Fine Music Magazine - September 2016

SEPTEMBER 2016

MAGAZINE

Virtuoso pianist Nelson Freire Performing with the SSO

Educating and inspiring orchestra seventeen88

Flamenco in Concert Paco PeĂąa in Australia

Your guide to what’s on Classical and Jazz

Full program guide inside Fine Music in September

COMING UP

Enjoy great masterpieces by Beethoven, Mozart, Rachmaninoff and more!

CLASSICAL

NELSON FREIRE plays SCHUMANN

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Few pianists are as widely admired as Brazilian Nelson Freire.

His long-awaited return to Sydney features a concerto perfectly suited to both the poetry and the virtuosity of his art.

Schumann’s rhapsodic Piano Concerto is full of irresistible beauty.

APT MASTER SERIES

WED 21 SEP 8PM FRI 23 SEP 8PM SAT 24 SEP 8PM Sydney Opera House

BEETHOVEN Coriolan Overture SCHUMANN Piano Concerto RACHMANINOFF Symphony No.2 Marcelo Lehninger conductor Nelson Freire piano

CLASSICAL AT CITY RECITAL HALL

Nelson Freire in Recital

Mad About Mozart

Nelson Freire’s solo recital is the perfect way to experience his supreme artistry and the perfect complement to his concerto performance.

The SSO is joined by the Goldner String Quartet in this concert of fascinating contrasts. At the centre of the program is a brilliant symphony by the 18-year-old Mozart, framed by two works that highlight the talents of the Goldner String Quartet, led by SSO Concertmaster Dean Olding; Verbey’s Shadow and Hindson’s The Rave and the Nightingale, inspired by Schubert’s final string quartet. Music to rave about!

INTERNATIONAL PIANISTS IN RECITAL PRESENTED BY THEME & VARIATIONS PIANO SERVICES

MON 26 SEP 7PM City Recital Hall

Program to include music by Mozart, Chopin, Shostakovich and Rachmaninoff with a Bach-Busoni transcription and BEETHOVEN Sonata in A flat, Op.110

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THU 6 OCT 7PM VERBEY Shadow MOZART Symphony No.28 HINDSON The Rave and the Nightingale

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MON–FRI 9AM–5PM

* Selected performances. Prices correct at time of publication and subject to change. Booking fees from $5–$8.95 may apply depending on method of booking. ^Additional fees may apply.

Toby Thatcher conductor Goldner String Quartet

City Recital Hall

Tickets also available at: sydneyoperahouse.com 9250 7777 Mon–Sat 9am–8.30pm / Sun 10am–6pm

cityrecitalhall.com 8256 2222 Mon–Fri 9am–5pm^

CONTENTS VOL 43 No 9

from the chair Well, it’s officially Spring!

You will notice that we have managed to streamline our magazine while still including the valued information on the performers featured in this month’s program.

2 COVER STORY

Pianist Nelson Freire returns to Australia

4 Interview: Flamenco legend Paco Peña 7 Richard Gill & orchestra seventeen88 10 Jazz CD Reviews

August saw the finals of the Fine Music Young Virtuoso Competition. The winner now competes in the national finals on 26 November in Melbourne against the winners of the other MBS (Music Broadcasting Society) stations.

11 Introduction to the Master Key series

During the course of this month a panel of five will also be faced with a difficult decision in awarding the Fine Music 2017 Stephan Kruger Scholarship.

12 Young Virtuosi: unearthing young talent

The composition of the winner of the Fine Music Young Composer Award will be premiered by clarinettist Som Howie and the Willoughby Symphony Orchestra on Saturday 17 September. The instrumentation is based on one of the other works in the program, the Weber Clarinet Concerto No. 1 in F minor, op. 73. This year the judges, Dr Paul Terracini, Dr Stephen Mould, and as per tradition, the soloist, have 24 submissions to consider. We invite you to arrive an hour early to hear presenter Marilyn Schock’s pre-concert talk introducing Mathew Hindsons’ Bright Red Overture, Manuel de Falla’s El Amor Brujo (Love, The Magician) and the other works in the program.

13 CD Reviews 14 What’s On – Sydney and surrounds 16 Full programming guide

Fine Music’s Under 30s Committee is hard at work developing a range of programs for introduction once our Learning Centre has been completed.

Their newest member, Lolita Emmanuel, is currently completing her Bachelor of Music Studies at the Sydney Conservatorium. A pianist, singer and songwriter, Lolita’s wish is to spread her passion for classical music with others of her generation. Her radio program, Bach, Beethoven and Banter won ‘Best Music Show of 2014’ at the SURG FM End of Year Awards at Sydney University in 2014.

40 YEARS

Now to the music we broadcast. You may have been introduced to the erhu (two-stringed bowed instrument), by Paolo Hooke in Chinese Mosaic, his series which finished in December 2015 after seven years. On 25 September in Sunday Special, Paolo will be celebrating the 110th anniversary of the birth of Dmitri Shostakovich with two of his symphonies and his eight string quartet.

1974 - 2014

Wishing you wonderful discoveries and pleasure in old favourites.

Registered Offices & Studios: 72-76 Chandos Street, St Leonards 2065 Tel: 02 9439 4777 Fax: 02 9439 4064 Email: admin@finemusicfm.com Web: finemusicfm.com Facebook, Twitter and YouTube: finemusicfm Frequency: 102.5 Transmitter: Governor Philip Tower, Circular Quay.

ABN 64 379 540 010 Art Direction: Design Campaign - liza@designcampaign.com.au Printing: Megacolour, Unit 6, 1 Hordern Place. Camperdown, NSW, 2050 Distribution coordinator: Sissy Stewart Advertising Enquiries: sponsorship@finemusicfm.com Editor: Paula Wallace Contributors: Michael Morton-Evans, Kevin Jones, Barry O’Sullivan, Emyr Evans, Richard Gate, Frank Shostakovich, Samuel Cottell, Judy Deacon, Janine Burrus, Nicky Gluch.

Subscribe to Fine Music Magazine: visit www.finemusicfm.com or email friends@finemusicfm.com The views expressed by contributors to this magazine do not necessarily reflect or represent the views of the publisher, Fine Music 102.5.

Cover image: Piano virtuoso Nelson Freire. Image: Mat Hennek Resezed.

Janine Burrus Chair, Fine Music

Cordially invite you to The Fine Music Young Composer Award has been decided and haveVirtuoso the opportunity to hear the winning Theyou Young Award 2016 Final composition. Please join us for two special world premiere Verbrugghen Hall A Clarinet performances ofThe the selected composition Sydney Conservatorium of Music Concerto, with the Sunday Willoughby Symphony Orchestra to be 28th August held at The Concourse, Chatswood: 2:00pm

•

Saturday 17 September, 2016 at 7pm

•

Please 18 joinSeptember, us for the reception following Sunday 2016 at 2pm the event

For more information: http://theconcourse.com.au September 2016

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WELCOME RETURN TO AUSTRALIA BRAZILIAN PIANIST NELSON FREIRE

Nelson Freire. Image courtesy Decca/Benjamin Ealovega Nelson Freire is a Brazilian pianist. Nelson Freire was a child prodigy. Nelson Freire is a superstar. Nelson Freire is shy. These are just some of the words used to describe an undeniable star of the piano world who will be visiting Sydney in September to perform both a solo recital and Schumann’s Piano Concerto with the Sydney Symphony Orchestra. But Freire is a man, who by his own admission is “difficult to define”.

He tells Fine Music: “Of course I try to be honest and generous not only in music but in life as well. I’m happy if it comes out when I play. But ‘what am I’ is hard to tell.

“Sometimes I look back and think ‘I have been so many Nelsons in my life’. It may not show from outside but deep inside it is how I feel.”

Perhaps it is this flux and introspection that makes Freire such a captivating soloist. A pianist is the musician without a section, the piano the instrument that can imitate all others but yet it stands alone. A piano is many things just as Nelson Freire has been many men. So how will they combine in this September recital?

Freire in recital Freire’s selection of pieces is inspired by the same philosophy with which he views himself. He can play a piece for decades so long as “I see and feel differently whenever I approach them”.

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If this is found not to be the case he lays the work aside and waits “until it comes to life again”.

Freire opens his September program with Bach, a feature of his 2016 season.

Asked where, in light of the HIP (historically informed performance) movement, Freire sees Bach’s place in the piano repertory, he replies emphatically: “Bach! The father of Music. Ageless, his works display all that would come after him”.

This would be reason enough for Bach’s music to open a recital but Freire adds further justification: “Sometimes before practice, ‘if I’m not in a musical mood, I start playing Bach and immediately there’s an awakening”.

Audiences, thus, will be aroused by Bach’s Partita No. 4, a delightful set of dances that rely on a pianist’s understanding and technique to show off their individual character.

From Bach, Freire moves to Beethoven.

The Sonata No. 32 in C minor was to be Beethoven’s last Piano Sonata and one of his final compositions for piano. It is discernibly mature with its perfectly balanced two movements (eschewing the traditional three) and the complexity of its musical and emotional language. Asked if he thinks Beethoven had a specific fascination with C minor (it is the key of his 5th Symphony and many other great works), Freire explains that, “Beethoven has expressed all the

human emotions. From joy to anger, sadness to exaltation and so on. His life, everyone knows, was incredibly hard. C minor is the key of drama, but also revolt and strength.

“Chopin knew it when he composed his Revolutionary Etude. That fight was constant in Beethoven’s life, therefore so many (of his) significant works are in that key.”

Freire will surely bring something unique to the work, as he will, too, with the succeeding ‘palate cleanser’. Shostakovich’s Three Fantastic Dances are the composer’s earliest piano compositions and are both short and characterful. In this recital they act as a reprieve before Freire’s two chosen Rachmaninoff Preludes. Freire has selected the B minor and G minor Preludes of Rachmaninoff’s Opus 32 for the way that they reflect aspects of the composer.

“The B minor,” Freire explains, “was [Rachmaninoff’s] favourite, apparently. It’s said it was inspired by the BÖcklin painting The Homecoming”. This nostalgic and powerful Prelude is set in contrast to the “fluid G sharp minor”. The many facets of Nelson Freire are at play once more.

There occurs the thought that a recital program is not dissimilar to curating an art exhibition. It’s about how you balance the works so that even the most famous can be seen, or heard, anew. It is perhaps with this philosophy in mind that Freire selects to round off his program with Chopin. He

these two characters are coded in music.

Coriolanus’ theme is in C minor, Beethoven’s key of drama, revolt and strength, as Freire explained, whereas Volumnia is depicted in Eb major, the key of love and devotion.

When Freire joins Lehninger and the SSO to perform Schumann’s Piano Concerto, they will enter the world of A minor. Schumann’s only piano concerto began its life as a one movement Concert Fantasy. It was intended for, dedicated to, and shaped by his love for his wife Clara. It is no wonder, then, that A minor was chosen, being the key of pious womanliness and tenderness of character.

When Clara rehearsed the Concert Fantasy she remarked that, “the piano is interwoven with the orchestra in the most delicate way one can’t imagine the one without the other.”

Nelson Freire. Image courtesy Decca/James McMillan is a Chopin devotee and his recordings are much celebrated. Describing his ongoing exploration of Chopin, Freire says, “Chopin?

How sad would be the world without him.

It’s music that touches everyone’s heart no matter which part of the World. He was maybe the best thing that happened to the piano for in his hands the piano was no more a percussion instrument but became a singing one”. And so Freire will dance, with two Mazurkas, and sing his way to the final glorious Ballade No. 4. And so the recital will end and Freire will take his bow.

Lehninger, Freire and the SSO If the recital is the finale to Freire’s Sydney visit, Schumann’s Piano Concerto is the impassioned lead up. It is the centrepiece to a concert that opens with Beethoven’s Coriolan Overture and closes with Rachmaninoff’s Symphony No. 2. A concerto is a test of faith between the soloist and conductor. Leverage given for interpretation must be repaid with skill and integrity; combined in this way, magic can occur. Freire is to share the stage with fellow Brazilian, conductor Marcelo Lehninger. The two are long-time friends and collaborators, impressing audiences in the US with their compelling interpretations. The music they play, it is said, breathes.

Though still in his 30’s, Lehninger has already had an illustrious career. Assisting James Levine at the Boston Symphony Orchestra, he was asked to step in at short notice when Levine took ill. In his rise to fame, he became known for ‘saving the day’. What, then, will Lehninger make of the story of Coriolanus? Perhaps, like Beethoven, he will relate to the tale of a lone man who heroically goes against orders. Or, perhaps, he will empathise with Coriolanus’ mother, Volumnia, a gentle and humane woman who pleads with her son to save himself. The facets of

It is a marriage, or concerto best realised, and the perfect foray for Freire and Lehninger’s mutual sensitivities. In its three movement form, the concerto moves from the opening fantasy to a slower and more delicate second movement. The modesty of this is balanced by the joy and vivacity of the finale. A woman, like a pianist, can be many things, and Schumann draws on this notion in his concerto. But as his lasting impression, he chooses a waltz – Clara in his arms for eternity.

Love between people may be the theme of the first half but after interval a more religious note is invoked. Rachmaninoff’s Symphony No. 2, with its stirring gloom, is the perfect emotional counterbalance to round out the concert. A piece that begins in mystery before breaking out into resounding wind chords and trembling strings, it will be fascinating to see how Lehninger controls the drama. Each movement evokes its own emotional world. The uneasy suspense of the first movement gives rise to a livelier second movement but one interwoven with the Dies Irae (Day of Wrath from the Requiem Mass).

The slow third movement indulges in the beauty of a melody that allows the clarinet to sing but this calm is soon broken by the might of the fourth movement. Fanfares, bells and Rachmaninoff’s signature rhythmic pattern (yum-pa-ta-tum) bring this epic piece to a close.

Three pieces spanning 100 years in time and the breadth of human emotion. Balanced as they are, the concert has the potential to be that perfectly curated art exhibition; one that permits an audience to experience, rather than just hear, music. In the making of music, each has their part to play – the united force of the orchestra, the artistic acumen of the conductor and the transfixion of the soloist – a concert requires them all. But the wonder of live music is the way it shifts in identity. Just as Nelson Freire has been many Nelsons so Rachmaninoff in Sydney is but just one incarnation. It’s what keeps us going back.

- Nicky Gluch

EVENT Nelson Freire plays Schumann Rachmaninoff’s 2nd Symphony 21, 23, 24 September, 8pm Sydney Opera House Beethoven, Coriolan Overture Schumann, Piano Concerto Rachmaninoff, Symphony No.2 Marcelo Lehninger, conductor Nelson Freire, piano

Few pianists are as widely admired as Brazilian Nelson Freire. And his welcome return to Australia after two decades will see him perform a concerto perfectly suited to both the poetry and the virtuosity of his art. Schumann’s rhapsodic Piano Concerto is music from the heart, composed for his new wife to play and full of irresistible beauty.

Rachmaninoff’s Second Symphony was a hit long before Eric Carmen borrowed its best tune for Never Gonna Fall in Love Again. And it’s the gorgeous gloominess of the music that has made it popular.

Never has heartfelt emotion and sighing melancholy been so glamorous. Add Beethoven in dramatic mode and you have a program of poetic and emotionally moving music.

Nelson Freire in Recital 26 September City Recital Hall JS Bach, Partita No.4 in D Beethoven, No.32 in C minor, Op.111 Shostakovich, Three Fantastic Dances Rachmaninoff: Prelude in B minor, Op.32 No.10 Prelude in G sharp minor, Op.32 No.12 Chopin: Mazurka in B minor, Op.33 No.4 Mazurka in G sharp minor, Op.33 No.1 Ballade No.4 in F minor, Op.52

For more information: www.sydneysymphony.com September 2016

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LEGENDARY FLAMENCO ARTISTS TO TOUR AUSTRALIA

Paco Peña talks to Fine Music

Paco Peña Flamenco is an art form as cerebral as it is physical for as much as it is about passionate expression it is also about control. While the feet go a thousand miles an hour, the torso is held still. While men and women dance together, their bodies do not touch. It is this

restraint that makes Flamenco so alluring; it is simultaneously emotional and honest and no more so than in the eyes of guitarist Paco Peña.

Peña and his company of dancers and guitarists will travel to Australia to perform

A concert inspired by the beauty and mystery of the sea

THURSDAY 22 SEPTEMBER, 8:00PM

featuring Vaughan Williams majestic A Sea Symphony and a

SATURDAY 24 SEPTEMBER, 2:00PM

world premiere work by Australian composer Carl Vine.

CONCERT HALL, SYDNEY OPERA HOUSE

A 450-strong choir will be joined by the Sydney Youth Orchestra

Tickets $49-$109 plus fees at sydneyphilharmonia.com.au

and acclaimed soloists Penelope Mills and Christopher Hillier in a concert of triumphant brilliance.

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Flamenco in Concert at a series of venues from Perth to the east coast during September and October.

Peña is not reticent about the long journey.

Rather, as he explains to Fine Music he considers travelling “a part of what I have to do and it sorts of builds up to a performance, a kind of struggle to actually give birth to something interesting which I want to say on the stage”.

Peña embodies the cerebral aspects of Flamenco. He is shy, not “forward–going” enough to dance so chooses instead to “motivate dancers with the music that I play, with my ideas”.

Peña’s music and ideas take centre stage in the first half of Flamenco in Concert, as he will perform solo. Asked if he sees his guitar as an instrument or an extension of himself, he says: “It is really an extension, in human terms, an extension of my words of my feelings and therefore it is of course an instrument but it has to be a responsive instrument to those motivations, to those things I want to say.

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Conductor: Brett Weymark.

“If the guitar is a particular instrument,” he continues, “then it is an instrument that provides percussive elements which the dancer can emulate and use for displaying her art, or his art”.

But it also has a sort of lyrical quality that emulates and projects the very special qualities of the human voice, says Peña.

He believes that as a soloist he can bring out both aspects, the rhythmic and the singing. “Those two things are actually part of establishing who I am, what I perform, what I try to project,” he says.

‘Project’ seems the best word to capture what Peña aims to do. He laughs when asked if he sees what he does as performing; he likes the question, he’s just been caught off guard. After giving it some thought he replies, “I have to say it is and it isn’t. Though I am not a forward-going person, on stage I put forward strongly what I believe in musically.

Nevertheless, I’m honest in that so there is no performance there”.

But in putting himself on the stage, Peña actually has a very strong mission or commitment to convince, “to bring with me, all those people that have come to see me and hear me so though in a sense it is very honest, from my point of view, it is also something that I have to devise and I suppose that becomes a performance”.

True to art

This theme of honesty extends to the second half of Flamenco in Concert when dancers will join Peña on the stage. The tradition of Flamenco as a hybrid music and dance form is, to Peña, “a very honest articulation of a culture, of the feelings of a culture, which is my culture”.

“It is a very true art form, which touches people, hopefully, in a very special way, even if society now is, thank god, by and large in a very comfortable state of affairs. Flamenco deals with feelings that are almost kind of primordial which are very true and belonging to humanity in a way that people can catch from the performance,” said Peña.

His comments touch on Flamenco’s tumultuous past. Catholic society once persecuted the Gypsies, Moors and Jews who had brought Flamenco to Spain. Peña himself was raised Catholic and, when commissioned to compose a large-scale religious work, set out to reconcile those strands. His Misa Flamenca unites “the Flamenco voice which is very raw, a very emotional and almost careless crying out of emotion… with the well-established, well organised system of the Mass and that rite of the Mass”. It seems as much a humanitarian effort as a compositional one; to set right the history of the art form that defines him and

to highlight the universality of the human condition.

Misa Flamenca is as much a part of Peña’s musical ‘journey’ as Flamenco in Concert.

Travelling the world is part of his process ‘of actually realising my ambitions, in terms of artistic endeavour.’ Peña says he gains something from every place he visits but this honest and emotional man confesses to having gained something special here.

“Australia,” he concludes, “has given me a lot of something very important… confidence”.

- Nicky Gluch

EVENT

Paco Peña Flamenco in Concert Spanish guitar virtuoso Paco Peña returns to Australia in 2016 with this company of dancers as they bring the magic and traditions of the Flamenco to stages across Australia.

7 October, Enmore Theatre, Sydney 8 October, The Concourse, Chatswood www.pacopena.com

EXPERIENCE THE BRILLIANCE OF AUSTRALIA’S FINEST

September 2016

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C E L E B R AT I N G

YEARS SYDNEY’S HOME OF SPECIAL EVENT CINEMA SINCE 1939

SEPTEMBER 16-21

RICHARD GILL & ORCHESTRA SEVENTEEN88

Education is as HIP as ever they need people who can open their minds,” says Gill.

An extraordinary orchestra

Richard Gill There isn’t much that Richard Gill hasn’t done in his seventy odd years. He has been a music educator, a choir master a music director, a conductor, an academic and most recently the Artistic Director of Sydney Chamber Choir and orchestra seventeen88.

Most recently he was honoured on the Queen’s Birthday List with an AO for distinguished service to “the performing arts as a conductor, artistic director and advisor, to the development of music education, and as a mentor of young musicians”.

Reading Gill’s memoir - Give Me Excess of It - released in 2013, one gets the sense that this is a man on a mission. He has been at the forefront of music education and has engaged entire generations of students and excited many thousands of Australians with a love and passion for new music.

Now in his 75th year there is no stopping Gill, as he continues to be a driving force in music.

“If you are teaching music properly to children one of the things you want to teach them is how to improvise and how to make their own music,” he tells Fine Music.

“When they make their own music they understand how music works and then they can apply those principles to the music they hear. We are not here to sell them taste - we are here to provide them with as much music as possible from which they can make decisions.

“When people are learning about music they don’t need pioneers and crusaders

Gill is currently Artistic Director of the Sydney Chamber Choir, and Chief Conductor and Artistic Director of Sydney’s newest orchestra, orchestra seventeen88.

However, this is no ordinary orchestra as it is an ensemble devoted to performing works through their renditions of historically informed performance practice, otherwise known as HIP.

Upcoming work Richard Gill will be at the helm when orchestra seventeen88 and the Sydney Chamber Choir perform in Sydney on 1 October. The program features works by Haydn and Ross Edwards.

“The Nelson Mass is an extraordinary Mass for strings, trumpets and timpani. It’s sometimes called the ‘Mass in Troubled Times’. It exists in a number of versions, but we do know the version for strings trumpets and timpani is the original version.

“Because we pride ourselves on the editions that are as close to the original as possible we are going this version,” says Gill.

The Nelson Mass is contrasted with a performance of Ross Edwards’ Missa Alchera (Mass of the Dreaming) performed by the Sydney Chamber Choir. Also on the program is Hadyn’s Symphony No. 104 the ‘London’.

“All of these players are specialists – the string players play on gut strings, wind players play on the instruments of the period (either very good copies or close models) and we play at A430.

“Haydn’s late symphonies represent a peak in classical symphonic writing and they have had a lasting impact on classical music with orchestras all over the world still playing them today,” said Gill.

“There is constant research coming to light about the way this music was played and articulated. It has to do with note length and what you do dynamically with the music, as there are very few dynamic indications as it was expected that the players would know what to do… rather like jazz,” said Gill.

So, what can we expect next from Richard Gill? “Much the same as what I am doing now,” he says with enthusiasm, “day by day, that’s my view”.

The orchestra was formed after a performance of Marriage of Figaro with Victorian Opera in 2012. “That particular group of musicians really enjoyed playing together and we decided we would establish an orchestra,” explains Gill.

The performers in this orchestra all perform in the top HIP positions around the world and come together to bring Sydney audiences high energy performances. A lot of scholarly research goes into recreating performances from another time that reflect how it would have sounded in Mozart or Haydn’s day.

“So the scholars research this stuff, they compile evidence. We look at the evidence, the way the instrument was made, what it can do, why the gut strings work- that gives you insight into how this music sounded,” said Gill.

-Samuel Cottell

EVENT orchestra seventeen88 & Sydney Chamber Choir Richard Gill, conductor Haydn, ‘Nelson’ Mass Haydn, Symphony No. 104 ‘London’ Ross Edwards, Missa Alchera (Mass of the Dreaming) 1 October, 7.30pm City Recital Hall www.orchestraseventeen88.com September 2016

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Artistic Director Carl Vine Presented in association with Musica Viva Australia

THE 27 HUNTINGTON ESTATE MUSIC FESTIVAL OPENING WEEKEND TH

19 & 20 NOVEMBER 2016 Experience a Taste of the internationally renowned Huntington Estate Music Festival featuring 2 world-class chamber music concerts, gourmet canapes and meals, and award-winning wines.

Tickets are available for both or either Saturday night and Sunday lunchtime concerts.

The 2016 Prelude Weekend features: Piers Lane, piano Alice Giles, harp Tamara Anna Cislowska, piano Goldner String Quartet Orava Quartet

TO BOOK CALL 1800 995 931 OR VISIT WWW.HUNTINGTONMUSIC.COM.AU

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“… one of the best chamber music festivals in the world … it just keeps getting better.”

EMMA AYRES / ABC CLASSIC FM

September 2016

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Jazz CD Reviews For George, Cole And Duke Blue Heron Records (No Catalogue No.) Harry Allen and Friends

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For a new label which places artistic integrity first, Blue Heron Records hit the jackpot when it decided to feature the compositions of three of the 20th century’s greatest popular composers in its first release. It couldn’t have found a better instrumentalist to interpret their music than tenor saxophonist Harry Allen who has been playing the music of Gershwin, Porter and Ellington for many years, continually finding inspiration in their peerless melodies. Like an irresistible rock in storm of changing musical fads, Allen is resolute as he continues to find new things to say as he mines these golden nuggets

Upward Spiral Kurt Elling and The Branford Marsalis Quartet Okeh Records

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The Hawk Relaxes Coleman Hawkins Prestige (Moodsville) PRCD 8106-2

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In the late 1950s the jazz LP reviews in Down Beat magazine had a section called Old Wine, New Bottles featuring reissues from the ever expanding catalogue of jazz’s rich 10

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from the seemingly endless treasures of The Great American Songbook, his style anchored in his early influences, Stan Getz and Zoot Sims. He’s comfortable with these songs and it shows here as he plays with authority, elegance, intimacy and, on Happy Reunion, with a touch of sensuality. One is reminded of the legendary Zoot as he swings effortlessly through Love For Sale, spiced with Latin rhythms by percussionist Little Johnny Rivero who is on three tracks. The rest are by a quartet with Israeli-born pianist Ehud Asherie, a sparkling and nimble soloist; bassist Nicki Parrott, who not only anchors the session but sings delightfully; and Chuck Redd, a swinging pulse on drums and a superb vibraphonist. If I was to single out one track, and it wouldn’t be easy, it’s Gershwin’s

How Long Has this Been Going On with Allen and Asherie complementing Parrott’s vocal in a trio setting.

- Kevin Jones

Upward Spiral is a collaboration of two highly talented and creative jazz artists Kurt Elling and Branford Marsalis. Elling’s rich baritone voice spans four octaves and showcases both astonishing technical mastery and emotional depth alongside the alto and tenor saxophones of Marsalis. Featured on nearly all tracks are Marsalis’ long time, freewheeling rhythm section- the pianist Joey Calderazzo, bassist Eric Revis, and the drummer Justin Faulkner. Elling has repeatedly proven his prowess for working with star instrumentalists and quartets having recently won a Grammy Award for his tribute to the famed collaboration between saxophonist John Coltrane and vocalist Johnny Hartman. Marsalis, also a Grammy winner, is a flexible and ambitious

artist renowned for his work on classical evergreens and for his crossover into film soundtracks and the blues. Featuring fresh arrangements of Songbook staples I’m A Fool To Want You, Blue Velvet and There’s A Boat Dat’s Leavin’ Soon For New York, jazz standards like Jobim’s Só Tinha de Ser Com Voce and Lester Lee’s Blue Gardenia, adding ‘standards-to-be’ like West Virginia Rose with music and lyrics from pianist Fred Hersch and Practical Arrangement from Sting and Robert Mathes, this new artistic alliance is an unforgettable stellar showcase of both instrumental and vocal jazz expertise.

- Barry O’Sullivan

legacy. A few years later when Sonny Rollins and John Coltrane were the pre-eminent tenor saxophonists and many critics were in the thrall of the so-called “new thing”, one of the twin pillars of the instrument (Lester Young was the other), recorded a session which would not only enrich this legacy but confirm that Coleman Hawkins was still a musical giant. Released on the label’s Moodsville series devoted to ballads, this 28 February, 1961 date finds Hawkins blowing in magisterial splendour on a repertoire from the classical age of popular American songwriters. With his sound warm and mellow, Hawkins raises the bar far above what could be called mood or background music as befitting someone who recorded jazz’s greatest saxophone solo (Body And Soul in 1939). Hawkins was going through a

renaissance in this period, mainly because he usually surrounded himself with young musicians and this date is no exception: guitarist Kenny Burrell (enough said); pianist Ronnell Bright who would later be pianist, arranger and conductor for a number of singers including Sarah Vaughan; a 21-yearold drummer Andrew Cyrille who would find fame with avant garde; and bassist Ron Carter, who would be a member of one of Miles Davis’ greatest groups. As for the music, Frank Sinatra would have been envious of Hawkins’ soulful reading of More Than You Know and his conservations with Burrell on Moonglow and Just A Gigolo are worth the price of the album alone.

Memorable.

- KJ

FINE MUSIC HIGHLIGHT OF THE MONTH

An introduction to the Master Key Series tuning anomalies that made them sound very uneven.

Equal temperament is, therefore, a compromise tuning system in which the octave is divided into twelve equal semitones.

Johann Sebastian Bach This month, as part of the Sunday Specials, Fine Music 102.5 begins a series of monthly programs dedicated to the 24 diatonic keys.

Titled Master Key, it begins with C Major on the 18th of September.

The system of keys developed from the Church modes that were used to sing the liturgical chants of the middle ages. The modes originated in Ancient Greek musical theory and while they have many features common to the major and minor scales of later Western Music, they have many differences. For instance, most do not have a leading note (Major 7th above the first note).

The first harmonies notated in Western music history are known as organum—a practice of singing plainchant in parallel fourths or fifths.

While organum created polyphonic music, the practice did not function in the same was as harmony. As polyphonic music evolved, performers, and eventually composers, altered the notes of the modes to invent the cadences and progressions that we might recognise today as functional harmony. Over time these alterations to the modes became codified and the system of major and minor scales and chords was established.

