San antonio current march 2, 2016 by Chava Communications

MARCH 2-8, 2016

Contemporary Art Month Marches on with Intriguing Exhibitions and the Crowning of a New Miss CAM Antonio

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IN THIS

FIRST WORDS

On “Drive-By City: Remembering San Antonio Gang Violence in the 1990s” // Lauren Montemayor: I remember it. I was outside during one and had to hide. It was terrifying.. When we lived by Indian Creek Elementary, almost every night we had to roll off the couch and crawl to the dining room. Then when we moved to the east side, having to crawl under the dining room table. I was only in kindergarten and it still terrifys me just thinking. [sic]

ISSUE Issue 16_09 /// March 2—8, 2016

NEWS

On “Report: School Districts Approve UIL Measure that Impedes High School Trans Athletes” // Nicole Verastegui: It upsets me to see Texas take a step back in the fight for equality. It upsets me even more so that the school I graduated from supported this with their vote. This is not a solution to “ending/ stopping” harassment and bullying. All you’ve done is further isolate and discriminate. Instead of coddling the ignorant and arrogant, why don’t we make an effort to educate and initiate acceptance. [sic]

Newsmonger SeaWorld ends surveillance // New “San Antonio 4” trial // Boats, boats, boats!

On “Is San Antonio Ready for a New Generation of Latino Filmmakers?” // Russell Thomas: There is a need to start a movement to motivate San Antonians to get behind San Antonio talent. Fund raising will never succeed if people are not aware that the particular needs exists. We need to use the media more to promote these ideas and make it known that there are very capable creators right here. I moved here four years ago and have always been told that for good live music for example I should go to Austin. That’s what everyone says. Well I say no, let’s get things started and let’s plan and follow through with our plans . No matter how small the start we need to keep pushing. [sic]

• Send your thoughts, comments or kudos to letters@sacurrent.com

CALENDAR

Our top picks for the week

SCREENS

ARTS + CULTURE

CAM On! Despite controversy, Contemporary Art Month marches on New League on the Block Will the United Soccer League propel San Antonio to MLS?

The Bexar County Public Defender’s Office is still trying to make it work

FOOD

NIGHTLIFE

Feminism in Film What to watch this Women’s History Month

Tasty Still Lifes Food and art combine during CAM

One-Two Punch Sports fans on the Main Strip will want to check out Knockout

Warped Vinyl The Scorsese- and Jaggerproduced Vinyl has some defects

More Than Bread The Bread Box should be your next go-to lunch

Happy Hour Hound The Mix is back without that grody vomit smell

MUSIC

Singing Our History How the soul gospel singer shaped the American landscape with song Aural Pleasure Reviews of Willie Nelson, Blowfly and Ghost Palaces’ recent efforts Music Calendar What to see and hear this week

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Trouble Ahead, Trouble Behind

Embed With the Band Yoshimoto play rock ‘n’ roll for the sake of rock ‘n’ roll

Flavor File Frank opens, beer anniversaries and more

ETC.

Savage Love Jonesin’ Crossword Freewill Astrology This Modern World

ON THE

COVER Local artist Sarah Fox shows off the crown she created for this year’s Miss CAM Antonio Photography by Pete Morales Art direction by Rick Fisher, Sarah Flood-Baumann

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NEWS

•

The River Walk barges will have a new look soon.

BEXAR-O-METER Checking the temperature of events in Bexar County and beyond

The Alamo Turns 180 Could be due for a facelift

NEWSMONGER SeaWorld Ends Surveillance // New “San Antonio 4” Trial // Boats, Boats, Boats! No More SeaWorld Spies The following is not a failed elevator pitch for a James Bond movie. It is a real, live news item: SeaWorld ended its practice of having employees covertly pose as animal-rights activists last week. SeaWorld CEO Joel Manby admitted to the practice during an earnings call on Thursday, February 25. The park had previously been accused of spying on People for the Ethical Treatment of Animals. Manby called those allegations “very concerning” in a July 2015 news release. “These allegations, if true, are not consistent with the values of the SeaWorld organization and will not be tolerated,” Manby said last year. PETA, predictably, had harsh words for the parks, alleging that the espionage went far beyond having employees wearing the same color T-shirts as PETA representatives or sitting in on a few planning sessions: “SeaWorld’s corporate-espionage campaign included trying to coerce kind people into setting SeaWorld on fire or draining its tanks, which would obviously have hurt the animals, in an attempt to 10 CURRENT • March 2—8, 2016 • sacurrent.com

MICHAEL MARKS/@MICHAELPMARKS

Spurs Wrap Up Rodeo Road Trip We’ll take a 7-1 record

distract from its cruelty and keep PETA from exposing the miserable lives of the animals it imprisons,” the organization said in a news release. SeaWorld’s local park is undergoing some upheaval of its own. Its president, Dan Decker, was fired last month as part of a broader corporate shakeup.

LaHood has said that his office likely wouldn’t retry the cases if the appeals court sides with Priest. “I have some serious reservations about this case, and I don’t believe pursuing these cases would be in the interest of justice,” LaHood said, according to the San Antonio Express-News.

Uncertainty for the “San Antonio 4” Senior District Judge Pat Priest ruled last week that the “San Antonio 4,” a group of women who were imprisoned for sexual assault in the 1990s but later had their convictions vacated, should receive new trials, falling short of completely exonerating the women. Kristie Mayhugh, Elizabeth Ramirez, Cassandra Rivera and Anna Vasquez were convicted of sexually assaulting Ramirez’s nieces in 1994. They maintained their innocence, and the trial was marked by bigotry, inconsistent stories from witnesses and other pieces of evidence later shot down as “junk science.” One of the accusers recanted. Their convictions were vacated in 2013, and three of the women were released from prison. Vasquez had already been paroled. Priest’s ruling claimed that their “assertion of proof of actual innocence falls short of the mark.” The case will now be taken up by the Texas Court of Criminal Appeals, which will issue its own opinion on the convictions. Bexar County District Attorney Nico

New River Barges The ubiquitous flotillas that pass along the River Walk are closer to being revamped. The City of San Antonio announced last week that it had selected three finalists to redesign its river-barge fleet. The finalists include METALAB from Houston, Sadi Brewton and Jonathan Davies from Austin, and San Antonio’s Luna Architecture + Design in partnership with Lay Pittman & Associates of Florida. The three finalists, selected from of a pool of 12, will receive $7,500 to develop their design and create a 3-D model. The new boats were required to meet certain design criteria. The new fleet will be completely electric-powered, ADAcompliant and each boat will seat at least 35 people. The designs will be publicly exhibited on Monday, March 28, from 6 to 9 p.m. at AIA’s Center for Architecture Gallery (1344 S. Flores St.). The winner will be announced on April 2. mmarks@sacurrent.com

Oscars Happened Sunday Leo finally got his UT-Austin Dean Resigns Over Open Carry He’s leaving the school of architecture Super Tuesday What have we done? Abbott Endorses Cruz Talk about deserving each other More Zika Virus 22 possible cases in Bexar County

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NEWS

TROUBLE AHEAD, TROUBLE BEHIND

Expanding the Bexar County Public Defender’s Office has not been easy MARK REAGAN/@210REAGAN

In early June 2014, the mood at the Bexar County Public Defender’s Office finally lifted a positive note. After three years of not having a Chief Public Defender — Angela Moore, who started the office in 2005 with a Texas Indigent Defense Commission grant, resigned in frustration in 2011 — Bexar County Commissioners Court appointed Richard Dulany as interim Chief Public Defender and promised to hire a fulltime person to head the office. Things were looking up. Dulany seemed like a shoo-in to get the permanent position. He had a background in public defender work dating back to 1994 and he had pushed to reform the languishing office as it remained leaderless. The department was not in compliance with state law, and it faced a conflict of interest because it was housed in Judicial Services, the same department as the medical examiner and lab technicians — those departments are staffed with people who are sometimes crucial in convicting Bexar County residents working on an appeal through the office. Dulany was one of two appellate attorneys in the Bexar County Public Defender’s Office at the time. Further bolstering his credentials, it was Dulany’s complaining that resulted in some significant changes — Bexar County promised to hire a Chief Public Defender, bring the office into compliance with state law and resolve the conflict of interest presented by housing the public defender, medical examiner and lab technicians under the same department. Fast forward to March 17, 2015, and the county hired a new Chief Public Defender. Dulany didn’t get the job. Instead, it went to Michael Young, a criminal-defense attorney from the Rio Grande Valley who also worked as a federal public defender in Brownsville, Texas. By September 24, 2015, Young had fired Dulany. “I was angry and in disbelief when I first got fired,” Dulany said. “Now I’m just so happy I’m not in that place and that I don’t work for the county.” He says things started going downhill between him and Young right away. Young readily admitted that he and Dulany had “philosophical” differences. “First, we are all at-will employees,” Young said of Dulany’s termination. “The only thing I would be comfortable commenting on is I don’t think his vision for the office and the role the public defender should play in indigent defense 14 CURRENT • March 2—8, 2016 • sacurrent.com

in this county was consistent with the idea I had.” Dulany said his beef with Young’s vision boiled down to the mental health services provided by public defenders and a trial program to bring the public defenders into Central Magistration, where arrestees make their first appearance, to flag mentally ill defendants and represent them during bail hearings. He also took issue with a general misdemeanor trial pilot program. “My whole thing about the public defender’s office and mental health services is it needs to be efficient,” Dulany said. “It was obvious to me when I was in private practice that the court-appointed attorneys do a real good job on the run-of-the-mill misdemeanor case.” Not so when it comes to mental health. “If you get appointed on a mentally ill defendant, and you don’t have specialized training, you are probably not the best person to represent that client,” he said. “And that’s where a specialty defender, a mental health public defender, is invaluable.” As for Central Magistration program, Dulany said the private bar should administer it, not the public defender’s office. Young, however, touts the Central Magistration program as a success. And he says public defenders are needed direly at Central Magistration. Between April 1, 2014, and February 28, 2015, 7,216 persons were estimated to be eligible for diversion to the Center for Health Care Services for mental health treatment programs, according to a grant award from the Texas Indigent Defense Commission. Of those, just 2,170 were assessed and only 125 were diverted for services, representing 5.76 percent of persons screened and representing only 1.7 percent of those eligible for diversion instead of time in Bexar County jail. According to the TIDC grant award, the underutilization of diversion is multifaceted, including noncooperation from arrestees — roughly 50 percent refused to participate or discuss mental health issues. This might be because of the physical layout of Central Magistration, where arrestees are booked by officers in close proximity to where they are seen by a mental health professional. The other problem, according to the grant award, is the lack of having a mental health professional at the facility every day, all day, seven days a week. However, Young says anecdotal evidence exists that the

pilot program will be successful. Young brings up a man named Jonathan Lanier, a homeless man arrested on a drug charge. Assistant Public Defender Erica Dominguez represented him at his first bail hearing and was able to secure his release on a personal recognizance bond and Lanier was transferred to Haven for Hope. The case was handed over to Assistant Public Defender Andrew Fletcher, who got it dismissed. By mid-February, when the public defender’s office tried to follow up, Lanier already had his own apartment and insisted that they meet him on the weekend because of his day job. “The whole object of that was get him out of that whole go to jail, doing 20 days, getting time served and ending up back on the street,” Young said. It saved the county money and brought Lanier into the right kind of morally responsible justice. However, there are logistical problems with it. “The problem has been more injecting ourselves into a currently existing model out there,” Young said, explaining that detention officers, magistrate judges, pre-trial and mental health professionals are the existing landscape. “And it’s like, all of a sudden, now we show up and we are putting ourselves in there.” Last Tuesday, Young met with the magistrate judges in an effort to figure out how to streamline the process. He said the tone of the meeting was positive. The misdemeanor trial court pilot program is also seeing a rocky start. As it stands, only County Court 12 will hear cases from the program. Again, logistics. A computer currently appoints attorneys, Young said, so if a mentally ill indigent client lands in any court aside from County Court 12 for a misdemeanor, the public defender’s office can’t represent them. While 2014 and 2015 saw basic improvements to the public defender’s office — like bringing it into compliance with state law — the fact remains that expanding the public defender’s office has been a troubled process, from logistical hurdles to county politics to conflicting philosophies on the role of the office. “You know, it’s difficult in any county. It really is, especially in Texas,” Young said. “It’s such a hodgepodge how they do it, and, so, defining those roles and making sure it’s going to be quality, that’s the primary goal, making sure you are doing something better for the client.” mreagan@sacurrent.com

B:10.25 in T:10.25 in

T:10.18 in B:10.18 in

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CALENDAR

SHANE DOYLE WED

Ladysmith Black Mambazo MUSIC

Called “South Africa’s cultural ambassadors” by Nelson Mandela, Ladysmith Black Mambazo exports a swaying and joyous form of a capella called “isicathamiya.” Unlike the vocal gymnastics of American a capella, Ladysmith Black Mambazo sing in close harmony, with voices coalescing into a whole much more powerful than its component voices. Since a supporting role on Paul Simon’s ’86 SubaruDad staple Graceland, the choir has maintained a global presence, promoting peace and cultural pride. Also on the bill: Grammy-winning female chorus Sweet Honey in the Rock. $26.50-$64.50, 7:30pm, Tobin Center for the Performing Arts, 100 Auditorium Circle, (210) 2238624, tobincenter.org. — Matt Stieb

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FRI

‘Plasticity’ ART

In addition to the 30th anniversary of Blue Star, the 2016 edition of CAM marks the fifth anniversary of Amada Miller’s Hello Studio. After showcasing 50-plus Texas artists in a compact locale, the artist-run space is stretching its wings in a freshly refurbished upstairs unit combining a gallery and three studios — one of which is dedicated to a new residency program. As the inaugural resident, painter T. Hopkins unveils the fruits of his labor with “Plasticity,” an exhibition highlighting his practice of repurposing plastic bags and other discarded items as unlikely canvases. Free, 6-9pm, Hello Studio, 1420 S. Alamo St., Suite 209, (210) 291-8640, hellostudiosa.com. — Bryan Rindfuss

SAT

International Woman’s Day March & Rally SPECIAL EVENT

The Alamo City will unite Saturday to “uplift the voices of all women and girls” at the 26th annual San Antonio International Woman’s Day March & Rally. The march takes to Downtown to highlight the needed effort to end racism, classism, homophobia, sexism; to stop violence against women, children and people of color; and to speak for those whose voices aren’t heard or respected. A rally follows the march and will include, music, activities, community resources info, free STD testing, and speakers and performers, examining a variety of social issues, including transgender rights and climate change. Free, 10:30am, Plaza del Zacate, 501 W. Commerce St., sawomenwillmarch.org. — Mark Reagan

SAT

‘Seven Minutes in Heaven’ ART

When paired with the controversial cancellation of this year’s CAM Perennial, the closure of the seedy Fox Motel (host of the first four editions of “Seven Minutes in Heaven”) might make one wonder if this is the CAM of vanishing venues. But for artist/curator Jessica Garcia and her aptly named Invisible Gallery, the (peep) show must go on. Billed as a “one-night stand,” her naughty pop-up’s fifth incarnation is set to take over a warehouse with NSFW offerings created by the likes of Albert Alvarez, Julián P. Ledezma, Logan Magz and the collectives Foursome and Erotic in Texas, plus music by Austin-based DJ Dirty T. Free, 6-10pm, 1202 W. Elsmere Pl., invisibleartgallery.com. — BR

CALENDAR

GETTY IMAGES

MEGHAN FEST

SAT

‘That Thing on the Side of the Road’ ART

As we attempt to apprise our readers on even a fraction of the endless arty sweetness that is CAM, we’d be remiss not to mention Saturday’s opening of “That Thing on the Side of the Road,” a show that thematically pairs music and visual art in a unique way. Curated by UTSA professor/all-around badass Hills Snyder and presented by the Spare Parts Mini Art Museum, the show unites 17 visual artists and eight musicians — all responding, in their own mediums, to the titular phrase. The resulting small-scale artworks and songs promise to be as diverse as the impressive group of artists Snyder recruited. Free, 7-9pm, Period Modern, 4347 McCullough Ave., (210) 902-1217, periodmodern.com. — James Courtney

SAT

Spurs vs. Kings SPORTS

Kings center-forward DeMarcus Cousins may or may not be the best man in the NBA but he’s definitely among the most mercurial. In 2012, he was suspended for two games after confronting SA icon Sean Elliott. At 6-foot-11 and 270 pounds, “Boogie” averages a double-double and played his second consecutive All-Star Game last month — but his individual success hasn’t translated into consistent wins for the Kings this season. The dysfunction in Sacramento does not rest solely on Cousins’ shoulders, yet he often carries the blame. A physical matchup with David West should help relieve some tension. $40-$1,952, 7:30pm, AT&T Center, One AT&T Center Pkwy., (210) 444-5000, attcenter.com. — M. Solis

SUN

Bullets Over Broadway THEATER

When broke playwright David Shayne needs cash for his new Broadway production, he makes a deal with the mob to get the funds. The catch? That gangster’s got a girlfriend and she’s looking to act. Based on Woody Allen’s 1994 film, the musical comedy Bullets Over Broadway promises a score ripped right out of the 1920s and a bevy of wild characters, including a henchman named Cheech with an itch to rewrite and a leading fella with an insatiable appetite. Whatever your poison, this one-night-only staging boasts “the most effervescent new musical in years.” $24.50-$74.50, 7pm, Tobin Center for the Performing Arts, 100 Auditorium Circle, (210) 223-8624, tobincenter.org. — Murphi Cook

TUE

Vadym Kholodenko

MUSIC

Ukrainian Vadym Kholodenko is one of the few great classical pianists to fully express the music’s emotion on his face, exhibiting Kobe-tongue and manic bouts of joy and sadness in his performances. Under Kholodenko’s direction, the works of Bach, Beethoven, Stravinsky and other one-name-club composers truly come to life; in 2013, his animated performance took home the gold medal at the renowned Van Cliburn International Piano Competition in Fort Worth. Now 29 and living in the DFW, Kholodenko heads to Trinity for a recital presented by ARTS San Antonio on the Steinway-only campus. $29-$110, 7:30pm, Trinity University, Ruth Taylor Recital Hall, One Trinity Pl., (210) 2262891, artssa.org. — MS

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10 Year Anniversary!

