EugeneTiong_Portfolio1

portfolio/

by Eugene Ing Hang Tiong

about me.

HI THERE! Hello, I’m Eugene Tiong, an overseas architecture student currently pursuing my master ’s degree with a focus on Social Impact Design at the University of Western Australia. This follows the completion of my bachelor ’s in environmental design in 2022.

To me, architecture transcends mere structures and spaces; it serves as a profound expression of people and communities. I firmly believe that its impact goes beyond the physical realm, influencing lives and shaping individuals’ experiences of the world.

This belief propels my commitment to creating designs that deeply resonate with the human experience.

Within this portfolio, you’ll find a curated selection of drawings from my most recent academic architectural design projects. Each piece represents a culmination of my skills, creativity, and dedication to the craft. As you navigate through these pages, I invite you to witness my journey and share in the passion driving my pursuit of meaningful and impactful architecture.

Name: Eugene Ing Hang Tiong Date of birth: 06|05|2000

Now, I am eager to step into the next phase of my journey — an engaging internship or part-time position allowing me to contrib-

Nationality: Malaysian

ute my skills and passion to real-world projects. Excited about the

Email address: eugenetiong56@gmail.com

prospect of contributing to the field, I am open to potential work

Mobile phone: +61 477 636 080

opportunities aligned with my aspirations.

Address: 230 Hampden Rd, Crawley WA 6009 Thank you for taking the time to explore my portfolio!

cv.

Education 2022 - Present

Master of Architecture [Focus area in Social Impact Design] - The University of Western Austalia

2019 - 2022

Bachelor of Environmental Design - The University of Western Austalia

2013 - 2018

The Unified Examination Certificate - Catholic High School, Malaysia

Exhibitions/Catalogue Summer Exhibition 2023, UWA School of Design 15 Nov 23 - ARCT5202 Detailed Design Studio 2_Studio Timor 4_Artisan Oasis

[Exhibition + Catalogue]

- ARCT5885 Bio-Based Materials In Global Settings_ ‘A’ Design Pitch Competition_Natural Pavilion

[Exhibition]

- ARCT5536 Photo Real Rendering_Idyllic Cabin Getaway_Grapevine Getaway

[Exhibition]

Winter Collective 2023, UWA School of Design 14 Jun 23 - ARCT5201 Detailed Design Studio_Crisis Studio 6:Material Matters_BCP Centre

[Exhibition + Catalogue]

Summer Exhibition 2022, UWA School of Design 16 Nov 22 - ARCT5101 Architecture Studio_Adaptive Reuse:Post-2032 for Fremantle Port_Co-living FREO

[Exhibition + Catalogue]

Winter Collective 2022, UWA School of Design [Exhibition + Catalogue]

10 Jun 22 - ARCT3000 Architecture Studio 3_Shekou Maritime Museum_The Disappeared Shekou Fishing Port

Summer Exhibition 2021, UWA School of Design [Exhibition]

17 Nov 21 - ARCT3001 Architecture Studio 4_How will we live together?_Chimpanzee House - ARCT3030 Construction_Krook Media Library_Structural analysis

[Exhibition]

- ARCT3040 Advanced Design Thinking_Perth Place

[Exhibition]

Winter Collective 2021, UWA School of Design [Exhibition]

10 Jun 21 - ARCT2000 Design Studio_Homelessness_House L

Summer Exhibition 2020, UWA School of Design 18 Nov 20 - ARLA2001 Design Studio_Drawing out,drawing in_Astronomy Centre

[Exhibition]

Achievements/Awards Commendation - ‘A’ Design Pitch Competition 2023 [UWA] Nominated for the Australia-China Leading Scholars Program 2023 [UWA] Midland Brick Prize - 2022 Design Prize Awards [UWA] Awarded to the student who has the best overall academic performance upon completion of the course for the degree of Bachelor of Design with majors in Architecture and Integrated Design.

Software Skills Adobe Illustrator

Autodesk Autocad

Rhino

V-Ray

Adobe Indesign

Autodesk 3ds Max

Sketchup

Lumion

Adobe Photoshop

Grasshopper

contents.

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01. ARTISAN OASIS

Artisan Oasis in Timor-Leste is a cultural stronghold preserving traditional craftsmanship, with an architectural design embodying the ‘Inheritance’ ethos and symbolizing the coexistence of nature and tradition, while serving as a sanctuary that blends past and present, fostering cultural rejuvenation and inspiring future generations.

14 - 17

02. CO-LIVING FREO

The iconic post-WWII Fremantle Port Authority building in Perth transforms into student housing and apartments (Co-living FREO) upon decommissioning in 2032, featuring innovative external circulation, diverse housing options, and a focus on communal areas to improve living conditions and urban circulation in Fremantle.