At the same time, systems of tuning were evolving to provide the flexibility for major and minor keys on all twelve notes to sound good. There were many different tuning systems that divided the octave by slightly different methods. The most important were Pythagorean tuning and Just Intonation.

Explaining the differences between tuning systems can be very complicated and technical, but the thing to remember is that these systems did not divide the octave into twelve equal semitones. This meant that some keys sounded much as modern listeners would expect, but others had

Equal temperament had been theorised by several people during the Renaissance Period, including Vincenzo Gallilei (father of Gallileo Gallelei), who composed dance suites on all 12 chromatic notes and in 1568 included ricercares in all keys in his instructional book for the Lute. During the baroque period equal temperament became desirable as theories of triadic harmony, such as that developed by Rameau, suggested the possibility of tonal modulation to distant keys within a single work. Such modulations were limited only by the extent to which the tuning system would allow the harmony to sound well in distant keys. Bach’s masterpiece of the Baroque, the Well-Tempered Clavier, explored the 12 major and 12 minor keys not once but twice. It is debatable whether ‘Well-Tempered’ means ‘Equal Tempered’, however we would assume that the system of temperament used by Bach would have been very close to equal.

Baroque instruments Many instruments of the baroque period were not well suited to playing in all twelve major and twelve minor keys as lute or keyboard. So Telemann’s comprehensive set of Fantasies for solo flute only includes twelve different keys. Absent from the set of Fantasies are the keys that are very difficult to play on Baroque flute, such as B major and C minor. It was only in the late 19th century that all the woodwind instruments had been developed to the stage where playing in all keys with equal technical proficiency was feasible. Until the invention of valves in the mid-19th century, brass instruments (other than the trombone) needed either a system of crooks to change the length of the instrument (horn) or a set of different sized instruments (trumpet) to play in different keys, limiting these instruments and symphonic music to a much smaller set of keys.

The Worcester Fragments’: 15 leaves of polyphonic music recovered from bindings of Bodleian Manuscripts.

Since the time of Bach, many composers have composed piano works in all keys, including Shostakovich, Chopin and Rachmaninov. Other composers have been fascinated by particular keys, such as Beethoven, who is associated with E flat Major, the key of his Eroica Symphony and Emperor Concerto.

The Master Key series begins on Sunday 18 September at 3pm with C Major. Highlights include the C Major Prelude and Fugue from the Well-Tempered Keyboard by J.S. Bach and Bizet’s wonderful Symphony in C Major.

Sadly a two-hour program is barely long enough to cover the many gems composed in each key. We are keen to hear your favourite works in particular keys. Please tune in to hear our Master Key Series on the third Sunday of the month, beginning in September.

- James Nightingale

ON AIR MASTER KEY SERIES 18 September, 3pm Works in C Major New program every third Sunday September 2016

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YOUNG VIRTUOSI

Unearthing musical talent and diversity

Simon Watts

Anna da Silva Chen This month, Young Virtuosi presents a range of fascinating programs featuring music from the Fine Music’s Even Younger series, the Sydney Eisteddfod Piano Scholarship and the work of our very own Young Composer Award winner for 2016.

Even Younger performers The first broadcast this month features our youngest musicians from the Fine Music Even Younger series which is a program designed to showcase the musical talent of children aged four to 11. The multi-talented and delightful Jessica Hunt is four years old and is both a singer and a pianist with an astonishing mastery of range and pitch for one so young.

Listeners will surely delight in the efforts and accomplishments of all the young aspiring musicians featured in this program.

Allison/Henderson Sydney Eisteddfod Piano Scholarship On 14 September, the Young Virtuosi program broadcasts the finals of the Allison/ Henderson Sydney Eisteddfod Piano Scholarship which took place on the 26 August when four incredible young pianists showcased their talents. The finalists,

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aged 16 to 25 years, presented a complete major work of up to 35 minutes on which adjudicators Ian Munro and Professor Michael Brimer judged their choice of repertoire, presentation, current level of achievement and potential.

In 2015, 23-year-old Victorian pianist David Soo triumphed against formidable competition to win the Scholarship with a colourful and convincing rendition of Beethoven’s Piano Sonata No 31 in A Flat major.

His competitors were fellow Victorians 18-year-old Kevin Chow and 22-year-old Nikki Wei, as well as 20-year-old NSW pianist Robbin Reza. For his well-deserved victory, Soo took home a weighty $10,000 scholarship and $2,000 cash prize. Currently studying at the Melbourne Conservatorium of Music under Glenn Riddle, Soo holds an array of national and international honours to his name, including the Australian National Piano Award and finalist in the 2014 ABC Young Performer of the Year Award.

With such a great reservoir of talent and dedication, Soo is set to achieve great things, and has already been accepted to a twoyear Master of Music degree at the Guildhall School of Music and Drama.

Orchestral recordings On 21 September, the Young Virtuosi program broadcasts a performance of The North Sydney Symphony Orchestra (NSSO) featuring the second and third place getter from last year’s Fine Music Young Virtuoso Award 2015, Chloe Chung (flute) and Simon Watts (saxophone). Here they are recorded with the NSSO: Chung plays the Mozart Flute Concerto No 2 in D Major and Watts performs the Tomasi Saxophone Concerto. Included in this broadcast is a performance of Anna da Silva Chen (violin) playing the Sibelius Violin Concerto on the 7 May, with the New South Wales Youth Orchestra (NSWYO).

Don’t miss the world premiere of A Clarinet Concerto The last Wednesday of the month, the Young Virtuosi program will broadcast the world premiere performance of the winning composition from this year’s Fine Music Young Composer Award. The recording features A Clarinet Concerto performed by Som Howie (clarinet) and the Willoughby Symphony Orchestra (WSO) at the Concourse in Chatswood on 17 and 18 September.

The Fine Music 102.5/Willoughby Symphony Orchestra Young Composer’s Award is an annual competition which gives the opportunity for composers to have works played as part of the Willoughby Symphony Orchestra program and recorded by Fine Music 102.5. This year’s composition challenge was to create a clarinet concerto featuring flutes, oboes, bassoons, French horns, trumpets, timpani, strings and solo clarinet.

The selected entry will receive a cash prize of $5,000 as well as the world premiere performance with the WSO. The APRA Encouragement Award receives $500 (without a performance).

- Judy Deacon

Wednesdays, 1pm 7 September: Even Younger performers Presenter Katherine Ly Audio Engineer: Greg Ghavalas 14 September: Allison/Henderson Sydney Eisteddfod Piano Scholarship Presenter: Alison Zhou Audio Engineer: Greg Ghavalas 21 September: NSSO and NSWYO Chloe Chung, Simon Watts and Anna da Silva Chen Presenter: Harry Godber Audio Engineers: Harry Godber, Greg Ghavalas 28 September: Fine Music Young Composer Award Presenter: Solly Frank Audio Engineer: Jayson McBride Co ordinator: Judy Deacon yv@finemusicfm.com

CD Reviews

Bach: Goldberg Variations Mahan Esfahani, harpsichord Deutsche Grammophon

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Mozart’s Last Symphonies Australian Chamber Orchestra Directed from the Violin by Richard Tognetti ABC Classics

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Transcendental Daniil Trifonov plays Franz Liszt Deutsche Grammophon - 2 Disc Set ASIN: B01FYHNG5Y

✶ ✶ ✶✶✶ Daniil Trifonov has the stamina of a marathon runner when it comes to the piano. He burst onto the scene after resounding victories in the Tchaikovsky & Rubinstein competitions and since then has wowed audiences with his meticulous and imaginative playing. His delicate touch juxtaposed with a highly organised brand of technical wizardry makes him one of the most sought after pianists on the circuit today. The repertoire for his latest album is Liszt’s Complete Concert Etudes. This is a highly significant release

by Deutsche Grammophon as it is the first time the complete set of Etudes

Mahan Esfahani is an Iranian-American harpsichordist born in Tehran in 1984. He has given concerts widely in Europe, the United States, China and other parts of Asia. In 2011 he gave the first solo harpsichord recital in the history of the Proms in London. Esfahani made his American debut at the Frick Collection in New York in 2012. His recordings have won several awards; and he is now Professor of the Harpsichord at the Guildhall School of Music and Drama in London. Esfahani’s recording of the Goldberg Variations must be one of the best of that widely recorded work. He elicits a beautiful silvery tone from the harpsichord.

His virtuosity is astonishing in the more rapid passages. His tempi are sensible - not too slow in the slow sections nor exaggeratedly

fast in the quicker sections. On the vexed and arcane question of ornamentation, his playing is in accordance with the copy of the score that I have. Esfahani makes all the repeats requested by the composer. His rhythmic control is excellent. In all respects, his playing fully reveals the greatness of this masterpiece of Bach. Much as one admires the performances of this music by pianists such as Glenn Gould and others, there seems little doubt that the music sounds more natural when played on the harpsichord. I look forward to hearing his other recordings and hope that it will not be long before Esfahani performs in Australia.

– Richard Gate

As part of the 40th anniversary celebrations the ACO re-visits the recording of these wonderful and popular works originally directed by the much acclaimed Dutch maestro, Frans Bruggen, one of the great pioneers of the early music revival. Critics felt that the symphonies were produced as a personal expression without regard to the demands of patrons or public and that motivation, in turn, goes far to explain their extraordinary scope and their striking ingenuity. Taken together, these three final symphonies seem to explore Mozart’s personality. Symphony no.39 is gentle, buoyant and courtly as if to reflect the royal patronage upon which Mozart depended for his livelihood. No.40 is a rare foray into gravity, one of his only two symphonies in

minor keys, perhaps reflecting Mozart’s depression over his waning popularity; whilst no.41 in C-Major presents a dazzling summation of Mozart’s past. The ACO under Tognetti’s attention to detail exploits the character and moods of each work and indeed each movement. There are few great conductors like Bruno Walter and Thomas Beecham who have not recorded these symphonies, and their performances have been much admired. This ACO recording shows all the usual dynamism, vibrancy and much fulfilled excitement expected from Tognetti and his Orchestra. These recordings will be considered a wonderful acquisition to any personal CD collection.

- Emyr Evans

has been recorded as a whole. Trifonov completed the task in a mere five days.

The first disc is devoted entirely to the 12 Transcendental Etudes. Right from the opening Preludio, a sense of showmanship is evident with Trifonov relishing in all the Lisztian pianistic requirements ranging from the sensual and floating account of Ricordanza right through to the incredibly dashing and demonic Mazeppa. Trifonov displays a brand of intelligent and thoughtful playing, which under the hands of another pianist might simply be passed off as bombastic and souless. The second disc contains the remainder of the Oeuvre de etudes with the Two Concert Etudes, Three Concert Etudes and the Grandes etudes de Paganini. His connection with Liszt and his sense of appreciation of the score is apparent and this is no more evident than in the first of the Two Concert

Etudes where the immaculate dexterity in his playing easily conquers all of Liszts technical demands. The 3rd Etude La Campanella occasionally suffers of overplaying but Trifonov takes a more measured approach, whilst losing nothing in his interpretation. This is playing of the highest quality. Experienced listeners will quote the performances of Liszt by the likes of Bolet, Berman and Arrau. In time Trifonov will be included in that list and a lot sooner than one might expect. He is a highly accomplished artist and this album may well prove to be his crowning achievement to date.

- Frank Shostakovich September 2016

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What’s On ENSEMBLE Musica Viva presents The Jerusalem Quartet Alexander Pavlovsky, violin Sergei Bresler, violin Ori Kam, viola Kyril Zlotnikov, cello 19 September, 7pm 24 September, 2pm Venue: City Recital Hall Tickets: $30-$109 Bookings: musicaviva.com.au/Jerusalem or 1800 688 482 The internationally acclaimed Jerusalem Quartet returns to Australia this September to perform two glowing programs of classical masterworks at the City Recital Hall in Sydney. With three members of the quartet having played together since their youth, there is a confidence and ease on stage which allows them to capture the depth and beauty of great classic works by Beethoven, Haydn and Dvořák. For this tour they have chosen exquisite pieces highlighting their musical authority. Program one perfectly pairs Beethoven op 18 no 6, perhaps the most ‘Haydnish’ of his quartets, with Dvorák’s Quartet no 13, tinged with Bohemian tunefulness. Program two is full of equal delights; opening with Haydn’s well-loved ‘Lark’ Quartet, and closes with the first of Beethoven’s ‘Razumovsky’ Quartets. At the heart of each program lies Ross Edwards’ String Quartet no 3, Summer Dances.

ENSEMBLE Genevieve Lacey and James Crabb Bellingen Music Festival 24 September, 7.30pm Venue: Bellingen Memorial Hall Tickets: $15-$35 Information: www.bellingenmusicfestival.com.au/

Genevieve Lacey (recorder) and James Crabb (classical accordion) are two internationally acclaimed soloists with a passion for chamber music and imaginative collaboration. Recorder and classical accordion are perhaps an unlikely pairing, but in the hands of these two musicians it becomes a magical one. Their CD – Heard This and Thought of You – presents music written across half a millennium and two hemispheres. A number of Australian writers were sent an early edit of the album, and invited to reflect on the music

with a letter to anyone – real or imagined – using the idea ‘heard this and thought of you’. The response was overwhelming, the music inspiring contributions from cartoonist Michael Leunig, journalist Jana Wendt, poet Luke Davies, theatre director and author Scott Rankin, and novelists Helen Garner and Chloe Hooper.

CHORAL The Concord of Strangers The Song Company 9 September, 7.30pm 10 September, 3pm Venue: Utzon Room, Sydney Opera House Tickets: $20-$65 Bookings: www.sydneyoperahouse.com/ whatson In 1616, the same year that Shakespeare died, Dutch explorer Dirk Hartog in his ship Eendracht (the Concord) landed off the coast of Shark Bay and became the first European to leave a record of his visit to the Australian continent. Hartog met no Indigenous Australians, and the only direct imprint of his visit was a pewter plate left as a record, rather like the golden discs sent out of the solar system with the Voyager spacecraft. Terra Australis Incognita (the Unknown South Land) was replaced on maps by a major landmass called Landt van de

ENSEMBLE Light, Time and Gravity Australia Ensemble @UNSW 10 September, 8pm Venue: Sir John Clancy Auditorium Tickets: $30-$50 Bookings: 02 9385 4874 or Australia.ensemble@unsw.edu.au Information: www.ae.unsw.edu.au

Eendracht (the Land of the Eendracht). Just as the spelling of Hartog’s name varied, so did early European attempts to write down Indigenous names. The Song Company embarks on a vocal voyage contrasting Renaissance music from Hartog’s musical DNA in the Low Countries with a soundscape of contemporary Australia, including motets from Sweelinck’s Cantiones Sacrae of 1619 and new works from our 2016 Call for Scores.

act as a starting point, with Australian composer Matthew Hindson’s septet Light is both a particle and a wave written especially for the Australia Ensemble in 2010. Also indulging in the warmth and richness of light are Samuel Barber’s Summer Music for Wind Quintet and three movements from Ravel’s exquisite solo piano work, Miroirs, in which we hear the floating sounds of bells across a village square. Messiaen’s profound Quatour pour la fin du temps (Quartet for the End of Time) written while interned in a Nazi prison We may well have titled this E=MC2! The mysteries of light, time and camp is an ecstatic religious expression of the end of all things, gravity (as principles of physics and the secrets of the universe) are inspired by the Book of Revelation. With a pre-concert talk from fascinating to scientists and artists alike. Such enigmatic themes composer Matthew Hindson at 7pm.

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ORCHESTRAL MAGIC Willoughby Symphony Paul Fitzsimon Som Howie Sarah Kemeny 17 September, 7pm 18 September, 2pm Venue: The Concourse, Chatswood Tickets $10.50-$47 Bookings: 8075 8111 or theconcourse.com.au Information: http://theconcourse.com.au/ magic

Exotic rhythms and brooding intensity will rouse your passion and ignite your soul in this Spanish-themed concert program. Under the baton of outstanding Australian conductor, Paul Fitzsimon, the elegant Clarinet Concerto No. 1 by Carl Maria von Weber will receive a breath-taking performance by Australian clarinettist Som Howie, who returns from a sterling London career with the Southbank Sinfonia to perform as guest soloist. The Orchestra will also perform Matthew Hindson’s Bright Red Overture, followed by the impossibly colourful Capriccio Espagnol by Russian master, Nikolai Rimsky-Korsakov.

The concert will conclude with the brooding and enigmatic Love, the Magician (El Amor Brujo) by Manuel de Falla, a beautiful work that effortlessly combines tender subtlety with glowing fire, all flavoured with the warmth of mezzo-soprano Sarah Kemeny’s glorious voice.

The concert will also feature the world premiere of the winning composition from the2016 Willoughby Symphony/Fine Music 102.5 Young Composers Award.

ENSEMBLE Elgar’s Cello Concerto Omega Ensemble with guest artist Teije Hylkema 5 September 7:30pm Venue: City Recital Hall Tickets: $29-$94 Bookings: cityrecitalhall. com or 8256 2222 Information: omegaensemble.com.au In 1919, in the aftermath of the Great War and as Elgar’s health began to fail, the composer poured his feelings into this haunting lament for a lost world. Poignant and restrained, the Cello Concerto is interpreted with maturity by Dutch cellist Teije Hylkema. The Concerto is set against the assured sophistication of fellow Englishman Benjamin Britten’s Sinfonietta, a work that belies the age of its creator – for Britten was just 18 when it was composed. Mozart’s Fantasia in F minor showcases Omega Ensemble’s musical precision, while contemporary works by French composer Guillaume Connesson and Australia’s own Mark Grandison are delivered with characteristic flair.

FESTIVAL Huntington Estate Music Festival Carl Vine, artistic director Opening Weekend: 19-20 November Full Festival: 23-27 November Venue: Huntington Estate, Mudgee NSW Tickets: Packages vary Bookings: www.huntingtonestate.com.au or 1800 995 931 Information: info@huntingtonestate.com.au The Huntington Estate Music Festival is held each year in the Barrel Room of the winery in Mudgee, an annual celebration of great music with a unique and warm atmosphere. Artistic Director Carl Vine devises the musical content and, in keeping with the long and distinguished history of the Festival, each year features a stunning collection of prominent international artists and outstanding brilliant young artists alongside Australia’s finest musicians in stimulating programs that run the full gamut of the chamber music experience. All concerts include generous interval refreshments and are followed by gourmet meals and a selection of the best Huntington wines. Evening concerts are preceded by a choice of aperitifs, with the full wine service continuing through the concert interval and afterwards. The 27th Huntington Estate Music Festival celebrates everything audiences have come to love about this event: an exclusive and exciting mix of artists from around the world and across Australia, performing favourite pieces and delicious new discoveries, all paired with glorious food and wine and a beautiful country estate.

Sydney Jazz Club Co-op Ltd Presents Live Jazz Sydney Flying Squadron

76 MacDougall Street, Milsons Point 14 September From 12.30 until 3.30pm (Doors open 11.45am) Geoff Bull & the Finer Cuts $10.00 Entry Fee Waverton Bowling Club Woolcott Street, Waverton 24 September Mike Hallam & the Hot Five 10 September, 1-4pm Great Gatsby Concert 99 on York Street Sydney With Geoff Power’s Great Gatsby Orchestra Full drink service & food is available from the club Tickets can be pre purchased from SJC or pay at the door $15 Members, $20 Non-Members PO Box 186 Broadway, NSW 2007 www.sydneyjazzclub.com Tel +61 2 9719 3876

September 2016

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Thursday 1 September 13:00 MUSICAL ROUNDABOUT Madrid Prepared by Francis Frank Albéniz, I. El Albaicín, from Iberia (1906).

West Australian SO/Jorge Mester.

ABC 438 198-2 8 Barbieri, F. Don Quixote (1861). Fernando Cobo, ten; Madrid Comunidad Ch & O/José Ramón Encinar.

Naxos 8.570260 10

Yevgeny Svetlanov 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Simon Moore 9:00 DIVERSIONS IN FINE MUSIC Two’s company Prepared by Michael Morton-Evans Beethoven, L. Serenade in D, op 41 (1803).

Emmanuel Pahud, fl; Eric Le Sage, pf. naïve V 4863 24 Schubert, F. Duo in A, D574 (1817). Pieter Wispelwey, vc; Paolo Giacometti, pf.

Onyx 4046 22 Gounod, C. Six melodies for horn and piano (c1840-48). James Sommerville, hn; Rene Sharon, pf.

Marquis ERAD 157 25 Schnittke, A. Moz-Art à la Haydn for 2 violins and strings (arr. Safronov). Maria Alikhanova, fl; Dmitri Bulgakov, ob; Kremlin CO/Misha Rachlevsky. quartz QTZ 2083 11 10:30 MORNING CONCERT Prepared by Michael Morton-Evans Saint-Saëns, C. Algerian suite, op 60 (187980). Monte Carlo PO/David Robertson.

Auvidis V 4688 20 Rossini, G. Bassoon concerto. Karen Geoghegan, bn; BBC PO/Gianandrea Noseda.

Chandos CHAN 10613 18 Tchaikovsky, P. Symphony no 5 in E minor, op 64 (1888). Russian Federation State SO/ Yevgeny Svetlanov.

Emergo Classics EC 3625-2 46 12:00 JAZZ, PURE AND SIMPLE with Maureen Meers Covering the many aspects of jazz from Swing to Mainstream, with the Great American Songbook making regular appearances 16

Bretón, T. El aceite de ricino; El niño está dormido; Seguidillas: Por ser la Virgen de la paloma, from La verbena de la paloma (1894). Alicia de la Victoria, sop; Norma Lerer, cont; Carlo del Monte, ten; Jose Granados, bar; Jose le Matt, bass-bar; Julio Catania, bass; Jesus Coiras, bass; Spanish RTV Choir and SO/Igor Markevitch.

Philips 432 824-2 9 Penella, M. Hasta cuando? from El gato montés (1916). Verónica Villarroel, sop; Plácido Domingo, ten; Carlos Alvarez, bar; Madrid SO/Miguel Roa. DG 477 6292 5

19:00 THE NEW JAZZ STANDARD with Frank Presley 20:00 LIVE AND LOCAL Songs without words Recorded by Greg Ghavalas and Doug Jones for FINE MUSIC on 29 September 2016 at Our Lady of Good Counsel, Forestville Koessler, H. Trio suite for violin, viola and piano. 26 Mendelssohn, F. Excerpts from Songs without words in various arrangements. 19 Robert Chamberlain, pf (2 above) Mozart, W. Duo in G for violin and viola, K423 (1783). 15 Glinka, M. Three Russian songs for violin, viola and piano (arr. Eduard Herrmann). 10 Marina Marsden, vn (4 above) Piazzolla, A. Oblivion for viola and piano (1984; arr.). 3 Gade, J. Jealousy for violin, viola and piano (1925; arr. Wilson). 7

Albéniz, I. Córdoba, from Songs of Spain, op 232 (1896). Pro Arte Guitar Trio.

ASV WHL 2061 6

Kern, J. Smoke gets in your eyes for violin, viola and piano (1933; arr. Frolov). 7

Rodrigo, J. Dulcinea’s absence (1948). Lilian Moriani, sop; Victoria Marchante, sop; Celia Alcedo, sop; Maria José Suárez, mezz; José López, bar; Madrid Comunidad Ch & O/José Ramón Encinar.

Naxos 8.570260 12

Robert Chamberlain, pf (4 above)

14:00 AMERICAN ROMANTIC CHAMBER MUSIC Prepared by Phil Vendy Loeffler, C. Deux rapsodies (1901). Robert Sprenkle, ob; Francis Tursi, va; Armand Basile, pf.

Mercury 478 5092 21 Paine, J. Larghetto and humoreske, op 32 (1877). Joseph Silverstein, vn; Jules Eskin, vc; Virginia Eskin, pf.

Northeastern NR 219 17 Clarke, H. Valse brillante (arr. Hunsberger).

Wynton Marsalis, cornet; Eastman Wind Ensemble/Donald Hunsberger.

CBS MK 42137 8

Marina Marsden, vn (2 above) Justine Marsden, va (all above) 21:40 CONCERTO INTERLUDE Brumby, C. Flute concerto (1975). Vernon Hill, fl; Melbourne SO/Hiroyuki Iwaki.

Jade JADCD 1039 18 22:00 DIFFERING PATHS OF THE 20TH CENTURY Prepared by Calogero Panvino Szymanowski, K. Symphony no 2 in B flat, op 19 (1909-10/36). Warsaw National PO/ Witold Rowicki.

Muza PNCD 062 32 Three myths, op 30 (1915). David Oistrakh, vn; Vladimir Yampolski, pf.

Brilliant Classics 8402 19 Masque, Shéhérazade, op 34 no 1 (1916).

Martin Jones, pf.

Nimbus NI 5435/6 9

Chadwick, G. String quartet no 5 in D minor (1898). Portland String Quartet.

Northeastern NR 234 33

Lutoslawski, W. Partita (1984). Ariadne Daskalakis, vn; Miri Yampolsky, pf.

Naxos 8.570987 15

Beach, A. Sonata in A minor, op 34 (1896).

Terri Pontremoli, vn; Anita Pontremoli, pf.

Centaur CRC 2119 30

Symphony no 3 (1983). Berlin PO/Witold Lutoslawski.

Philips 416 387-2 30

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Debbie Scholem

Szymanowski, K. Masque, Tantris le bouffon, op 34 no 2 (1916). Martin Jones, pf.

Nimbus NI 5435/6 6

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

Friday 2 September 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Brendan Walsh

0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN

19:00 FRIDAY JAZZ SESSION with Sally Cameron Focus on the current Sydney jazz scene mixed with a range of international jazz stars and a weekly a cappella item

6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Janine Burrus 9:00 DIVERSIONS IN FINE MUSIC Only strings Prepared by Frank Morrison Haydn, J. String duo no 1 in F, Hob.VI:1 (bef. 1777). Kazuo Okamura, vn; Hans Dusoswa, va.

Etcetera KTC 1081 9 Michele, M. Memory waltz. Sydney Balalaika O/Victor Serghie.

Sydney Balalaika Orch 2014 3 Carr-Boyd, A. Foxtrot (1993). Sydney Mandolins/Adrian Hooper.

Jade JADCD 1047 6 Beethoven, L. Trio in C minor, op 9 no 3 (1797-98). Oleg Kagan, vn; Yuri Bashmet, va; Natalia Gutman, vc.

Live Classics LCL 141 27 Morley, T. Lament and fancy. Bengt Ericson, va da gamba; Rolf LaFleur, lute.

BIS CD-22 4

20:00 THE ROMANTIC CENTURY Prepared by Robert Small Wagner, R. Overture to Tannhäuser (1845).

Berlin PO/Claudio Abbado.

Decca 476 2457 14 Ernest Bour 12:00 A JAZZ HOUR with Barry O’Sullivan 13:00 A HUNTING WE WILL GO Prepared by Stephen Wilson Anon. A hunting we will go (arr. Barlow).

Broadside Band/Jeremy Barlow.

Saydisc SDL 400 3 Berlioz, H. Royal hunt and storm, from The Trojans (1863-90). Detroit SO/Paul Paray.

Mercury 478 5092 9 Clementi, M. La chasse, op 16. Howard Shelley, pf.

Hyperion CDA 67850 9 Hill, A. The lost hunter (1945). Queensland SO/Wilfred Lehmann.

Marco Polo 8.223537 13

Thomas, J. Scenes of childhood (1863).

Lipman Harp Duo. Naxos 8.570372 10

Mozart, W. String quartet no 17 in B flat, K458, Hunt (1784). Quartetto Italiano.

Decca 478 5555 28

Janácek, L. String quartet no 1, Kreutzer Sonata (1923). Belcea Quartet.

Zig Zag Territoires ZZT2010701 19

Schubert, F. The hunter, from Die schöne Müllerin, D795 (1823). Wolfgang Holzmair, bar; Imogen Cooper, pf.

Philips 476 200-2 1

10:30 MORNING CONCERT Prepared by Rex Burgess

Beethoven, L. Sonata no 18 in E flat, op 31 no 3, The hunt (1802). Gerard Willems, pf.

ABC 465 264-2 23

Wagenaar, J. Overture: Cyrano de Bergerac, op 23 (1897). Alain Lombard, cond.

Olympia OCD 504 15 Diepenbrock, A. Lydische nacht (1913). Ed Spanjaard, cond.

Olympia OCD 507 19 Hague Residency O (2 above) Slothouwer, J. Concert variations (c.1980).

Rian de Waal, pf; Dutch National Youth Wind O/Jan Cober.

BFO 9 19 Vermeulen, M. Symphony no 4, Les victoires (1941). Hague Residency O/Ernest Bour.

Olympia OCD 505 31

Haydn, J. Symphony in D, Hob.I:73, Hunt (c1781). Hanover Band/Roy Goodman.

Hyperion CDA66520 22 15:00 ROMANTIC PIANO Prepared by Emyr Evans Schumann, R. Adagio and allegro, op 70 (1849). Jean-Louis Capezzali, ob; Chia Chou, pf.

Pierre Verany PV794101 8 Six pieces in canonic form, op 56 (1844-45; arr. Kirchner). Vienna Brahms Trio.

Naxos 8.553837 17 Piano concerto in A minor, op 54 (184145). Martha Argerich, pf; NSO/Mstislav Rostropovich.

DG 449 100-2 30

Liszt, F. Piano concerto no 2 in A (1839/4961). Leslie Howard, pf; Budapest SO/Karl Anton Rickenbacher.

Hyperion CDS44597 21 Brahms, J. Symphony no 3 in F, op 90 (1883). London PO/Marin Alsop.

Naxos 8.557430 37 Schubert, F. Divertissement à la hongroise in G minor, D818 (1824). Christoph Eschenbach, Justus Frantz, pf.

EMI 5 69770 2 32 Wagner, R. In fernem Land, from Lohengrin (1848). Simon O’Neill, ten; New Zealand SO/ Pietari Inkinen.

EMI 4 57817 2 6 22:00 BAROQUE AND BEFORE Prepared by Susan Bell Attrib. Ockeghem, J. Gaude Maria. Clerks’ Group/Edward Wickham.

ASV GAU 153 10 Josquin Desprez. La déploration pour Jehan Ockeghem; Mille regretz, El Grillo. Hilliard Ensemble.

