Welcome to Fine Little Day
FINE LITTLE DAY is a design studio and producer of crafted textiles and lifestyle products. With our roots in Gothenburg, Sweden and a global audience, we envision a sustainable and artistically driven design approach. Founded in 2007 by Elisabeth Dunker, designer and photographer, the studio has grown from a personal blog project to an internationally recognized producer of textiles and lifestyle products. What began as snapshots from Dunker’s everyday life and nature walks has evolved into a full family of patterns — all with a clear respect for nature.
Our commitment to fairness and sustainability, combined with a curated selection of unique, artist-driven pieces, makes each item more than just a product — it’s a story, a connection, and a reflection of our values.
We hope you enjoy, Ulrika and Elisabeth Founders
YOGA – EMBROIDERED CUSHION COVER
A new activity motif where the body lands slightly off in the poses. Yoga, but not strictly performed — more a figure doing the movement in its own way. Undyed 100% linen with a combination of embroidery and screen print. Design Elisabeth Dunker.
Blue is always a good idea Layers of colour, texture and pattern come together to create a calm yet expressive interior. Soft wool, graphic prints and timeless design objects create a space where art and everyday living meet.
KEYS — WOOL BLANKET
Wool blanket featuring a chain pattern. A turning chain pattern across the surface. A contrast between structure and softness in the wool. Design Victoria Eyram
GRID
We’re very happy to present more from Evelina Kroon. GRID is a pattern that refuses neutrality. A charged geometry in yellow and red — strict, but always vibrating just under the surface.
Woven linen textiles that make a statement without shouting: fabric, cushion covers, tablecloths, and towels. For spaces that want structure, not rules.
Cheese tray by Freja Erixån, Ø 31 cm, laminated FSC certifierad birch.
THE HOLIDAY COLLECTION — NEW ADDITIONS
Tradition, slightly misbehaving. A paper garland of fir trees that never shed, keeping the atmosphere alive long after the moment passes.
Festive, but never forced.
SKIERS — EMBROIDERED RUNNER
They keep sliding through winter — our beloved skiers, designed by Elisabeth Dunker. Now as an embroidered table runner, stretched across the table like a quiet movement caught in fabric.
WOVEN LINEN
Our woven linen is one of our signature products, and something we take great pride in.
We produce our linen textiles at a weaving mill in Lithuania with decades of expertise, where textile craftsmanship has flourished since the mid-20th century.
Here, tradition meets innovation. Generations of knowledge are woven into every stage of the process — in the rhythm of the looms and the skilled hands that know the craft by heart.
This is where the artist’s vision meets technical precision, and where sketches are transformed into woven textiles and thoughtfully crafted products with texture, character, and lasting quality.
In the loom: RUTAN design Evelina Kroon
When the cat’s away, the mice will dance on the table
FREJA ERIXÅN opens a small universe where old sayings stop being metaphor and start behaving badly. Mice on little missions, cats half-absent or just pretending not to notice. It’s playful, a bit unruly, and hard not to fall for.
The collection moves between function and fiction: trays for cheese and small things, round coasters with faces peeking back at you, an apron for kitchen chaos, and a tiny wool blanket for the youngest mice in the room.
And then there’s the embroidered cushion — yarn, threads, and playful cats tangled in constant motion. Nothing really settles. The embroidery holds it together, but only just. For sofas that refuse to behave.
An old classic in a new shade: Piggelin poster, now in yellow.
Embroidered cushion cover.
GARNKATTER
Mouse pot mat and tray. A playful apron made for little chefs.
FROM FLAX TO FABRIC
Flax is a resilient plant that requires less water and fewer chemicals to grow than cotton. We source our flax from France, where the climate and soil produce fibres of exceptional quality. The fibres are spun into linen, a natural material valued for its durability, breathability and beautiful texture. From fabrics sold by the metre to tablecloths, table runners and kitchen towels, linen is at the heart of many of our textile collections.
In the sewing machine: Bouquet linen, designed by Isis Maakestad.
Soccer poster by Elisabeth Dunker.
RUTIG — TRAYS
Checks, but never obedient. New colour combinations that gently disturb the order. Trays in different sizes – for coffee, chaos, everyday life and everything in between. Geometry that refuses to stay neutral. Design Elisabeth Dunker.
The FLD ART AWARD is Fine Little Day's annual award, established to support and highlight promising contemporary artists. In 2026, the award was presented to Frida Mälarborn Hoshino, whose distinctive artistic practice and poetic imagery embody the spirit of Fine Little Day. READ MORE
Home is where life keeps happening. The ordinary moments. The messy ones. The quiet ones. That belief has guided Fine Little Day from the very beginning. We create objects meant to be lived with. Pieces that age beautifully, earn their place over time and bring small moments of joy, again and again. Because we don’t think beauty belongs in a showroom. We think it belongs in everyday life.
Aesthetics affect us more than we think, both psychologically and physiologically. Environments shaped with thoughtful light, form and color have been shown to measurably lower stress levels. A visually considered room increases focus and creativity, likely because the brain no longer needs to filter out visual chaos or discomfort, and can spend that energy elsewhere. The beautiful, everyday objects we live with give us small recurring moments of satisfaction. It isn’t about luxury, it’s about the quality of what we experience every day — a quality that brings a sense of control and dignity to daily life. This is what we want to contribute to.
DOTS —
EMBROIDERED CUSHION COVER
A classic that doesn’t ask permission.
Dots, in embroidered form, become more than pattern, they turn into rhythm, surface, a place for the eyes to rest when everything else feels a bit too loud.
WEEPING BIRCH — EMBROIDERED CUSHION
The Weeping Birch, by Lisen Adbåge, heavy and soft at the same time. Yellow and brown leaning into something earthy, almost grounded in memory rather than season.
Embroidery gives the trees weight. Like they’re actually there, in the room.
Walking through Spinneriet, Lindome’s great harborer of art, culture, food and activity — can feel like strolling a charming old factory. The building is a converted, former spinning mill, a pretty striking place to be in, with several meters-high ceilings and huge windows. Fine Little Day houses on the top floor. Except for offering art and design products, we do exhibitions several times a year.