18 - 25

03. BCP CENTRE

Crisis Studio 6 explores the role of architecture in addressing climate change through the Beaconsfield Community Pavilion [BCP] Centre, emphasizing sustainable material selection, climate-responsive design principles, and innovative prefabrication practices for rapid construction with a low-carbon footprint, showcasing a model for community empowerment and environmentally conscious architecture.

26 - 31

04. SHEKOU MARITIME MUSEUM

The Shekou Maritime Museum in Shenzhen’s Nanshan District, once a national fishing port, now strategically preserves the historical significance of Shekou Fishing Port in the Shenzhen Bay Coastal Leisure Zone through its unique Corten steel design mimicking old fishing boats, featuring segmented spaces, a transitional lobby, and innovative use of openings and skylights for a futuristic atmosphere.

32 - 37

05. GRAPEVINE GETAWAY

Crafting a 75m2 sustainable cabin for Willow Bridge Estate, a family-owned winery in Western Australia, involves utilizing Photorealism skills with Autodesk’s 3D Studio Max, VRay, Forest Pack, and Photoshop Generative Fill. The design prioritizes features such as a rainwater collection system, solar panels, extended eaves, and operable louvres for an eco-friendly off-grid living experience.

38 - 43

06. NATURAL PAVILION

Group Work - Introducing a revolutionary pavilion, constructed with mycelium and Chidori joint technology, that seamlessly integrates sustainable architecture, offers versatility for various uses, prioritizes eco-friendly design with easy assembly, and sets a forward-thinking standard for advanced construction techniques.

44 - 47

07. DE KROOR_CONSTRUCTION STUDIES

Analyze De Krook Library in Ghent using two- and three-dimensional analyses, with an emphasis on understanding structural elements, services, materials, and assembly.

A selection of projects from my most recent academic architectural design projects at The University of Western Australia, School of Design.

I acknowledge the Traditional Owners of the land where I work and live. I pay my respects to Elders past, present and emerging. I celebrate the stories, culture and traditions of Aboriginal and Torres Strait Islander Elders of all communities who also work and live on this land.

Designed and edited by Eugene Tiong.

01

ARTISAN OASIS

Studio Location: Dili, Timor-Leste Project Type: Public/Education Unit Code: ARCT5202 Studio Coordinator: Dr Rosangela Tenorio

‘Studio Timor 4’ In Timor-Leste’s evolving landscape, Artisan Oasis stands as a cultural stronghold, preserving traditional craftsmanship in Tais making, woodwork, ceramics, and basketry.

By retaining key elements of the site and drawing inspiration from the revered Uma Lulik and symbolic Tais, the architectural design embodies the ‘Inheritance’ ethos, integrating indigenous elements and mountainous forms. The site’s three volumes and organic landscaping symbolize the coexistence of nature and tradition. The Design Library, with its dynamic public spaces and private artist residences, reflects Timorese culture’s vitality.

Beyond a repository, Artisan Oasis is a sanctuary blending past and present, fostering cultural rejuvenation in the heart of Timor-Leste, echoing collective memories and inspiring future generations.

Image: Artisan Oasis - main entrance.

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Garden

Static Space

Display/Study Area

Residence

i-Pub Publ lic ic

Extract the massing to create a double-height volume

Dynamic Space Working Area

Sem

ic

Publ

Priv ate

Sem

i-Pub Publ lic ic

lic i-Pub Sem blic Pu

Parking

1. Building massing & Zoning

2. Connection & Vertical access

Image: Artisan Oasis - [Left] diagrams, plan & section; [Right] selected renders.

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3. Roof Installation

4. Tais Installation

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Image: Artisan Oasis - [Top Left to Right] selected renders, exploded axonometric; [Bottom Left] sectional perspective; [Right] details.

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02

CO-LIVING FREO

Studio Location: Fremantle Perth, WA Project Type: Adaptive Reuse - Residential Unit Code: ARCT5101 Studio Coordinator: Dr Sally Farrah

‘Adaptive Reuse:Post-2032 for Fremantle Port’ Fremantle Port Authority, an iconic post-WWII building in Perth, undergoes a transformation into student housing and apartments as it is decommissioned in 2032.

Co-living FREO introduces external circulation, enhancing flexibility and creating a communicative system on the exterior. This innovative approach fosters a transition between private and public spaces. The project offers diverse housing options, emphasizing communal areas to encourage community formation. Student accommodations feature private, semi-private, and public spaces, each with a balcony for co-living flexibility. The family apartment, inspired by Fremantle housing typologies, provides private spaces and a large balcony. Co-living FREO revitalizes residential typologies, improving living conditions and urban circulation in Fremantle.

