Scene November 28, 2018

10 SHOCKING TAKEAWAYS ON PUBLIC TRANSIT AND COMMUTING FROM A MONTH IN CLEVELAND WITHOUT A CAR

BY SAM ALLARD

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Dedicated to Free Times founder Richard H. Siegel (1935-1993) and Scene founder Richard Kabat

CONTENTS

Group Publisher Chris Keating Publisher Andrew Zelman Associate Publisher Angela Nagal Editor Vince Grzegorek

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Upfront

Editorial Music Editor Jeff Niesel Senior Writer Sam Allard Staff Writer Brett Zelman Web Editor Laura Morrison Dining Editor Douglas Trattner Stage Editor Christine Howey Visual Arts Writer Dott von Schneider Copy Editor Elaine Cicora

Everything is bad ...

Feature

Advertising Senior Multimedia Account Executive John Crobar, Shayne Rose Multimedia Account Executive Kiara Davis

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Especially our public transit system

Creative Services Production Manager Steve Miluch Staff Photographer Emanuel Wallace

Get Out!

Business Sales Assistant/Receptionist Megan Stimac Controller Kristy Dotson

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Doing fun things can make life less bad, though ...

Circulation Circulation Director Don Kriss Euclid Media Group Chief Executive OfďŹ cer Andrew Zelman Chief Operating OfďŹ cers Chris Keating, Michael Wagner VP Digital Services Stacy Volhein Digital Operations Coordinator Jaime Monzon www.euclidmediagroup.com

Art

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Including visiting Jessica Pinsky’s new exhibition at HEDGE

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| clevescene.com | November 28 - December 4, 2018

UPFRONT OH, THE INHUMANITY! REPORT DETAILS GHASTLY CONDITIONS AT CUYAHOGA COUNTY JAIL Photo by Tim Evanson FlickrCC

THE U.S. MARSHALS LAST week released a scathing report on the operations inside the Cuyahoga County Jail. County executive Armond Budish had asked for a review and report following a string of seven deaths in the facility this year as well as numerous concerns voiced by staff.

Former jail director Ken Mills resigned last week in advance of the report’s public release.

The report is a blistering 52 pages, detailing a dangerous and overcrowded facility where inmates’ constitutional rights are routinely violated, where the general health and well-being of the inmates is routinely ignored, where food is withheld as punishment, where officers festooned in SWAT gear intimidate and threaten inmates, where those same officers verbally abuse inmates and use excessive force, where inmates are locked down for 27 hours at a time, where basic levels of hygiene and sanitation are not met, and where staff lacks adequate training.

That Budish and the Sheriff’s Office could even profess to claim that they were unaware of the situation is baffling, but Budish, in a statement, said that routine inspections by the state of Ohio have revealed compliance and, in fact, high marks.

That is not what the Marshals found, giving unsatisfactory ratings across the board in every area they investigated at the facility, which was built to house 1,760 inmates but which currently houses some 2,420.

“This must change, and it will change,” Budish’s statement read. “It’s my plan to develop and implement a comprehensive plan to improve safety in the jail, addressing the concerns detailed in the report. We have already made some of the recommended changes. Some of the concerns in the Marshals’ report can be quickly cured, like the need to practice fire drills. Other issues will take longer to address. We will closely review the Marshal’s report and prepare a comprehensive plan to ensure the

The Cuyahoga County Jail.

safety of prisoners and staff in the jails.”

George Taylor, who was named interim jail director after Mills’ departure, said in a statement: “As most of you know, I am new to this position, but I have deep experience in the law enforcement and corrections areas. Job number one for me is to address the concerns in this report. Just like the Sheriff and the County Executive I want to make sure that our jails are safe and secure. My plan is to work for the Sheriff and the County Executive to run down these issues and to come back with a plan to address them. I will be prioritizing areas in two ways — the

first, what conditions might exist that could be unsafe either for our staff or for our inmates, and second, what is easily addressed; what can we get to immediately? I commit to you that I and the Sheriff will be back with a report on changes and improvements.” — Vince Grzegorek

Ohio Becomes First State to Accept Cryptocurrency for Business Taxes In conjunction with this weekend’s Blockland Solutions Conference — the inaugural conference to explore civic and

governmental applications for blockchain technology — Ohio treasurer Josh Mandel has announced that the state will now accept cryptocurrency for certain business taxes.

“We are proud to make Ohio the first state in the nation to accept tax payments via cryptocurrency,” said Mandel. “We’re doing this to provide Ohioans more options and ease in paying their taxes and also to project Ohio’s leadership in embracing blockchain technology.”

(In keeping with American custom, “Ohioans” above refers only to Ohio businesses.)

To facilitate these payments, Mandel has launched OhioCrypto.

| clevescene.com | November 28 - December 4, 2018

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UPFRONT com. Businesses can register there and pay their invoices with Bitcoin, which is currently the only accepted cryptocurrency. All payments will be processed by the third-party processor BitPay. A “minimal fee” will be charged to confirm the transactions. As with other payments made on blockchain systems, OhioCrypto. com will offer real-time tracking and security via transparency.

Anyone will be able to view the full list of transactions.

Mandel noted that the Treasurer’s Office will at no time hold cryptocurrency itself.

Per a press release, payments made on OhioCrypto.com will be immediately converted to U.S. dollars before being deposited in a state account.

The announcement comes days before the Blockland Solutions Conference, which, as part of Bernie Moreno’s Blockland Initiative, aims to make Northeast Ohio a “significantly relevant” technological hub.

— Sam Allard

Clark-Fulton’s South Branch Library to Reopen at Last For five years Clevelanders in the Tremont/Clark-Fulton neighborhoods have awaited the reopening of the South Branch Library at its rightful home on the corner of Scranton Road and Clark Avenue. This Saturday, they’ll be waiting no more.

After plenty of discussion, planning and a full renovation, the historic Andrew Carnegie-funded library building is finally opening to the public with an all-new 1,600-square-foot, fully ADAcompliant addition.

Closed back in 2013, the nearly 110-year-old building was in need of serious structural and electrical repairs. Through the renovation, the building’s historical integrity has remained intact, as much of the wood features, fireplace and skylight are still on display.

“It’s remarkable that the community members voiced their opinions and their needs, and that the Library was able to respond by saving a historical building,” Jaime Declet, the South Branch manager, said in a statement. “That corner of Scranton and Clark wouldn’t be the

same without a library — a library helps bring life to that part of the neighborhood. We can’t wait to be back.”

The ribbon-cutting ceremony starts at noon Saturday, with tours running through 5 p.m.

— Laura Morrison

Councilman Ken Johnson Updates: A Lawsuit and an Investigation Last week, attorney Scott Perlmuter with the Tittle & Perlmuter law firm filed a classaction suit seeking unpaid wages for hourly employees who worked at the Buckeye Shaker Square Development Corporation this summer.

The suit alleges that as many as 50 employees worked hours, primarily doing grass cutting and other manual labor, for which they received no compensation beginning in July 2018.

Further, the suit alleges that CDC’s executive director John Hopkins, along with Ward 4 councilman Ken Johnson and Johnson’s assistant Garnell Jamison, transferred BSSDC’s assets to themselves and their

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associates — “insiders” — in violation of the Ohio Fraudulent Transfer Act. These transfers, including exorbitant salaries that the suit claims are not commensurate with services performed, were made “with ill will toward the hourly employees, or with conscious disregard for their rights that had a great probability of causing substantial harm.”

The lead plaintiff in the case is Brian Coffey, who worked as an hourly employee for BSSDC for several years and through August 2018.

The suit comes on the heels of extensive reporting about Johnson’s presumed misconduct in office. Cleveland.com reported late last month that residents were being unpaid for their labor at the CDC, whose federal funding had been cut off after a failure to produce recent audits. The mother of a 16-year-old said that Garnell Jamison (who works for both Johnson and BSSDC) told her son to keep working despite the lack of funds. Another man said that he was still owed roughly $1,000 for work performed.

This information appeared in a story about Johnson’s monthly council reimbursements. He had been receiving $1,200 per month,

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the maximum allowable amount, continuously for 11 years. He had allegedly been paying a moonlighting city employee for “ward services” that included checking to make sure grasscutting work was being performed.

Any employee who worked for BSSDC this summer who is “similiary situated” — i.e., who has not been paid for work performed — may opt-in to the classaction suit. It is being pursued as a class-action suit because many of the claims are small enough that potential plaintiffs would be “reluctant to incur the substantial cost, expense, and risk of pursuing their claims individually.”

Cleveland.com also reported last week that Ken Johnson and BSSDC are now the subjects of an investigation by the FBI’s public corruption squad.

— Allard

Ohio High School Drops Native American Mascot On the Native American Mascot beat: A Butler County school district voted last week to drop its Native American “Braves” mascot by removing the final letter. Talawanda High School will now be known as the “Brave,” a name meant no doubt to connote fortitude on and off the field.

The school district in Oxford, Ohio will no longer purchase or sell apparel and equipment with

is best for students in Talawanda,” the spokeswoman said, “and impressed upon everyone that finding ways to come together is important.”

Talawanda is located just south of Miami University, which dropped its “Redskins” mascot in 1996 and thereafter have been known as the “Red Hawks.”

In January, Scene tabulated the total number of Ohio high schools with Native American mascots.

Talawanda was one of 79 at the time, and one of six with the “Braves” mascot. — Allard

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50,000 the Indian head logo as well (depicted above.) The district will retain its capital-T as a logo. A school district spokeswoman told local news outlets that the final board meeting preceding the vote was “long and difficult,” but that the vote came after months of discussions about whether or not the name and logo were disrespectful to Native Americans.

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FEATURE

S Y A W A E K A T G N I K C O 10 SH

ON PUBLIC TRANSIT AND COMMUTING

FROM A MONTH IN CLEVELAND WITHOUT A CAR AS FATE WOULD HAVE IT, MY CAR broke down a few days before I was slated to begin a promotion, sponsored by the ride-hailing service Lyft, that would entail “Ditching [My] Car” in favor of alternative transit modes for one whole month (Oct. 8 through Nov. 6).

Lyft randomly selected 50 local participants for the promotion — occurring concurrently in other American cities — and was careful to include a handful of “influencers” like yours truly to help get the word out.

Ditching our cars, the promotional literature assured us, was a “bold step toward creating a better future for our cities, our planet and future generations.”

That’s something I could get behind and was eager to promote. And my own car’s malfunctioning ensured that I wouldn’t be tempted to cheat.

I was delighted, in any case, to put off what might be a costly repair and leap headlong into regular public transit use. Lyft was providing all #DitchYourCar participants (“ditchers,” in the preferred lingo) with $300 in use-em-or-lose-em Lyft credits — the cost, we later learned, of an upcoming monthly Lyft “subscription” — and a monthly RTA transit pass that retails for $95. Along with these items, ditchers were sent a clear plastic box into which we were meant to symbolically deposit our car keys.

