-Möst. EMI 5 55518 2 27 Shostakovich, D. Theme and variations in B flat, op 3 (1921-22). USSR Ministry of Culture SO/Gennady Rozhdestvensky. LP Melodiya C 10 19103 004 15 Kats-Chernin, E. Variations in a serious black dress (1995). Stephanie McCallum, pf. ABC 456 468-2 11 Rossini, G. Theme and variations (1812). Members of Ex Novo Ensemble. Giulia GS 201001 11 Glinka, M. Variations on a theme from Bellini’s The Capulets and Montagues (1832). Francesco Bertoldi, pf. Nuova Era 7232 11 Elgar, E. Variations on an original theme, op 36, Enigma (1899). BBC SO/Andrew Davis. Teldec 9031-73279-2 31 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with James Hunter

13:00 PATRICK THOMAS PRESENTS Melissa Doecke and Mark Isaacs Isaacs, M. Sonatine (2009).

12

Poulenc, F. Sonata (1957).

12

Nelissa Doecke, fl; Mark Isaacs, pf (all above) MD 002 13:30 ENGLISH BLOOMS Prepared by Heather Middleton Britten, B. Five flower songs, op 47 (1950). Polyphony/Stephen Layton. Helios CDH55438 11 Trad. Down by the Sally gardens (arr. Higginbottom). Choir of New College, Oxford/ Edward Higginbottom. Apex 256467545-9 3

19:00 FRIDAY JAZZ SESSION with Sally Cameron

Mackenzie, A. Pibroch suite, op 42 (1889). Malcolm Stewart, vn; Royal Scottish NO/ David Davies. Hyperion CDA66975 24 Albert, E. d’ Piano concerto in B minor, op 2 (1884). Piers Lane, pf; BBC Scottish SO/Alun Francis. Hyperion CDA66747 44 22:00 BAROQUE AND BEFORE Prepared by Chris Blower Tallis, T. Spem in alium. Oxford Camerata/ Jeremy Summerly. Naxos 8.578210 12 Arne, T. Trio sonata no 1 in A (1757). Collegium Musicum 90. Chandos CHAN 0666 16 Boyce, W. Symphony no 5 in D (1760). English Concert/Trevor Pinnock. Archiv 419 631-2 8 Morley, T. Arise, awake; Besides a fountain; No, no, no, no Nigella; (pub. 1600). Members of Consort of Musicke/Anthony Rooley. Decca 476 7227 8 Handel, G. Organ concerto no 1 in B flat, HWV306 (1740). Simon Preston, org; English Concert/Trevor Pinnock. Archiv 479 1932 19 Gibbs, J. Sonata in D minor, op 1 no 1 (c1746). Locatelli Trio. Hyperion CDA66583 14 Corbett, W. Suite in D. Frank de Bruine, ob; Mark Bennett, tpt; Michael Laird, tpt; Parley of Instruments/Peter Holman. Hyperion CDA66817 14 Purcell, H. Entrance of Night, Mystery, Secrecy and Sleep, from The fairy queen (1692). Musicians of the Globe/Philip Pickett. Philips 446 218-2 17

20:00 THE ROMANTIC CENTURY Prepared by Phil Vendy Wallace, W. The gloomy night is gathering fast; The Lass o’ Gowrie (1857). Rosemary Tuck, pf. Naxos 8.572775 5 MacKenzie, A. Concert overture: Twelfth night, op 40 (1888). Hyperion CDA66764 19 Wallace, W. Symphonic poem no 3: Sister Helen (1898). Hyperion CDA66848 19 BBC Scottish SO/Martyn Brabbins (2 above)

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Saturday 28 JANUARY 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 SATURDAY MORNING MUSIC with Peter Bell

Poulenc, F. Trio for oboe, bassoon and piano (1926). Arcadia Ensemble. Fine Music concert recording 12

9:00 WHAT’S ON IN MUSIC Our weekly guide to musical events in and around Sydney 9:05 ORCHESTRAS AROUND THE WORLD Danish National Radio Symphony Orchestra Prepared by Di Cox Horneman, C. Overture to Aladdin (1864). Chandos CHAN 9373 11 Kuhlau, F. Piano concerto in C, op 7 (c1811). Amalie Malling, pf. Chandos CHAN 9699 33 Michael Schönwandt, cond (2 above) Sibelius, J. Pohjola’s daughter, op 49 (1906). Leif Segerstam, cond. Chandos CHAN 8965 14 Norgård, P. Bach to the future, concerto in 3 movements, after preludes by Bach (1998). Safri Duo; Thomas Dausgaard, cond. Chandos CHAN 9645 20 Danish National RSO (all above) 10:30 SMALL FORCES Prepared by Frank Morrison Witt, F. Septet in F for clarinet, horn, bassoon, two violins, viola, cello and double bass, op 62. Consortium Classicum. cpo 777 486-2 24 Bartók, B. String quartet no 3 (1927). New Budapest Quartet. Hyperion CDA66581/2 17 Hummel, J. Piano trio in F, op 22 (1799). Simon Standage, vn; Pal Banda, vc; Susan Alexander-Max, fp. Naxos 8.557694 13 11:30 ON PARADE Prepared by Paul Hopwood Mozart, W. Overture to The magic flute, K620 (1791; arr. Kenyon). 7 Webb, J. Share my yoke.

4

Rolls Royce Coventry Brass Band (2 above) Thomas, A. Overture to Raymond (arr. Rimmer).

