Silent Art Auction Guide - 2018

Silent Art

Auction

2018 CBF General Assembly

The CBF Silent Art Auction began in 2002 as the dream of our field personnel. Their hope was to showcase high quality, hand-made art and at the same time tell stories of marginalized people around the world.

Although proceeds from the auction will go directly to support both the artists and the ministries of the field personnel involved, the overall goal of the Silent Art Auction is more than just raising money. We hope it will facilitate conversation and inspire prayer for the lives impacted as God works through CBF Global Missions.

The stories behind the pieces within the auction are far more priceless than the items themselves. One way you can continue to support these ministries is by using this catalog as a prayer guide to assist you in praying for the artists who created these items as well as for the projects and field personnel supported through their sale. As you reflect on each item and read the descriptions of their origins, please take a moment to say a prayer for the people they represent.

Bidding Process Bidding will end on Friday night in the auction area following the evening session.

You must be present to win. If the top bidder is not present at the close of bidding, the next highest bidder will be declared the winner.

Items must be paid for on Friday night at the close of the auction. Each winning bidder will be given a ticket to take to the Missions Marketplace for payment. The generated receipt will then be returned to the auction as proof of purchase. Items may only be released after proof of purchase is presented.

Why The Arts Matter The Arts give us one more way to:

Cultivate a deeper connection in our communities.

Encourage the global church by celebrating local expressions of the gospel through the arts.

Empower local artists by showcasing their work.

Tell the stories of those who are often marginalized.

Appreciate the people with whom we minister.

We have endeavored each year to find unique pieces for the Silent Art Auction, not just the runof-the-mill tourist objects that anyone would buy as they traveled. Instead, our aim is to showcase the high quality of work that is being done by the people where many of us minister as CBF field personnel. This often means that the artwork you find was not produced in a factory, but created by marginalized and sometimes oppressed people — people in difficult situations creating things of beauty. Each item has a story...

Each year the Silent Art Auction is different. The new artists we meet in our work, the new work of our long-term artists and the pieces our fellow field personnel discover in their areas of ministry shape the unique collection of pieces we bring to the General Assembly. Jonathan and I cherish our work on behalf of artists, the global church, CBF constituents and the ever blossoming dialogue taking place between the arts and faith. We believe that the arts are close to the heart of God, and that we fulfill God’s intent for the creation when we create new forms, symbols and meanings.

The items for auction represent the lives and ministries of CBF field personnel as well as artists from the areas where field personnel are located. CBF field personnel who are also artists are highly encouraged to contribute as well. The arts are a means for becoming conscious of our shared humanity, a consciousness much needed in our world today as we face increasing sentiments that result in division and isolation. More than ever, we need the beautiful and unifying peace offered through our Lord.

Proceeds from the auction will go to support the ongoing work of field personnel. Many of the pieces have been purchased or donated directly from the artists themselves.

Sincerely,

TINA BAILEY CBF field personnel Bali, Indonesia

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#1

Nepali Singing Bowl

Bronze mixure of copper and tin. 5 1/4 inches in diameter

The “Singing Bowl” is a resonance bowl. Sound is produced either by striking the bowl or rubbing the bowl rim with a special wooden stick coated with leather. A singing bowl resonates long sustaining overtones, undertones and reverberates delicate, yet intense chimes or harmonic tones and sound vibrations. Anyone can easily make a sound with a singing bowl and its pleasant tone lends itself to meditation and relaxation of the mind.

Profits from the sale of this item will go back into the ministry of Eddy and Cindy Ruble in Asia. The Rubles’ work spans diverse areas from disaster relief to higher education scholarships to empowering the survivors of sexual assault, domestic violence and child sexual abuse.

#2

Untitled Painting from Kerobokan Prison Oil on Canvas, 175 x 90 cm

This painting was done inside Bali’s Kerobokan Prison. It is not signed but is attributed to Myuran Sukumaran. Painted before he started doing portraits, it was painted around 2013.

Jonathan and Tina Bailey serve in Bali, Indonesia, with emphasis on spiritual expression through music, dance and visual arts. Tina’s focus is mentoring inmates in a painting studio developed by and for prisoners in Bali’s high security prison.

Jonathan focuses on building community in the context of traditional Balinese music ensembles. Together, and with a growing number of like-minded people, an inclusive community that bridges ethnicity and religion continues to develop.