Virgin VER 5 61302-2 10 Saltarello: Une musique de Buscaye; Frottola: In te Domine speravi; Scaramella va alla guerra. Members of Hesperion XXI. Alia Vox AVSA 9895 A/F 8 Ave Maria; Benedicta es, coelorum Regina.

Ensemble Gombert.

Move MCD 277 12 La Spagna. Seldom Sene.

Brilliant Classics 94871 2 Excerpts from Chansons. Ensemble Clément Janequin; Ensemble les Éléments.

Harmonia Mundi HMX 290838.40 19 Gombert, N. Lament on the death of Josquin (pub. 1545). Piffaro Renaissance Band.

Archiv 447 107-2 5 Richafort, J. Missa pro defunctis. 32 Appenzeller, B. Musae jovis. 6 Vinders, J. O mois inevitabilis (1545). 3 Cinquecento Renaissance Vokal (3 above) Hyperion CDA67959 September 2016

fineMusic 102.5

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Saturday 3 September 12:00 JAZZ SATURDAY @ STUDIO A with Leita Hutchings

18:00 SOCIETY SPOT Folk Federation of NSW

13:00 CLASSICAL INSTRUMENTAL Prepared by Phil Vendy

19:00 THE MAGIC OF STAGE AND SCREEN with Annabelle Drumm

Krumpholtz, J-B. Sonata no 1 (c1780). Jan Walters, hp.

ASV GAU 209 10 Berwald, F. Duo concertant in A minor (1816). Tobias Ringbor, vn; David Bergstrôm, vn.

Naxos 8.554286 24

Scarlatti, D. Sonata in D, Kk119. Nicholas Parle, hpd.

Tall Poppies TP057 6

Tromlitz, J. Partita V, from Six partitas for solo flute (arr. Crossley). Alicia Crossley, rec.

Move MCD 508 12

Clementi, M. Sonata in F minor, op 13 no 6 (1785). Howard Shelley, pf.

Hyperion CDA67729 15

6:00 SATURDAY MORNING MUSIC with Stephen Wilson

Boccherini, L. Sonata in G. Josep Bassal, vc; Wolfgang Lehner, vc.

Naxos 8.557795 13

9:00 ORCHESTRAS AROUND THE WORLD Gewandhaus Orchestra, Leipzig Prepared by Brian Drummond

Paganini, N. Romance, op 23. Thomas Zehetmair, vn; Silke Avenhaus, pf.

EMI 5 55607 6

Mozart, W. Overture to The magic flute, K620 (1791). Tasmanian SO/Sebastian LangLessing.

ABC 476 5949 7

Beethoven, L. Overture to Leonore no 3, op 72 (1805). Franz Konwitschny, cond.

Berlin Classics 0300249BC 14

Lhoyer, A. de Duo concertant in C, op 31 no 2 (1814). Matteo Mela, gui; Lorenzo Micheli, gui.

Naxos 8.570146 16

Richard Bonynge 0:00 CLASSIC-ALL THROUGH THE NIGHT

Mendelssohn, F. Violin concerto in E minor, op 64 (1844). Janine Jansen, vn.

Decca 475 8328 27 Brahms, J. Symphony no 2 in D, op 73 (1877).

Decca 478 5344 40 Riccardo Chailly, cond (2 above) Gewandhaus O (3 above) 10:30 MUSIC FOR SMALL FORCES Rachmaninov, S. Vocalise, op 34 no 14 (1915). Andreas Trio.

Divox CDX 29104 6 Lully, J-B. Les folies d’Espagne. Michel Pignet Oboe Ensemble.

HMV Classics HMV 5 72157 2 4 Dvorák, A. Five movements, from Cypresses (1887). New Helsinki Quartet. apex 0927 49422 2/4 13 Saint-Saëns, C. The swan (1891). William de Rosa, vc; Mariko Anraku, hp.

EMI 5 85710 2 3 Böck, I. Four pieces for 2 horns and double bass, op 6. Gottfried Langenstein, hn; John Stobart, hn; Klaus Stoll, db.

Signum SIG X 45-00 8 Mozart, W. Quartet in D, K285 (1777). Israel Flute Ensemble.

PWK Classics PWK 1139 14 11:30 ON PARADE Music that’s Band Prepared by Owen Fisher 18

20:00 INFLUENCES AND CONNECTIONS Muzio Clementi Prepared by Katy Rogers-Davies

Khandoshkin, I. Sonata in G minor. Lydia Mordkovitch, vn.

Chandos CHAN 10526 26 15:00 OPERETTA IN THE AFTERNOON Prepared by Derek Parker Lehar, F. Giuditta. Operetta in five acts.

Libretto by Kneppler and Löhner-Beda. First performed Vienna, 1934.

GIUDITTA: Deborah Riedel, sop OCTAVIO: Jerry Hadley, ten MANUELE: Jeffrey Carl, bar English CO/Richard Bonynge.

Telarc CD80436 1:18 The alluring Giuditta abandons her husband Manuele, a carpenter, and runs off to North Africa with Octavio, an army officer. She leaves Octavio when he refuses to desert for her. Octavio eventually deserts his unit and finds Giuditta who has become a successful night club dancer. Her success destroys his self-esteem, they part, and he becomes a club pianist. They meet later by chance and Giuditta begs Octavio to return to her. He wants nothing to do with her anymore and Giuditta leaves with a wealthy Duke.

Excerpts from Gypsy love (1908). Margit Schram, sop; Dorothy Chryst, sop; Julius Katona, ten; Rudolf Schock, ten; Gunther Arndt Ch; Berlin SO/Robert Stolz.

Eurodisc 74321 21382 2 48 17:30 STAGING MUSIC with Angela Cockburn

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

Cramer, J. Piano concerto no 2 in D minor, op 16 (pub. 1797). London Mozart Players; Howard Shelley, pf & dir.

Chandos CHAN 10005 25 Beethoven, L. Sonata in D, op 10 no 3 (1797-98). Tessa Birnie, pf.

Walsingham 3WAL80432 23 Czerny, C. Concerto in C for piano duet and orchestra, op 153. Liu Xiao Ming, Horst Göbel, pf; Brandenburg State O, Frankfurt/ Nikos Athinäos.

Christophorus CHE 0140-2 31 22:00 SATURDAY NIGHT AT HOME Prepared by Rex Burgess Muffat, G. Sonata no 2, from Armonico tributo. European Community Baroque O/ Monica Huggett.

Channel CCS 4392 12 Biber, H. Ballettae a 4 violettae. New London Consort/Philip Pickett.

Decca 458 081-2 8 Scarlatti, A. Cantata pastorale (1716).

Miriam Allan, sop; James Sanderson, ct; Chacona.

ABC 461 687-2 16 Dohnányi, E. Concert piece in D, op 12 (1904). Maria Kliegel, vc; Nicolaus Esterházy Sinfonia/Michael Halász.

Naxos 8.554468 29 Mozart, W. Piano concerto no 26 in D, K537, Coronation (1788). Maria João Pires, pf; Vienna PO/Claudio Abbado.

DG 479 1435 30 Vaughan Williams, R. Fantasia on a theme of Thomas Tallis (1910). Queensland SO/ Patrick Thomas.

ABC 476 4565 15

Sunday 4 September 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 SUNDAY MORNING MUSIC with Terry McMullen 9:00 MUSICA SACRA Prepared by Barrie Brockwell Scarlatti, D. Gloria. Immortal Bach Ensemble/Morten Schuldt-Jensen.

Naxos 8.570382 5 Bach, J.S. From God shall nought divide me, BWV658 (1708-17). Anton Heiller, org.

Vanguard 08 9078 72 4 Schubert, F. Ave Maria, D839, arr. Liszt (1825). Lazar Berman, pf.

DG 480 7079 6 Poulenc, F. Four little prayers of St Francis of Assisi (1948). Westminster Cathedral Choir; James O’Donnell, cond.

Hyperion CDA66664 7 Tavener, J. Mother of God, here I stand (2006). Brno PO/Mikel Toms.

Decca 478 6424 3

13:00 WORLD MUSIC: Whirled Wide Showcases diverse music from cultures around the world, both traditional and modern, featuring musicians from all corners of the globe, including Australia 14:00 CONCERTED PIANO Prepared by Emyr Evans Moscheles, I. Grand duo concertant in A, op 20 (pub.1814). Martin Maria Krüger, gui; Klaus Schilde, pf.

Calig CAL 50912 29 Melodic contrapuntal study, op 137 nos 4 and 9, after J. S. Bach (1864). Jirí Bárta, vc; Hamish Milne, pf.

Hyperion CDA67521 6 Recollections of Ireland, op 69 (1826).

Tasmanian SO/Howard Shelley.

Hyperion CDA67430 15

Bach, J.S. Chorale prelude in G, BWV734 (170817; transcr. Busoni). Nikolai Demidenko, pf.

Hyperion CDA66566 3

15:00 SUNDAY SPECIAL THE ZODIAC: Born under the sign of Virgo Prepared by Ron Walledge

Mozart, W. Missa brevis in B flat, K275 (1780). Elizabeth Cragg, sop; Deborah Miles-Johnson, cont; Daniel Auchincloss, ten; Lawrence White, bass; Choir of St Albans Cathedral; Sinfonia Verdi/Andrew Lucas.

Naxos 8.573092 20

Bach, J. Christian Symphony in G minor, op 6 no 6 (1769). Academy of Ancient Music/ Simon Standage.

Chandos CHAN 0540 15

10:00 THE CLASSICAL ERA Prepared by Barrie Brockwell Beethoven, L. Leonore overture no 3, op 72a (1806). Berlin PO/Herbert von Karajan.

DG 445 112-2 15 Ries, F. Trio in B flat, op 28. Jürgen Demmler, cl; Markus Tillier, vc; Peter Grabinger, pf.

Naxos 8.553389 23 Reutter, G. the younger Pizzicato. Nuovo Aspetto.

Accent ACC 24275 4 Haydn, J. String quartet in G minor, op 74 no 3 (1793). Schuppanzigh-Quartett.

Accent ACC 24223 24 Wagenseil, G. Symphony in A. Salieri CO/Tamás Pál.

Arkadia AK 130.1 5 Mozart, W. Piano concerto no 17 in G, K453 (1784). Howard Shelley, pf; London Mozart Players.

Chandos CHAN 9068 29 12:00 SYDNEY JAZZ CLUB PRESENTS Speak easy, swing hard with Richard Hughes The Golden Era of jazz, as seen through the knowledge and experience of one of Australia’s leading exponents

Cherubini, L. Sonata no 2 for horn and strings (1804). Barry Tuckwell, hn; Academy of St Martin in the Fields/Neville Marriner.

EMI 5 69395 2 7 Bruckner, A. Te Deum (1884). Joan Rodgers, sop; Catherine Wyn-Rogers, cont; Keith Lewis, ten; Alastair Miles, bass; Corydon Singers; James O’Donnell, org; Corydon O/Matthew Best.

Hyperion CDA66650 23 Dvorák, A. Scherzo capriccioso, op 66 (1883). Baltimore SO/Marin Alsop.

Naxos 8.570995 15 Schoenberg, A. Song of the wood dove, from Gurre-Lieder, op 13 (1907-11). Jessye Norman, mezz; Ensemble InterContemporain/ Pierre Boulez.

Sony SMK 62019 13 Holst, G. St Paul’s suite, op 29 no 2 (191213). Saint Paul CO/Christopher Hogwood.

Decca 440 376-2 13 Bernstein, L. Chichester psalms (1965).

Vienna Youth Choir; Israel PO/Leonard Bernstein.

DG 469 115-2 19

Bernard Haitink 17:00 HOSANNA Prepared by Stephen Matthews Hymn: Praise the Lord. Choir of King’s College, Cambridge; Richard Farnes, org; Stephen Cleobury, cond. 3 Hymn: All creatures of our God and King.

Royal School of Church Music Choirs; Martin Howe, org; Lionel Dakers, cond. 5 Decca B0006647-02 (2 above) Psalm: All people that on earth do dwell.

Scottish Philharmonic Singers; John Langdon, org; Ian McCrorie, cond.

Abbey SCSCD2830 9 Bach, J.S. Cantata: BWV130, for the feast of St Michael. Bachakademie/Helmuth Rilling.

Hänssler 98.630 16 Hildegard of Bingen. O viridissima virga (c1150). Rebecca Outram, sop.

Naxos 8.551203 5 Bach, J.S. Excerpts from St Matthew Passion, BWV244. Bach Choir/David Willcocks.

Decca 475 7987 9 Hymn: When I survey the wonderous cross.

Choir of King’s College, Cambridge; Richard Farnes, org; Stephen Cleobury, cond.

Decca B0006647-02 3 Hymn: The old rugged cross. James Morrison, tpt; Snappy doo.

WEA 9031-71211-2 7 18:00 THE BRENDEL LEGACY Prepared by Meg Matthews Mozart, W. Piano concerto no 23 in A, K488.

Academy of St Martin in the Fields/Neville Marriner.

Decca/Philips 478 9037 35 Schubert, F. 16 German dances, D783.

Decca/Philips 478 9095 11 Beethoven, L. Bagatelle, op 126 no 1.

Decca/Philips 478 9074 3 Alfred Brendel, pf (all above) September 2016

fineMusic 102.5

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Sunday 4 September

Monday 5 September 12:00 SWING SESSIONS with John Buchanan Featuring bands of the 1930s swing era and the dance bands of the 1920s taken from radio broadcasts, transcriptions and recording sessions 13:00 HOMAGE TO PAGANINI Prepared by Rex Burgess Rachmaninov, S. Rhapsody on a theme of Paganini, op 43 (1934). Mikhail Pletnev, pf; Philharmonia O/Libor Pesek.

Virgin VC 7 90724-2 24

Peter Grabinger 19:00 SUNDAY NIGHT CONCERT Prepared by Stephen Matthews Mozart, W. Overture to Don Giovanni, K527 (1787). Wind soloists of the Deutsche Kammerphilharmonie, Bremen.

Coviello COV 50712 13 Mendelssohn, F. Overture to A midsummer night’s dream (1842). London SO/Claudio Abbado.

DG 471 467-2 12 Haydn, M. Concertino for trombone (176870). Salzburger Hofmusik/Wolfgang Brunner. cpo 777 781-2 10 Brahms, J. Symphony no 1 in C minor, op 68 (1876). Royal Concertgebouw O/Bernard Haitink.

Decca 478 2365 44 20:30 NEW HORIZONS Prepared by Paul Cooke Hyde, T. Autumnal, op 5 (2003). Eliza Marshall, fl; Catriona Scott, cl; Edward Vanderspar, va; Katherine Jenkinson, vc; Ruth Potter, hp; John Traill, cond.

Guild GMCD 7389 15 Kakabadse, L. Russian tableaux (2009).

Madeleine Easton, vn; Sarah-Jane Bradley, va; Bozidar Vukotic, vc; Ben Friffiths, db.

Naxos 8.572524 11 Palmer, G. Toccata for double string orchestra (2002). Cove CO/Stephen Williams.

ABC 476 261-2 20 O’Leary, J. Soundshapes II (2007).

Bernadette Balfe, cl; Lynda O’Connor, vn; Nicole Hudson, vn; Karen Dervan, va; Lioba Petrie, vc.

Quartz QTZ 2097 12 Downes, A. Sonata, op 99 (2008). Peter Sheridan, fl; Jane Hammond, pf.

Move MD 3375 21 22:00 AFTER HOURS JAZZ with Kevin Jones

20

Charles Dutoit 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with James Hunter 9:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1803 Prepared by Di Cox Weber, C.M. Overture to Peter Schmoll (1803). Berlin PO/Herbert Von Karajan.

DG 419 070-2 10 Hummel, J. Trumpet concerto in E (1803).

Geoffrey Payne, tpt; Melbourne SO/Michael Halász.

ABC 982 697-6 17 Beethoven, L. Notturno, op 42 (1803; arr.

Kleinheinz). Paul Coletti, va; Leslie Howard, pf.

Hyperion CDA66946 28 Haydn, J. Maggy Lauder, Hob. XXXIa:35 (1803); Dort, wo durchs Ried das Bächlein zieht, Hob.XXXIa:178 (1803). Dietrich Fischer-Dieskau, bar; Helmut Heller, vn; Irmgard Poppen, vc; Karl Engel, pf.

DG 480 0385 4 Dort, wo durchs Ried das Bächlein zieht, Hob.XXXIa:178 (1803). Dietrich FischerDieskau, bar; Helmut Heller, vn; Irmgard Poppen, vc; Karl Engel, pf.

DG 480 0385 1 Pleyel, I. Symphony in C, op 66 (1803).

London Mozart Players/Matthias Bamert.

Chandos CHAN 9525 23 10:30 MORNING CONCERT Prepared by Derek Parker Dvorák, A. Overture: Othello, op 93 (1891).

Czech PO/Libor Pesek.

Virgin VC7 91144-2 15 Chopin, F. Piano concerto no 1 in E minor, op 11 (1830). Jorge Bolet, pf; Montreal SO/ Charles Dutoit.

Decca 425 859-2 43 Beethoven, L. Symphony no 1 in C, op 21 (1800). Berlin PO/Herbert von Karajan.

DG 429037-2 25

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

Ichiyanagi, T. Paganini personal (1982).

Robin Michael, pf; Colin Currie, mar.

EMI 5 72267 2 9 Castelnuovo-Tedesco, M. Capriccio diabolico; Omaggio a Paganini, op 85 (1935).

Norbert Kraft, gui.

Chandos CHAN 9033 8 Ysaÿe, E. Paganini variations for string quartet (arr. Jacques Ysaÿe). Kryptos Quartet.

Klara KTC 4034 10 Schumann, R. Six concert studies after caprices of Paganini, op 10 (1833). Eric Le Sage, pf.

Alpha 10 28 Lane, P. Diversions on a theme of Paganini.

Royal Ballet Sinfonia/Gavin Sutherland.

Marco Polo 8.225185 14 Blacher, B. Variations on a theme of Paganini, op 26 (1947). Vienna PO/Georg Solti.

Decca 452 853-2 14 15:00 TOKYO STRING QUARTET Prepared by Derek Parker Schubert, F. Quartet in C minor, D703, Quartettsatz (1820).

Harmonia Mundi HMU 807427 12 Mozart, W. Quartet no 3 in C, K285b (1777).

Paula Robison, fl.

Vanguard OVC 4001 16 Beethoven, L. Quartet in B flat, op 18 no 6 (1800).

RCA 09026 61284 2 24 Tokyo String Quartet (all above) 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with David Brett 19:00 JAZZ NICE ‘N EASY with Ken Weatherley 20:00 STORMY MONDAY with Austin Harrison and Garth Sundberg 22:00 THE AUSTRALIAN JAZZ SCENE with Susan Gai Dowling and Peter Nelson

Tuesday 6 September 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Julie Simonds 9:00 DIVERSIONS IN FINE MUSIC Artist of choice: Heinz Holliger Prepared by Paul Cooke Bach, C.P.E. Oboe concerto in B flat, Wq164 (1765; reconstr. Arnold Mehl). Camerata Bern; Heinz Holliger, ob d’amore & dir.

Philips 454 450-2 21 Martin, F. Three dances (1970). Aurèle Nicolet, fl; Ursula Holliger, hp; John Constable, pf; Academy of St. Martin in the Fields/Neville Marriner.

Philips 434 105 2 17 Britten, B. Two insect pieces (1935). András Schiff, pf.

Decca 468 811-2 6 Krommer, F. Oboe concerto in F, op 52 (1805). English CO/Peter-Lukas Graf.

Claves 9-8203/3111-1 20 Janácek, L. Mládi, for wind sextet (1924).

Aurèle Nicolet, fl; Eduard Brunner, cl; Elmar Schmid, bass cl; Klaus Thunemann, bn; Radovan Vlatkovic, hn.

Denon 33CO-1474 17 Heinz Holliger, ob (4 above) 10:30 MORNING CONCERT Prepared by Sheila Catzel Tchaikovsky, P. Hamlet, fantasy overture after Shakespeare, op 67 (1888). Vienna PO/ Lorin Maazel.

Decca 480 6617 17 Korngold, E. Violin concerto in D, op 35 (1945). Gil Shaham, vn; London SO/André Previn.

DG 439 886-2 25 Prokofiev, S. Symphony no 5 in B flat, op 100 (1944). Leningrad PO/Mariss Jansons.

Chandos CHAN 8576 38 12:00 JAZZ RHYTHM with Jeannie McInnes An eclectic blending of agreeable rhythm and melody from the New Orleans jazz roots through to recent decades, including many Australian bands 13:00 CELEBRATING THE SOPRANO IN AUSTRALIAN MUSIC Prepared by Janie Fitch

Glanville-Hicks, P. Final scene, from Sappho, op 3 (1965). Deborah Riedel, sop; Richard Mills, cond.

ABC 476 3222 8

Britten, B. Night mail (1936). Simon Russell Beale, narr; Birmingham Contemporary Music Group/Martyn Brabbins.

Decca 478 5364 6

Meale, R. Concert monologue, from Mer de glace (1991). Merlyn Quaife, sop; Richard Mills, cond.

ABC 476 3221 19

Dreyfus, G. Suite fom A steam train passes (1974). Queensland SO/George Dreyfus.

Move MD 3098 10

Tasmanian SO (3 above) Glanville-Hicks, P. Excerpts from Thirteen ways of looking at a blackbird (1948). Lisa Harper-Brown, sop; David Wickham, pf.

Stone Records 5060192780390 2 Stanhope, D. The swimmer, from Sea chronicles. Alana Scott, sop; Benjamin Greaves, vn; Brendan Joyce, vn; Anna Colville, va; Shannon Tobin, vc; Patrick Burns, cond.

Move MD3310 2 Edwards, R. The lost man. Nicole Panizza, pf.

Phosphor Records PR0002 6 Trad. Maranoa lullaby (arr. Sculthorpe).

Anna McDonald, vn; Michelle Kelly, vn; Nicole Forsyth, va; Peter Morrison, vc; David Stanhope, cond.

ABC 476 5102 3 Jane Sheldon, sop (2 above) 14:00 CARNAVAL Prepared by Frank Morrison Berlioz, H. Overture: Le carnaval romain, op 9 (1844). Scottish NO/Alexander Gibson.

Chandos CHAN 8316 9 Villa-Lobos, H. Carnaval das crianças (191920). Roberto Szidon, Richard Metzler, pf.

DG 477 5439 14 Massé, V. Carnaval de Venize, from La reine topaze (1856). Sumi Jo, sop; English CO/ Richard Bonynge.

Decca 458 927-2 6 Saint-Saëns, C. Carnaval des animaux (1886). Ian Brown, pf; Susan Tomes, pf; Nash Ensemble of London.

Virgin VC 7 90751-2 22 15:00 MUSIC IN MOTION Prepared by Stephen Wilson Lumbye, H. Copenhagen steam railway galop (1847). Odense SO/Peter Guth.

Unicorn-Kanchana DKP(CD)9089 4

Mills, R. The nightingale’s song. Emma Matthews, sop; Monte Carlo PO/Brad Cohen.

DG / ABC 476 3555 5

Rossini, G. Un petit train de plaisir comicoimitatif (1857-68). Marco Sollini, pf.

Chandos CHAN 10520 11

Kats-Chernin, E. Eliza aria, from Wild swans ballet suite (2002). Jane Sheldon, sop; Ola Rudner, cond.

ABC 480 6403 3

Honegger, A. Pacific 231, from Three symphonic movements (1924). Baiba Skride, vn; BBC National O of Wales/Thierry Fischer.

Orfeo C849 121 A 6

Alkan, C-V. The railway, op 27 (pub. 1844).

Laurent Martin, pf.

Naxos 8.553434 5 Villa-Lobos, H. The little train of the Caipira, from Bachianas brasileiras no 2 (1930).

London SO/Eugene Goossens.

Price-less D24924 5 Swann, D. Slow train, from At the drop of another hat (1963). Michael Flanders, voice; Donald Swann, pf.

EMI 5099960845924 5 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Andrew Dziedzic 19:00 THE JAZZ BEAT with Lloyd Capps Smooth small group jazz from the 50s on, and with a visit from Miles Davis each week 20:00 RECENT RELEASES with Michael Field 22:00 CHAMBER SOIRÉE Hungarian composers Prepared by Phil Vendy Joachim, J. Romanze, op 2 no 1 (c1850).

Daniel Hope, vn; Sebastian Knauer, pf.

DG 477 9301 5 Kodály, Z. String quartet no 2 (1919). Kodály Quartet.

LP Hungaroton SLPD 12362 18 Bartók, B. Contrasts for violin, clarinet and piano (1938). Ensemble Walter Boeykens.

Harmonia Mundi HMX 2908250.79 17 Pejacevic, D. Piano quintet in B minor, op 40 (1915-18). Oliver Triendl, pf; Quatuor Sine Nomine. cpo 777 421-2 33 Doppler, F. Idylle, op 21. Daniele Ruggieri, fl; Andrea Toschi, harmonium.

Brilliant Classics 95011 6 Dohnányi, E. Sextet in C, op 37 (1935). Béla Kovács, cl; Ferenc Tarjáni, hn; Vilmos Tátrai, vn; György Konrád, va; Ede Banda, vc; Ernö Szegedi, pf.

Hungaroton HCD 1162 30

September 2016

fineMusic 102.5

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Wednesday 7 September 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Peter Kurti 9:00 DIVERSIONS IN FINE MUSIC Music of the 18th century Prepared by Rex Burgess Scarlatti, D. Concerto grosso no 12 in D (1744; arr. Avison). Academy of St Martin in the Fields/Neville Marriner.

Philips 438 806-2 15 Nebra, J. de Aria: Ay! amor! Clelia mia, from Amor aumenta et valor (1728). Maria Bayo, sop; Les Talents Lyriques/Christophe Rousset.

Naïve E 8885 10 Scarlatti, D. Concerto grosso no 6 in D (1744; arr. Avison). Academy of St Martin in the Fields/Neville Marriner.

Philips 438 806-2 14 Murcia, S. de Suite in D minor (pub. 1732).

Barry Mason, baroque gui.

Amon Ra SAR 45 15 Scarlatti, D. Stabat Mater. Choir of Christ Church Cathedral, Oxford; Anthony Pleeth, vc; Chi-Chi Nwanoku, db; Timothy ByramWigfield, org; Francis Grier, cond.

Hyperion CDA66182 27 10:30 MORNING CONCERT Prepared by Frank Morrison Berlioz, H. Overture: Roman carnival, op 9 (1844). Philharmonia O/Herbert von Karajan.

EMI CDM 1 66434-2 9 Prokofiev, S. Violin concerto no 1 in D, op 19 (1916-17). Frank Peter Zimmermann, vn; Berlin PO/Lorin Maazel.

EMI CDC 7 49758 2 21 Mahler, G. Symphony no 1 in D, Titan (1888/93/96). New York PO/Kurt Masur.

Teldec 9031-74868-2 53 12:00 JAZZ SKETCHES with Robert Vale Jazz of many colours, some old, some new and all designed to inform and stimulate the senses 13:00 YOUNG VIRTUOSI 14:00 IN CONVERSATION with Michael Morton-Evans Each week we meet one of the world’s great musicians, singers, composers or conductors, along with up-and-comers and some of the men and women who influence the arts landscape. The program goes live to air so younever quite know what’s going to happen.

22

15:00 PLEYEL EXPLORED Part 1 Prepared by Michael Morton-Evans Pleyel, I. Overture to Die fee Urgele (1776).

Camerata Pro Musica.

ARS DDD 2009 7 Finale, from Symphony in C minor (1778).

Capella Istropolitana/Uwe Grodd.

Naxos 8.554696 8 Allegro, from Cello concerto in C, op 26. Ivan Monighetti, vc; Akademie für Alte Musik Berlin/ Stephan Mai. Harmonia Mundi HMX 2908601.30 12 String quartet in A, op 2 no 1 (1784). Enso Quartet.

Naxos 8.557496 17 Piano sonatina no 10 in B flat. Martin Souter, pf.

Gift of Music CCL CDG1187 8 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Tom Forrester-Paton 19:00 JAZZ STARS AND STRIPES with Peter Mitchell The stars of American jazz from bebop on, mainly small group low temperature jazz 20:00 AT THE OPERA Three Singspiel by Franz Schubert Prepared by Elaine Siversen Schubert, F. The four-year post, D190. Singspiel in one act. Libretto by Theodre Körner. First performed Dresden, 1896 DUVAL: Peter Schreier, ten KATE: Helen Donath, sop CAPTAIN: Willi Brokmeier, ten GENERAL: Fritz Strassner, voice Bavarian State Opera Ch & O/Heinz Wallberg.

EMI 4 64321 2 38 Duval, a young French soldier, has been sent to guard a border post during a war between France and Germany. Four years later, he leaves his post for the German side where he meets and falls in love with a farmer’s daughter, Kate.

He marries her and becomes a farmer. One day the French troup, to which Duval formerly belonged, arrives. As a deserter, Duval would be shot but he has a brilliant idea. He says that he has maintained his post as a border guard for four years. The captain of the French troup doesn’t believe him and sends him for a courtmartial. However, the General appears, believes Duval’s story and ensures that he is honourably discharged from the army. Duval returns to his wife, Kate, and his life as a farmer.

The twin brothers, D647. Singspiel in one act.

Libretto by Georg von Hofmann. First performed Vienna, 1820.

LIESCHEN: Helen Donath, sop ANTON: Nicolai Gedda, ten DER SCHULZE: Kurt Moll, bass FRANZ/ FRIEDRICH: Dietrich Fishcher-Dieskau, bar Bavarian State Opera Ch & O/Wolfgang Sawallisch.

EMI 4 64321 2 47

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

Lieschen, on her 18th birthday, is eagerly awaiting her marriage to Anton. At her birth, her father, Der Schulze, agreed with a friend, Franz Spiess that, in exchange for a sum of money, Franz would be allowed to marry Lieschen when she came of age. Spiess left for the war and was presumed dead but he suddenly returns to claim his bride.

Franz’s identical twin brother, Friedrich, returns to the village on that same day. Each of the brothers believes that his twin was killed in the war. They are never in the same place at the same time and are mistaken for each other. While one brother tries to marry Lieschen, the other gladly revokes his right to it, leading Der Schulze to believe that the old soldier is mentally impaired and is unfit to marry his daughter. The twins finally meet and Lieschen is allowed to marry Anton.

The conspirators, D787. Singspiel in one act.

