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GENERAL INFORMATION - Nationality: Tunisian - Date of birth: 22/02/1996 EDUCATION - American University of Sharjah B.S. in Architecture Graduated in May 2020 - Qatar university, Doha, Qatar, Electrical Engineering September 2014 - December 2014 - Amna Bint Wahab school Doha, Qatar September 2013 - June 2014 - Tunisian high school, Doha, Qatar September 2010 - June 2013
SKILLS Computer Skills Rhinoceros 5/ Grasshopper Revit 2019 AutoCAD 2018 Twin Motion 2020 (Rendering) Maya 2018
- Blender - Houdini - Photoshop CC - Indesign CC - PremierE Pro
Other Skills Drawing Sketching Painting Video Editing
- Laser Cutting - Wood Fabrication - Steel Fabrication - Physical Models
CERTIFICATIONS & AWARDS - Drawing and oil painting certification in Girls Creativity Center in in Doha, Qatar in July 2012 2nd winner of Anti-Smoking design poster campaign in American University of Sharjah in 2020 American University of Sharjah Merit Scholarship from 2015-2017 and Dean List in Spring 2020
EXTRA CURRICULARS Media coordinator in Tunisian cultural club in American University of Sharjah. Participated in design T-shirt competition in April 2018 in American University of Sharjah Volunteered in various events including interior rennovation for an Orphans’ house and painting for a school
COMMUNICATION Arabic (native language) English French
WORK EXPERIENCE Internship in Mimar Design architect and consulting engineers in Doha, Qatar Tasks: - Constructing lateral and longitude sections for a residential villa using AutoCAD - 3D modeling using AutoCAD and rendering the villa using 3d max
CONTACT +974 66715221
fatmaw_14@yahoo.com
TABLE OF CONTENTS P 4-11
COOL ABU DHABI CHALLENGE COMPETITION
P 12-19
BIM PROJECT
P 20-27
SPATIAL CONSTRUCT
P 28-33
GROUNDS OF HOPE MEMORIAL COMPETITION
P 34-41
PHYSICAL MODELS/ FABRICATION
P 42-45
ILLUSTRATION AND RENDERING
P 46-53
PUBLIC LIBRARY
P 54-61
TIMBER OF THE CITY
P 62-69
AL JADA, ARADA CENTRAL HUB
P 4 -11 | COOL ABU DHABI CHALLENGE COMPETITION
Arqoob One of the 10 Winning Entries of the Cool Abu Dhabi Challenge The challenge for this competition is to Design an outdoor space that reduces the Urban Heat Island Effect in the city center of Abu Dhabi. One of the critical issues in designing outdoor spaces is considering human thermal comfort. Creating comfort to allow people to enjoy and spend more time in outdoor spaces and be a part of a thriving city This project uses orange as a color for its main materials to complement the greenery of the vegetation and to represent U.A.E’s desert dunes or “Arqoob” in Arabic. Moreover, this project could be built with different scales and integrated to various sites.
Professor: George Newlands | Partrners: None | Course: Studio + Competition
The stratergies used to reduce the heat island effect includes: - The practice of the tree planting in cities is an incredible way of reflecting solar radiation while decreasing the heat island effect. Deciduous trees are used in the project to provide a cooling effect in summer and to not block warmth during winter. - Green parking spaces utilize green infrastructure strategies to limit the impacts of urban heat island effect. In particular, it cushions against the elevation of pavement temperatures which can considerably prevent thermal pollution. Thus, the danger posted to aquatic systems is reduced. - Water channels and irrigation systems are implemented to cool the atmosphere. Water travels from the irrigation pipes that comes from filtered grey water in the surrounding building and connect to the water channels. Then it travels up the columns to the sprinklers. Eventually, the sprinklers shoot water to the metal fabric allowing for the water to irrigate the soil and the plants. - Metal fabric mesh is implemented in the project because of its light qualities that allows for air movement. Moreover, metal fabric would be able to collect fog and rain, which would help reduce humidity and collect precipitation for a cooling effect and irrigation purposes. - Oak is used for the seating because it is one of most sustainable wood materials and it has bendable qualities to reflect the shape of the fabric in the canopy.