6

Respighi, O. The pines of the Appian Way (arr. Graham). 5 SOHO CD051 (4 above) Trad. Blaydon Races (arr. Langford). Thomas Ruedi, euphonium; Phillip McCann, cond. Chandos CHAN 4511 3 Sellers Engineering Brass Band (2 above) 12:00 URBAN JAZZ LOUNGE with Leita Hutchings 13:00 IN A SENTIMENTAL MOOD with Maureen Meers Nostalgic music and artists from the 30s, 40s and 50s and occasionally beyond, in a trip down many memory lanes 38

14:00 FOCUS ON POULENC Prepared by Lyn Chong

Violin sonata (1942). Isabell van Keulen, vn; Ronald Brautigam, pf. Schwann 3-1527-2 16 Salve Regina. Groupe Vocal de France/John Alldis. EMI 5 65165 2 4 Double concerto in D minor (1932). Martha Argerich, pf; Alexander Gurning, pf; Italian Swiss O/Erasmo Capilla. DG 477 9884 21 15:00 A SUMMERS MIDDAY DREAM Prepared by Chris Blower Mahler, G. Symphony no 3 in D minor (1893-96). Martha Lipton, mezz; Women’s Ch of the Schola Cantorum; Church of the Transfiguration Boys’ Choir; John Corigliano, vn; John Ware, posthorn; New York PO/ Leonard Bernstein. Sony 88697943332 1:40 Smetana, B. Dreams (1875). Kathryn Stott, pf. Chandos CHAN 10430 30 Sculthorpe, P. Dream tracks (1992). Floyd Williams, cl; Michele Walsh, vn; Stephen Emmerson, pf. Move MD 3378 14 17:30 THE VOICES, THE ROLES with Angela Cockburn Sopranos: revenge is sweet 18:00 SOCIETY SPOT Sydney Schubert Society Prepared by Ross Hayes Schubert, F. O heavenly calm! from The bond, D435 (1816). Oliver Widmar, bar; Hungarian National PO/Jan Schultsz. Hyperion CDA67229 6 String quartet no 11 in E, D353 (1816). Melos Quartet. DG 419 879-2 23 Der Einsiedelei, D337 (c1816). Die Singphoniker. cpo 999 400-2 2 Magnificat in C, D486 (1816). Trine Wilsberg Lund, sop; Bettina Ranch, cont; Min Woo Lim, ten; Dominik Königer, bass; Immortal Bach Ensemble; Leipzig CO/Morten SchuldtJensen. Naxos 8.572114 9 Sonata in E, D459 (1816). Ingrid Haebler, pf. Decca 478 5859 11 Beitrag zur 50 jährigen Jubelfeier, D407 (1816). Die Singphoniker. cpo 999 397-2 3

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

19:00 THE MAGIC OF STAGE AND SCREEN Prepared by Maureen Meers Bernstein, L. Excerpts from On the town. Kim Criswell, Gregg Edelman, Tim Flavin, Ethan Freeman, voices. TER Mus C N44 18 Coleman, C. Excerpts from Barnum (1980). JIm Dale, Glenn Close, Marianne Tatum, Terri White, voices. 12 Bart, L. Excerpts from Oliver! (1960). Clive Revill, Georgia Brown, Bruce Prochnik, Willoughby Goddard, voices. RCA Victor 83876-51432-2 19 20:00 INFLUENCES AND CONNECTIONS Carl Reinecke Prepared by James Nightingale Reinecke, C. Flute sonata, op 167, Undine (1882). Sharon Bezaly, fl; Ronald Brautigam, pf. BIS SACD-1729 18 Schumann, R. Night song, op 108 (1849). Monteverdi Choir; O Révolutionnaire et Romantique/John Eliot Gardiner. DG 479 1044 9 Mendelssohn, F. Sonata in B flat, op 106 (1827). Martin Jones, pf. Nimbus NI 5070 17 Albéniz, I. Corpus Christi en Sevilla, from Iberia (1906-08; orch. Arbos). Suisse Romande O/Ernest Ansermet. Decca 433 905-2 8 Janacek, L. Zdenka variations, op 1 (1880). Rudolf Firkusny, pf. DG 449 764-2 9 Brahms, J. Lord, make me to know mine end, from A German requiem, op 45 (1865-68). Teddy Tahu Rhodes, bass-bar; Melbourne SO & Ch/Johannes Fritzsch. ABC 476 4363 9 Reinecke, C. Symphony no 3 in G minor, op 227 (c1890). Brandenburg State O/Heribert Beissel. Christophorus CHE 0162-2 35 22:00 SATURDAY NIGHT AT HOME Prepared by Chris Blower Atterberg, K. Suite pastorale, op 34 (1931). Swedish RSO/Kurt Atterberg. Swedish Society SCD 1021 20 Stanford, C. Villiers Clarinet concerto in A minor, op 80 (1904). Janet Hilton, cl; Ulster O/ Vernon Handley. Chandos CHAN 7002 19 Tchaikovsky, P. String quartet no 1 in D, op 11 (1871). Borodin String Quartet. EMI 7 49775 2 30 Respighi, O. Ballet: La boutique fantasque, after Rossini (1918). BBC PO/Gianandrea Noseda. Chandos CHAN 10081 45


Sunday 29 JANUARY 0:00 CLASSIC-ALL THROUGH THE NIGHT

15:00 FINAL FLING Prepared by Randolph Magri-Overend

Royal Wind Music/Paul Leenhouts (all above) Lindoro NL-3018

9:00 MUSICA SACRA Prepared by Stephen Matthews

Mahler, G. Adagio from Symphony no 10 (1910). Gustav Mahler Youth O/Bernard Haitink. Radio Nederland transcription 25

Fontana, G. Sonata II; Sonata III.

12

Schubert, F. Mass no 6 in E flat, D950 (1828). Ch & SO des Bayerischen RSO/ Wolfgang Sawallisch. EMI 7243 5 86108 2 4 42

Strauss, R. Four last songs, op posth (1948). Birgit Nilsson, sop; Swedish RSO/Leif Segerstam. Bluebell ABCD 009 20

Merula, T. Canzons: Chiaccona; La Monteverdi; La Pighetta; La Strada.