Libretto by Ignaz Castelli after Aristophanes’ Lysistrata. First performed Vienna, 1861.

BARONESS LUDMILLA: Edda Moser, sop UDOLIN: Adolf Dallapozza, ten BARON VON LÜDENSTEIN: Kurt Moll, bass ISELLA: Elke Schary, sop Bavarian State Opera Ch & O/Heinz Wallberg.

EMI 4 64321 2 1:05 While the men are away fighting, the Baroness convenes a meeting of the women.

Udolin, the Baron’s messenger, dresses as a girl to spy on them. The Baroness wants the women to keep their men away from a life of violence. They swear an oath that they will withhold all sexual favours until the men promise to give up fighting.

The men return home from the war and Udolin reports on the women’s decision. The men decide to retaliate by refusing to give any affection. The women are upset by the men’s indifference and the Baroness finds it difficult to keep them to their oath. Udolin and his girlfriend, Isella, trick the Baroness and the women into bearing arms. The Baroness admits defeat and the men admit that they have been conquered by love and will give up fighting.

23:00 TO NOVEMBER Prepared by Randolph Magri-Overend Bax, A. November woods (1917). Academy of St Martin in the Fields/Neville Marriner.

Philips 442 8415 20 Tchaikovsky, P. Troika, from The seasons, November, op 37b (1875-76). Sergei Rachmaninov, pf roll.

Telarc 80491 4 Lloyd, G. Symphony no 10, November journeys (1981). London Collegiate Brass/ James Stobart.

Trax Classique TRXCD 114 30

Thursday 8 September 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Marilyn Schock 19:00 THE NEW JAZZ STANDARD with Frank Presley 20:00 LIVE AND LOCAL The Australian String Quartet Recorded for FINE MUSIC by George Hilgevoord Schubert, F. Quartet in A minor, D804, Rosamunde (1824). 35 Beethoven, L. Quartet in E flat, op 74, Harp (1809). 33

Australian String Quartet 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Simon Moore 9:00 DIVERSIONS IN FINE MUSIC Two’s company Prepared by Emyr Evans Beethoven, L. Duo for viola and cello in E flat, WoO32, with two obbligato eyeglasses (179697). Jürgen Kussmaul, va; Anner Bijlsma, vc.

Sony SK 48076 14 Schuller, G. Duo sonata (1949). Theodore Schoen, cl; Laura Ardan, cl.

Naxos 8.572264 10 Prokofiev, S. Sonata, op 56 (1932). Krysia Osostowicz, vn; Ernst Kovacic, vn.

Hyperion CDA66437 14 Doppler, F. Double concerto in D minor.

Kazunori Seo, fl; Sinfonia Finlandia/Patrick Gallois, fl & dir.

Naxos 8.570378 19 Rossini, G. Three duets for two horns (c1806).

Members of Gabrieli Consort.

Hyperion CDA67119 3 Mozart, W. String duo no 2 in B flat, K424 (1783). Arthur Grumiaux, vn; Arrigo Pelliccia, va.

Philips 422 513-2 20 10:30 MORNING CONCERT Prepared by Paul Hopwood Beethoven, L. Overture to Leonore, no 1, op 138 (1807). Nicolaus Esterházy Sinfonia/Béla Drahos.

Naxos 8.553431 10

12:00 JAZZ, PURE AND SIMPLE with Maureen Meers 13:00 RACHMANINOV’S VOICES Prepared by Denis Patterson Rachmaninov, S. Twelve songs, op 14 (1896).

Evelina Dobraceva, sop; Ekaterina Siurina, sop; Justina Gringyte, mezz; Daniil Shtoda, ten; Andrei Bondarenko, bar; Rodion Pogossov, bar; Alexander Vinogradov, bass; Iain Burnside, pf.

Delphian DCD34127 22 Russian Treasures: Eight songs. Tenebrae/Nigel Short Bene Arte SIGCD 900 21 Communion hymn; First antiphon, from Liturgy of St John Chrysostom, op 31. St Petersburg Chamber Choir/Nikolai Korniev.

ABC 3709935 6 Gladsome light, from All-night vigil, op 37. Paul McMahon, ten; Cantillation/Antony Walker.

ABC 476 5054 3 14:00 PRINCES, ALL! Prepared by Rex Burgess Borodin, A. Overture to Prince Igor (1887).

Russian NO/Mikhail Pletnev.

Newt On 8802037 10 Liszt, F. Élégie sur des motifs du Prince Louis Ferdinand de Prusse (1842-52). Leslie Howard, pf.

Hyperion CDS44504 8 Rachmaninov, S. Prince Rostislav (1891). BBC PO/Gianandrea Noseda.

Chandos CHAN 10677 15 Blom, D. The shining prince and the koto player. James Cuddeford, vn; Zubin Kanga, pf.

Wirripang Wirr 028 8

Elgar, E. Cello concerto in E minor, op 85 (1918-19). Jaqueline du Pré, vc; London SO/ John Barbirolli.

EMI CDC 7 47329 -2 30

Britten, B. Prelude and dances, from The prince of the pagodas (1957). Adelaide SO/ David Measham.

LP Unicorn-Kanchana KP 8007 34

Mendelssohn, F. String symphony no 11 in F minor (1823). German Chamber Academy of Neuss/Johannes Goritzki.

Claves 50-9002 40

Bartók, B. Excerpts from The wooden prince, op 13 (1921-24; arr. Järvi). Philharmonia O/ Neeme Järvi.

Chandos CHAN 9133 37

Australian String Quartet (2 above) 21:30 SHORT COMPOSITIONS FROM ENGLAND Prepared by Frank Morrison Sullivan, A. Overture to The Mikado (1885).

Philharmonia O/Charles Mackerras.

Vocalion CDVS 1964 8 Delius, F. Two pieces for cello and chamber orchestra (1930). Julian Lloyd Webber, vc; Academy of St Martin in the Fields/Neville Marriner.

Philips 442 8415 8 Elgar, E. Dream children, op 43 (1902). New Zealand SO/James Judd.

Naxos 8.557166 8 22:00 DIFFERING PATHS OF THE 20TH CENTURY Paths through America Prepared by Phil Vendy Perry, W. The silent years: Three rhapsodies for piano and orchestra. Michael Chertock, pf; RTÉ National SO, Ireland/Paul Phillips.

Naxos 8.572576 24 McKay, G. Harbour narrative (1934). Ukraine NSO/John Mc Laughlin Williams.

Naxos 8.559052 29 Copland, A. The boatman’s song, from Old American songs, vol 1 (1950). St Charles Singers; Elgin SO/Robert Hanson.

Naxos 8.559297 3 Zádor, E. Studies for orchestra (1969).

Budapest SO/Mariusz Smolij.

Naxos 8.572549 26 Schelling, E. Suite fantastique, op 7 (1905).

Ian Hobson, pf; BBC Scottish SO/Martyn Brabbins.

Hyperion CDA66949 30

September 2016

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Friday 9 September 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Lloyd Capps

0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Janine Burrus

19:00 FRIDAY JAZZ SESSION with Sally Cameron 20:00 THE ROMANTIC CENTURY Prepared by Katy Rogers-Davies

9:00 DIVERSIONS IN FINE MUSIC Only strings Prepared by Di Cox

Beethoven, L. Fantasia in C minor, op 80, Choral (1807). German State Opera Choir; Berlin PO/Daniel Barenboim.

EMI 5 55516 2 20

Mendelssohn, F. String octet in E flat, op 20 (1825). L’Archibudelli; Smithsonian Chamber Players.

Sony SK 48307 30 Glanville-Hicks, P. Harp sonata (1952).

Marshall McGuire, hp.

Tall Poppies TP071 10 Paganini, N. Quartet no 7 in E, op 4 no 1 (1833). Anthea Gifford, gui; Mozart String Trio.

Denon CO 77069 25 Elgar, E. Introduction and allegro, op 47 (1904-05). BBC PO/Andrew Davis.

Chandos CHAN 10709 15 10:30 MORNING CONCERT Prepared by Rex Burgess Piazzolla, A. Buenos Aires symphony, op 15 (1951). Daniel Binelli, ban; Nashville SO/ Giancarlo Guerrero.

Naxos 8.572271 26

14:00 HOMECOMING Prepared by Heather Middleton Vaughan Williams, R. Loch Lomond (1931).

Timothy Reynolds, ten; Choir of Trinity College, University of Melbourne/Michael Leighton Jones.

ABC 476 6906 4 Williamson, R. Flower of Scotland.

Cantillation/Brett Weymark.

ABC 4762876 1 Trad. Linden lea (arr. Vaughan Williams 1901). Choir of New College/Edward Higginbottom.

Apex 256467545-9 3

Debussy, C. La mer (1903-05). Royal Scottish NO/Stéphane Denève.

Chandos CHSA 5102(2) 24 Mendelssohn, F. Two Songs without words (1833-34; 1829-30). Margaret Fingerhut, pf.

Chandos CHAN 10826 5 Mussorgsky, M. Pictures at an exhibition (1924). Simon Tedeschi, pf.

ABC 481 1963 45 22:00 BAROQUE AND BEFORE Prepared by Andrew Dziedzic

Anon. Bradford, we love you. Bradford Women Singers.

BWS 001 4

Gombert, N. Salve regina (1541). Noël Bisson, sop; Capella Alamire; Woodman Consort of Viols/Peter Urquhart.

Naxos 8.570180 9

Sibelius, J. Homesickness (1902); Oh, precious Finland (1897); Finlandia hymn (1899). Jubilate Choir/Astrid Riska.

BIS CD-998 5

Praetorius, M. Six dances from Terpsichore (1612). 15 Widmann, E. Dances and galliards from Musikalischer Tugendspiegel (1613). 9

12:00 A JAZZ HOUR with Barry O’Sullivan

Trad. Shenandoah (arr. Erb). Choir of New College/Edward Higginbottom.

Apex 256467545-9 4

Schein, J. Suite no 4 in D (1617). 7

13:00 FOCUS ON PANUFNIK Prepared by Emyr Evans

14:30 LOST IN THE CROWD Prepared by Denis Patterson

Ravel, M. Piano concerto in G (1929-31).

Krystian Zimerman, pf; Cleveland O/Pierre Boulez.

DG 449 213-2 22 Stravinsky, I. Petrushka (1911). London SO/ Charles Mackerras.

Vanguard OVC 4065 34

Panufnik, A. Old Polish suite for string orchestra (1950/55). Polish CO/Mariusz Smolij.

Naxos 8.570032 10 Sinfonia concertante for flute, harp and strings. Aurèle Nicolet, fl; Osian Ellis, hp; Menuhin FO/Andrzej Panufnik LP EMI EMD 5525 21 Homage to Chopin: Five pieces for flute and string orchestra (1966), transcr. from Vocalises for soprano and piano, 1949.

Hanna Turonek, fl. 13 Jagiellonian triptych for string orchestra (1966). 9 Polish CO/Mariusz Smolij (2 above) Naxos 8.570032 24

Simon Tedeschi

Liszt, F. Symphonic poem no 11: Battle of the huns (1857). New Zealand SO/Michael Halász.

Naxos 8.557846 14

Britten, B. Suite on English folk tunes: A time there was, op 90 (1974). Peter Walden, cora; City of Birmingham SO/Simon Rattle.

Decca 478 5364 15 Rimsky-Korsakov, N. Quintet in B flat for flute, clarinet, bassoon, horn and piano (1876). Les Vents Français.

Warner Classics 0825646231850 28 Mozart, W. Trio, K498, Kegelstatt (1786).

Martin Fröst, cl; Antoine Tamestit, va; Leif Ove Andsnes, pf.

BIS BIS-1893 19 Copland, A. Concerto for clarinet, harp and piano (1947-48). Martin Fröst, cl; Malmö SO/ Lan Shui.

BIS BIS-CD-893 18

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

Collegium Terpsichore/Fritz Neumeyer (3 above) Palestrina, G. da Missa Papae Marcelli (pub.

1567). Choir of Westminster Abbey/Simon Preston. 32 Schein, J. H. Suite no 3 in A (1617).

Collegium Terpsichore/Fritz Neumeyer. 9 Archiv 00289 479 1045 (5 above) Byrd, W. The bells. Robert Aldwinckle, hpd.

IMP PCD 850 6 Dowland, J. Pavana. Paul O’Dette, lute.

Harmonia Mundi HMU 907163 7 Allegri, G. Psalm 50 (51): Miserere mei Deus. Tallis Scholars/Peter Phillips.

Gimell CDGIM 994 13

Saturday 10 September 13:00 IN A SENTIMENTAL MOOD with Maureen Meers Nostalgic music and artists from the 30s, 40s and 50s and occasionally beyond, in a trip down many memory lanes 14:00 CLASSICAL CONCERT Prepared by Derek Parker Stamitz, J. Sinfonia a 4 in D (c1750).

Academy of Ancient Music/Richard Egarr.

ABC 481 0615 12 Neville Mariner 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 SATURDAY MORNING MUSIC with David Garrett 9:00 ORCHESTRAS AROUND THE WORLD Simon Bolivar Youth Orchestra Prepared by Randolph Magri-Overend Castellanos, E. Santa Cruz de Pacairigua symphonic suite.

DG 477 7457 16 Revueltas, S. The night of the Septemberas (1939).

DG 477 8775 30 Bernstein, L. Mambo, from West Side story (1957).

DG 477 7457 2 Stravinsky, I. The rite of Spring (1913).

DG 477 8775 34 Simón Bolívar Youth O of Venezuela/Gustavo Dudamel (all above) 10:30 SMALL FORCES Prepared by Paul Hopwood Alkan, C-V. Piano trio in G minor, op 30 (1840). Dong-Suk Kang, vn; Yvan Choffoleau, vc; Olivier Gardon, pf.

Timpani IC 1013 21 Mozart, W. Clarinet quintet in A, K581 (1789).

Angela Malmsbury, cl; Coull Quartet.

LDR LDRCD 1011 33 11:30 ON PARADE With Lone Star Wind Orchestra Prepared by Robert Small Bennett, Robert. Suite of old American dances (1949).

Naxos 8.570968 19 Nixon, R. Fiesta del Pacifico (1960). Fred Hamilton, gui.

Naxos 8.572837 9 Lone Star Wind O/Eugene Migliaro Corporon (2 above) 12:00 JAZZ SATURDAY @ STUDIO A with Leita Hutchings

Handel, G. Organ concerto no 5 in G minor, HWV310 (1750). Simon Preston, org; English Concert/Trevor Pinnock.

Archiv 479 1932 12 Bach, C.P.E. Cello concerto in A minor, Wq170 (1750). Daniel Yeadon, vc; Australian Haydn Ensemble/Erin Helyard.

Fine Music Concert Recording 27 Handel, G. Overture to Alceste, HWV45 (1750). English Concert/Trevor Pinnock.

Archiv 479 1932 3 15:00 RAYMONDA Prepared by Di Cox Glazunov, A. Raymonda: Ballet in three acts, op 57 (1896-97). Moscow SO/Alexander Anissimov.

Naxos 8.553503-04 2:19 Balakirev, M. The lark, from Romance by Glinka (1864). Michael Lewin, pf.

Centaur CRC 2134 5 17:30 ARTS IN FOCUS with Rebecca Gill Produced by Simon Moore 18:00 SOCIETY SPOT Organ Music Society of Sydney Prepared by Andrew Grahame 19:00 THE MAGIC OF STAGE AND SCREEN Prepared by Maureen Meers Coleman, C. Excerpts from Barnum (1980).

Jim Dale, Glenn Close, voices.

Columbia SK9999 19

20:00 INFLUENCES AND CONNECTIONS Camille Saint-Saëns Prepared by Rex Burgess Liszt, F. Symphonic poem no 6: Mazeppa (1851). Suisse Romande O/Neeme Järvi.

Chandos CHAN 9360 17 Saint-Saëns, C. Morceau de concert, op 62 (1880). Philippe Graffin, vn; Ulster O/Thierry Fischer.

Hyperion CDA67294 10 Schumann, R. Spanische Liebeslieder, op 138 (1849). Kathleen Battle, sop; D’Anna Fortunato, cont; John Aler, ten; Dominic Cossa, bar; Charles Wadsworth, Richard Goode, pf.

ASV AMM 155R 22 Saint-Saëns, C. La fiancée du timbalier (1887). Felicity Lott, sop; Graham Johnson, pf.

Harmonia Mundi HMC 901138 12 Fauré, G. Dolly suite, op 56 (1894-97). Darryl Coote, Max Cooke, pf.

Move MD 3158 15 Dukas, P. La Péri (1912). Ulster O/Yan Pascal Tortelier.

Chandos CHAN 8852 18 Saint-Saëns, C. Cello concerto no 2 in D minor, op 119 (1902). Maria Kliegel, vc; Bournemouth Sinfonietta/Jean-François Monnard.

Naxos 8.553039 17 22:00 SATURDAY NIGHT AT HOME Prepared by Elaine Siversen Leclair, J-M. Violin sonata in G (pub. 1723).

Fabio Biondi, vn; Maurizio Naddio, vc; Pascal Monteilhet, lute; Rinaldo Alessandrini, hpd.

Arcana A 39 21 Mozart, W. Symphony no 31 in D, K297, Paris (1778). Academy of Ancient Music/ Christopher Hogwood.

L’Oiseau-Lyre 421 085-2 17 Schubert, F. Moments musicaux, D780 (1823-28). Imogen Cooper, pf.

Ottavo OTR C128715 29 Grieg, E. Incidental music to Peer Gynt (1875). Lucia Popp, sop; Ambrosian Singers; Stephen Shingles, va; Academy of St Martin in the Fields/Neville Mariner.

EMI 7 47003 2 48

Rodgers, R. Slaughter on tenth avenue, from On your toes. Vera Zorina, Bobby Van, voices; O/Salvatore Dell’Isola.

Broadway Gold MCAD-11575 13 Excerpts from State fair (1963). John Davidson, Kathryn Crosby, Andrea McArdle, Donna McKechnie, voices. drg 94765 18

September 2016

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Sunday 11 September 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 SUNDAY MORNING MUSIC with Robert Small 9:00 MUSICA SACRA Prepared by Francis Frank Finzi, G. Lo, the full, final sacrifice, op 26 (1946). Finzi Singers/Paul Spicer.

Cantus CAN 301-2 17 Britten, B. Sinfonia da requiem, op 20 (193940). Royal Concertgebouw O/Stefan Asbury.

Radio Nederland RCO12004 21 Mozart, W. Exsultate, jubilate, K165 (1773).

Shu-Cheen Yu, sop; Queensland SO/Brett Kelly.

ABC 476 261-0 15 10:00 THE CLASSICAL ERA Prepared by Di Cox Bach, J. Christian Sinfonia in B flat, op 18 no 2, Overture to Lucio Silla (c1781). Failoni O/Hanspeter Gmür.

Naxos 8. 553367 9 Schubert, F. Rondo in B minor, D895, Rondo brillant (1826). Isaac Stern, vn; Daniel Barenboim, pf.

Sony SM2K 64528 16 Albrechtsberger, J. Partita in F. Jana Bouskova, hp; South West German CO, Pforzheim/Vladislav Czarnecki.

Brilliant Classics 99512 18 Mozart, W. Madamina, il catalogo è questo, from Don Giovanni, K527 (1787). Teddy Tahu Rhodes, bass-bar; Tasmanian SO/Ola Rudner.

ABC 472 826-2 6 Beethoven, L. Fifteen variations and a fugue in E flat on an original theme, op 35, Eroica (1802). Sviatoslav Richter, pf.

Olympia OCD 339 24 Dittersdorf, C. Divertimento in D. Viennese String Trio.

Calig CAL 50876 9 Crusell, B. Sinfonia concertante in B flat, op 3 (1808). Anna-Maija Korsimaa-Hursti, cl; László Hara, bn; Ib Lanzky-Otto, hn; Tapiola Sinfonietta/Osmo Vänskä.

BIS CD-495 28 12:00 SYDNEY JAZZ CLUB PRESENTS Classic jazz and ragtime with John Buchanan The early days of jazz and ragtime as recorded during the first 30 years of the 20th century

13:00 WORLD MUSIC: Whirled Wide 26

14:00 FEATURING THE GUITAR Prepared by Chris Blower Bach, J.S. Sonata no 1 in G minor, BWV1001 (arr. Söllscher). Göran Söllscher, gui.

DG 474 815-2 15

Lang, C.S. Fanfare; Tuba tune. Keith-MurreeAllen, org.

Chartreuse CRCD 1896 4 18:00 THE BRENDEL LEGACY Prepared by Meg Matthews

Giuliani, M. Gran duetto concertante, op 52.

Mikael Helasvuo, fl; Jukka Savijoki, gui.

BIS CD-411 15

Schumann, R. Three romances, op 94 (1849).

Decca/Philips 478 9117 14

Fossa, F. de Guitar quartet no 2 in E (c1826).

Kenneth Sillito, vn; Ian Jewel, va; Keith Harvey, vc; Simon Wynberg, gui.

Chandos ABRD 1109 24

Mozart, W. Piano quartet in G minor, K478.

Thomas Zehetmair, vn; Tabes Zimmermann, va; Richard Duvan, vc.

Decca/Philips 478 9116 30

15:00 SUNDAY SPECIAL Remembering Kurt Masur, 1927-2015 Liszt, F. Piano concerto no 1 in E flat (1849/53/56). Michel Béroff, pf; Gewandhaus O. EMI CZS 7 67214 2 18 Schubert, F. Excerpts from Rosamunde, D797 (1823). Elly Ameling, sop; Leipzig Radio Ch; Gewandhaus O. LP Philips 412 432-1 22 Beethoven, L. Romance no 2 in F, op 50 (1798). Anne-Sophie Mutter, vn.

DG 471 349-2 8 Mahler, G. Ging heut’ Morgen übers Feld, from Songs of a wayfarer (1884/92/96); Die zwei blauen Augen. Håkan Hagegård, bar, Teldec 9031-74868-2 9 New York PO (2 above) Mendelssohn, F. Symphony no 5 in D minor, op 107, Reformation (1832).

Teldec 2292-44933-2 26 Strauss, R. Four last songs, op posth (1948).

Jessye Norman, sop.

Philips 411 052-2 25 Gewandhaus O (2 above) Kurt Masur, cond (all above) 17:00 HOSANNA Prepared by Meg Matthews Hymns: Lord of our light; Ye holy angels bright; Worship the Lord in the beauty of holiness. Canto Choro; Geoffrey Cox, Norman Kaye, org; Peter Chapman, cond.

Move MD 3142 9 Anon. Resurrexit hodie. Joseph Tawadros, oud; James Tawadros, perc; Winsome Evans, org. 5 Bach, J.S. Credo in unum deum, from B minor mass (1749). 5 Trad. Wade in the water (arr. Hogan). 4 Song Company; Wallfisch Band (3 above) Haydn, M. Excerpts from Vespers for the Feast of the Holy Innocents. Choir of Trinity College, Cambridge/Richard Marlow.

Conifer 75605-51220-2 22

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

Schumann, R. Fantasiestücke, op 73 no 2; Abendlied, op 85 no 12. Heinz Holliger, ob, ob d’amore.

Decca/Philips 478 9117 7 Alfred Brendel, pf (all above) 19:00 SUNDAY NIGHT CONCERT Prepared by Frank Morrison Nielsen, C. Overture: Helios, op 17 (1903).

Gothenburg SO. DG 447 757-2 9 Dvorák, A. Symphonic poem: The golden spinning wheel, op 109 (1896). Scottish NO..

Chandos CHAN 8798 27 Neeme Järvi, cond (2 above) Enescu, G. Symphony no 2 in A, op 17 (1912-14). Monte Carlo PO/Lawrence Foster.

EMI CDC 7 54763 2 46 20:30 NEW HORIZONS Prepared by James Nightingale Gubaidulina, S. Reflections on the theme B-A-C-H (2002). Stamic Quartet.

Supraphon SU 4078-2 7 Smetanin, M. Swell (2008). Ensemble Offspring. ensembleoffspring.com 8 Harrison, S. .... an angel reads my open book .... (2004). Rusne Mataityte, vn; Sergejus Okrusko, pf.

NMC BNC D 125 11 Lennon, J.A. Elysian bridges (2011). Capitol Quartet.

Balance BGR 367 10 Carter, E. Tintinnabulation (2008). New England Conservatory Percussion Ensemble/ Frank Epstein.

Naxos 8.559684 8 Mazzoli, M. Orizzonte (2004). Lisa Moore, pf.

Cantaloupe Music CA21115 5 Aho, K. Symphony no 15 (2009-10). Eero Munter, db; Lahti SO/Dima Slobodeniouk.

BIS BIS-1866 30 22:00 AFTER HOURS JAZZ with Kevin Jones

Monday 12 September Ligeti, G. Violin concerto (1990/92). Patricia Kopatchinskaja, vn; Ensemble Modern/Peter Eötvös. naïve V 5285 28 Zemlinsky, A. String quartet no 3, op 19 (1924). LaSalle Quartet.

DG 479 1976 23 Dittersdorf, C. Double bass concerto no 2 in D (1767). Chi-Chi Nwanoku, db; Swedish CO/ Paul Goodwin.

Hyperion CDA67179 18 Peter Eötvös 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Robert Small 9:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1723 Prepared by Francis Frank Bach, J.S. Cantata, BWV69a: Lobe den Herrn, meine Seele (1723). Wilhelm Wiedl, treb; Paul Esswood, alto; Kurt Equiluz, ten; Ruund van der Meer, bass; Tölz Boys’ Choir; Concentus Musicus Vienna/Nikolaus Harnoncourt.

Teldec 2564 69943-7 19 Geminiani, F. Sonata in E minor (pub. 1723).

Il Giardino Armonico.

Nuova Era 6789 7 Leclair, J-M. Flute sonata in E minor, op 2 no 1 (pub. c1723). Barthold Kuijken, fl; Wieland Kuijken, bass viol; Robert Kohnen, hpd.

Accent ACC 58435 D 13 Ariosti, A. Cantata no 1: La rosa, from The flowering and fading of love (1723-24).

Musica Solare.

Naxos 8.557573 10 Marais, M. La sonnerie de Sainte Geneviève du Mont de Paris (pub. 1723). Sigiswald Kuijken, vn; Wieland Kuijken, bass viol; Gustav Leonhardt, hpd.

Harmonia Mundi GD 77145 8 Handel, G. Vieni, o figlio, from Ottone, HWV15 (1723). Lorraine Hunt, mezz; Philharmonia Baroque O/Nicholas McGegan.

Harmonia Mundi HMU 907056 8 Bach, J.S. Cantata, BWV89: Was soll ich aus dir machen, Ephraim (1723). Midori Suzuki, sop; Robin Blaze, alto; Chiyuki Urano, bass; Bach Collegium, Japan/Masaaki Suzuki.

BIS CD-9027/29 11

10:30 MORNING CONCERT Prepared by Anne Irish Dvorák, A. Overture: Hussite, op 67 (1883).

London SO/István Kertész.

Decca 417 597-2 14 Schumann, R. Cello concerto in A minor, op 129 (1850). Mstislav Rostropovich, vc; Leningrad PO/Gennady Rozhdestvensky.

DG 449 100-2 26 Beethoven, L. Symphony no 7 in A, op 92 (1811-12). Vienna PO/Claudio Abbado.

Decca 478 5365 42 12:00 SWING SESSIONS with John Buchanan 13:00 THE JUDGE DECEIVED Prepared by Derek Parker Gluck, C. Excerpts from Der betrogene Kadi (1786). Anneliese Rothenberger, sop; Helen Donath, sop; Regina Marheineke, sop; Nicolai Gedda, ten; Klaus Hirte, bar; Walter Berry, bass-bar; Bavarian State Opera Ch & O/Otmar Suitner.

EMI 4 64319 2 40

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with David Brett 19:00 JAZZ NICE ‘N EASY with Ken Weatherley 20:00 STORMY MONDAY with Austin Harrison and Garth Sundberg 22:00 THE AUSTRALIAN JAZZ SCENE with Susan Gai Dowling and Peter Nelson

MUSIC TRIVIA with Michael Morton-Evans 1. Mozart wrote the opera La Clemenza de Tito in 1791, but who is Titus?

2. Name the famous national hymn written by Rouget de Lisle in 1792?

Answers on page 46.

Gluck, C. Symphony in F. Orfeo Baroque O/ Michi Gaigg. cpo 777 411-2 14 14:00 CONTINENTAL MUSICAL ROUNDABOUT Austria Prepared by Francis Frank Gassmann, F. Overture to L’amore artigiano (1767). English CO/Richard Bonynge.

Decca 440 844-2 7 Hoffmeister, F. Flute concerto no 16 in C (pub. 1803). Bruno Meier, fl; Prague CO. Naxos 8.573040 24 Fall, L. Rose of Istanbul (1916). Vienna SO/ Robert Stolz.

Eurodisc 258 667 6

Marilyn Schock

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Tuesday 13 September 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Julie Simonds 9:00 DIVERSIONS IN FINE MUSIC Artist of choice: Truis Mørk Prepared by Anne Irish Tchaikovsky, P. Variations on a rococo theme, op 33 (1876). Oslo PO/Mariss Jansons.

Virgin VC 7 59325 2 19 Grieg, E. Sonata in A minor, op 36 (1883).

Havard Gimse, pf.

Virgin 5 45505 2 28 Massenet, J. Le dernier sommeil de la Vierge (1877-78). Suisse Romande O/Neeme Järvi.

Chandos CHSA 5137 4 Rachmaninov, S. Two pieces, op 2 (189192). Jean-Yves Thibaudet, pf.

Virgin 5 45119 2 10 Svendsen, J. Cello concerto in D, op 7 (1870). Bergen PO/Neem Järvi.

Chandos CHAN 10711 19 Truls Mørk, vc (all above) 10:30 MORNING CONCERT Prepared by Paul Cooke Elgar, E. Suite from King Arthur (1923).

Bournemouth Sinfonietta/George Hurst.

Chandos CHAN 6582 23 Strauss, R. Burleske in D minor (1885-86).

Marc-Andreé Hamelin, pf; Berlin RSO/Ilan Volkov.

Hyperion CDA67635 19 Kalinnikov, Vasily. Symphony no 2 in A (1897). Ukraine NSO/Theodore Kuchar.