Exploded Axonometric
P 12-19 | BIM PROJECT
BIM project This project introduces two-dimensional drafting and three-dimensional Building Information Modeling (BIM) CAD applications. It identifies components and capabilities of each application and emphasizes the use of 2D/3D CAD applications in the management of a drafting task to produce quality drawings. The design of this project was given beforehand on paper. The task is to produce drawings and renders from scratch by using Revit 2019. To model the villa and produce drawings with BIM CAD applications to assist in design decisions.
Professor: Ahmad Mokhtar | Partrners: None | Course: CAD course
The construction of the thick exterior walls mainly consists of concrete cast in place as a core boundary with rigid and air insulation and wood finishes. In addition, less thicker exterior and interior walls with CMU as core boundary are added for support with insulation and wood finishes as well.
The villa is designed to accommodate 7 people. In the ground floor plan, the entrance follows a vertical axis as a hallway that breaks private spaces from the center and leads to the living room to the exterior terrace. While the second floor breaks private spcaes from the center horizontally from the stairs leading to the balcony. Hence, the design leads the resident towards the exterior with an orthoganl organizationo of spaces
Plans and sections perspectives that show the spaces and the structure of the villa
Glass curtain walls with wood louvres are included for a clearer relationship and shaded view between the interior and the exterior. Concrete footing in the foundation and columns of 2 m grid connected to beams in the roof are added to support the curtains and the cantilever along with the walls.
9/27/2020 2:28:11 PM
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A Structure Roof Roof 6000 5800 First Floor First Floor Structure 3000 2650 Ground Floor Structure Ground 0 Foundation -300 -1000
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East Elevation 1 : 150
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Ground Floor Structure Ground 0 Foundation -300 -1000
West Elevation 1 : 150
Elevations show the facade of the villa from various directions along with the grid and the height levels
ARC 366
Fatma Oualha 59177
East-West Elevations
Professor Ahmad Mokhtar
Date
12/15/19
rs\Fatma OUALHA\Pictures\FALL 2019\ARC 366\REVIT\FINAL\BIM Final Project final.rvt
First Floor First Floor Structure 3000 2650
9/27/2020 2:28:35 PM
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1 Roof 6000 Structure Roof 5800 First Floor First Floor Structure 3000 2650 Ground Floor 0 Foundation Structure Ground -1000 -300
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North Elevation 1 : 150
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5 Structure Roof Roof 6000 5800 First Floor First Floor Structure 3000 2650
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South Elevation 1 : 150
ARC 366
Fatma Oualha 59177
North-South Elevations
Professor Ahmad Mokhtar
Date
12/15/19
rs\Fatma OUALHA\Pictures\FALL 2019\ARC 366\REVIT\FINAL\BIM Final Project final.rvt
Ground Floor Structure Ground 0 Foundation -300 -1000
P 20- 27 | SPATIAL CONSTRUCT
Mosque Design an urban daily mosque and public space along the Al Khan Corniche Street in Sharjah, U.A.E. This project is meant to enhance the urban life in the area and provide spaces for prayer and reflection as well. This project has acquired a unique site in Sharjah, U.A.E on its waterfront. Integrating sahn (courtyard), riwaq (arcade or portico), the prayer hall and the mihrab wall (an indication of prayer direction) with contemporary architectural attitudes.
Professor: Faysal Tabbarah | Partrners: None | Course: Studio
The concept: 1- The physical models explore massinng and voids conditions with orthogoanl planes as a conceptual design that offer ideas for the structure and the spatial contrust of the mosque. 2- Handdrawn conceptual section of the mosque. The ground floor provides men’ prayer hall while the first floor has women’ prayer hall. This seperation creates privacy and sectional variaton. Planes acts as beams with different heights and thickness used for spatial contrucst and to allow light penetration into the mosque.
