Fathma Nazmeen
PORTFOLIO RIBA PART - I
fathma nazmeen Graduate Architect An architect in the making with a passion for baking and gardening. I love to solve problems and never go anywhere without my daily planner. I see my future self making conscious design decisions to contribute to a world that is building sustainable cities while also keeping in mind the influence that architecture has on our state of mind and the way we behave as individuals. education RIBA Part-I Bachelor of Arts [Hons] Architecture Heriot-Watt University, Dubai Grade 2:1 Upper second class 2021
Grade 12 CBSE-AISSCE Mathematics, Physics, Computer, Chemistry Abu Dhabi Indian School, Abu Dhabi Grade 88.2% 2017
languages English
Malayalam
Hindi
Arabic
softwares
interests
Abu Dhabi, U. A. E. 7th March 1999 fathmanazmeen@outlook.com https://www.linkedin.com/in/ fathma-nazmeen-b10619155/
DESIGN DEVELOPMENT
FINAL PROPOSAL
DIAGRAMS
CENTRAL GALLERY SPACE WING D
WING E
WING C
CENTRAL GALLERY SPACE
WING B
WING A
WING D
WING C WING E
WING B
WING A
GALLERY - EXPLODED AXONOMETRIC
RESONANCE Group 3
ARCHITECTURE: Fathma Nazmeen, Shreya Sathyanathan ARCHITECTURAL ENGINEERING: Banzir Hazra, Zainab Baker, Lubna Omar CIVIL ENGINEERING: Howaine A. Latchman
Formal block 1
ELEVATION A SCALE 1:100
Grow in the grid
Residential community
4
GLIDE
Al Wathba Wetland located in Abu Dhabi is a superb location for bird watching, especially for spotting flamingos due to the several migration routes.
The Interlock Architects Hub
The observation tower is not to be conceived as a building isolated from the landscape, it is one which blends into the surroundings along with its connected boardwalk following existing trails.
12 SECTION A-A SCALE 1:100
Sectional space
Case study - Japanese house
16
Formal block G
The vision for this project was to create a musical hub to bring together all the local and up-and-coming artists of UAE. Whether you’re a complete beginner or a rising star looking to gain some publicity, Resonance has something to offer you. The entire project layout is tied together by visual and physical links to the live arena. As this live arena is open air, we have introduced a retractable ETFE canopy that can slide over rails and shad the area during the summer months as well as other passive strategies including a shallow water body to bring down the temperature of the area. Target group Performance centre that acts a platform for people of all ages and backgrounds to come together to form a supportive musical community in the heart of Dubai Hub for upcoming local musical talents and groups and also an academy that trains musical enthusiasts in various instruments and vocals
Cafe
The aim throughout this project is to achieve a design that is in sync with all the design lenses and one that emerges as an Iconic structure to the public. Rehearsal block
The project consists of 3 elements: An observation tower, a modular boardwalk, and a visitor’s centre
Glide
Bird watching tower
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CONTENTS
A Step Back
Mini-living complex
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Resonance Music Hub
32
Auditorium and Live stage
GROW IN THE GRID RESIDENTIAL COMMUNITY SOFTWARES: RHINOCEROS, ADOBE PHOTOSHOP YEAR 4
The left depicts a comfortable living condition and the right, an unacceptable one. The colors and their intentity represent activities and functions blurring into each other As the transition takes place, it is evident how the living, movement, spaces for activities, level of privacy and boundary is brought to a minimum.
The illustration depicts the cramped living conditions in relation to the wider conte t of ong ong. ne of the root causes for the crisis is only of total land being oned for housing. The grey areas around are unbuilt land such as historical locations, natural parks, retail, commercial, uneven terrian, etc. The drawing shows how all of ong ong s housing is concentrated within a small space, taking away most of its potential for public spaces.