My plan was to participate sincerely, to document all my trips for the duration of the promotion in the hopes of identifying areas where I could cut back on solo car trips. This struck me as a good and achievable goal.

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For background, my wife and I are a two-person household with two cars, an arrangement I’m not proud of, but one which often feels necessary given our busy, divergent schedules, and one which — since we’ve got our cars paid off and our downtown parking subsidized — requires a deliberate effort to escape the tyrannical convenience of. For those of us in the luxurious position of being able to make transit choices, walking or biking or busing can sometimes feel like a sacrifice. And to the extent that that’s true, my personal position is that it’s a sacrifice worth making. The National Household Travel survey found in 2017 that roughly 45 percent of all vehicle trips in the United States are 3 miles or less, and that those trips account for more than 100 billion total miles. I sometimes imagine all those miles as tiny arrows fired at Earth’s weakening atmospheric defense.

Speaking of which, the authors of an all-hands-on-deck National Climate Assessment, released last week, argued that climate change is aggressively shifting where and how we live and will continue to wreak havoc on the American economy and built environment. Humans must act urgently, the authors said, to adapt to current impacts and mitigate future catastrophes.

We all have to be much more intentional about our individual and societal impacts on the environment.

That means both fighting for policies — and supporting leaders who advocate policies — that combat climate change. It also means holding ourselves accountable for the choices

| clevescene.com | November 28 - December 4, 2018

we make every day. In many individual cases, that might not translate to a radical change in behavior. It might just mean being more thoughtful about our actions: making conscious decisions about what we eat, for example, and how we move around.

Lyft is of course a fleet of cars — private vehicles operated by their owners — and the company makes no mention of climate change in the #DitchYourCar promotional materials.

Rather, its stated vision of the future (which they take for granted will exist) is one which “moves away from [car] ownership and into transportation as a service.” The $300 monthly subscription presumably wants to do for personal transportation what Netflix has done for home entertainment. A press statement from the company’s co-founder and president John Zimmer said that cities should be built “around people, not around cars or parking lots.”

In my view, that vision requires investment, first and foremost, in convenient, reliable, equitable public transit.

It is perhaps needless to note that those I spoke with who participated in the #DitchYourCar challenge did not interpret the promotion the same way I did. Responding to a series of emailed questions when the month was over, not one of the three ditchers Lyft put me in touch with mentioned using RTA. All three said they’d used their personal vehicles occasionally, if not daily — in defiance of the promotion’s mandate and symbolism — for long trips or when there were time constraints.

BY SAM ALLARD

Two of the three lived downtown and typically walked to work, but said they enjoyed being able to avoid the hassle and stress of downtown parking for evening outings. Two mentioned the decorations of the cars and the personalities of drivers of Lyft vs. Uber.

All three said they intended to keep using ride hailing services for short trips or weekend outings, especially with groups, but expected their transit habits to remain about the same.

“I do think sometimes having a car and paying for gas is cheaper than [ride-hailing] costs,” said one.

When Lyft’s community associate, Abbey Svigelj, posted a survey on the Ditch Your Car Facebook group asking which mode ditchers were using most, 15 people responded. Ten of the 15 said they’d been using Lyft most. Three said the Rapid. Two said RTA buses.

Lyft’s regional market manager, Jay Dumaswala, told Scene that the promotion was aimed at changing people’s attitudes and encouraging multimodal transit use.

“Our goal was to bring together the public and private sector to shift behavior in how people move around their communities and show that it’s possible to maintain your routine and lifestyle without car ownership,” Dumaswala said.

And he stressed that members of transit ecosystems must work together.

Companies like Lyft must work “handin-hand with public transportation partners” in order to obtain the future Lyft wants, he said, (i.e., one where transportation is a subscription service run by tech companies?)

Last year, a Cuyahoga County

Public transit advocates rally on Public Square.

subcommittee proposed that transportation network companies like Uber and Lyft pay a $0.27-per-ride fee as a mechanism for funding public transit. That fee, though, was dead on arrival due to a 2015 pre-emptive state law which forbids Ohio municipalities from regulating or taxing ride hailing companies in any way and which was literally written by an Uber lobbyist.

When Scene asked Dumuswala about the fiscal crisis of RTA, and whether Lyft’s commitment to public transit meant helping to overturn the 2015 law, he deflected.

“Cities should be built around people, not cars or parking lots,” he responded in an email, using the familiar talking point. “Using a mix of multimodal options, it’s possible for us to retake our cities and ditch our personal cars. Fixing our broken transportation system is the biggest area of opportunity for the public and private sector to work together. Neither one of us can do it alone.”

In Lyft’s model, all of us obviously can’t ditch our cars. They need drivers, after all!

Here are 10 takeaways — some general, some specific — from my month in Cleveland without a car:

1) The Health Benefits are No Joke For orientation, my typical daily commute was on the Red Line Rapid. I left my home in the Detroit-Shoreway neighborhood and got off at Tower City.

From there, I walked to Scene’s offices on Bolivar Road, near Progressive Field. I worked remotely, in my

“home office” or from Gypsy Beans & Baking Co., one or two days per week. “Walking” was my most popular transit mode for the month.

A November report by the local Center for Community Solutions examined the intersection of health and transportation. It cited a recommendation by the Centers for Disease Control that adults average 22 minutes of moderate physical activity each day. That’s a target that less than half of Americans achieve.

You’ll be no doubt as pleased as I was to learn that moderate physical activity includes “brisk walking.”

The report mentioned that those who take public transit tend to hit activity targets simply because they’re walking to and from bus stops. I can confirm.

Having ditched my car, even with four short (sub-10-minute) walks — plus miscellaneous midday strolls and coffee runs — I was averaging far more steps per day, according to my phone’s internal pedometer, than I had in any previous month in 2018, including June, July and August, which had been my highest months in previous years for obvious reasons.

Like others, I tend to be more active when it’s nicer outside.

The most direct financial savings of going car-free are not having to pay for a car and its upkeep. The American Public Transportation Association calculated in June that a Cleveland resident in a two-person household would save $9,873 per year by owning one fewer car, a calculation that factored in gasoline prices and average downtown parking costs.

But the CDC has noted another cost

savings: Among physically able adults, average annual medical expenditures are 32 percent lower for those who achieve physical activity targets ($1,019 per year) than for those who don’t ($1,349 per year). Taking public transit means walking more, and that’s good for the body as well as the spirit.

2) Active Commuting Time is a Psychological Barrier A study conducted at Penn State University this year found that respondents significantly overestimated the time it takes to walk or bike to work — what’s called “active commuting.” Respondents who drove to work and had parking spaces closest to their final destination were the furthest off-base.

It’s my sense that resistance to walking and biking is much more a psychological barrier than anything else. Once you start doing it, it’s not that big of a deal, time-wise. (This is assuming you’re physically able and don’t need to wear dress clothes to work, or else have access to showers.)

I only rode my bike to work twice during the challenge — I admit that cold weather and wind are the biggest barriers for me; barriers that I could solve with appropriate gear — but I try to bike once or twice per week over the summer. I always enjoy doing it.

When taking public transit, the walks to and from the bus stops I find extremely pleasant, if not downright invigorating. By the end of the month, the walk from the office to Tower City had become second nature. I now

vastly prefer it to sitting in downtown traffic during rush hour as the parking garages disgorge onto East Ninth and funnel with excruciating slowness onto the highways.

3) Lyft is Great in Certain Circumstances, But Not CostEffective as a Primary Transit Mode I came nowhere close to using my total Lyft credits, burning through only $180 in fares, before tips. Only once did I use Lyft for a ride home from work, on a rainy day when RTA trains appeared to be self-destructing left and right. Images had been posted on social media of lengthy delays and train cars with fluid leaks on the Blue and Green lines and I wasn’t in the mood to risk it on the Red. Otherwise, I used Lyft when public transit times would be inconveniently lengthy: once to the Cedar Lee, once home from Valley View — both of which times I used public transit for the opposite end of the trip — and once from work to a dentist appointment.

I also used it in the situations that I’ve come to regard as its best value: small group outings, generally on weekend evenings, where alcohol will be consumed. As a solo proposition, taking public transit is almost always a better value, but with three or four folks traveling from Detroit-Shoreway to Tremont, say, which happened in my case twice, the $9 Lyft ride, plus tip, is fairly comparable with bus passes.

The thought of using Lyft as a primary transit mode, however, seems outlandish to me, one step shy of

| clevescene.com | November 28 - December 4, 2018

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having a limo. If I used Lyft every time I took the bus, I would’ve spent more than $500, maybe more than $600. That will no doubt be the basis of Lyft’s pitch when they start selling their $300-per-month subscription service. But a) that baseline fee doesn’t include tips, which drastically increase the monthly cost; and b) anyone giving up their car even partially for environmental reasons must acknowledge that ride-hailing services actually increase emissions, congestion and traffic fatalities, as local transit writer Angie Schmitt has noted, because vehicles in the fleet spend 4060 percent of the time “deadheading” with no passenger in the car.

4) Without Employer Incentives, Transit isn’t Necessarily a Better Value than Driving As I mentioned, both my wife and I have our downtown parking subsidized. When APTA and others calculate the savings of not owning a car, downtown parking costs are included. And while paying for gas and upkeep is still more expensive than a monthly transit pass, it’s not that much more. For folks to consider public transit instead of driving, the system itself first has to be convenient and reliable. But it also has to be affordable.

In order to make commuting by public transit more popular and attractive, employers should offer equivalent (or even more appealing) incentives than parking.

5) RTA Trains Have SERIOUS Problems Far and away, the route I rode most often was the Red Line Rapid, often from the westside to downtown, and occasionally out to University Circle.

The good news is that these trains were almost always on time. The bad news is that often, the Red Line was running single cars, and during the morning and evening rush hour, they were packed with annoyed commuters.

Among other things, RTA is in desperate need of a fleet upgrade.

6) That Said, Tech Upgrades are Appreciated

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| clevescene.com | November 28 - December 4, 2018

The mobile ticketing app, which I had to use once when I forgot my wallet at home, and which I use regularly for single trips, is a must-have for multi-modal transit users. It makes buying tickets quick and easy. Tower City has recently

installed mobile ticket readers at select turnstyles as well, which streamlines the boarding there.

The Transit app was also almost always accurate (for the Red Line and #26 bus, which I rode most frequently) and only once led me astray, when downtown traffic for an evening concert meant that routes on Prospect were significantly delayed. Almost always, I was able to plan my trip to minimize wait time.

7) Living in a Walkable Neighborhood Matters Throughout the promotion, as I mentioned, I’d generally work remotely one or two days per week. My wife and I intentionally bought a home in a walkable neighborhood, and having a coffee shop, a diner, few neighborhood taverns, a convenience store, a library and even a movie theater in walking distance means we don’t have to rely on a car for these activities. During my #DitchYourCar month, an even higher percentage of our outings occurred within walking distance. Even when we met friends for a bite or a drink in neighboring Ohio City, we’d walk, which took about 20 minutes and was really not that much of an obstacle.