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CALENDAR NIGHTLIFE

SAT-TUE

5-8

‘Rodin: The Human Experience’

After joining forces on Wall Street in 1970s-era New York, Iris and B. Gerald Cantor established a foundation “committed to sharing the treasures in their art collection with the broader public.” Now encompassing the world’s largest private collection of works by Auguste Rodin (known best for his iconic bronze The Thinker), the Iris & B. Gerald Cantor Foundation has taken shape in exhibitions staged in such high-profile locales as Rockefeller Center’s Channel Gardens and the First Ladies’ Garden at the White House. Commemorating the 100th anniversary of the modern master’s death, the touring “Rodin: The Human Experience, Selections from the Iris and B. Gerald Cantor Collections” brings together 32 bronzes, including depictions of writers Victor Hugo and Honoré de Balzac and God (which oddly doubles as self-portrait), his Torso of the Walking Man and works derived from a casting of his monumental sculptural group The Gates of Hell. $10-$15, 10am-5pm Sat-Sun, 10am-9pm Tue, San Antonio Museum of Art, 200 W. Jones St., (210) 978-8100, samuseum.org. Through May 29. — Bryan Rindfuss

Art

Art opening: “A Plastic Practice: The Still Life in Contemporary Art”

Curated by Justin Korver and Kallie Pfeiffer, Terminal 136’s Contemporary Art Month offering “A Plastic Practice” unites emerging San Antonio artists who “stretch the boundaries of traditional still life and vanitas paintings” while exploring gender politics, materiality, formalism, surrealism and political critique. Free, 6-8pm Thursday; Terminal 136, 136 Blue Star, (210) 458-4391.

Art opening: “ArtFriday. SexFriday.”

Sexology showcases the erotic drawings of Austin-based California native Marcy Ann Villafaña. Free, 8-10pm Friday; Sexology Institute and Boutique, 727 S. Alamo St., (210) 487-0371.

Art opening: “In Line” Gloria Brockman and Sarah T. Roberts explore the female form via drawings and powder-coated aluminum. Free, 6-9pm Friday; Gallery 20/20, 1010 S. Flores St., Suite 108, (210) 473-8331.

Art opening: “La Habana: A Documentation of Cuba” San

Antonio-based artist Jorge Villareal’s solo show “La Habana” brings together stories “shared as an intimate dialogue, exposing the unfamiliar rituals of the folklore of Cuba through a permeation of the streets.” Free, 6-10pm Saturday; The Warehouse, 1119 S. St. Mary’s St.

Art opening: “New Works on Paper and Small Sculptures” REM hosts a CAM

exhibition celebrating the work of Danville Chadbourne, whose sculptures in wood and clay are “unified by a primal iconography and artifact-like quality.” Free, 6-9pm Saturday; REM Gallery, 219 E. Park Ave., (210) 884-3769.

Art opening: “Queens: Redrawing the Base of Beauty” Known for her critical

investigations of the female body, identity and blackness, Austin-based artist Deborah Roberts challenges her viewers to consider assumptions about “how beauty forces judgments, from negative opinion to the demand for re-assessment and the power of self-possession.” Free, 6-8pm Wednesday; Carver Community Cultural Center Gallery, 226 N. Hackberry St., (210) 207-2719.

Art opening: “Small Scale: Big Change” SAY Sí’s month-long fundraiser

encompasses more than 200 wide-ranging, small-scale works — all up for auction in support of the creative youth development organization’s tuition-free programs. While the final auction doesn’t take place until March 25, collectors can jump the gun at Thursday’s ticketed preview or First Friday’s free reception. $60-$75, 7-10pm Thursday; free, 7-10pm Friday; SAY Sí, 1518 S. Alamo St., (210) 212-8666.

Art opening: “SouthXSouthtown” R

Gallery unveils new projects by local artists Alyssa Dana (“Internally Yours”), Adriana Garcia (“Vamos a Ver”), Amada Miller (“War: Torn”) and Megan Solis (“My Bloated Stomach Is Water and Glitter”) at a First Friday reception with performances by singer-songwriter/folklorist Azul Barrientos and Georgia Walker (aka “Scorpion Girl”). Free, 6-11pm Friday; R Gallery, 725 S. Presa St., (210) 862-8875.

Empty Bowls Launched in 2000 by the San

Antonio Potters Guild, the local chapter of the international grassroots effort Empty Bowls brings together potters, educators, caterers and chefs in an effort to combat hunger and food insecurity. Benefiting SAMMinistries, the

SAT

‘What It Means’

While Contemporary Art Month’s latest CAMx exhibition establishes a cross-cultural collaboration between San Antonio and Denver, “Three the Hard Way” and “#Clamplife” strike up a homegrown exchange between Freight and Clamp Light. Easier to summarize, Freight’s “#Clamplife” (opening March 12) showcases new works by the seven resident artists under Clamp Light’s umbrella: Sunday Ballew, Carol Cunningham, Colleen O’Brien, Sarah T. Roberts, Jen Frost Smith, Tom Turner and Jose Villalobos. On the flipside, “Three the Hard Way” enlists local artist Raul Gonzalez as curator for three distinct solo shows set to transform Clamp Light throughout March. As the first up to bat, Rafael Fernando Gutierrez Jr. shows us “What It Means” through new drawings, paintings and a performance exploring his experiences as a military veteran, civilian and artist. To sweeten the deal, Gonzalez steps in as DJ and all-purpose “hype man” enhancing all three receptions, which round out with Eric Breish’s “Grim State” (March 11) and Alyssa Danna’s “Love After Love” (March 19). Free, 7-10pm, Clamp Light Artist Studios and Gallery, 1704 Blanco Road, Suite 104, (713) 594-2735, contemporaryartmonth.com. — BR

16th annual event invites guests to purchase a handcrafted bowl and then fill it with soup and bread provided by local restaurants. $20 (includes bowl, soup and bread), 11am-2pm Sunday; Southwest School of Art, 300 Augusta St., (210) 340-0302.

Film

“Peril and Promise” Emmy-winning

documentary director/producer Raymond Telles visits the Guadalupe for a screening of the “Peril and Promise” episode of the PBS series Latino Americans: 500 Years of History along with a discussion with St. Mary’s University professors Gerald Poyo and Rita Urquijo-Ruiz, and refreshments from The Box Social food truck. Free, 6:30-9pm Friday; Guadalupe Theater, 1301 Guadalupe St., (210) 999-8160.

She’s Beautiful When She’s Angry

National Organization for Women San Antonio kicks off Women’s History Month with a free screening of Mary Dore’s 2014 documentary resurrecting the buried history of the outrageous, often brilliant women who founded the modern women’s movement from 1966 to 1971. Free (guaranteed seating with RSVP on Facebook), check in at 6:30pm, film at 7pm Wednesday; Alamo Drafthouse Park North, 618 NW Loop 410, (210) 802-9068.

Theater

Creatures of the Night Emily Fitzgerald has

had her head in a who-done-it for the past year. The result? Creatures of the Night, a noir-style mystery about a private eye faced with very real monsters. Inspired by the J.D. Robb (aka Nora Roberts) protagonist Eve Dallas, Fitzgerald’s detectives Valentine and Dandy navigate through a revolving cast of characters in an ever-darkening coffee-

shop haunt. $10-$15, 8pm Friday-Saturday, 7pm Sunday; The Overtime Theater, 1203 Camden St., (210) 557-7562.

Jesus Christ Superstar After finding surprise success with their 1970 concept album Jesus Christ Superstar, composer Andrew Lloyd Webber and lyricist Tim Rice developed the rock opera into a spirited Broadway production based loosely on the last week of Christ’s life. Sung through in slanginfused show tunes — including the groovy “What’s the Buzz,” title track “Superstar” and torch ballad “I Don’t Know How to Love Him” — the groundbreaking musical presents Christ as something of a celebrity sell-out while shining a forgiving light on his betrayer Judas Iscariot. Rick Sanchez directs The Playhouse’s production. $12$30, 8pm Friday-Saturday, 3pm Sunday; The Playhouse, 800 W. Ashby Pl., (210) 733-7258.

Rock of Ages Humorously summed up

by The New York Times as a “karaoke comedy about warped-vinyl dreams,” Chris D’Arienzo’s jukebox musical Rock of Ages employs ’80s radio hits such as “Waiting for a Girl Like You” (Foreigner), “We Built This City” (Starship), “The Final Countdown” (Europe) and “Don’t Stop Believing” (Journey) to conjure campy scenes straight out of the glory days of MTV — replete with big hair, Spandex and Bartles & Jaymes wine coolers. $17-$26, 7:30pm FridaySaturday, 3pm Sunday; Woodlawn Theatre, 1920 Fredericksburg Road, (210) 267-8388.

The Seagull Set on a lakeside Russian estate, Anton Chekhov’s The Seagull weaves a tangled web crawling with the likes of playwright Konstantin, his neurotic mother Arkadina, her younger lover Trigorin and aspiring actress Nina. Once summed up by critic Charles Isherwood as “a play about

sacurrent.com • March 2—8, 2016 • CURRENT 19

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23 CALENDAR NIGHTLIFE

misfired loves and misbegotten lives,” the 19th-century tragicomedy lands at The Classic Theatre in a production directed by Allan S. Ross. $10-$25, 8pm Friday-Saturday, 3pm Sunday; Classic Theatre of San Antonio, 1924 Fredericksburg Road, (210) 589-8450.

Talks Plus

Art Conversation: Cruz Ortiz on Corita Kent In conjunction with CAM, Brown

Foundation curator Anna Stothart and local artist Cruz Ortiz discuss the role and influence of artist, educator and Roman Catholic nun Corita Kent (1918-1986). $15$20, 6-7:30pm Friday; San Antonio Museum of Art, 200 W. Jones Ave., (210) 978-8100.

Special Events

An Evening with Heroes: The Alamo Under Siege Have you ever wondered

what was happening inside and outside the walls prior to the battle of The Alamo? Come experience a recreation of the events and conversations of the evening before the final attack. Seven candlelit scenarios will take you back; you will witness history unfold. The event begins at 6:30pm with 45-minute tours departing every 10 minutes. $10-$20, 6:30-10:45pm Friday; The Alamo, 300 Alamo Plaza, (210) 225-1391.

Mockingbird Fest Yanaguana Garden hosts

a Tex-centric celebration with educational activities, arts, crafts, close encounters with live native species (including a screech owl and an alligator), live music by local conjunto legend Eva Ybarra and tastings from area eateries and craft breweries. Free, 10am-6pm Saturday; Yanaguana Garden, 434 S. Alamo St., (210) 709-4750.

Montage Dance Party Vintage emporium Montage invites guests to shake their booties and “get loosey goosey” at this hip

dance party with cocktails, a photo booth and a percentage of proceeds benefiting the Children’s Rehabilitation Institute Teleton. $20, 9pm-2am Saturday; Montage, 423 W. Grayson St., (210) 324-0157.

San Antonio Vintage Expo Austin Highway

Event Center plays host to another weekend event brimming with retro clothing, collectibles and unusual treasures. $5, 10am-5pm Saturday, 11am-5pm Sunday; Austin Highway Event Center, 1948 Austin Hwy., (210) 639-1434.

Blackout: Binge Drinking, Campus Culture & Sexual Assault Sarah Hepola

first blacked out from drinking at age 11 and would go on to have more than 200 episodes before getting sober. The acclaimed author (and Texan) shares her story in the best-selling memoir Blackout: Remembering the Things I Drank to Forget. Trinity’s Greek Council and The Coalition for Respect bring Hepola to Laurie Auditorium for a talk and book signing. Free, 7pm Thursday; Laurie Auditorium, 715 Stadium Drive, (210) 999-8117.

“Was There a Latin@ Sixties Poetry?”

Author, literary critic, translator, performer and educator Urayoán Noel sheds light on his works, which include the recently published poetry collection Buzzing Hemisphere/Rumor Hemisférico and the critical study In Visible Movement: Nuyorican Poetry from the Sixties to Slam. Free, 7pm Wednesday; Our Lady of the Lake University, Providence West Social Room,411 SW 24th St., (210) 734-9673.

“Your Government, Explained” Join

County Judge Nelson Wolff, Mayor Ivy R. Taylor and City Manager Sheryl Sculley for a candid conversation answering questions and presenting new opportunities for young professionals to participate in major upcoming County and City initiatives. Free, networking at 5:30pm, speakers and Q&A at 6pm Tuesday; Plaza de Armas, 119 Plaza de Armas, (210) 207-6000.

200 West Jones Avenue | San Antonio, Texas 78215 | samuseum.org Organized by the Harvard University Art Museums. Corita Kent and the Language of Pop is supported in part by an award from the National Endowment for the Arts and major corporate support from National Grid. In San Antonio this exhibition is supported by the National Endowment for the Arts, the Nathalie and Gladys Dalkowitz Charitable Trust, the Daniel J. Sullivan Family Charitable Foundation, and Mrs. Rosario Laird.

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ARTS + CULTURE

CAM ON! JAMES COURTNEY

Through controversy, CAM’s mission remains important, its scope impressive

• A few of the 1,600 handpainted tiles included in Stephanie Kantor's “Mock Pavilion”

If you pay attention to art in San Antonio at all, you know that this city is home to, and frequently hosts, a diverse plethora of truly exciting artists in all mediums. That being said, unless you make it a full-time occupation, it can be hard to keep up with all of the great artists, established and budding, that are at work on their own unique visions around town. Contemporary Art Month (CAM) — a full month of loosely coordinated art events that was born along with Blue Star back in 1986 — remains the best way to broaden your horizons and explore art from all over the city and beyond. After celebrating its 30th anniversary last year, CAM has been the subject of some controversy in the lead-up to this year’s March-long art bonanza. In short, the CAM Perennial exhibit, an important show that has been hosted at the Guadalupe Cultural Arts Center for

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the past four years, was cancelled after GCAC pulled out at the eleventh hour, citing “the lack of diversity in this year’s group of artists, specifically the lack of representation of Latina artists in this year’s edition of the perennial.” To the point, the all-female exhibit that would have been didn’t fit with the GCAC’s mission to “cultivate, promote and preserve traditional and contemporary Chicano, Latino and Native American arts and culture through multidisciplinary programming.” Some have bemoaned the fact that the guest curator of the exhibit, Denver’s Laurie Britton Newell (who got the gig as a part of the CAM exchange program CAMx), was not made sufficiently aware of the cultural context in which the exhibit she planned would be exhibited. For its part, CAM, which officially declined to add further comment for this article, said in a statement that it is “saddened” by the souring of a partnership that “was born out of a desire to share and exchange artistic ideas and create an event that would attract diverse audiences to the city’s West Side.” Continuing, the statement maintains that CAM approached the curation of this show the same way it always has: by giving the guest curator full reign to choose a show from the diverse talent pool in San Antonio with “no strings attached” and no “rules or quotas.” GCAC director Jerry Ruiz told the San Antonio Current last week that “More than anything, this is about a partnership that did not quite align and had miscommunication and assumptions on either side that derailed it.” He added that “You can’t curate regardless of context, no matter where you are.” Some might argue that the inclusion of particular artists and the exclusion of others based purely on ethnic background is unfair and damaging to the art community, while still others will retort that CAM should have made the cultural context of this exhibit, and the GCAC’s mission, abundantly clear to Newell in the first place. Ultimately, however, the GCAC blamed CAM for the

tone-deaf gaffe. Bottom line: There are two sides to every story, but in this story there is no clear winner and loser, just an important dialogue that quickly lost its fruitfulness and a city with one less exhibit to experience. But, enough about the drama. This is about art and its value to us, as individuals and as a collective. Cortney Stell, the executive director and chief curator for the Denver-based Black Cube Nomadic Contemporary Art Museum, who selected the visiting artist Stephanie Kantor (more on her in the following section) for the CAMx exhibit at Sala Diaz, talked to the Current a bit about her involvement and the importance of art in general. A perfect fit, Stell explained that “Black Cube’s mission focuses on bringing art to new audiences” and that she was excited by her organization being selected for CAMx. Stell says that she selected Kantor to be the CAMx artist because she “was impressed by her sense of scale and gesture, her interest in transitional forms and patterns and her dedication to her practice.” She added that she “also felt that her interest in patterns and forms that mark changing cultural identities was a timely topic given all of the current conversations in the U.S. about borders and boundaries.” By way of summation and re-focusing, Stell’s words on the value of art in our contemporary world are crucial and can serve to refresh us, and create a spirit of openness and forgiveness, for the wonderful month of art ahead: “Art is a vital part of our life because it offers time to reflect on the world we live in. It is a space for digestion and it allows us to think of the world anew. As the world evolves, and through our increasing connectedness, it offers an important space for the development of one’s own response, or, as put in the contemporary art field — it develops a sense of criticality to the world we live in. And, because art does not require an action in the end, it keeps audiences open to exploration; a luxury that our practical or everyday lives may not regularly afford us. Art is a critical aspect of healthy and just societies.”