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Design stratergies: - The spaces are categorized as follows: prayer hall, courtyard, and public bathroom with ablution for men on the ground floor and the same for women in the first floor. This organization allows time for water to dry from the bathroom to the prayer hall while it provides a space for reflection and social interaction with landscape and waterfront view before or after the prayer. - Water pools are provided for spatial organization from the exterior to the interior that imitates the alignment during Muslim’s prayer. Besides, it offers a connection to the waterfront and reminds Muslims of the garden of paradise that creates serenity and takes away the busy atmosphere of the surrounding urban condition.
Ground floor Plan (men section)
- The structural beams form is inspired by the positions Muslims do while performing prayer such as qiyam, ruku and sujud as shown in the exploded axonometric. Nevertheless, it considers light and wind angles for penetration with the thickness, the spacing, and the depth of the beams.
First floor Plan (women section)
Section A-A
P 28-33 | GROUNDS OF HOPE MEMORIAL COMPETITION
Grounds of Hope One of the 10 Winning Entries of the Grounds of hope memorial The concept of this project is to emit courage and strength that people have during times of difficulty of Covid-19 through a symbolic memorial derived from elements that are important to the U.A.E. The falcon and the “fanoos� lantern are two elements that drive the inspiration for this project.
Professor: None | Partrners: Amna al Hashimi | Competition
Falcon
From derived from the shape of a falcon’s wing
Fanoos (lantern)
Structure mirrored
Lanterns (feathers) combined with the structural form (wings)
The falcon is a national symbol that plays a significant role traditionally, as it was used for hunting in the desert as a source of survival. The “fanoos� lantern was used traditionally as well to light up the surrounding which symbolizes hope that would ignite the soul of U.A.E's citizens. The combination of the two provides a strong gesture of optimism and determination prevalent in the U.A.E despite the challenging situations that are endured.
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The water in the center of the structure is meant to provide cooling and to represent the division that people had to follow for the safety of the community. The bent stainless steel rods are longer across each bay towards the back to give an illusion of a soaring wing and height variations. Three colors for the lanterns are used: dark orange, orange, and yellow that represent encouragement and determination and to give depth to the lanterns. The structure becomes a central component that illuminates the area where people would go to gain courage and hope.
P 34-41 | PHYSICAL MODELS/ FABRICATION
Physical models: Skin + Bones This project explores skin as paper and bones as basswood to create various visual abstract forms. It starts with folding Bristol paper in a repetitive, uniform pattern. Later, creating structures with basswood sticks and gluing them to the folding paper to make it stand while taking into consideration different positions and angles. This exercise was given for 3d abstract forms exploration that results in innovative forms and shapes using common and cheap materials.
Professor: Michel Heintz | Partrners: None | Course: Fundementals of Design
Physical models: Drawing analysis
This project started as depth analysis drawings represented by light, dark and dashed lines to show positive and negative spaces. Then, developing and transforming the 2d drawings to 3d isometric models. The lines transform to an integration of volume to the mass and then adding planes and frames. Finally, from the drawings the physical models are created.
Physical models: (+) and (-) bar
Creating systems of organization by building volumes. This project’s objective is to to create volumes in a Sketchup digital model and to transform that to a physical model. The measurements of different volumes are given, the challenge comes by figuring out the placement and the connection of the volumes to create a cohesive form and design. Different materials are used for the physical models as well, such as chipboard, museum board, and concrete.