Such creating-in-community not only symbolizes God’s creative action in our lives. It trains us to love and accept others who are different from us.

Proceeds will support the work of Jonathan and Tina Bailey.

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Molas from Panama Señora Lusmilta López is a grandmother who lives in the small Guna village of Akwayala, Panama, on the shores of Lake Bayano. The Guna are the largest indigenous group in Panama, concentrated primarily in the northeastern region of the country, including both the barrier islands of Guna Yala as well as the mainland.

In the Guna language, “mola” means shirt, or clothing. Molas are a reverse appliqué technique, each one unique to the designer. Geometric designs are the most traditional, originally inspired by body painting. The next phase of development is weaving these designs into fabric. Today’s molas are made from cloth and displayed on the front and back of blouses.

Greg and Sue Smith (FP) work with Latino immigrants in the areas of immigration advocacy and legal services, women’s empowerment, and human needs ministries. They strive to increase appreciation of Latino art, culture and language among the Latino community itself as well as in the larger, dominant U.S. community.

Proceeds will support the work of Greg and Sue Smith.

#3

Orange Geometric Mola, Lusmilta López, 2017

#4

Cotton Blend Fabric

Traditional Mola with Duck Design, Lusmilta López, 2017 Cotton Blend Fabric

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#5

Himalayan hand crafted Necklace, Dawa, 2018 Coral glass beads with turquoise and silver

Dawa was born in a small village tucked inside the crevices of the Himalayan Mountains. At 18, she left home and her family in search of work. She served in restaurants and cleaned houses until 2009 when she was given two hand tools and some beads. Today, Dawa’s jewelry business not only supports her family, but also provides something she never had — an education for her daughter, Bema.

Threads by Nomad is a business as mission. It was co-founded by Nell Green, CBF field personnel and her daughter, Christen Kinard. Threads by Nomad’s mission is to create comfortable, versatile, easy-to-wear clothing that inspires women to fall in love with the beauty of diversity. Through the recognition of all women as beautiful, Threads by Nomad sources fabric from across the globe, employs refugees in the United States, and provides and avenue for micro-enterprise entrepreneurs worldwide to sell their creations.

Proceeds will support the work of Butch and Nell Green.

#6

Untitled Portrait, Amad, 2017

Watercolor on paper, A4

Amad is an inmate in Kerobokan Prison. He joined the art program a little over one year ago. His potential as an artist is outstanding, especially in the area of watercolor work.

Jonathan and Tina Bailey serve in Bali, Indonesia, with emphasis on spiritual expression through music, dance and visual arts. Tina’s focus is mentoring inmates in a painting studio developed by and for prisoners in Bali’s high security prison. Jonathan focuses on building community in the context of traditional Balinese music ensembles. Together, and with a growing number of like-minded people, an inclusive community that bridges ethnicity and religion continues to develop. Such creating-in-community not only symbolizes God’s creative action in our lives. It trains us to love and accept others who are different from us.

Proceeds will support the work of Tina and Jonathan Bailey.

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#7

Handmade Granny Square Afghan (mint condition), Claryce Gentry, 1978 Yarn, cotton-poly blend

The creator of this afghan, Claryce Gentry (1903-1982), is the maternal grandmother of Field Personnel Diann Berry. Mrs. Gentry was a teacher, missionary and life-long Bible learner.

Mrs. Gentry crocheted for decades. This king-size spread was one of many she made using the granny pattern. In her later years, Mrs. Gentry was also a house mother to teenage girls at the Buckner Baptist Home for Girls in Lubbock, Texas. As a young girl, Diann would spend weekends with her grandmother and the girls at the Girls Home, learning firsthand about ministry and mission. Today, Diann serves with CBF in the Rio Grande Valley area of Texas/Mexico, addressing systemic poverty, illiteracy and other areas of concern. One of her ministry partners she sees on a regular basis works for Buckner International, always reminding Diann that the never-ending message of Christ lives on. Diann believes that her beloved grandmother would be thrilled to know that one of her afghans would raise ministry funds for her granddaughter in 2018!

Proceeds will support the work of Diann Berry.

#8

Balinese Barong Painting, Agik Oil on canvas, 120 x 91 cm

Agik was an inmate at Kerobokan Prison and participated in the art program while there. He is now free and doing well.