ARTS + CULTURE

CAM PICKS

Images from the CAM exhibitions "Mock Pavailion" (left) and "Do It & Do It" (right)

> There are too many excellent art happenings going down this month to even begin to enumerate in these few pages. But, for starters, here’s just a sampling of all the arty awesomeness that we are excited about this year. For a full schedule of events visit contemporaryartmonth.com. CAM KICKOFF AND MISS CAM ANTONIO CROWING • With booze provided by Blue Moon and zany art dignitaries and rebels aplenty, CAM will once again celebrate its opening at Blue Star Contemporary. The party, which will also mark the opening of three Blue Star exhibits, is a great moment to network, clear your mind, and begin preparations for an art binge of San Anto proportions. Miss CAM Antonio will also be crowned at this event, which will be followed by the CAM Dance Happening Fundraiser ($10 entry donation), a pop-up art installation and after party hosted at Brick from 9 p.m.-midnight. Free, 6-9pm Thu, Mar. 3, Blue Star Contemporary Art Museum, 116 Blue Star, (210) 227-6960, bluestarart.org. “GOING ON GOING” • Recent Blue Star Berlin resident, multimedia artist and Southwest School of Art instructor Justin Boyd eschews the typical boundaries of an exhibit in his CAM offering. Inspired by a recent jaunt to Berlin,

during which he captured a multitude of disparate sounds, musical and otherwise, Boyd has created a truly unique, immersive multimedia and sculptural installation that will transform Blue Star’s interior and exterior. Boyd’s “Going on Going” opens in tandem with “Do It & Do It” (a meta-artistic, neverending and participatory exhibit dreamed up by Hans Ulrich Obrist, Christian Boltanski and Bertrand Lavier) and “Blue Star Ice Company” (a multi-artist installation that meditates on the relationship between society and water). Free, 6-9pm Thu, Mar. 3, Blue Star Contemporary Art Museum, 116 Blue Star, (210) 227-6960, bluestarart.org. Through May 8. CAMX: “MOCK PAVILION” • This year’s CAMx exhibit, hosted by Sala Diaz, is heavy. Literally. The 2,600 pounds of material, designed and crafted for the “Mock Pavilion” exhibit by Stephanie Kantor — including 1,600 hand-painted tiles, 36 ceramic vessels, tapestries and custom wallpapers — made the long journey from her home base at Black Cube in Denver to San Antonio by way of a huge shipping container. Kantor, selected by Cortney Stell of Black Cube as this year’s CAMx artist, created her installation with Sala Diaz’s repurposed environs and ethic in mind. Additionally, “the idea to engage the structure of the pavilion came from a recent trip to Istanbul, Turkey,” she told the Current last week. Drawing on a visit to Topkapi Palace, “one of the most beautifully tiled architectural spaces in the world,” she decided “to combine the site of the pavilion with museum period rooms and the interior of a home as collection.” The resulting indoor/outdoor installation is a multicultural (and magical) transformation of the space that sees the

artist “focus[ing] on a few cultures per room and [thinking of it] as a tableau.” Free, 6-10pm Sat, Mar. 5, Sala Diaz, 517 Stieren St., (972) 900-0047, saladiazart. org. Through March 31. 32ND ANNUAL STUDENT ART EXHIBITION • In its 32nd consecutive year, the UTSA Student Art Exhibition is a juried competition with works by undergraduate and graduate students. Boasting a wide spectrum of themes and just about every medium you could imagine, from tried and true brush, pen and pencil work, to cutting-edge adventures in digital video and photography, the exhibit is a fine chance to see how university art students in San Antonio are shaping, and being shaped by, the creative process. This year’s competition will be judged by artist and Texas State University art professor Joey Fauerso. Free, 6-8pm Wed, Mar. 23, UTSA Main Gallery, One UTSA Circle, (210) 458-4391, art.utsa.edu. Through April 15. “EAST MEETS WEST” • “East Meets West” will cap off a month of African arts and culture events around town organized by the Olaju Art Group, whose mission is the promotion of African culture through the visual arts. Conceived in response to “a lack of access to authentic, contemporary African arts in San Antonio,” this exhibit will showcase contemporary art from Nigeria and Kenya (East and West Africa, respectively) in an effort to engender a balanced approach to understanding cultural distinctions on the African continent. Free, 11:30am-12:30pm Thu, Mar. 31, Palo Alto College, Project Space Gallery, 1400 W. Villaret Blvd., fromwestafrica.org. CONTINUED ON PAGE 27 ►

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ARTS + CULTURE

PETE MORALES

◄ ◄ CONTINUED FROM PAGE 25

MISS CAM ANTONIO + HIS/HER CROWN • Sarah Fox based her crown on this collage of Wilma Rudolph "as the spider queen."

> Inaugurated in 2012, the Miss CAM Antonio virtual pageant (of sorts) is a slick marketing idea designed to ratchet up the online buzz surrounding CAM, its events and its mission. The CAM website explains that the contest is “open to anyone currently living in San Antonio — male or female, young or old” and that entering is as easy as posting a response to the question “As Miss CAM Antonio, how would you promote contemporary art in San Antonio?” These responses are posted to the Miss CAM Antonio Facebook page “in the form of words, video, photos or any other medium that can fit into a wall post.” And, the individual with the most likes takes the designer crown. At this point, the voting has already closed for this year, so let’s talk about the hardware that will adorn the winner who will be crowned at Thursday’s CAM Kickoff Party. This year’s custom-made crown — that’s it on our cover, in all its fuzzy fierceness — was created by Sarah Fox, a painter, sculptor, collagist, designer, art instructor and Texas transplant. Fox, who recently received her MFA from UTSA, where she teaches along with summer stints at the Southwest School of Art, began her career in the arts as a graphic designer before diving into her true calling as a multimedia artist concerned with figurative and symbolic work that often fuses history and fantasy, the familiar and the alien, the human and the animal. Last week, she

explained to the Current that her goal with the crown was to “create something big and beautiful to follow up in the Miss CAM Antonio crown tradition but also fuse that with elements of my other work.” The morphed spider figure, inspired by a character in a recent collage, “is supposed to be fierce, because we tend to associate spiders with evil or violence, but the yarn and thread soften it.” Continuing, she noted that the upcycled yarn and thread she used “once kept people warm, so it’s like a nod to the fact that spiders are actually pretty benevolent creatures, despite our fear of them.” As such, the gorgeous crown is a bit of a yin-yang figure that considers how closely related our fears and hopes, our suffering and our comfort, really are. Commenting on the crown, as well as her work in general, Fox summed it up this way: “Creating these animal hybrids frees me to meditate on big social issues without finger-pointing or being too obvious. Much like fables and fairy tales often use animals to tell human moral stories, my work with animals is supposed to feel mysterious, but also to have a point.”

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28 CURRENT • March 2—8, 2016 • sacurrent.com

ARTS + CULTURE

COURTESY SAFC

NEW LEAGUE ON THE BLOCK

Will the United Soccer League propel San Antonio to MLS? MICHAEL MARKS/@MICHAELPMARKS

When new soccer club San Antonio FC holds its home opener next month, many parts of the game will look exactly as they did when the San Antonio Scorpions were the pro soccer squad in town. Even though the Scorpions are no more, the game will still be played at Toyota Field. The loudest chants and cheers will blare from the same sections of the stadium. Even a few of the players who fans first knew as Scorpions will take the field for SAFC. But there will be at least one key difference. When the club kicks off, it will do so in the United Soccer League — a growing league that’s quite a bit different from the North American Soccer League, which local soccer fans grew accustomed to during the Scorpions’ four seasons. When the City of San Antonio, Bexar County and Spurs Sports and Entertainment purchased Toyota Field from local developer and philanthropist Gordon Hartman, they did so with the long-term goal of bringing Major League Soccer to San Antonio. The Spurs group determined that the USL was the best platform to do that. The league has a direct link with MLS, making it an attractive option for SAFC’s goals, the club’s managing director Tim Holt said. “It’s the strongest American soccer league below and in support of MLS,” said Holt. “The link with MLS has been a major asset for the league both in terms of its growth, credibility and exposure. I think it’s helped [the league] to attract some really talented players.” Although the on-field products of the USL and NASL look quite similar (minor league soccer is minor league soccer, after all), the structure of the two leagues is considerably different, and could have major implications for SAFC’s future ambitions.

The USL is growing rapidly. It started in 2010 and over half of its 29 teams were founded in the last two years, including independent stand-alone teams such as SAFC, clubs that are affiliated with MLS, as well as clubs directly owned by MLS teams. MLS-owned or affiliated teams represent the majority of the league. The agreements allow the MLS clubs to use the USL much like minor league teams in other sports: They can send players down to get more experience, to rehab from injuries or to scout prospective athletes. That means that the makeup of a club on any given night can change drastically. “There’s different philosophies to each organization,” said SAFC head coach Darren Powell. “So it’s a very interesting league, very intriguing league. One that is going to be very hard to predict. … That’s what’s very exciting and very unique about the league.” Some of the clubs to most recently join MLS, including the Portland Timbers, Montreal Impact, Vancouver Whitecaps, Seattle Sounders and Orlando City SC first started in the USL before making the jump to the big leagues. “There’s a proven pathway which has been developed,” Holt said. “We think [USL] is the best platform in order to be able to build this thing up to a Major League Soccer level." A Step Down? When Spurs Sports and Entertainment announced that its new team would play in the USL, some fans chafed at the notion of playing in a Division III league – which it is, according to the structure of the United States Soccer Federation. Some viewed it as a step down, as the NASL is a Division II league. But the Division III designation doesn’t mean that the

•

San Antonio FC players train for their inaugural season.

USL is a downgrade in quality or competitiveness from the NASL. Recent results suggest just the opposite, in fact. During the third round of the 2015 U.S. Open Cup, an annual American soccer tournament open to teams at all levels, there were seven matches between USL and NASL teams. The USL won six, including a victory by the Austin Aztex over the San Antonio Scorpions. “It’s actually dramatically flipped the opposite way of how you might think — that Division II would dominate Division III,” Holt said. “That’s in no way disparaging toward the NASL, which is a good league. I just don’t think there’s any functional difference on the field.” When recruiting players to fill out the roster, Holt and Powell said that they’d often compete against NASL teams and overseas clubs, in addition to other USL squads. And they’ve recruited a young team, with only a rare few players over the age of 30. Some of them have MLS experience, others have played overseas, most come from the USL or NASL. As a stand-alone club, SAFC can’t rely on a parent club in the MLS to send players down. Instead, they hope that the players they recruit now could be the core of a group that makes the jump to the major leagues a couple years down the road. “What we’re selling is an opportunity to be part of a club that’s building something special for the future,” Holt said. “There’s a hunger with these younger players who are trying to fill in the front end of their pro careers and try to establish something.” SAFC's first home game is Saturday, April 9, against the Kansas City-based side Swope Park Rangers. mmarks@sacurrent.com sacurrent.com • March 2—8, 2016 • CURRENT 29

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SCREENS

• Born In Flames: The determined gaze of a revolutionary.

FEMINISM IN FILM

4 films to watch this Women’s History Month BRETT SEAMANS

• Ladies and Gentlemen, the Fabulous Stains: Inspiring an army through music.

• Nine To Five: Having fun while sticking it to the Man.

• I’ve Heard the Mermaids Singing: One of film’s first female superheroes.

March is Women’s History Month, so what better way to celebrate women in film than to highlight feminist narratives made in the 1980s? The ’80s were a wonderful time for female-driven properties. This was the era of Working Girl, Baby Boom and The Legend of Billie Jean. For your movie-going enjoyment, I have chosen four other female-inspired films that may have been forgotten by contemporary audiences. Nine to Five • This 1980 flick was directed by Harold and Maude screenwriter Colin Higgins. Its story centers around a trio of office employees (Jane Fonda, Lily Tomlin and Dolly Parton) who take their chauvinistic boss hostage, an act of defiance that is motivated by being subjected to verbal abuse and receiving unwanted sexual advances. With their boss sequestered away, our heroines implement more accommodating policies that benefit women in the office, including salary increases, day care services and job sharing for working mothers. While still a comedy at heart, Nine to Five tackles serious issues regarding male attitudes toward women in the workforce, but it does so to the catchy beat of Parton’s Oscarnominated titular song. Available on Netflix Instant.

Ladies and Gentlemen, the Fabulous Stains • Diane Lane and Laura Dern star as disaffected teens in a 1982 proto-punk band. The young women find themselves on a cross-country tour as the opening act for a more established musical group. Lane, as the Stain’s singer, defies the submissive female archetype by engaging in confrontational monologues with her audience, ultimately bringing her band to mainstream prominence. Women are enamored with the band’s dyed hair, Ziggy Stardust makeup and their refusal to wear sexualizing outfits. Men are dismissive of the band’s artistic endeavors, labeling the Stains as a gimmick, a viewpoint that still dominates the rock world today. These young women are a completely different breed than their conformist Baby Boomer parents. They are brazen in appearance. They are less emotional than most of the men. Simply put, they are the Stains, “and they don’t put out.” Available on Amazon Prime. Born in Flames • Lizzie Borden’s seminal 1983 film takes place 10 years after the War of Liberation, where the women of New York City successfully overthrew the Democratic government and left a Socialist party

wielding the political power. Despite the minor gains women have experienced (the government now gives hiring preferences to females), an imbalance of power between the sexes still prevails. Spurring on the desire to promote female equality among the pervasive masculine culture is the Women’s Army, a predominantly African-American and lesbian group whose neighborhood offerings include child day care and rape rehabilitation centers. With the federal authorities monitoring the group’s activities and with a mantra proclaiming that “all oppressed people have a right to violence,” this militant narrative most assuredly ends in death and destruction. Available on Amazon Prime. I’ve Heard the Mermaids Singing • Films espousing feminine virtues don’t need to be overtly political. 1987’s Mermaids is such a film. Sheila McCarthy plays a secretary for an accomplished female art gallery curator. McCarthy is enamored with her boss’ beauty, sophistication, liberating views on sexuality and her desire for “universal respect.” The nebbish secretary’s naive decision to hang her boss’ lover’s painting in the gallery leads to surprising and unintended consequences. This flick, a prototype for the New Queer Cinema movement, never comments upon the heterosexuality, lesbianism and bisexuality inherent in its characters’ desires. Psychologist Lisa Diamond describes this spectrum of sexuality as sexual fluidity, stating that female desire results in a fluctuation between same-sex and other-sex romantic longings. McCarthy’s secretary reiterates the film’s thesis when she states, “Gender is irrelevant in matters of the heart.” Available on Netflix Instant. sacurrent.com • March 2—8, 2016 • CURRENT 31

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GOT DWI, DUI? •Cannavale as American Century Records owner Richie Finestra. Maybe it’s a Satanic Majesties. Stepping back and assessing Mick Jagger, Terence Winter and Martin Scorcese’s respective oeuvres, Vinyl — and I place the onus of the so-far shrug-inducing ersatz epic primarily upon their shoulders — is a convincing attempt at a tale that perhaps could’ve been left untold: A valid go at something that is not altogether terrible but far from the best output of any of the trio’s careers. It is only three episodes in, after all, but what a bloated three episodes it’s been. Richie Finestra, played by Bobby Cannavale, stars as a hardworking, formerly hard-partying record executive who has put his baser habits to bed at the behest of his loving wife (Olivia Wilde). In a world full of free drugs, meaningless sex and poorly portrayed rock ‘n’ roll (Jagger’s son James plays a particularly exaggerated role as the singer of a punk band named the Nasty Bitz — one of the worst fictional band names since the Wylde Ratttz, Velvet Goldmine, or The Oneders, “that’s pronounced Wonders,” in That Thing You Do) Finestra bounces back and forth between the boardroom and the barroom. Squashing a million dollar buyout from German-owned PolyGram Records, Finestra and his business partners, including a convincing Ray Romano as the Jewish moneyman, are back in the market for some new,

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“raw” talent. Upon putting the kibosh on the PolyGram deal, Finestra dives headfirst into the cocaine-fueled, liquor-lapping world out of which he recently pulled himself. But not before getting in over his head with the brash owner of several prominent radio stations, played by an unrecognizable but totally believable Andrew Dice Clay. The spinout, exacerbated by a non-fictional but highly exaggerated building collapse at a New York Dolls show — one of the few scenes in the series in which the songs don’t sound like the bland, affected dumpster-ditties utilized throughout the rest of the series — reinvigorates Finestra’s lust for life and real rock ‘n’ roll. The episodes travel back and forth through time, cataloging the ups and downs of Richie’s career — those he’s fucked and fucked over — but never really finds traction. At least not on the level on which Scorsese, Jagger and Winter usually function. However, as a master auteur, world class musician and exceptional producer, respectively, Vinyl’s first three episodes may simply be a snapshot of the greater picture. Three tracks off of an album that, once finished, begs to be flipped and spun again. -dtbuffkin@sacurrent.com Vinyl screens Sunday nights on HBO and HBO Go at 9pm.

