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CREATIVE TEAM
JUSTIN GARDAM (he/him) - SOUND DESIGNER
Justin Gardam is an award-winning sound and video designer. He is a graduate of Monash University’s Bachelor of Performing Arts and completed a Master of Dramaturgy at the Victorian College of the Arts. Highlights of his design work include Laurinda (Melbourne Theatre Company); The Meeting, Heroes of the Fourth Turning, Lamb, Control and Wakey Wakey (Red Stitch Actors’ Theatre); Paradise Lost, Bad News and The Nose (Bloomshed); Everyone is Famous, The Lockdown Films and F. (Riot Stage). In 2020, Justin won a Green Room Award for Sound Design and Composition for The Market is a Wind-Up Toy at Theatre Works He has received a further five Green Room Award nominations.
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SAVANNA WEGMAN (she/they) - SET & COSTUME DESIGNER

Savanna Wegman is a multidisciplinary designer, director and writer She is New Zealand born, of Chinese Malaysian and Dutch descent and is now based in Naarm (Melbourne). Recent performance design credits include: Set Designer 'A Certain Mumble' (Darebin Arts Speakeasy), Set/Costume Designer ‘Brittany and The Mannequins’ (Fever103 Theatre, Green Room Nominated for Best Set/Costume Design), Associate Designer 'The Crocodile' (fortyfivedownstairs), ‘The Mermaid’ (La Mama), AudioVisual Designer ‘Kill Climate Deniers’ (Monash Uni Student Theatre), Associate Designer ‘The Dream Laboratory’ (Essential Theatre), AudioVisual Production Designer ‘WE ARE AIR’ (Melbourne Fringe), Assistant Stage Manager ‘The Invisible Opera’ (RISING Festival), Malthouse Assistant Stage Management internship 'My Dearworthy Darling’ (THE RABBLE). Savanna is Co-founder of the STRANGEkit Performance Collective and completed her Bachelor of Arts at Monash University’s Centre for Theatre and Performance.
GEORGIE WOLFE (she/her) - LIGHTING DESIGNER
Georgie is a Melbourne-based lighting designer She is a graduate of Monash University’s Bachelor of Arts/Bachelor of Science with interests in how theatremaking and science can interact Alongside her practice as a lighting designer, she is a freelance director, technician, sound and set designer. Her recent lighting credits include Blackrock (Platform Arts), Treats and Brittany & The Mannequins (Fever103), Thigh Gap (La Mama), Half Steam Ahead (The Butterfly Club), Q (La Mama), Wood Wide Web (Barking Spider Visual Theatre, ArtPlay), Pink Matter (Dancehouse), Daydream (Motley Bauhaus, MICF), Love of the Nightingale (Theatreworks, Fringe Replanted), The Bachelor S17 E05 (Mechanics Institute), Death Match (Monash Uni, Malthouse) and The Drill (Women’s Circus). She is passionate about creating a more sustainable theatre practice while pushing the boundaries of the role that technical design can play in the creation of new works.