7.5) Streets should be designed with cyclists and pedestrians in mind On the aforementioned transit trip to Valley View, I took the 77F bus from downtown Cleveland to Rockside Road, an easy trip that took not much more than 20 minutes. But then I had to hoof it East on Rockside for about a mile. There’s a thin sidewalk on the south side of the four-lane road, but I was on the north side, walking in the darkening evening on sloping grass with no opportunity to cross.

When I eventually turned left on Canal Road, there was no sidewalk on either side of the street, and I got progressively muddier as I made my way toward the cineplex. I became increasingly distraught over the plight of employees, at the Cinemark or at any of the businesses in Canal Road’s various commerce parks, who commute via bus. It’d be hard to cook up a more literal expression of marginalization.

8) 90-Minute Work Commutes Should Horrify Us As one of Scene’s film critics, I venture out to the Cedar Lee, Valley View or Silverspot’s Pinecrest at least once per week. The former two I accessed via public transit (both from downtown) in about an hour. I could reasonably get to both in 60 or 75 minutes from my house on the West Side as well. But Pinecrest would be a 1-hour, 50-minute commute, and I

wasn’t prepared to give up that much of my Friday, with all due respect, for Beautiful Boy. (I walked to the Capitol Theatre to see it the following week.)

In 2015, Brookings released a report which showed that Cleveland, from 2000 to 2012, had lost the highest number of jobs available to the average resident among the country’s 96 largest metropolitan statistical areas. Jobs were moving further and further aďŹ eld, deeper and deeper into more remote suburbs, and low-wage earners (who are disproportionately minorities and females) had no reliable way to get there. After traveling an hour — via Rapid and bus — to get to the Cedar Lee, I was annoyed at how much of my afternoon had been eaten up. The next time out, I split the difference, Lyfting out and taking transit back to save some time.

But for those without a car who commute 90 minutes or more each way every day, that lost time has serious ramiďŹ cations on quality of life. Not only can a late or absent bus mean penalties at work, it means far less time with family and less time to complete life’s other necessities. In Cleveland, there are a ton of people dealing with this situation.

According to data mined by Apartment List, about 12,445 Northeast Ohioans spent 90 minutes or more getting to work each day in 2016. And while 93.8 percent of all commuters in Cleveland travel to work in a car, only 58.3 percent of people with 90-minute or more trips (“supercommuters,� as they’re called) did so in a car. The disparity between the number of supercommuters in a car versus on public transit is the the second-highest among major metro areas. And, additionally, those public transit supercommuters aren’t hopping on a bus or train by choice: 55 percent of Cleveland’s supercommuters fall below the area’s median income level.

Policy makers should regard with extreme prejudice employers who ee to Solon or Independence or MayďŹ eld and then complain about an inability to attract a qualiďŹ ed workforce.

9) Car Costs are More than Just Gas and a Monthly Payment During my car-free month, I’d determined that my trusty Dodge Avenger needed a new battery. I was distraught to discover that even once installed, the car wouldn’t start. I called AAA (after buying an annual membership the day before) for a tow, and took it to a mechanic, who determined quickly that the car needed a new alternator: a repair of roughly $360, with tax. The AAA membership was $41. The battery,

after my core charge refund, was about $90. Just to get back on the road after the #DitchYourCar festivities, I had to shell out nearly $500. Again, I have no monthly payment at this point, and I pay less than $100 per month for gasoline, on average, but auto repairs are often a jolt to any budget.

10) You Don’t Have to Go Car Free to Make an Impact While the costs mentioned above are often annoying, and sometimes surprising, I generally don’t object, or even mind, paying them. Annual registration fees. Car insurance.

Periodic oil changes. Tires. Rotors.

These are all built into the price of car ownership. And like many others, I like owning a car. My Avenger with the missing handle, broken gas cap and recurring squeal won’t turn many heads, but it’s my ďŹ rst car, and buying it was a real moment of pride for me, a symbol of ďŹ nancial independence. There are many who work years to save up for a car, and many who, having worked for years, still can’t afford one. It’s expensive. And owning one is a privilege that makes my life easier.

Like virtually everyone else for whom car ownership is one of adulthood’s default settings, I’m not prepared to convert to a car-free lifestyle. As a reporter, I’m often obligated to dash off to a press conference or a last-minute interview at locations across town, and the ability to get somewhere “on a moment’s notice� is critical. But this month of Ditching my Car showed me how effective planning ahead can be in order to streamline and reduce my solo car trips. In the same way that planning out weekly meals can save money on groceries and reduce food waste, planning out a week’s travel can reduce redundant or extraneous travel. It requires a few minutes of attention, sure, but it’s not insurmountable.

As I’ve come to believe, a radical life change is not the only way to make an impact. Some people are willing and able to go car-free, just as some are willing and able to convert to a fully plant-based diet.

But small changes are good, too: things like combining errands, carpooling, and trying to walk or bike to work one day per week. Those are all steps in the right direction.

And since human civilization is racing toward extinction, taking those steps is vital.

sallard@clevescene.com t@scenesallard

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GET OUT everything you should do this week Photo Warren Miller Entertainment

WED

11/28

COMEDY

Keith Alberstadt Low-key comic Keith Alberstadt likes to joke about how people take themselves way too seriously: He hates it when people use big words to describe the wine they’ve had at Applebee’s. Much like Jerry Seinfeld, he takes most of his material from everyday observations about the stupid things people say and do. He performs tonight at 8 at Hilarities, where he has shows scheduled through Saturday. Tickets start at $18. (Jeff Niesel) 2035 East Fourth St., 216-241-7425, pickwickandfrolic.com.

THEATER

Chicago The production of the Tony Awardwinning, record-breaking hit musical Chicago that takes place tonight at 7:30 at the Connor Palace features former NFL star Eddie George in the role of Billy Flynn. That’s reason enough to see the play about fame, fortune and “all that jazz.” Tickets start at $10, and performances continue through Dec. 2. (Niesel) 1615 Euclid Ave., 216-241-6000, playhousesquare.org.

SPOKEN WORD

Cleveland Stories Dinner Parties Cleveland Stories Dinner Party is a weekly series that pairs fine food with storytelling. Through it, the folks at Music Box Supper Club hope to raise awareness of the mission of the Western Reserve Historical Society’s Cleveland History Center.

The goal of the Cleveland Stories Dinner Party is to “bring to life some of the fun, interesting stories about Cleveland’s past — from sports, to rock ’n’ roll, to Millionaires’ Row,” as it’s put in a press release. Admission is free, with no cover charge, although a prix fixe dinner, designed to complement the night’s theme, is $20. Tonight, Cleveland storyteller Dan Ruminski talks about the “famous and infamous women of Cleveland’s Millionaire’s Row.” The equally fancy-sounding menu features lobster bisque, Oysters and Pearls, and Cherries Jubilee. Doors open at 5 p.m., dinner is served at 6, and the storytelling starts at 7.

(Niesel) 1148 Main Ave., 216-242-1250, musicboxcle.com.

The new Warren Miller movie screens at the Capitol. See: Thursday.

FILM

Outrage As part of a series devoted to BritishAmerican actress Ida Lupino, who would’ve turned 100 this year, the Cleveland Museum of Art will screen her 1950 film Outrage tonight at 7.

Lupino helmed low-budget movies about issues that Hollywood tended to avoid, and Outrage focuses on the rape of an innocent bookkeeper. The movie screens tonight and Friday night at 7 at the Cleveland Museum of Art. Tickets are $10, or $7 for CMA members. (Niesel) 11150 East Blvd., 216-421-7350, clevelandart.org.

THU

11/29

THEATER

A Christmas Story A Christmas Story, a near-genius piece of American reminiscence, is so period-perfect and charming that the

squishy sentimentality (of which there is plenty) never leads to saccharine reflux. Philip Grecian is listed as the playwright, but everyone understands that the bulk of insights and telling detail comes from the mind of Jean Shepherd, who wrote the original story, co-authored the movie, and narrated the flick in his distinctive, triple-wry voice. The Cleveland Play House’s production of Story rides a two-hour wave of intricate details to unerringly establish the period and to help even the youngest patrons make the leap back to a time before televisions were omnipresent and cowboy hero Red Ryder was king of the wireless. See it tonight at 7:30 at the Allen Theatre. Performances continue through Dec. 23. Tickets are $25 to $97. (Christine Howey) 1407 Euclid Ave., 216-241-6000, playhousesquare.org.

COMEDY

Craig Ferguson An actor, comedian and writer who

set viewing records while he was the host of The Late Late Show with Craig Ferguson, Craig Ferguson embarked on a 48-city comedy tour earlier this year. Dubbed the Hobo Fabulous Tour, it finds Ferguson delivering all-new material. The show begins at 7:30 tonight at the Agora. Tickets are $45 in advance, $50 at the door. (Niesel) 5000 Euclid Ave., 216-881-2221, agoracleveland.com.

FILM

Warren Miller’s Face of Winter The release of a new Warren Miller Entertainment film signals the start of ski season as much as anything. Tonight at 7, the Capitol will screen Face of Winter, his latest movie to feature skiers performing death defying stunts. It’s the 69th installment of the series and includes clips from Engleberg, Chamonix, British Columbia, Alaska, Chile, Iceland, New Zealand, Washington and more. Featured skiers include Anna Segal, Dash Longe, Forrest

| clevescene.com | November 28 - December 4, 2018

13

GET OUT Jillson, Amie Engerbretson, Simon Hillis, Seth Wescott, Jim Ryan and Jess McMillan. Tickets are $16.

(Niesel) 1390 West 65th St., 216-651-7295, clevelandcinemas.com.

FILM

engage and delight. Framed cozily as a story within a story in this Gerald Freedman adaptation, the production really comes alive once the ghost of Jacob Marley appears, dragging his chains and creaking eerily with every movement. This annual tribute to knee-jerk liberal sentiments, like compassion for the downtrodden, is always a must-see, whether you’ve seen it before or not. Tonight’s performance takes place at 7:30 at the Ohio Theatre. Tickets are $15 to $75.

that runs all season, Cleveland Monsters fans can score a $1 Pepsi, $2 Sugardale hotdog and $3 select 12-ounce beer on Friday nights. Luckily, tonight is a Friday, so fans can eat cheap while the team takes on the Syracuse Crunch. The game begins at 7, and the two teams face off again on at 1 p.m. tomorrow. Tickets start at $10. (Niesel) 1 Center Court, 216-420-2000, theqarena.com.