Naxos 8.553417 40 12:00 JAZZ RHYTHM with Jeannie McInnes 13:00 THE LESSER KNOWN PIANO Prepared by Elaine Siversen Scharwenka, X. Four Polish dances, op 47 (pub 1879). Seta Tanyel, pf.

Collins 14742 14 Paderewski, I. Chants du voyageur, op 8 (c1883). Karol Radziwonowicz, pf.

Harmonia Mundi LCD 2781073/75 12 Szymanowski, K. Variations in B flat minor, op 3 (1903). Martin Roscoe, pf.

Naxos 8.557168 11 Friedman, I. Gärtner waltzes, nos 1 to 4 (c1926). Ignaz Friedman, reproducing pf.

Nimbus NI 8802 15 28

13:00 LEGENDARY TENORS Prepared by Randolph Magri-Overend Verdi, G. Già nella notte densa, from Otello (1887). Joan Sutherland, sop; Luciano Pavarotti, ten; New York City Opera O/Richard Bonynge.

Decca 478 2826 10 Tomb scene, from Aida (1871). Zinka Milanov, sop; Fedora Barbieri, mezz; Jussi Björling, ten; Rome Opera Ch & O/Jonel Perlea.

RCA GD 87799 12 Puccini, G. Mario! Mario! Mario! Son qui! from Tosca (1900). Maria Callas, sop; Giuseppe di Stefano, ten; La Scala O/Victor de Sabata.

Sarabandas 54009 7 Cilea, F. I fiori offerti in un’ora d’oblio, from Adriana Lecouvreur (1902). Renata Tebaldi, sop; Mario del Monaco, ten; Giulio Fioravanti, bar; St Cecilia Academy O/Franco Capuana.

Decca 470 280-2 11 Donizetti, G. Tombe degl’avi miei, from Lucia di Lammermoor, Act 3 (1835). Beniamino Gigli, ten; O/Rosario Bourdon.

Naxos 8.110264 5 Tchaikovsky, P. Wohin seid ihr entschwunden, from Eugene Onegin (1879). Fritz Wunderlich, ten; Munich RSO. Orfeo C 445 961 B 7 14:00 CLASSICAL JUKEBOX Prepared by Randolph Magri-Overend Rossini, G. Overture to The thieving magpie (1817). New York PO/Leonard Bernstein.

CBS MYK 44719 10 Elgar, E. Cello concerto in E minor, op 85 (1918-19). Jacqueline du Pré, vc; London SO/John Barbirolli.

EMI CZS 5 68132 2 30

20:00 RECENT RELEASES with David Ogilvie 22:00 CHAMBER SOIRÉE Prepared by Paul Cooke Hummel, J. Sonata in E flat, op 5 no 3 (1798). Jodi Levitz, va; Stefano Fiuzzi, pf.

Dynamic CDS 128 22 Farrenc, L. Trio, op 45 (c1861). Emanuel Ensemble.

Champs Hill Records CHRCD023 25 Sibelius, J. String quartet no 4 in D minor, op 56, Voces intimae (1909). Flinders Quartet.

ABC 481 1982 30 Nicolai, O. Sonata no 1 in F (1833-37).

Roger Montgomery, hn; Christopher Larkin, hn.

Hyperion CDA67119 16 Weber, C.M. Grand duet, op 48 (1815-16).

Walter Boeykens, cl; Robert Groslot, pf.

Harmonia Mundi HMC 901481 17

MUSIC TRIVIA with Michael Morton-Evans 3. For which British king did Handel compose the coronation anthem Zadok The Priest?

4. Linda of Chamonix is an opera by which composer?

Answers on page 46.

Bernstein, L. Divertimento for orchestra (1980). Israel PO/Leonard Bernstein.

DG 415 966-2 15 Schubert, F. Symphony no 9 in C, D944, Great (1825-28). Berlin PO/Simon Rattle.

EMI 3 39382 2 58 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Derek Parker 18:00 SYDNEY SYMPHONY 2016 Produced by Andrew Bukenya LOGO What’s on in concerts during the next month 19:00 THE JAZZ BEAT with Lloyd Capps

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

James Hunter

Wednesday 14 September

Ignaz Pleyel 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Peter Kurti 9:00 DIVERSIONS IN FINE MUSIC Music of the 18th century Prepared by Richard Verco Zelenka, J. Overture à 7 concertanti in F (1723). Jürg Schaeftlein, ob; Paul Hailperin, ob; Milan Turkovic, bn; Alice Harnoncourt, vn; Walter Pfeiffer, vn; Kurt Theiner, va; Concentus Musicus Vienna/Nikolaus Harnoncourt.

Teldec 8.42415 20 Bach, J.S. Cantata, BWV31: Der Himmel lacht, die Erde jubilieret (1715). Paul Esswood, ct; Kurt Equiluz, ten; Max van Egmond, bass; Siegmund Nimsgern, bass; Vienna Boys Choir; Ch Viennensis; Concentus Musicus Vienna/Nikolaus Harnoncourt.

Teldec 2564 69943-7 21 Scarlatti, A. Quartetto in F (c1715). Music Antiqua Toulon/Christian Mendoze.

Pierre Verany PV795031 7 Clementi, M. The black joke with 21 variations. Howard Shelley, pf.

Hyperion CDA 67850 14 Devienne, F. Sonata in C, op 71 no 3 (1799). Burkhard Glaetzner, ob; Christine Schornsheim, pf.

Berlin 0012852BC 18 10:30 MORNING CONCERT Prepared by Denis Patterson Elgar, E. Overture: In the South, op 50, Alassio (1904). Sydney SO/Vladimir Ashkenazy.

Exton EXCL-00029 21 MacDowell, E. Piano concerto no 2 in D minor, op 23 (1884-86). Roberto Szidon, pf; London PO/Edward Downes.

DG 477 5439 27 Rimsky-Korsakov, N. Symphony no 2, op 9,

Dmitri Kitaienko Antar (1897). Bergen PO/Dmitri Kitaienko.

Chandos CHAN 9178 32 12:00 JAZZ SKETCHES with Robert Vale 13:00 YOUNG VIRTUOSI 14:00 IN CONVERSATION with Michael Morton-Evans 15:00 PLEYEL EXPLORED Part 2 Prepared by Michael Morton-Evans Pleyel, I. String quartet in B flat, op 2 no 5, mvt 1 (1784). Enso Quartet.

Naxos 8.557497 10 Quintet in E flat, op 10 no 3, mvt 2 (1785).

Ensemble Urs Mächler.

Sipario CS 28C 8 Trio concertant in F, op 11 no 3. Viennese String Trio.

Calig CAL 50876 10 Symphony in D minor (1791). London Mozart Players/Matthias Bamert.

Chandos CHAN 9525 23 Andante, from Sonatina in B flat (c1796).

Masha Dimitrieva, pf.

Gramola 98816 2 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with James Hunter 19:00 JAZZ STARS AND STRIPES with Peter Mitchell

DIKOY: Dalibor Jedlicka, bass BORIS: Petr Dvorsky, ten Vienna State Opera Ch; Vienna PO/Charles Mackerras.

Decca 4757518 2:20 Oppressed by her marriage to the weak Tichon and dominated by a bullying mother-in-law, Kabanicha, Kat’a who longs for the freedom of her youth, yields to temptation and has a brief affair with Boris, nephew of the merchant Dikoy.

Unnerved by a storm, she confesses to her husband in public, farewells Boris who is being sent to Siberia by his uncle and throws herself into the river.

22:30 CLASSICAL CHAMBER Prepared by Phil Vendy Reicha, A. Grand trio for flute, violin and cello (c1807). Ensemble Schönbrunn.

Globe GLO 5219 35 Viotti, G. Sonata no 3 in D, op 4 (pub. 1788).

Felix Ayo, vn; Corrado de Bernat, pf.

Dynamic DM8026 15 Duport, J-L. Cello duo, op 1 no 2 (c1775).

Frédéric Lodéon, vc; Xavier Gagnepain, vc.

LP Erato NUM 75185 8 Brod, H. Quintet in F, op 2 no 2. Albert Schweitzer Quintet. cpo 999 498-2 22

20:00 AT THE OPERA Prepared by Camille Mercep Janácek, L. Káta Kabanová. Opera in three acts. Libretto by Vincenc Cervinka, based on Ostrovsky’s The storm. First performed Brno, 1921.

KATA KABANOVA: Elisabeth Söderström, sop KABANICHA: Nadezda Kniplová, cont TIKHON KABANOV: Vladimír Krejcík, ten

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Thursday 15 September 13:00 SONGS WITHOUT WORDS Prepared by Elaine Siversen Rachmaninov, S. Vocalise, op 34 no 14 (1915).

Renée Fleming, sop; English CO/Jeffrey Tate.

Decca 458 858-2 6 Copland, A. Vocalise (1928; arr. 1972). Fenwick Smith, fl; Randall Hodgkinson, pf.

Northeastern NR 227 4 Mendelssohn, F. Songs without words, bk V, op 62 (1842-44). Luba Edlina, pf.

Chandos CHAN 8948/9 16 Georg Solti 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Simon Moore 9:00 DIVERSIONS IN FINE MUSIC Two’s company Prepared by Michael Morton-Evans Jacchini, G. Sonata for two trumpets. David Staff, tpt; Mark Bennett, tpt; St James’ Baroque Players/Ivor Bolton.

Teldec 4509-91192-2 6 Spohr, L. Sonata in A sharp. Klaus Storck, vc; Helga Storck, hp.

LP Telefunken 6.41020 24 Kuhlau, F. Concertino in F minor, op 45 (1821).

Ib Lazky-Otto, hn; Frøydis Ree Wekre, hn; Odense SO/Othmar Maga.

Unicorn-Kanchana DKPCD 9110 23

Boughton, R. Three songs without words for oboe quartet (1923). Sarah Francis, ob; members of Rasumovsky Quartet.

Hyperion CDA66936 9 Ravel, M. Vocalise in habanera form (1907).

Teresa Berganza, mezz; Dalton Baldwin, pf.

EMI 5 69299 2 3 Villa-Lobos, H. Bachianas brasileiras no 5 (1938-45). Victoria de los Angeles, sop; eight cellists of French NRO/Heitor Villa-Lobos.

EMI CDH 7610152 11 Mendelssohn, F. Songs without words, bk 2, op 30 (1835). Daniel Barenboim, pf.

DG 453 061-2 16 Palmer, G. Vocalise (2000). Andrew Robson, sax; Jonathan Zwartz, db; Matthew McMahon, pf; Cove CO/Stephen Williams.

ABC 476 261-2 5

Godard, B. Cello sonata in D minor, op 104 (c1885). Mats Lidström, vc; Bengt Forsberg, pf.

Hyperion CDA66888 30

Vaughan Williams, R. Flos campi: Suite for viola, chorus and orchestra (1925). Paul Silverthorne, va; Bournemouth Symphony Ch & O/Paul Daniel.

Naxos 8.557276 20

10:30 MORNING CONCERT Prepared by Michael Morton-Evans

14:00 BRAZILIAN ENCOUNTERS Prepared by Rex Burgess

Gershwin, G. An American in Paris (1928).

New York PO/Leonard Bernstein.

CBS MYK 42611 18

Villa-Lobos, H. Discovery of Brazil, suite no 2 (1937). Slovak RSO/Roberto Duarte.

Marco Polo 8.223551 12

Rietz, J. Clarinet concerto in G minor, op 29.

Thea King, cl; English CO/Andrew Litton.

Hyperion CDD 22017 22

Machado, C. Musiques populaires brésiliennes (1973). Virginia Taylor, fl; Timothy Kain, gui.

ABC 456 691-2 15

Walton, W. Suite: Richard III (1955; arr.

Mathieson). New Philharmonia O/William Walton.

EMI 5 65003 2 10 Debussy, C. La boîte à joujoux (1913; orch.

Caplet). Montreal SO/Charles Dutoit.

Decca 478 5616 33 12:00 JAZZ, PURE AND SIMPLE with Maureen Meers 30

Glière, R. Coloratura concerto, op 82 (1943).

Joan Sutherland, sop; London SO/Richard Bonynge.

LP Decca SXL 6406 12

Respighi, O. Brazilian impressions (1928).

Philharmonia O/Geoffrey Simon.

Chandos CHAN 8317 19 Villa-Lobos, H. Chôros no 5, The soul of Brazil (1925). Sonia Rubinsky, pf.

Naxos 8.555286 5 Discovery of Brazil, suite no 4 (1937). Slovak Philharmonic Choir; Slovak RSO/Roberto Duarte.

Marco Polo 8.223551 30

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm With Sue Jowell 19:00 THE NEW JAZZ STANDARD with Frank Presley 20:00 LIVE AND LOCAL Recorded treasures from the orchestral archive Hummel, J. Fantasia on Mozart’s Il mio tesore in tanto. Wolfram Christ, va; String soloists of Australian Youth O/Graeme Jennings. 8 Britten, B. Variations on a theme of Frank Bridge, op 10 (1937). Australian CO/John Harding. 26 Mozart, W. Adagio in E, K261 (1776). Miha Pogacnik, vn; Australian CO/Nancy Clements. 9 Dvorák, A. Symphony no 8 in G, op 88 (1889).

St Lawrence O/Neil McEwan. 35 FINE MUSIC Tape Archive (all above) 21:30 THREE KISSES Prepared by Oscar Foong Bax, A. Elegiac trio (1917). Alison Nicholls, hp; Ashan Pillai, va; Lorna McGhee, fl.

Naxos 8.554507 9 Spohr, L. Mary’s aria, from Des Heilands letzte Stunden (1834). Alison Smart, sop; Sophie Langdon, vn; Hugh Webb, hp; Roger Montgomery, hn; Susan Dorey, vc.

Naxos 8.555365 7 Chadwick, R. Three kisses for Jenny (1999).

English CO/Tolga Kashif.

New Classical 465 357-1 9 22:00 DIFFERING PATHS OF THE 20TH CENTURY Prepared by Robert Small Ravel, M. Piano concerto in G (1931). JeanEfflam Bavouzet, pf; BBC SO/Yan Pascal Tortelier.

Chandos CHSA 5084 21 Vaughan Williams, R. Fantasia on a theme

by Thomas Tallis (1910). London PO/Bryden Thomson.

Chandos CHAN 8502 16 Holst, G. The planets, op 32 (1914-16).

London PO/Georg Solti.

Decca 440 318-2 50 Poulenc, F. Violin sonata (1943). Tasmin Little, vn; Piers Lane, pf.

EMI 5 73115 2 19

Friday 16 September 12:00 A JAZZ HOUR with Barry O’Sullivan

22:00 BAROQUE AND BEFORE Prepared by Elaine Siversen

13:00 DEVELOPMENT OF THE SONATA Prepared by Gael Golla

Part 1: At the court of Louis XIV

Castello, D. Sonata no 1, per soprano solo (pub. 1621). Nancy Hadden, fl; Colin Tilney, hpd.

Hyperion CDA66298 5 Albinoni, T. Sonata in F, op 6 no 5 (pub.

1708). Locatelli Trio.

Hyperion CDD22048 10

Daniel Barenboim

Bach, J.S. Sonata in G, BWV1027 (c1742).

Pierre Fournier, vc; Zuzanna Ruzickova, hpd.

Erato 2292-45738-2 14

3:00 CLASSICAL TILL DAWN

Giuliani, M. Sonata in C. Dieter Klöcker, cl; Sonja Prunnbauer, gui.

Dabringhaus Grimm MD&G L 3319 15

6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Janine Burrus

Brahms, J. Sonata no 2 in A, op 100 (1886).

Krysia Osostowicz, vn; Susan Tomes, pf.

Hyperion CDA66465 20

9:00 DIVERSIONS IN FINE MUSIC Only strings Prepared by Emyr Evans

Hindemith, P. Sonata (1939). Håkan Hardenberger, tpt; Roland Pöntinen, pf.

Philips 426 144-2 16

Bax, A. Harp quintet (1919). Nash Ensemble.

Hyperion CDA66807 15

14:30 BEETHOVEN RARITIES Prepared by Rex Burgess

0:00 CONTEMPORARY COLLECTIVE

Schubert, F. Overture in C minor for string quintet (1811). Gyozo Mathe, va; Kodály Quartet.

Naxos 8.557126 9 Bach, J.S. Suite no 5 in G, BWV816, French (1725; arr.). Groningen Guitar Duo. Ottavo OTR C118818 16 Boïeldieu, A. Harp concerto in C (1801).

Marielle Nordmann, hp; Franz Liszt CO/JeanPierre Rampal.

Sony SK 58919 23 Sibelius, J. Incidental music to The lizard, op 8 (1909). Laura Vikman, vn; Jaakko Kuusisto, vn; Jyrki Lasonpalo, vn; Anna Kreetta Gribajcevic, va; Taneli Turunen, vc; Eero Munter, db.

BIS BIS-2065 17 10:30 MORNING CONCERT Prepared by Elaine Siversen Josephs, W. Variations on a theme of Beethoven, op 68 (1969). Adelaide SO/David Measham.

LP Unicorn-Kanchana DKP 9026 22 Martinu, B. Sinfonietta giocosa (1940). Julian Jacobson, pf; Bournemouth Sinfonietta/ Tamás Vásáry.

Chandos CHAN 8859 30 Liszt, F. Symphonic poem no 1: What is heard on the mountain (1848-49/50/54). New Zealand SO/Michael Halász.

Naxos 8.557846 29

Beethoven, L. String quintet in C minor, op 104 (1819). Members of Nash Ensemble.

Hyperion CDA67745 30

Lully, J-B. Idylle sur la paix:air pour Mme la Dauphine (1685); Excerpts from Le triomphe d l’amour (1681). Vocal soloists; Musica Antiqua Cologn/Reinhard Goebel.

DG 463 446-2 14 Couperin, F. Premier concert royal (1722).

Musica Ad Rhenum.

Brilliant Classics 94489 9 Lalande, M-R. de Regna terrae, from Exsurgat Deus (1706); Excerpts from Te Deum laudamus (1684). Carolyn Sampson, sop; Ex Cathedra/Jeffrey Skidmore.

Hyperion CDA68035 10 Rameau, J-P. Suite no 1 from Le temple de la gloire (1745). English CO/Raymond Leppard.

Decca 433 733-2 20 Part 2: The glory of Venice Bassano, G. Susanne ung jour, after Lassus (1591); Frais et galliard (1591). Lucinda Moon, vn; Simon Martin-Ellis, lute.

Move MD 3260 8

Avenging and bright; The minstrel boy; The parting kiss; The deserter. Kathleen Tyler, sop; Dearbhla Collins, pf.

Black Box BBM 022 8

Canite tuba; Deus qui beatum Marcum. Emily van Evera, sop; Gentlemen of the Chappell; His Majestys Sagbutts and Cornetts.

ASV CD GAU 122 7

Piano concerto in D, op 61 (1806). English CO/Daniel Barenboim, pf & dir.

DG 429 179-2 45

Turini, F. Sonata seconda (pub. 1626).

Ricercar Consort.

Ricercar RIC 078060 7

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Brendan Walsh 19:00 FRIDAY JAZZ SESSION with Sally Cameron 20:00 THE ROMANTIC CENTURY Prepared by Frank Morrison Paine, J. Larghetto and humoreske, op 32 (1877). Joseph Silverstein, vn; Jules Eskin, vc; Virginia Eskin, pf.

Northeastern NR 219 17 Bristow, G. Symphony in F sharp minor, op 26 (1858). Detroit SO/Neeme Järvi.

Chandos CHAN 9169 35 Brahms, J. Piano trio in C minor no 3, op 101 (1886). Itzhak Perlman, vn; Lynn Harrell, vc; Vladimir Ashkenazy, pf.

EMI 7 54725 2 21 Mendelssohn, F. Symphony no 3 in A minor, op 56, Scottish (1842). Gewandhaus O/Kurt Masur.

Teldec 243 463-2 38

Busatti, C. Surrexit Pastor bonus. Early Music Consort of London/David Munrow.

Virgin 5 61288 2 4 Rovetta, G. Uccidetemi pur, bella tiranna; Chi vuol haver felice e lieto il core (1629).

Emma Kirkby, sop; Judith Nelson, sop; David Thomas, bass; Trevor Jones, bass viol; Consort of Music/Anthony Rooley, lute & dir.

L’Oiseau-Lyre 478 7863 6 Magnificat à 8, from Solemn Vespers for the birth of Louis XIV (1639). Cantus Cölln/ Konrad Junghänel.

Harmonia Mundi HMC 901706 10 Legrenzi, G. Sonata sesta à 4. The Rare Fruits Council/Manfredo Kraemer, vn & dir.

Ambronay AMY028 8

September 2016

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Saturday 17 September 6:00 SATURDAY MORNING MUSIC with Stephen Wilson

Elgar, E. Coronation march, op 65 (1911).

BBC PO/Andrew Davis.

Chandos CHAN 10570(2) 10

20:00 INFLUENCES AND CONNECTIONS John Ireland Prepared by Paul Cooke

9:00 ORCHESTRAS AROUND THE WORLD BBC Scottish Symphony Orchestra Prepared by Frank Morrison

Bizet, G. Children’s games (1871). Montreal SO/Charles Dutoit.

Decca 421 527-2 11

Coles, C. Idyll; Lament, from the Scottish Highlands (1905-07).

Hyperion CDA67293 9

Rachmaninov, S. Rhapsody on a theme by Paganini, op 43 (1934). William Kapell, pf; Dallas SO/Antal Dorati.

Philips 456 853-2 22

Brahms, J. Allegro, from Violin sonata no 3 in D minor, op 108 (1886-88). Leonidas Kavakos, vn; Yuja Wang, pf.

Decca 478 6442 8

0:00 CLASSIC-ALL THROUGH THE NIGHT

Wallace, W. Suite: Pelléas and Mélisande (1900).

Hyperion CDH55465 16 Gurney, I. Under the greenwood tree, from Four Elizabethan songs (1912). Christopher Maltman, bar.

Hyperion CDA67065 2 Martyn Brabbins, cond (3 above) Liszt, F. From the cradle to the grave (1881).

Hyperion CDA67856 16 Janácek, L. The ballad of Blaník.

Hyperion CDA67517 8 Ilan Volkov, cond (2 above) Mackenzie, A. Scottish concerto, op 55.

Steven Osborne, pf; Martyn Brabbins, cond.

Hyperion CDA67023 28 BBC Scottish SO (all above) 10:30 MUSIC FOR SMALL FORCES Prepared by Francis Frank Arne, T. Trio sonata in B minor, op 3 no 6 (pub.

1757). Utako Ikeda, fl; Catherine Weiss, vn; Mark Caudle, vc; Paul Nicholson, hpd.

Amon Ra SAR 42 8 Boccherini, L. Quintet no 6 in G. Richard Savino, gui; Artaria Quartet.

Harmonia Mundi HMU 907026 17 Kozeluch, L. Octet concertant: Parthia in B flat. Consortium Classicum.

Orfeo 442 981 12 Turina, J. Piano trio no 2 in B minor, op 76 (1933). Beaux Arts Trio.

Philips 446 684-2 15 11:30 ON PARADE Music that’s Band Prepared by Owen Fisher 12:00 JAZZ SATURDAY @ STUDIO A with Leita Hutchings

32

15:00 OPERETTA IN THE AFTERNOON Prepared by Elaine Siversen Herbert, V. Sweethearts. Operetta in two acts. Libretto by Harry B. Smith and Fred De Gresac. First performed New York, 1913.

PRINCESS SILVIA: Suzanne Woods, sop DAME PAULA: Alta Boover, mezz KARL: John Pickl, ten LIANE: Robin Bricker, sop PRINCE FRANZ: Cassidy King, bar Ohio Light Opera/J. Lynn Thompson.

TROY 546/547 1:55

Ireland, J. Clarinet sextet (1898). Peter Nichols, cl; Miles Hewitt, hn; Holywell Ensemble.

ASV DCA 1016 30 Prokofiev, S. Piano concerto no 3 in C, op 26 (1917-21). Roger Woodward, pf; Sydney SO/ Edo de Waart.

ABC 481 1322 28 Ireland, J. Mai-dun, symphonic rhapsody (1920-1). Eric Parkin, pf; London PO/Bryden Thomson.

Chandos CHAN 8461 14 Moeran, E.J. In the mountain country (1921).

Ulster O/JoAnn Falletta.

Naxos 8.573106 6

At a time of revolution in Zilania, the baby Princess Silvia has been taken away to safety in Belgium and placed with a family in Bruges.

Her adoptive mother, Dame Paula, runs a laundry known as The White Geese with the help of her six natural daughters and Silvia.

Silvia has had an on and off romance with a dashing young soldier, Karl. Karl has also been courting a milliner, Liane. Liane disguises herself as an adopted daughter of the laundress and, in doing so, confuses those in pursuit of the ‘lost’ princess. Silvia’s distant cousin, Franz, has been named as Zilania’s heir apparent and during his travels he meets and falls in love with an enchanting young laundress. After many complications and sub-plots, Silvia’s true rank is revealed but not before she and Prince Franz have become ‘sweethearts’.

Ireland, J. Legend (1933). Piers Lane, pf; Ulster O/David Lloyd-Jones.

Hyperion CDA67296 12

Sweethearts, from Sweethearts (1913); Indian summer, from An American idyll (1919); Ah! Sweet mystery of life, from Naughty Marietta (1910). Richard Tauber, ten.

LP Parlophone PMEO 9861 7

Mozart, W. Vorrei spiegarvi, oh Dio, K418 (1783). Beverly Hoch, sop; Hong Kong PO/ Kenneth Schermerhorn.

IMP PCD 827 8

Orchestral excerpts from The red mill (1906).

Razumovsky SO/Keith Brion Marco Polo1 8.223843 10

13:00 THE WACKY WORLD OF CLASSICS Prepared by Randolph Magri-Overend

17:30 THE VOICES, THE ROLES with Angela Cockburn

14:00 ALPHABETICAL CONDUCTORS The D’s Prepared by Randolph Magri-Overend

18:00 SOCIETY SPOT Classical Guitar Society Prepared by Sue McCreadie

Márquez, A. Danzón no 2 (1993). Simón Bolívar Youth O of Venezuela/Gustavo Dudamel.

DG 477 7457 10

19:00 THE MAGIC OF STAGE AND SCREEN with Sue Jowell The musical Newmans: Alfred, David and Randy

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

Britten, B. Phantasy in F minor (1932).

Endellion String Quartet.

Decca 478 5364 11 22:00 SATURDAY NIGHT AT HOME Debussy, C. Ibéria, from Images for orchestra (1908). Philharmonia Slavonica/Carlo de Pantelli.

Zyx CLS 4129 20 Saint-Saëns, C. Symphony no 3 in C minor, op 78, Organ (1886). Ludmilla Golub, org; Moscow SO/Antonio de Almeida.

Naxos 8.571058 37

Korngold, E. Symphony in F sharp, op 40 (1951). Philadelphia O/Franz Welser-Möst.

EMI 5 86100 2 47

MUSIC TRIVIA with Michael Morton-Evans 5. Elgar’s oratorio Dream of Gerontius was based on a poem by which British cardinal?

Answers on page 46.

Sunday 18 September 12:00 SYDNEY JAZZ CLUB PRESENTS Speak easy, swing hard with Richard Hughes

Rachmaninov, S. Moment musical in C, op 16 no 6 (1896). Scott Davie, pf.

ABC 472 671-2 5

13:00 WORLD MUSIC: Whirled Wide

Prokofiev, S. Prelude, op 12 no 7 (1908-13).

Roger Woodward, pf.

ABC 426 806-2 2

14:00 TO OCTOBER Prepared by Randolph Magri-Overend

Alan Tavener 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 SUNDAY MORNING MUSIC with Terry McMullen 9:00 MUSICA SACRA Prepared by Paul Cooke Bach, J.S. Singet dem Herrn, BWV225 (1726-27). Sydney Chamber Choir; Anthea Cottee, vc; Chris Cartner, chamber org; Jonathan Grieves-Smith, cond.

Fine Music Concert Recording 13

Corigliano, J. Poem in October (1969-70).

Robert White, ten; Thomas Nyfenger, fl; Humbert Lucarelli, ob; Joseph Rabbai, cl; American String Quartet/Maurice Peress.

RCA GD60395 17 Shostakovich, D. October, op 131 (1953).

Seattle SO/Gerard Schwarz.

Naxos 8.557812 13

Elgar, E. Pomp and circumstance march in C, op 39 no 5 (1901). Sydney SO/Vladimir Ashkenazy.

Exton EXCL-00030 6 17:00 HOSANNA Prepared by Richard Munge

Tchaikovsky, P. October poem, op 65 no 4 (1888). Elisabeth Söderström, sop; Vladimir Ashkenazy, pf.

Decca 436 204-2 2

Hymns: The Lord’s my shepherd; Guide me, O thou great Jehovah. Huddersfield Choral Society/Wyn Morris.

Decca 452 252-2 6

Shostakovich, D. Symphony no 2, op 14, To October (1927). London PO/Bernard Haitink.

Decca 425 064-2 21

Mozart, W. Laudate Dominum. Young Voices of Melbourne; Marion Stafford, pf; Mark O’Leary, cond. 4

Carver, R. Mass for six voices (ed. Elliott).

Cappella Nova/Alan Tavener.

ASV GAU 126 30

15:00 SUNDAY SPECIAL Master key: C major Prepared by Anne Irish

Bingham, J. First light (2001). BBC Symphony Ch; Fine Arts Brass/Stephen Jackson.

Naxos 8.570346 10

Bach, J.S. Prelude and fugue in C, BWV846, from The well-tempered clavier, bk 1(1722).

Angela Hewitt, pf.

Hyperion CDA67741/4 4

10:00 THE CLASSICAL ERA Prepared by Sheila Catzel

Schubert, F. Klavierstück in C, D946 no 3 (1828). Claudio Arrau, pf.

Philips 434 101-2 6

Benda, G. Trio sonata in E. David Oistrakh, vn; Igor Oistrakh, vn; Vladimir Yampolsky, pf.

DG 463 616-2 15

Sibelius, J. Romance in C, op 42 (1903).

Musica Vitae/Wojciech Rajski.

BIS CD-460 5

Stanford, C. Villiers Te Deum in B flat, op 10. Choir of Newcastle Cathedral; Newcastle Cathedral Festival Ch & O; Sydney Voices; Newcastle Tudor Singers/Christopher Dearnley. 6 Chatreuse CRCD 1292 (2 above) Wesley, S.S. Blessed be the God and Father.