15

Mendelssohn, F. Psalms: nos 100 and 91. Kammerchor Stuttgart/Frieder Bernius. Carus 83.203 8

Verdi, G. Sul fil d’un soffio etesio, from Falstaff (1893). Angela Gheorghiu, sop; Turin Regio Theatre Ch & O/John Mauceri. Decca 452 417-2 6

6:00 SUNDAY MORNING MUSIC

10:00 CLASSICAL ERA Prepared by Andari Anggamulia Boccherini, L. Guitar quintet no 9 in C, La ritirata di Madrid (1798). Richard Savino, gui; Artaria Quartet. Harmonia Mundi HMU 907069 33 Haydn, J. Keyboard trio in F, Hob.XV:2 (c1767-71) Beaux Arts Trio. Philips 454 098-2 13 Giuliani, M. Duo (1810-11). Mikael Helasvuo, fl; Jukka Savijoki, gui. BIS CD-411 22 Beethoven, L. Septet in E flat, op 20 (17991800). Herbert Stähr, cl; Manfred Braun, bn; Gunter Köpp, hn; Alfred Malececk, vn; Dietrich Gerhardt, va; Heinrich Majowski, va; Rainer Zepperitz, db. DG 439 852-2 43 12:00 CLASSIC JAZZ AND RAGTIME with Jeannie McInnes 13:00 WORLD MUSIC: Whirled Wide 14:00 CLASSICAL WOODWIND SONATAS Prepared by Gael Golla Mozart, W. Sonata in B flat, K10 (1764). Marc Grauwels, fl; Guy Penson, pf. Hyperion CDA66391 10 Devienne, F. Bassoon sonata in C, op 24 no 4 (c1785). Klaus Thunemann, bn; Klaus Stoll, vle; Jörg Ewald Dähler, fp. Claves 50-9207 9 Giuliani, M. Sonata in C. Dieter Klöcker, cl; Sonja Prunnbauer, gui. Dabringhaus Grimm MD&G L 3319 15 Weber, C.M. Sonata no 6 (1810). Emmanuel Pahud, fl; Eric Le Sage, pf. naïve V 4863 7 Donizetti, G. Oboe sonata in F (c1820). Jeremy Polmear, ob; Diana Ambache, pf. Meridian CDE 84147 10

Beethoven, L. Symphony no 9 in D minor, op 125, Choral (1817-23). Sharon Prero, sop; Elizabeth Campbell, mezz; Keith Lewis, ten; Bruce Martin, bar; Opera Australia Ch; Tasmanian SO/David Porcelijn. ABC 461 921-2 59 17:00 HOSANNA Prepared by Meg Matthews Hymns: Come let us with our Lord arise; Creator of the earth and sky; Let our choirs new anthems raise. Choir of Gloucester Cathedral; Ian Ball, org; David Briggs, cond. Priory PRCD 704 7 Anon. Gregorian chant: Gandete in Domino semper. Singers of St Laurence/Neil McEwan. ABC 476 5106 4 Mozart, W. Mass in B flat, K275. Collegium Aureum; Chamber and Boys Choirs of Augsburg Cathedral/Reinhard Kammler. Harmonia Mundi D-7800 15 Schubert, F. Gloria; Credo, from Mass no 1 in F, D105. Choir & O of St Augustine’s, Vienna/Alois Glassner. Church Music from Vienna KSA 270002 20 Hymns: Immortal invisible; Jesu lover of my soul. Choir of St John’s College, Cambridge; Brian Runnett, org; George Guest, cond. 6 Hymn: O God our help in ages past. Richard Farnes, org; Stephen Cleobury, cond. 3 Hymn: Glory to thee my God this night. Simon Preston; org; David Willcocks, cond. 3 Choir of King’s College, Cambridge (2 above) Decca BODO 6647-2 (3 above) 18:00 SYDNEY SOCIETY OF RECORDER PLAYERS Italian recorder music Prepared by Susan Bell Alberti, I. Pavin of Albarti and Galliard.

Caldini, F. Christe, op 59c; Clockwork toccata op 68c. Amsterdam Loeki Stardust Quartet. Channel Classics CCS SA 25707 9 19:00 SUNDAY NIGHT CONCERT Prepared by Chris Blower Mozart, W. Overture to The magic flute, K620 (1791). Norwegian National Opera O/Rinaldo Alessandrini. naïve OP 30479 6 Respighi, O. Rossiniana (1925). Suisse Romande O/Ernest Ansermet. Decca 476 2724 26 Bruch, M. Violin concerto no 1 in G minor, op 26 (1868). Niki Vasilakis, vn; Tasmanian SO/ Sebastian Lang-Lessing. ABC 476 923-7 27 Martinu, B. Suite no 1 from Spalicek (193132/37/40). Liidia Ilves, pf; Estonian National SO/Neeme Järvi. Chandos CHAN 10885 22 Suite no 1 from Spalicek (1931-32/37/40). 20:30 NEW HORIZONS Prepared by Robert Small Edwards, R. Guitar concerto, Arafura Dances (1995). Karin Schaupp, gui; Tasmanian SO/ Richard Mills. ABC 481 0961 19 Kunda, B. Waterlilies (2007); Little dancer of the gutter (2009). Brew Guitar Duo. DiskBank 793573 736376 9 Dean, B. Violin concerto, The lost art of letter writing. Frank Peter Zimmerman, vn, Sydney SO/Jonathan Nott. BIS BIS-2016 34 Gould, M. Kashmir remembered (2015). Robert Bourke, sax; Hiroki Hoshino, db; Tim Willis, gui; Sam Evans, perc; Aaron McCullogh, perc. Move MD 3412 14 Westlake, N. Kalabash (2004). Synergy. Tall Poppies TP187 7

3

Cavazzoni, G. Canzon sopra Falt d’argens (1543). 4 Gabrieli, A. Ricercare del primo tono (1595).