Jonathan and Tina Bailey serve in Bali, Indonesia, with emphasis on spiritual expression through music, dance and visual arts. Tina’s focus is mentoring inmates in a painting studio developed by and for prisoners in Bali’s high security prison. Jonathan focuses on building community in the context of traditional Balinese music ensembles. Together, and with a growing number of like-minded people, an inclusive community that bridges ethnicity and religion continues to develop. Such creating-in-community not only symbolizes God’s creative action in our lives. It trains us to love and accept others who are different from us.

Proceeds will support the work of Tina and Jonathan Bailey.

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#9 Sterling Silver Paisley Necklace and Earrings, Jonathan Yun, 2016 925 Silver, Pendant is 1.57 inches in diameter. Leather cord with magnetic clasp is 16 inches in length. Earrings are 1.13 inches in diameter.

Jonathan Yun is a Christian and artist who creates sculptural jewelry in Penang, Malaysia. He graduated with a degree from RMIT University in Australia majoring in fine metals and holds a certificate in gemology. His designs have won awards in Hong Kong and Singapore and he has exhibited in Australia, Japan, Hong Kong and Singapore. His career spans work as a designer, product development executive and design manager at prestigious companies such as Risis, Royal Selangor and Penang Pewter. Jonathan finds much of his inspiration in nature. As a certified dive master, fern collector and gardener, he draws inspiration from the beauty of these passions and infuses it into beautiful pieces of wearable art. Jonathan Yun drew inspiration for these intricately designed pieces — necklace and earrings — from the “curliques” of paisley. These pieces are created in silver as Jonathan finds the soft patina of silver both fascinating and alluring. He meticulously sculpted the pendant and earrings in jeweler’s wax and then cast the pieces in sterling silver. These cast pieces were then hand-finished and polished to reveal their beauty.

Profits from the sale of this jewelry will go back into the ministry of Eddy and Cindy Ruble in Asia. The Rubles’ work spans diverse areas from disaster relief to higher education scholarships to empowering the survivors of sexual assault, domestic violence and child sexual abuse.

Proceeds will support the work of Cindy and Eddy Ruble.

#10 Diantara Mutiara ( The Pearl Inside), Wahid Deni, 2012 Oil on canvas

Wahid was one of the first artists Tina met in the art program in Kerobokan Prison.

His art is strongly influenced by surrealism. He is now free and doing well. Wahid is involved in community projects back on his home island of Java.

Jonathan and Tina Bailey serve in Bali, Indonesia, with emphasis on spiritual expression through music, dance and visual arts. Tina’s focus is mentoring inmates in a painting studio developed by and for prisoners in Bali’s high security prison. Jonathan focuses on building community in the context of traditional Balinese music ensembles.

Together, and with a growing number of like-minded people, an inclusive community that bridges ethnicity and religion continues to develop. Such creating-in-community not only symbolizes God’s creative action in our lives. It trains us to love and accept others who are different from us.

Proceeds will support the work of Tina and Jonathan Bailey.

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Handmade Silver Jewelry by Si Yi Chin #11

#12 Double Helm Weaver Chain

Love knot Bracelet, 2018

Bracelet, 2018

Silver, 19.5 cm

Silver, 18 cm

#13 Tripple Ring Dragon Scale Choker Necklace, 2018 Silver, 41 CM 19.5 cm

These three pieces were created by Si Yi Chen in the silver workshop at Kerobokan Prison in Bali, Indonesia. Each piece is handmade from start to finish, beginning with melting and mixing the silver, then forming an ingot, then drawing it out into wires on a rolling mill. It is then made into the different size rings, soldered and fastened together one-by-one.

Si Yi is an inmate in Kerobokan Prison, serving a life sentence. He, alongside Myuran Sukumaran, was one of nine Australian drug mules known collectively as the Bali Nine. Si Yi is a completely reformed man who spends most of his time designing and making silver jewelry and training other young inmates in silver making. He created a jewelry line named Mule Jewels. It is not uncomon for former inmates that he trained to come back to see him and keep learning from him.

CBF Field Personnel Tina Bailey writes: “I met Si Yi when I started teaching in the Kerobokan Prison in Bali, Indonesia, six years ago. We have become very good friends, and I have seen firsthand his leadership and care for other inmates. We often eat lunch together, sometimes from amazing meals he cooks for us. I am hoping that his sentence will be reduced so he can one day be free.�

Proceeds will support the work of Tina and Jonathan Bailey.