The left shows Hong Kong’s comfortable living condition whereas the right transitions into its unacceptable living conditions - subdivided flats, coffins and cubicles. The left has enough space for one unit, wider streets and more potential for public open spaces. The right shows a densely populated area with a mi ed use of space. ot enough space for one person, and no space whatsoever for public open spaces. As the city transitions, it is seen to be approaching a situation of darkness, which shows the large percentage of the population that is confined to these areas and how it affects their state of mind.
HONG KONG HOUSING CRISIS STUDY ON SPATIAL IMPLICATIONS
THE PROJECT GROW IN THE GRID
Housing is a basic human right. It should be available to everyone. At present, most people have basic shelters, but what makes it a home, their home is the sense of ownership and belonging that the house gives them. The project located in Al Rigga, Dubai - aims to set a li est le e ample b ede ning standa d housing th ough a sel build s stem that ts di e ent use e ui ements Units are grown along a grid that enables constant change. Every resident gets their own living cube and a bicycle. They grow their own produce in communal farms that are sold in a resident-run farmer’s market. The system as a whole works together to give the user a sense of belonging within that community and the green cubes add to communal spaces and enhance the wellbeing of the user. In addition, the project also focuses on the wider context by bringing in the public through cycle paths, public spaces and the farmer’s market in order to cater to the wider public of Rigga.
SELF-BUILD
EASY TO ENTER
EASY TO LEAVE
alls o the a me s ma ket block a e built using white e t uded pol u ethane panels ed to the steel frame. The living cubes are also be built with extruded polyurethane panels which will come as a kit o pa ts that t togethe with basic building tools his can easil be built in a day by the user. Once the user decides to move out, the living cube is can be dismantled and stored for the next coming user, making it a sustainable option.
First floor
Fresh food restaurant Communal farms Communal kitchen+dining Green spaces Living cubes
Public 1 Public 2 Semi private 1 Semi private 2 Semi private 3 Private
Public users
Residents
Ground floor
Public spaces Cycle paths Farmer's market Communal farms Communal kitchen+dining Green spaces Living cubes
growth of units along grid
growth of units along grid
form communities
form communities
sense of belonging
sense of belonging
Empty grid
Empty grid
Users begin building cubes Users begin building cubes
Growth of community
Single cluster
Growth of community
Single cluster
Part time Part time working working student student
Fast food Fast food employee employee
University University student student
Young Young professional
professional
Family of 3 Family of 3
Single pro- Single professional
fessional
Family of 3
Family of 3
University student
University student
Growth of community
Growth of community
THE INTERLOCK ARCHITECTS’ HUB SOFTWARES: RHINOCEROS, ADOBE PHOTOSHOP YEAR 3
SITE GATE VILLAGE, DIFC
OCAL CONTEXT - DUBAI AND DIFC
ITE ANALYSIS
SITE ANAL
During 80s and 90s, Dubai’s goal was to become the Economic hub or centre of the world. At the time, Dubai exempted trade for foreign countries, due to which a large number of countries used it as a node in their routes.Dubai became a node that interlocks the rest of the world. In recent years Dubai is also known to be a major holiday destination as well as sports hub. The Architecture hub could play a very similar role in Gate village and in DIFC altogether.
CENTRAL GALLERY SPACE WING D WING D
WING E
WING E WING C
WING C
CENTRAL GALLERY SPACE
CENTRAL GALLERY SPACE
WING B
WING B WING A
CENTRAL GALLERY SPACE WING D WING C WING E
WING A WING D
WING C WING E
WING B
WING B
WING A
WING A
GALLERY - EXPLODED AXONOMETRIC
GALLERY - EXPLODED AXONOMETRIC GALLERY - EXPLODED AXONOMETRIC
SITE PLAN SCALE 1:500 1:250 SCALE
THE INTERLOCK ARCHITECTS HUB The primary aim of the Architecture Foundation is to try and act as an example to make a shift in the way we think of architecture, to Dubai and extend this to the rest of the world. It demonstrates how buildings can be designed to bring about a strong indoor-outdoor connection with the use of built and non-built(green) spaces.