Maurice Steger, rec (2 above) Harmonia Mundi HMC 902024

6

22:00 AFTER HOURS JAZZ with Kevin Jones

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Monday 30 JANUARY

Alexander Gibson

Dalia Atlas 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Robert Small 9:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1847 Prepared by Jennifer Foong Verdi, G. Prelude: I masnadieri (1847). BBC PO/Edward Downes. Chandos CHAN 9510 5 Flotow, F. M’appari, from Martha (1847). Luciano Pavarotti, ten; New PO/Richard Bonynge. Decca 475 9349 3 Liszt, F. Bénédiction, from Harmonies poétiques et religieuses (1847). Leslie Howard, pf. Hyperion CDS44515 4 Mendelssohn, F. An die Entfernte, op 71 no 3 (1847). Dietrich Fischer-Dieskau, bar; Wolfgang Sawallisch, pf. EMI CMS 7 64827-2 1 Proch, H. Homesick for Switzerland, op 38 (1847). Elen Xanthoudakis, sop; Jason Xanthoudakis, cl; Clemens Leske, pf. Move MCD 472 5 Chopin, F. Sonata in G minor, op 65 (1847). Jacqueline du Pré, vc; Daniel Barenboim, pf. EMI CZS 5 68132 2 27 Schumann, R. Trio no 1 in D minor, op 63 (1847). Oistrakh Trio. Brilliant Classics 8402 32 10:30 CONCERT HALL Prepared by Frank Morrison Nielsen, C. Rhapsodic overture (1927). Scottish NO/Alexander Gibson. Chandos CHAN 6524 9 40

Saint-Saëns, C. Piano concerto no 5 in F, op 103, Egyptian (1896). Stephen Hough, pf; City of Birmingham SO/Sakari Oramo. Hyperion CDA67331/2 27

Bellini, V. Torna, vezzosa Fillide. Cecilia

Glière, R. Symphony no 2 in C minor, op 25 (1907). New Jersey SO/Zdenek Macal. Delos DE 3178 46

Handel, G. O had I Jubal’s lyre, from Joshua,

12:00 SWING SESSIONS with John Buchanan

James Levine, pf (2 above)

HWV64. Kathleen Battle, sop. DG 415 361-2 2

James Levine.

Bloch, E. Suite for viola and orchestra (191719). Yuri Gandelsman, va; Atlas Camerata O/ Dalia Atlas. Naxos 8.573283 36

Rossini, G. Sonata.

Decca 455 513-2 8

Wagner, R. Siegfried Idyll (1870). Berlin PO/

13:00 VIOLA HARP AND WINDS Prepared by Denis Patterson

Viotti, G. Suite.

Bartoli, mezz.

17 2

DG 469 804-2 18 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Ross Hayes 19:00 JAZZ NICE ‘N EASY with Ken Weatherley

Claudia Antonelli, hp (2 above) Naxos 8.554252

20:00 STORMY MONDAY

Beethoven, L. Quintet in E flat op 16 for oboe, clarinet, bassoon, horn and piano (1796). Les Vents Français. Warner Classics 0825646231850 27

22:00 THE AUSTRALIAN JAZZ SCENE

14:30 CELEBRATING JAMES LEVINE Prepared by Emyr Evans Smetana, B. The Moldau, from My country (1874-79). Vienna PO. DG 419 768-2 12 Beethoven, L. Piano concerto no 2 in B flat, op 19 (1794-95). Yevgeny Kissin, pf; Philharmonia O. Sony SK 62926 29 Wagner, R. Die Frist ist um, from The flying Dutchman (1841). Bryn Terfel, bass-bar; Metropolitan Opera O. DG 445 866-2 12 James Levine, cond (all above)

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

with Austin Harrison and Garth Sundberg

with Susan Gai Dowling and Peter Nelson

MUSIC TRIVIA

with Michael Morton-Evans 5. Who wrote the 1954 opera The Fiery Angel? 6. For which instrument is Larry Adler best known? 7. To which tenor was soprano Angela Gheorghiu once married? 8. For which monarch’s coronation did Sir William Walton write the march Orb and Sceptre? Answers on page 42.


Tuesday 31 JANUARY

Willi Boskovsky

Loris Tjeknavorian 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Julie Simonds 9:00 DIVERSIONS IN FINE MUSIC Artist of choice: Lynn Harrell Prepared by Di Cox Tchaikovsky, P. Pezzo capriccioso, op 62 (1887). Cleveland O/Lorin Maazel. Decca 480 6617 8 Mendelssohn, F. Piano trio no 1 in D minor, op 49 (1839). Anne-Sophie Mutter, vn; André Previn, pf. DG 477 8001 28 Boccherini, L. String quintet in E, op 13 no 5 (1771). Alexander Schneider, vn; Felix Galimir, vn; Michael Tree, va; David Soyer, vc. Vanguard OVC 8006 24 Hindemith, P. Kammermusik no 3, op 36 no 2 (1924-25). Konstanty Kulka, vn; Kim Kashkashian, va; Norbert Blume, va d’amore; Ronald Brautigam, pf; Leo van Doeselaar, org; Royal Concertgebouw/Riccardo Chailly. Decca 433 816 2 17 Mendelssohn, F. Song without words, op 109 (1845; arr. Harrell). Bruno Canino, pf. Decca 430 198-2 4 Lynn Harrell, vc (all above)

Berlioz, H. Les nuits d’été (1840/56). Diane Montague, mezz; Catherine Robbin, mezz; Howard Crook, ten; Gilles Cachemaille, bar; Lyon Opera O/John Eliot Gardiner. Apex 0927 49583 2 29 Dohnányi, E. Piano concerto no 2 in B minor, op 42 (1946-47). Martin Roscoe, pf; BBC Scottish SO/Fedor Glushchenko. Hyperion CDA66684 30 12:00 JAZZ RHYTHM with Jeannie McInnes

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Michael Morton-Evans 19:00 THE JAZZ BEAT with Lloyd Capps 20:00 RECENT RELEASES with Robert Small 22:00 CHAMBER SOIRÉE Prepared by Jennifer Foong