Dickon Stainer, treb. 9 Attwood, T. Come, holy ghost. 5

Bizet, G. Symphony in C (1855). French National RSO/Thomas Beecham.

EMI CDC-7 47794 2 28

Wood, C. O thou, the central orb. 5

Vivaldi, A. Guitar concerto in C. Alirio Diaz, gui; I Solisti di Zagreb/Antonio Janigro.

Vanguard 08 9003 72 8

Choir of Ely Cathedral; Stephen Le Provost; Arthur Wills, cond (3 above) Helios CDH 88006

Dvorák, A. Slavonic dance in C, op 46 no 1, Furiant (1878). Duo Crommelynck.

Claves 50-9107 4

Hymn: O worship the King. Choir of Paisley Abbey; Alexander Anderson, org; George McPhee, cond. 3

Abel, C. Flute concerto no 5 in G. Melissa Farrow, fl; Australian Haydn Ensemble/Skye McIntosh.

Fine Music Concert Recording 16

Saint-Saëns, C. Romance in C, op 48 (1874). Olivier Charlier, vn; Orchestral Ensemble of Paris/Jean-Jacques Kantorow.

EMI 5 55587 2 6

Hymn: Jesu, lover of my soul. Choir of St John’s College, Cambridge; Brian Runnett, org; George Guest, cond. 4

Haydn, J. String quartet in D minor, Hob. III:76, Fifths (1799). Emerson String Quartet.

DG 471 327-2 23

Chopin, F. Étude in C, op 10 no 1 (1830).

Murray Perahia, pf.

Sony SK 61885 2

Danzi, F. Bassoon quartet in C, op 40 no 1 (pub. c1814). Robert Thompson, bn; Roger Coull, vn; David Curtis, va; John Todd, vc.

CRD 3503 25

Haydn, J. Cello concerto no 1 in C, Hob.VII:1 (c1761-65). Jacqueline du Pré, vc; English CO/Daniel Barenboim.

EMI CZS 5 68132 2 26

Hymn: Jerusalem. Choir of Winchester Cathedral; Timothy Bigram-Wigfield, org; David Hill, cond. 3 Decca 452 252-2 (3 above)

Bach, C.P.E. Keyboard concerto in C, Wq 43:6 (1772). Andreas Staier, hpd; Freiburg Baroque O/Petra Müllejans.

Harmonia Mundi HMC 902083.84 18 Gossec, F-J. Symphonie concertante in D. Lily Laskine, hp; Odette Le Dentu, hp; JeanFrancois Paillard CO/Jean-Francois Paillard.

Erato 0630-13705-2 12

Simon Ellis, treb (2 above)

Saint-Martin, L. de Toccata de la Libération.

June Nixon, org.

Walsingham WAL 8002-2 8 September 2016

fineMusic 102.5

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Sunday 18 September 18:00 RUSSIAN COMPOSITIONS 1930-1970 Prepared by Frank Morrison Stravinsky, I. Suite italienne (c1933). Truls Mørk, vc; Lars Vogt, pf.

Virgin 5 45274 2 18 Prokofiev, S. Suite no 3, op 101, from Romeo and Juliet (1946). Royal Scottish NO/ Neeme Järvi.

Chandos CHAN 8940 18 Shostakovich, D. String quartet no 11 in F minor, op 122 (1966). Jerusalem Quartet.

Harmonia Mundi HMC 901953 17 19:00 SUNDAY NIGHT CONCERT Prepared by Rex Burgess Bach, J. Christian Sinfonia in E for double orchestra, op 18 no 5 (c1781). Failoni O/ Hanspeter Gmür.

Naxos 8. 553367 15 Mozart, W. Piano concerto no 22 in E flat, K482 (1785). Piers Lane, pf; Queensland SO/Johannes Fritzsch.

ABC 481 0248 35 Cherubini, L. Symphony in D (1815). Zurich CO/ Howard Griffiths. cpo 999 5212 34 20:30 NEW HORIZONS Prepared by Nev Dorrington Vangelis. Chariots of fire; Bitter moon (1991).

East/West 3984 298 282 8 The Tegos tapes, cases 5 and 16 (1998).

Medical Publications 960-86077 16

0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with James Hunter 9:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1927 Prepared by Paul Cooke Villa-Lobos, H. Saudades das selvas brasileiras (1927). Sonia Rubinsky, pf.

Naxos 8.557735 6 Tailleferre, G. Concertino (1927). Gillian Benet, hp; Women’s PO/JoAnn Falletta.

Koch 3 7169 2H1 16 Ireland, J. We’ll to the woods (1927).

Roderick Williams, bar; Iain Burnside, pf.

Naxos 8.570467 8 Hill, A. String quartet no 6 in G, The kids (1927). Australian String Quartet.

Marco Polo 8.223746 16

14:30 FROM THE MIGHTY FIVE Prepared by Rex Burgess

10:30 MORNING CONCERT Prepared by Paul Hopwood Berlioz, H. Overture: King Lear, op 4 (1831).

Polish State PO/Kenneth Jean.

Naxos 8.550231 15

Enescu, G. Symphony no 2 in A, op 17 (1912-14). Monte Carlo PO/Lawrence Foster.

EMI CDC 7 54763 2 46

Silent portrait 1; Epilogue, from SP; El Greco (1998).

Warner Music 39842 51072 16

12:00 SWING SESSIONS with John Buchanan

Vangelis, pf (all above) 22:00 AFTER HOURS JAZZ with Kevin Jones

Sibelius, J. Song to the earth, op 95 (1920).

Finnish National Opera Ch & O/Eri Klas.

Ondine ODE 754-2 8

Lambert, C. Pomona (1927). BBC Concert O/Barry Wordsworth.

ASV WHL 2122 24

Piano in an empty room; El Greco OST, from Blade Runner 25 (2007).

Universal Music 753 05147 6

Vangelis. Tender memories, from Alexander (2004).

Sony Music 99709 361029 3

14:00 SIBELIUS IN SONG Prepared by Elaine Siversen

Cantata for the Coronation of Nicholas II (1896). Jubilate Choir; Lahti SO/Osmo Vänskä.

BIS CD-1906/08 19

Haydn, J. Horn concerto no 1 in D, Hob. VIId:3 (1762). Hector McDonald, hn; Academy of Melbourne/Brett Kelly.

Tall Poppies TP042 18

Hoppé, M. The parting, from Solace (1986).

Spring Hill Music 18795 60422 8

Lawrence Foster

Crawford Seeger, R. Suite for five wind instruments and piano (1927/29). Cheryl Seltzer, pf; Continuum/Joel Sachs.

Naxos 8.559197 10

Memories of green and blue, from Blade Runner; Oceanic (1996).

Atlantic 7567 82953 11

28th parallel; PS; Prelude; Dream in an open place, from 1492; Voices (1995).

Warner Music 0630-12786 18

34

Monday 19 September

13:00 WOMEN COMPOSERS Prepared by Frank Morrison Hyde, M. Trio in G (1948). Christine Draeger, fl; Anne Brisk, cl; James Muir, pf.

Walsingham 2WAL8036-2 11 Kats-Chernin, E. Charleston noir (1996).

Kees Boersma, db; Kirsty McCahon, db; Alex Henery, db; Damien Eckersley, db.

Tall Poppies TP181 9 Clarke, R. Trio for violin, cello and piano (1921). Hartley Trio.

Heritage HTGCD 218 23 Boulanger, L. D’un soir triste. BBC PO/Yan Pascal Tortelier.

Chandos CHAN 9745 11

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

Rimsky-Korsakov, N. Overture: Russian Easter festival, op 36 (1888). Paris O/ Gennady Rozhdestvensky.

EMI CDM 1 66428 2 16 Borodin, A. Sonata in B minor (1860). Ottó Kertész Jr, vc; Ilona Prunyi, pf.

Marco Polo 8.223172 22 Mussorgsky, M. Prologue; Scene 1, from Boris Godunov (1874). Aki Alamikkotervo, ten; Jorma Falck, bass-bar; Usko Viitanen, bass; Keikki Kilpeläinen, bass; Martti Talvela, bass; Savonlinna Opera Festival Ch & O/ Kyösti Haatanen.

BIS CD-373/374 16 Balakirev, M. Islamey: oriental fantasy, op 19 no 6 (1869/1902). Michael Lewin, pf.

Centaur CRC 2134 9 Cui, C. Suite no 3, op 43, In modo populari (1890). Hong Kong PO/Kenneth Schermerhorn.

LP Marco Polo 6.220308 18 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Michael Field 19:00 JAZZ NICE ‘N EASY with Ken Weatherley 20:00 STORMY MONDAY with Austin Harrison and Garth Sundberg 22:00 THE AUSTRALIAN JAZZ SCENE with Susan Gai Dowling and Peter Nelson

Friday 20 September

Stephen Kovacevich 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Julie Simonds 9:00 DIVERSIONS IN FINE MUSIC Artist of choice: David Nuttall Prepared by Elaine Siversen Schumann, R. Six studies for pedal piano, op 56 (1845; arr. Sitsky). Larry Sitsky, pedal pf.

Tall Poppies TP041 20 Mozart, W. Divertimento no 11 in D, K251 (1776). Australian CO/Carl Pini.

Fine Music Tape Archive 23 Edwards, R. Maninya III (1985). Vernon Hill, fl; Alan Vivian, cl; Richard McIntyre, bn; Hector McDonald, hn.

Canberra School of Music CSM 14 11 Vine, C. Oboe concerto (1996). Australian Youth O/Diego Masson.

Tall Poppies TP113 17 Machado, C. Pé de Moleque; Quebra Queixo; Paçoca. Timothy Kain, gui.

Tall Poppies TP119 9 David Nuttall, ob (all above) 10:30 MORNING CONCERT Prepared by Brian Drummond Smetana, B. Overture to The bartered bride.

Vienna PO/James Levine.

DG 419 768-2 7 Grieg, E. Piano concerto in A minor, op 16 (1868). Stephen Kovacevich, pf; BBC SO/ Colin Davis.

Newt on 8802019 30 Glinka, M. Waltz-Fantasy (1856). Armenian PO/Loris Tjeknavorian.

ASV DCA 1075 9 Rimsky-Korsakov, N. Symphony no 3 in C, op 32 (1886). Gothenburg SO/Neeme Järvi.

DG 423 604-2 35

Neeme Järvi 12:00 JAZZ RHYTHM with Jeannie McInnes 13:00 ON THE WATER Prepared by Stephen Wilson Lumbye, H. Tivoli gondola galop (1843).

Tivoli SO/Tamás Vetö.

Marco Polo 8.225223 3 Trad. The Skye boat song (arr. Statham).

Choir of New College, Oxford/Edward Higginbottom.

Apex 256467545-9 4

Graun, C. Misero pargoletto, from Demofoonte (1746). Cecilia Bartoli, mezz; Il Giardino Armonico/Giovanni Antonini.

Decca 478 1521 10 Frederick II. Flute sonata in C. Collegium Musicum 90/Simon Standage.

Chandos CHAN 0541 8 Benda, F. Violin concerto in D. Josef Suk, vn; Suk CO/Christian Benda.

Naxos 8.553902 22

Liszt, F. La lugubre gondola, no 2 (1885).

Khatia Buniatishvili, pf.

Sony 88697766042 10

Bach, J.S. A musical offering, BWV1079 (1747). Musica Antiqua Cologne/Reinhard Goebel.

Archiv 413 642-2 48

Anon. Song of the Volga boatmen. Takako Nishizaki, vn; Queensland SO/Peter Breiner.

Naxos 8.555331 7

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Andrew Dziedzic

Debussy, C. En bateau, from Petite suite (1899). O National de Lyon/Jun Marki.

Naxos 8.578269-70 4

19:00 THE JAZZ BEAT with Lloyd Capps

Schubert, F. Auf dem Wasser zu singen, D774 (1823). Barbara Bonney, sop; Geoffrey Parsons, pf.

Teldec 4509-90873-2 4 Rodrigo, J. Little boats of Cadiz, from Four Andalusian pictures (1946-52). Artur Pizarro, pf.

Naxos 8.557272 5 Rossini, G. La Gita in Gondola, from Soirées musicales (1830-35). Renata Scotto, sop; Antonio Beltrami, pf.

LP EMI 1C 065 99868 6 Moeran, E.J. Lonely waters (c1924). Ulster O/Vernon Handley.

Chandos CHAN 8807 9 14:00 AT THE COURT OF FREDERICK THE GREAT Prepared by Rex Burgess Bach, C.P.E. Concerto in E flat, Wq165 (1772). Hans-Peter Westermann, ob; Freiburg Baroque O/Thomas Hengelbrock.

Harmonia Mundi RD77187 23

20:00 RECENT RELEASES with Charles Barton 22:00 CHAMBER SOIRÉE Prepared by Sheila Catzel Brahms, J. String quintet no 1 in F, op 88 (1882). Norbert Brainin, vn; Siegmund Nissel, vn; Peter Schidlof, va; Cecil Aronowitz, va; Martin Lovett, vc.

DG 419 875-2 25 Klughardt, A. Schilflieder, op 28 (1873).

Albrecht Septemberer, ob; Tabea Zimmerman, va; Markus Becker, pf.

Decca 478 3564 19 Viotti, G. Sonata no 3 in D, op 4 (pub. 1788).

Felix Ayo, vn; Corrado de Bernat, pf.

Dynamic DM8026 15 Fauré, G. Piano quintet no I in D minor, op 89 (1906). Domus.

Hyperion CDA66766 29 Reinecke, C. Wind sextet in B flat, op 271 (1905). Members of Boston SO. Naxos 8.570777 20 September 2016

fineMusic 102.5

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Wednesday 21 September

Nicholas McGegan 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Peter Kurti 9:00 DIVERSIONS IN FINE MUSIC Music of the 18th century Prepared by Jennifer Foong Reicha, A. 18 Variations and a fantasia in G, on Mozart’s Se vuol ballare, for flute, violin and cello, op 51 (c1806). Ensemble Schönbrunn.

Globe GLO 5219 19 Weber, C.M. Sonata no 1 (1810). Emmanuel Pahud, fl; Eric Le Sage, pf. naïve V 4863 6

Sibelius, J. Symphony no 5 in E flat, op 82 (1915/19). New Zealand SO/Pietari Inkinen.

Naxos 8.572227 33 12:00 JAZZ SKETCHES with Robert Vale 13:00 YOUNG VIRTUOSI 14:00 IN CONVERSATION with Michael Morton-Evans 15:00 PLEYEL EXPLORED Part 3 Prepared by Michael Morton-Evans Pleyel, I. Ecossaises (1791). Wolfgang Brunner, pf; Leonore von Stauss, pf.

Profil PH 06025 6

Glinka, M. Variations on a theme in E-flat, from Mozart’s The magic flute (1822). Tatiana Loguinova, pf.

Phaedra 292026 9

Oboe quartet in D, op 25 no 1 (c1800). Pierre Feit, ob; Günther Volmer, vn; Pavel Skabar, va; Ciri Skerjanec, vc.

Koch schwann 316 038 F1 15

Mozart, W. Pa-Pa-Pa-Pa, from The magic Flute, K620 (1791). Cecilia Bartoli, mezz; Bryn Terfel, bass-bar; St Cecilia Academy O/ Myung-Whun Chung.

Decca 473 380-2 2

Symphony in G, op 68, mvt 4 (1804). London Mozart Players/Matthias Bamert.

Chandos CHAN 9525 5

Kuhlau, F. Sonata in G minor, op 83 no 3 (1827). Uwe Grodd, fl; Matteo Napoli, pf.

Naxos 8.555346 22 Mercadante, S. Flute concerto in E minor (c1819; rev. Scimone). James Galway, fl; I Solisti Veneti/Claudio Scimone.

RCA RD 60450 22 10:30 MORNING CONCERT Prepared by Michael Field Copland, A. Appalachian Spring (1938).

Seattle SO/Gerard Schwarz.

Delos DE 3154 24 Nielsen, C. Clarinet concerto, op 57 (1928).

Niels Thomsen, cl; Danish National RSO/ Michael Schønwandt.

Chandos CHAN 8894 26 36

Pietari Inkinen

Sonatina in B flat (c1787-88).

Gramola 98816 12 Sonatina in D (c1783-84).

Gramola 98816 14 Masha Dimitrieva, pf (2 above) 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Tom Forrester-Paton 19:00 JAZZ STARS AND STRIPES with Peter Mitchell 20:00 AT THE OPERA Prepared by Colleen Chesterman Handel, G. Ariodante. Opera in three acts. Libretto anonymous after Salv. First performed London, 1735.

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

ARIODANTE: Loraine Hunt, mezz GINEVRA: Juliana Gondek, sop DALINDA: Lisa Saffer, sop POLINESSO: Jennifer Lane, mezz Wilhelmshaven Vocal Ensemble; Freiburg Baroque O/Nicholas McGegan.

Harmonia Mundi 907145 48 3:22 Ginevra, daughter of the King of Scotland, is betrothed to Ariodante. Polinesso, a jealous rival of Ariodante, wins the confidence of Ginevra’s maid Dalinda and with her help makes Ariodante believe he is Ginevra’s lover. The King disowns Ginevra for her alleged infidelity and they hear Ariodante has killed himself. Polinesso then arranges to kill Dalinda, the only witness to his plot. But Ariodante, whose suicide attempt was foiled, meets Dalinda in the woods and defeats the would-be assassins. Polinesso, seeking the King’s favour, defends Ginevra’s honour in a tournament, but is mortally wounded.

Ariodante, having learned about Polinesso’s plot from Dalinda, appears and offers to be Ginevra’s champion. The dying Polinesso confesses and Ginevra is pardoned by the King.

Handel, G. Viola d’amore sonata in C. Sydney Consort.

Sydney Consort SC005 14

MUSIC TRIVIA with Michael Morton-Evans 6. Was American jazz musician Coleman Hawkins a trumpeter, saxophonist or clarinettist?

7. Which German conductor was forced out of Germany by the Nazis in 1933 and went to live in America?

Answers on page 46.

Thursday 22 September 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Marilyn Schock 19:00 THE NEW JAZZ STANDARD with Frank Presley 20:00 LIVE AND LOCAL Australian Ensemble plays Ravel and Brahms Ravel, M. String quartet in F (1902-03). 28 Introduction and allegro for harp, flute, clarinet and string quartet (1905). Louise Johnson, hp. 9 Australian Ensemble 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN

13:00 SPRING Prepared by Rex Burgess

9:00 DIVERSIONS IN FINE MUSIC Two’s company Prepared by Elaine Siversen

Corrette, M. Psalm 148: Laudate Dominum, after Vivaldi’s Spring concerto (pub.

1766). Margaret Dixon-McIvor, sop; Anson Austin, ten; Grahame Tier, bass; Sydney Philharmonia Motet Choir; John Harding, vn; Australian CO/Peter Seymour.

Fine Music Concert Recording 20

Handel, G. Sonata in G, HWV399 (c173738). Ingrid Seifert, vn; Richard Gwilt, vn; Charles Medlam, vc; Richard Egarr, hpd.

Harmonia Mundi HMC 901 389 13

Beethoven, L. Sonata no 5 in F, op 24, Spring (1800-01). Dene Olding, vn; Max Olding, pf.

ABC 432 699-2 23

Albrechtsberger, J. Concerto in E for Jew’s harp, mandora and orchestra (1770).

Fritz Septemberr, jew’s hp; Dieter Kirsch, mandora; Munich CO/Hans Stadlmair.

Orfeo C 035 821 A 20

Roussel, A. For a spring fête, op 22. Paris O/ Jean-Pierre Jacquillat.

EMI 5 65154 2 11

6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Simon Moore

Boccherini, L. Quartet no 3 in E flat (1778).

Paule van Parys, hpd; Jan van Mol, hpd.

LP Pavane ADW 7062 9 Donizetti, Giuseppe. Sonata for two clarinets (1821). Dieter Klöcker, cl; Waldemar Wandel, cl.

LP Telefunken 6.42416 13

14:00 OPUS 3 Prepared by Randolph Magri-Overend Berlioz, H. Overture: Les Francs-juges, op 3 (1827-28). San Diego SO/Yoav Talmi.

Naxos 8.553034 12 Bizet, G. Chromatic variations, op 3 (1868).

Glenn Gould, pf.

Sony 88697417292 14

Josephs, W. Doubles, op 85 (1970-73). Heidi Hendrickx, pf; Levente Kende, pf.

Novello Records NVLCD 104 25

Sor, F. Thème variée et un menuet, op 3 (c1810). Norbert Kraft, gui.

Naxos 8.554196 10

10:30 MORNING CONCERT Prepared by Angela Bell

Stravinsky, I. Scherzo fantastique, op 3 (1908). Seattle SO/Gerard Schwarz.

Naxos 8.571224 13

Karlowicz, M. Serenade, op 2 (1897).

Warsaw PO/Antoni Wit. Naxos 8.572274 22 Rachmaninov, S. Rhapsody on a theme of Paganini, op 43 (1934). Ayako Uehara, pf; Sydney SO/Edvard Tchivzhel.

ABC 461 654-2 25 Borodin, A. Symphony no 1 in E flat (1862-67). Royal Stockholm PO/Gennady Rozhdestvensky.

Chandos CHAN 9199 36 12:00 JAZZ, PURE AND SIMPLE with Maureen Meers

Brahms, J. Piano quartet in G minor, op 25 (1857-61). 39 Australia Ensemble (all above) FINE MUSIC recordings 21:30 FROM MEXICO Prepared by Elaine Siversen Ponce, M. Balada mexicana (1914). Eva Suk, pf; State of Mexico SO/Enrique Bátiz.

ASV DCA 926 11 Symphonic divertimento: Ferial. Royal PO/ Enrique Bátiz.

ASV DCA 738 15 22:00 DIFFERING PATHS OF THE 20TH CENTURY Prepared by Paul Cooke Serebrier, J. Winter concerto (1991). Michael Guttman, vn; Royal PO/José Serebrier.

ASV DCA 855 16 Casella, A. A notte alta (1917). Sandro Ivo Bartoli, pf.

ASV DCA 1023 21 Ives, C. String quartet no 2 (1913). Juillard String Quartet.

LP CBS MP 39752 25 Koechlin, C. L’album de Lilian, première série, op 139 (1934). Jayne West, sop; Fenwick Smith, fl; Martin Amlin, pf.

Hyperion CDA66414 20 Brusa, E. Nittemero symphony (1985-88).

Ukraine NSO/Fabio Mastrangelo.

Naxos 8.555266 29

Shostakovich, D. Theme and variations in B flat, op 3 (1921-22). USSR Ministry of Culture SO/Gennady Rozhdestvensky.

Melodiya C 10 19103 004 15 Janácek, L. Suite: The beginning of a romance, op 3 (1891). Slovak PO/Libor Pesek.

Naxos 8.555245 13 Zemlinsky, A. Trio in D minor for clarinet, cello and piano, op 3 (1896). Ensemble Liaison.

Melba MR 301132 29

September 2016

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Friday 23 September 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Janine Burrus

Bruch, M. Ave Maria, op 61 (1892). Julius Berger, vc; Polish National RSO/Antoni Wit. EBS 6060 10

9:00 DIVERSIONS IN FINE MUSIC Only strings Prepared by Sheila Catzel

Stravinsky, I. Ave Maria (1934). Gabrieli Consort/Paul McCreesh.

DG 477 7635 2

Telemann, G. Friday, from Scherzi melodichi (pub. 1734). Ensemble Symposium.

Brilliant Classics 94330 8

Edwards, R. Ave Maria canon. Australian Youth O/Graham Abbott.

Tall Poppies TP016 2

Janácek, L. Suite for strings (1877). Janácek CO. Chandos CHAN 10678 19

14:00 FROM THE ROMANTIC ERA Prepared by Rex Burgess

Stenhammar, W. String quartet no 2 in C minor, op 14 (1896). Stenhammar Quartet.

BIS BIS-2019 29 Gershwin, G. Lullaby for string orchestra (1919). Indianapolis SO/Raymond Leppard.

Decca 458 157-2 8 Haydn, J. String quartet in D, Hob.III:63, Lark (1790). The Lindsays.

ASV QS 6145 19 10:30 MORNING CONCERT Prepared by Elaine Siversen Liszt, F. Symphonic poem: Les préludes (1848). Vienna PO/Giuseppe Sinopoli.

DG 478 4234 16 Krommer, F. Double concerto in E flat, op 91. Dieter Klöcker, cl; Waldemar Wandel, cl; Stuttgart RSO/Wolf-Dieter Hauschild.

Schwann 3-1077-2 25 Dvorák, A. Symphony no 5 in F, op 76 (1875). London SO/István Kertész.

Decca 417 597-2 41 12:00 A JAZZ HOUR with Barry O’Sullivan 13:00 AVE MARIA THROUGH THE AGES Prepared by Gael Golla Hildegard of Bingen. Responsorium: Ave, Maria, o auctrix vitae, from De Sancta Maria.

Sabine Lutzenberg, sop, bells; Per-Sonat; Baptiste Romain, viella, bowed lyre.

Christophorus CHR 77376 8 Josquin Desprez. Ave Maria ... virgo serena a 4. Cantillation/Brett Weymark.

ABC 476 5055 5 Bach, J.S. Ave Maria, BWV846 (1722; arr. Gounod 1856). Martin Fröst, cl; Torleif Thedéen, vc.

BIS BIS-SACD-1823 3 Various. Capitulum; Hymn ave Maria stella. I Fagiolini/Robert Hollingworth.

Decca 478 3506 9 Schubert, F. Ave Maria, D839 (1825; arr.

Gamley). Luciano Pavarotti, ten; National PO/ Kurt Adler.

Decca 480 3102 5 38

Liszt, F. Ave Maria (1881). Stephen Hough, pf.

Virgin 7 5922 2 3

Janácek, L. Overture: Jealousy (1894). Czech PO/Jirí Belohlávek.

Chandos CHAN 9080 6 Herzogenberg, H. Variations on a theme of Brahms, op 23 (1876). Anthony Goldstone, Caroline Clemmow, pf.

Symposium 1037 11 Saint-Saëns, C. Odelette in D, op 162 (1920). Clara Novakova, fl; Paris Orchestral Ensemble/Jean-Jacques Kantorow.

EMI 7 54913 2 7 14:30 THE ITALIANS Bononcini to Puccini Prepared by Frank Morrison Bononcini, G. Cello sonata in A minor (pub. 1748). Bruno Cocset, vc; Il Seminario Musicale.

Virgin VC 5 45000 2 9 Manfredini, F. Concerto grosso no 5 in D minor, op 3. Capella Istropolitana/Jaroslav Krecek.

Naxos 8.553891 6 Tartini, G. Violin concerto in G. Chiara Banchini, vn.

Harmonia Mundi HMC901548 17 Sammartini, G.B. Sinfonia in D. Chiara Banchini, cond.

Harmonia Mundi HMA 1901245 6 Ensemble 415 (2 above) Boccherini, L. String quartet in G minor, op 32 no 5 (pub. 1781). Quartetto Esterházy.

Teldec 4509-95988-2 16 Rossini, G. Una voce poco fà, from The barber of Seville (1816). Cecilia Bartoli, mezz; O La Scintilla/Adám Fischer.

Decca 478 2558 5 Bellini, V. Trumpet concerto in E flat (pub.

1941). Maurice André, tpt; Franz Liszt CO of Budapest/Frigyes Sandor.

Erato 2292-45062-2 9 Puccini, G. Preludio sinfonico (1876).

Hungarian Opera O/Pier Giorgio Mirandi.

Naxos 8.555304 10

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with James Hunter 19:00 FRIDAY JAZZ SESSION with Sally Cameron 20:00 THE ROMANTIC CENTURY Prepared by Phil Vendy Huss, H. Piano concerto in B, op 10 (1898).

Ian Hobson, pf; BBC Scottish SO/Martyn Brabbins.

Hyperion CDA66949 31 MacDowell, E. Suite no 1, op 42 (1890-93).

Ulster O/Takuo Yuasa.

Naxos 8.559075 20 Strong, G. Ondine, symphonic poem (18823). Moscow SO/Adriano.

Naxos 8.559078 25 Bristow, G. Symphony in F sharp minor, op 26 (1858). Detroit SO/Neeme Järvi.

Chandos CHAN 9169 35 22:00 BAROQUE AND BEFORE Prepared by Rex Burgess Dauvergne, A. Concert de simphonies in B flat, op 3 no 1 (pub. 1751). Concerto Cologne.

FNAC 592295 18 Caldara, A. Cantata: Vicino a un rivoletto.

Gérard Lesne, ct; Il Seminario Musicale.

Virgin VC5-45175 2 21 Janequin, C. La guerre (c1515). Song Company/Michael Noone.

ABC 461 731-2 7 Isaac, H. A la bataglia. Triton Trombone Quartet.

BIS CD-644 7 Flecha, M. El Viejo La Justa (pub. 1544).

Song Company/Michael Noone.

ABC 461 731-2 14 Buxtehude, D. Sonata in B flat, BuxWV273.

John Holloway, vn; Ursula Weiss, vn; Jaap ter Linden Rasmussen, va; Mogens Rasmussen, va; Lars Ulrik Mortensen, hpd, org.

Naxos 8.557250 14 Anon. Quando i oselli canta. 2 Andreas de Florentia. Astio non morì mai; Quando la stella. 6 Landini, F. Ochi dolenti mie; Per sequir la sperança. 6 Grossin, E. Va t’ent souspir. 2 Anon. O regine seculi. 4 Lantins, H. de Plaindre m’estuet. 4 Gothic Voices (6 above) Hyperion CDA 66286

Saturday 24 September 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 SATURDAY MORNING MUSIC with Peter Bell 9:00 ORCHESTRAS AROUND THE WORLD Philadelphia Orchestra Prepared by Di Cox Wagner, R. Overture to Rienzi, 49 (1838-40).

Wolfgang Sawallisch, cond.

EMI 5 56165 2 13 Saint-Saëns, C. Piano concerto no 2 in G minor, op 22 (1868). Artur Rubinstein, pf.

RCA 5666-2-RC 23 Strauss, R. Ein Heldenleben, op 40 (189798).

Sony SBK 48 272 44 Eugene Ormandy, cond (2 above) Philadelphia O (all above)

14:00 ROMANTIC STRINGS Prepared by Derek Parker Elgar, E. Serenade for strings in E minor, op 20 (1892). Capella Istropolitana.