FO NDA ION AND ORE
GRO ND FLOOR
FIRS FLOOR
AFE
7
8
9
1.Prayer room 2. Prayer room
Although DIFC has been built as a united district on its own, we do not really see much unity when we walk around. Almost all functional and communal spaces such as restaurants, breakout spaces, etc. are either pushed under- ground or to the roofs. So when we walk along the outdoors, there is little or not life and character.
4. Archive (access from above studio) 4
FINAL PROPOSAL FINAL PROPOSAL SE OND FLOOR DESIGN S
N
DIOS LIBRAR
IRD FLOOR OFFI ES
FO R
1
FLOOR DEBA E SPA E
6
2
24.3m
3
18m
6.Cafe outdoor 7.Workshop outdoor access 8. Hallway - Design studios 9. Library entry
12. Gallery wing E 13. Debating black box space 14. Debating space - outdoor access 16. Gallery wing B 17. Gallery meazzanine
he chitectu al oundation is able to ha e that one unction o ualit that the crowd needs, it would be able to have that pull over the crowd. But at the same time, having an exclusive feature that no other building in DIFC has. If every building is a “stand alone”, the Foundation should THAT “stand alone” that invites everyone towards it. G
OOR ORE
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FINAL PROPOSAL FINAL PROPOSAL FIRS FLOOR
AFE
FIF
FLOOR AND ABO E GALLER
GRO ND FLOOR
FIRS FLOOR
AFE
A B
D E
FINAL PROPOS
DRAWINGS
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OFFI ES
FO R
DIOS LIBRAR
FLOOR DEBA E SPA E
IRD FLOOR OFFI ES
FO R
FLOOR DEBA E SPA E
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R
FIRS FLOOR
ORE
FINAL PROPOSAL GRO ND FLOOR
FIRS FLOOR
AFE
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W
FIF
FI ES
A B
14
42.9m
W
A B
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11
36.6m
D E
FLOOR AND ABO E GALLER
FO R
DIOS LIBRAR
13
D E
R
E GALLER
49.2m
AFE
FLOOR DEBA E SPA E IRD FLOOR OFFI ES
FIRS FLOOR
FO R
FLOOR DEBA E SPA E
AFE
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1.Prayer room 2. Prayer room W
FIF ES
GALLER
A B
FO R
4. Archive (access from above studio)
D E
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E GALLER
W
A B
D E
4
6
24.3m
FLOOR AND ABO E GALLER FLOOR DEBA E SPA E
1
W
A B
D E
2
3
18m
6.Cafe outdoor 7.Workshop outdoor access 8. Hallway - Design studios 9. Library entry 12. Gallery wing E 13. Debating black box space 14. Debating space - outdoor access 16. Gallery wing B 17. Gallery meazzanine
SECTIONAL SPACE CASE STUDY - JAPANESE HOUSE SOFTWARES: RHINOCEROS, ADOBE PHOTOSHOP YEAR 3
MA OF WIND Ryuichi Ashizawa
House plot Road access Adjacent plot
1 2
Ma is a Japanese word which can be roughly translated as “gap”, “space”, or “the space between two structural parts.” It suggests ‘interval’. It is best described as a consciousness of place, not in the sense of an enclosed three-dimensional entity, but rather the simultaneous awareness of form and non form deriving from an intensi cation of vision.
3 4 5 6
Ma is not something that is created by compositional elements; it takes place in the imagination of the human who experiences these elements. Therefore, ma can be de ned as experiential place understood with emphasis on interval. 7
GR UND
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JAPANESE ARCHITECTURE apanese architecture has been typi ed by wooden structures, elevated slightly off the ground, with tiled or thatched roofs. Sliding doors (fusuma) were used in place of walls, allowing the internal con guration of a space to be customized for different occasions. eople usually sat on cushions or otherwise on the floor, traditionally; chairs and high tables were not widely used until the 20th century. Since the 19th century, however, Japan has incorporated much of Western, modern, and post-modern architecture into construction and design, and is today a leader in cutting-edge architectural design and technology.