13:00 ROMANTIC SONATAS Prepared by Marilyn Schock

Haydn, J. Trio in G, Hob.XV:25, Gypsy (1795). London Fortepiano Trio. Hyperion CDA66297 15

Liszt, F. Die Lorelei (1861). Vladimir Leyetchkiss, pf. Centaur CRC 2088 8

Spohr, L. Quartet no 11 in E, Quatuor brillant (1817). New Budapest Quartet. Marco Polo 8.223257 28

Skryabin, A. Sonata no 2 in G sharp minor, op 18 (1892-97). Yuja Wang, pf. DG 477 8140 12

Boccherini, L. Flute quintet in D, op 19 no 6, The couples (pub. 1774). Auser Musici. Hyperion CDA67646 12

Rachmaninov, S. Sonata in G minor, op 19 (1901). Pei-Sian Ng, vc; David Tong, pf. Melba MR 301113 34

Grainger, P. Variations on Handel’s The harmonious blacksmith. Della Jones, mezz; Penelope Thwaites, pf. Chandos CHAN 9730 1

14:00 LIFE Prepared by Randolph Magri-Overend Glinka, M. Overture and suite from A life for the Tsar (1836). Armenian PO/Loris Tjeknavorian. ASV DCA 1075 34 Strauss, J. II Artist’s life, op 316 (1867). Vienna PO/Carlos Kleiber. CBS M2XK 45564 9

10:30 CONCERT HALL Prepared by Rex Burgess

Schumann, R. Woman’s love and life, op 42 (1840). Irmgard Seefried, sop; Erik Werba, pf. DG 474 843-2 21

Respighi, O. Belkis, Queen of Sheba (1932). SBS Youth O/Matthew Krel. SBS YME-5 24

Strauss, R. A hero’s life, op 40 (1897-98). Sydney SO/Edo de Waart. ABC 476 595-7 45

Mozart, W. Quartet no 21 in D, K575, Prussian no 1 (1789). Goldner String Quartet. Fine Music concert recording 24 Dvorák, A. Trio no 4 in E minor, op 90, Dumky (1890-91). Isabelle Faust, vn; JeanGuihen Queyras, vc; Alexander Melnikov, pf. Harmonia Mundi HMC 901867 30

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The following composers have works of at least five minutes on the JANUARY dates listed Abel, C. 1723-1787 3,22 Adam, A. 1803-1856 6 Aho, K. b1949 22 Albéniz, I. 1860-1909 28 Albert, E. d’ 1864-1932 27 Albinoni, T. 1671-1751 18 Albrechtsberger, J. 17361809 1 Alcock. W. 1861-1947 1 Alkan, C-V. 1813-1888 5,12 Allen, G. b1927 20 Allworth, R. b1943 23 Andriessen, H. 1892-1981 16 Arensky, A. 1861-1906 26,27 Arne, T. 1710-1778 27 Arnold, M. 1921-2006 16,27 Arriaga, J. 1806-1826 14 Atterberg, K. 1887-1974 28 Avison, C. 1709-1770 21 Bach, C.P.E. 1714-1788 1,15,19 Bach, J. Christian 17351782 10,11,15 Bach, J.S. 1685-1750 1,2,5,6,17,18,19,20,22,24 Bach, W.F. 1710-1784 15 Bainton, E. 1880-1956 1 Balakirev, M. 1837-1910 1,10,13 Bantock, G. 1868-1946 26 Barsanti, F. 1690-1772 21 Bart, L. b1930 28 Bartók, B. 1881-1945 13,28 Bax, A. 1883-1953 5 Beach, A. 1867-1944 18 Beck, F. 1734-1809 11 Beethoven, L. 1770-1827 1, 6,7,8,9,10,11,14,19,20,21,22 ,23,24,29,30 Bellini, V. 1801-1835 30 Bellman, C. 1740-1795 25 Ben-Haim, P. 1897-1984 16 Benda, F. 1709-1786 9 Benda, G. 1722-1795 8 Benedict, J. 1804-1885 3 Benjamin, A. 1893-1960 14 Bennett, Robert. 18941981 14 Berlioz, H. 1803-1869 4,6,13,14,16,31 Bernstein, L. 1918-1990 28 Berwald, F. 1796-1868 6 Bliss, A. 1891-1975 19 Bloch, E. 1880-1959 30 Boccherini, L. 1743-1805 3,6,13,29,31 Boito, A. 1842-1918 5 Bononcini, G. 1670-1747 21 Borodin, A. 1833-1887 13,17 Bottesini, G. 1821-1889 19 Bowen, C. b1956 22 Boyce, W. 1711-1779 27 Brahms, J. 1833-1897 2,3,5 ,6,8,12,19,21,22,24,26,27,28 Bray, C. b1982 8 Britten, B. 1913-1976 2,3,6,8,18,27 Bruch, M. 1838-1920 1,17,19,29 Bruckner, A. 1824-1896 13 Bruk, F. 20th c 26 Busoni, F. 1866-1924 24 Caldara, A. c1670-1736 9 Caldini, F. b1959 29 Cannabich, C. 1731-1798 11 Canteloube, J. 1879-1957 26