Image: Co-living FREO - sectional perspective.

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Image: Co-living FREO - [Left] selected plans; [Right] plan oblique.

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03

BCP CENTRE

Studio Location: Beaconsfield Perth, WA Project Type: Public Unit Code: ARCT5201 Studio Coordinator: Gemma Hohnen

‘Crisis Studio 6: Material Matters’ What can architecture do for climate change? Crisis Studio 6 explores the role of material selection and ways of designing in the context of a community centre to minimise the impact on the remnants of our natural environment, focusing on addressing climate change challenges.

Beaconsfield Community Pavilion [BCP] Centre, designed with climate-responsive principles and community engagement, prioritizes sustainable materials like timber and hempcrete. The three pavilions, prefabricated offsite for rapid construction and minimal disruption, foster social cohesion through a circular economy for adaptability. The flat roof design integrates passive strategies and solar panels, ensuring a low-carbon footprint. Rainwater capture, ground frame pin foundations, and embankments minimize environmental impact. BCP Centre showcases ultra-low embodied carbon construction, serving as a model for climate-responsive design, community empowerment, and innovative prefabrication practices.

Image: BCP Centre - [Left] construction methodology; [Top Right] concept diagrams; [Bottom Right] plan.

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1. Site potential

2. Civic quality

3. Access

4. Circulation

5. Roof

6. Solar Panel

Building footprint = 1600sqm Building volumes break down into 4 with different funtions.

Building volumes extracted and arrange to blend into residential setting.

More volumes are taken out to create the foyer, accessways and entry points.

External decking allows for reticulation of services and adaptability of the interior spaces.

A minimally-pitched / flat roof profile was preferred for its capacity to achieve this internal spatial consistency.

Solar radiation on Summer & Winter Solstice tested on flat roof. It gains more solar radiation and is distributed equally on the roof surface. It is relatively stable, aiding in PV panel solar installation and energy harvesting.

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1.

2.

C. 3.

4.

A. B. 5.

Image: BCP Centre - [Top Left] design for off-site construction; [Bottom Left] perspective view; [Right] joinery detail & detailed perspective section.

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10 kW Solar Photovoltaic (PV) Panels 10 kW 太阳能光伏板

R 4.1 Hempcrete Insulation (t= 250mm) between Timber Purlins

Ceiling: Durra Panel, Plywood Finish (t=53mm, 23kg/m²)

R 4.1大麻混凝土隔热层 (t= 250mm) 于木檩条之间

天花板:Durra面板，三合板饰 面 (t=53mm, 23kg/m²)

Capping: Galvanized Steel Sheet 封盖:镀锌钢板 Roof Battens @900mm 木条@900mm

Walls: Prefabricated Hempcrete Panel (t= 365mm, R 4.82) Australian timber I-joist with a hempcrete infill WoodFibre insulation made from the waste soft wood material Hemp Fibre Corrugated Sheets Cladding 墙体:预制大麻混凝土面板 (t= 365mm, R 4.82) 大麻混凝土填充于澳大利亚木材I型托梁 木纤维绝缘材料由废软木制成 大麻纤维波纹板

Meeting Room 会议室

Timber Folding Panel 木材折叠板

Interior Walls (t=250mm): 90 x 45 mm Wood Stud Frame @300mm, 50mm Durra Panels on Both Side 内墙(t=250mm):90 x 45 mm 立柱墙@300mm，两侧50mm Durra板

Image: BCP Centre - sectional perspective.

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Open Collaborative Space 开放式协作空间

Floor Sill Beam: 250 x 200 mm Glue-laminated timber (GLULAM)

Pre-fabricated Timber Ground Frame Pin Foundation

地板底梁:250 x 200 mm胶合层压 木材(GLULAM)

预制的地面木框架基础

Vapor Permeable Waterproof Membrane Structural Plywood Decking (t=12mm)

240 x 90 mm Timber Purlins @1200mm 240 x 90 mm木材檩条@1200mm

qu

Ve rn

Summe

防水透气膜 建筑用结构胶合板(t=12mm)

ino x

r Solstic e

银色金属波纹板@ 2 倾 ̊ 斜度 (t=0.48mm, 4.81kg/片)

le

梁/托梁:层压单板木材(LVL) 由澳大利亚松木制成

na

梁-主要结构:定制大跨度胶合木材 (GLULAM)