Naxos 8.554161

12

Spohr, L. Quintet in G minor, op 144 no 7 (1850). Sándor Papp, va; New Haydn Quartet.

Naxos 8.555968 32 Puccini, G. Quartet in D (1880). Raphael String Quartet.

Etcetera KTC 1050 8 15:00 SPARTACUS Prepared by Di Cox Khachaturian, A. Spartacus, ballet (1943).

Rias Chamber Choir; Deutsches SO Berlin/ Michail Jurowski.

Capriccio C5112 2:17

10:30 MUSIC FOR SMALL FORCES Prepared by Frank Morrison

Brahms, J. Intermezzo in A, op 118 no 2 (1892). Roger Woodward, pf.

Artworks AW 001 7

Schubert, F. String trio in B flat, D471 (1816).

Members of Kodály Quartet.

Naxos 8.557126 8

17:30 ARTS IN FOCUS with Musica Viva Produced by Tom Forrester-Paton

Popper, D. Hungarian rhapsody, op 68 (1894). Pamela Smits, vc; Sabine Simon, pf.

Universe classics HAC 20201 8 Arensky, A. Piano trio no 2 in F minor, op 73 (1905). Borodin Trio.

Chandos CHAN 8924 38 11:30 ON PARADE Prepared by Paul Hopwood Rimmer, W. March: The Australasian.

Hawthorn Band/Ken MacDonald.

Walsingham WAL 9000-2 5 Langford, G. An Australian fantasy. Sellers Engineering Band/Douglas Blackledge.

Chandos CHAN 4511 5 Lovelock, W. Processional march. Concert Band of RAN/G.D.C. Coxon.

LP EMI SCXO 8015 7 Alford, K. Colonel Bogey march (1914).

Craig Johnson, cond.

ABC 476 4862 3 Martin, T. Vietnam Vets march. Tom Martin, cond.

ABC 476 4862 3 Australian Army Band (2 above) 12:00 JAZZ SATURDAY @ STUDIO A with Leita Hutchings 13:00 IN A SENTIMENTAL MOOD with Maureen Meers Nostalgic music and artists from the 30s, 40s and 50s and occasionally beyond, in a trip down many memory lanes

18:00 SOCIETY SPOT Sydney Schubert Society Prepared by Ross Hayes

20:00 INFLUENCES AND CONNECTIONS Carl Stamitz Prepared by James Nightingale Stamitz, C. Orchestral quartet in C, op 14 no 1, Poco allegro, mvt 3 (pub. 1776). New Zealand SO CO/Donald Armstrong.

Naxos 8.557671 5 Cannabich, C. Symphony no 47 in G, op 10 (pub. 1772). Nicolaus Esterhazy Sinfonia/ Uwe Grodd.

Naxos 8.554340 11 Holzbauer, I. Es ist geschrieben ...

Ihr Rosenstunden, from Günther von Schwarzburg (1777). Mojca Erdmann, sop; La Cetra Barockorchester Basel/Andrea Marcon.

DG 477 8979 7 Richter, F. Sinfonia VII in C, no 4 (1744).

Helsinki Baroque O/Aapo Häkkinen.

Naxos 8.570597 15 Vivaldi, A. Viola d’amore concerto in D minor, RV393. Garth Knox, va d’amore; Agnès Vesterman, vc.

ECM New Series 2157 4764501 9 Stamitz, J. Viola concerto in G. Jan Peruska, va; Prague Philharmonia/Jirí Belohlávek.

Supraphon SU 3929-2 16

Schubert, F. Frülingstraum, from Winterreise, D911 (1827). Heinrich Schlusnus, bar; Sebastian Peschko, pf.

Nimbus NI 7883 4

Bach, J. Christian Aria: Pugna il guerriero, from La clemenza di Scipione (1778; arr.

Payne). David Greco, bar; Australian Haydn Ensemble/Skye McIntosh.

Fine Music Concert Recording CR.072 4

Sonata in D, D384 (1816). Isaac Stern, vn; Daniel Barenboim, pf.

Sony SM2K 64528 13

Stamitz, A. Caprice no 1 in G. Melissa Farrow, fl.

Melissa Farrow MTF 001 3

String quartet in C minor, D703, Quartettsatz (1820).

Stamitz, C. Clarinet concerto no 11 in E flat.

Sabine Meyer, cl; Academy of St Martin in the Fields/Iona Brown.

EMI CDC 7 54842 2 18

Der Leiermann, from Winterreise, D911 (arr.

McGuire). Riley Lee, shakuhachi; Marshall McGuire, hp.

ABC 476 4870 4 Sonata in A minor, D784 (1823). Ingrid Haebler, pf.

Decca 478 5859 22 19:00 THE MAGIC OF STAGE AND SCREEN Prepared by Maureen Meers Paul, G. de Excerpts from Li’l Abner (1956).

Peter Palmer, Stubby Kaye, Edith Adams, Julie Newmar, Tina Louise, voices.

Columbia SK 87700 19 Adler - Ross. Excerpts from The pajama game (1954). Doris Day, Joh Raitt, Carol Haney, Eddie Foy Jnr, voices.

Collectibles CDL-CD-6699 13 Styne, J. Excerpts from Bells are ringing (1956). Judy Holliday, Sydney Chaplin, Jean Stapleton, Eddie Lawrence, voices.

Columbia SK 89545 20

Mozart, W. Symphony no 31 in D, K297, Paris (1778). Freiburg Baroque O/Gottfried von der Goltz.

Harmonia Mundi HMX 2908601.30 20 22:00 SUNDAY NIGHT AT HOME Prepared by Paul Cooke Beethoven, L. Fantasia in C minor, op 80, Choral (1808). RIAS Ch; Yevgeny Kissin, pf; Berlin PO/Claudio Abbado.

DG 435617-2 19 Grieg, E. String quartet in G minor, op 27 (1878). Solve Sigerland, vn; Atle Sponberg, vn; Lars Anders Tomte, va; Truls Mørk, vc.

Virgin 5 45505 2 34 Méhul, É-N. Symphony no 2 in D (1808-09).

Les Musiciens du Louvre/Marc Minkowski.

Erato 2292-45026-2 24 Harty, H. Violin concerto (1908). Ralph Holmes, vn; Ulster O/Bryden Thomson.

Chandos CHAN 7035 33 September 2016

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Sunday 25 September 0:00 CLASSIC-ALL THROUGH THE NIGHT

13:00 WORLD MUSIC: Whirled Wide

6:00 SUNDAY MORNING MUSIC with David Garrett

14:00 SUNDAY SPECIAL Celebrating Shostakovich Prepared by Paolo Hooke

9:00 MUSICA SACRA Prepared by Elaine Siversen Monteverdi, C. Gloria for seven voices, from Selva morale (1640). Les Arts Florissants/ William Christie.

Harmonia Mundi HMA 1901316/18 13 Tallis, T. Spem in alium. Tallis Scholars.

Gimell CDGIM 203 10 Haydn, J. Mass in F, Hob.XXII:1, Missa brevis (c1749). Susan Gritton, sop; Pamela Helen Stephen, mezz; Collegium Musicum 90/Richard Hickox.

Chandos CHAN 0640 12 Fux, J. Plaudite, sonat tuba (1736). Kurt Equiluz, ten; Stephen Keavy, tpt; Capella Caldara/Uwe Christian Harrer.

Philips 422 997-2 18 10:00 THE CLASSICAL ERA Prepared by Frank Morrison Schobert, J. Trio in F, op 16 no 4 (pub. 176167). Chiara Banchini, vn; Philipp Bosbach, vc; Luciano Sgrizzi, fp.

Harmonia Mundi HMC 1901294 16 Albrechtsberger, J. Concertino in D. Michael Scott, picc; Sydney Mandolins/Adrian Hooper.

Jade JAD 1124 14 Martini, J. Plaisir d’amour (1780; arr.

Whaite). Yvonne Kenny, sop; Melbourne SO/ Vladimir Kamirski.

ABC 442 509-2 3 Arnold, S. Incidental music to Macbeth (1778). Toronto Camerata/Kevin Mallon.

Naxos 8.557484 18 Haydn, M. Flute concerto in D (1766). IstvánZsolt Nagy, fl; Austro-Hungarian Haydn O/ Adám Fischer.

Nimbus NI 5392 14 Dittersdorf, C. Sinfonia concertante. Petr Pribyol, va; Jakub Waldmann, db; South Bohemia Chamber PO/Ondrej Kukal.

Campion RRCD 1342 20 Hoffmann, E. Symphony in E flat (1805-06).

Concerto Bamberg/Rolf Beck.

Schwann 3-1148-2 21 12:00 SYDNEY JAZZ CLUB PRESENTS Classic jazz and ragtime With John Buchanan

40

Shostakovich, D. Red army dances, from the ballet, The bolt (1930-31). Stockholm Transport Band; Royal Stockholm PO/ Gennady Rozhdestvensky.

Chandos CHAN 9343/4 10 Act III from the ballet, The golden age (1930).

Chandos CHAN 9251/2 25 Symphony no 4 in C minor, op 43 (1935-36).

Moscow PO/Kyrill Kondrashin.

Melodiya 74321198402 1:00 Symphony no 5 in D minor, op 47 (1937).

National SO/Mstislav Rostropovich.

DG 445 577-2 46 String quartet no 8 in C minor, op 110 (1960).

Borodin Quartet.

Melodiya 7432146715 2 22

18:00 MUSICAL ROUND UP Estonia Prepared by Francis Frank Tubin, E. Sinfonietta on Estonian motifs (1940). Gothenburg SO. BIS CD-401 21 Eller, H. Elegia for harp and strings (1931).

Eluned Pierce, hp; Scottish NO. Chandos CHAN 8525 13 Neeme Järvi, cond (2 above) Tormis, V. Three Estonian game songs.

Estonian PC Choir/Tönu Kaljuste.

Virgin 5 45185 2 8 Pärt, A. Fratres (1983). Philharmonia O/ Neeme Järvi.

Chandos CHAN 9134 10 19:00 SUNDAY NIGHT CONCERT Wolf-Ferrari, E. Intermezzo, from Susanna’s secret (1909). Czecho-Slovak RSO/Ondrej Lenard.

Naxos 8.550240 3

17:00 HOSANNA Prepared by Jeremy Hall

Handel, G. Amaryllis suite. Royal PO/Yehudi Menuhin.

RPO 8002RPD 9004 19

Stanford, C. Villiers O for a closer walk with God. Choir of King’s College, Cambridge; Parker Ramsay, org; Stephen Cleobury, cond.

King’s College KGS0004 3

Khachaturian, A. Violin concerto (1940).

Michaela Martin, vn; National SO of Ukraine/ Theodore Kuchar.

Naxos 8.555919 39

Hymns: It is a thing most wonderful; Deck thyself, my soul, with gladness. Choir of Trinity College, Cambridge; Andrew Lamb, org; Richard Marlow, cond.

Conifer CON 51249 7

Berlioz, H. Two symphonic excerpts, from Les troyens (1858). Nouvel O Philharmonique de Radio France/Gilbert Amy. Erato 2292-45566-2 20

Stanford, C. Villiers Magnificat and Nunc dimittis in B flat; Justorum animae.

Cambridge Singers; Wayne Marshall, org; John Rutter, cond.

Collegium COLCD 118/113 10 Prelude in G minor. Christopher Whitton, org.

Naxos 8.555794 3 Holst, G. Ave Maria. Choir of Westminster Cathedral/James O’Donnell.

Hyperion CDA 66669 5 Howells, H. A hymn for St Cecilia; O pray for the peace of Jerusalem. Choir of Wells Cathedral; Rupert Gough, org; Malcolm Archer, cond.

Hyperion CDH 55456 11 Vaughan Williams, R. Te Deum in G. Corydon Singers; Thomas Trotter, org; Matthew Best, cond.

Hyperion CDA 66076 7 Hymns: O God of earth and altar; God that madest earth and heaven. Choir of Trinity College, Cambridge; Andrew Lamb, org; Richard Marlow, cond.

Conifer CON 51249 4

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

20:30 NEW HORIZONS Prepared by Robert Small Carmichael, J. Escapades (2011). Sylvie Leprohon, fl; Stephen Robinson, ob; Antony Gray, pf.

Wirripang Wirr 071 14 Gjeilo, O. The spheres; The ground; Sanctus: London (2007-8). Tenebrae; Ola Gjeilo, pf; CO of London/Nigel Short.

Decca 478 8689 13 Sedaka, N. Manhattan intermezzo (2008).

Jeffrey Bregel, pf; Brown University O/Paul Phillips.

Naxos 8.573490 18 Skoryk, M. Violin concerto no 7 (2009).

Nazary Pilatyuk, vn; Odessa PO/Hobart Earle.

Naxos 8.573333 15 Holten, B. Rota veneris, three Gothic love songs for mixed choir (2008). Flemish Radio Choir/Bo Holten.

Dacapo 8.226062 13 Terracini, P. Gegensätze (2010). Sydney Brass/Paul Terracini.

Tall Poppies TP224 8 22:00 AFTER HOURS JAZZ with Kevin Jones

Monday 26 September 15:00 BUXTEHUDE The first Danish master Prepared by Rex Burgess Buxtehude, D. La capricciosa, BuxWV250.

Reitze Smits, hpd.

Ottavo OTR C 19343 14 Trio sonata in G minor, BuxWV261 (pub.

1696). Boston Museum Trio.

Harmonia Mundi HMA 1901089 12 Cantata: Herr, wenn ich nur dich habe, BuxWV38. Arcadia/Jacqueline Ogeil.

Tall Poppies TP157 12

Edo de Waart 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Robert Small 9:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1848 Bach, J.S. Brandenburg concerto no 1 in F, BWV1046 (1720). Le Concert des Nations/ Jordi Savall.

Alia Vox AVSA 9871 21 Schumann, R. Album for the young, op 68 (1848). Andreas Staier, pf.

Harmonia Mundi HMC 901989 14 Spohr, L. String sextet, op 140 (1848).

Academy of St Martin in the Fields Chamber Ensemble.

Chandos CHAN 9424 26 Bach, J.S. Brandenburg concerto no 5 in D, BWV1050 (1720). Le Concert des Nations/ Jordi Savall.

Alia Vox AVSA 9871 21 10:30 MORNING CONCERT Prepared by Derek Parker Salieri, A. Overture to La locandiera (1773).

London Mozart Players/Matthias Bamert.

Chandos CHAN 9877 7 Hummel, J. Double concerto in G, op 17 (c1805). Alexander Trostiansky, vn; Polina Osetinskaya, pf; Russian PO/Gregory Rose.

Naxos 8.557595 37 Strauss, R. Symphony for wind instruments, The happy workshop (1944-45). Netherlands Wind Ensemble/Edo de Waart.

Philips 438 733-2 40 12:00 SWING SESSIONS with John Buchanan

13:00 BRIGHT AND BREEZY Prepared by Randolph Magri-Overend

Te Deum laudamus, BuxWV218. Wolfgang Rübsam, org.

Naxos 8.555991 16

Strauss, J. II Lady sun shines brightly, from Vienna blood, op 354 (1899). New York Vocal Arts Ensemble/Raymond Beegle.

Arabesque Z 6586 10

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Stephen Wilson

Enescu, G. Dixtuor for wind in D, op 14 (1906). Winds of the Moldova PO/Ion Baciu.

Marco Polo 8.223147 23 Scarlatti, A. Be silent, fleeting breezes (1686). Vivien Hamilton, sop; Chacona/ Rosalind Halton.

ABC 476 617-0 18

19:00 JAZZ NICE ‘N EASY with Ken Weatherley 20:00 STORMY MONDAY with Austin Harrison and Garth Sundberg 22:00 THE AUSTRALIAN JAZZ SCENE with Susan Gai Dowling and Peter Nelson

Handel, G. Let the bright Seraphim, from Samson, HWV57 (1743). Yvonne Kenny, sop; Geoffrey Payne, tpt; Melbourne SO/Vladimir Kamirski.

ABC 476 570-0 5 Mozart, W. September the wind be gentle, from Così fan tutte, K588 (1790). Amanda Thane, sop; Fiona Janes, mezz; David Brennan, bar; Australian Opera and Ballet O/ Richard Bonynge.

ABC 438 196-2 3 Dvorák, A. Serenade in D minor for winds, op 44 (1878). Oslo PO Wind Soloists.

Naxos 8.554173 23 Rimsky-Korsakov, N. A musical picture: In the woods; The Tsar’s hunt; Storm, from The maid of Pskov (1871). USSR SO/Yevgeny Svetlanov.

Melodiya 10-00171 8 Purcell, H. Ode for St Cecilia’s Day: Hail! bright Cecilia (1692). Jeni Bern, sop; Susan Bissat, sop; Christopher Robson, ct, William Purefoy, ct; Ian Honeyman, ten; Thomas Guthrie, bass; Ch & O of the Golden Age/ Robert Glenton.

Naxos 8.553444 17

MUSIC TRIVIA with Michael Morton-Evans 8. Which well-known author wrote the libretto to Benjamin Britten’s opera Billy Budd?

Answers on page 46.

September 2016

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Tuesday 27 September

Quatuor Sine Nomine

Philip de Groote

0:00 CONTEMPORARY COLLECTIVE

12:00 JAZZ RHYTHM with Jeannie McInnes

20:00 RECENT RELEASES with David Garrett

13:00 CHAMBER ORCHESTRA Prepared by Brian Drummond

22:00 CHAMBER SOIRÉE

3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Julie Simonds 9:00 DIVERSIONS IN FINE MUSIC Artist of choice: Steven Isserlis Prepared by Jennifer Foong Bach, J.S. Cello suite no 2 in D minor, BWV1008 (c1720).

Hyperion CDA67541/2 17 Liszt, F. Die Trauergondel (1882-85).

Thomas Adès, pf.

Hyperion CDA67948 8 Boccherini, L. Cello sonata no 2 in C minor.

Maggie Cole, hpd.

Virgin VC 7 90805-2 8 Suk, J. Ballade in D minor, op 3 no 1 (1890).

Stephen Hough, pf.

Hyperion CDA67529 5 Beethoven, L. Horn sonata in F, op 17 (1800; arr.). Robert Levin, fp.

Hyperion CDA67981/2 14 Brahms, J. Cello sonata no 1 in E minor, op 38 (1862-65). Stephen Hough, pf.

Hyperion CDA67529 26 Steven Isserlis, vc (all above) 10:30 MORNING CONCERT Prepared by Michael Field Schumann, R. Overture to Manfred, op 115 (1848-49). Polish National RSO/Johannes Wildner.

Naxos 8.550608 11 Hummel, J. Piano concerto in A minor, op 85 (c 1816). Stephen Hough, pf; English CO/ Bryden Thomson.

Chandos CHAN 8507 30 Schoenberg, A. Symphonic poem: Pelleas and Melisande, op 5 (1902-03). Sydney SO/ Edo de Waart.

ABC 454 514-2 42 42

Ireland, J. A Downland suite (1932). English CO/David Garforth.

Chandos CHAN 8390 17 Mozart, W. Symphony no 10 in G, K74 (1770). Northern CO/Nicholas Ward.

Naxos 8.550872 8 Martinu, B. Sinfonietta giocosa (1940).

Dennis Hennig, pf; Australian CO/ Charles Mackerras.

Conifer CDCF 170 29 14:00 HUNGARIAN CHAMBER Prepared by Andari Anggamulia Bartók, B. String quartet no 5 (1934). Levon Chilingirian, vn; Mark Butler, vn; Louise Williams, va; Philip de Groote, vc.

Chandos CHAN 8634 31 Hubay, J. Fantaisie brillante on Bizet’s Carmen, op 3 no 3 (1877). Livia Sohn, vn; Benjamin Loeb, pf.

Naxos 8.570202 8

Danzi, F. Wind quintet in E flat, op 67 no 3 (1824). Michael Thompson Wind Quintet.

Naxos 8.553570 16 Haydn, J. Piano trio in F sharp minor, Hob. XV:26 (1795). Yuuko Shiokawa, vn; Boris Pergamentchikov, vc; András Schiff, pf.

Decca 476 2577 16 Schumann, R. Phantasy pieces, op 73 (1849). Gershon Dembinsky, cl; Jonathan Zak, pf.

PWK 1142 13 Brahms, J. String sextet no 2 in G, op 36 (1864-65). Stuttgart String Sextet.

Naxos 8.550436 34 Sor, F. Fantasy, op 54. Peter Pieters, gui; Micheline Dumortier, gui.

Brilliant Classics 92452 11 Beethoven, L. Sonata no 1 in F minor, op 2 no 1 (1795). Wilhelm Kempff, pf.

DG 429 306-2 19

Kodály, Z. Cello sonata, op 4 (1909-10).

Lluis Claret, vc; Rose-Marie Cabestany, pf.

Harmonia Mundi HMC901325 20 Liszt, F. Tristia (1880). Trio Wanderer.

Harmonia Mundi HMC 902060 17 Goldmark, K. Piano quintet in C sharp minor, op 54 (pub. 1916). Oliver Triendl, pf; Quatuor Sine Nomine. cpo 777 2777-2 35 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Derek Parker 19:00 THE JAZZ BEAT with Lloyd Capps

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

Ross Hayes

Wednesday 28 September

Riccardo Muti

Modest Mussorgsky

0:00 CONTEMPORARY COLLECTIVE

12:00 JAZZ SKETCHES with Robert Vale

3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Peter Kurti 9:00 DIVERSIONS IN FINE MUSIC Composers of the 18th century Prepared by Chris Blower Albinoni, T. Concerto in F, op 7 no 9 (1715).

Anthony Camden, ob; London Virtuosi/John Georgiadis.

Naxos 8.553002 8

13:00 YOUNG VIRTUOSI 14:00 IN CONVERSATION with Michael Morton-Evans 15:00 PLEYEL EXPLORED Part 4 Prepared by Michael Morton-Evans Pleyel, I. Flute sonata no 4 in A. Jenny Thomas, fl; Martin Souter, pf.

Gift of Music CCL CDG1187 14

Bach, J.S. Keyboard concerto no 7 in G minor, BWV1058 (c1738-39). St James’ Baroque Players/Ivor Bolton, hpd & dir.

IMP PCD 901 14

Octet in C for oboe, two horns, two violins, viola, cello and double bass, mvts 2 and 3.

Consortium Classicum/Dieter Klöcker. cpo 999 743-2 8

Handel, G. Organ concerto no 9 in B flat, HWV308 (1751). Paul Nicholson, org; Brandenburg Consort/Roy Goodman.

Hyperion CDA67291/92 17

Symphonie périodique no 6 in F (c1800).

Hansjürgen Möhring, fl; Gunther Passin, ob; Jürgen Gode, bn; Walter Lexutt, hn; Cologne CO/Helmut Müller-Brühl.

Koch schwann 316 038 F1 20

Haydn, J. Double concerto in F, Hob. XVII:6 (1766). András Adorján, fl; Suzanna Klintcharova, hp; Sofia Soloists Chamber Ensemble/Emil Tabakov.

Balkanton 030015 18 Mozart, W. Violin concerto no 3 in G, K216 (1775). Gidon Kremer, vn; Kremerata Baltica.

Nonesuch 512789-2 23 10:30 MORNING CONCERT Prepared by Paul Hopwood Arensky, A. Egyptian nights, ballet suite, op 50a (1902). USSR RSO/Boris Demchenko..

Melodiya MEL 45002-2 20 Boccherini, L. Cello concerto in B flat.

Jacqueline du Pré, vc; English CO/Daniel Barenboim.

EMI CMS 7 63283 2 23 Brahms, J. Symphony no 3 in F, op 90 (1883). Philadelphia O/Riccardo Muti.

Philips 426 253-2 38

Early in the reign of Peter the Great, three groups of partisans vie for power.

The Strelsky, a conservative group of decommissioned elite soldiers, are led by Prince Ivan Khovansky; the Old Believers, Russian Orthodox Christians who have abandoned their church after reforms were put in place, led by Dosifey; and those loyal to the new Tsar, committed to bringing Russia up to date with Europe, led by Shaklovity. The story involves prejudice, murder and brutality between the groups as well as personal stories of love and loyalty.

Excerpts from Pictures at an exhibition (1874; orch. Ravel, 1922). Royal Concertgebouw O/ Mariss Jansons.

RCO Live 09004 9

Chopin, F. Ballade no 1 in G minor, op 23 (1831-35). Artur Rubinstein, pf.

RCA RD 89651 9 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Trisha McDonald 19:00 JAZZ STARS AND STRIPES with Peter Mitchell 20:00 AT THE OPERA Prepared by Annabel Drumm Mussorgsky, M. Khovanshchina. Opera in five acts. Libretto by composer. First performed Moscow, 1886.

PRINCE IVAN: Boris Freidkov, bass PRINCE ANDREY: Ivan Nechayev, ten PRINCE SHAKLOVITY: Ivan Shaskov, bar Kirov Ch & O/Boris Khaikin.

Naxos 111124-6 3:33

Gabi Goddard

September 2016

fineMusic 102.5

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Thursday 29 September 12:00 JAZZ, PURE AND SIMPLE with Maureen Meers 13:00 A HANDEL CONCERT Prepared by Rex Burgess

Karl Jenkins 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Simon Moore 9:00 DIVERSIONS IN FINE MUSIC Two’s company Prepared by Katy Rogers-Davies Telemann, G. Trio sonata for two violins and continuo in E flat. Collegium Musicum 90/ Simon Standage.

Chandos CHAN 0525 14 Glazunov, A. The forest, op 19 (1882-87; arr.

Glazunov for two pianos, eight hands). Aurora Piano Quartet.

Naxos 8.557717D 17 Garnier, J-F. Simphonie concertante for 2 oboes (1788). Claude Villevieille, ob; Talich CO/Jan Talich.

Koch 3-1475-2 16 Damase, J-M. Sonatine for two harps.

Lipman Harp Duo. Harmonious Resonance HR20130313 15 Mozart, W. Sonata in D, K448 (1781; arr.

Weinzierl, Wächter). Wolfgang Schulz, fl; Matthias Schulz, fl; Madoka Inui, pf.

Naxos 8.570309 20 10:30 MORNING CONCERT Prepared by Elaine Siversen Stravinsky, I. Suite no 1, from The firebird (1911). Bergen PO/Dmitri Kitaienko.

Virgin 5 61322 2 22 Sibelius, J. Violin concerto in D minor, op 47 (1903). Anne-Sophie Mutter, vn; Staatskapelle Dresden/André Previn.

DG 447 895-2 32 Haydn, J. Symphony in E flat, Hob.I:103, Drumroll (1795). Les Musiciens du Louvre/ Marc Minkowski. naïve V 5176 29 44

20:00 LIVE AND LOCAL Chamber Soloists of Sydney Recorded for FINE MUSIC by George Hilgevoord

Handel, G. Overture to Julius Caesar, HWV17 (1724). 3

Beethoven, L. Quintet in E flat, op 16 (1796).

Lawrence Dobell, cl; Guy Henderson, ob; John Cran, bn; Robert Johnson, hn; Susanne Powell, pf. 24

Da tempeste il legno infranto, HWV17 (1724).

Emma Matthews, sop. 6

Poulenc, F. Trio (1926). Guy Henderson, ob; John Cran, bn; Susanne Powell, pf. 13

New Zealand Chamber O/Donald Armstrong (2 above) Artworks AW029

Mozart, W. Quintet in E flat, K452 (1784).

Lawrence Dobell, cl; Guy Henderson, ob; John Cran, bn; Robert Johnson, hn; Susanne Powell, pf. 23

Sonata in D, HWV397 (c1737). Ingrid Seifert, vn; Richard Gwilt, vn; Charles Medlam, vc; Richard Egarr, hpd.

Harmonia Mundi HMC 901 389 6

Serenade no 11 in E flat, K375 (1781). Guy Henderson, ob; Carol Helmers, ob; Lawrence Dobell, cl; Craig Wernicke, cl; John Cran, bn; Lorelei Dowling, bn; Robert Johnson, hn; Clarence Mellor, hn. 23

Suite no 5 in E, HWV430, The harmonious blacksmith (pub. 1720). Alicia de Larrocha, pf.

Philips 456 886-2 13

21:30 DRINK! DRINK! DRINK! Prepared by Randolph Magri-Overend

Cantata: Alpestre monte, HWV81 (1707).

Emma Kirkby, sop; Academy of Ancient Music/Christopher Hogwood.

Loiseau-Lyre 478 7863 10 Organ concerto no 13 in F, HWV295, Cuckoo and the nightingale (1739). Nicholas Parle, org; London Baroque/Charles Medlam.

EMI CDC 7 49799 2 13

Mahler, G. Drinking song of the earth’s sorrows, from The song of the earth (1909).

Jon Vickers, ten; London SO/Colin Davis.

ABC 480 3616 8 Strauss, J. II Trinke, Liebchen, trinke schnell, from Die Fledermaus (1874). Gundula Janowitz, sop; Waldemar Kmentt, ten; Erich Kunz, bar; Vienna PO/Karl Böhm.

Decca 467 407-2 11

14:00 WELSH FLING Prepared by Randolph Magri-Overend

Verdi, G. Brindisi: Libiamo ne’ lieti calici, from La traviata (1853). Angela Gheorghiu, sop; Frank Lopardo, ten; Royal Opera House Ch & O/Georg Solti.

Decca 448 135-2 3

Hughes, A. Prelude for orchestra (1945).

Royal PO/Owain Arwel Hughes.

BIS BIS-CD-1674 13

Berlioz, H. Chanson à boire, op 2 no 5, from Irlande (1829). Bruce Brewer, ten; Lyon NO Choir; Noel Lee, pf; Bernard Tetu, cond.

Harmonia Mundi HMC 901293 3

Williams, G. The dancers (1951). Eiddwen Harrhy, sop; Carol Thomas, hp; Richard Hickox Singers; City of London Sinfonia/ Richard Hickox.

Chandos CHAN 9617 20

22:00 DIFFERING PATHS OF THE 20TH CENTURY Prepared by James Nightingale

Hughes, A. Suite for orchestra (1947). Royal PO/Owain Arwel Hughes.

BIS BIS-CD-1674 22

Sculthorpe, P. String quartet no 8 (1968).

Goldner String Quartet.

