local councils brought increasing regulations, including a demand for a full mining licence, even though the “miners” were often children with a bucket and pick. In 1999, while seeking permission to possibly subdivide 5 of the farm’s 21 acres at the back of the property, they were instead ordered by the council to close the farm as a tourist attraction, despite still holding the café licence. The property was divided, and Robyn Green also assures us there are still plenty of thundereggs on her section. The Sunshine Coast lost a valuable family tourist attraction. Parents regret that their children will never know the same fun they once enjoyed. Terry and Diane have since spent 13yrs with Pomona Meals on Wheels and remain involved in the community. They hold many fond memories of Eumundi, its characters of those days and the happy children who came fossicking. The biggest thunderegg known in the world still has pride of place in Terry and Di’s garden. Eileen Walder
George Courtney – the best of men On 8 August 2026 George Courtney left this earth aged 96, but the legacy he leaves will live in memories for Noosa Arts Theatre (NAT) members, audiences, visitors and backstage crews for years to come. Born in Ireland, George migrated to Sydney with his parents in 1950. He later met the love of his life Margaret at an office Christmas party. The couple married in 1979 and moved to Peregian in 1991. When Margaret joined Noosa Arts Theatre and became its “wardrobe mistress”, she encouraged George to become involved too. From 1992, George designed and created sets for over 80 productions. His creative eye and remarkable talent as a professional artist, honed at East Sydney Technical College in his 20s, drew gasps of admiration and applause.
Whether recreating a Shakespearean theatre, an Edwardian drawing room, outback Australia, 10 scene changes for a pantomime, or multi-tiered, reversible backdrops for rapid musical transitions, George brought every stage world vividly to life. George and good mate Nelson Tomlin, aided by the “secret men’s business” crew of carpenters, handymen and willing volunteers, spent Tuesdays, Thursdays and many weekends creating theatre magic. If a scene called for a portrait or a special landscape on the wall, George would create it. He was a director’s delight, accommodating requests or good-naturedly explaining why his idea worked better. A Life Member of NAT, George was treasured for his gentle manner, quick humour and kindness. His devotion to Margaret was evident in every way, including his complete support as their home overflowed with the dozens of costumes she created for each production. Together, they gave generously to the theatre and to the people around them. Playwright David Williamson said, “George was a wonderful person and so very generous with his time and talent. He built some terrific sets for my plays, and it was a great pleasure to know him.” Others wrote, “The world truly was more wonderful with him in it. He will never be forgotten, as he enriched the lives of those of us lucky enough to spend time with him. He was the best of men. The world needs more Georges in it.” Above all, he was Margaret’s proud and loving husband, a cherished stepfather to her daughters, and an absolute legend to all who were blessed to know him. Eileen Walder
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