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#14 Layers, Tina Bailey. 2016 Acrylic on canvas

Life is not simple. It is made up of many overlapping layers of experience that span a wide range of emotions. This painting was created to represent the intregration of life experiences that impact us as we grow. This is how our character is formed.

Life in Asia and the plight of women has had a major influence on Tina’s art. She uses visual and performing arts in response to traumatic events: through dance following the Bali bombings; and through visual art following the Asian tsunami and with West African refugees, going even as far as Erbil Iraq. Tina mentors prisoners through painting, drawing and dance in Bali’s high security prisons. Jonathan and Tina Bailey serve in Bali, Indonesia, with emphasis on spiritual expression through music, dance and visual arts. Tina’s focus is mentoring inmates in a painting studio developed by and for prisoners in Bali’s high security prison. Jonathan focuses on building community in the context of traditional Balinese music ensembles.

Together, and with a growing number of like-minded people, an inclusive community that bridges ethnicity and religion continues to develop. Such creating-in-community not only symbolizes God’s creative action in our lives. It trains us to love and accept others who are different from us.

Proceeds will support the work of Tina and Joanthan Bailey.

#15 Untitled, Tina Bailey, 2016 Batik on Cotton, 28 x 24 inches

Tina has developed her own style of building up texture in her painting through experimenting with different surfaces. In the process, she dicovered the wonderful surface created by adding her own hair to the base layer of the painting and then building the image and compositions from the surfaces created in the texture. This is one of those paintings. The forms are inspired by movements in balinese dance.

Jonathan and Tina Bailey serve in Bali, Indonesia, with emphasis on spiritual expression through music, dance and visual arts. Tina’s focus is mentoring inmates in a painting studio developed by and for prisoners in Bali’s high security prison. Jonathan focuses on building community in the context of traditional Balinese music ensembles. Together, and with a growing number of like-minded people, an inclusive community that bridges ethnicity and religion continues to develop. Such creatingin-community not only symbolizes God’s creative action in our lives. It trains us to love and accept others who are different from us.

Proceeds will support the work of Jonathan and Tina Bailey.

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Jewlery from “Straight Out of Shelby” Cecelia Beck’s ministry is one of intentionality and presence in a neighborhood in Shelby, N.C., that has challenges of poverty, low educational levels and high crime. The artists are residents of that neighborhood. Their jewelry was made as contract employees of Straight Out of Shelby, a business formed to provide opportunities for underserved youth to demonstrate their creativity and earn income. Financial skills and tithing are also learned in conjunction with the business.

Proceeds will support the work of Cecelia Beck.

#16

Black and Blue Necklace, Johntavious Kee, 2018 Glass and Silver, 18 inches

Johntavious is a 17-year-old 11th grade student at Shelby High School, Shelby, North Carolina. He is involved in various sports and is active in the youth group at FBC Shelby. His jewelry has been particularly popular in all venues because of his unique creative gifts and attention to detail. He is prolific in creating necklaces.

#17

Bracelet, Shaniya Byers, 2018 Glass, Pewter and Silver, 7 inches

Shaniya is a 17 year-old 11th grader at Shelby High School, Shelby, North Carolina. She excels in academics, track and art. In 2016, she won a Cleveland County Arts Council award for high school students. She is prolific in her jewelry making, particularly focused on bracelets.

#18

Crystal Bracelet, Kyle (KK) Reynolds, 2018 Crystal, Glass and Silver, 7 inches

KK is an eighth grade student at Shelby Middle School, Shelby, North Carolina. She is frequently recognized for her diligence and achievements both academically and artistically. She is actively involved in the youth program of FBC Shelby.

#19

Three Pairs of Earings, Tanyzha (TT) Dawkins, 2018 Crystal, Glass, and Ceramic Beads with Silver findings,

Tanyzha (TT) is a 17-year-old 11th grade student at Shelby High School, Shelby, North Carolina, and is prolific in her jewelry making, particularly concentrating on earrings. She is also a gifted athlete and is actively involved in the youth program of FBC Shelby. Her assistance with youth group activities is valued as she offers her organizational skills and determined energy.

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#20 Moldovan Table Runner A

Spun linen thread; cotton embroidery thread, 19 x 62 inches

This cloth is a vintage item inherited by Olesea Ciochina from her grandmother. The weaving and embroidery are traditionally Moldovan. Traditional homes had a wooden loom on which women would make table runners, scarves, blankets, wall hangings and carpets using hand-spun wool or flax thread. This type of embroidery is still taught as part of the public school curriculum.