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THE DESIGNER - Ryuichi Ashizawa Ryuichi Ashizawa was born in Kanagawa in 1971. After graduating from Waseda University in 1994, he worked for Tadao Ando Architect & associates. e started his own rm, RYUICHI ASHIZAWA ARCHITECTS & associates, in 2001. Ryuichi Ashizawa has been awarded with SEVERALnational and foreign awards, such as The Sustainable Housing Awards Housing Finance Agency Awards, JIA Environment
IRST
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SECTI N A-A
SECTION A-A SCALE 1:10
GLIDE AL WATHBA WETLANDS BIRD SPOT INTERVENTION SOFTWARES: RHINOCEROS, ADOBE PHOTOSHOP YEAR 2
E E
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OBSERVATION TOWER
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PROPOSAL
FINAL STRUCTURAL SYSTE D
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Al Wathba Wetland located in Abu Dhabi is a great location for bird watching, especially for spotting FINAL STRUCTURAL SYSTE flamingos due to the several migration routes D
irculation integrated with structural system. irculation also integrated with design. Iconic but at the same time toned in neutral colors to merge with sandy tones and browns of vegetation.
i
uter
ED E
nner
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After joining both A and
A CIRCULATION
ood plastic composite
IG LIG
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FINAL STRUCTURAL SYSTE
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After joining both A and
A
KEY FEATURES
LE
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E
IG LIG
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ED E
ii
nner
ustainable, pre cast to avoid disturbances caused by construction.
mooth transition from boardwal and flow completely regulated by ramps ma ing it disabled friendly.
it
After joining both A and
A
The observation tower is not to be conceived as a building isolated from the landscape, iti is one which blends into the surroundings along with its FINAL STRUCTURAL SYSTE trails. The D connected boardwalk following existing A aim throughout this project is to achieve a design that is in sync with all the design lenses and one i that emerges as an Iconic structure to the public
very alternate landing acts as a viewing point oriented to different directions to maximise all views. Allows children to hang bird beeders, opportunity for closer interaction with wildlife.
ember I
uter
ii
ember II
nner
ember I
ntry from boardwal
ELEMENTS OBSERVATION TOWER MODULAR BOARDWALK VISITOR›S CENTRE Adding
to ensure more support
oining detail Adding to ensure more support After joining both A and
ii
Adding
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oining detail
members to ground.
Adding
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to ensure more support
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ixingnner members to ground.
ember I
ember II
ember I ember II
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to ensure more support ii
The tower also has a plus function. At the visitor’s iii centre, children have the opportunity to build their own DIY-Bird feeders. They can then carry these AL STRUCTURAL SYSTE bird feeders to the tower and hang them on the After joining both A and A railings specially designed to accomodate the bird feeders,overall enhancing the whole experience ii for all age groups i
members to ground.
nner ember I
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After joining both A and
Adding i
ixing
ED
ixing
members to ground.
iv
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to ensure more support
FINAL STRUCTURAL SYSTE D
ixing
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ember II
oining detail
members to ground.