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210-610-2826 sacurrent.com • March 2—8, 2016 • CURRENT 33

2016 PARTIES WITH A PURPOSE April 7th | Zoolectric Join us for our Annual Membership Event as we party like animals and light up the night. This is the only Zoomers event where we open our gates to those interested in joining.

Zoomers is the young professionals’ organization at the San Antonio Zoo dedicated to expanding conservation and awareness of the Zoo and its mission.

Come learn how you can impact YOUR San Antonio Zoo. Reservations must be made in advance by visiting sazoo.org/support/Zoomers. Space is limited.

34 CURRENT • March 2—8,SAZOO.ORG/SUPPORT/ZOOMERS 2016 • sacurrent.com

| FACEBOOK/SAZOOMERS | SAZOOMERS@SAZOO.ORG

A San Antonio Perennial

HIGHLIGHTS

ABOUT CAM

MARCH 3: FreeCAM Kick-Off Party

CAM features over 100 individual exhibitions, performances, parties, sales, studio tours, and other events happening throughout the city. International, national and local artists exhibit in pop-up galleries, non-profit spaces, artist studios, and world renowned organizations.

MARCH 5: CAMx (DENVER, CO) Opening “Mock Pavillion”

MARCH 20: Open Studio Tours & After Party at Zollie Glass

MARCH 25: CAM Closing Party &

Cammie Awards

For more information visit contemporaryartmonth.com

EVENT GUIDE Thank you to our sponsors! AMADA CLAIRE MILLER

The Smothers Foundation

literature film art dance music literature film art dance music literature film art dance music literature film art dance music literatu

CONTEMPORARY #cam2016 ART MONTH

sacurrent.com • March 2—8, 2016 • CURRENT 35

36 CURRENT • March 2—8, 2016 • sacurrent.com

CAM2016 EVENT GUIDE ON-GOING EVENTS February 10 – April 24 EXHIBIT: MADE IN GERMANY: CONTEMPORARY ART FROM THE RUBELL FAMILY COLLECTION McNay Art Museum 6000 N New Braunfels Ave mcnayart.org

February 11 – April 24 CAITLIN G. MCCOLLOM THE CLOUD OF UNKNOWING Southwest School of Art Urschel Gallery, Ursuline Campus 300 Augusta Street (210) 224-1848 swschool.org

for event details, visit:

contemporaryartmonth.com

February 11– April 24 TEXAS DRAWS IV Southwest School of Art 1201 Navarro (210) 224-1848 swschool.org

February 13 – May 8 CORITA KENT AND THE LANGUAGE OF POP EXHIBITION San Antonio Museum of Art 200 W Jones Ave (210) 978-8100 samuseum.org

February 20 @ 2pm – March 30 @ 4pm POP-UP EXHIBITION FOR ARTIST EMILY FLEISHER AT NEW, SA GALLERY – POLYGLOT Polyglot Gallery 529 W Mulberry Ave Melanie Harris de Maycotte (512) 767-8084

February 26 @ 6pm – 9pm BROADWAY NEWS!!! IT’S ART NOT PORN… Through March 30th, 2016 Broadway News 2202 Broadway St jesustoromartinez.simpl.com

March 1 – March 31 31 DAYS OF CONTEMPORARY CONCEPTUAL CAMERA CONFABULATION instagram.com/seanfitzgibbons

March 1– March 31 OPEN CALL FOR TEXAS ARTISTS $10 administrative fee Contact: Jack McGilvray 210-227-6960 jack@bluestarart.org Blue Star Contemporary bluestarart.org

March 3 – May 8 SPRING EXHIBITIONS: JUSTIN BOYD Blue Star Contemporary 116 Blue Star (210) 227-6960 bluestarart.org

March 3 – March 19 A PLASTIC PRACTICE: THE STILL LIFE IN CONTEMPORARY ART Terminal 136 136 Blue Star (210) 458-4391 art.utsa.edu

TUESDAY/march 1 March 1 @ 6:30pm – 8pm ARTIST TALK WITH ADRIAN ESPARZA

Free Southwest School of Art - RHR Lecture Hall 1201 S Navarro S (210) 224-1848 swschool.org

March 1 @ 6pm – 8pm SKETCHING IN THE GALLERIES – CORITA KENT Free for members, $10 for non-members. Meet at Front Desk. SAMA 200 W Jones Ave (210) 978-8100 samuseum.org

WEDNESDAY/march 2 March 2 @ 6pm – 8pm DEBORAH ROBERTS: QUEENS: REDRAWING THE BASE OF BEAUTY Carver Community Cultural Center Gallery 226 N Hackberry (210) 207-2719 thecarver.org

THURSDAY/march 3 March 3 @ 6pm – 9pm SPRING EXHIBTIONS: WORKS PROGRESS Blue Star Contemporary 116 Blue Star (210) 227-6960 bluestarart.org OFFICIAL CAM EVENT

March 3 @ 6pm – 9pm CAM KICK-OFF & CROWING OF MISS CAM ANTONIO

Blue Moon Beer official CAM2016 Sponsor Blue Star Contemporary 116 Blue Star (210) 630-0235 contemporaryartmonth.com OFFICIAL CAM EVENT

March 3 @ 6:15pm MISS CAM ANTONIO 2016

Blue Moon Beer official CAM2016 Sponsor. Blue Star Contemporary 116 Blue Star (210) 630-0235 contemporaryartmonth.com THIS IS AN OFFICIAL CAM EVENT

March 3 @ 6pm – 8pm PACO FELICI – DIFF’RENT FOLKS (210) 878-5711 facebook.com/Paco-Felici-Art-Gallery-Ojects

for event details, visit:

contemporaryartmonth.com

for event details, visit:

contemporaryartmonth.com

March 3 @ 7pm – 8:30pm URBAN-15 WORKSHOP / PERFORMANCE AT SAM ASH Sam Ash Music Center 25 NE Interstate 410 Loop (210) 736-1500

March 3 @ 7pm – 11pm OPEN ARTIST STUDIO

Farad Ibrahimovic, Heimo Wallner and Verena Gaudy 105 Blue Star Arts Complex #3 (enter from S Alamo)

March 3 @ 6pm – 9pm CAM2016 POP-UP EXHIBITION ~ ARTIST JOHN WELCH Blue Star Arts Complex Unit #107C 1420 S Alamo St instagram.com/johnwelchart/

March 3 -25 @ 7pm – 10pm SMALL SCALE: BIG CHANGE

$60 Presale | $75 at the door | $100 for Preview & Final Night SAY Sí 1518 S Alamo St (210) 212-8666 saysi.org

March 3 @ 9pm – 1am SECOND ANNUAL CAM DANCE HAPPENING FUNDRAISER

Suggested Donation $10 w/ one Lone Star Red or Blue drink ticket. Brick At Blue Star Arts Complex 108 Blue Star (210) 630-0235 OFFICIAL CAM EVENT

FRIDAY/march 4 March 4 @ 6pm – 7:30pm ART CONVERSATION: CRUZ ORTIZ ON CORITA KENT $15 members | $25 non-members Cowden Gallery 200 W. Jones Avenue (210) 978-8100 www.samuseum.org

sacurrent.com • March 2—8, 2016 • CURRENT 37

FRIDAY/march 4 March 4 @ 6pm – 9pm PLASTICITY

Hello Studio 1420 S Alamo St BLDG B, Upstairs (210) 291-8640 hellostudiosa.com OFFICIAL CAM EVENT

March 4 @ 8pm – 11pm

WOLVERTON HOME CONCERTS $20/Reservations (210)473-9062 facebook.com/wolvertonhomeconcerts

March 4 @ 6pm – 9pm

ZERODIMENSIONAL REFERENCE POINT Cevallos Lofts 301 E Cevallos St (210) 227-5718 smartsa.org

March 4 @ 6pm – 9pm ANGELS AMONG US: MARTIN EMMANUEL RANGEL & VICTOR HUGO DE LA FUENTE Kelso Fine Art Center Gallery at University of Incarnate Word 4301 Broadway (210) 367-3268

March 4 @ 6pm – April 17 @ 5pm IN LINE: GLORIA BROCKMAN & SARAH T. ROBERTS Gallery 20/20 1010 S Flores St (210) 473-8331

March 4 @ 6pm – 9pm CAROLINA G. FLORES PRESENTS MERCURA SUNGLASSES Blue Star Arts Complex BLDG B, Upstairs 1420 S Alamo St

March 4 @ 7pm – 12:45am FIRST FRIDAY MARKET & MUSIC Brick at Blue Star Arts Complex 108 Blue Star (210) 262-8653 facebook.com/BrickatBlueStar OFFICIAL CAM EVENT

March 4 @ 6pm – 8pm PACO FELICI – DIFF’RENT FOLKS

(210) 878-5711 facebook.com/Paco-Felici-Art-Gallery-Ojects

SATURDAY/march 5 March 5 @ 6pm – 9pm DANVILLE CHADBOURNE: REM Gallery 219 E Park Ave (210) 884-3769 remgallery.com

38 CURRENT • March 2—8, 2016 • sacurrent.com

March 5 @ 6pm – 9pm DANVILLE CHADBOURNE: REM Gallery 219 E Park Ave (210) 884-3769 remgallery.com

March 5 @ 6pm – 10pm

JORGE VILLARREAL: “LA HABANA” Warehouse Space 1119 S St Mary’s St www.jorge-villarreal.com OFFICIAL CAM EVENT

March 5 @ 10am– 5pm CAROLINA G. FLORES PRESENTS MERCURA SUNGLASSES Blue Star Arts Complex BLDG B, Upstairs 1420 S Alamo St

March 5 @ 6pm – 10pm SEVEN MINUTES IN HEAVEN 2016 Location to TBA | Invisible Gallery (210) 387-2184

March 5 @ 7pm – 10pm CAMx (EXCHANGE WITH DENVER, CO) Sala Diaz 517 Stieren St (210) 630-0235 www.saladiazart.org OFFICIAL CAM EVENT

SUNDAY/march 6 March 6 @ 11am – 3pm FIRST SUNDAYS FOR FAMILIES: MAKE IT POP San Antonio Museum of Art 200 W Jones Ave (210) 978-8100 samuseum.org

March 6 – March 27 THE SAN ANTONIO SATELLITE REEF PROJECT

Central Library 600 Soledad St (210) 224-1948 swschool.org/crochet-coral-reef-project

MONDAY/march 7 March 7 – May 7 CONTEMPORARY ART MONTH AT THE LIBRARY: Sapl celebrates Cam 2016

Forest Hills, Parman, Oakwell & Cortez Libraries (210) 207-9230 mysapl.org

TUESDAY/march 8

March 5 @ 7pm – 9pm OPENING RECEPTION & PERFORMANCE: THAT THING ON THE SIDE OF THE ROAD

March 8 @ 6pm – 7pm ART FIT: ART + EXERCISE:

March 5 @ 7pm – 10pm THREE THE HARD WAY | RAFAEL FERNANDO GUTIERREZ JR – WHAT IT MEANS

March 8 @ 6pm – 8pm SKETCHING IN THE GALLERIES – CORITA KENT

Period Modern 4347 McCullough Ave (210) 274-5409 sparepartstudio.org

Clamp Light Studios & Gallery 1704 Blanco Rd #104 (713) 594-2735 artistraulgonzalez.com

March 5 @ 9pm – 10:30pm SONIC PROVOCATION: RICHARD OPPENHEIM AND RENE SAENZ URBAN-15 2500 S Presa St urban15.org

March 5 @ 10am – 3pm EDUCATOR WORKSHOP:

TEACHING HISTORY THROUGH ART $15 /members and $25/non-members. San Antonio Museum of Art 200 W Jones Ave (210) 978-8100 samuseum.org

CORITA KENT

San Antonio Museum of Art/Great Hall 200 W Jones Ave (210) 978-8100 samuseum.org

Free for members, $10 for non-members.Meet at front desk. San Antonio Museum of Art 200 W Jones Ave (210) 978-8100 samuseum.org

WEDNESDAY/march 9 March 9 @ 6pm – 9pm PAMELA ORTIZ SWART: SERAPESCAPES

Mercury Project 538 Roosevelt Ave (210) 478-9133 facebook.com/Mercuryproject.net

events are free unless otherwise noted

THURSDAY/march 10 March 10@ 6pm – 8pm COLLECTING CONTEMPORARY ART 101: PART 3 Blue Star Contemporary 116 Blue Star (210) 227-6960 bluestarart.org

#cam2016

March 10 @ 5pm – 7 pm WE’RE TALKING ABOUT PRACTICE

lecture from 7pm - 8 pm SAC Visual Arts Center Gallery 950 Lewis St (210) 486-1030 alamo.edu/sac/vat OFFICIAL CAM EVENT

March 10 @ 7pm – 10pm MBS: COLLECTION FOR COMMUNITY BENEFITING THE ARTIST FOUNDATION MBS studios 1115 S Alamo St Terri Rodgers (210) 771-6798

March 10 @ 7pm – 12am DEVIATION: ARTISTIC EXPRESSION & ACTUALIZATION Brick at Blue Star Arts Complex 108 Blue Star (210) 262-8653 facebook.com/BrickatBlueStar

March 10 @ 7pm – 8pm CARVINGS AT THE CARVER:

SCULPTURES FROM WEST AFRICA Carver Cultural Community Center 226 N Hackberry The Olaju Art Group (832) 713-2941 thecarver.org

FRIDAY/march 11 March 11 @ 6pm – 8pm ART PARTY GALLERY TALK: ART MADNESS San Antonio Museum of Art 200 W Jones Ave (210) 978-8100 samuseum.org

March 11 @ 6pm – 9pm CAM PERENNIAL EXHIBITION CANCELLED (210) 630-0235 contemporaryartmonth.com

March 11 @ 6pm – 8pm GUADALUPE CULTURAL ARTS CENTER PRESENTS Guadalupe Cultural Arts Center 723 S Brazos St (210) 271-3151 gagaart.org

March 11 @ 7pm – 10pm THREE THE HARD WAY | ERIC BREISH – GRIM STATE Clamp Light Studios & Gallery 1704 Blanco Rd #104 (713) 594-2735 artistraulgonzalez.com

SATURDAY/march 12 March 12 @ 2pm – 5pm CORNELIA WHITE SWANN: FUGITIVE COLOR II French & Michigan Gallery 115 Michigan Ave (210) 378-0961 frenchandmichigan.com

March 12 @ 12pm – 6pm OPEN ARTIST STUDIO VIC DE LA FUENTE Finesilver Bldg 816 Camaron St #211 (210) 201-3531

March 12 @ 7pm – 10pm #CLAMPLIFE Freight Gallery 1913 S Flores St (580) 704-9466 facebook.com/FreightSATX

March 12 @ 7pm – 10pm ANDREI RENTERIA: ALIGNED 3rd Space Art Gallery 141 Cassiano St (210) 422-7134 arttothethirdpower.com

March 12 @ 12pm – 6pm OPEN ARTIST STUDIO VIC DE LA FUENTE Finesilver Bldg 816 Camaron St #211 (210) 201-3531

March 12 @ 7pm – 11pm JESSE AMADO: THIRTHERING; WHAT ARE WE DOING HERE S.M.A.R.T. Projectspace 1906 S Flores St www.smartsa.org

for event details, visit:

March 12 @ 7pm – 11pm ANA FERNANDEZ NEW WATERCOLORS

Silkwörm 1906 S Flores St (210) 607-1322 facebook.com/Silkwörm-Studio-and-Gallery OFFICIAL CAM EVENT

March 12 @ 7pm – Mar. 13 @ 11:15pm AMANDA BIANCHI POP-UP EXHIBITION “FEELING MYSELF” Curated by Nina Hassele Brick at Blue Star Arts Complex 106 Blue Star (210) 630-0235 www.contemporaryartmonth.com OFFICIAL CAM EVENT

March 12 @ 7pm – 10pm

AUDRYA FLORES | DEVIL’S TRUMPET Provenance Gallery 1906 S Flores St (210) 216-8362

March 12 @7pm – 10pm

MY WELL, MY STREAM, THE RIVER

Studio 111. Daniela Riojas Multimedia Arts 111 Lone Star Blvd (830) 776-1883

March 12 @ 7pm – 10pm FLAX OPEN STUDIO FLAX Studio 1906 S Flores St (909) 518-2245 flaxstudio.wordpress.com