Olesea Ciochina and her husband, Petru, partner with Keith and Mary Holmes to minister with Romany (Gypsies) in the Republic of Moldova. They assist Romany believers in evangelizing and discipling other Romany. They actively encourage education and recently began an afterschool program to assist Romany children who grew up in Russia, but must now attend Romanian-speaking schools.

Moldova was part of Romania before being annexed by the Soviet Union. Since the dissolution of the Soviet Union, the country has uneasily straddled interest in stronger ties with the West and awareness of the closer Russia. Many Moldovans move abroad in search of work. Petru and Olesea Ciochina have chosen, in faith, to remain.

Proceeds go directly toward their support via the work of Keith and Mary Holmes.

#21 Moldovan Table Runner B

Spun linen thread; cotton embroidery thread, 17 x 66 inches

This cloth is a vintage item inherited by Olesea Ciochina from her grandmother.

The weaving and embroidery are traditionally Moldovan. Traditional homes had a wooden loom on which women would make table runners, scarves, blankets, wall hangings and carpets using hand-spun wool or flax thread. This type of embroidery is still taught as part of the public school curriculum.

Olesea Ciochina and her husband Petru partner with Keith and Mary Holmes to minister with Romany (Gypsies) in the Republic of Moldova. They actively encourage education and recently began an afterschool program to assist Romany children who grew up in Russia, but must now attend Romanianspeaking schools.

Proceeds go directly toward their support via the work of Keith and Mary Holmes.

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#22 Balinese Girl “Tari Pendet,” Putra, 2014 Oil on Canvas, 60 x 80 cm

Putra was an inmate in Kerobokan Prison. He is now free.

Jonathan and Tina Bailey serve in Bali, Indonesia, with emphasis on spiritual expression through music, dance and visual arts. Tina’s focus is mentoring inmates in a painting studio developed by and for prisoners in Bali’s high security prison.

Jonathan focuses on building community in the context of traditional Balinese music ensembles. Together, and with a growing number of like-minded people, an inclusive community that bridges ethnicity and religion continues to develop.

Such creating-in-community not only symbolizes God’s creative action in our lives. It trains us to love and accept others who are different from us.

Proceeds will support the work of Jonathan and Tina Bailey.

#23 Refugee Highway Clergy Stole, Threads by Nomad, 2018 Polished Cottons (Bazin and Satins) 4.5 inches width and 48.5 inches length from neck to bottom

Threads by Nomad’s head tailor, Haydar Alnajafi, is a refugee from Iraq.

He was born in Najasi, Iraq. At the age of 12, he was apprenticed to his friend’s father while studying and working. Later he owned and operated a successful custom clothing shop — Dar Mawasim Fashion.

Hayder moved to the United States on October 29, 2014. When asked what brought him to the U.S., he said simply that it was because it was very dangerous in Iraq. Hayder now lives in Houston with his wife of 22 years and three sons, ages 20, 19 and six.

He has 35 years of design and tailoring experience. Now, as the chief tailor at Threads by Nomad, it is Hayder’s responsibility to consult on the designs and to hand-make every single order that gets placed. Hayder loves what he does and takes pride in his craftsmanship. He works hard to grow and learn in his craft, to better his skills in tailoring and ability in design.

Hayder enjoys living in the United States where he says people are gracious and like helping others.

Still, he misses his parents who remain in Iraq.

Proceeds will support the work of Butch and Nell Green.

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Joseph Jones Paintings Artist and CBF supporter Joseph Jones writes: “My inspiration unfolds each morning as I meditate on Christ’s teaching and living my life. As an artist, I see life in images — both present and past — especially with paintings and furniture.

Van Gogh’s paintings with their rich, vibrant colors have brought me so much peace. In contrast, the political and racial injustice of this past year have been distressing. Picasso’s black and white painting, Guernica, grabbed my soul. It shows the injustice of humanity in war! I began to reflect on Christ’s teachings and saw the black and white of life. I saw how quantum theory shows us we live in a world of non-duality — black and white, right and wrong — with Jesus being our model for living.”

“I met Jonathan and Tina Bailey 20 years ago on their home assignment. As a studio furniture maker and lover of the arts, I connected deeply with the work they are doing in Bali and how they reflect Christ. During a visit to Bali several years ago, I was quite taken by how Jonathan and Tina had merged into Balinese culture, bringing God’s love for everyone! As an artist, I want to be a part of their ministry, encouraging and supporting their work for peace, justice, grace and mercy in our world.”