1:1 scale wood fabricated model
Fabrication: Structure analysis
This project’s goal is to create a 1:1 scale structure that can withstand an average human weight. It starts by making a study of compression and tension with smaller scale models to a 1:1 scale wood fabricated model. Hence with the aid of the small-scale model analysis, the fabricated structure is made with nut, bolts, and tension cables connections with a platform for seating. Professor: Faysal Tabbarah | Partrners: Rawan Shabban and Sarah Mohamed | Course: Structure
smaller scale models
P 42-45 | ILLUSTRATION AND RENDERING
Clusters and Hybrids Experimentation of compositions using both digital and analogue skills. This project includes advanced digital modeling techniques, rendering, and Photoshop using collages to construct larger ‘clusters’ and ‘hybrids’ of objects and environments. These collaged compositions include settings (i.e. urban or landscapes). The programs used are: Maya, Blender, Houdini, and Photoshop. Using Photoshop collages (images, advanced digital modeling, and renderings) to construct Systems and dense Landscapes. The work focuses on narratives and concepts, technical and material specificity, geometries, systems, and environmental realities (light, texture, depth of space and atmosphere) as hybrid, layered, and dynamic compositions.
This image’s narrative is a physical manifestation of a polluted city. The atmospheric pollution creates monstrous like forms and objects that resurfaces from the earth. “Maya 2018” was used for modelling and rendering the texture on the diagonal objects and “Blender” was used for creating the landscape. Both were collaged along with the polluted atmospheric images in Photoshop to create the final output. Professor: George Katodrytis | Partrners: None | Course: Illustration and rendering
This project’s narrative is creating a galaxy made with earthly materials that are used in an urban city. Hence, the planets are made by glass cylinders wrapped in a concrete interconnected form. While the galaxy seems to be made of aluminum fiber strings with a hybrid of an enclosed structure made of steel.
“Houdini” was used for modelling the landscape and the objects, then collaged with galaxy atmospheric images in “Photoshop” to create a Galaxy City imagery.
P 46-53 | PUBLIC LIBRARY
Muwaileh Library A semi urban area in First Avenue cafe (Muwaileh street) in Sharjah, U.A.E. This area contains residential, commercial (restaurants and facilities), and industrial buildings. It is within proximity from the American University of Sharjah (AUS) connected by the Sheikh Zayed main road. Building a library in this area is effective for its users in Muwaileh and for the frequent students coming from AUS. With accessibility provided by empty parking lots and pedestrian site levels as well as vehicles coming from surface roads. Furthermore, the site has an open view to the street that makes it easy to locate and the surrounding high-rise buildings provide shade from high sunlight intensity as well.
Professor: Matthew Trimble | Partrners: None | Course: Studio
Bifurcation: The design form is inspired from bifurcation this includes interior elements such as the bookshelves and exterior elements such as the form of the supporting structure
Base volume
Section A-A
Division of the base
Seperation of the division into two parts
Section B-B
Design strategies: - From bifuraction a freestanding structure form is created to support the second floor cantiliver and control the opening for sunlight to filter inside - Roof garden is provided to reduce the heat island effect in U.A.E and to be accessed by the library users especially in winter -The social reading room is given hierarchy in the project because of its centrality and stairs that contains books and allow for seating. The courtyard is a triple height area with a skylight at the top for sunlight to penetrate the library
Structural diagram (exploded axonometric):
Ground Floor Plan (Public)
First Floor Plan (Semi Private)
Second Floor Plan (Private)
Section perspective
Exterior render showing the entrance
Vertical circulation DIAGRAM
Interior render showing the skylight
Waffle concave and convex concrete and glass skylight for indirect summer sunlight, Solar panel is used to reflect the sun light and to gather sun energy and convert it to electricity to bring power to the library
P 54-61 | TIMBER IN THE CITY
Timber Hybrid Living The competition challenges participants to re-imagine a vacant waterfront site in Queens, New York, as a vibrant and vanguard model of healthy, biophilic living for the future of the city. Designing a mid-rise, mixed-use complex that includes affordable housing, a large community wellness facility, and an early childhood education center, all interlaced with a new exterior public waterfront space. Proposing construction systems in scenarios that draw optimally on the performance characteristics of wood technologies, and thinking about the site as a testing ground for socially, materially, and environmentally progressive and innovative models of sustainable urban living.
