TRUTHSCOLLIDING

Exit12 Company Artists

Jafet Reinoso

Artist

Jafet Reinoso, born in Santo Domingo, graduated from the National Dance School of the Dominican Republic and joined the Dominican National Ballet at the age of 18 years old where he worked as corps de ballet and performed as a soloist. Jafet has danced for Pittsburgh Ballet Theatre and American Liberty Ballet and independent choreographers and currently dances for Connecticut Ballet as a soloist

Nicholas Cunha

Artist

Nicholas Cuhuna is incredibly grateful to be returning to Exit12, and to continue to create and perform such meaningful and impactful works Credits – New York: Cherubini’s Requiem (Lincoln Center), Macbeth (Circle in the Square). Regional: On Your Feet! (Paper Mill Playhouse), White Christmas (Shaw Festival), Disney’s Hunchback of Notre Dame (Quasimodo, Toronto Premiere) Film/TV: PJ Masks (Disney Junior). Concert Performances: The Rolling Stones (50 & Counting Tour), Cirque du Soleil (Luzia). Originally from Toronto, Canada, Nicholas is a graduate of the University of Toronto Political Science program and Circle in the Square Theatre School in New York City

LIZ K. FREEMAN Artist, Safeguarding Lead

Liz K. Freeman is the Lead Dance/Movement Therapist for Creative Forces: NEA Military Healing Arts Network. She lives in Washington, DC where she works at a brain injury and psychological health treatment center, and she just became an auntie!

Exit12 Special Guest

Peter Meineck

Director Warrior Chorus, Antigone

Peter Meineck holds the endowed chair of Associate Professor of Classics in the Modern World at New York University He specializes in ancient performance, cognitive theory, Greek literature and culture and humanities public programming. Professor Meineck received his PhD in Classics from the University of Nottingham and his BA (hons) in Ancient World Studies from University College London In addition to his academic career he has worked extensively in the professional theatre in New York and London, founding Aquila Theatre in 1991. His national public programs have earned a Chairman’s Special Award from the National Endowment for the Humanities and numerous grants from the National Endowment for the Arts, New York State Council on the Arts, the New York City Department of Cultural Affairs, The Hayden, Onassis and Mid Atlantic Arts foundations, among others. These programs include Ancient Greeks/Modern Lives, The Warrior Chorus and Shakespeare Leaders in Harlem He has also directed, and or produced over 50 productions of classical plays at venues as diverse as Lincoln Center, Brooklyn Academy of Music, Carnegie Hall, The Ancient Stadium at Delphi and the Bush and Obama White House. His productions of classical drama have toured extensively throughout North America and Europe.

Professor Meineck has published widely in the field of ancient performance, his most recent works include a new translation of Aristophanes' Frogs (Hackett 2021), The Routledge Handbook of Classics and Cognitive Theory (Routledge 2020), and Theatrocracy: Greek Drama, Cognition and the Imperative for Theatre (Routledge 2017). He has published numerous translations of Greek plays and had several of his translations and adaptations produced on the professional stage. His translation of Aeschylus' Oresteia was awarded the 2001/2 Louis Galantiere Award by the American Translators Association. He is also Honorary Professor of Classics at the University of Nottingham and has held fellowships at Princeton University, the Harvard Center for Hellenic Studies, the University of California San Diego and the Onassis Foundation.

Among the awards he has received, are the 2009 NYU Golden Dozen Teaching Award, a 2009 Humanities Initiative Team Teaching Award, the American Philological Association Outreach Prize, and the Outstanding Teacher Award at USC. He also serves as a firefighter and emergency medical technician in New York and is currently the Rescue Captain with the Bedford Fire Department

Professor Meineck teaches ancient drama, ancient theatre production, classical literature and mythology, ancient war and society, global literature, theatre history, Shakespeare, cognitive theory as applied to ancient studies and drama, dramaturgy, directing, acting, arts administration, and applied theatre.