Monrovia, Indiana Prolific filmmaker Frederick Wiseman returns with Monrovia, Indiana, his 44th movie. The film centers on a small town in the heart of Trump country and includes interviews with the residents, who talk about their way of life, their rituals and institutions (churches, clubs) and their values (duty, service, generosity). The movie makes its local debut tonight at 8:30 at the Cleveland Institute of Art Cinematheque, where it screens again at 3:30 p.m. on Sunday. Tickets are $11, or $8 for members and students. (Niesel) 11610 Euclid Ave., 216-421-7450, cia.edu.

HOLIDAY HAPPENING

Snowed In Holiday Variety Show Tonight at 7, Forest City Brewery hosts the Snowed Inn Holiday Variety Show, an all-ages, family friendly piece of theater that pays homage to the TV shows that stars such as Bing Crosby and John Denver hosted back in the day. Hosted by co-creators Marissa DeSantis and James Catullo, the show features guest performances by comedians Dionne Atchison and Sam Dee as well as music from singer-songwriter Stephanie Trivison. There will also be a baking demonstration from Becca Ritterspach of Save Room Catering, and a crafts segment with Free Period Press’s Lora DiFranco. Tickets cost $10 at the door.

(Niesel) 2135 Columbus Rd., 216-228-9116, forestcitybrewery.com.

FRI

A Christmas Carol Charles Dickens was a hell of a writer, but he could be a tad verbose. So it’s convenient that there have been so many great stage and screen versions of his classic ghost story. One of them — required viewing for anyone with a Netflix membership — is the 1951 movie starring Alastair Sim as a Scrooge for all eternity. And the other is this Great Lakes Theater production, which never fails to

14

HOLIDAY HAPPENING

Scuba Claus & the Seas’N of Play Scuba Claus & the Seas’N of Play continues today, tomorrow and Sunday at the Greater Cleveland Aquarium. Kids get a temporary tattoo, an activity book and the chance to expend some of their excess holiday spirit by learning about and imitating the movements of crabs, archerfish, frogs, frilled lizards and other Aquarium residents. Guests of all ages can participate in an aquariumwide scavenger hunt and/or talk to and snap a selfie with Scuba Claus while he dives in the Aquarium’s 230,000-gallon shark exhibit from 1 to 2 p.m. Aquarium hours are 10 a.m. to 5 p.m. daily. Check the website for ticket prices. (Niesel) 2000 Sycamore St., 216-862-8803, greaterclevelandaquarium.com.

SAT

12/01

SPORTS

Rock ‘n’ Soul holiday hits by GRAMMY winner Mike Farris Dinner by Cleveland Celebrity Chef Rocco Whalen

11/30

THEATER

that chronicles appearances with Marilyn Manson, collaborations with Marina Abramovic and a performance on America’s Got Talent. The movie makes its local debut tonight at 9:15 at the Cleveland Institute of Art Cinematheque. Tickets are $10, or $7 for members and students. (Niesel) 11610 Euclid Ave., 216-421-7450, cia.edu.

Tickets available now at www.rockhall.com/holiday

Performances continue through Dec. 23. (Howey) 1501 Euclid Ave., 216-241-6000, playhousesquare.org.

SPORTS

Monsters vs. Syracuse Crunch As part of a special promotion

| clevescene.com | November 28 - December 4, 2018

FILM

Narcissister Organ Player A mixed-media performance artist, Narcissister wears a mask and a merkin while exploring issues regarding gender, race and sexuality.

She makes her directorial debut with Narcissister Organ Player, a film

Cavaliers vs. Toronto Raptors The Cavs played a tight game against the Toronto Raptors at the beginning of the season, but the Cavs have clearly regressed since that initial meeting. While the Cavs have struggled to win, the Raptors have played like a team determined to get to the NBA Finals. The addition of forward Kawhi Leonard has really given the team a competitive edge.

The Raptors face off against the Cavs tonight at 8 at the Q. Consult the Q website for ticket prices. (Niesel) 1 Center Court, 216-420-2000, theqarena.com.

HOLIDAY HAPPENING

Light Up Lakewood Organizers of Light Up Lakewood, the annual holiday happening that takes place today from 4 to 8 p.m. in downtown Lakewood, have announced that this year’s event just became a lot more enticing. It will now include a beer garden that will be located at the intersection of Mars and Detroit avenues. Additionally, Light Up Lakewood 2018 will feature the introduction of the Holiday Market at Lakewood Masonic Temple.

Replacing Vendor Village, the Holiday Market will showcase goods from

a wide array of local artists and entrepreneurs. Also new this year is the addition of the Light Up Lakewood Holiday Train, a restored classic trackless train that will run along Detroit Avenue between Belle and St. Charles; tickets to ride it will cost just a buck. As usual, the free event will also feature a holiday parade, a lighting ceremony, winter fireworks, live music, ice carvings, hot chocolate, food trucks, children’s games and more. Details are on the website.

(Niesel) lakewoodalive.org.

MUSIC

The North Coast Men’s Chorus The North Coast Men’s Chorus returns to the Hanna Theatre this weekend with Snowbound, its “multifaceted holiday concert.”

They’ve promised that the stage show will feature “a winter wonderland of song and dance” as they perform the holiday hits while decked out in crazy costumes. Concerts takes place at 3 and 8 p.m. today and at 3 p.m. tomorrow. Tickets are $10 to $50.

(Niesel) 2067 East 14th St., 216-241-6000, playhousesquare.org.

HOLIDAY HAPPENING

Rock & Roll Holiday Ball Tonight, the Rock Hall gets into the spirit of the season and launches its inaugural Rock & Roll Holiday Ball. Grammy-winning blues/gospel singer Mike Farris will perform, and local celebrity chef Rocco Whalen will cook up a special holiday meal. Activities include photo sessions and holidaythemed “stories of rock” inside select exhibits. The Rock Hall will be decked out with holiday displays and other festive decor, and the Rock Hall store will feature exclusive holiday gifts and collectable memorabilia. The $75 ticket includes dinner, two drinks, dessert, live music, museum admission and a

shuttle ride to and from the Great Lakes Science Center parking garage. (Niesel) 1100 Rock and Roll Blvd., 216-515-8444, rockhall.com.

FILM

Rocky Horror Picture Show It’s the first Saturday of the month again, so tonight the Cedar Lee Theatre hosts its usual midnight screening of The Rocky Horror Picture Show, the 1975 cult classic that still draws an exuberant, costumed crowd that likes to throw rice and dry toast and sing along to the songs in the movie. In addition, locals act out a floor show that mimics the movie, turning the event into a veritable party. Tickets are $9.75. (Niesel) 2163 Lee Rd., Cleveland Heights, 440-528-0355, clevelandcinemas.com.

SUN

12/02

FILM

The Ancient Law Pianist Donald Sosin and klezmer violinist Alicia Svigals will provide musical accompaniment to today’s screening of the 1923 silent movie, The Ancient Law, a film about the conflict between a rabbi and his son who wants to become an actor.

The movie screens at 1 p.m. at the Cleveland Museum of Art. Tickets are $20, or $15 for CMA members.

(Niesel) 11150 East Blvd., 216-421-7350, clevelandart.org.

COMEDY

Vicki Barbolak Comedian Vicki Barbolak was 38 years old when she saw an ad for a comedy class. She enrolled and has been on the fast track ever since. A finalist on the recent season of NBC’s America’s Got Talent, she likes to

joke about her many marriages and what she refers to as the “Southern California trailer park lifestyle.” She performs tonight at 7 at Hilarities.

Tickets start at $20. (Niesel) 2035 East Fourth St., 216-241-7425, pickwickandfrolic.com.

HOLIDAY HAPPENING

Holiday Circlefest The 23rd annual Holiday CircleFest, which takes place today from noon to 7 p.m. at University Circle, includes activities at more than a dozen of the cultural district’s museums, gardens, galleries, churches and schools.

The places will feature music, food, fun, and shopping. On Wade Oval there will be ice skating at the Rink, ice carving demos, horse-drawn carriage rides and other activities.

The Cleveland Museum of Art hosts a Winter Lights Lantern Procession at 5:30 p.m. Admission is free. (Niesel) universitycircle.org.

BOOKS

Sunday Beat As part of a Sunday Beat promotion at Visible Voice Books, if you purchase a New York Times at the store, you’ll receive a free cup of coffee or tea and a Jim Alesci’s Place pastry. An added bonus: A jazz, Americana, samba or bossa nova band will perform from 1:30 to 3:30 p.m. Anyone who shows a Sunday receipt from Music Box, Prosperity Social Club or any of the Tremont restaurants that offer brunch can enter a same-day drawing for a $30 Visible Voice gift certificate and a $25 Visible Voice Loyalty Card.

They’ll also receive 10 percent off any Visible Voice book purchase.

The bookstore is open today from 11 a.m. to 5 p.m. (Niesel) 2258 Professor Ave., 216-961-0084, visiblevoicebooks.com.

THEATER

Trailer Park Boys The Trailer Park Boys — Ricky,

Julian, Bubbles and Randy — present a special holiday program today at 8 p.m. at the State Theatre. The storyline: A camera crew wants to capture what it’s like to live in a trailer park community in Nova Scotia, and the guys intend to show them all the highs and lows. The Trailer Park Boys came to life in 1999 as a short film. A Canadian television series (now picked up by Netflix) and a popular podcast followed. Tickets for tonight’s live tour stop are $45.50 to $55.50. (Niesel) 1519 Euclid Ave., 216-241-6000, playhousesquare.org.

MON

12/03

TRIVIA

Monday Night Trivia Do you have tons of obscure music knowledge? Are you a student of fast food menus and their nuanced histories? What say you about the geographic evolution of Scotch whisky? Tonight’s your chance to wow your friends, make yourself instantly more desirable to someone you’re newly dating, and hang with Cleveland’s headiest hipsters and hot dog lovers. It’s the Happy Dog Monday Night Trivia. Starting at 8 p.m., expect themed rounds and general knowledge questions that seem considerably trickier than some of the other live trivia locales in town.

Obviously, have a hot dog and a craft brew while you’re at it. And arrive early: Seats fill up fast. (Sam Allard) 5801 Detroit Ave., 216-651-9474, happydogcleveland.com.

FILM

Movie Mondays Every Monday, Cleveland Cinemas hosts $5 Movie Mondays, where film fans can catch up on the latest Hollywood flicks for significantly reduced prices. Bring your friends and family and make Movie Mondays

The Story You Know and Love!

A CHRISTMAS STORY NOVEMBER 23 – DECEMBER 23 | ALLEN THEATRE written by PHILIP GRECIAN | directed by JOHN McCLUGGAGE based on the motion picture written by JEAN SHEPHERD, LEIGH BROWN & BOB CLARK

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GET OUT a weekly tradition — many theaters even offer discounted concession stand items. Participating theaters include Apollo Theatre, Capitol Theatre, Cedar Lee Theatre, Chagrin Cinemas, Shaker Square Cinemas and Tower City Cinemas.

Unfortunately, additional charges apply for 3-D movies. (Alaina Nutile), clevelandcinemas.com.