Professor: Igor Curiel | Partrners: Rawan Shabban | Course: Studio
LEED credit category: Sustainable sites:
Use of native tree vegetation that absorbs water and less combustible trees that are useful due to the proximity to the river
Water efficiency:
Use of the river water for the fountains for the community near the waterfront
Energy and atmosphere:
Skylight in the wellness helps sunlight to penetrate the building and to reduce electricity energy consumption
Materials and resources:
Cross laminated timber and concrete are mainly used for the construction
Indoor environmental quality:
Movebale panels in windows of the education center that allows inner ventilation and air circulation
Section cutting through the wellness and education center
Design strategies:
The two main axis define the public and private zones in the site and circulation. similarly to the Queensboro Bridge in NY, a bridge is designed to connect the residental buildings
The use of the shifted frames act as a shading device, as well as breaking the rigid rythym of Manhattan’s grid. The masses are shifted for more exposure to sunlight, natural ventilation, and views
Ariel render of the mid-rise complex, the community wellness facility, and the education center
The project is located in an industrial area, therefore, the addition of the green roofs helps in creating a more sustainable environment. Masses are substracted to create defined exterior spaces for public use
Render of the mid-rise complex, the community wellness facility, and the education center from the entrance view
Exploded axonometric of the residental structure: Timber columns
Concrete foundation columns
Primary timber beams
Concrete core
Secondary timber beams
Foundation footing
Concrete to timber connection by steel corner post base with attachment wings
Wall section details of the residental building:
Constrcution details:
Physical model of the wall section
P 62- 69 | AL JADA, ARADA CENTRAL HUB
Thick Skins The Aljada Central Hub of Arada’s sales centre by Zaha Hadid Architects includes an outdoor cinema space, a food truck village, and a skate park, is due to complete at the end of 2019. Arada said it is on track “to complete the entire complex by 2022”. They sponsored students to create a pavilion next to a food truck village. After analyzing venecural and contemporary case studies of performative rooftops, a similar approach is implemented for ARADA’a pavilion. The pavilion acts as a community hub for the users of the Central Hub that provides shade and a cooling effect as well.
Professor:Jason Carlow | Partrners: None | Course: Studio
Case studies:
The Site: Arada, Al Jada Central Hub on track to be completed by 2022 in Dubai,U.A.E by Zaha Hadid Architects
Venecular: Trulli houses Truli Village houses located in the Puglia region of southern Italy. The Puglia houses featured clustered conical structures built with corbeled stone and clad with thin slate shingles
Contemporary: Dragon Skin Pavilion by LEAD
Design strategies:
Dry plywood intersecting and bent to allow ventilation and sun light in the interior
Based on an analysis of the stone, inspired by the vernacular and the contemporary examples, the design uses conical forms with layers of shingles, oriented vertically, rather than horizontally to provide shading and channel prevailing winds. The design process employed form finding techniques using suspended ring structures to find structural solutions for a pavilion made of inverted, shingled cones.
Parti diagram:
Step 1: Arches with 3.6 m distance
Step 2: Half cones to allow circulation and to support the hanging cones
Design stratergies:
North west straight singles to allow wind and sun to come through. South east angled shingles to block sun and humid air
Different sizes of the rings to block or allow sunlight penetration and natural ventilation
Arches to support and connect the rings to form the cones
Step 3: Hanging full cones with different opening sizes depending on sun angles
Step 4: Bending of the steel rings by melting to support the strucutre and connect the connes
Renders:
Exterior render
Interior render
Physical models: Physical models’ trials to establish various ways to create shingles and rings to form cones and connect them. Different materials were used for the models, such as cardboard, acrylic, MDF, ropes, and strings. Some models use strings and ropes to connect the cones while others use acrylic to connect the shingles to each other. The cones could be hanging, standing upright or slanted with the support of other cones.
The final model is the result of these explorations made with chipboard and museum board
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