iv
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oining detail
oining detail
ember II
LEVEL 2 AT +6.5m LVL SCALE 1:50 AT A2
SECTION B B SCALE 1:50 AT A2
OBSERVATION TOWER PROPOSAL
DESIGN DEVELOPMENT EXPERIMENTING WITH STRUCTURAL SYSTEMS
SI E ELEVATION SCALE 1:50 AT A2
The structural system is implemented in such a way that the structure becomes a part of the overall form and design of the observation tower The rst loo at the structure ma es it seem uite comple but when ou loo closel it is actuall uite simple, almost sculptural SECTION A A SCALE 1:50 AT A2
E
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ELE LE
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TOTYPING PROTOTYPING
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PROTOTYPING
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ROTOTYPING
IN E O
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IN O
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BOARDWALK
GLIDE MODULAR BOARDWALK
PROPOSAL
KEY ARRANGEMENT
DECKING
BOARDWALK
PROPOSAL
DECKING
S
MODULES
VARIABLE LENGTH
VARIABLE LENGTH
PLANT BOXES [Act as railing/barrier]
OXES s rrier]
SECTION A-A
SECTION B-B
OOD DECKING
FRAME WORK
R
SECTION A-A
JOINTS
WOOD DECKING FRAME WORK T
WITHOUT DECKING
A
SECTION B-B
oardwalk runs through the building, acts as a courtyard and at the same time bridges the gap between the actual trail and the visitor’s centre
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GLIDE VISITOR’S CENTRE 28
A STEP BACK MINI-LIVING COMPLEX SOFTWARES: RHINOCEROS, ADOBE PHOTOSHOP YEAR 3
NCES: INDIVIDUAL Architectural Style Architectural Style It is evident that the architectural style Itthat has been in thesestyle buildings from is evident thatadopted the architectural that hasare been adopted in these buildings are from traditional Emarati architeture and is atraditional contemporary take on it, in and order cater to the take on it, in order to cater to the Emarati architeture is atocontemporary needs and mindsets of the current people. and mindsets of the current peo- ple. needs We can alsothat see are the more color and tonestowards being used that are more inclined towards projectWe can also see the color and tones being used inclined projecting a desert vibe and aesthetic. ing a desert vibe and aesthetic. Overall Size And Shape Overall Size And Shape of these low rise All of these buildings are low rise withAll maximumbuildings 3-4 oorsare since theywith are maxall ofimum a villa3-4 ty- oors since they are all of a villa typology. pology. Openings
Openings They mostly have smaller openings in order to withstand summer heat as well as for privaThey mostly have smaller openings in cy order withstandimportant summer in heat asculture. well as for privathat to is extremely UAE SITE INDIVIDUAL cy INFERENCES: that is extremely important in UAE culture. Materials
ectural Style
ll Size And Shape
ngs
E
Materials Most of the buildings are made of concrete or masonry walls as we generally see in the rest of or Dubai. Most of the buildings are made of concrete masonry walls as we generally see in the rest of Dubai. Users
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Most of the older villas in the neighborhood are owned by the locals of the country. We Users can assume that they built inof much years Most of the older villas in the neighborhood are owned bywere the locals the earlier country. Weand later rented out to expats since the original owners moved towards the newer, more urban areas of the city. can assume that they were built in much earlier years and later rented out to expats since The residential villas are mostly occupied by one large family or a couple of small families the original owners moved towards the newer, more urban areas of the city. with temporary partitions, etc. The sharing quarters have been occupied mostly by bacheThe residential villas are mostly occupied by one expats. large family or a couple of small families lors, mostly with temporary partitions, etc. The sharing quarters have been occupied mostly by bachelors, mostly expats.
SITE AL MANKHOOL, DUBAI
als
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SITE P
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A
A Approx.