NIGHTLIFE

Music by Randy Courts Lyrics by Mark St. Germain and Randy Courts

Tickets: $16 - $18 for adults and $10 for children

Cleveland Museum of Art. Tickets are $10, or $7 for CMA members.

(Niesel) 11150 East Blvd., 216-421-7350, clevelandart.org.

Shit Show Karaoke Local rapper/promoter Dirty Jones and Scene’s own Manny Wallace host Shit Show Karaoke, a weekly event at the B-Side Liquor Lounge wherein patrons choose from “an unlimited selection of jams from hip-hop to hard rock,” and are encouraged to “be as bad as you want.” Fueled by drink and shot specials, it all goes down tonight at 10 p.m. (Niesel) 2785 Euclid Hts. Blvd., Cleveland Heights, 216-932-1966, bsideliquorlounge.com.

FOOD

Wing Dang Doodle Blues icon Howlin’ Wolf famously covered “Wang Dang Doodle,” the old blues tune penned by Willie Dixon. Prosperity Social Club in Tremont has adopted that slogan, calling its wing night Wing Dang Doodle. The weekly event features specials on Buffalo wings and cold brews. Prosperity will not only serve up substantial, $1 whole wings, but it’ll also offer meatless Monday “wing” baskets for vegans.

Discounted drafts and a playlist of vintage-electric blues and soulful R&B curated by local musician Clint Holley will be on tap as well.

Wing Dang Doodle takes place every Monday from 6 p.m. to midnight. (Niesel) 1109 Starkweather Ave., 216-937-1938, prosperitysocialclub.com.

TUE

12/04

FILM

The Age of the Medici, Part 1 Originally released in Italy in 1973 as a three-part TV series, The Age of Medici, which was directed by Roberto Rossellini, chronicles the exile of Cosimo de’ Medici, head of the prominent banking family that thrived in 15th-century Florence.

It screens today at 1:45 at the

16

| clevescene.com | November 28 - December 4, 2018

MUSIC

Open Turntable Tuesday Tonight from 6 to 9, the Winchester hosts its weekly Open Turntable Tuesday. DJ Kris Koch offers 20-minute slots to people who want to bring their own vinyl and spin their favorite songs or deep tracks. Turntables are provided; you can play three to five songs during your time slot; and a mic is available to talk about the selections. (Niesel) 12112 Madison Ave., Lakewood, 216-600-5338, facebook.com/ TheWinchesterMusicTavern.

MUSIC

The Piano Guys: Christmas Together Four dads straight outta Utah, the Piano Guys have become an internet sensation as their self-produced music videos have snagged some 500 million views.

For their cover of “Let It Go,” the hit tune from the Disney flick Frozen, they sit at their player pianos and perform atop giant glaciers. They’ve made 40 videos since early 2011, blending classical music with pop. At tonight’s show, you can expect to hear tunes from their holiday album, A Family Christmas. The concert begins at 7:30 p.m. at the State Theatre.

Tickets start at $40. For $160, you can meet and greet the guys at the concert. (Niesel) 1519 Euclid Ave., 216-241-6000, playhousesquare.org.

MUSIC

Vinyl Night Jukebox owner Alex Budin has described his 1,350-squarefoot music-focused bar in the Hingetown ’hood as “a place where people can expect to hear and learn about music of multiple genres, all of which is concentrated in a constantly evolving jukebox.”

The club hosts a vinyl night every Tuesday that serves as a listening party for new releases, partnering with Loop in Tremont, so patrons can hear a new album on vinyl.

You can bring your own vinyl and spin it too. It all starts at 5 p.m.

(Niesel) 1404 West 29th St., 216-206-7699, jukeboxcle.com.

scene@clevescene.com t@clevelandscene

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ART HARMONIOUS DIFFERENCES Why Jessica Pinsky’s mesmerizing new exhibit at Hedge Gallery shouldn’t be missed

By Dott von Schneider

TEXTILE-BASED WORK HAS long been considered craft or decorative art in Western culture.

Deftly woven to tell stories, tapestries were found in castles or manors during the Middle Ages. Beautiful yet functional, they would keep out drafts of cold air trying to steal through the walls. Perhaps the most familiar collection is the “Lady and the Unicorn,” which consists of six tapestries, woven in silk and wool, five of them recounting the senses. We would be remiss if we didn’t speak about the importance of textiles in Africa, as well.

African artists have a long, rich art history that spans thousands of years from the Dogon, who used weavings to tell the story of rebirth, to contemporary artists such as Abdoulaye Konate, whose massive tapestries are constructed and reconstructed and speak to global socio-political issues.

Indeed, the medium has drastically evolved into a strong contemporary fine art. Textile artists like Jacqueline Fink, Ana Teresa Barboza, Maryanne Moodie, Hanne Friis and, closer to home, Rebecca Cross, Libby Chaney and Jessica Pinsky continue to push boundaries and reinvent our relationship with the art.

Enter Dissection …

Shiny, soft, stiff, foreign and familiar are a few words that come to mind when describing Dissection, the new body of work by artist Jessica Pinsky on view at Hedge Gallery. Like members of a choir, the pieces croon in unison, creating distinct upper- and lowerranged harmonies that suffuse the gallery.

The wall hangings bear no titles, but are numbered from 1 through 83. Starting near the north entrance of the smaller gallery and moving into the large space, we are taken on a journey through suspended moments in time. Pinsky confirms this in her artist statement: “These weavings are hung in a straight line to visually dissect the gallery in two. This line creates a divide

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Photo by Kelli Finnegan Photography

A small portion of Dissection, a new body of work by Jessica Pinsky.

to represent how we either rise or fall. The space between any beginning and end seems suspended in time, frozen in an eternity of discomfort.”

reconstructing her medium. She removes sections from the threads that run back and forth, known as warp, as well as weft, the threads that run up and down.

DISSECTION ON VIEW THROUGH DEC. 28 HEDGE GALLERY, 1300 WEST 78TH ST., 216-650-4201. hedgeartgallery.com

The majority of the artworks gravitate toward the floor with only a select few that move in an upward direction. These are not your typical weavings. Pinsky is known for deconstructing and

| clevescene.com | November 28 - December 4, 2018

Once Pinsky is satisfied with her distortions, she paints each one with dye and then dips it in resin.

Not every piece received this final treatment, however. Some of them move ever so slightly when a

breeze passes through the gallery.

Toward the south wall of the gallery, a weaving seems to ooze over itself into a cascade of soft, plush lines, like a wild river rapid whooshing through a canyon.

Eventually the threads succumb to the stiff resin underneath to resemble a chunk of ice. A few feet away, another in pastel pink and cream reclines to the left as if to reveal a secret to the artwork next to it, an airy, blue threaded number. Nestled into one of the gallery’s alcoves, we find a neutral toned, soft and matte square; hints of muted red and brown coddle us toward a wildly controlled tail.

Using MX reactive dyes for plant-based fibers, Pinsky gifts us colors ranging from neutral and acid pink to indigo and blood red. Her palette references the female body. “I am suspended in anticipation of pregnancy. These pieces express degrees of conflict, challenge and hope that are before me as I await motherhood,” she says.

The wall pieces can’t be more than 12-by-12 inches, on average, but they have a big impact, as though they were alive, each weaving taking on its own persona. If they could speak, we admit we feel like they would. On the title wall there’s a weaving that reminds us of a woman wearing a fascinator, her hair tousled and sprayed around it to keep it all in place. Further into the gallery, there are some clearly pregnant weavings hanging about. Some have parentheses of fringe, some don’t, but they are making their mark for sure.

The entire collection is captivating. No matter what your familiarity with textile-based art, Pinsky’s latest creations make you stop and take note. This exhibition is a showstopper and demands more than 30 seconds in front of each weaving. We suggest you schedule accordingly.

scene@clevescene.com t@clevelandscene

| clevescene.com | November 28 - December 4, 2018

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By Douglas Trattner Photos by Emanuel Wallace

HOLD MY CALLS. FROM NOW until the spring thaw you can find me marinating in the dining rooms of Bull and Bird, a cocoon-like environment with honest-to-goodness restorative qualities. That the restaurant is located in Chagrin Falls, a snow globe of a village purpose-built to smooth out life’s rough edges, only enhances the appeal.

I come from a long line of gatherers, as opposed to hunters, but I could make an exception if this is what it’s all about. More opulent hunting lodge than rough and ready backwoods

exceeds expectations, and anticipates needs and desires. Our server greets the table as the host is still walking away. Wines are described, discussed, fetched, uncorked and poured with a level of professional confidence also in short supply. The pedigree of oysters is communicated without the need of a cheat sheet, bread baskets multiply like Tribbles, and shared salads are split in the kitchen, all of which is taking place during a maelstrom of weekend dining activity.

Magical service and settings like this go a long way toward elevating

here. Claiming the upper right-hand corner of the menu — the so-called “sweet spot” used to push high-profit items — the House Specialty ($14) consists of a handful of tailless shrimp pre-tossed in cocktail sauce, a sort of cold shrimp stir fry that is more than a little unsettling.

Stick to the briny, lively oysters on the half shell ($13/4), served casually with tart mignonette, bottles of Tabasco and packets of saltines, or head straight for the salad course.

I’m partial to the Wedge ($7), which is respectively un-reinvented with its bacon, blue cheese and velvety buttermilk dressing. Also playing to type are the salty Caesar ($7) and savory warm spinach salad ($7).

Including lamb chops and prime rib (Mondays only), the menu features about 10 different steaks, chops and roasts, some, but not all, USDA Prime.

At 20 ounces, a bone-in ribeye ($46) seemed ideal for sharing, but rather than slice and present the steak on a platter, the kitchen simply divided it into two very unequal portions. We

only proposition. The twin airline breasts are paired with silky whipped potatoes and pan drippings.

Sporting a crisp crust and delicate core, the pan-seared salmon ($25) might not convert a steak lover but will satisfy the pescatarian at the table. The fish is garnished with an uncharacteristically bland version of piperade, the fiery Basque blend of peppers, onions and tomatoes. In a pasta dish that incorporates elements of both carbonara and cacio e pepe, the bucatini ($19) is at once cheesy, smoky and peppery.

Sides and supplements did not steal the show, with uber-crisp and salty fries ($5) outshining a milky creamed kale ($6), adequate roasted broccoli ($6) and tepid sauce Bearnaise ($2). Within cushy surroundings like these, however, the sting is less severe than it would be under the harsh glare of florescent lights in some sad other dining room.

As we bandied anecdotal impressions about prices, portion sizes and menu diversification —

finished the job, and the excellent steak, with little difficulty.

Non-steak options are not extensive, especially when one discounts the burger and French dip sandwich, but entrees like chicken, salmon and pasta are capably prepared if not exactly electrifying.