Proceeds will support the work of Jonathan and Tina Bailey.

#25 Jesus on the water, Joseph

#24 The Good Samaritan, Joseph

Jones, 2018

Jones, 2018

Acrylic on canvas, 12” x 16”

Acrylic on vacuum pressed canvas, 21” x 22.5” inches

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#26

Natsuko Silver Collar Necklace with Pendant, 2018 Pottery, 50 X 48 mm

This piece was produced by the Nozomi Project. Nozomi, which means “hope” in Japanese, is a faith-based social enterprise bringing sustainable income, community, dignity and hope to the women in Ishinomaki, Japan by training them to craft high quality jewelry products. Nozomi women are creating one of a kind pieces of jewelry featuring broken pieces of pottery left in the wake of the tsunami and other up-cycled pottery. Each of their product lines has been named by a Nozomi woman in honor of a loved one in her life. (From nozomiproject.com/pages/about-us) Carson and Laura Foushee have been serving in Japan since 2013. After leading English ministries in the cities of Kanazawa and Toyama for three years, the Foushees are currently living in Tokyo and studying Japanese full-time in preparation for long-term ministry in Japan. During this time of language learning, the Foushees are also discovering how God is working in Japan, particularly through their partner, the Japan Baptist Convention, and are discerning alongside them future ministry opportunities.

Proceeds will support the work of Carson and Laura Foushee.

#27

Painting Beauty in Prison, Ampar Junporn, 2018

Oil on canvas, 23 x 31 inches

Ampar is from Thailand and is an inmate in Kerobokan Prison. Tina has known Ampar for over six years and has seen her develop as an artist and as a leader. One year ago the women’s cell block became a separate prison, and Ampar has been key to starting the art program in the new Women’s Prison.

Tina mentors prisoners through painting, drawing, and dance in Bali’s high security prisons. Jonathan and Tina Bailey serve in Bali, Indonesia, with emphasis on spiritual expression through music, dance and visual arts. Tina’s focus is mentoring inmates in a painting studio developed by and for prisoners in Bali’s high security prison. Jonathan focuses on building community in the context of traditional Balinese music ensembles. Together, and with a growing number of like-minded people, an inclusive community that bridges ethnicity and religion continues to develop. Such creating-in-community not only symbolizes God’s creative action in our lives. It trains us to love and accept others who are different from us.

Proceeds will support the work of Jonathan and Tina Bailey.

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#28 Sumba Hinggi Kombu Human Motif Cotton, 256cm x 107 cm

This cloth, made in a village in Sumba, is worn around the body loosely draped over the shoulder. The Indonesian island of Sumba is home to one of the most well-known weaving traditions in Southeast Asia. Textiles traditionally indicate wealth, status and class distinctions among the Sumbanese people and are used in ritual exchange.

There are relatively few women who still weave them, and they are primarily located in the eastern coastal districts of the island. Designs in Sumba textiles are elements that can be found in the local environment. Certain animal patterns are considered royal motifs, such as the cock, the deer and the shrimp. Colors carry significance as well. Black is associated with the left and female, while red is associated with the right and male. A warriors clothing would be the color red.

Brooke and Mike serve alongside the local church in efforts to cultivate beloved community as ministers of hospitality to students drawing from their city’s many college and university campuses. They seek transformational development as they serve the local population through education initiatives and English as a Second Language training in both public and private religious schools as well as hosting programs in their neighborhood.

Proceeds will support the work of Brooke and Mike. (Last name not listed for security purposes.)

#29 Sumba Hinggi Kombu Horse Motif Cotton, 250cm x 100 cm

This cloth, made in a village in Sumba, is worn around the body loosely draped over the shoulder. The Indonesian island of Sumba is home to one of the most well-known weaving traditions in Southeast Asia. Textiles traditionally indicate wealth, status and class distinctions among the Sumbanese people and are used in ritual exchange. There are relatively few women who still weave them, and they are primarily located in the eastern coastal districts of the island. Designs in Sumba textiles are elements that can be found in the local environment. Certain animal patterns are considered royal motifs, such as the cock, the deer and the shrimp. Colors carry significance as well. Black is associated with the left and female, while red is associated with the right and male. A warriors clothing would be the color red.