Bath
esidential tudio apartments x Kitchen edroom apartments x
50 m2 each 100 m2 each
uLiving licand Bedroom ommunal itchen and dining utdoor itchen and dining Outdoor ourtyard space ooftop gardens
u lic 100 m2 110 m2 110 m2 200 m2
2 BED - I
2 BED - II
S
This living complex design is an attempt to take a step back and try to bring back some o the good ualities o li e om the past Focusing mainly on two factors - outdoor and community living, and sustainability
Kitchen
Dining
STUDIO II
COURTYARD
STUDIO I
STUDIO IV
C
Bedroom Living room Bath Kitchen
Bedroom Outdoor space
STUDIO III
COMMUNAL DINING
A group of people to come together here, who have one vision about changing their way of life. In order to lead a more sustainable lifestyle to the best of their abilities. Something as small as making a choice to not use a product that has not been produced in a sustainable way or changing how you do certain things, which can go a long way in making a difference to our surroundings If a group of people who have the same vision come to live together, it would give them a sense of belonging and it would directly contribute to community living ualities and a lot o inte action and socialising
1 E C O O S S S S C
I II
A
A
A A A A
I II III IV
1
1
A
I ST LOO LAN SCALE 1:100
A
O N LOO LAN SCALE 1:100
Back Back home, home, EVENINGS EVENINGS
greengreen spacespace
7. Chill 7. Chill in theinpark the park
4. Go4.back Go back into studio, into studio, dressdress for Work/Uni for Work/Uni
8. Movie 8. Movie nightnight in lounge in lounge area/area/ Barbeque Barbeque - outdoor - outdoor dining dining spacespace
SITE LAN SCALE 1: 00 Common Common kitchen, kitchen, dining, dining, douledoule heightheight spacespace Rooftop Rooftop garden garden
Outdoor Outdoor space,space, greengreen
Double glazed windows
Rammed earth walls
MATERIALS MATERIALS
ROOFTOP ROOFTOP COMMUNAL COMMUNAL FARMS FARMS Apartment balcony
Apartment balcony
WINDOW WINDOW - WALL - WALL RATIO RATIO
VERTICAL GARDENS IN BALCONY VERTICAL GARDENS IN BALCONY
North
Courtyard
COURTYARD ORIENTED TO NORTH COURTYARD ORIENTED TO NORTH
SHADING BUILDINGS SELFSELF SHADING BUILDINGS
ELEVATION A SCALE 1:100
ELEVATION SCALE 1:100
SECTION A-A SCALE 1:100
SECTION SCALE 1:100
RESONANCE MUSIC HUB SOFTWARES: RHINOCEROS, GRASSHOPPER, ADOBE PHOTOSHOP YEAR 4 - GROUP PROJECT [ FIRST RUNNER UP - HERIOT-WATT UNIVERSITY ANNUAL COLLABORATIVE PROJECT SCHOOL OF ENERGY, GEOSCIENCE, INFRASTRUCTURE AND SOCIETY ]
View from entrance
ARCHITECTURE: Fathma Nazmeen, Shreya Sathyanathan ARCHITECTURAL ENGINEERING: Banzir Hazra, Zainab Baker, Lubna Omar CIVIL ENGINEERING: Howaine A. Latchman
RESONANCE Group 3
ormal block
ng trusses
Auditorium
Cafe
Rails
Formal block
Retractable canopy Formal block 1
Live stage
Formal block G
Music centre Rails
The vision for this project was to create a musical hub to bring together all the local and up-and-coming artists of UAE. Whether you’re a complete beginner or a rising star looking to gain some publicity, Resonance has something to offer you. layout The entire project layout is tied together by visual and physical links to the live arena. As this live arena is open air, we have introduced a retractable ETFE canopy that can slide over rails and shad the area during the summer months as well as other passive strategies including a shallow Retractable canopy water body to bring down the temperature of the area. Target group Performance centre that acts a platform for people of all ages and backgrounds to come together to form a supportive musical community in Bowstring trusses Raft foundation the heart of Dubai Hub for upcoming local musical talents and groups and also an academy that trains musical enthusiasts in various instruments and vocals
Retractable canopy
Cafe
Facade elevation
Civil Engi Building Codes and standards used in design. BS EN 1990:2002 - Eurocode 0: Basis of structural design
Rehearsal block
BS EN 1991-1-1:2002 - Eurocode 1: Actions on structures. General actions : Densities, self-weight, imposed loads for buildings Retractable canopy
The entire project layout is tied together by visual and physical links to the live arena. As this live arena is open air, we have introduced a retractable Main stage foundation ETFERaftcanopy that can slide over railsFacade and elevation shad the area during the summer months as well as other passive strategies including a shallow water body to bring down the temperature of the area
BS EN 1993-1-1 :2005 – Eurocode 3: Design of steel Structures
View from entrance
BS EN 1992-1-1:2004 (E) – Eurocode 2: Design of concrete structures BS EN 1997 - Eurocode 7 - Geotechnical design
Live stage Media lab
Main Perfor
Material Choices Viewing lobby
Concrete C30/37 Water reducing admixtures Reinforced with steel rebar.