March 12 @7pm – 11pm MY NEW HAUNT

March 12 @ 7pm – 10pm THE LULLWOOD GROUP PRESENTS JESSICA RAMIREZ The Lullwood Group 107 Lone Star Blvd about.me/thelullwoodgroup OFFICIAL CAM EVENT

March 12 @ 7pm – 10pm

®SPACE INTRODUCES ALI WIESSE ®space 110 E. La Chapelle (210) 793-8899 facebook.com/R-Space OFFICIAL CAM EVENT

March 12 @ 8pm – 10pm

MANHATTAN SHORT FEATURE FILM PROJECT URBAN-15 2500 S Presa St (210) 736-1500 urban15.org

SUNDAY/march 13 March 13 @ 2pm – 5pm TEXAS DRAFTS & DRAWS Southwest School of Art 1201 Navarro (210) 224-1848 swschool.org

March 13 @ 1pm – 6pm OPEN ARTIST STUDIO VIC DE LA FUENTE Finesilver Bldg 816 Camaron St #211 (210) 201-3531

Studio Fantomas 1906 S Flores St (210) 978-6663

March 13 @ 2pm – 5pm

March 12 @ 7pm – 10pm SAN ANTONIO: IMAGINALSCENARIOS

South Texas Popular Culture Center (TEX POP) 1017 E Mulberry Ave www.facebook.com/South-Texas-Popular-Culture-Center

studioMezclado 1906 S Flores St (210) 591-5152 facebook.com/studiomezclado

March 12 @ 7pm – 10pm SEE THE FOREST FOR THE TREES AP ArtLab 1906 S Flores St 210-224-1848 swschool.org/teen/studiointensive

March 12 @ 7pm – 11pm AN EVENING OF ART & MUSIC The 1906 1906 S Flores St www.sastad.com OFFICIAL CAM EVENT

contemporaryartmonth.com

ANNETTE CRAWFORD & LIBERTY VELA: WITH LIBERTY & ANNETTE FOR ALL

MONDAY/march 14 March 15 @ 6pm – 8pm SKETCHING IN THE GALLERIES – CORITA KENT $10 for non-members. Meet at front desk. San Antonio Museum of Art 200 W Jones Ave (210) 978-8100 samuseum.org

March 14 @ 5pm – 9pm VISUAL ART EVENT AT AZUCA NUEVO LATINO & HEAR SAY Azuca Nuevo Latino & Hear Say 713 S Alamo St 512-638-3483 or 210-225-5550

WEDNESDAY/march 16 March 16 @ 7pm – 12am CLOTH AND SOUND

Brick at Blue Star Arts Complex 108 Blue Star

THURSDAY/march 17 March 17 @ 6pm – 9pm ARTPACE OPENING & TALK Artpace 445 N Main Ave 210-212-4900 artpace.org

FRIDAY/march 18 March 18 @ 10pm – March 20, 4pm

EXPERIMENTAL DRAWING WORKSHOP 3 sessions: $250 per person (members, $235)

Southwest School of Art 1201 Navarro (210) 224-1848 swschool.org

March 18 @ 6pm – 12pm WEEDING EDEN

Brick at Blue Star Arts Complex 108 Blue Star (210) 262-8653 facebook.com/BrickatBlueStar

events are free unless otherwise noted March 18 @ 7pm – 10pm MAYBE IT WAS ALL A DREAM, JACK MCGILVRAY Haus Collective 108 Blue Star facebook.com/hauscollectivesa

SATURDAY/march 19 March 19

CONTEMPORARY GALLERIES REOPEN San Antonio Museum of Art 200 W Jones Ave (210) 978-8100 samuseum.org

March 19 @ 4pm – 8pm A MUTAGENIC MUSTERING 70-79

$5 suggested donation South Texas Popular Culture Center (TEX POP) 1017 E Mulberry Ave facebook.com/South-Texas-Popular-Culture-Center sacurrent.com • March 2—8, 2016 • CURRENT 39

JAZZ IN PINK Stunning All-Female Jazz

SAT., march 12th • 8PM | TICKETS ON SALE NOW: $35

SATURDAY/march 19 March 19 @ 12pm – 6pm 7TH ANNUAL ART KITE FESTIVAL Pittman Sullivan Community Garden 1100 Dakota St (773) 983-1965 Official CAM Event

March 19 @ 6pm – 9pm THE COLOR OF BLIND

Brick at Blue Star Arts Complex 108 Blue Star (210) 707-7474 facebook.com/BrickatBlueStar

March 19 @ 7pm - 10pm JOSE GERARDO BALLI Agora 1907 S St Mary's St (210) 363-8562

Ticketmaster:1.800.745.3000 • Carver Box Office: 210.207.2234 • TheCarver.org

Zollie Glass Studios 1428 S Presa St (210) 630-0235 contemporaryartmonth.com OFFICIAL CAM EVENT

MONDAY/march 21 March 21 @ 5pm – 8pm

BREAK FAST & LAUNCH DINNER DAY Brick At Blue Star Arts Complex 108 Blue Star Registration for the event can be found at https://dinnerdaysa.eventbrite.com

TUESDAY/march 22

March 19 @ 7pm – 10pm THREE THE HARD WAY | ALYSSA DANNA – LOVE AFTER LOVE

March 22 @ 6pm – 8pm SKETCHING IN THE GALLERIES – CORITA KENT

March 19 @ 7:30pm – 12:30amDORĆOL PRESENTS A LIVE ART & MUSIC EVENT

WEDNESDAY/march 23

Clamp Light Studios & Gallery 1704 Blanco Rd #104 (713) 594-2735 artistraulgonzalez.com

1902 S Flores St (210) 229-0607 www.DorcolSpirits.com Official CAM Event

SUNDAY/march 20 March 20 @ 10am – 5pm KRISTY PEREZ OPEN STUDIO Sala Compound 523 Stieren St

March 20 @ 12pm – 4pm OFFICAL CONTEMPORARY ART MONTH OPEN STUDIOS Visit contemporaryartmonth.com for an up-to-date list of participating studios.

OFFICIAL CAM EVENT March 20 @ 12pm – 4pm UPSTAIRS STUDIOS AT BLUE STAR 1420 S Alamo St BLDG B, Upstairs (210) 291-8640 bluestarartscomplex.com 40 CURRENT • March 2—8, 2016 • sacurrent.com

March 20 @4pm – 8pm CAM OPEN STUDIO’S AFTER PARTY Sponsored by Blue Moon Beer

Free for members, $10 for non-members. San Antonio Museum of Art 200 W Jones Ave (210) 978-8100 samuseum.org

March 23 – April 15 32ND ANNUAL STUDENT ART EXHIBITION UTSA Main Art Gallery UTSA Circle (210) 458-4391 utsa.edu

THURSDAY/march 24 March 24 @ 11am – 1pm FIBERS OF DESIGN

Northwest Vista College Palmetto Center for the Arts 3535 N Ellison Dr (580) 704-9466 alamo.edu/nvc/academics/pca

March 24 @ 6pm – 9pm UTSA SCULPTURE & CERAMICS GRADUATE STUDIOS The UTSA Sculpture Graduate Studios UTSA Boulevard (210) 364-9994 art.utsa.edu

THURSDAY/march 24 March 24 @6pm – 8pm STRAIGHT FROM MEXICO CITY

SATURDAY/march 26 March 26 @ 1pm – 5pm

LA VILLITA ARTIST COLLECTIVE

Ruiz-Healy Art 201 E Olmos Dr ruizhealyart.com

La Villita 418 Villita St (210) 207-8614 getcreativesanantonio.com

March 24 @ 7pm – 12am ALL HANDS ON DECK CURATED BY ROBERT TATUM

March 26 @ 7pm – 1am THE ART OF WRESTLING

108 Blue Star tatumoriginals.com

March 19 @ 7pm - 10pm JOSE GERARDO BALLI Agora 1907 S St Mary's St (210) 363-8562

FRIDAY/march 25 March 25 6pm – 10pm

CAMMIE AWARDS & CLOSING PARTY This is the Final Official CAM event, thanking all those that participated in Contemporary Art Month and recognizing the best art events with our CAMMIE Awards. Suggested Donation $10 dollars. CHRISpark 3 Camp St (210) 630-0235 contemporaryartmonth.com OFFICIAL CAM EVENT

March 25 @ 6pm – 10pm

CLOSING RECEPTION: THAT THING ON THE SIDE OF THE ROAD & GUEST OF CONTEMPORARY ART MONTH CHRISpark 111 Camp St facebook.com/miniartmuseum

Brick at Blue Star Arts Complex Blue Star Arts Complex $6-$10

TUESDAY/march 29 March 29 @ 6pm – 8pm SKETCHING IN THE GALLERIES – CORITA KENT Free for members, $10 for non-members. San Antonio Museum of Art 200 W Jones Ave (210) 978-8100 samuseum.org

March 29 @6:30pm – 8pm CORITA KENT: JOURNAL WORKSHOP San Antonio Museum of Art 200 W Jones Ave (210) 978-8100 samuseum.org

THURSDAY/march 31 March 31 @ 11:30am – 12:30pm EAST MEETS WEST

Palo Alto College (Project Space Gallery) 1400 W Villaret Blvd fromwestafrica.org

CONTEMPORARY ART MONTH more than just #cam2016 a calendar

contemporaryartmonth.com

SECONDS SALE! First Friday, March 4th

10AM-9PM Live Glassblowing Complimentary Sangria by Azuca 5-9PM Acoustic set by Los Hobbits of SA Lights

Saturday, March 5th 10AM-6PM

Free Parking at United Way 700 S. Alamo 715 South Alamo 210.354.4681 sacurrent.com • March 2—8, 2016 • CURRENT 41

42 CURRENT • March 2—8, 2016 • sacurrent.com

FE B R UARY 10–APR IL 24

Thomas Schütte, Grosse Geister #2 [Big Spirit #2], 2003. Polished bronze. Courtesy of the Rubell Family Collection.

The Elizabeth Huth Coates Exhibition Endowment and the Arthur and Jane Stieren Fund for Exhibitions are lead sponsors.

Exhibition organized by the McNay Art Museum in collaboration with the Rubell Family Collection.

The Flora Crichton Visiting Artist Fund, the Ewing Halsell Foundation Endowment for Visiting Artists, the King Ranch Family Trust Endowment for Visiting Artists, Mitcham Partners, Judith and George Schroeder, the Director’s Circle, and the Host Committee are providing additional support.

6000 North New Braunfels | PO Box 6069 San Antonio, Texas 78209-0069 mcnayart.org

sacurrent.com • March 2—8, 2016 • CURRENT 43

44 CURRENT • March 2—8, 2016 • sacurrent.com

n e p O 7 / 4 2 Try Our Friday

Fried Fish Special.

Just in time for Lent!

918 N Main Ave • San Antonio, TX 78212 210.222.9422 • LulusBakeryandCafe.com

sacurrent.com • March 2—8, 2016 • CURRENT 45

CrawFish Expires: 03/09/2016

by the Sack

Straight from our farms in Louisiana. Its boiling season. Available for pickup in san antonio!

FIRST ANNUAL

‘‘LET US CATER YOUR EVENTS’’

CArnaval a L n calle E HOSTED BY LUNA ROSA PUERTO RICAN GRILL Y TAPAS

2pm

11pm

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FREE ENTRY

Live Performances by NOCHE KANDELA

RIKO MAMBO

ISIS

BRUKOUT!

CRECIENDO FUERTE

ANGEL G6

MARTIN & YEYE

A PORTION OF THE PROCEEDS WILL BE DONATED TO FAIRWAYS FOR WARRIORS

BARBACOA, TAMALES, MENUDO

2603 SE MILITARY DR #106 SAN ANTONIO TX 78223 LUNAROSATAPAS.COM 210-577-8774

46 CURRENT • March 2—8, 2016 • sacurrent.com

BORICUAS EN SAN ANTONIO

FRI:6A-12P, SAT & SUN:5A-2P • 1702 PINN RD, SA,TX • (210) 674-4325 • M is R einas . net

FOOD

MARK GREENBERG

TASTY STILL LIFES Food and Art Combine During CAM

JESSICA ELIZARRARAS/@JESSELIZARRARAS

Before she opened ladled even one bowl of Texas red inside the Institute of Chili and still before she turned the beloved truck into Chamoy City Limits, Ana Fernandez was known solely as an artist. The Corpus Christi-born Fernandez was raised in SA, earned a bachelor of fine arts from The Art Institute of Chicago and later an MFA from UCLA. It wasn’t until her return to the city that raised her that she tried her hand at feeding the masses she was used to drawing. In her latest, “New Watercolors,” Fernandez returns to her roots as she takes snippets of her life — be it on her drive to work or a park to shell out more raspas — using her camera and cellphone. The exhibit will open Saturday, March 12, from 5 to 11 p.m. at Silkworm Studio and Gallery (1906 S. Flores St.). Throughout her stints in Chicago, LA, Corpus Christi and now home, Fernandez says she’s amassed a sizable collection of tiny one-act plays on her phone, along with source material from local media. The images can include anything from fresh catfish sold to a local grocer to restaurant store fronts, like Gorditas, a gouache watercolor that features the custom signage found in most mom-andpop, hole in the wall joints. It’s true — caldo and menudo are served daily. Though 90 percent of the estimated dozen 9-by-12-inch paintings Fernandez will create for the show feature scenes from her usual routine, we might have to wait a little longer for scenes from inside Chamoy City Limit. “It’s about 50/50 [drawing and truck]. It’s our slower season, but last summer it was a 90/10. I didn’t paint very much at

all,” Fernandez said. Instead, she’ll stick with teaching her truck employees about color theory using fresh-shaved ice, house-made syrups and Chinese candy. “I like having the business because it’s completely separate and I love meeting the food people. To me the food is more exciting right now,” Fernandez said. No raspas yet, but it can’t be too long as summer and its heat approaches. She’ll have to find a way to get out of the sun somehow.

More Events For Foodies: Texas Drafts & Draws • The festivities aren’t limited to only food. The Southwest School of Art will celebrate its “Texas Draws IV” exhibition with a beer tasting and mini beer garden. Stop by for this Sunday Funday, which will include samples from Branchline Brewing, Freetail Brewing Company, Ranger Creek Brewing & Distilling and the upcoming OK Brewery and Eishaus. The afternoon includes trivia, drawing and cornhole. Free, Sunday, March 13, 2-5pm, Southwest School of Art, 1201 Navarro St., (210) 224-1848, swschool.org.

Hearsay Urban Taste, 713 S. Alamo St., (210) 225-5550.

Celebrate Pi (3.14) • National Pi Day, Pi Arts San Antonio, Azuca Nuevo Latino and Hearsay Urban Taste will all join for a night celebrating the ratio of circumference of a circle and Albert Einstein’s birthday. Join chefs Rene and Diego Fernandez in Pi-themed drinks, music, photo opps, math and science games, live art and, of course, pie. Free, Monday, March 14, 5-9pm,

Live Art & Music at Dorcol • Sip on rakia-infused cocktails while you peruse art inspired by photographers and artists that capture the urban hustle from voyeurism to vandalism in “V.T.A. – Vandali Transit Authority.” Free admission, Saturday, March 19, 7:30pm, Dorcol Distilling Company, 1902 S. Flores St., (210) 229-0607, dorcolspirits.com.

MAR

∙

Gorditas (left) is part of Fernandez’s new exhibit of watercolors.

FIRST THURSDAYS at Pearl

Dinner Day • Join up and coming businesses and Break Fast & Launch for a glimpse at what’s to come in culinary tastes in SA. The country’s first culinary business accelerator hosts everything from Duke’s Seafood, Chula Vista Farms, Toro Taco Bar, Berbier Ethiopian Cuisine and more. Free, Monday, March 21, Brick at Blue Start Arts Complex, 108 Blue Star, ryan.salts@cafecommercesa.org. flavor@sacurrent.com

SPRIN G BREA K

S A · TX

Shops open ‘til 7 PM Live Music sacurrent.com • March 2—8, 2016 • CURRENT 47

There can only be ONE!

THE GAME IS ALWAYS ON! GAME-TIME DRINK SPECIALS!

Breakfast, Lunch, Dinner & everything in-between! FULL BAR OPENS AT 7AM! Sun: 11 am - 2 am | Mon-Sat: 7 am - 2 am | 5562 Fredericksburg Rd. In the Medical Center

3938 S Zarzamora St.•San Antonio, Texas • 210.932.2500 • AlamoPizza.net

407.491.9227 • 709 South Alamo

Mon.-Sat. 4pm-7pm

$5 48 CURRENT • March 2—8, 2016 • sacurrent.com

Specialty Cocktails Select Tapas

FOOD

MORE THAN BREAD

Spot-On flavors and baked goods at The Bread Box JESSICA ELIZARRARAS/@JESSELIZARRARAS JESSICA ELIZARRARAS

∙

You’ll want to try the specials.