Silver COLORBOND® Trimdek @ 2 ̊ Pitch (t=0.48mm, 4.81kg/sheet)

tum

Beams/Joists: Laminated Veneer Lumber (LVL) Made of Australian Pine Timber

al/ Au

Primary Structure: Custom Large Span Glue-laminated timber (GLULAM) Beam

ter

ice

lst

So

Win

Openable Recycled Timber Frame Double-glazed Awning Windows 可打开的回收木材框架双层遮阳窗

Columns: 200 x 200 mm Gluelaminated timber (GLULAM) 承重柱: 200 x 200 mm 胶 合层压木材

Flexible Community Space 开放式社区空间

Cafe 咖啡馆

R 2.6 Hempcrete Insulation between Joists (t=250mm) R 2.6 大麻混凝土隔热绝缘于托梁间 (t=250mm)

Pre-fabricated Floor Cassettes: Structural Laminated Venneer Lumber (LVL) Floor Joist: 250 x 60 mm @900mm 预制地板:结构层压单板木材(LVL) 楼板托梁:250 x 60 mm @900mm

Internal Flooring: HempWood, nontoxic hemp composite woods (t=30mm)

Deck: Cork Flooring, natural resin varnish finish (t=30mm)

内部地板:大麻木材，无毒的 大麻复合木材(t=30mm)

甲板:软木地板，天然树脂清 漆面(t=30mm)

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.m 5p um .S m er l So st e ic

Deciduous trees

R G

Ridge height GL+5750

To Electric Car Charging Station GL ±0

Summer C

Deciduous trees

4 p.m

. Winte

r Sols

R G

Boundary

tice

Ridge height GL+5750

Winter C

Image: BCP Centre - sections.

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Deciduous trees

u

.S

.m

9a

Ridge height GL+8150

Eaves edge height GL+7900

Boundary

Ridge height GL+5750

e tic

ols

rS

e mm

Eaves edge height GL+5500

Deck height GL+750 GL ±0

Condition

Deciduous trees

Ridge height GL+8150

e olstic

ter S

. Win

9 a.m

Eaves edge height GL+7900

Ridge height GL+5750

Eaves edge height GL+5500

To Electric Car Charging Station

Deck height GL+750

GL ±0

Condition

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04

SHEKOU MARITIME MUSEUM

Studio Location: Shekou Shenzhen, China Project Type: Public - Museum Unit Code: ARCT3000 Studio Coordinator: Dr Fernando Jerez

‘The Disappeared Shekou Fishing Port’ Shekou Fishing Port, once a top-tier national fishing port in Shenzhen’s Nanshan District, now holds historical significance in the Shenzhen Bay Coastal Leisure Zone. The Shekou Maritime Museum, strategically located within the port, uses Corten steel to mimic the appearance of old fishing boats. Its design, inspired by the boats, features segmented spaces, with the lobby serving as a transition between private and public areas. The museum’s innovative design includes openings and skylights for natural light, creating a futuristic atmosphere. Overall, the Shekou Maritime Museum is a unique and memorable structure, preserving the history of the old fishing port.

Image: Shekou Maritime Museum - year 2050 vision [sea level rise].

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YEAR 2050 VISION 1 - Exterior(Rusty Corten Steel & Sea Level Rise)

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Image: Shekou Maritime Museum - night view.

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VISUALIZATION 4 - Interior 1

Conceptual Context Plan - The sketch shows the relationship between the museum and the surrounding context. The museum connects the land and the sea. It imitates the form of the fishing boats to create the feeling of it only belongs to Shekou Fishing Port.

Conceptual Site Plan - The sketch shows the potential circulation of traveling to the museum. The museum frames the view of Shekou Fishing Port and the mountains of Hong Kong across the sea. It can also be viewed from Nanshan Mountain.

Conceptual Site Plan - The sketch shows the potential circulation of traveling to the museum. The museum frames the view of Shekou Fishing Port and the mountains of Hong Kong across the sea. It can also be viewed from Nanshan Mountain.

ects the land ng Port.

The museum itself has the power to tell the story of the Shekou Fishing Port.

The museum itself has the power toas tell the story of the Shekou Fishing Port. the Image: Shekou Maritime Museum - [Top Left] exhibition space; [Bottom Left] concept drawings; [Top Right] year 2050 vision; [Bottom Right] axonometric.

It utilizes Corten steel the main material for the façade to imitate It utilizes Corten steel as the main material for the façade to imitate the Concept Sketch 1

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CONCEPT SKETCH

Concept Sketch 2

MATERIALITY CONCEPT DIAGRAM- Corten Steel

MATERIALITY CONCEPT DIAGRAM- Corten Steel

rusty materiality of the old fishing boats.

rusty materiality of the old fishing boats.