Civil Engineering Auditorium and Live stage
Building Codes and standards used in design. BS EN 1990:2002 - Eurocode 0: Basis of structural
Soil data
The artificial island consists of Slightly Mini silty toAuditorium silty,
RESONANCE Group 3
ARCHITECTURE: Fathma Nazmeen, Shreya Sathyanathan ARCHITECTURAL ENGINEERING: Banzir Hazra, Zainab Baker, Lubna Omar CIVIL ENGINEERING: Howaine A. Latchman
The vision vision for waswas to create a musical hub to hub bringtotogether all the The forthis thisproject project to create a musical bring together all the local and up-and-coming artists of UAE. local and up-and-coming artists of UAE. Whether you’re a complete beginner Whether you’re a complete beginner or a rising star looking to gain or a rising star looking to gain some publicity, Resonance has something to some publicity, Resonance has something to offer you. .offerentire you project layout is tied together by visual and physical links to The the live arena. As this live arena is open air, we have introduced a retractable ETFE canopy that can slide over rails and shad the area during the summer months as well as other passive strategies including a shallow water body to bring down the temperature of the area. Target group
Performance centre that acts a platform for people of all ages and backgrounds to come together to form a supportive musical community in the heart of Dubai Hub for upcoming local musical talents and groups and also an academy that trains musical enthusiasts in various instruments and vocals
Bowstring trusses
Raft foundation
Facade elevation
Building Codes and standards u
BS EN 1990:2002 - Eurocode 0: Basis design
BS EN 1991-1-1:2002 - Eurocode 1: A structures. General actions : Densiti imposed loads for buildings
BS EN 1993-1-1 :2005 – Eurocode 3: Structures
Main stage
BS EN 1992-1-1:2004 (E) – Eurocode concrete structures BS EN 1997 - Eurocode 7 - Geotechn
Li stage Live stage Media Li stage lab
Li stage
Viewing Li stage lobby
Material Choices Concrete C30/37 Water reducing admixtures Reinforced with steel rebar.
Steel
Cold Rolled Rectangular Hollow Se From recycled steel
Aluminium Used for Facade
Grey water recycling
Solar panels
Glazed windows 3D SECTION
Facade section
RELATED WORK DIGITAL AND PHYSICAL MODELS DIAGRAMMING WORKING DRAWINGS SKETCHES SOFTWARES: AUTOCAD, RHINOCEROS, ADOBE PHOTOSHOP YEARS 1- 4
BURJ BURJALALARAB ARAB
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1
1
SECOND LEVEL PLAN
GROUND LEVEL PLAN
THIRD LEVEL PL
SCALE 1:200
SCALE 1:200
LLA A
archi GROUND LEVEL PLAN
5
5
1
A RA URBAN DIAGRAMS
3
6
2
SCALE 1:200
A
4
6
URBA
B
1
4
3
C
3
5
LLA A
3
4
D
SCALE 1:200
4
4
3
3
2
2 1
1
architectural represen
SECOND LEVEL PLAN
GROUND LEVEL PLAN
SCALE 1:200
SCALE 1:200
lla
E
D
C
B
E
A
D
C
B
A
E
6
6
6
5
5
5
D
C
B
A
A-01
la
u
5
5
5
4
4
4
3
3
3
2
2
2
1
1
1
SECOND LEVEL PLAN
GROUND LEVEL PLAN
SCALE 1:200
SCALE 1:200
THIRD LEVEL PLAN SCALE 1:200
A-03
PROTOTYPING PROTOTYPING
LE LE
E E
IG LIG IG LIG
ED ED I G I G
IN O
IN O
PHYSICAL MODELS
Fathma Nazmeen
PORTFOLIO RIBA PART - I
fathmanazmeen@outlook.com https://www.linkedin.com/in/ fathma-nazmeen-b10619155/