There’s something to be said the Breakfast Club served on the about a place that knows its Box’s addictive English muffin, with target audience. At The Bread scrambled cheese eggs, tomato and Box, which opened last November, bacon, and was pleasantly surprised as owners Tina and Lucas Kent know the sandwich’s structure. My cauliflower what their customers want and they’re soup, thankfully non-dairy, was a delivering it. perfectly seasoned and chunky cup that Set inside the former home of Bahia I should have ordered a bowl of. Azul, The Bread Box has found a A return visit later, I took in the tuna home after launching three years ago. nicoise sandwich, which has already Both Kents have years of kitchen and made a return to the specials board. service experience — she worked as Enveloped on fresh potato ciabatta, general manager for Cappy’s in Alamo the sandwich was messy, sure, but a Heights for close to 20 years, while he great addition to SA’s sammich game. toiled over bread starters at Lüke San Chock-full of white tuna, fresh green Antonio, Cappy’s and Bliss. beans, hard-boiled eggs, grapes, Now inside their own space — all capers and kalamata olives, I really 3,000 square feet of it — the couple hope this sando becomes a regular and their small staff crank out tasty menu item. breakfast and lunch items along with We took in a slice of their Birthday expanding their wholesale and retail Cake, which just makes the day just a vending. Before we get into the menu, I bit brighter. Flavors change often, but have to mention the impossibly adorable the vanilla with vanilla bean buttercream dining room. Salmon chairs, stenciled was especially dainty. tables and bright walls help tie The Not content with one dessert (and Bread Box together as a chic and really, I was at a bakery, so all bets capable spot. Once you find your place were off), we left with a slice of ultraat one of the tables, you’ll want to pore moist carrot bread, fudgy brownies over the menu and make some and a pecan bar that I’m still truly difficult decisions. drooling over. Try and show The Bread Box I recommend going with a more restraint than I did — the 555 W. Bitters Road, Suite 115 group so everyone can sample counter-top display case wins (210) 277-8612 each other’s plate. A fan of all every time. thebreadboxsa.com things Judd Nelson, I ordered flavor@sacurrent.com 8am-3pm Mon-Sat sacurrent.com • March 2—8, 2016 • CURRENT 49

Restaurant

THANK YOU, nio San tiAngnto for us! for vo

Authentic Thai Cuisine

Open 7 Days a Week 1146 AUSTIN HIGHWAY SAN ANTONIO, TX 78209 | 210.829.7345 | TONGSTHAI.COM

226 W Bitters Rd #124 • (210) 545-3354 • saebthainoodlesa.com

March 3 - Wine Class 101, 7-9PM Come learn about wine from our great wine Rep Ms. Laura. She will be teaching a very beginner version of wine tonight. We are going to explore the regions of the general varietals. What to expect from the regions and how to know how a wine will taste, simply by reading the label. This is the second of many wine classes we will be holding on Thursdays from now on. The classes will get more in depth as we proceed.

214 Broadway NectarSa.com @NectarSAT NOW SERVING SUNDAY BRUNCH • 11 AM-3 PM Web: NectarSA.com

Pizza by the slice!

O p e n l at e ! W e d e l i v e r !

B u y 1 l a r g e g e t 1 f r e e w i t h p i c k u p. 50 CURRENT • March 2—8, 2016 • sacurrent.com

@Nectarsat

March 6 - Brunch with Bob

Reggae, Mimosas and Brunch with Bob Marley.

March 8 - Wine-O Bingo, 7-10PM Come have some fun playing Wine-O Bingo and win some fun prizes.

Nectar Wine Bar and Ale House

Nectarwinebar

FOOD

MON

Open Mic & Jam 7-11pm

TUES & THURS

FLAVOR FILE

Karaoke/DJ 6pm- 10pm

Alamo Beer Turns One, New Eateries in Southtown and More

WED

Comedy Show & Open Mic 7pm-9pm FREE Wine Tastings

JESSICA ELIZARRARAS/@JESSELIZARRARAS LOUIE PREICADO

FRI & SAT Covered Patio • Beer and Wine Catering & Delivery

HAPPY HOUR 4-7PM

Live Bands 7pm-11pm Like us on

110 N. Crossroads Blvd • 210-732-7300 • CrossroadsBBQSA.com

KEEP COOL ON OUR NEW PATIO, AND SEE WHY WE ARE THE BEST IN SAN ANTONIO!

∙

Time for more hot dogs!

Alamo Beer is celebrating its first anniversary at its brewery (202 Lamar St., alamobeer.com) with a weekend’s worth of festivities. On Saturday, March 5 (noon-3pm), the brewery will host a food truck throwdown with food, beer, music and SA’s best foodie Instagrammers choosing which food truck ends up on top. Participating trucks include Rickshaw Stop, La Maceta Tapatios, Teka Molino, The Box Street Social, Rock on Wheels and Umamita. Your admission price includes a sample from each of the competing trucks, and food will be available for purchase following the competition. Tickets are $15 in advance or $20 at the door for adults, and $7/$10 for kids 12 and under. Following that bash, Alamo Beer will celebrate with live music by Two Tons of Steel on Sunday, March 6, from 5 to 8 p.m. The celebration will feature plenty of beer, as well as food for purchase by Box Street Social, Wingz & Thangz and Hungry Badger.

1526 ROOSEVELT AVE • 210.532.4113 (Look for the green building.)

1304 S. LAREDO ST. SAN ANTONIO, TX 78204

BETWEEN 8A-2P | 210.737.8646

521 E Woodlawn Ave. SA, TX 78212

I t ’s

Ethos strives to bring you the best the world has to offer in coffee.

You are why we exist.

Southtown now has two new and one not-so-new eatery in its midst. Fans of Northeastern Thai food will want to visit Baan Esaan (1035 S. Presa St., 210-354-3772), which officially opened its doors on February 24. That same day, Hearsay Urban Taste (709 S. Alamo St., 210-336-4044) ushered in a new era inside the former Starfish. The new concept is developed by chef Diego Fernandez and promises a more versatile and innovative menu. Finally, whispers of Frank, the Austin-based hot dog joint that announced its San Antonio location last April is gearing up for an opening inside 1150 S. Alamo St., which once housed the second location of Casbeers. Look for hot dogs, cold beer and hopefully a badass brunch very soon.

g n i t t e G Juicy o fresh, t f l e s r u T r e at yfoat, h i g h - e n e r g y low-

thi keva smoo

Finally, tickets ($150) are still available for Texas Monthly’s second San Antonio Fire & Smoke dinner in San Antonio with chefs John Brand of Supper and Tim Rattray of The Granary ’Cue & Brew. The pair will collaborate and create dishes using sponsor 44 Farms’ stock inside Hotel Emma (136 E. Grayston St.) on Sunday, March 6, at 6 p.m. Call 210-448-8351 for details. flavor@sacurrent.com

9439 Bandera Rd., Sa,TX78250 • on Campus of City Church 210-523-9085 ext 2236 • Open Tuesday - Sunday

5238 De Zavalard. #122 • 315 E. Commerce st #102 888 935 2412 • kevasmoothie.com sacurrent.com • March 2—8, 2016 • CURRENT 51

We couldn’t have done it without you! Thanks to all of our fans for your support during our first year of brewing beer in San Antonio. Whether you enjoy drinking an ALAMO in our beer hall or at a backyard BBQ with friends, your fierce loyalty inspires us to continue making great beer. Cheers to many more legendary years!

Anniversary Weekend! SATURDAy, MARCH 5

SUNDAy, MARCH 6

FOOD TRUCK SHOWDOWN

ONE yEAR ANNIVERSARy CONCERT

12:00 P - 3:00 P TICKETS AVAILABLE ONLINE OR AT THE DOOR

TEXAS SINGER/SONGWRITER

KR WOODS

5:00 P - 8:00 P

SATUrDAY BrewerY HOUrS: 12 PM - 12 AM

NATIONAL STANDARD 2:00 P - 5:00 P

TWO TONS OF STEEL 5:00 P - 8:00 P

SUNDAY BrewerY HOUrS: 12 PM - 9 PM

JOIN US AT 202 LAMAR STREET, SAN ANTONIO TEXAS 78202 52 CURRENT • March 2—8, 2016 • sacurrent.com

ALAMOBEER.COM

NIGHTLIFE

JULIÁN P. LEDEZMA

ONE-TWO PUNCH Main Strip gains sports bar with Knockout JESSICA ELIZARRARAS/@JESSELIZARRARAS

Early February brought with it relatively warm temperatures for our area, and another great bar for us to while away the hours at. Knockout by the same folks behind Sparky’s Pub is a welcome not just for sporty bears that want to catch the game. Instead the bar is multi-faceted and includes something for everyone, which will turn it into a quick haunt for anyone looking for a fun place to unwind. Here’s how my visit shook out. THE BOOZE • Happy hour runs daily from 4 to 11 p.m., but the rest of the specials at Knockout aren’t anything to sneeze at. Mondays mean Bear Bust All Day with 75 cent Lone Stars, $2 wells and $2 domestics, while Thursday’s Brass Knuckle Night features 75 cent wells (I can picture the trouble I’d get into now) from 10 p.m. to close. Cozy up to the bar on Saturday and Sunday for specials on pitchers.

Knockout

1420 N. Main Ave. (210) 227-2789 knockoutsa.com 4pm-2am Mon-Fri; 11am-2am Sat-Sun

THE AMBIENCE • It’s hard to define the exact feel of Knockout in part because it’s split up into four equally inviting areas. There’s the main bar with wood-paneled walls and more than a dozen flat screens (a handful of which are wall-sized projection screens) and a slew of seating options. The back bar provides an intimate space with more gaming such as darts and pool, on the most low-key of settings. Make your way outside — the garage doors are usually open — and settle down on the outdoor area that faces the busy Main Avenue. On our visit, the weather was crisp enough to warrant a sweater on the covered patio, but we all know that’ll change in the next few weeks. While still on the patio, pick up an order from Pup’s Pizza (more on this later). SOUNDS • Aside from sports commentary, the occasional DJ and the house dance songs, you’ll find groups chattering away over a slice of pizza or frosty margaritas. BITES • If you can’t make it to the AT&T Center for a Spurs game, or Wolff Stadium for a Missions game, or if the seats at Toyota Field make your bum go numb, you can still enjoy stadium fare at Knockout. Because where else are you going to get nacho rounds with gooey Rico’s cheese and spicy pico de gallo? Over at Pup’s, which is adorned with a trippy mural of four-legged friends enjoying a day in SA, the options include pizza by the slice and whole pies. At $3 for a cheese pizza, you might not miss those late-night tacos one bit. If you’re not jonesing for cheese, Pup’s Specialties include a “Meat Luvers” with pepperoni, sausage, bacon, ground beef and Canadian bacon; “Nacho

• You won’t have to leave the Strip to take in a game.

Pizza” with grilled chicken, jalapeños, pico de gallo and cheddar cheese; “Let’s Rodeo” with ground beef, bacon, onions, jalapeños, red peppers; buffalo chicken with buffalo sauce, chicken and blue cheese crumbles; and “Farm To Pizza” for the veg-lovers with red onions, green peppers, red peppers, fresh garlic, feta, mushrooms, spinach and fresh tomatoes. On Wednesdays, a pitcher of Lone Star and one-topping pizza will set you back $18 from 5 p.m. to close. Split

it with pals. PATIO • Honestly, the patio makes for excellent people watching. Stay late enough and you’ll definitely catch a show or your next significant other while sitting outside and enjoying more of Knockout’s specials. All in all, Main Strip gains a cruise-worthy locale with Knockout and you’ll want to celebrate future Spurs wins. flavor@sacurrent.com sacurrent.com • March 2—8, 2016 • CURRENT 53

e t vo r u o r y r o f ! s r e n n i w m

arch 4 - march

at sacurrent.co m

/bestofsa

54 CURRENT • March 2—8, 2016 • sacurrent.com

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Drinksirius.com • Lesa@DrinkSirius.com 56 CURRENT • March 2—8, 2016 • sacurrent.com

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NIGHTLIFE

THE NEW, OLD MIX The rock ‘n’ roll dive gets a facelift

TRAVIS BUFFKIN | @DTBUFFKIN TRAVIS BUFFKIN

• Note the new record wall behind the bar

As soon as it was announced that Danny Clift would be handing over the keys to the dive on the St. Mary’s Strip there were rumblings from the rabble about the never-a-cover, always-a-band bar becoming a ritzy enclave for the new tide of yupsters that are progressively swarming our big town, little city. However, in conversation with the San Antonio Current, Clift was candid about his complete trust in the incoming owners' intentions, citing their efforts to keep everyone on staff, maintain the blue collar-friendly prices and perform several improvements to the aging archetype of a San Antonio rock ‘n’ roll club. One step into The (New) Mix reveals that much has changed. The ceilings have been raised, Edison bulbs have been added around the exterior of the wall giving the room a quaint speakeasy feel, hardwood floors have been installed, the bathrooms are bathrooms and an impressive two-foot stage has been fashioned into the corner. These adjustments have turned the once cozy, deliciously dank environs into a bar altogether different, and they’re not done yet. I can hear the haters hating. What hasn’t changed is the bar’s staff and their commitment to those

they serve. Happy hours run 4 to 8 p.m. Monday through Friday and feature $3.50 domestics, $3 PBR draft, $2.50 Lone Star tallboys, $3.50 wells, $4.50 you call its and $5 beer and a shot combos. In correspondence with their Album Happy Hour, sponsored by Southtown Vinyl, $2.50 wells will last as long as the record of the day is playing, from J Dilla to the Kinks to Fugazi — spun on a real turntable. Plain and simple, The (Old) Mix “failed” because it was so gloriously divey. It could not continue to operate in the desired form and stay cheap in a cheap town. It now looks like any other decent small club in one of the places in the U.S. where bands and their fans are congregating on a Friday and Saturday to get pissy. We’ll make it a San Antonio bar. If you can’t drink there because there’s no vomit-stench in the air or the lighting shows your man-boobs through your Exhumed shirt, too bad, so sad. I’m drinking $2.50 El Perrito listening to Muswell Hillbillies with Roland. That being said, I’ll miss the old Mix, too, but there ain't no going back. dtbuffkin@sacurrent.com

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9405 IH-35 @ Thousand Oaks • 657-9999 | 11827 HWY 281 N @ NAKOMA • 404-0011 | Open Daily 7am - 2am 58 CURRENT • March 2—8, 2016 • sacurrent.com

MUSIC

2410 N. ST MARY’S ST. / ADVANCE TIX - PAPERTIGERSA.COM

TRAVIS BUFFKIN /@DTBUFFKIN

Friday, March 4th

NERVOSA DOORS 7PM / SHOW 9PM - ALL AGES Friday, March 4th

SOUTHTOWN VINYL GRAND OPENING AFTERPARTY YOSHIMOTO, WHATEVER? DJ SERGE & DESTROY

DOORS 7PM / SHOW 9PM - ALL AGES Monday, March 7th Transmisson Events Presents

MOON HONEY

•

Who wouldn’t wanna get in bed with these heart burglars?