A bistro-style spatchcocked and pan-roasted chicken ($25) is wellprepared, but it’s a white meat-

some odd attempt to rank, sort and segregate the three kindred eateries that reside within one petite patch of the globe — we quickly saw it for the fool’s errand that it was. Opinions are like Hyde Park restaurants: There are more than enough to go around.

BULL AND BIRD 87 WEST ST., CHAGRIN FALLS 440-528-3180 BULLANDBIRDSTEAKHOUSE.COM

cabin, the scene is so ruggedly handsome that you half expect to see Robert Redford holding court in the bar. A fire crackles away in the hearth, tastefully muted rugs cushion each step and plaid-jacketed booths swaddle diners in stylish comfort. All of this takes place in the clubby confines of a knotty pine-paneled den plastered with art, history and storytelling in the form of so many framed pieces.

Supporting all that style is a level of service that is disappearing nearly as fast as our wide open spaces.

Operated by the Hyde Park Restaurant Group, Bull and Bird nails the basics,

the food portion of the proceedings. We wondered aloud where in the hierarchy Bull and Bird sat with respect to sister establishments Jekyll’s Kitchen and ML Tavern, the first of which sits within spitting distance, the latter just up the hill. Of the three, ML and Bull and Bird share the most DNA, clear down to the salads, chops and sides.

Does it matter?

According to the boss, Bull and Bird aims to differentiate itself by reinventing the classics. Most would agree that the shrimp cocktail needed no updating, especially when the process results in the version served

dtrattner@clevescene.com t@dougtrattner

| clevescene.com | November 28 - December 4, 2018

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EAT BITES Ushabu and Black Pig chefs hosting eight-course, sake-themed bonanza

By Douglas Trattner Photo by Split Creative

COMBINE THE CULINARY talents of Ushabu chef Matthew Spinner and Black Pig chefs Michael Nowak and David Kocab with the encyclopedic enlightenment of two of the world’s leading non-Japanese sake experts and you have the makings of a pretty spectacular epicurean experience.

On offer will be eight courses of Japanese and French cuisine, perfectly paired with various sake selections chosen by Chris “the Sake Ninja” Johnson, a renowned sake sommelier certified by the Sake Service Institute.

Also on hand will be John “the Sake Evangelist” Gauntner, author of “Sake Confidential” and co-founder of Sake Today magazine.

“It’s kind of a big deal that we’ll have the two biggest American names in the sake world in the same dining room,” Spinner says. “Chris and John combined have over 50 years of experience in sake sales and education.”

The event takes place at 6 p.m. on Monday, Dec. 3. Tickets are $99 per person and can be purchased by visiting exploretock.com/ushabu.

“We’re hoping to use the event as a way to bridge the gap between Western cuisine and sake, as well as hopefully get some exposure in a setting that Ushabu normally wouldn’t be seen,” adds Spinner. “Mike and I have been friends for years, so this seemed kind of like a no-brainer for both of us.”

Miracle Pop-Up Bar Brings Christmas Cocktails Back to Cleveland

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| clevescene.com | November 28 - December 4, 2018

What began five years ago in New York as a holiday-themed pop-up cocktail lounge has now spread to dozens of bars around the world. And this holiday season, the Miracle Popup Bar is coming back to the Spotted Owl in Tremont, and offering a tiki extension at Porco Lounge in Ohio City.

Miracle’s beverages — with winterythemed names like Snowball Old Fashioned (which includes butterscotch rye, spices and citrus) and Christmas Carol Barrel (featuring aged rum, bitters, sugar and pumpkin) — will be served through Dec. 30 at an

exceptionally blinged-out Spotted Owl. Meanwhile, during those same dates, the Sippin’ Santa’s signature cocktail menu at Porco includes the rum-based Kris Kringle Colada and the gin-based Mele Kalikimaka. Find out more at miraclepopup.com.

— Laura Morrison

Taco Bell Brings the Party to Downtown Cleveland With Reservation-Only Option Taco Bell is getting into the party business.

For the first time, the fast-food chain (well known for its feeding of the latenight high/drunk masses) is offering special party box options at 10 of its Taco Bell Cantinas around the country, including the downtown Cleveland spot (200 Euclid Ave.).

Cleveland’s Americanized Mexican food fans can now go online to reserve a party table for up to 10. For just $25, your crew receives a table runner, fun photo booth-style props and decorated paper plates. Reservations can be made on weekends at 6:30 p.m. or 8 p.m.

Naturally, food and alcohol are not included with this price. But no need to get up from the table: A TB associate will check in with your crew to take your order. Also, for those of you who are into giving Taco Bell even more of your money, you can also pay $12 for plastic glasses and $16 for sauce packetshaped helium balloons to make things more festive. — Morrison

dtrattner@clevescene.com t@dougtrattner

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| clevescene.com | November 28 - December 4, 2018

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| clevescene.com m | November 28 - December 4, 2018

MUSIC

HE

Knows WORDS inistry’s Al Jourgensen Photo by: Phil Parmet

sounds off about Trump on the band’s new album,

Ameri KKK ant By

MINISTRY’S NEWEST ALBUM, AmeriKKKant, features Fear Factory’s Burton C. Bell, DJ Swamp, NWA’s Arabian Prince and Lord of the Cello on nine tracks linked as one continuous piece of music. Even by Ministry standards, it’s an intense listening experience.

On the opening track, “I Know Words,” singer Al Jourgensen takes aim at President Trump and samples one of his speeches, pairing it with dissonantsounding strings, turntable scratches and stuttering electronic beats.

In a recent phone interview, Jourgensen speaks about the album and the accompanying tour that includes a stop at the Agora on Friday.

You just turned 60. Did you do anything fun to celebrate?

I got my AARP discount at a Golden Corral buffet and went to an early seniors’ dinner followed by using my coupon to see a really bad movie at the

JEFF NIESEL

local cineplex. Turning 60 was such a revelation because about six months before my birthday, I started getting inundated with emails and snail mail from AARP. I freaked out. I have a couple of friends who just turned 60, Gary Numan and Jello Biafra. They said the same thing happened to them. You feel great and then you start getting all this mail for senior citizens’ discounts.

It makes you feel old.

I’m surprised they knew so much about you.

They know everything about us.

Trust me. Big Brother is watching.

Ministry’s The Land of Rape and Honey just turned 30. Talk about the significance of that album.

I think it’s the first album that I felt untethered to any genre or any kind of guidance from management or record labels. We just dug in our heels and said, “We’re going to try something that fits us and that’s new.” That stuff wasn’t actually new. It was written in the late

’70s and early ’80s and was soundly rejected by Arista and by Warner Bros.

Records. Those are songs that had been kicking around for a little while.

We did a cut-up style of editing, which hadn’t been done that much in music.

It had been done in literary circles with William Burroughs and Naked Lunch and other novels. But it hadn’t really been done in music. It was the first [album for which] I felt unrestrained. It was a pivotal moment.

As you started to assemble the songs for AmeriKKKant, what was your approach?

The great thing about doing Ministry records is that each album is its own journey. It starts as a blank slate. Depending on who is in town and who happens to be passing by the studio and hangs out, what happens musically is a completely blank slate. The opening of the record is a good example. I go to this gigantic flea market each month.

It’s at the Rose Bowl in Pasadena. It’s a

big thing here. I never miss a month.

They have this violin player there. He makes minimum wage to play violin all day for the shoppers. I found him there and the album took a different direction.

I met Arabian Prince at a music convention. It’s very organic. It takes on its own life. It’s not the destination; it is the journey that’s interesting to me.

We’ll see what happens with the next record. As soon as this tour is over, we’re slated to record another Ministry record. We’ll play it by ear and see what comes out of that.

I love the opening number, “I Know Words.” When you first heard Trump say that, did you immediately think of sampling it?

I immediately thought he was a blithering idiot. He’s like a third grader.

He’s a man-baby. That’s something I would have said when I was 5 years old. This is the leader of the supposed biggest democracy in the world?

No wonder fascism is making a

| clevescene.com | November 28 - December 4, 2018

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MUSIC comeback. This is the best we got?

That definitely angered me, but I saw it coming. In all my interviews, I said there’s no way this could happen.

About 48 hours before the election, I watched Michael Moore somewhere, and he made the case for how it could happen. I went to bed about 9:30 or 10 at night, and I already knew.

My girlfriend stayed up all night wringing her hands. She had the obvious shock. I felt perfectly fine the next day, but I put a three-month kibosh on watching the news out of disgust. I retreated into a hole, and then I knew I needed to write about it. It wasn’t normal behavior for me.

I needed to react to it and get it out of my system. I needed to write the album due to the shock, which wasn’t that much of a shock because I knew where it was heading.

Talk about the music video you made for “Twilight Zone.”

That was awesome. We worked with Gray Wolf, the president of the American Indian Movement.

this guy DJ Swamp who had worked with Beck and was from Cleveland.

We also hit it off. We will continue to have an equal balance of Portishead vs. Motorhead. It’s very healthy for the musical growth of Ministry.

And Burton Bell’s vocals work really well on the track too.

He’s great. For me, probably since [Ministry guitarist] Mike [Scaccia] died, he’s my best buddy. He’s in the SoCal area a lot. We just sit down and do mushrooms and giggle like little girls all the fucking time. That’s just what we do. He happened to hang out in the studio when we were making that album. Hopefully, he’ll do the same for the next album. We’ll see who shows up and what happens.

We’ll see what kind of topical shit we can comment on. I may have to learn Portuguese because I might have to sing about Jair Bolsonaro winning [the presidency] in Brazil. That’s really dangerous. It’s all fun and games when it’s in Hungary and Austria, but now it’s in our backyard.

Do you secretly hope Trump wins a second term so you can continue to make albums like this one?

Dude, if I said yes to that, that would make me as much of narcissist

MINISTRY | CARPENTER BRUT | ALIEN WEAPONRY 7:15 P.M. FRIDAY, NOV. 30, AGORA THEATRE, 5000 EUCLID AVE., 216-881-2221. TICKETS: $39.50, AGORACLEVELAND.COM

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| clevescene.com | November 28 - December 4, 2018

The whole North Dakota thing was going on at the time. I didn’t have a chance to go there. I did go to Tornillo recently and checked out the compound there for the tent city, which they’re still expanding even though they say they’re not separating families at the border.

That particular music video shoot was great. It was shot by people I know from Topango Canyon here, but they moved to Portland where they grow pot. It was a gas to shoot. I got to some ayahuasca on set, which I hadn’t done in about five or six years, so that was fun.

DJ Swamp adds some terrific turntable scratching to “We’re Tired of It.” Talk about his contribution.