Carter, E. b1908 18 Carulli, F. 1770-1841 7,8 Castelnuovo-Tedesco, M. 1895-1968 11 Castrucci, P. 1679-1752 4 Chabrier, E. 1841-1894 1,12,25 Chadwick, G. 1854-1931 20 Cherubini, L. 1760-1842 5,11 Chopin, F. 1810-1849 20,30 Cleworth, I. 20th c 26 Coleman, C. 1605-c1664 28 Colgrass, M. b1932 19 Copland, A. 1900-1990 14,16 Corbett, W. c1675-1748 27 Corelli, A. 1653-1713 4,18 Cornelius, P. 1824-1874 8 Cornysh, W. d1523 13 Corrette, M. 1709-1795 20 Cresswell, L. 20th c 1 Crusell, B. 1775-1838 19,20 Cui, C. 1835-1918 13 Damase, J-M. b1928 26 Danzi, F. 1763-1826 11,19,26 Dean, B. b1961 29 Dean, R. b1948 1 Debussy, C. 1862-1918 4,10,19,23 Delibes, L. 1836-1891 7 Delius, F. 1862-1934 4 Devienne, F. 1759-1803 29 Diabelli, A. 1781-1858 24 Dieupart, C. c1667-c1740 9 Dittersdorf, C. 1739-1799 5,15 Dohnányi, E. 1877-1960 31 Donizetti, G. 1797-1848 5,29 Dukas, P. 1865-1935 10,26 Duparc, H. 1848-1933 10 Duruflé, M. 1902-1986 22 Dussek, J. 1760-1812 6,19 Dvorák, A. 1841-1904 2,6,9,11,15,19,23,24,25,31 Easdale, B. 1909-1995 12 Eberl, A. 1765-1807 22 Edwards, R. b1943 2,6,17,26,29 Elgar, E. 1857-1934 2,7,8,10,15,19,25,27 Ellis, V. 1903-1996 14 Enescu, G. 1881-1955 12,13 Falconieri, A. c1586-1656 12 Falla, M. de 1876-1946 5,26 Farrenc, L. 1804-1875 17 Fasch, J. 1688-1758 20 Faure, G. 1845-1924 7,19,20,23 Fauré, G. 1845-1924 7,19,20,23 Fayrfax, R. 1464-1521 13 Fibich, Z. 1850-1900 3 Field, J. 1782-1837 8,15 Finzi, G. 1901-1956 8 Fontana, G. c1580-1631 29 Foote, A. 1853-1937 20 Françaix, J. 1912-1997 10 Franck, C. 1822-1890 4,24 Gabrieli, A. c1510-1586 29 Gabrieli, G. c1556-1612 8 Gasparini, F. 1661-1727 4 Geminiani, F. 1687-1762 4,21

Geremia, G. 1732-1814 8 Gerrard, L. b1961 15 Gershwin, G. 1898-1937 20 Gesualdo, C. c1561-1613 6 Gibbs, J. 1699-1788 27 Giuliani, M. 1781-1829 8,12,29 Glanville-Hicks, P. 19121990 16 Glass, P. b1937 2,6 Glazunov, A. 1865-1936 14,25,26 Glière, R. 1875-1976 18,30 Glinka, M. 1804-1857 27,31 Godard, B. 1849-1895 20 Goldberg, J. 1727-1756 17 Goossens, E. 1893-1962 18 Gould, M. 1913-1996 14,29 Grainger, P. 1882-1961 5,12 Granados, E. 1867-1916 8,25 Grandison, M. b1965 5 Grétry, A-E-M. 1741-1813 25 Grieg, E. 1843-1907 1,2,6,7,14,17,20,23 Griffes, C. 1884-1920 18 Guignon, J-P. 1702-1774 18 Guillemain, L-G. 17051770 18 Gyger, E. b1968 1 Hahn, R. 1875-1947 10 Handel, G. 1685-1759 2,5,6,9,15,17,21,27 Hanson, R. 1913-1976 19 Haydn, J. 1732-1809 1,8,10 ,15,16,17,21,22,23,24,29,31 Haydn, M. 1737-1806 3,14,22 Herman, J. b1932 14 Herrmann, B. 1911-1975 13 Hertel, J. 1727-1789 2,15 Herzogenberg, H. 18431900 24 Hindemith, P. 1895-1963 5,11,31 Holmboe, V. 1909-1996 26 Holter, I. 1850-1941 14 Holzbauer, I. 1711-1783 11 Honegger, A. 1892-1955 19 Horneman, C. 1840-1906 28 Hummel, J. 1778-1837 7,8,28 Hyde, M. 1913-2005 5,16 Ibert, J. 1890-1962 12,20 India, S. d’ 1582-1629 6 Isaacs, M. b1958 27 Ives, C. 1874-1954 18 Janacek, L. 1854-1928 28 Jenkins, K. b1944 15 Jommelli, N. 1714-1774 3 Kalinnikov, Vasily. 18661901 24 Kander, J. b1927 14 Kats-Chernin, E. b1957 27 Kelly, N. b1935 8 Kodály, Z. 1882-1967 3 Koehne, G. b1956 17 Korngold, E. 1897-1957 17 Kraus, J.M. 1756-1792 22 Kreutzer, C. 1780-1849 3 Kuhlau, F. 1786-1832 28 Kunda, B. b1986 29 Kuusisto, J. b1974 8,22 Lambert, C. 1905-1951 9 Leclair, J-M. 1697-1764 18 Leigh, W. 1905-1942 19 Leoncavallo, R. 1858-1919 5

Key Music duration is shown after the record and citation SO: Symphony Orchestra PO: Philharmonic Orchestra NO: National Orchestra RO: Radio Orchestra FO: Festival Orchestra CO: Chamber Orchestra TO: Theatre Orchestra RSO: Radio Symphony

Orchestra RTO: Radio & Television Orchestra Prom O: Promenade Orchestra Ch & O: Chorus & Orchestra NSO: National Symphony Orchestra alto: male alto ban: bandoneon

TRIVIA ANSWERS:

bar: baritone bshn: basset horn bass: bass bn: bassoon bass-bar: bass-baritone cl: clarinet clvd: clavichord cont: contralto cora: cor anglais ct: counter-tenor db: double bass