Eleven years and counting and Yoshimoto, or the local band that “sounds like Sonic Youth’s good songs,” have released one record, Lemmings to the Sea. It’s 13 songs long. They think that it’s too pretty. The band has maybe 18 songs to pull from when they perform live. For the non-mathletes out there, that’s a rate of producing one-and-a-half songs every year. This means one of three things: they are meticulous songcrafters, wracking their brains and limbs in search of the perfect composition; extremely busy with real life; or shit-poor tunesmiths, churning out turd after turd, only stumbling upon something worth keeping once every eight months. For this, the inaugural episode of “Embed With the Band,” a concept that you could think of as a domestic Almost Famous but without puppy love nostalgia, “Feverdog” or famous people, the members of Yoshimoto suggested we meet at The Mix, a venue that has played host to the raucous indie group for the span of their existence, as well as their favorite bar and the employer of Jason Butterworth, or “Butter,” the bass player. Yoshimoto drink weird, weird shit. Stouts poured into liquers poured into ciders poured into glasses poured into mouths. The bar, if you’re unfamiliar, has recently been revamped, but the former bleach-and-

barf-smelling no frills rock ‘n’ roll dive, benefits, something of which I would come to see, is the perfect guitarist/vocalist Tiffany Farias is embodiment of the ambition of the most proud. band, or lack thereof. Though they play rock ‘n’ roll, Throughout our evening we more angular rock than pendulumic talk plans of meeting Chuck D roll, the quartet exist in a space (Yoshimoto will be playing alongside separated from millennial millionaire Public Enemy at this year’s Maverick meme worship and their live fast, Music Fest), sabotaging Public die famous punk predecessors. Enemy’s set in an effort to join PE, They are a rock ‘n’ roll band that Butter’s daughter being way more plays rock ‘n’ roll because they enjoy rock ‘n’ roll than anyone, sabotaging playing rock ‘n’ roll. The humble the Flaming Lips’ set (also playing bar we sit in and the way that they Maverick) in an effort to crowd surf articulately tie together the pains in a human-sized bubble and a of the 40-hour-work-week with the letter from Ian MacKaye that set the pleasure of releasing all of that tone for their play-music-becausetension in sonic form, maybe once you-want-to-play-music politics. a month, is symbolic of the purity We were happily interrupted by of their passion. Something rare in friends of the band who came and a world where relevance is placed went, stopping to applaud and/or upon a band’s cultural capital. mock their passion. The shit was “It’s fun,” says Butter. “It’s an thoroughly shot, although the liquor excuse to break shit and fuck shit was not (not patrition pounders up.” or plebeian purists these MotoWe all make fun of him for that heads, they drink like Europeans: statement, finish our drinks and calculated, controlled and crazily retire inside so Farias and guitarist/ concocted). vocalist Zach Sokoloski can get Yoshimoto posses completely home in time to be up at 6 a.m. different aims and hopes They’ll then head to work from most musicians raised and grind, humping it to post-MTV. How else would Southtown Vinyl afford themselves the you account for one record Grand Opening privilege of “wagging some After Party in a decade? They just wang, flapping some lips,” Free w/ RSVP, $5 don’t give a fuck about that at door on Saturday night, because 8pm Sat, Mar. 5 shit. The group is satisfied it feels good. That is all. Paper Tiger playing the venues that SA dtbuffkin@sacurrent. 2410 N. St. Mary’s St. papertigersa.com offers, as well as political com

W/ LEVEES, BRIGHT LIKE SUN DOORS 7PM / SHOW 8PM - ALL AGES Tuesday, March 8th Mondo Nation & K23 Presents

FRED & TOODY (OF DEAD MOON) DOORS 7PM / SHOW 9PM - ALL AGES Thursday, March 10th Transmisson Events Presents

ELECTRIC SIX

W/ PARLOUR TRICKS DOORS 7PM / SHOW 8PM - ALL AGES Thursday, March 10th Mondo Nation Presents

THE BODY

W/ CRAWL, BURNT SKULL DOORS 7PM / SHOW 9PM - ALL AGES Friday, March 11th Paper Tiger Presents

THE SAARINENS COOLERS

DOORS 7PM / SHOW 9PM - ALL AGES Sunday, March 13th Transmisson Events Presents

THEW/ROCKET SUMMER FARRO, HUNTER SHARPE DOORS 7PM / SHOW 8PM - ALL AGES Monday, March 14th (Main Room) Transmission Events Presents

KITTEN

DOORS 7PM / SHOW 8PM - ALL AGES Monday, March 14th (Small Room) Mondo Nation Presents

DOWNTOWN BOYS

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MUSIC

CHRIS STRONG PHOTOGRAPHY

SINGING OUR HISTORY

•

Staples, 76, still full of life and love

How Mavis Staples’ life of song helped shape America

TRAVIS BUFFKIN | @DTBUFFKIN

There are few artists in the American canon of popular music who have attained what Mavis Staples has. She is not simply a pop singer that had some charming soul hits in the ’60s and ’70s. Staples and her family band, The Staple Singers, used their position as a gospel group, led by Roebuck “Pops” Staples and his guitar, to place the fight of Black Americans on the frontlines of pop music. Perhaps the only drawback to Staples’ “career,” a word that fails to encompass her principal involvement in the history of our country, is that writing about her will inevitably become a fluff piece. What can you possibly say about a woman who has been one of the founders of the soundtrack to the American Experience? A woman whose voice echoed through a jail cell in the South just as it had in sanctuaries and meeting halls throughout the United States? Her voice, her tool for preparing or focusing those gathered to hear Civil Rights leaders and radical thinkers bent on what our government promises to us all and rarely delivers: freedom. The Staples family took the basic tenets of the Bible, particularly the liberation philosophies of the New Testament, and wrapped them in a digestible, dig-able swaddle of harmony. The band’s primary message was, without debate, one of love and acceptance, healing and forgiveness. I’m not an institutionally religious person: in a country where the predominant religion is often synonymous with rich white people telling me how to live, it is easy to have a negative reaction to a loving dogma that so rarely is put to use. But the idea of a healer, messiah, a savior who would take the weight of the world’s transgressions and bear them, no grievance being too great, is palpable in Staples’ recitations, from the desperately downtrodden to the rapturously jubilant. Her voice, from its sepulchral depths to its steeple-tall heights, bears the pain and passion of a people, a time, wherein history was being stretched, pulled and prodded by all kinds of interests — a time not unlike today. Perhaps the most brilliant musical idea any mind has ever thought up was to put a backbeat to The Staple Singers' gospel songs. Not only did it plant one of the funkiest grooves behind some of the sweetest sounds, but it allowed for the hallmark principles of equality and respect to have a place in the often vapid realm of popular song. Signing to Memphis-based Stax Records in 1968,

The Staple Singers showed the world that the sounds that further enforced the Staples’ convictions toward of the Black American church, placed alongside the equality and inclusion. Particularly as the Stax house “sinful” rhythms of the “devil’s music,” could yield some band was made up of white and black players — Booker T of the most rewarding results. From the self-empowering and his MGs. A similar tale to the story of the Swampers, sermons of “Respect Yourself” and “I’ll Take You There,” the Muscle Shoals Rhythm Section and FAME session The Staple Singers have cemented their position as one players, and the Wrecking Crew out in LA, both ethnically of the most timeless testaments to the ability of song diverse ensembles. Proving the point that we can, to change and empower. They are, to this critic, one of actually, make the most beautiful of music together when maybe a handful of artists whose music does not age. our surface differences are disregarded. From the production to the harmonies, content and Staples’ solo efforts, spanning from her 1969 selfinstrumentation, their contributions to pop music could titled debut to 2013’s remarkable One True Vine and last have been composed at any time in the last 50 years, the month’s Livin’ On A High Note, document the grandiosity songs are that good. Whether they would receive airplay of her talent as well as the conviction of her spirit. A is another story. world class musician, beginning her career at 11 years of The marriage of gospel music, formed in one age and continuing well into her 70s, and with a of the safest spaces for African Americans in prodigious potency that few can claim, she has Mavis Staples w/ their tumultuous history within the U.S., a space compiled a collection of hymns that document the Nick Lowe wherein they could be themselves — the church journey of her people, our people, from the depths $32.50-$60 — with soul music, stemming from the steamy of Hell on Earth to that far celestial shore, shaping 7:30pm Tue, Mar. 8 swamps of the South, the blues of the Delta, the the national consciousness along the way. Singing Tobin Center for the hustling, bustling rhythms of the northern cities — Performing Arts not just soulful songs, but our history. 100 Auditorium Circle Detroit, New York, The Staples’ Chicago — post(210) 223-8624 Great Migration, was an American experiment dtbuffkin@sacurrent.com tobincenter.org sacurrent.com • March 2—8, 2016 • CURRENT 61

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MUSIC

AURAL PLEASURE

// 3 Reviews of 3 Recent Releases

WILLIE NELSON

Summertime: Willie Nelson Sings Gershwin Sony Legacy Recordings Released February 26

→ As the first country singer to receive the Library of

Congress Gershwin Prize for Songwriting, an honor held by only seven other artists in the world, it makes sense that the Abbott, Texas native with the blood of the land in his voice should release 11 Ira and George penned tunes. Naturally, what first comes to mind is Stardust (1978), a collection of Tin Pan Alley tunes produced by Booker T, and Willie’s commercial breakthrough, containing “Georgia On My Mind,” “All of Me” and Gershwin’s “Someone to Watch Over Me,” the latter being revisited on Summertime. Those that are familiar with Willie’s canon, which is not a smoking device patented by the eternally lit octogenarian, know that the nasal master of phrasing has been doing all kinds of tunes his way for decades, not just country. Nelson has committed to wax pieces as diverse as gypsy jazz, ragtime, torch songs, rockabilly and, of course, the classic country evangelism for which he is best known, and that’s just on a single album. Summertime continues the direction Nelson has been going in for awhile: intimate, personal renditions of classic tunes with a small ensemble of Family members behind him. However, nothing is more powerful than when he sits at the mic with just his voice — drying and cracking but still as musical as ever — and Trigger, his nylon-stringed sidekick. The emotion of an American institution reaching the winter of his life but still in complete command of his heartbreaking skill is on full display. And for a moment Willie sounds as vibrant and vital as if he was back in the spring of his youth, when the Gershwins dominated popular song and Willie Hugh Nelson was just another songwriter, dreaming of becoming a legend. ’S wonderful. –Travis Buffkin

BLOWFLY

77 Rusty Trombones // Saustex Records Released February 19

→ I know the “B word” is bad. I know, as a selfidentifying male, that we’re not supposed to say it. But, there is something divinely satisfying about hearing Clarence Reid (aka Blowfly) call Oprah a bitch before ruminating on Johnny Mathis being the owner of the biggest butthole that you’ll ever see, before parodying Mathis’ “Chances Are” with the lines “Chances are because you wear a silly grin/ the moment your two-inch dick comes into view …” It’s gold. The posthumously released album from the Miami master of masturbation is chock so full of indecent imagery and clever cunnilinguistics that no mere review could do it justice. Just consider the titular titles, if you haven’t already tossed this issue across the room in righteous disgust: “If You Don’t Blow Me By Now,” which is exactly what you think it is — a cover of Harold Melvin & the Blue Notes classic ballad “If You Don’t Know Me By Now,” but about fellatio; “The Big Gay Crack,” which contains the Oprah/Mathis shout outs; the dignified “Masturbate”; The hilarious R. Kelly rip “I Still Believe My Dick Can Fly” (by the way, Blowfly’s balls can testify and if Michelle Obama ever wants to utilize some of that Illuminati reincarnation science, Blowfly is game to bone the First Lady); “Blowfly Jeopardy”; “Mountain Jew,” an homage to a wellendowed Semitic hillbilly; “American Ho Woman,” a cover of the Guess Who classic; “She’s Got a Weiner,” a pornographic version of the Chi-Lites “Have You Seen Her,” complete with three-part “fuck-fuck-fuck … sucksuck-suck”; “I Fuck Everything,” a take on the Stylistics soul standard; “He Will Fuck You,” set to Queen’s stadium anthem; “Celebrity ABC’s,” which Blowfly

recommends be utilized to teach children the building blocks of the English language and pussy; a punk rock track, “Fakin’ the Bi” and “Hell’s Ho Dolly,” about a woman more famous than “Marilyn Manho” in terrible need of a sanitary napkin. 77 Rusty Trombones is the perfect pre or post-coitus deal breaker if you really wanna test the boundaries of your partner’s nasty sense of humor. Good luck. As for Clarence, here’s hoping you’re somewhere among the aisles of dildos and sex mags in that XXX adult store in the sky. Save me a copy of Juggs. –TB

GHOST PALACE

Pushing Through Darkness // Boom Bap Masterpiece Released February 5

→ Pushing Through Darkness, the latest effort from San Anto/Donna, Texas/Seattle hip-hop trio Ghost Palace, is a brief (six songs, 19 minutes) but intense reflection on the pains of living in a fallen world. These are struggle rhymes, chiseled out of the stone of hardship, laced with the ghostly blossoms of alienation and desperation, and, thankfully, imbued with a hopeful slant that defiantly says: this is my life to live and my choices, along with their consequences, are mine to revel in or regret. “The Boy That Cried Wolf” and “Phantasmas” are particularly poignant tracks that deal with youth suicide and the death of elders in excruciatingly frank narrative form. The final track “Where Art Thou,” with only one place left to go in this battle against death and emptiness, turns skyward as rapper Sergio “Evolve” Hernandez laments the absence of God’s presence in his life, begging for a hopeful sign, for a gateway to a healing faith. – James Courtney sacurrent.com • March 2—8, 2016 • CURRENT 63

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MUSIC

FRI

Kreayshawn

It may have been a hot minute since you last heard about Kreayshawn, but that’s not to say she hasn’t been busy. The Bay Area artist is best known for the fierce but short-lived hip-hop collective White Girl Mob (featuring V-Nasty and Lil Debbie). Much can be said about the trio, but, in short, sometimes doing hoodrat shit with your friends pays off. Kreayshawn’s big break came when a release almost too perfect for its time, “Gucci Gucci,” went viral. If you remember this gem, it’s likely you listened to the sophisticated girl power anthem on repeat. In the corresponding video, you can see and hear Kreayshawn’s modus operandi: a DIY attitude offset by alternative school bad girl aesthetics and quick-witted lyrics laid to hype party beats. If there was any doubt of how genuinely punk Kreayshawn is, consider her recent opting out of her record deal, thus becoming her own boss, after giving birth to her son. Nowadays, Kreay still has a heavy online fan base that stay tuned in to her real life hustle: that of being a 26-year-old single mother while DJing and running her own podcast — #KREAYDIO — as well as designing jewelry and slanging vintage garbs online. Because you just can’t cheat the grind. $7, 10pm, The Phantom Room, 2106 N. St. Mary’s St., facebook.com/the-phantom-room –Denise De Glopper

Wednesday, March 2

George Thorogood & the Destroyers To

have a backing band hailed as the anarchic "Destroyers," George Thorogood must be some sort of rebellious punk icon. In reality, Thorogood's a radio-friendly kind of guy whose reworking of blues classics, from John Lee Hooker to Bo Diddley, has made him a classic rock station staple. With Damon Fowler. Aztec Theatre, 7pm

Texas Independence Day Bash Well

shoot me in the face! It's our first Independence Day with Open Carry! Featuring Poor J Brown and Slim Bawb & The Fabulous Stumpgrinders. Sam’s Burger Joint, 8pm

Thursday, March 3 Antique Sunlight The southwestern

desert trippers – Lou Reed does Townes Van Zandt – get in a couple of shows before their tour out West. With False Hemlock, Wild Fitz and Maoyenrai. Imagine Books and Records, 8pm

Urban-15 Workshop and Performance Turn the big box music chain into a Carnaval celebration at this interactive event, set to feature members of URBAN-15’s awardwinning Carnaval de San Anto and its djembe ensemble. Sam Ash, 7pm

Vocalosity: Aca-Perfect Tour Created

by Deke Sharon, the "mastermind" behind Pitch Perfect, Vocalosity proves beyond the cheesy name (nice try with the "aca-perfect" pun) there's some seriously talented pipes. Tobin Center for the Performing Arts, 7:30pm

Charlie Brown’s Neighborhood Bar & Grill

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Friday, March 4

Brahms Piano Concerto No. 1 Music

Director Sebastian Lang-Lessing collaborates with veteran titan of the piano, Peter Serkin, playing Brahms’ towering and notoriously challenging Piano Concerto No. 1 in D minor. Tobin Center for the Performing Arts, 8pm

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MAR 25 & 26 - RANDY ROGERS BAND

Bricks in the Wall: The Sights and Sounds of Pink Floyd If you can't

afford the Floyd spectacular, fear not. Just pop a CD in the microwave, drink a bottle of Nyquil and shine on, you crazy diamond. Aztec Theatre, 8pm

Bronze Radio Return When your songs

are licensed to Hollister – a mall clothing chain that's more concerned with hunky shirtless models than style – your music can hardly go under the label of indie rock. Bronze Radio Return knows just how this fate feels. With Howard. 502 Bar, 9pm

Creative Creatures Two Year Anniversary Bash Celebrate two years of the husband and wife-led collective of artists with neo-aggressive punkers Lloronas and the street Tex-Mex of Los Callejeros de San Anto. Limelight, 9pm

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APR 2 - CODY JOHNSON PLUS KYLE PARK & MIKE RYAN

Experience Hendrix Tour 2016

Formidable axe-wielders Billy Cox, Zakk Wylde, Buddy Guy, Kenny Wayne Shepherd and more team up to honor the lefthanded space case with the pyromaniacal tendencies. Majestic Theatre, 8pm

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MUSIC

Degree, Frontage, Lower Depths and Outcomes. The Ten Eleven, 7pm

Ten Year Anniversary with Sweet Sensations Arise, oh pale ones, emerge from the shadows, fill your goblets and celebrate a decade of one of SA's finest post-punk, goth clubs. Industry Nightclub, 9pm

Twista Fun fact: Tongue-twisting Chicago rapper Twista has set the Guinness World Record for fastest flow, with an impressive 598 syllables in 58 seconds. With AK (of Do or Die) and DJ Elite. Fitzgerald's, 9pm

Saturday, March 5

Lost Records' Get Lost Vol. 1 Release

Lost Records, a local label founded by Jason Valdez that's devoted to SoTex ska, punk and rock 'n' roll, is throwing a release party for their 2016 Compilation Get Lost: Volume 1. The Phantom Room, 9pm

Mickey Avalon and Dirt Nasty The

fascinatingly tacky rapper, whose cocksure swagger is matched only by his coy androgyny, is set to have the whole Hill Country doing the "Jane Fonda." With Fyer and Crichy Crich. Josabi's, 2pm

Mozart's Just Desserts The San

Antonio Chamber Choir and Yale's Professor of History Emeritus, Peter Gay, take you through 35 years of the enigmatic musical genius' life. Tobin Center for the Performing Arts, 7:30pm

Sell Your Soul Saturdays with Cave of Swimmers and Mau DJs Smoak and

Thunder Ratt fill in the gaps between the Dio-dropped-an-octave groove of Miami's Cave of Swimmers and locals Mau, whose Trauma Always Lingers release is heavy and headache-inducing, but with a languid, lax vocal delivery. Faust Tavern, 9pm

Southtown Vinyl After Party The after party for the grand opening of the city's newest vinyl store. Featuring post-punk outfit Yoshimoto, riot grrrl renovators Fea, Whatever? (full disclosure: Current music editor on

drums) and DJ Serge & Destroy. Paper Tiger, 8pm

Uli Jon Roth The Scorpions lead guitarist

aims to rock SA like a mild and casualtyfree hurricane. (Because hurricane season is always too soon). With Andy Timmons and Jennifer Batten. The Korova, 7pm

Sunday, March 6

Hyperbubble Coloring Book and CD Release Concert Series The

NOW OPEN!