It was great. We first had Arabian Prince from NWA. I met him at a music convention and realized we had the same mentality about a lot of shit — viva diversity and fuck racism and bias. We hit it off pretty well. He came in and scratched on one track. I was blown away by that. I thought about the possibilities of where Ministry could go, making us more Portishead than Motorhead. He had to do a long tour in Asia, and our engineer knew

and psychopath as Donald Trump himself. No! I hope to never do anything like that record again. I hope I make the shittiest record of all time, and I hope we take back at the House and Senate, and I can slink off to my vegan enclave and be happy until the end of my life. I don’t need to do another record, but I feel compelled to do records. I didn’t have a Ministry record planned when Trump won. It’s like a calling, starting with Reagan and Bush Senior. They just piss me off. I don’t understand why we’re arguing over issues that go back to the 1860s. We’re ready for another Civil War. It’s the same set of issues.

I can’t believe we’re still talking about Roe v. Wade like it’s a current issue. I don’t understand why society doesn’t progress. Technology sure progresses, but society doesn’t. It bamboozles me and freaks me out.

That’s why I have to throw my hat in the ring and at least say something about it.

jniesel@clevescene.com t@jniesel

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MUSIC A UNIFYING FORCE Inspirational R&B singer H.E.R. aims to bring people together

By Jeff Niesel Photo by Sue Kwon

MANY PERFORMERS WHO START in their teens fizzle out before they peak.

Not H.E.R., (aka Gabriella “Gabi” Wilson).

The 21-year-old R&B singer continues to evolve with every EP and LP. Earlier this year, she released I Used to Know Her: Part 2, an 8-track, digital-only EP that followed up I Used to Know Her: The Prelude EP. The most nominated artist for the 2018 Soul Train Awards, H.E.R. kicked off a headlining North American tour earlier this month; she performs at 8 p.m. on Sunday at the Agora.

H.E.R. says her musical maturation stems from the fact that she grew up in a very musical household.

“Music was around me since the day I was born,” she says in a recent phone interview. “My father was a musician in a cover band that rehearsed in our living room. All the instruments were in our house, and I just gravitated to music. It came naturally to me and was something I did for fun. It took over my life. I performed a lot at a young age with my father. My mom booked me in talent shows and things like that.

I just loved to do it. There wasn’t a question about what else I would do in life.”

She signed a record deal at age 14 and dropped her debut, 2016’s H.E.R. Volume 1, when she was 17.

“It was challenging,” she says of that initial offering. “I had been creating songs for a long time, but it wasn’t until I wrote ‘Losing’ that I knew I had it. I channeled the most honest and vulnerable part of me. It was frustrating trying to find my voice and find who I was within the music that was happening at that time. But I realized the best songs are the ones that people relate to you and resonate with others. I didn’t know what I wanted to put on the record. It was tricky. It was my baby.

First impressions are everything.

I was very particular and sensitive about my art.”

Fans and other musicians responded quite favorably. H.E.R. says she was taken aback by her quick ascent.

28

“The plan was to grow organically,” she says. “I didn’t want people to know who I was, and my face wasn’t on the album. I just

Janet Jackson and so many people reacting was confirmation that I did the right thing. I was honest and true to myself and it paid off a lot.”

H.E.R., BRI STEVES, TONE STITH 8 P.M., SUNDAY, DEC. 2, AGORA THEATRE, 5000 EUCLID AVE., 216-881-2221. TICKETS: $32-$125, AGORACLEVELAND.COM

wanted people to love the music.

Everything happened quickly. I was already headlining and selling out a tour. Rihanna and Bryson Tiller and

| clevescene.com | November 28 - December 4, 2018

With I Used to Know Her: Part 2, H.E.R. says she didn’t exactly intend to do anything differently. Rather, she just wanted to “elevate.”

“I grew up playing instruments, and I wanted to showcase that more,” she says. “You hear live bass lines and more live drums and more keys and more organic sounds. I Used to Know Her is a feeling and another side of me. It’s not so much different. It’s all still very much me, but it’s another side of me.”

On the tender ballad, she whispers, “I’m not okay/I’m not okay” over snappy percussion and a gentle piano melody.

“One reason I wrote the song was that sometimes we don’t acknowledge the fact that we’re not okay,” she says. “We try to stay strong for everyone, but sometimes you have to talk to someone.

Sometimes, depression and sadness can become a sickness to your body.

It’s important to talk to someone.

Sometimes, you have to accept not being okay in the moment and letting it pass. Sometimes, we put the responsibility on someone else to fix it. Sometimes, it’s not really on them. They just need to be there and not feel like they need to fix it.

That’s why I was writing that song.”

“Lord is Coming” offers a spoken word analysis of our current times over a jazzy bass riff. “We voted, but did we really get to choose,” H.E.R. intones on the moving song.

“I wanted to dig into things I feel strongly about,” she says when asked about the track. “I didn’t want to be too controversial. I just wanted to make a song that everyone can appreciate and understand. At the end of the day, it doesn’t matter what religion or race you belong to.

This world is in a crazy state. Music is something that brings everyone together. It’s a language that everyone speaks. We all know right and wrong, and we all have morals.

Getting into the specifics can separate us. At the end of the day, we’re all human. It’s never too late to change and look at yourself and realize what you can do to make the world a better place, as corny as it might sound.”

jniesel@clevescene.com t@jniesel

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29

30

| clevescene.com | November 28 - December 4, 2018

LIVEWIRE

all the live music you should see this week Photo by Greg Williams

WED

11/28

Bad Boys of Blues Jam: 9 p.m., free. Smedley’s.

Sarah Borges & the Broken Singles: 8 p.m., $12 ADV, $14 DOS. Beachland Tavern.

David Crosby & Friends: 8 p.m., $73-$120. The Kent Stage.

Zakk Jones Trio: 7 p.m., $15. Bop Stop.

Killswitch Engage/Born of Osiris/Crowbar/Death Ray Vision: 6 p.m. Agora Theatre. mewithoutYou/The World Is A Beautiful Place & I Am No Longer Afraid To Die /Davey And The Chains: 8 p.m., $18.

Musica.

Rubblebucket/And the Kids: 8 p.m., $15 ADV, $18 DOS. Beachland Ballroom.

Tri-C East Pop Rock Band: 8:30 p.m., $5 ADV, $7 DOS. Grog Shop.

THU

11/29

3OH!3 x Emo Nite/Lil Aaron: 9 p.m., $25 ADV, $28 DOS. House of Blues.

Canned Heat: 7:30 p.m., $35 ADV, $40 DOS. Music Box Supper Club.

Harry Connick Jr.: 7 p.m., $49.50$125. State Theatre.

FreeByrds Musician’s Night: 10 p.m., free. Smedley’s.

Gruvology: 8 p.m., $15. Bop Stop.

Chris Hatton’s Musical Circus (in the Wine Bar): 8 p.m., free.

Brothers Lounge.

Griffin House: 8 p.m., $20 ADV, $25 DOS. House of Blues Cambridge Room.

Jam Night with the Bad Boys of Blues: 9 p.m., free. Brothers Lounge.

Sarah Partridge with Dan Maier Trio: 8 p.m., $30. Nighttown.

Raging Nathans/Blacklister: 9 p.m., $7. Now That’s Class.

The Reverend Peyton’s Big Damn Band - CD Release: 8 p.m., $20 ADV, $23 DOS. The Kent Stage.

The Sublets: 8:30 p.m., $5.

Beachland Tavern.

FRI

11/30

Rayland Baxter: 8 p.m., $15 ADV, $18 DOS. The Kent Stage.

Big Smo: 6 p.m., $17 ADV, $22 DOS. Odeon.

8 p.m., $25 ADV, $30 DOS. House of Blues.

Tribe Untitled with Sam Supreme/Aloff/Tri-Eyed Bandits/Castle/Downhill Collective: 7:30 p.m., $5. Now That’s Class.

The Vindys (in the Supper Club): 8 p.m., $10. Music Box Supper Club.

Jackie Warren: 10:30 p.m., free.

Nighttown.

SAT

12/01

Bayside Acoustic Tour/Kayleigh Goldsworthy: 9 p.m., $22 ADV, $26 DOS. Grog Shop.

Cave: 8 p.m., free. Now That’s Class.

Fool House 90s Dance Party: 10 p.m., $8. Musica.

Second Annual Horton’s Holiday Hayride with Reverend Horton Heat/Junior Brown/ The Blasters/Big Sandy: Last year’s inaugural Horton Holiday Hayride was such a success that the singer-guitarist who calls himself Reverend Horton Heat is back at it again this year.

The tour pairs him with some pretty good company. Rockabilly icons Junior Brown, the Blasters and Big Sandy will all join him tonight. Heat just released Whole New Life, another solid collection of psychobilly tunes that includes woozy tracks such as the Doorsmeets-Elvis-Presley song “Hog Tyin’ Woman” and the rousing title track. Expect to hear them Radiohead’s Thom Yorke comes to the State Theatre. See: Saturday. at tonight’s shindig. (Niesel) Leaf Borbie & the Family Tree/ 8 p.m., $40 ADV, $45 DOS. He wasn’t at all familiar with Aircraft/Soft Copy: 8 p.m., $7.

Beachland Ballroom. soul or R&B, but once he heard CODA. Spider Studio: 6:30 p.m., $12.

Stevie Wonder’s 1973 album Innervisions, he was hooked.

Felly/GYPPS/Trip Carter: 9 p.m., Odeon.

He moved to Spokane and $20 ADV, $22 DOS. Grog Shop.

Underneath/Dance Gavin Dance/ then Seattle as he launched a Haken/Leprous/Bent Knee: Crown the Empire/The Plot in recording career in 2010, self7:30 p.m., $25 ADV, $30 DOS. You: 6 p.m. Agora Theatre. releasing his first album, Last to Jackie Warren: 10:30 p.m., free.

Beachland Ballroom.

Speak, and focusing on playing Glenn Holmes Quartet: 8 p.m., Nighttown. as many shows as possible. A $15. Bop Stop.

Window Dogs/Motherfolk/ year later, L.A.-based producer Philippe LeJeune Trio: 8:30 p.m., Madeline Finn/Blue Collar Lior Goldenberg took him on and $10. Nighttown.

Coalition: 7 p.m., $10. Mahall’s wanted to do a record with him.

Ministry/Carpenter Brut/Alien 20 Lanes.

When he went into the studio, he Weaponry: 6:30 p.m. Agora Thom Yorke: Hot on the heels of a didn’t realize who the musicians Theatre.

Radiohead tour that brought the were — but they were members ProgNation/The Shaker String band to Detroit, Columbus and of soul/R&B singer Raphael Quartet: 7:30 p.m., $12 ADV, $15 Pittsburgh, but not Cleveland, Saadiq’s touring band. He’d DOS. Music Box Supper Club.

Radiohead singer Thom Yorke hit license the resulting self-titled Allen Stone/Nick Waterhouse: the road as a solo act. He brings album to ATO Records, which Born in Chewelah, Washington, his live electronic performance helped it find a wide audience. powerhouse singer Allen Stone to town tonight. During it, he, He’s been steadily recording and started singing at his father’s Nigel Godrich and visual artist touring ever since. (Jeff Niesel) church when he was just a kid.