Lindberg, M. b1958 22 Liszt, F. 1811-1886 1,31 Lloyd Webber, A. b1948 13 Locatelli, P. 1695-1764 4 Loeillet de Gant, J.B. 1688c1720 24 Lonati, C. c1645-c1710 9 Lord Berners. 1883-1950 14,23 Lully, J-B. 1632-1687 6 Machaut, G. de c13001377 16 MacKenzie, A. 1847-1935 27 Mahler, G. 1860-1911 23,28,29 Marais, M. 1656-1728 9,18,26 Marenzio, L. 1533-1599 6 Martin, F. 1890-1974 22,26 Martinu, B. 1890-1959 12,14,16,19,27,29 Massenet, J. 1842-1912 3,10 Maxwell Davies, P. b1934 17 Mayr, S. 1763-1845 7 Medtner, N. 1880-1951 8 Mendelssohn, F. 1809-1847 3,6,14,15,16,21,22,24,28 ,29,31 Merula, T. c1595-1665 29 Milhaud, D. 1892-1974 5,16 Monn, M. 1717-1750 16 Monteverdi, C. 1567-1643 6 Morel, J. b1931 18 Morley, T. c1558-1602 27 Mozart, W. 1756-1791 1,3,4 ,7,8,9,13,15,19,20,21,22,23, 26,28,29,31 Muffat, G. 1653-1704 9,15,21 Munro, I. b1963 26 Muntendorf, B. b1982 8 Mussorgsky, M. 1839-1881 1,13,17,23 Myslivecek, J. 1737-1781 15 Neukomm, S. 1778-1858 13 Newman, T. 20th c 15 Nielsen, C. 1865-1931 26,30 Norgård, P. b1932 28 O’Hearn, P. b1954 15 Offenbach, J. 1819-1880 20 Paganini, N. 1782-1840 1,4,22 Paisiello, G. 1740-1816 16 Palomo, L. b1938 22 Parry, H. 1848-1918 7,16 Pergolesi, G. 1710-1736 15 Petrini, F. 1744-1819 12 Piazzolla, A. 1922-1992 11,12,25 Pokorny, F. 1729-1794 15 Ponchielli, A. 1834-1886 8 Porretti, D. c1860-1763 9 Porter, C. 1891-1964 14 Poulenc, F. 1899-1963 1,7,15,16,27,28 Prokofiev, S. 1891-1953 3,5 Puccini, G. 1858-1924 1,2,6,23 Purcell, H. 1659-1695 27 Quilter, R. 1877-1953 26 Rachmaninov, S. 18731943 10,12,24,31 Rameau, J-P. 1683-1764 21,24 Ramirez, A. b1921 1

dbn: double bassoon elec: electronic eng horn: English horn fl: flute fp: fortepiano gui: guitar hn: French horn hp: harp hpd: harpsichord mand: mandolin mar: marimba

Rautavaara, E. b1928 22,26 Ravel, M. 1875-1937 5,7,10,11,12,14,15,16,23 Reeves, D. 20th c 2 Reger, M. 1873-1916 24 Reicha, A. 1770-1836 1,8 Reinecke, C. 1824-1910 17,28 Respighi, O. 1879-1936 28,29,31 Rigney, S. b1960 26 Rihm, W. b1952 8 Rimsky-Korsakov, N. 18441908 12,13,20 Rodrigo, J. 1901-1999 16 Rogier, P. c1561-1596 8 Roman, J. 1694-1758 12,25 Rorem, N. b1923 10 Rossini, G. 1792-1868 1,8,9,11,22,27 Rota, N. 1911-1979 25 Roussel, A. 1869-1937 16 Rubinstein, A. 1829-1894 26 Ruders, P. b1949 1 Ruyneman, D. 1886-1963 26 Saariaho, K. b1952 22 Sabin, N. b1959 17 Saint-Georges, J. 17391799 5 Saint-Saëns, C. 1835-1921 3,4,5,6,10,12,17,20,23,26,30 Salieri, A. 1750-1825 15,22 Sammartini, G. 1693-1750 17 Sarasate, P. de 18441908 3 Satie, E. 1866-1925 23 Schmidt, F. 1874-1939 27 Schnittke, A. 1934-1998 12 Schobert, J. 1740-1767 3,15 Schubert, F. 1797-1828 1, 4,7,13,15,16,17,19,20,22 ,28,29 Schultz, A. b1960 17 Schumann, R. 1810-1856 18,24,28,30,31 Schwantner, J. b1943 26 Sculthorpe, P. b1929 12,17,28 Sheppard, J. c1515-c1560 13 Shostakovich, D. 1906-1975 3,6,10,11,12,15,27 Sibelius, J. 1865-1957 2,3,12,17,19,26,28 Sinding, C. 1856-1941 1,14,26 Skryabin, A. 1872-1915 8,31 Smetana, B. 1824-1884 21,28,30 Soler, A. 1729-1783 18 Spohr, L. 1784-1859 1,6,24,31 Stamitz, C. 1745-1801 7,11,12 Stamitz, J. 1717-1757 11 Stanford, C. Villiers 18521924 1,6,28 Steiner, M. 1888-1971 12 Steinmetz, H. 1901-1975 24 Strauss, J. II 1825-1899 23,31 Strauss, R. 1864-1949 1,2,10,23,27,29,31 Stravinsky, I. 1882-1971 5,7

mezz: mezzo-soprano narr: narrator ob: oboe org: organ perc: percussion pf: piano picc: piccolo rec: recorder sax: saxophone sop: soprano tb: trombone

ANSWERS: 1. Edvard Grieg. 2. Puccini and Leoncavallo. 3. Poulenc. 4. New York. 5. Prokofiev.6. Harmonica. 7. Roberto Alagna. 8. Queen Elizabeth II.