Tall Poppies TP089 15

Jenkins, K. Requiem. Nicole Tibbels, sop; Sam Landman, treb; Gavin Horsley, bass; Serendipity; Côr Caerdydd and Cytgan; West Kazakhstan PO/Karl Jenkins.

EMI 5 57966 2 54

Ghandar, A. Garden with birds (1998-99). Ian Munro, pf.

Tall Poppies TP145 10

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Sue Jowell 19:00 THE NEW JAZZ STANDARD with Frank Presley

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

Meale, R. Very high kings (1968). Sydney SO/Stuart Challender.

ABC 434 895-2 13

Lutoslawski, W. Concerto for orchestra (1954). Bavarian RSO/Mariss Jansons.

BR Klassik 900107 30

Butterley, N. Goldengrove (1982). Melbourne SO/Isaiah Jackson.

ABC 446 478-2 24 Saariaho, K. Nymphéa (1987). Cikada String Quartet.

ECM New Series ECM 1799 19

Friday 30 September 12:00 A JAZZ HOUR with Barry O’Sullivan 13:00 IN CONCERTANTE STYLE Prepared by Elaine Siversen Mozart, W. Sinfonia concertante no 1 in E flat, K297b (c1778). Derek Wickens, ob; Robert Hill, cl; Martin Gatt, bn; English CO/Barry Tuckwell.

Decca 421 393-2 31 Spohr, L. Concertante no 1 in G (1806).

Hansheinz Schneeberger, vn; Ursula Holliger, hp; English CO/Peter-Lukas Graf.

Claves 50-208 23 Paul van Nevel 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Janine Burrus 9:00 DIVERSIONS IN FINE MUSIC Only strings Prepared by Chris Blower Paganini, N. Sonata no 2 in G, from Miscellany of sonatas for violin and guitar (c1828). Luigi Alberto Bianchi, vn; Maurizio Preda, gui.

Dynamic CDS 34 13 Berkeley, L. Serenade for strings, op 12 (1938-39). English String O/William Boughton.

Nimbus NI 5450/3 13 Haydn, J. String quartet in D, Hob.III:63, Lark (1790). Emerson String Quartet.

DG 471 327-2 18 Guastavino, C. Jeromita Linares. Maria Isabel Siewers, gui; Stamic Quartet.

ASV DCA 933 13 Herzogenberg, H. String trio in F, op 27 no 2 (1879). Belcanto Strings. cpo 999 710-2 24 10:30 MORNING CONCERT Prepared by Rex Burgess Bach, J.S. Orchestral suite no. 3 in D, BWV1068 (c1729-31). Bach Collegium Japan O/Masaaki Suzuki.

BIS SACD-1431 23 Chausson, E. Poem of love and the sea, op 19 (1893). Linda Finnie, mezz; Ulster O/Yan Pascal Tortelier.

Chandos CHAN 8952 29 Enescu, G. Suite no 3 in D, op 27, Villageoise (1937-38). BBC PO/Gennady Rozhdestvensky.

Chandos CHAN 9507 31

Danzi, F. Sinfonia concertante in B flat, op 41 (1814). Paul Meyer, cl; Franz Liszt CO/JeanPierre Rampal.

Denon CO-78911 20 Schumann, R. Introduction and allegro concertante in D minor, op 134 (1853). Murray Perahia, pf; Berlin PO/Claudio Abbado.

Sony SK 64577 13 Lovelock, W. Sinfonia concertante for organ.

Robert Boughen, org; Sydney SO/Patrick Thomas.

ABC 442 365-2 20 15:00 GEORG VOGLER A bizarre character Prepared by Stephen Wilson Vogler, G. Overture to the play Hamlet (177879). London Mozart Players/Matthias Bamert.

Chandos CHAN 10504 11 Hosanna (arr. Sund). Bengt Forsberg, org; Sons of Orpheus/Robert Sund.

BIS CD-533 2 Sinfonia: La Scala (1799). National Museum CO/Claude Génetay.

Musica Sveciae MSCD 407 21 Jesu Leiden, Pein und Tod. Bert Matter, org.

NCRV 9089 6 Ballet suits no 1 (1772). London Mozart Players/ Matthias Bamert.

Chandos CHAN 10504 10 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Brendan Walsh 19:00 FRIDAY JAZZ SESSION with Sally Cameron 20:00 THE ROMANTIC CENTURY Prepared by Chris Blower Foote, A. Three character pieces, op 9 (1885).

Joseph Silverstein, vn; Virginia Eskin, pf.

Northeastern NR 206 15 Herbert, V. Cello concerto no 2 in E minor, op 30 (1894). Yo-Yo Ma, vc; New York PO/Kurt Masur.

Sony SK 67173 21 Chadwick, G. String quartet no 5 in D minor (1898). Portland String Quartet.

Northeastern NR 234 33

Beach, A. Symphony in E minor, op 32, Gaelic (1896). Detroit SO/Neeme Järvi.

Chandos CHAN 8958 41 22:00 BAROQUE AND BEFORE El siglo de Oro Morales, C. de Parce mihi, Domine: nihil enim sunt dies mei. David James, ct; John Potter, ten; Rogers Covey-Crump, ten; Gordon Jones, bass.

EMI CDS 7 54341-2 4 Vivanco, S. de Magnificat quarti toni. Richard Cheetham, sackbut; O of the Renaissance/ Michael Noone.

Glossa Gcd 921405 9 Milán, L. de Fantasias: no 11; no 10 (1536).

Hopkinson Smith, vihuela.

Astrée E 7748 5 Guerrero, F. Soliloquios amorosos de un alma a Dios: Si tus penas. Montserrat Figueras, sop; Hespèrion XX/Jordi Savall.

Astrée E 8729 9 Victoria, T. de Responsories (1585): Seniores populi consilium fecerunt; Tamquam ad latronem existis; Tenebrae facae sunt dum crucifixissent Jesum. Tallis Scholars/Peter Phillips.

Gimell GIMBX 304 12 Arcadelt, J. O felic’ occhi miei, à 4 (1538-39).

Emma Kirkby, sop; Angus Smith, ten; Rufus Müller, ten; Alan Ewing, bass; Alison Crum. viol; Mark Caudie, viol; Piet Stryckers, viol, Erin Headley, viol; Anthony Rooley, lute & dir.

Harmonia Mundi RD 77162 7 Ortiz, D. O felici occhi miei (1553). Ensemble Circa 1500.

CRD 3447 2 Flecha, M. El Viejo Ensalada: La justa.

Katelijne van Laetham, sop; David Cordier, ten; Marius van Altena, ten; Willem Cueleers, bass; Lieven de Roo, bass; Huelgas Ensemble/Paul van Nevel.

Sony SK 46699 25 Palestrina, G. da O Rex gloriae, à 4 (1563).

Choir of Westminster Cathedral/James O’Donnell.

Hyperion CDA 66316 4 Lobo, A. Missa O Rex gloriae (1602). Choir of King’s College, London/David Trendell.

ASV GAU 311 21 Ortiz, D. Recercada segunda sobre el passamezzo moderno (1553). Jordi Savall, bass viol; Ton Koopman, hpd: Rolf Lislevand, vihuela; Andrew Lawrence-King, hp.

Astrée E 8717 1 September 2016

fineMusic 102.5

45

The following composers have works of at least five minutes on the September dates listed Abel, C. 1723-1787 18 Aho, K. b1949 11 Albéniz, I. 1860-1909 1 Albinoni, T. 1671-1751 16,28 Albrechtsberger, J. 17361809 11,22,25 Alkan, C-V. 1813-1888 10 Allegri, G. 1582-1652 9 Andreas de Florentia. fl 1375-c1415 23 Appenzeller, B. fl 1539c1584 2 Arcadelt, J. c1505-1568 30 Arensky, A. 1861-1906 24,28 Ariosti, A. 1666-c1729 12 Arne, T. 1710-1778 17 Arnold, S. 1740-1802 25

Byrd, W. 1543-1623 9

Caldara, A. c1670-1736 23 Cannabich, C. 1731-1798 24 Carmichael, J. b1930 25 Carr-Boyd, A. b1938 2 Carter, E. b1908 11 Carver, R. c1490-c1546 18 Casella, A. 1883-1959 22 Castellanos, E. 1915-1984 10 Castelnuovo-Tedesco, M. 1895-1968 12 Chadwick, G. 1854-1931 1,30 Chadwick, R. b1957 15 Chausson, E. 1855-1899 30 Cherubini, L. 1760-1842 4,18 Chopin, F. 1810-1849 5,28 Cilea, F. 1866-1950 17 Clarke, H. 1867-1945 1 Clarke, R. 1886-1979 19 Bach, C.P.E. 1714-1788 Clementi, M. 1752-1832 6,10,18,20 2,3,14 Bach, J. Christian 1735Coleman, C. 1605-c1664 10 1782 4,11,18 Bach, J.S. 1685-1750 4,11, Coles, C. 1888-1918 17 12,14,16,18,20,26,27,28,30 Copland, A. 1900-1990 9,21 Balakirev, M. 1837-1910 Corigliano, J. b1938 18 10,19 Corrette, M. 1709-1795 22 Barbieri, F. 1823-1894 1 Couperin, F. 1668-1733 16 Bartók, B. 1881-1945 Cramer, J. 1771-1858 3 6,8,27 Crawford Seeger, R. 1901Bassano, G. c1558-1617 1953 19 16 Bax, A. 1883-1953 7,15,16 Crusell, B. 1775-1838 11 Beach, A. 1867-1944 1,30 Cui, C. 1835-1918 19 Czerny, C. 1791-1857 3 Beethoven, L. 1770-1827 1,2,3,4,5,8,9,11,12,16,22,2 Damase, J-M. b1928 29 4,27,29 Danzi, F. 1763-1826 Bellini, V. 1801-1835 23 18,27,30 Benda, F. 1709-1786 20 Dauvergne, A. 1713-1797 23 Benda, G. 1722-1795 18 Debussy, C. 1862-1918 Bennett, Robert. 18949,15,17 1981 10 Berkeley, L. 1905-1989 30 Delius, F. 1862-1934 8 Devienne, F. 1759-1803 14 Berlioz, H. 1803-1869 Diepenbrock, A. 18622,6,7,19,22,25 1921 2 Bernstein, L. 1918-1990 Dittersdorf, C. 1739-1799 4,13 5,11,25 Berwald, F. 1796-1868 3 Dohnányi, E. 1877-1960 Biber, H. 1644-1704 3 3,6 Bingham, J. b1952 18 Donizetti, Giuseppe. 1788Bizet, G. 1838-1875 1856 22 17,18,22 Blacher, B. 1903-1975 12 Doppler, F. 1821-1883 6,8 Dowland, J. c1563-1626 9 Blom, D. 20thc 8 Downes, A. b1950 4 Boccherini, L. 1743-1805 Dreyfus, G. b1928 6 3,17,22,23,27,28 Dukas, P. 1865-1935 10 Böck, I. 1754-c1815 3 Boïeldieu, A. 1775-1834 16 Duport, J-L. 1749-1819 14 Bononcini, G. 1670-1747 23 Dvorák, A. 1841-1904 3,4,5,11,12,15,23,26 Borodin, A. 1833-1887 8,19,22 Boughton, R. 1878-1960 15 Edwards, R. b1943 6,20 Boulanger, L. 1893-1918 19 Elgar, E. 1857-1934 8,9,13,17,18 Brahms, J. 1833-1897 2,3,4,16,17,20,22,24,27,28 Eller, H. 1887-1970 25 Enescu, G. 1881-1955 Bretón, T. 1859-1923 1 11,19,26,30 Bristow, G. 1825-1898 16,23 Fall, L. 1873-1925 5 Britten, B. 1913-1976 Farrenc, L. 1804-1875 13 6,8,9,11,15,17,22 Fauré, G. 1845-1924 10,20 Brod, H. 1801-1838 14 Finzi, G. 1901-1956 11 Bruch, M. 1838-1920 23 Bruckner, A. 1824-1896 4 Flecha, M. [El Viejo] 14811553 23,30 Brumby, C. b1933 1 Foote, A. 1853-1937 30 Brusa, E. b1954 22 Fossa, F. de 1775-1849 11 Butterley, N. b1935 29 Buxtehude, D. 1637-1707 Franck, C. 1822-1890 14 Frederick II. 1712-1786 20 23,26

Friedman, I. 1882-1948 13 Fux, J. 1660-1741 25 Gade, J. 1879-1963 1 Garnier, J-F. 1775-1825 29 Gassmann, F. 1729-1774 5 Geminiani, F. 1687-1762 12 Gershwin, G. 1898-1937 15,23 Ghandar, A. b1943 29 Giuliani, M. 1781-1829 11,16 Gjeilo, O. b1978 25 Glanville-Hicks, P. 19121990 6,9 Glazunov, A. 1865-1936 10,29 Glière, R. 1875-1976 15 Glinka, M. 1804-1857 1,20,21 Gluck, C. 1714-1787 5 Godard, B. 1849-1895 15 Goldmark, K. 1830-1915 27 Gombert, N. c1495-c1560 9 Gossec, F-J. 1734-1829 18 Gounod, C. 1818-1893 1,14 Graun, C. 1704-1759 20 Grieg, E. 1843-1907 10,13,20,24 Guastavino, C. 1912-2000 30 Gubaidulina, S. b1931 11 Guerrero, F. 1528-1599 30 Handel, G. 1685-1759 10,12,21,22,25,26,28 Harrison, S. b1965 11 Harty, H. 1879-1941 24 Haydn, J. 1732-1809 2,4,18,19,23,25,27,28,29,30 Haydn, M. 1737-1806 4,11,25 Herbert, V. 1859-1924 30 Herzogenberg, H. 18431900 23,30 Hildegard of Bingen. 10981179 23 Hill, A. 1870-1960 2,19 Hindemith, P. 1895-1963 16 Hoffmann, E. 1776-1823 25 Hoffmeister, F. 1754-1812 5 Holst, G. 1874-1934 4,15 Holten, B. b1948 25 Holzbauer, I. 1711-1783 24 Honegger, A. 1892-1955 6 Hoppé, M. 20th c 18 Howells, H. 1892-1983 25 Hubay, J. 1858-1937 27 Hughes, A. 1909-1990 29 Hummel, J. 1778-1837 5,13,15,26,27 Huss, H. 1862-1953 23 Hyde, M. 1913-2005 19 Hyde, T. b1978 4

Kakabadse, L. b1955 4 Kalinnikov, Vasily. 18661901 13 Karlowicz, M. 1876-1909 22 Kats-Chernin, E. b1957 19 Kern, J. 1885-1945 1 Khachaturian, A. 1903-1978 24,25 Khandoshkin, I. 17471804 3 Klughardt, A. 1847-1902 20 Kodály, Z. 1882-1967 6,27 Koechlin, C. 1867-1950 22 Koessler, H. 1853-1926 1 Korngold, E. 1897-1957 6,17 Kozeluch, L. 1747-1818 17 Krommer, F. 1759-1831 6,23 Krumpholtz, J-B. 17421790 3 Kuhlau, F. 1786-1832 15,21 Lalande, M-R. de 16571726 16 Lambert, C. 1905-1951 19 Landini, F. c1325-1397 23 Lane, P. b1950 12 Leclair, J-M. 1697-1764 10,12 Legrenzi, G. 1626-1690 16 Lennon, J.A. b1950 11 Lhoyer, A. de 1768-1852 3 Ligeti, G. 1923-2006 5 Liszt, F. 1811-1886 2,8,9,10,11,16,17,20,23,27 Lloyd, G. b1913 7 Lobo, A. c1555-1617 30 Loeffler, C. 1861-1935 1 Lovelock, W. 1899-1986 24,30 Lully, J-B. 1632-1687 16 Lutoslawski, W. 1913-1994 1,29

MacDowell, E. 1860-1908 23 Machado, C. b1953 15,20 Mackenzie, A. 1847-1935 17 Mahler, G. 1860-1911 7,11,29 Manfredini, F. 1684-1762 23 Marais, M. 1656-1728 12 Márquez, A. b1950 17 Martin, F. 1890-1974 6 Martinu, B. 1890-1959 16 Massé, V. 1822-1884 6 Mazzoli, M. b1980 11 McKay, G. 1899-1970 8 Meale, R. b1932 6,29 Méhul, É-N. 1763-1817 24 Mendelssohn, F. 1809-1847 1,3,4,8,9,11,15,16 Mercadante, S. 1795-1870 21 Milán, L. de c1500-c1561 30 Ichiyanagi, T. b1933 12 Moeran, E.J. 1894-1950 Ireland, J. 1879-1962 17,19 17,20 Isaac, H. c1450-1517 23 Monteverdi, C. 1567-1643 25 Ives, C. 1874-1954 22 Moscheles, I. 1794-1870 4 Mozart, W. 1756-1791 1,2,3 Jacchini, G. c1663-1727 15 ,4,8,9,10,11,12,15,17,18,20, Janácek, L. 1854-1928 24,28,29,30 2,6,17,22,23 Muffat, G. 1653-1704 3 Janequin, C. c1485-1558 23 Murcia, S. de c1682-1740 7 Jenkins, K. b1944 29 Mussorgsky, M. 1839-1881 Joachim, J. 1831-1907 6 9,19 Josephs, W. b1927 16,22 Josquin Desprez. c1440Nebra, J. de 1702-1768 7 1521 2,23 Nicolai, O. 1810-1849 13

Shostakovich, D. 1906-1975 18,22,25 Sibelius, J. 1865-1957 9,13,16,19,21,29 O’Leary, J. b1946 4 Skoryk, M. b1938 25 Slothouwer, J. b1938 2 Paderewski, I. 1860-1941 Smetana, B. 1824-1884 20 13 Smetanin, M. b1958 11 Paganini, N. 1782-1840 Sor, F. 1778-1839 22,27 3,9,30 Spohr, L. 1784-1859 Paine, J. 1839-1906 1,16 15,24,26,30 Palestrina, G. da c1525Stamitz, C. 1745-1801 24 1594 9 Stamitz, J. 1717-1757 10,24 Palmer, G. b1947 4,15 Stanford, C. Villiers 1852Panufnik, A. 1914-1991 9 1924 18,25 Pärt, A. b1935 25 Stenhammar, W. 1871-1927 23 Paul, G. de 1919-1988 24 Strauss, J. II 1825-1899 26,29 Pejacevic, D. 1885-1923 6 Strauss, R. 1864-1949 Perry, W. b1930 8 11,13,24,26 Piazzolla, A. 1922-1992 9 Stravinsky, I. 1882-1971 Pleyel, I. 1757-1831 9,10,18,22,29 5,7,14,21,28 Strong, G. 1856-1948 23 Ponce, M. 1882-1948 22 Styne, J. 1905-1994 24 Popper, D. 1843-1913 24 Sullivan, A. 1842-1900 8 Poulenc, F. 1899-1963 Svendsen, J. 1840-1911 13 4,15,29 Swann, D. 1923-1994 6 Praetorius, M. c1571-1621 9 Szymanowski, K. 1882-1937 Prokofiev, S. 1891-1953 1,13 6,7,8,17,18 Puccini, G. 1858-1924 Tailleferre, G. 1892-1983 19 17,23,24 Tallis, T. c1505-1585 25 Purcell, H. 1659-1695 26 Tartini, G. 1692-1770 23 Tchaikovsky, P. 1840-1893 Rachmaninov, S. 18731,6,13,17 1943 3,8,12,13,15,17,18,22 Telemann, G. 1681-1767 23,29 Rameau, J-P. 1683-1764 16 Terracini, P. b1957 25 Ravel, M. 1875-1937 9,15,22 Thomas, J. 1826-1913 2 Reicha, A. 1770-1836 14,21 Tormis, V. b1930 25 Reinecke, C. 1824-1910 20 Tromlitz, J. 1725-1805 3 Respighi, O. 1879-1936 15 Tubin, E. 1905-1982 25 Revueltas, S. 1899-1940 10 Turina, J. 1882-1949 17 Richafort, J. c1480-c1547 2 Turini, F. c1589-1656 16 Richter, F. 1709-1789 24 Ries, F. 1784-1838 4 Vangelis. b1943 18 Rietz, J. 1812-1877 15 Vaughan Williams, R. 1872Rimsky-Korsakov, N. 1844- 1958 3,15,25 1908 9,19,20,26 Verdi, G. 1813-1901 17 Rodgers, R. 1902-1979 10 Vermeulen, M. 1888-1967 2 Rodrigo, J. 1901-1999 1,20 Victoria, T. de 1548-1611 30 Rossini, G. 1792-1868 Villa-Lobos, H. 1887-1959 1,6,13,20,23 6,15,19 Roussel, A. 1869-1937 22 Vine, C. b1954 20 Rovetta, G. d 1668 16 Viotti, G. 1755-1824 14,20 Vivaldi, A. 1678-1741 18,24 Saariaho, K. b1952 29 Vivanco, S. de c1551-1622 30 Saint-Martin, L. de 1886-1954 18 Vogler, G. 1749-1814 30 Saint-Saëns, C. 1835-1921 1,6,10,17,18,23,24 Wagenaar, J. 1894-1971 2 Salieri, A. 1750-1825 26 Wagenseil, G. 1715-1777 4 Sammartini, G.B. 1700Wagner, R. 1813-1883 2,24 1775 23 Wallace, W. 1860-1940 17 Scarlatti, A. 1659-1725 Walton, W. 1902-1983 15 3,14,26 Weber, C.M. 1786-1826 Scarlatti, D. 1685-1757 3,4,7 5,13,21,27 Scharwenka, X. 1850-1924 13 Wesley, S.S. 1810-1876 18 Schein, J. 1586-1630 9 Widmann, E. 1572-1634 9 Schelling, E. 1876-1939 8 Williams, G. 1906-1977 29 Schnittke, A. 1934-1998 1 Schobert, J. 1740-1767 25 Ysaÿe, E. 1858-1931 12 Schoenberg, A. 1874-1951 4,27 Zádor, E. 1894-1977 8 Schubert, F. 1797-1828 Zelenka, J. 1679-1745 14 1,2,4,8,10,11,12,13,16,18,24 Zemlinsky, A. 1871-1942 5 Schuller, G. b1925 8 Schumann, R. 1810-1856 2,10,11,12,20,26,27,30 Sculthorpe, P. b1929 29 Sedaka, N. b1939 25 Serebrier, J. b 1938 22 Nielsen, C. 1865-1931 11,21 Nixon, R. b1921 10

TRIVIA ANSWERS: 1. An early Christian missionary, a companion and disciple of Paul the Apostle; 2. La Marseillaise; 3. King George II; 4. Gaetano Donizetti; 5. Cardinal Newman; 6. Saxophonist; 7. Otto Klemperer; 8. E.M.Forster

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PERSONNEL MUSIC BROADCASTING SOCIETY OF NEW SOUTH WALES CO-OPERATIVE LTD Owner and operator of Australia’s first community operated stereo FM station, 2MBS-FM now known as Fine Music 102.5. The Objects of the Society are primarily to broadcast fine music and operate one or more FM broadcasting stations for the encouragement of music. Another is to be part of Sydney’s cultural landscape networking with musical and arts communities to support and encourage local musicians and music education and to use our technical and broadcast resources to further this aim. Our mission is to be Sydney’s preferred fine music broadcaster.

Member of the Community Broadcasting Association of Australia.

DIRECTORS Janine Burrus – Chair, Lloyd Capps – Deputy Chair, Andrew Dziedzic - Secretary, David Brett, Ian Dunbar, Jeannie McInnes, Simon Moore, Stephen Wilson STAFF Sue Ferguson - Financial Administrator, Michael Guilfoyle- Production Coordinator, Steve-Marc McCulloch - Program Coordinator, David Nolan - Sponsorship Manager, Alix Fiveash - Marketing Manager.

COMMITTEE CHAIRS Programming - Chris Blower, Presenters - Ross Hayes, Technical - Roger Doyle, Volunteers - Sue Nicholas, Finance - David Brett, Jazz - Jeannie McInnes, Library - Susan Ping Kee, Young Virtuosi - Troy Fil/Conan Tran, Work Health and Safety - Dennis Oppenheim FRIENDS OF FINE MUSIC ADMINISTRATOR Allen Ford YOUNG VIRTUOSI COORDINATOR Judy Deacon MAGAZINE DISTRIBUTION Sissi Stewart INTERNSHIP COORDINATOR Heather Middleton PROGRAM SUBEDITORS Jan Akers, Chris Blower, Di Cox, Colleen Chesterman, Noelene Guillemot, Gerald Holder, Susanne Hurst, Heather Phillips, Elaine Siversen, Halyna Van Ewyk, Jill Wagstaff, Teresa White LIBRARIANS Jan Akers, Gaby Brown, David Hilton, Helen Milthorpe, Mike Marchbank, Phillip McGarn, Susan Ping Kee, David Richardson, Gary Russ, Mark Renton, Manfred Stauber, Anne Wiseman, Maria Gorelik, Helen Dignan, Lynden Dziedzic, Dawn Jackson VOLUNTEER RECORDING ENGINEERS Peter Bell, Roger Doyle, Greg Ghavalas, George Hilgevoord, John Ingham, Jayson McBride, Tim Saddler, Greg Simmons, Conan Tran, Peter Truong, Doug Jones, Joanna Wroblewska VOLUNTEER PROGRAMMERS AND PRESENTERS Meena Ahn, Andari Anggamulia, Charles Barton, Angela Bell, Peter Bell, Susan Bell, Chris Blower, David Brett, Barrie Brockwell, John Buchanan, Andrew Bukenya, Rex Burgess, Janine Burrus, Sally Cameron, Lloyd Capps, Vince Carnovale, Sheila Catzel, Colleen Chesterman, Andrew Clark, Angela Cockburn, Liam Collins, Sam Collins, Paul Cooke, Angus Cornwell, Marc Cottee, George Coumbis, Di Cox, George Cruickshank, Nick Dan, Kate Delaney, Nev Dorrington, Susan Gai Dowling, Annabelle Drumm, Brian Drummond, Ian Dunbar, Andrew Dziedzic, Emyr Evans, Michael Field, Richard Fielding, Owen Fisher, Janie Fitch, Jennifer Foong, Oscar Foong, Tom Forrester-Paton, Francis Frank, Solly Frank, Carole Garland, David Garrett, Robert Gilchrist, Nicky Gluch, Gael Golla, Andrew Grahame, Jeremy Hall, Austin Harrison, Ross Hayes, Andre Hayter, Paulo Hooke, Paul Hopwood, Richard Hughes, James Hunter, Leita Hutchings, Anne Irish, Paul Jackson, Kevin Jones, Rhiannon Jones, Sue Jowell, David Knapp, Peter Kurti, Ray Levis, Hayley Linz, Katherine Ly, Christina Macguinness, Linda Marr, Meg Matthews, Stephen Matthews, Randolph Magri-Overend, Sue McCreadie, Trisha McDonald, Jeannie McInnes, Terry McMullen, Maureen Meers, Camille Mercep, Heather Middleton, Peter Mitchell, Simon Moore, Frank Morrison, Michael Morton-Evans, Richard Munge, Peter Nelson, Adam Newman, James Nightingale, David Ogilvie, Josh Oshlack, Barry O’Sullivan, Calogero Panvino, Derek Parker, Denis Patterson, Peter Poole, Frank Presley, Katy RogersDavies, Paul Roper, Genji Sato-Fraser, Marilyn Schock, Debbie Scholem, Jon Shapiro, Julie Simonds, Elaine Siversen, Robert Small, Manfred Stäuber, Garth Sundberg, Anna Tranter, Dimitri Tsahuridis, Robert Vale, Phil Vendy, Richard Verco, Ron Walledge, Brendan Walsh, Ken Weatherley, Alastair Wilson, Stephen Wilson, Glenn Winfield, Chris Winner, John Yates, Orli Zahava, Tom Zelinka, Alison Zhou MEMBERSHIP The Music Broadcasting Society of NSW Co-Operative Ltd is registered under the Co-operatives Act 1992 (NSW). Annual membership fee is $22 and members are entitled to vote at Society general meetings. Enquiries - admin@finemusicfm.com VOLUNTEERS Fine Music’s many volunteers are supported by a small team of staff. To find out how to join our volunteers visit finemusicfm.com or call 9439 4777.

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48

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arts on screen YO U R V I P T I C K E T S T O T H E W O R L D ’ S B E S T.

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A stunning series of big screen events in Sydney’s most elegant cinemas. Great stage performances captured live in London, breathtaking tours of international galleries, spectacular Bolshoi Ballet productions , the world’s finest Opera presentations from the Metropolitan, New York and film festivals of new international films and retro classics.

JOIN OUR EMAIL CLUB FOR SPECIAL OFFERS! ORPHEUM.COM.AU The Hayden Orpheum is delighted to announce the 2016/17 season of The New York Metropolitan Opera. Featuring 4 new productions, 2 productions captured live in high definition for the very first time, a New York Met premiere and the finest performers to be heard at Lincoln Centre, the greatest opera company in the world presents a new season that is not to be missed.

TRISTAN UND ISOLDE (WAGNER)

Simon Rattle conducts Nina Stemme and Australian Stuart Skelton.

Nov 5/6/10.

RUSALKA (Dvorak) Kristine Opolais and Brandon Jovanovich. New production.

April 22/23/27

DON GIOVANNI (MOZART) Simon Keenlyside stars with Hibla Gerzmava.

Dec 3/4/8.

LA TRAVIATA (Verdi) Sonya Voncheva with Michael Fabiano.

May 20/21/25

L’AMOUR DE LOIN (Saariaho)

IDOMENEO (Mozart)

NABUCCO (Verdi)

EUGENE ONEGIN (Tchaikovsky) Anna Netrebko with Dmitri Hvorostovsky.

July 15/16/20

Met premiere. Susanna Phillips, Eric Owens, Tamara Mumford.

Jan 28/29 & Feb 2 Placido Domingo stars with Liudmyla Monastyrska.

Feb 18/19/23

ROMÉO ET JULIETTE (Gounod)

Vittorio Grigola and Diana Damrau reunite in this new production.

March 18/19/23

RENEE FLEMING: DER ROSENKAVALIER

Matthew Polenzani with Elza van den Heever.

June 17/18/22

DER ROSENKAVALIER (R.Strauss) Renee Fleming with Elina Garanca.

August 5/6/10

Dr Nicholas MiltoN Chief ConduCtor and artistiC direCtor

Willoughby Symphony 2017

Genius GLORY MiRacLe FantasY natuRe tRiuMph