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new-wavy disco punkers set their phasers to fun with this, the release of their self-drawn coloring book and complimentary CD. San Antonio Museum of Art, 1:30pm

Judy Watters Cancer Care Benefit Concert Ruben V, Jimmy Spacek,

Claude Butch Morgan, Laura Marie, Jim Beal & Miss Neesie and too many other talents to list gather together in a benefit to support another victim of the disease that just this year claimed Lemmy Kilmister, David Bowie and Jim Ed Brown. Sam’s Burger Joint, 2pm

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SUNDAYS

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Loreena McKennitt McKennitt’s eclectic

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You call it

Monday, March 7

Moon Honey Utilizing a vocalist with

a rich vibrato and interstellar rock compositions, Moon Honey accomplish out-of-this-world space-folk. With Levees, Bright Like the Sun and Octahedron. Paper Tiger, 7pm

Greedy Mouth Corpus' powerviolence

punks with a Seitan-ic sense of humor. With Six Brew Brantha With and Time Termination. Hi-Tones, 10pm

Tuesday, March 8

Fred & Toody (of Dead Moon) Playing

raw rock 'n' roll on their own terms for 30 years, see the garage legends play a stripped down duo set. Paper Tiger, 8pm

502 Bar 502 Embassy Oaks Drive, (210) 257-8125, 502bar.com Aztec Theatre 104 N. St. Mary’s St., (210) 8124355, theaztectheatre.com Faust Tavern 517 E. Woodlawn Ave., (210) 257-0628, fausttavern.com Fitzgerald’s 437 McCarty Road #101, (210) 629-5141, facebook.com/fitzgeraldsbarsa Hi-Tones 621 E. Dewey Pl., (210) 573-6220, hitonessa.com Imagine Books & Records 8373 Culebra Road, (210) 236-7668, imaginebookstore. com Industry Nightclub 8021 Pinebrook Drive, (210) 374-2765 Josabi's 17200 TX-16, (210) 372-9100, josabis. com Limelight 2718 N. St. Mary’s St., thelimelightsa.com Majestic Theatre 224 E. Houston St., (210) 226-5700, majesticempire.com Paper Tiger 2410 N. St. Mary’s St., papertigersa.com Sam Ash 25 NE Interstate 410 Loop, (210) 530-9777, samash.com Sam’s Burger Joint 330 E. Grayson St., (210) 223-2830, samsburgerjoint.com San Antonio Museum of Art 200 W. Jones Ave., (210) 978-8100, samuseum.org The Korova 107 E. Martin St., (210) 226-5070, thekorova.com The Phantom Room 2106 N. St. Mary’s St. The Ten Eleven 1011 Avenue B, (210) 320-9080, theteneleven.com Tobin Center for the Performing Arts 100 Auditorium Circle, (210) 223-8624, tobincenter.org

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FOUR WORD LIMIT SAVAGE LOVE by Dan Savage Are you incapable of concision? Your answers are too long! You blather on, often rehashing the problem (unnecessary!) before giving four words (at most!) of (rarely!) useful advice. I’ve heard you say you have to edit letters down for space. Try this instead: Edit yourself! I want more of the letters — more from the people asking questions — and less of YOU. Keep It Short, Savage, Expressed Sincerely Feedback is always appreciated, KISSES. I’m 30, happily married, with my husband since I was 17. First boyfriend, kiss, etc. I never had sex with anyone else. This never bothered me because I wasn’t really into sex — but there have been big changes in the last year. I guess I am having a sexual awakening. My sex drive increased, and I’ve started reading erotica and fantasizing about getting kinky. I’ve also been having very strong urges to fuck someone else. As someone who always had strong values and opinions when it comes to sex and marriage and cheating, these feelings really confused me! So I found a safe and harmless outlet: Second Life. I created a hot avatar and have been role-playing, talking dirty, and banging people across the world for six months. I love it. I get to experience scenarios I fantasize about but would never do in real life. Before your readers start pulling the cheater card: I have talked about this with my husband, and I have his blessing. He knows I have an SL account and I’m having cybersex. Here’s where it gets murky. Most of my SL friends haven’t asked if I’m taken in RL, and I haven’t told them that I am. I flirt as if I’m single, though,

because I’m worried people will treat me differently if they know I’m married. I do not wish to meet or have RL sex with anyone I meet on SL, and I make that clear to everyone. I don’t do photos/voice chat/Skype. But if someone asks me if I’m married in RL, I always tell the truth. I’m writing because I’m worried about this one guy. The cybersex is super hot, and he’s sweet. He’s my go-to guy, and I’m his go-to girl. He knows I have cybersex with other people in SL, and I have told him he is obviously allowed to have sex with others too. But I’m worried our SL relationship has become a bit more. He leaves me messages when I’m not online, telling me he misses me and “loves being with me,” and I’ve said the same to him. I’ve also made it clear I have no intention of meeting anyone from SL in RL, ever. Regardless of my intentions, I’m worried that I’m crossing the line and being unfair to my husband. I’m also worried that I’m being unfair to my guy in SL, because I’m sure he must think I’m single, even though he has never asked. Am I crossing the line and at risk of hurting my husband/ SL guy? Or am I just having some harmless fun that helps me satisfy this strange new itch that’s driving me crazy? Second Lifer And Spouse Haver P.S. It’s important to note that SL has not negatively impacted my RL sex life and, if anything, has made it better. It has also made me happier and less cranky at home. You’re doing nothing wrong, SLASH. On the Lovecast, Dan chats with Seattle journalist Eli Sanders: savagelovecast.com. mail@savagelove.net @fakedansavage on Twitter

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Glaucoma Eyedrops Interrupting Your Daily Life?

ETC.

JONESIN’ CROSSWORD by Matt Jones

Answer on page 21

Do you feel like your eyedrops disrupt your routine? Participate in a study to advance research in dropless therapy. Do you have glaucoma or high eye pressure in both eyes and: •Are at least 18 years old? •Have not had surgery for glaucoma? If so, you may be eligible for ARTEMIS, a research study of a current glaucoma therapy being studied in an investigational dropless way. All participants in the study will receive active treatment in both eyes and be closely monitored by study doctors. Study-related medication, eye exams, and care for your high eye pressure will be provided at no cost to you. Plus, you may receive additional compensation. Your participation in the ARTEMIS study could help advance the future of research in dropless glaucoma therapy.

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“Sop, Just Sop”— time for one letter to go. ACROSS

We guarantee the best donor fees in our marketing area! 72 CURRENT • March 2—8, 2016 • sacurrent.com

1 Not plugged in 4 Artist’s tribute 10 Bawl out 15 Water filter brand 16 Bedelia of kiddie lit 17 Ham preparer, perhaps 18 Before, to Keats 19 Instant coffee brand that’ll shock you awake? 21 Mark Twain’s real last name 23 Fender Stratocaster inventor’s zodiac sign, aptly 24 Mineral hardness scale 25 “Un momento, ___ favor” 26 Butcher’s cuts 28 Medal of Honor recipient 30 Notwithstanding 35 Lyft alternative 36 Gasoline additive 37 Dir. opposite NNW 40 Big golf competition using devices emitting electromagnetic waves? 43 CBS segment, for short? 44 Military shoulder pad 45 Cosmetics company that sells door-to-door 46 Ties in (with) 47 Actress Catherine ___-Jones 48 Deli hanger 52 “The ___ Is Mightier” (“Celebrity Jeopardy”

category on “SNL”) 53 Like marked-up textbooks 54 “Epic ___ Battles of History” 57 Onetime mall bookstore name 61 Play-by-play announcer show mixed with a police procedural? 64 “South Park” baby brother 65 “Tap” star Gregory 66 Time out 67 Bygone period 68 Start of a Caesarean trio 69 “Star Trek” captain’s order 70 Joined the table

DOWN

1 Crude oil cartel 2 Fold, as a flag 3 Uncensored media 4 Detractor 5 Country south of Iran 6 Pigsty, so to speak 7 Part of IPA 8 “The ___ From Ipanema” 9 Minimal effort 10 Acad. 11 New York politico Andrew 12 Hunter of Greek myth 13 Cafe con _ _ _ (Spanish drink) 14 Attire 20 Grow fond of 22 “Where to Invade Next”

director Michael 27 “___ Lugosi’s Dead” (Bauhaus song) 28 Ambient noises from appliances, e.g. 29 Place to do your bidding 30 Loses hope 31 “At Last” singer James and namesakes 32 Give a hoot 33 “The Alchemist” novelist ___ Coelho 34 “Lady ___” (Chris de Burgh hit) 37 Lava lamp’s heyday 38 Little brat 39 Fiery Italian landmark 41 Longtime NPR host Diane retiring in 2016 42 “___ tov!” 48 Tokyo rolls 49 Jellied tomato dish 50 “Bleeding Love” singer Lewis 51 Relevant, in legalese 52 Out of style 55 Need a backrub, say 56 Nuisance 57 B, as in bouzouki 58 Knock out 59 Southern stew ingredient 60 “That’s super!” 62 Mao ___-Tung 63 2012 AFTRA merger partner

ETC.

FREE WILL ASTROLOGY by Rob Brezsny ARIES (MARCH 21-APRIL 19): Actress Blythe Baird writes about the problem that arises when her dog sees her eating a peanut butter and chocolate chip bagel. Her beloved pet begs for a piece and becomes miserable when it’s not forthcoming. Baird is merely demonstrating her love, of course, because she knows that eating chocolate can make canines ill. I suspect that life is bestowing a comparable blessing on you. You may feel mad and sad about being deprived of something you want. But the likely truth is that you will be lucky not to get it.

TAURUS (APRIL 20-MAY 20): “I do not literally paint that table, but rather the emotion it produces upon me,” French artist Henri Matisse told an interviewer. “But what if you don’t always have emotion?” she asked him. This is how Matisse replied: “Then I do not paint. This morning, when I came to work, I had no emotion. So I took a horseback ride. When I returned, I felt like painting, and had all the emotion I wanted.” This is excellent advice for you to keep in mind, Taurus. Even more than usual, it’s crucial that you imbue every important thing you do with pure, strong emotions. If they’re not immediately available, go in quest of them.

GEMINI (MAY 21-JUNE 20): Some night soon, I predict you’ll dream of being an enlightened sovereign who presides over an ecologically sustainable paradise. You’re a visionary leader who is committed to peace and high culture, so you’ve never gone to war. You share your wealth with the people in your kingdom. You revere scientists and shamans alike, providing them with what they need to do their good work for the enhancement of the realm. Have fun imagining further details of this dream, Gemini, or else make up your own. Now is an excellent time to visualize a fairy tale version of yourself at the height of your powers, living your dreams and sharing your gifts. CANCER (JUNE 21-JULY 22): It’s not always necessary to have an expansive view of where you have been and where you are going, but it’s crucial right now. So I suggest that you take an inventory of the big picture. For guidance, study this advice from philosopher Friedrich Nietzsche: “What have you truly loved? What has uplifted your soul, what has dominated and delighted it at the same time? Assemble these revered objects in a row before you and they may reveal a law by their nature and their order: the fundamental law of your very self.”

LEO (JULY 23-AUG. 22): Sportswear manufacturer Adidas is looking for ways to repurpose trash that humans dump in the oceans. One of its creations is a type of shoe made from illegal deep-sea nets that have been

confiscated from poachers. I invite you to get inspired by Adidas’s work. From an astrological perspective, now is a good time to expand and refine your personal approach to recycling. Brainstorm about how you could convert waste and refuse into useful, beautiful resources — not just literally, but also metaphorically. For example, is there a ruined or used-up dream that could be transformed into raw material for a shiny new dream?

VIRGO (AUG. 23-SEPT. 22): “There isn’t enough of anything as long as we live,” wrote Raymond Carver. “But at intervals a sweetness appears and, given a chance, prevails.” According to my analysis of the astrological omens, Virgo, you’ll soon be gliding through one of these intervals. Now and then you may even experience the strange sensation of being completely satisfied with the quality and amount of sweetness that arrives. To ensure optimal results, be as free from greed as you can possibly be.

LIBRA (SEPT. 23-OCT. 22): “For a wound to heal, you have to clean it out,” says author Yasmin Mogahed. “Again, and again, and again. And this cleaning process stings. The cleaning of a wound hurts. Yes. Healing takes so much work. So much persistence. And so much patience.” According to my analysis, Libra, you should be attending to this tough but glorious task. Although the work might be hard, it won’t be anywhere near as hard as it usually is. And you are likely to make more progress than you would be able to at other times.

And unlike Berryman, you won’t have to proceed in darkness. The light might not be bright, but there’ll be enough of a glow to see what you’re doing.

CAPRICORN (DEC. 22-JAN. 19): Here’s the dictionary’s definition of the word “indelible”: “having the quality of being difficult to remove, wash away, blot out, or efface; incapable of being canceled, lost, or forgotten.” The word is often used in reference to unpleasant matters: stains on clothes, biases that distort the truth, superstitions held with unshakable conviction, or painful memories of romantic break-ups. I am happy to let you know that you now have more power than usual to dissolve seemingly indelible stuff like that. Here’s a trick that might help you: Find a new teacher or teaching that uplifts you with indelible epiphanies.

AQUARIUS (JAN. 20-FEB. 18): According to poet Tony Hoagland, most of us rarely “manage to finish a thought or a feeling; we usually get lazy or distracted and quit halfway through.” Why? Hoagland theorizes that we “don’t have the time to complete the process, and we dislike the difficulty and discomfort of the task.” There’s a cost for this negligence: “We walk around full of half-finished experiences.”

That’s why Hoagland became a poet. He says that “poems model the possibility of feeling all the way through an emotional process” and “thinking all the way through a thought.” The coming weeks will be a favorable time to get more in the habit of finishing your own feelings and thoughts, Aquarius. It will also be more important than usual that you do so! (Hoagland’s comments appeared in Gulf Coast: A Journal of Literature and Fine Arts.)

PISCES (FEB. 19-MARCH 20): Unless you work at night and sleep by day, you experience the morning on a regular basis. You may have a love-hate relationship with it, because on the one hand you don’t like to leave your comfortable bed so early, and on the other hand you enjoy anticipating the interesting events ahead of you. But aside from your personal associations with the morning, this time of day has always been a potent symbol of awakenings and beginnings. Throughout history, poets have invoked it to signify purity and promise. In myth and legend, it often represents the chance to see things afresh, to be free of the past’s burdens, to love life unconditionally. Dream interpreters might suggest that a dream of morning indicates a renewed capacity to trust oneself. All of these meanings are especially apropos for you right now, Pisces.

THIS MODERN WORLD by Tom Tomorrow

SCORPIO (OCT. 23-NOV. 21): “The other day, lying in bed,” writes poet Rodger Kamenetz, “I felt my heart beating for the first time in a long while. I realized how little I live in my body, how much in my mind.” He speaks for the majority of us. We spend much of our lives entranced by the relentless jabber that unfolds between our ears. But I want to let you know, Scorpio, that the moment is ripe to rebel against this tendency in yourself. In the coming weeks, you will have a natural talent for celebrating your body. You’ll be able to commune deeply with its sensations, to learn more abut how it works, and to exult in the pleasure it gives you and the wisdom it provides. SAGITTARIUS (NOV. 22-DEC. 21): In his “Dream Song 67,” poet John Berryman confesses, “I am obliged to perform in complete darkness operations of great delicacy on my self.” I hope you will consider embarking on similar heroics, Sagittarius. It’s not an especially favorable time to overhaul your environment or try to get people to change in accordance with your wishes. But it’s a perfect moment to spruce up your inner world — to tinker with and refine it so that everything in there works with more grace.

sacurrent.com • March 2—8, 2016 • CURRENT 73

Healthy Adults

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Elect a District Judge with experience in family law and trials. One who listens, understands, and has the best interest of the people and children in mind. Join Attorney Frances Dunham for 438th District Judge in Bexar County. Frances Dunham, with twenty years family law and trial experience, will focus on making our city and community the family friendly and safe place it has become known to be. Her plans include, educating the community in Civil and Family Law matters through her “Free Legal Workshops”, as well as removing politics from the courtroom by rendering fair, party neutral, gender/orientation neutral decisions supported under the law of the State of Texas.

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Free Legal Workshop, Inc. Free legal workshop, Inc. is absolutely free community service that holds civic duty in high regard and by giving back through education. Frances Dunham introduces key elements in strengthening families by offering information regarding family law related cases. She believes each family member plays a vital role in the health, growth, and well-being of all who are involved with their case. Her goal and mission, since inception, is to bring families together to solve problems and build a brighter future. Workshops are held monthly and RSVP is needed.

For more information, visit:

freelegalworkshop.com Pol. Adv. paid for by the Frances Dunham Campaign.