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fineMusic 102.5

Suk, J. 1874-1935 1,6,8 Suppé, F. 1819-1895 5 Sutherland, M. 1897-1984 20 Tallis, T. c1505-1585 27 Tartini, G. 1692-1770 9 Tavares, G. 20th c 5 Tchaikovsky, P. 1840-1893 2,7,13,20,24,25,28,31 Telemann, G. 1681-1767 5,7,12,17,21 Theodorakis, M. b1925 14 Thomas, A. 1811-1896 28 Tippett, M. 1905-1998 1 Toeschi, C. 1731-1788 11 Tórroba, F. Moreno 18911982 22,26 Turina, J. 1882-1949 10 Valentini, Giuseppe. 15831649 9 Vangelis. b1943 15 Vanhal, J. 1739-1813 7,22 Varèse, E. 1883-1965 26 Vaughan Williams, R. 18721958 7,17,18,26 Veracini, F. 1690-1768 12,21 Verdi, G. 1813-1901 5,22,23,29,30 Vieuxtemps, H. 1820-1881 15 Villa-Lobos, H. 1887-1959 5,9,12,25 Viotti, G. 1755-1824 16,30 Vivaldi, A. 1678-1741 8,10,18,20,21,22 Vogler, G. 1749-1814 14 Wagenseil, G. 1715-1777 15 Wagner, R. 1813-1883 5,7,9,30 Waldteufel, E. 1837-1915 7 Wallace, W. 1860-1940 27 Weber, C.M. 1786-1826 14,17,26,29 Weiss, S. 1686-1750 9 Wesley, S. 1766-1837 5 Wesström, A. 1720-1781 25 Westlake, N. b1958 29 Whitacre, E. b1970 19 Wikmanson, J. 1753-1800 25 Williamson, M. 1931-2003 20 Witt, F. 1834-1888 28 Wordsworth, W. 19081998 18 Zaimont, J. b1945 8

ten: tenor timp: timpani tpt: trumpet treb: treble voice va: viola vc: cello vle: violone vn: violin


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Miss Barbara Ames, Ms Josephine M Bastian, Ms Sandra Batey, Mr Robert Baume, Mr John Boden, Mr David Branscomb, Mr David Brett, Sir Ron Brierley, Rev’d Jane S Chapman, Ms Joan Childs, Ms Elizabeth Corbett, Mr John P Corsham, Prof Roger Covell, Mr Nicholas Cowell, Mr Brett Ayron Davies, Mr Peter Deakin, Dr Nita Durham, Ms Eleonore Fuchter, Ms Margaret Hext, Mr Peter Hillery, Mrs Diana R Hooper, Dr David Jeremy, Mr Gar Jones, Mr Andrew J Kennedy, Mr Ian Lansdown, Ms M Laurie, Mr Goldwyn Lowe, Mrs Meryll Macarthur, Mr Randolph & Mrs Jenny Magri-Overend, Mrs Elisabeth Manchur, Mrs M A Marsh, Mrs Patricia McAlary, Dr R McGuinness, Mr John & Mrs Judith McKernan, Ms Maureen Meers, Ms Judith Miller, Dr Andrew Mitterdorfer, Mr John K Morgan, Mr Michael Morton-Evans OAM, Mr John Niland, Mr John Nowlan, Mr Julius Opit, Mr G C Osborne, Dr Gordon H Packham, Mr Trevor Parkin, Mr Ken Paul, Mr Bert Percy, Ms Anne Pickles, Dr John G Richards, Ms Janet Rowe, Dr Janice Russell, Mr Gregory L Sachs, Dr Gideon Schoombie, Dr Vivian Shanker, Dr Michael Shellshear, Mr N A Stoke, Mr Anthony C Strachan, Mrs J R Strutt, Mrs Judy Timms, Dr Jennifer Turner, Mr J J Veevers, Mrs C & Mr L Welyczko, Mr Richard Wilkins, Mrs Lynnette Windsor, Anonymous 6 44

January 2017

fineMusic 102.5


arts on screen YO U R V I P T I C K E T S T O T H E W O R L D ’ S B E S T.

.......................................................................................................................... ......................................................... A stunning series of big screen events in Sydney’s most elegant cinemas. Great stage performances captured live

JOIN OUR EMAIL CLUB FOR SPECIAL OFFERS! ORPHEUM.COM.AU The Hayden Orpheum is delighted to announce the 2016/17 season of The New York Metropolitan Opera. Featuring 4 new productions, 2 productions captured live in high definition for the very first time, a New York Met premiere and the finest performers to be heard at Lincoln Centre, the greatest opera company in the world presents a new season that is not to be missed.

L’AMOUR DE LOIN (Saariaho)

Met premiere. Susanna Phillips, Eric Owens, Tamara Mumford. Jan 28/29 & Feb 2

NABUCCO (Verdi)

Placido Domingo stars with Liudmyla Monastyrska. Feb 18/19/23

ROMÉO ET JULIETTE (Gounod)

Vittorio Grigola and Diana Damrau reunite in this new production. March 18/19/23

RUSALKA (Dvorak)

Kristine Opolais and Brandon Jovanovich. New production. April 22/23/27

LA TRAVIATA (Verdi) Sonya Voncheva with Michael Fabiano. May 20/21/25 IDOMENEO (Mozart)

Matthew Polenzani with Elza van den Heever. June 17/18/22

ONEGIN (Tchaikovsky) Anna Netrebko with Dmitri Hvorostovsky. July 15/16/20

EUGENE DER ROSENKAVALIER (R.Strauss)

Renee Fleming with Elina Garanca. August 5/6/10

RENEE FLEMING: DER ROSENKAVALIER

FINALLY ON THE NORTH SHORE!

Jewish International Film Festival 2016

PROUDLY PRESENTING OUTSTANDING INTERNATIONAL PREMIERE FEATURES & DOCUMENTARIES.

October 26 to November 23 BOTH A CELEBRATION AND EXPLORATION OF THIS GLORIOUSLY, ECLECTIC CULTURE, THE JEWISH INTERNATIONAL FILM FESTIVAL SHOWCASES WORKS EACH YEAR FROM AS FAR AFIELD AS BELGIUM, BULGARIA, CANADA, FRANCE, GERMANY, HUNGARY, IRAN, LATVIA, ROMANIA, SOUTH AFRICA, UNITED KINGDOM AND USA.


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Fine Music Magazine - January 2017  

Fine Music Magazine - January 2017 The magazine of Fine Music 102.5 featuring classical music, jazz, interviews, a CD review and detailed mo...

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