YEAR 2050 VISION 2 - Interior(Sea Level Rise)

Glazing

Corten Steel Panel

Concrete Slab

Corten Steel Panel

Steel

Steel Grid Over Plots

Steel Grid Over Plots Concrete Slab

Timber

Linoleum

Timber

White Tile

White Tile

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GRAPEVINE GETAWAY

Photo Real Rendering Location: Willow Bridge Estate, Ferguson Valley, WA Project Type: Hospitality Unit Code: ARCT5536 Teaching Staff: Chaz Flint

‘Idyllic Cabin Getaway’ This unit focuses on developing Photorealism skills using Autodesk’s 3D Studio Max, VRay, Forest Pack, and Photoshop Generative Fill.

Students learn real-world lighting, HDRI setups, materials, effects, and 3D manipulation. The assignment involves detailed design and modeling of a 75m2 cabin, fully realized in 3D with the chosen client and location, mimicking the style of a selected architectural photographer in visualizations.

The client I chose was Willow Bridge Estate, a family-owned and highly regarded winery in Western Australia. They were seeking a sustainable cabin design for a tranquil vineyard retreat, focusing on enhancing the wine-tasting experience. The left-to-right hierarchy includes welcoming outdoor areas, an open living space, transitional areas, and private spaces for optimal visitor comfort. Grapevine Cabin prioritizes sustainability, featuring a rainwater collection system, a solar panel system, extended eaves for shade, and operable louvres for natural ventilation. Meticulously designed, it offers an eco-friendly and comfortable off-grid living experience.

Image: Grapevine Getaway - plunge pool.

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Image: Grapevine Getaway - [Left] exterior view; [Right] outdoor living.

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Image: Grapevine Getaway - selected renders.

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06

NATURAL PAVILION

Bio-Based Materials in Global Settings, Group Work Location: UWA School of Design, WA Project Type: Public Unit Code: ARCT5885 Teaching Staff: Dr Rosangela Tenorio Group Member: Eugene Tiong, Jason Zhang, Wanyi Ning, Yuerong Wu

‘A Design Pitch Competition’ This abstract introduces a revolutionary pavilion, merging sustainable architecture and biotechnology. Constructed with mycelium and Chidori joint technology, the pavilion is adaptable for diverse uses like classrooms or outdoor activities. Mycelium provides a sustainable foundation, and Chidori joints enhance both structure and aesthetics.

The design prioritizes sustainability, ensuring seamless integration with the natural surroundings. Easy assembly/disassembly fosters versatility, enabling relocation with minimal environmental impact.

The pavilion’s adaptable nature accommodates diverse spatial requirements, transitioning effortlessly from a classroom to an open space.

By combining mycelium and Chidori joints, the pavilion sets a forward-thinking standard for sustainable architecture, emphasizing eco-friendly materials and advanced construction techniques, showcasing a vision for harmonious integration with the natural environment.

Image: Natural Pavilion - 1:1 model.

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Image: Natural Pavilion - [Left] Assembly of the Chidori Joint; [Right] 1:1 model showcases display furniture.

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Image: Natural Pavilion - [Top Left] compenents of Natural Pavilion; [Bottom Left] group photo; [Right] installation guide.

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DE KROOK MEDIA LIBRARY

Construction Studies Location: Ghent, Belgium Project Type: Public/Education Architect: RCR arquitectes Unit Code: ARCT3030 Unit Coordinator: Andrea Quagliola

‘De Krook Media Library_RCR arquitectes’ The assessment evaluates two-dimensional and three-dimensional analyses based on completeness, legibility, and graphical quality. It assesses understanding of structural elements, services, materials, and assembly. The task involves selecting a large-scale building, studying its construction, and creating two A1-sized drawings.

I chose De Krook Library in Ghent by RCR arquitectes, a versatile space with a bold architectural design featuring visible steel construction. It complements the nearby “Boekentoren,” mirroring the riverbend for optimized communal spaces. Internally, a double-height agora fosters connections. Influenced by Arte Povera, raw materials like metal and concrete showcase an honest aesthetic. Sustainability is prioritized through prefabricated metal elements and water transportation of materials.

Image: De Krook Media Library - axonometric detail.

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Image: De Krook Media Library - sectional, structural & axonometric analysis.

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thankyou.

A selection of projects from my most recent academic architectural design projects at The University of Western Australia, School of Design.

If you’d like to see more high-resolution images of any project or have any questions, feel free to send me a message at eugenetiong56@gmail.com!

Designed and edited by Eugene Tiong.