Brooke and Mike serve alongside the local church in efforts to cultivate beloved community as ministers of hospitality to students drawing from their city’s many college and university campuses. They seek transformational development as they serve the local population through education initiatives and English as a Second Language training in both public and private religious schools as well as hosting programs in their neighborhood.

Proceeds will support the work of Brooke and Mike. (Last name not listed for security purposes.)

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#30

Sumba Brass Mamuli Pendant Set and Headdress Brass

“Mamuli” refers to traditional shapes representing the feminine and placed in a wearable design. The shape of mamuli ornaments symbolize woman as the giver of life and as such are given to the bride by the groom before marriage.

Thus, mamuli ornaments play an essential role in the elaborate ceremonial gift exchanges practiced by the west Sumba people. As valuable objects, they become an heirlooms which are traded between families and passed down from generation to generation.

Brooke and Mike serve alongside the local church in efforts to cultivate beloved community as ministers of hospitality to students drawing from their city’s many college and university campuses. They seek transformational development as they serve the local population through education initiatives and English as a Second Language training in both public and private religious schools as well as hosting programs in their neighborhood.

Proceeds will support the work of Brooke and Mike. (Last name not listed for security purposes.)

#31

Sumba Indigo Hinggi Kombu cotton, 230 cm x 96 cm

This cloth, made in a village in Sumba, is worn around the body loosely draped over the shoulder. The Indonesian island of Sumba is home to one of the most well-known weaving traditions in Southeast Asia. Textiles traditionally indicate wealth, status and class distinctions among the Sumbanese people and are used in ritual exchange. There are relatively few women who still weave them, and they are primarily located in the eastern coastal districts of the island. Designs in Sumba textiles are elements that can be found in the local environment.

Certain animal patterns are considered royal motifs, such as the cock, the deer and the shrimp. Colors carry significance as well. Black is associated with the left and female, while red is associated with the right and male. A warriors clothing would be the color red.

Brooke and Mike serve alongside the local church in efforts to cultivate beloved community as ministers of hospitality to students drawing from their city’s many college and university campuses. They seek transformational development as they serve the local population through education initiatives and English as a Second Language training in both public and private religious schools as well as hosting programs in their neighborhood.

Proceeds will support the work of Brooke and Mike. (Last name not listed for security purposes.)

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Notes

CBF FIELD PERSONNEL CBF Global Missions mobilizes field personnel to share the love and compassion of Jesus Christ in over 30 countries and regions around the world. Responding to God’s call and empowered by the Holy Spirit, field personnel cultivate beloved community, bear witness to Jesus Christ and seek transformational development among people who have been forgotten and forsaken by others. Our field personnel serve alongside congregations and local ministry partners within three primary contexts: global poverty, global migration and the global church.

As CBF Global Missions innovates for the 21st century, we have implemented an exciting new funding model for mission. The Offering for Global Missions secures the long-term presence of all CBF field personnel, while field personnel raise support from friends, family and other partners to fund their mission programming.

Give to the Offering and explore the ministries of CBF field personnel and join as financial supporters in their work around the world.

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" The artist must train not only his eye but also his soul" Kandinsky

About the Baileys’ Ministry Jonathan and Tina Bailey are Cooperative Baptist Fellowship field personnel serving in Bali, Indonesia, with emphasis on spiritual expression through music, dance and visual arts both inside and outside the local Christian community.

The Baileys encourage artists who are Christian to stay connected to their culture using the music, dance and visual arts of their native communities, offering culturally appropriate forms for the local church.

Also, Jonathan and Tina provide support for and encourage artists through the Narwastu Art Community, which they organized in 2005. This community is made up of musicians and dancers from around the world who learn and collaborate together alongside a core group of Balinese and internationals who call Bali their home.

While the art created is significant, the initiatives of the Narwastu community also provide the space for meaningful relationships that bridge cultural, linguistic and religious differences to begin and grow.

It is in this open space of heart and mind that transformation takes place.

Tina also teaches in a prison arts program for inmates in Bali’s high security prison, mentoring prisoners in art-making and forming relationships with inmates. She works to develop artistic technique as well as life-skills to assist them as they re-integrate into society after they are released. She also consults for other prisons that are interested in developing similar programs.

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CULTIVATING BELOVED COMMUNITY by being the presence of Christ through the arts

160 Clairemont Ave. Suite 500 • Decatur, GA 30030 O: 770.220.1600 • F: 770.220.1685 www.cbf.net • fellowship@cbf.net