Tarik Barri will perform songs | clevescene.com | November 28 - December 4, 2018

31

KentStage The

=HGÍM FBLL MA>L> @K>:M LAHPL MB<D>ML HG L:E> GHP

David Crosby & Friends Wed Nov. 28

An Evening with

George Winston Mon Dec. 3

The Reverend Peyton’s

Rayland Baxter

Big Damn Band-CD Release Thu Nov. 29

Firefall

Fri Dec. 7

Fri Nov. 30

18th Annual Woodchopper’s Ball Sat Dec. 8

LIVEWIRE from York’s solo albums, The Eraser and Tomorrow’s Modern Boxes, as well as from Amok, the album he put out with the side project Atoms For Peace.

Yorke has embarked on solo tours in the past. After the 2014 release of Tomorrow’s Modern Boxes, Yorke, Godrich and Barri launched their first tour and played the U.K., Europe and Japan in 2015. Following the Tomorrow’s Modern Boxes reissue, the trio made its U.S. debut and played theaters in Los Angeles and Oakland. Londonbased producer and cellist Oliver Coates will open the show.

(Niesel) 8 p.m., $45-$55. State Theatre.

SUN

Spyro Gyra

First Snow

Fri Dec. 14

Trans Siberian Orchestra Tribute Sat Dec. 15

Cowboy Mouth Nathan & The Zydeco Cha Chas

Bob James

Thu Feb. 14

Sun Feb.24

Keller Williams Pettygrass Sat Jan 19

The Earls of Leicester Tue. Mar 5

ALL SHOWS AT THE KENT STAGE UNLESS OTHERWISE NOTED Tickets available at thekentstage.com or 877-987-6487 GMK [w cw i {{ © a{ B e~ JJHJF

12/02

Kris Allen/Sawyer: 8 p.m., $20 ADV, $25 DOS. House of Blues Cambridge Room.

Celeste Barber: 7:30 p.m., $17.25$22.25. House of Blues.

Helena Deland/Shy Moon: 8:30 p.m., $10 ADV, $12 DOS. Beachland Tavern.

H.E.R./Bri Steves/Tone Stith: 7 p.m. Agora Theatre.

Parquet Courts/Combo Chimbita: 8 p.m., $22. Beachland Ballroom.

MON

12/03

An Evening with George Winston: 7:30 p.m., $25-440. The Kent Stage.

Flasher/Public Practice/Gong Gong Gong: 8:30 p.m., $10 ADV, $12 DOS. Beachland Tavern.

Hot Tuna Acoustic: 7:30 p.m.

Music Box Supper Club.

Skatch Anderssen Orchestra: 8 p.m., $7. Brothers Lounge.

Velvet Voyage (in the Wine Bar): 8 p.m. Brothers Lounge.

TUE

12/04

Death Cab for Cutie: 7 p.m. Agora Theatre.

Scott Helman: 8 p.m., $12 ADV, $14 DOS. Beachland Tavern.

Steel Panther/Wilson: 8 p.m., $28 ADV, $33 DOS. House of Blues.

7:30PM

MURDER MYSTERY DINNER ADDITIONAL DATES: NOVEMBER 29 & 30

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| clevescene.com | November 28 - December 4, 2018

scene@clevescene.com t@clevelandscene

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| clevescene.com | November 28 - December 4, 2018

33

BAND OF THE WEEK

UPCOMING ENTERTAINMENT!

BAYSIDE

By Jeff Niesel MEET THE BAND: Anthony Raneri (vocals), Jack O’Shea (lead guitar), Nick Ghanbarian (bass), Chris Guglielmo(drums)

DONNY & MARIE Holiday 2018 Tour NOV 28

JEWEL’S

Handmade Holiday Tour DEC 2 12/8 Trevor Noah 12/9 Michael Bolton

Greatest Hits & Holiday Favorites Powered by OmegaXL

12/14 Dennis DeYoung 12/16 Joan Jett & The Blackhearts

BASS IS HIS PLACE: When Ghanbarian

BRIAN WILSON

joined Bayside, the band had already been going strong for a couple of years. Ghanbarian, who worked retail at the time, wasn’t convinced he would fit in with the guys but thought he’d give it a shot. “I played music since I was 15 and toured since I was 17,” he says. “I was 24 and thought it was maybe my last chance. I joined the band and we did a record almost immediately. It was

The Christmas Album Live DEC 1

KENNY G.

Holiday & Hits Tour 2018 DEC 5 12/20 Night Ranger

release Acoustic Volume 2, another unplugged album that features reworked old songs and one new tune. “People just like our acoustic stuff, and we react to what the fans like,” says Ghanbarian. The group recorded it in Nashville with Jon Howard (Paramore, Dashboard Confessional, New Found Glory).

WHY YOU SHOULD HEAR THEM: On the album opener, the jangly “Sick, Sick, Sick,” the band sounds a bit like emo heroes Death Cab for Cutie. “If there’s a song on the record that took the least amount of work and sounded the most different, it was that one,” Photo by Megan Thompson

presented by Miller Lite

12/27 Bret Michaels 12/31 New Years Eve Bash

featuring E5C4P3 The Journey Tribute & DJ Denicio

1/12 Walt Sanders

“One Night With You” Elvis Tribute

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UPCOMING ENTERTAINMENT!

MATT JOHNSON’S DUELING PIANO FIASCO! DEC 28

like we turned the corner as a band.

It changed our sound from Record No. 1 to No. 2. It was inevitable that it would sound a little different. It was an exciting time. It’s definitely an important and fun time.”

RICH GUZZI Comedy Hypnosis Experience DEC 29, 30 & 31

THE FIRST ACOUSTIC ALBUM: More than

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| clevescene.com | November 28 - December 4, 2018

10 years ago, the band released Acoustic. That album came in the wake of a terrible accident that nearly broke up the band. “We were involved in an accident that took the life of our drummer, and I was seriously injured,” says Ghanbarian.

“We decided to continue to be a band, and to keep things moving, Anthony [Raneri] and Jack [O’Shea] put out an acoustic record featuring just the two of them.” Back then, the band wrote songs on acoustic guitar, so it was pretty natural for the band to release an unplugged album.

THE SECOND ACOUSTIC ALBUM: Because the band hasn’t quite finished writing the tunes for a new studio album, the group decided to

says Ghanbarian when asked about the track. “It had a country-ish vibe, and it took us five minutes to find that vibe. It was a happy accident or that song just lives in that world.” “It Don’t Exist,” the album’s new track, features pristine backing vocals and gentle acoustic guitars. “We had the core of that song written and we went with a little bit more of a modern alternative acoustic feel like the Lumineers or Mumford and Sons,” says Ghanbarian. “That’s not really our style, but if it sounds like an acoustic radio type of thing, that’s fine. We’ll never stop trying to make new fans.”

WHERE YOU CAN HEAR THEM:

baysidebayside.com.

WHERE YOU CAN SEE THEM: Bayside

performs at 9 p.m. on Saturday, Dec. 1, at the Grog Shop in Cleveland Heights.

jniesel@clevescene.com t@jniesel

| clevescene.com | November 28 - December 4, 2018

35

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| clevescene.com | November 28 - December 4, 2018

SAVAGE LOVE SHAKE THAT MOODY

By Dan Savage I’m a 30-year-old, Asian American, hetero-flexible cis woman. I’m also newly diagnosed with bipolar II. I’m on medication — the doctor is trying to figure that out — but no talk therapy for right now. My question for you is regarding the relationship between bipolar and kink. One of the common symptoms of the manic stage of bipolar is “risky sex.” I equate risk with “likely to blow up one’s personal or professional life” and have always answered “no” to that question when asked by doctors.

I’ve had the occasional hookup, but otherwise I’ve consistently had sex in the context of closed, monogamous relationships, i.e., the opposite of risky sex. However, it recently occurred to me that I’m fairly kinky (BDSM, role-play).

Nothing I’d consider a varsity-level kink, but what do I know? I have out-there fantasies that are varsity level, but I’ve never done them. Am I just bipolar and kinky? Are the two related somehow?

Should I be concerned that I’ll go into a manic state and start enacting (or trying to enact) some of the varsity-level fantasies in my head?

— Kinky And Bipolar P.S. I asked my doctor this via email, but I haven’t heard back yet and have no idea how sex-positive he is. So I thought I’d get a second opinion.

P.P.S. I’m currently manic enough that it’s hard for me to edit, so there may be weird/confusing shit in my letter. Sorry for that!

“I’d like to congratulate KAB for seeking help and for the work she’s doing to get stable,” said Ellen Forney, author of Rock Steady: Brilliant Advice from My Bipolar Life, an award-winning self-help guide to maintaining stability, and the best-selling graphic memoir Marbles: Mania, Depression, Michelangelo & Me. “I’d also like to welcome KAB to BIPOLAR! Toot! Toot! Confetti!”

The specific manic-stage symptom you’re concerned about — engaging in super risky sex — is called “hypersexuality,” and it’s what happens when the extremely poor judgment match meets the supercharged libido gas.

“But it’s only ‘hypersexuality’ when it gets in the way of a reasonably wellfunctioning life,” said Forney. “Picture masturbating all day instead of going to work, or having relationship-

wrecking affairs.”

If your diagnosis is correct and you have bipolar II and not bipolar I, KAB, you may be less susceptible to out-of-control hypersexuality.

“Strictly speaking, a bipolar II diagnosis means she cycles between ‘hypomania’ (mild mania) and depression,” said Forney, “so her highs aren’t going to be as acute as they would be for someone diagnosed with bipolar I, where hypersexuality can really get dangerous.”

Forney warns that misdiagnoses are not uncommon where bipolar is concerned, so you might want to get your diagnosis confirmed. But your long-standing kinks aren’t necessarily related to your condition.

“Like for anyone else, there’s nothing necessarily wrong with feeling uninhibited enough to pursue varsity-level kinks, so long as they’re not putting her or anyone else in danger,” said Forney. “Ultimately, KAB’s goal is to be stable enough to trust her judgment. For now, she might weigh the risks while she’s feeling stable, so she can make some levelheaded decisions about what might or might not be too risky.”

Forney also recommends having a discussion with your partners and friends about what your limits are.

“That way, her partners and friends can help her recognize if she’s crossing her own lines,” said Forney.

“And realizing that she’s suddenly tempted to cross her own lines could be a signal to her that she’s getting hypomanic and needs to take steps to stabilize — steps I explore in Rock Steady!”

P.S. If your doctor won’t answer your sex questions — or only gives you unhelpful, sex-negative answers — find yourself a new doctor.

P.P.S. There are letters I have to read three times before I can figure out what the fuck is going on. Your letter was as lucid as it was charming.

P.P.P.S. If you haven’t already, KAB, please pick up Forney’s books.

You’ll benefit from her insights, her advice, and her coping strategies. And thanks to Forney’s art and sense of humor, both books are a delight to read.

mail@savagelove.net t@fakedansavage

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